1 00:00:02,000 --> 00:00:03,600 Glow Up is back. 2 00:00:03,600 --> 00:00:07,200 Ten of the best aspiring make-up artists are pushing 3 00:00:07,200 --> 00:00:08,880 their creativity to its limits... 4 00:00:08,880 --> 00:00:10,400 I'm born again! 5 00:00:11,640 --> 00:00:14,000 ..vying for top spot in one of the most demanding make-up 6 00:00:14,000 --> 00:00:16,440 competitions in the world. 7 00:00:16,440 --> 00:00:18,880 I want to win. I'll congratulate the runners-up. 8 00:00:18,880 --> 00:00:21,280 Everybody in this room be scared. 9 00:00:21,280 --> 00:00:24,760 On a mission to impress the most iconic names in the business... 10 00:00:24,760 --> 00:00:26,080 Tell me more. 11 00:00:26,080 --> 00:00:28,840 I know you're a fan of me. Huge. Now I'm a fan of you. 12 00:00:30,440 --> 00:00:32,840 Don't panic. Nobody panic! 13 00:00:32,840 --> 00:00:35,640 ..they'll work on some of the toughest professional assignments... 14 00:00:35,640 --> 00:00:38,440 It's like the Hunger Games but a lot less violent. 15 00:00:38,440 --> 00:00:40,680 ..like designing next-level lenses 16 00:00:40,680 --> 00:00:43,120 for global platform Snapchat, 17 00:00:43,120 --> 00:00:45,440 perfecting prosthetics on the set of... 18 00:00:45,440 --> 00:00:47,240 House Of The Dragon. 19 00:00:47,240 --> 00:00:48,360 Ugh! 20 00:00:48,360 --> 00:00:51,000 And tackling theatrical looks backstage at... 21 00:00:51,000 --> 00:00:52,440 Cabaret. 22 00:00:52,440 --> 00:00:54,080 Can we all just have a moment? 23 00:00:55,320 --> 00:00:56,480 That's enough. 24 00:00:56,480 --> 00:00:59,840 Each week, the MUAs will face a fierce creative brief. 25 00:00:59,840 --> 00:01:01,240 It's joyful. 26 00:01:01,240 --> 00:01:03,680 It takes me to my happy place. 27 00:01:03,680 --> 00:01:05,840 And those who fall short... 28 00:01:05,840 --> 00:01:08,800 Hang in there, darling. This is to help you. 29 00:01:08,800 --> 00:01:12,920 ..will fight for survival in an intense face-off elimination, 30 00:01:12,920 --> 00:01:15,360 until only the best are left... 31 00:01:15,360 --> 00:01:18,240 Magical. Amazing. Fantastic. 32 00:01:18,240 --> 00:01:20,040 It's a ding-dong! 33 00:01:20,040 --> 00:01:23,200 ..finessing to the finish for a prize that could turn their make-up 34 00:01:23,200 --> 00:01:25,040 dreams in to reality. 35 00:01:25,040 --> 00:01:26,560 Oh, my God, I love it! 36 00:01:26,560 --> 00:01:30,280 I can't wait to see your first Oscar for make-up. 37 00:01:30,280 --> 00:01:31,600 It's time... 38 00:01:32,880 --> 00:01:34,360 ..to Glow Up. 39 00:01:41,160 --> 00:01:42,600 We're super excited. 40 00:01:42,600 --> 00:01:43,880 We're getting ready. 41 00:01:43,880 --> 00:01:45,480 Day one. Day one. 42 00:01:47,080 --> 00:01:48,200 Urrr! 43 00:01:48,200 --> 00:01:50,680 We've literally got in here over thousands and thousands 44 00:01:50,680 --> 00:01:52,040 and thousands of people. 45 00:01:52,040 --> 00:01:53,600 We are, like, the top ten. 46 00:01:53,600 --> 00:01:56,440 I'm really, really excited to be here for Glow Up. 47 00:01:56,440 --> 00:01:59,280 Like, oh, my God! Is it hot in here or is it just me? 48 00:01:59,280 --> 00:02:01,400 You know, and most of the time it is just me. 49 00:02:04,440 --> 00:02:07,440 Good morning! 50 00:02:07,440 --> 00:02:09,080 Hi, everybody! 51 00:02:09,080 --> 00:02:10,560 Hi! Hi! 52 00:02:10,560 --> 00:02:11,680 What is going on? 53 00:02:11,680 --> 00:02:15,280 You look very, very professional. So how's the vibes? 54 00:02:15,280 --> 00:02:16,840 It feels real now. 55 00:02:16,840 --> 00:02:18,040 It's happening. 56 00:02:18,040 --> 00:02:21,160 Is there any challenges that you are nervous about? 57 00:02:21,160 --> 00:02:22,400 Prosthetics. 58 00:02:22,400 --> 00:02:24,400 I know how to make them and all, but actually, like, doing it 59 00:02:24,400 --> 00:02:27,160 in, like, a proper like challenge setting, I might be like, "Agh!" 60 00:02:27,160 --> 00:02:29,640 Just breathe through it. 61 00:02:29,640 --> 00:02:32,440 I'm from a small town outside Belfast called Glengormley. 62 00:02:32,440 --> 00:02:34,840 I'm coming to be the first Irish winner of Glow Up. 63 00:02:34,840 --> 00:02:36,840 Oh, my God! This is the dream! 64 00:02:38,000 --> 00:02:39,560 House is fancy. 65 00:02:39,560 --> 00:02:41,600 Hello, there. Where are you from? 66 00:02:41,600 --> 00:02:42,840 I'm a south London girl. 67 00:02:42,840 --> 00:02:44,200 That's what I'm talking about! Gang! 68 00:02:44,200 --> 00:02:45,760 I love that for us! 69 00:02:45,760 --> 00:02:49,440 I really do thrive the best off of pressure. 70 00:02:49,440 --> 00:02:50,560 I'm here to win. 71 00:02:50,560 --> 00:02:52,640 What's the point of coming if you're not aiming to win? 72 00:02:52,640 --> 00:02:56,160 Time to get ready for our first industry assignment. 73 00:02:59,000 --> 00:03:02,920 I'm so excited to see what you guys are going to be doing. 74 00:03:06,920 --> 00:03:10,400 Judging the MUAs' work over the next eight weeks will be 75 00:03:10,400 --> 00:03:13,320 industry legends Val Garland and Dominic Skinner. 76 00:03:13,320 --> 00:03:14,680 Oh, my God! 77 00:03:14,680 --> 00:03:16,240 Hi, hi, hi! 78 00:03:16,240 --> 00:03:18,160 I love your coats! 79 00:03:18,160 --> 00:03:20,320 Thank you very much! Hi, guys. 80 00:03:20,320 --> 00:03:22,480 Actually seeing Val and Dom in person, 81 00:03:22,480 --> 00:03:24,680 it does now feel like Glow Up has started. 82 00:03:24,680 --> 00:03:27,040 Welcome, welcome! 83 00:03:27,040 --> 00:03:30,120 So, today, at 5pm, 84 00:03:30,120 --> 00:03:32,560 there'll be an audience in this space 85 00:03:32,560 --> 00:03:36,360 for an exclusive, invite-only fashion show. 86 00:03:36,360 --> 00:03:38,120 Oh, my God! Crazy! 87 00:03:38,120 --> 00:03:42,000 So, please welcome your designer, HARRI... 88 00:03:42,000 --> 00:03:44,080 Oh, my God! Stop it. 89 00:03:44,080 --> 00:03:48,920 ..and his key make-up artist for his show, 90 00:03:48,920 --> 00:03:52,760 and also your boss of the day... 91 00:03:52,760 --> 00:03:54,920 Oh, my God! ..Isamaya Ffrench. 92 00:03:54,920 --> 00:03:57,960 Oh, my God! Shut up! Woo-woo-woo! 93 00:03:57,960 --> 00:03:59,520 Oh, my God! Ohhh! 94 00:03:59,520 --> 00:04:02,240 Isamaya. She's literally my favourite make-up artist. 95 00:04:02,240 --> 00:04:03,960 You can't get any bolder, fashion-wise, 96 00:04:03,960 --> 00:04:06,400 than HARRI. Like, that's insane. 97 00:04:06,400 --> 00:04:07,920 Wow! What an icon! 98 00:04:09,800 --> 00:04:12,120 Creative director for today's runway, HARRI, 99 00:04:12,120 --> 00:04:15,320 is known for his show-stopping silhouettes. 100 00:04:15,320 --> 00:04:16,840 And first came to fame 101 00:04:16,840 --> 00:04:18,760 when he created Sam Smith's look 102 00:04:18,760 --> 00:04:20,280 for the 2023 Brit Awards. 103 00:04:21,680 --> 00:04:24,360 My work is very sculptural. 104 00:04:24,360 --> 00:04:26,400 It has an inherent texture to it 105 00:04:26,400 --> 00:04:27,600 that's very loud. 106 00:04:27,600 --> 00:04:29,160 There needs to be good synergy 107 00:04:29,160 --> 00:04:31,200 between the make-up and the clothing, 108 00:04:31,200 --> 00:04:32,800 and it's really important to bring 109 00:04:32,800 --> 00:04:35,240 the life out of the sculpture. 110 00:04:35,240 --> 00:04:38,680 Collaborating with HARRI for the very first time, make-up visionary 111 00:04:38,680 --> 00:04:43,080 Isamaya Ffrench is famed for her innovative, high-concept looks. 112 00:04:43,080 --> 00:04:47,120 The job of a key MUA at a show is to work with the designer 113 00:04:47,120 --> 00:04:51,120 to create a make-up look that I can then present to my team, 114 00:04:51,120 --> 00:04:53,200 and they can go away and replicate. 115 00:04:53,200 --> 00:04:56,440 It's going to be really important for the make-up artists to do 116 00:04:56,440 --> 00:04:58,600 an excellent job, to really translate the designer's 117 00:04:58,600 --> 00:05:00,720 vision at the highest level 118 00:05:00,720 --> 00:05:03,000 for the show this afternoon. 119 00:05:03,000 --> 00:05:04,240 Hello, welcome, everyone. 120 00:05:04,240 --> 00:05:05,880 Really nice to see you all. 121 00:05:05,880 --> 00:05:08,040 So the theme for the show is sculptural Gothic... 122 00:05:08,040 --> 00:05:10,200 Oh! Did someone say Goth? 123 00:05:12,720 --> 00:05:15,360 I'm really looking for something that's dark, edgy,, 124 00:05:15,360 --> 00:05:18,240 that highlights the sculptural nature of the clothing. 125 00:05:18,240 --> 00:05:20,920 I am so excited about the brief. 126 00:05:20,920 --> 00:05:23,480 I definitely think there's added pressure on me. 127 00:05:23,480 --> 00:05:27,040 I feel like if I mess this up, I can't be a Goth any more. 128 00:05:27,040 --> 00:05:28,680 This is HARRI's show, 129 00:05:28,680 --> 00:05:31,240 so we have to kill it as a team. 130 00:05:31,240 --> 00:05:34,200 If any of you are falling behind or I don't feel like the make-up 131 00:05:34,200 --> 00:05:38,680 look is up to scratch for the show, I will step in and take over, 132 00:05:38,680 --> 00:05:41,120 but I don't want you to rely on me. 133 00:05:42,080 --> 00:05:45,000 Whoever impresses me the most today will join me in the line-up, 134 00:05:45,000 --> 00:05:48,800 and I'll ask you to grab your kit and do the final touches with me. 135 00:05:48,800 --> 00:05:50,120 Good luck. 136 00:05:50,120 --> 00:05:54,680 Guys, I've done my fair share of catwalk shows. 137 00:05:54,680 --> 00:06:00,240 To be asked to go to the line-up, with the key artist, 138 00:06:00,240 --> 00:06:04,000 I've now got goose bumps, this is major. 139 00:06:05,040 --> 00:06:08,400 I think it's time. Let's go inside, guys. Come on. 140 00:06:08,400 --> 00:06:09,960 See you later. 141 00:06:09,960 --> 00:06:12,400 Honestly, wow, to have the first 142 00:06:12,400 --> 00:06:14,160 assignment be for a runway show, 143 00:06:14,160 --> 00:06:17,000 which is very much what I want to do, I'm just so excited. 144 00:06:17,000 --> 00:06:19,320 I'm telling you, I'm gunning for this today. 145 00:06:19,320 --> 00:06:22,440 Before the MUAs get started, Isamaya gives them 146 00:06:22,440 --> 00:06:24,080 a rundown of what's needed. 147 00:06:25,160 --> 00:06:27,040 So I'm going to demo you the show look today. 148 00:06:27,040 --> 00:06:31,760 I want it to be really high-level. It has to be elevated, precise. 149 00:06:31,760 --> 00:06:33,800 The look today is very complicated. 150 00:06:33,800 --> 00:06:37,520 It's a dark Gothic sculptural look, with lots of different elements. 151 00:06:37,520 --> 00:06:40,400 It's really important it dries, and it goes really tacky. 152 00:06:40,400 --> 00:06:42,960 They're going to have to really watch how I apply the make-up 153 00:06:42,960 --> 00:06:45,640 and go away and do exactly the same. 154 00:06:45,640 --> 00:06:49,440 The three key elements of the look are a twist on a blocked brow, 155 00:06:49,440 --> 00:06:51,360 created using prosthetics... 156 00:06:51,360 --> 00:06:54,880 If you put this down when it's still wet, it won't set properly. 157 00:06:54,880 --> 00:06:59,640 Line it up, push it out, so that it kind of sits really nicely and flat. 158 00:06:59,640 --> 00:07:03,040 ..a statement dark eye, with layered under lash. 159 00:07:03,040 --> 00:07:07,840 Don't put this lash all the way to the very edge of the eye. OK. 160 00:07:07,840 --> 00:07:10,760 ..and an overdrawn, Gothic, grey lip. 161 00:07:10,760 --> 00:07:12,040 I just want a nice cold colour. 162 00:07:12,040 --> 00:07:14,080 I'm going to mix a bit of black 163 00:07:14,080 --> 00:07:15,800 and a bit of this grey in. 164 00:07:15,800 --> 00:07:17,640 So that's the look, and good luck. 165 00:07:17,640 --> 00:07:19,720 MUAs: Thank you! 166 00:07:19,720 --> 00:07:22,840 The word prosthetic initially triggered me a little bit. 167 00:07:22,840 --> 00:07:25,080 I had to stop the inner spiralling. 168 00:07:25,080 --> 00:07:27,160 But I feel like it's a great opportunity for me 169 00:07:27,160 --> 00:07:28,920 to just kind of be thrown straight in to the deep end 170 00:07:28,920 --> 00:07:30,600 and really get into competition mode. 171 00:07:30,600 --> 00:07:33,160 All right, make-up, we're about to begin. 172 00:07:33,160 --> 00:07:34,560 You have 90 minutes 173 00:07:34,560 --> 00:07:37,400 until all of your models are pulled for the line-up. 174 00:07:37,400 --> 00:07:38,560 Good luck. 175 00:07:38,560 --> 00:07:39,760 Off you go. 176 00:07:43,440 --> 00:07:46,560 The MUAs must each execute Isamaya's look on a model who will be 177 00:07:46,560 --> 00:07:50,000 walking in HARRI's prestigious runway show. 178 00:07:50,920 --> 00:07:53,360 Your hair is fabulous! Really? 179 00:07:53,360 --> 00:07:54,640 You've got such nice brows. 180 00:07:54,640 --> 00:07:55,960 Oh, thank you. 181 00:07:55,960 --> 00:07:58,360 You have the most perfect skin, so I'm, like, so happy. 182 00:07:58,360 --> 00:07:59,840 You're welcome. 183 00:07:59,840 --> 00:08:01,080 Where are you from? 184 00:08:01,080 --> 00:08:02,440 I'm from Birmingham. 185 00:08:02,440 --> 00:08:04,320 Have you heard of it? Yeah. 186 00:08:04,320 --> 00:08:09,320 As a first assignment, this is a really big deal for our MUAs. 187 00:08:09,320 --> 00:08:11,360 They're being thrown in at the deep end, 188 00:08:11,360 --> 00:08:14,640 straight in to a leading catwalk show. 189 00:08:14,640 --> 00:08:16,040 First one, and it's for a show, 190 00:08:16,040 --> 00:08:17,320 so it's not just going to be 191 00:08:17,320 --> 00:08:18,800 judged by the judges, there's going 192 00:08:18,800 --> 00:08:20,160 to be a whole crowd of people. 193 00:08:20,160 --> 00:08:22,920 They've got 90 minutes to pull off 194 00:08:22,920 --> 00:08:26,920 a very technical, detailed make-up. 195 00:08:26,920 --> 00:08:28,480 It's going to be tough. 196 00:08:28,480 --> 00:08:32,760 I'm so used to doing my super-creative looks in my own time, 197 00:08:32,760 --> 00:08:34,560 taking as much time as I want. 198 00:08:34,560 --> 00:08:36,440 But, yeah, I'm going to try and manage it wisely. 199 00:08:36,440 --> 00:08:37,720 Try not to talk too much! 200 00:08:39,600 --> 00:08:41,160 I feel confident. 201 00:08:41,160 --> 00:08:44,800 I've done a fashion show before, and I have a degree in prosthetics. 202 00:08:44,800 --> 00:08:46,880 I do really want to be part of the line-up. 203 00:08:46,880 --> 00:08:50,880 It's a very big thing to stand right next to the main make-up artist. 204 00:08:50,880 --> 00:08:53,160 Runway make-up is really high pressure. 205 00:08:53,160 --> 00:08:54,880 You're pulled in every direction, 206 00:08:54,880 --> 00:08:56,840 there are 100 last-minute changes. 207 00:08:56,840 --> 00:08:59,360 I might need to get them in their outfit, five minutes, 208 00:08:59,360 --> 00:09:01,240 if that's OK? Yeah. 209 00:09:01,240 --> 00:09:03,840 Their models will be going through hair, styling. 210 00:09:03,840 --> 00:09:06,240 I've worked like this a couple times backstage, 211 00:09:06,240 --> 00:09:07,920 doing, like, different fashion shows. 212 00:09:07,920 --> 00:09:11,120 {\an8}But, yeah, I wasn't expecting three...three people doing hair, 213 00:09:11,120 --> 00:09:12,560 {\an8}which is quite exciting. 214 00:09:12,560 --> 00:09:14,960 There's a lot going on for these guys today, 215 00:09:14,960 --> 00:09:16,760 and I just hope that they keep their cool. 216 00:09:16,760 --> 00:09:18,600 {\an8}This is the biggest thing I've ever done, 217 00:09:18,600 --> 00:09:22,280 {\an8}so, yeah, the pressure's on, and I'm very nervous. 218 00:09:22,280 --> 00:09:24,600 I'm just an anxious person all... 219 00:09:24,600 --> 00:09:28,400 all the time, even for like a cheeky walk to Tesco's, I'm like, "Ugh!" 220 00:09:28,400 --> 00:09:30,280 Hi, babes. Hi. 221 00:09:30,280 --> 00:09:31,840 How are we feeling? 222 00:09:31,840 --> 00:09:33,320 I'm feeling great. I've got 223 00:09:33,320 --> 00:09:35,040 an amazing model so... We love. 224 00:09:35,040 --> 00:09:37,600 ..my work is, like, a little bit easier. 225 00:09:37,600 --> 00:09:40,120 I saw the runway, I was like, "Yeah, this is my bag." Yeah. 226 00:09:40,120 --> 00:09:41,680 Like, it's where I want to go. 227 00:09:41,680 --> 00:09:43,960 You know, I'm just so excited 228 00:09:43,960 --> 00:09:46,680 to be here, and hoping to smash it. 229 00:09:46,680 --> 00:09:47,960 So you feel like you're thriving in 230 00:09:47,960 --> 00:09:49,360 this kind of stressful environment? 231 00:09:49,360 --> 00:09:50,400 Yeah. 232 00:09:50,400 --> 00:09:53,040 I'm very much in tune with myself and... 233 00:09:53,040 --> 00:09:54,840 So, you know, I'm just finding that zen. 234 00:09:54,840 --> 00:09:55,880 I love that. 235 00:09:55,880 --> 00:09:58,520 Turning that chaos in to calm... Ooh! So... 236 00:09:58,520 --> 00:10:00,720 Put that one on a T-shirt and sell it! 237 00:10:02,000 --> 00:10:05,000 Once the skin has been prepped and the brows glued... 238 00:10:05,000 --> 00:10:07,440 They look like you've really stuck them down well. 239 00:10:07,440 --> 00:10:09,280 Yeah. She's got really good eyebrows for it. 240 00:10:09,280 --> 00:10:12,760 ..the MUAs can move on to the most technical part of the look. 241 00:10:12,760 --> 00:10:14,640 THe second time I've ever done prosthetics. 242 00:10:14,640 --> 00:10:16,920 I'm nervous, but I'm excited to try. 243 00:10:16,920 --> 00:10:19,360 Currently just adding the glue to my model's eyebrows, 244 00:10:19,360 --> 00:10:21,320 and I've got it on my wee prosthetic piece as well. 245 00:10:21,320 --> 00:10:24,080 I've got all my notes, I've got my little diagram, 246 00:10:24,080 --> 00:10:26,160 so I'm going to be OK. 247 00:10:29,760 --> 00:10:31,200 I'm currently in my final year 248 00:10:31,200 --> 00:10:32,520 of make-up for TV and film, 249 00:10:32,520 --> 00:10:35,000 and, honestly, I love it. 250 00:10:35,000 --> 00:10:37,480 I love finding out what goes in to a film production. 251 00:10:37,480 --> 00:10:39,480 I do love prosthetics. 252 00:10:39,480 --> 00:10:41,280 It's still something I am learning, 253 00:10:41,280 --> 00:10:43,520 but I do have like knowledge of prosthetics. 254 00:10:45,680 --> 00:10:48,560 Being on Glow Up, it's a completely new experience for me. 255 00:10:48,560 --> 00:10:50,520 I've never lived away from home. 256 00:10:50,520 --> 00:10:53,680 Been living in the same small-town bubble for like 20 years now, 257 00:10:53,680 --> 00:10:56,560 so I'm excited to explore my independence and really just 258 00:10:56,560 --> 00:10:59,400 pursue this experience and just like have the best time. 259 00:11:04,040 --> 00:11:05,440 Pressure's definitely on. 260 00:11:05,440 --> 00:11:08,440 But, like, it's such, like, a dream job that most people, like, die for 261 00:11:08,440 --> 00:11:11,360 in the industry, so I'm really just going to do my best, keep 262 00:11:11,360 --> 00:11:15,120 my head down and just really just get it, just like push through. 263 00:11:15,120 --> 00:11:16,440 Make-up team, 264 00:11:16,440 --> 00:11:19,760 it's an hour till your models all get pulled for the line-up. 265 00:11:19,760 --> 00:11:22,160 OK, that's not as much time as I actually thought. 266 00:11:23,320 --> 00:11:25,840 The key to applying a successful brow cover is to wait 267 00:11:25,840 --> 00:11:27,800 until the glue is tacky. 268 00:11:29,200 --> 00:11:32,520 I'm just stretching it, like Isamaya said, 269 00:11:32,520 --> 00:11:35,320 but I think I've put it on when it was still a bit too wet. 270 00:11:36,360 --> 00:11:38,440 I've used these prosthetics before, I did them 271 00:11:38,440 --> 00:11:41,280 when I was in college about three years ago. 272 00:11:41,280 --> 00:11:43,000 I know how they kind of run. 273 00:11:43,000 --> 00:11:45,440 Everything's kind of coming together. 274 00:11:47,760 --> 00:11:50,760 Growing up in south Wales, little gay old me, 275 00:11:50,760 --> 00:11:52,040 it was very hard. 276 00:11:53,160 --> 00:11:55,720 You're always ridiculed for being different. 277 00:11:55,720 --> 00:11:59,240 It was really challenging to try and figure out who I was. 278 00:12:00,160 --> 00:12:01,720 Make-up is my everything. 279 00:12:01,720 --> 00:12:03,240 I'm so happy I found it. 280 00:12:03,240 --> 00:12:06,320 Now I can truly express how I feel. 281 00:12:07,400 --> 00:12:11,280 Truly love who I am because of make-up. 282 00:12:11,280 --> 00:12:14,560 My dream is to be a cover shoot make-up artist - 283 00:12:14,560 --> 00:12:15,960 Cosmopolitan, Vogue. 284 00:12:15,960 --> 00:12:18,360 I want people to go, "We need someone to come and do 285 00:12:18,360 --> 00:12:20,840 "this cover shoot. Who do we call? Joe. That's who we call." 286 00:12:20,840 --> 00:12:22,480 I want to be that person. 287 00:12:24,160 --> 00:12:26,280 How's it going? It's going stunning, honestly. 288 00:12:26,280 --> 00:12:28,160 I'm very, very excited. 289 00:12:29,400 --> 00:12:31,960 While some of the MUAs are racing ahead... 290 00:12:31,960 --> 00:12:35,440 Just finishing the second prosthetic. 291 00:12:35,440 --> 00:12:38,040 ..others appear to be struggling. 292 00:12:38,040 --> 00:12:40,760 I have never done prosthetics properly before. 293 00:12:40,760 --> 00:12:42,600 Oh, there we go. Sorry. 294 00:12:42,600 --> 00:12:46,920 I can't lie, I'm a little bit stressed. 295 00:12:46,920 --> 00:12:50,000 And even those with experience are having issues. 296 00:12:50,000 --> 00:12:51,160 I'm OK. 297 00:12:51,160 --> 00:12:53,440 Had a little mishap with one cos it folded in half, 298 00:12:53,440 --> 00:12:55,040 so I'm just trying to quickly get this one dry 299 00:12:55,040 --> 00:12:57,480 so I can get the other one on and be ready to go. 300 00:12:57,480 --> 00:13:00,480 I just do quickly need to try and get this dried. 301 00:13:00,480 --> 00:13:03,080 Can I have a hand, please? Yes. 302 00:13:03,080 --> 00:13:04,800 I had a little mishap with one of the prosthetics, 303 00:13:04,800 --> 00:13:06,920 it folded in half, and I wasn't able to unstick it, 304 00:13:06,920 --> 00:13:08,360 so I'm just trying to quickly get this one dry... 305 00:13:08,360 --> 00:13:12,720 Why...? Why don't you powder this, and conceal it... Yes. 306 00:13:12,720 --> 00:13:16,640 ..and then at least then you've just got the basics? 307 00:13:16,640 --> 00:13:18,760 Sorry, I feel a bit... Please don't worry. 308 00:13:18,760 --> 00:13:20,720 Right, I'm just going to get this on for you, OK. 309 00:13:20,720 --> 00:13:22,320 Yes, thank you so much. 310 00:13:22,320 --> 00:13:24,400 No probs. Close your eyes, darling. 311 00:13:25,920 --> 00:13:27,520 I'm a bit worried about Ailish. 312 00:13:27,520 --> 00:13:29,520 She's panicking, she's stressed out. 313 00:13:29,520 --> 00:13:33,120 I had to do an entire brow cover on her, cos she was really struggling. 314 00:13:34,320 --> 00:13:38,800 It's halfway through the assignment, just 45 minutes to go. 315 00:13:38,800 --> 00:13:41,680 Make-up team, those brow covers should be on, 316 00:13:41,680 --> 00:13:43,720 and you should be concealing at this point. 317 00:13:43,720 --> 00:13:48,160 I've got the prosthetic on, it's a little bit, like, messy. 318 00:13:48,160 --> 00:13:50,280 Just trying to stay calm and collected. 319 00:13:50,280 --> 00:13:51,560 Compliments on the brow cover. 320 00:13:51,560 --> 00:13:52,920 Thank you. 321 00:13:54,240 --> 00:13:58,640 The brow should be on by now, so I'm just going to whack it on. 322 00:13:58,640 --> 00:14:00,440 At this point, this is the best I can do. 323 00:14:03,040 --> 00:14:05,000 Who are you kind of concerned about right now? 324 00:14:05,000 --> 00:14:09,280 Well, I had very high hopes for Cherise, but she's being very slow. 325 00:14:09,280 --> 00:14:12,200 Ugh. Why is this taking five years to dry? 326 00:14:12,200 --> 00:14:14,480 Cherise has got so much glue on her brow cover, 327 00:14:14,480 --> 00:14:16,520 and it's holding her back. 328 00:14:16,520 --> 00:14:19,920 I'm just a little bit nervous that she won't get the whole look on. 329 00:14:19,920 --> 00:14:22,160 OK, I'm very behind, but it's OK. 330 00:14:22,160 --> 00:14:24,640 Ailish ruined one of her brow covers. 331 00:14:24,640 --> 00:14:26,160 I'm just hoping that now she's not 332 00:14:26,160 --> 00:14:29,280 so upset that it kind of holds her back. 333 00:14:30,400 --> 00:14:33,160 Who do you think is like, yeah, confident? 334 00:14:33,160 --> 00:14:34,640 Do you know what, at the moment, 335 00:14:34,640 --> 00:14:37,840 I'm really looking at Joe and Mia. 336 00:14:37,840 --> 00:14:40,120 I do love this style of make-up, 337 00:14:40,120 --> 00:14:43,160 and it is something I've wanted to get into more. 338 00:14:43,160 --> 00:14:45,640 They are both smashing this brief. Yeah. 339 00:14:45,640 --> 00:14:47,200 They've got the brow covers on, 340 00:14:47,200 --> 00:14:48,760 they've already concealed it, 341 00:14:48,760 --> 00:14:50,840 they've started to move on to the next bit, 342 00:14:50,840 --> 00:14:52,880 and they are leagues ahead of everyone else at the moment. 343 00:14:52,880 --> 00:14:54,320 I'm very happy. 344 00:14:55,440 --> 00:14:57,560 So excited to show what I can do. 345 00:15:00,680 --> 00:15:03,480 OK, everyone, it's 20 minutes left. 346 00:15:03,480 --> 00:15:04,800 Two zero. 347 00:15:04,800 --> 00:15:08,120 Where's my model? Is my model...? Oh, model back. Model's back. 348 00:15:08,120 --> 00:15:09,400 Lift yourself up. 349 00:15:09,400 --> 00:15:10,960 Not walk, but float. 350 00:15:10,960 --> 00:15:12,360 Yes, yes. 351 00:15:12,360 --> 00:15:14,320 I've just seen one of the outfits, 352 00:15:14,320 --> 00:15:15,400 I'm like, "Ah!" 353 00:15:15,400 --> 00:15:16,680 This is, like, amazing. 354 00:15:16,680 --> 00:15:18,040 I don't believe I'm here. 355 00:15:18,040 --> 00:15:20,120 I've never worked backstage before. 356 00:15:20,120 --> 00:15:23,360 My hand's started to get the shakes, I'm like, "Control yourself!" 357 00:15:23,360 --> 00:15:24,760 "Get a grip!" 358 00:15:24,760 --> 00:15:26,360 OK. Let me... 359 00:15:28,600 --> 00:15:30,920 Right, we're not worrying about skin, let's get lash on. 360 00:15:30,920 --> 00:15:32,880 It's looking great. Thank you. 361 00:15:32,880 --> 00:15:34,720 With time running out, 362 00:15:34,720 --> 00:15:36,600 the MUAs still need to complete 363 00:15:36,600 --> 00:15:38,360 two crucial elements - 364 00:15:38,360 --> 00:15:39,920 the layered under lash, 365 00:15:39,920 --> 00:15:41,360 and grey lip. 366 00:15:41,360 --> 00:15:43,280 The lip will take me like a couple of seconds now, 367 00:15:43,280 --> 00:15:45,320 but I am going to go in, just do a little bit more depth. 368 00:15:45,320 --> 00:15:47,680 Perfect. But it won't take me long at all. 369 00:15:47,680 --> 00:15:49,680 But to succeed on the runway, 370 00:15:49,680 --> 00:15:51,960 all the looks must be cohesive. 371 00:15:51,960 --> 00:15:53,880 Recreating a make-up look is 372 00:15:53,880 --> 00:15:55,520 not as easy as it sounds. 373 00:15:55,520 --> 00:15:57,880 It is really important to follow the brief 374 00:15:57,880 --> 00:16:00,520 because it's all about the key artist's look. 375 00:16:00,520 --> 00:16:01,840 I'm just getting what needs done, 376 00:16:01,840 --> 00:16:02,960 getting the lips done, 377 00:16:02,960 --> 00:16:04,280 going to get the lashes done. 378 00:16:04,280 --> 00:16:07,280 Just going to try and get out of my head and just power through. 379 00:16:07,280 --> 00:16:09,280 This is not about your personal creativity, 380 00:16:09,280 --> 00:16:12,680 this is about your technical skills in recreation. 381 00:16:12,680 --> 00:16:15,680 You've gone very heavy black on the lip. Yeah... 382 00:16:15,680 --> 00:16:18,280 I'm going to ask you to just pull it back a little bit. OK. 383 00:16:18,280 --> 00:16:19,680 A bit more of a grey. 384 00:16:19,680 --> 00:16:22,320 Bit more of a grey. OK, cool. Grey-zhy. 385 00:16:22,320 --> 00:16:23,360 Right. 386 00:16:23,360 --> 00:16:25,080 The queen has spoken. 387 00:16:26,200 --> 00:16:29,000 I'm just going to blot some of that gloss down. 388 00:16:29,000 --> 00:16:30,320 Perfect. 389 00:16:32,000 --> 00:16:38,074 Support us and become VIP member to remove all ads from www.OpenSubtitles.org 390 00:16:45,120 --> 00:16:47,160 I feel like I'm hitting the brief. 391 00:16:47,160 --> 00:16:49,120 Yeah, I feel like I'm in a very good place. 392 00:16:51,440 --> 00:16:54,400 As the audience begin to take their seats for the show... 393 00:16:54,400 --> 00:16:56,040 Five minutes left! 394 00:16:56,040 --> 00:16:58,000 ..backstage, the MUAs must get Isamaya's 395 00:16:58,000 --> 00:17:02,080 seal of approval before their models can be sent to line-up. 396 00:17:02,080 --> 00:17:04,600 I think I'm done. Just double check, please. 397 00:17:06,240 --> 00:17:07,680 You look great. 398 00:17:09,360 --> 00:17:10,880 Is Luke OK to be signed off? 399 00:17:10,880 --> 00:17:12,200 Yes. Gorgeous. 400 00:17:12,200 --> 00:17:13,680 Let's have a look. 401 00:17:13,680 --> 00:17:14,920 Beautiful, yes. 402 00:17:14,920 --> 00:17:16,720 But Rahual seems confident 403 00:17:16,720 --> 00:17:18,520 his model is runway ready. 404 00:17:18,520 --> 00:17:20,080 So I'm going to stop now, 405 00:17:20,080 --> 00:17:23,400 cos I feel like that's all I can do. 406 00:17:24,640 --> 00:17:26,400 Voila. 407 00:17:26,400 --> 00:17:27,680 OK, look. 408 00:17:27,680 --> 00:17:29,120 All right, pants. 409 00:17:30,560 --> 00:17:31,680 Are you done? 410 00:17:31,680 --> 00:17:33,040 Almost. I literally... 411 00:17:33,040 --> 00:17:34,480 One minute. One minute. 412 00:17:39,560 --> 00:17:43,720 If you can knock back that orangeness... Thank you. Well done. 413 00:17:45,000 --> 00:17:46,520 Wow! I know, right. 414 00:17:46,520 --> 00:17:48,320 Stun-ique. Jesus! 415 00:17:49,440 --> 00:17:51,000 OK. 416 00:17:51,000 --> 00:17:52,360 Time is up! 417 00:17:52,360 --> 00:17:54,200 All right, guys, it's show-time, 418 00:17:54,200 --> 00:17:56,440 Well done. Everybody looks incredible. 419 00:17:56,440 --> 00:17:58,600 And I'm going to take Joe and Mia with me 420 00:17:58,600 --> 00:18:00,520 to the line-up, so congratulations. 421 00:18:00,520 --> 00:18:02,280 Well done, guys. Give yourself a bit pat on the back. 422 00:18:02,280 --> 00:18:04,160 Let's get this show on the road. 423 00:18:04,160 --> 00:18:06,440 I'm so proud of you. Thank you so much. Grrr! 424 00:18:06,440 --> 00:18:08,760 I'm so happy. I'm so excited. Stop it. 425 00:18:08,760 --> 00:18:11,800 Thank you. Have a gorgeous time. Have fun. 426 00:18:14,560 --> 00:18:15,920 Agh! 427 00:18:18,760 --> 00:18:21,120 Before the fashion show kicks off, 428 00:18:21,120 --> 00:18:23,400 Joe and Mia take their coveted spots 429 00:18:23,400 --> 00:18:25,680 at the line-up for final touch-ups. 430 00:18:25,680 --> 00:18:29,000 Maybe a little bit more under-eye coverage. OK. Yeah. 431 00:18:29,000 --> 00:18:30,640 Don't cry. Don't cry. 432 00:18:30,640 --> 00:18:31,680 That was pretty bad. 433 00:18:31,680 --> 00:18:34,160 I was like literally crying, earlier. Stay chill. 434 00:18:34,160 --> 00:18:35,280 You've got this. 435 00:18:35,280 --> 00:18:36,920 What's going on over here? I know I'm in the red chair. 436 00:18:36,920 --> 00:18:39,960 I... All of us are just feeling the pressure of like being behind 437 00:18:39,960 --> 00:18:42,240 and stuff not going... 438 00:18:42,240 --> 00:18:44,280 Oh! Just my prosthetic like folded in half, 439 00:18:44,280 --> 00:18:45,960 and I'm like, it just, like, got in my head. 440 00:18:45,960 --> 00:18:48,560 Are you OK, babe? No, honestly. 441 00:18:48,560 --> 00:18:50,200 But I internalised it, I ploughed through. 442 00:18:50,200 --> 00:18:51,800 But I feel you, it's stressful. 443 00:18:51,800 --> 00:18:53,760 And like this is a crazy environment. 444 00:18:53,760 --> 00:18:57,480 Like, fashion shows are always so crazy backstage. 445 00:18:57,480 --> 00:18:59,160 I've had times where I pull up 446 00:18:59,160 --> 00:19:00,960 and the show's about to start in 15 minutes, 447 00:19:00,960 --> 00:19:03,920 and you have like six people on you, like, one eye, this, 448 00:19:03,920 --> 00:19:05,080 one hand, one foot. 449 00:19:05,080 --> 00:19:07,120 I know that feeling of feeling like anxious. 450 00:19:07,120 --> 00:19:09,240 But guys, honestly, just like breathe 451 00:19:09,240 --> 00:19:10,880 and support each other as well, you know. 452 00:19:10,880 --> 00:19:12,720 Yeah, absolutely. 453 00:19:12,720 --> 00:19:14,600 With touch-ups complete... 454 00:19:14,600 --> 00:19:16,560 Crazy! 455 00:19:16,560 --> 00:19:19,760 ..it's time to see if their looks are a hit on the runway. 456 00:19:19,760 --> 00:19:21,000 We're starting. 457 00:19:21,000 --> 00:19:22,720 Cue the music. 458 00:19:27,200 --> 00:19:29,720 The application of my first prosthetic disrupted 459 00:19:29,720 --> 00:19:32,360 the timing for me throughout the day. 460 00:19:32,360 --> 00:19:34,640 I'm worried I might be in the red chairs. 461 00:19:34,640 --> 00:19:36,320 Yeah, it definitely could've gone better. 462 00:19:37,280 --> 00:19:40,040 The thought of, like, the red chair's there, 463 00:19:40,040 --> 00:19:41,480 but happy I got it done. 464 00:19:41,480 --> 00:19:43,720 There were definitely some challenging moments. 465 00:19:43,720 --> 00:19:45,760 But, you know, I'm pretty proud at the way 466 00:19:45,760 --> 00:19:50,200 I was able to rein it back in, and very proud of what I put out there. 467 00:19:51,280 --> 00:19:52,600 The make-up was like 468 00:19:52,600 --> 00:19:55,720 Black Swan meets fashion runway. Incredible. 469 00:19:55,720 --> 00:19:56,920 Yeah, thought they were amazing. 470 00:19:56,920 --> 00:19:58,120 The make-up is great, there was 471 00:19:58,120 --> 00:19:59,440 so many of them that stood out. 472 00:19:59,440 --> 00:20:00,960 It fitted HARRI's brand, 473 00:20:00,960 --> 00:20:02,560 and I think...I think they did a great job. 474 00:20:04,760 --> 00:20:07,600 Honestly amazing, because it's what I want to do. 475 00:20:07,600 --> 00:20:10,280 I feel, like, impostor syndrome, but I feel so happy, 476 00:20:10,280 --> 00:20:12,120 I feel ecstatic, it's all I wanted. 477 00:20:12,120 --> 00:20:14,200 Well done. You smashed it. 478 00:20:14,200 --> 00:20:16,880 And I really appreciate the help, thank you. 479 00:20:21,680 --> 00:20:24,000 So that was such an amazing show. 480 00:20:24,000 --> 00:20:26,080 It was, wasn't it? They did such a great job. 481 00:20:26,080 --> 00:20:27,200 They looked great. 482 00:20:27,200 --> 00:20:30,920 And I really, really... I'm so proud of Joe and Mia. They smashed it. 483 00:20:30,920 --> 00:20:32,440 They were the first to be finished, 484 00:20:32,440 --> 00:20:34,640 and they still executed at a very high level. 485 00:20:34,640 --> 00:20:36,080 Well done! 486 00:20:36,080 --> 00:20:37,600 Well done, guys. We're so proud of you. Well done. 487 00:20:37,600 --> 00:20:38,640 Crazy! 488 00:20:38,640 --> 00:20:40,560 Ooh! 489 00:20:40,560 --> 00:20:42,600 So, shall we talk about the others? 490 00:20:42,600 --> 00:20:44,600 I think we should. All right. 491 00:20:44,600 --> 00:20:46,320 First up we have Cherise. 492 00:20:46,320 --> 00:20:49,360 She really struggled managing her time. 493 00:20:49,360 --> 00:20:53,760 She put so much glue on to her brow covers that she was standing there 494 00:20:53,760 --> 00:20:55,560 for about 20 minutes, waiting for them to dry. 495 00:20:55,560 --> 00:20:57,280 Ugh! You know, there is creasing 496 00:20:57,280 --> 00:20:59,760 in that prosthetic. 497 00:20:59,760 --> 00:21:01,600 It's lifting, it's bubbling. 498 00:21:01,600 --> 00:21:04,480 Obviously, just the timing and the way fashion shows work, 499 00:21:04,480 --> 00:21:06,680 it was just very difficult to pull myself back, 500 00:21:06,680 --> 00:21:09,160 but I'm proud of myself for not crumbling in the moment. Yeah. 501 00:21:09,160 --> 00:21:11,120 So Jake was very nervous. 502 00:21:11,120 --> 00:21:13,400 I think he did a great execution. 503 00:21:13,400 --> 00:21:17,800 I really like the contouring for the eyebrows. 504 00:21:17,800 --> 00:21:19,520 This is Josh's model. 505 00:21:19,520 --> 00:21:21,360 Overall, it was really warm, 506 00:21:21,360 --> 00:21:22,520 {\an8}and I'd specified this has to be 507 00:21:22,520 --> 00:21:26,000 {\an8}a cool, greyish look. 508 00:21:26,000 --> 00:21:27,720 Either Josh hasn't listened to the brief, 509 00:21:27,720 --> 00:21:30,480 or he doesn't understand undertone. 510 00:21:30,480 --> 00:21:32,040 And this is Jamie's model. 511 00:21:32,040 --> 00:21:34,320 I love the blending of this one. 512 00:21:34,320 --> 00:21:37,640 That's a really seamless brow cover. 513 00:21:37,640 --> 00:21:39,040 Next we have Ailish. 514 00:21:39,040 --> 00:21:42,040 {\an8}She messed up one of the brow covers, 515 00:21:42,040 --> 00:21:43,640 and we had to get her a new one, 516 00:21:43,640 --> 00:21:45,280 so she lost a lot of confidence, 517 00:21:45,280 --> 00:21:47,360 and that kind of set the tone 518 00:21:47,360 --> 00:21:49,240 for the rest of her make-up application. 519 00:21:49,240 --> 00:21:51,920 I feel like it's a little patchy, here and there. 520 00:21:51,920 --> 00:21:54,400 {\an8}You can see it's too pale on the brows. 521 00:21:54,400 --> 00:21:56,400 {\an8}The lashes are uneven. 522 00:21:56,400 --> 00:21:58,160 {\an8}I mean, I look at this make-up 523 00:21:58,160 --> 00:22:02,200 {\an8}and I see absolute sheer panic. 524 00:22:02,200 --> 00:22:04,960 I've never done anything like this big before, like, fashion-wise, 525 00:22:04,960 --> 00:22:06,080 and I just got in me own head. 526 00:22:06,080 --> 00:22:08,920 So, next we have Jade. 527 00:22:08,920 --> 00:22:10,440 {\an8}She's nailed the lash, 528 00:22:10,440 --> 00:22:11,720 {\an8}but I just felt like some of 529 00:22:11,720 --> 00:22:14,240 {\an8}her blending and contouring, 530 00:22:14,240 --> 00:22:16,760 {\an8}it just didn't feel elevated enough for me. 531 00:22:16,760 --> 00:22:17,840 Yeah. 532 00:22:17,840 --> 00:22:19,800 Kat's a true Goth, 533 00:22:19,800 --> 00:22:21,880 and this look was made for her. 534 00:22:21,880 --> 00:22:24,160 I think she did quite a good job. 535 00:22:24,160 --> 00:22:26,640 {\an8}I like the raw quality of this make-up. 536 00:22:26,640 --> 00:22:28,640 {\an8}But, at the same time, 537 00:22:28,640 --> 00:22:31,360 {\an8}it's just not gothy enough. 538 00:22:31,360 --> 00:22:33,240 So next we have Rahual. 539 00:22:33,240 --> 00:22:35,000 A fashion challenge is like my dream. 540 00:22:35,000 --> 00:22:37,280 This is the industry that I aspire to move in to. 541 00:22:37,280 --> 00:22:39,040 And I'm just trying to wait until 542 00:22:39,040 --> 00:22:40,960 the judges give me my tea at the end, 543 00:22:40,960 --> 00:22:45,000 and I'm going to drink it. So, that's where I'm at right now. 544 00:22:45,000 --> 00:22:49,400 {\an8}Now, Rahual was the only person that I asked to pull back the look. 545 00:22:49,400 --> 00:22:52,160 {\an8}He gave the model a jet-black lip. 546 00:22:52,160 --> 00:22:56,080 {\an8}It's frustrating because your demonstration was so clear. 547 00:22:56,080 --> 00:22:58,520 {\an8}My other issue was that I specifically asked 548 00:22:58,520 --> 00:23:00,560 all of the MUAs to come and sign off 549 00:23:00,560 --> 00:23:03,440 their model with me, and he didn't. 550 00:23:03,440 --> 00:23:05,120 Say, what? No! 551 00:23:05,120 --> 00:23:07,240 He just signed his model off, and off they went. 552 00:23:07,240 --> 00:23:10,560 You have to get your make-up signed off. 553 00:23:10,560 --> 00:23:12,080 Yeah. Shocking. 554 00:23:12,080 --> 00:23:15,200 I think we've got our two to go in to the red chairs. 555 00:23:15,200 --> 00:23:16,520 I think so. 556 00:23:23,960 --> 00:23:25,560 Oh, my God. 557 00:23:25,560 --> 00:23:27,440 Oh, my God, nice! 558 00:23:27,440 --> 00:23:28,840 The next morning... 559 00:23:28,840 --> 00:23:29,960 Oooh! Oh, my God. 560 00:23:29,960 --> 00:23:31,280 We're home! 561 00:23:31,280 --> 00:23:36,120 ..the MUAs head to Glow Up studios for their first creative brief. 562 00:23:36,120 --> 00:23:39,520 They're all the previous looks! Oh, my God, yeah. 563 00:23:39,520 --> 00:23:42,040 Do you know what? This one is my fave. 564 00:23:42,040 --> 00:23:44,720 And this one. That's like one of the best ones ever. 565 00:23:44,720 --> 00:23:47,560 Yeah, one of us is going to make it on here, which is crazy. 566 00:23:48,800 --> 00:23:52,560 Guys, to think in two seconds, we'll be seeing who's in which chair. 567 00:23:52,560 --> 00:23:56,760 But it's like one small thing sent me in to like a full spiral. 568 00:23:56,760 --> 00:23:58,680 I just don't know where I stand at the moment. 569 00:23:58,680 --> 00:24:00,440 Again, I think so many of us were anxious, 570 00:24:00,440 --> 00:24:02,880 so I know it's going to come down to the technicalities. 571 00:24:08,800 --> 00:24:11,720 If an MUA's name is on one of the two red chairs, 572 00:24:11,720 --> 00:24:14,960 they'll be heading for the face-off elimination at the end of the day. 573 00:24:16,960 --> 00:24:18,600 Oh, my God! 574 00:24:20,360 --> 00:24:21,760 Oh, thank God. 575 00:24:21,760 --> 00:24:23,240 Oh, I'm scared. 576 00:24:23,240 --> 00:24:24,920 WHISPERS: Great, got to kill it. 577 00:24:29,560 --> 00:24:32,200 Rahual, Ailish, 578 00:24:32,200 --> 00:24:34,400 unfortunately you were in the red chairs, 579 00:24:34,400 --> 00:24:38,400 meaning you'll have 15 minutes less to complete today's creative brief. 580 00:24:38,400 --> 00:24:40,960 Ailish, Isamaya's feedback was that you struggled 581 00:24:40,960 --> 00:24:44,440 with your prosthetics and because of that, it knocked your confidence 582 00:24:44,440 --> 00:24:46,760 and threw your make-up off. 583 00:24:46,760 --> 00:24:52,880 Rahual, you didn't do the make-up that Isamaya did in the demo. 584 00:24:52,880 --> 00:24:56,000 It's really important that you listen to the brief. 585 00:24:58,680 --> 00:25:03,280 Now, you know it wouldn't be Glow Up without an amazing guest judge. 586 00:25:03,280 --> 00:25:07,960 And this guest judge has influenced nearly five million people, 587 00:25:07,960 --> 00:25:10,800 including some of you guys here in this room. 588 00:25:10,800 --> 00:25:13,960 OK? Let me introduce you to 589 00:25:13,960 --> 00:25:18,000 social media sensation Patricia Bright! 590 00:25:18,000 --> 00:25:20,320 CHEERING AND WHOOPING 591 00:25:20,320 --> 00:25:21,960 Hi, everyone! 592 00:25:23,640 --> 00:25:27,200 After starting out posting videos from her bedroom in south London, 593 00:25:27,200 --> 00:25:29,920 pioneer Patricia was one of the first UK influencers 594 00:25:29,920 --> 00:25:33,800 to transform content creation into a lucrative career. 595 00:25:33,800 --> 00:25:35,120 Her beauty hacks now reach 596 00:25:35,120 --> 00:25:37,520 almost three million subscribers on YouTube, 597 00:25:37,520 --> 00:25:39,680 and over a million followers on Instagram. 598 00:25:40,760 --> 00:25:44,320 {\an8}I make digital content every day to a wide audience. 599 00:25:44,320 --> 00:25:48,320 I'm looking for the MUA who's going to step outside of the box 600 00:25:48,320 --> 00:25:50,880 and not just follow the trends to impress me. 601 00:25:50,880 --> 00:25:53,240 I, as an influencer, want to be influenced. 602 00:25:53,240 --> 00:25:54,760 So, let's get it on. 603 00:25:54,760 --> 00:25:56,120 CHEERING 604 00:25:56,120 --> 00:25:58,720 Hi, guys! Hello, everyone. 605 00:25:58,720 --> 00:26:01,760 We want you guys to showcase what you've got. 606 00:26:01,760 --> 00:26:03,080 Tell us a story. 607 00:26:03,080 --> 00:26:04,840 Pull out all the stops. 608 00:26:04,840 --> 00:26:06,880 I'm excited. 609 00:26:06,880 --> 00:26:10,160 So for your first creative brief, 610 00:26:10,160 --> 00:26:14,440 we want you to give us a mind-blowing make-up look 611 00:26:14,440 --> 00:26:18,840 that's inspired by your most influential characteristic. 612 00:26:18,840 --> 00:26:23,560 MUAs, you have three hours to complete this brief. 613 00:26:23,560 --> 00:26:27,200 Rahual, Ailish, I'm going to let you know when you can start, 614 00:26:27,200 --> 00:26:31,120 but the rest of you, let's get going. 615 00:26:37,720 --> 00:26:41,200 A creative brief tests a totally different skillset 616 00:26:41,200 --> 00:26:43,120 to the industry assignment. 617 00:26:43,120 --> 00:26:44,560 Get it going, girl. 618 00:26:44,560 --> 00:26:47,920 It's all about artistry and imagination. 619 00:26:47,920 --> 00:26:50,560 Even if you smash it in the assignment, 620 00:26:50,560 --> 00:26:54,760 if you fall short in the creative brief, you still could go home. 621 00:26:54,760 --> 00:26:56,280 SIGHS SHARPLY 622 00:26:54,760 --> 00:26:56,280 Here goes. 623 00:26:57,400 --> 00:26:59,680 DOMINIC GASPS 624 00:26:57,400 --> 00:26:59,680 He's taken off his tash! 625 00:26:59,680 --> 00:27:01,600 We've lost another mo-bro... 626 00:27:01,600 --> 00:27:03,960 Ah! ..to the make-up gods. 627 00:27:03,960 --> 00:27:05,840 Ooh, that burns! 628 00:27:10,160 --> 00:27:13,200 {\an8}Friends and family always say I'm super empathetic. 629 00:27:13,200 --> 00:27:19,160 So my look is based on a Peruvian lily as that symbolises empathy. 630 00:27:19,160 --> 00:27:22,720 I think flowers are a really strong metaphor for people. 631 00:27:22,720 --> 00:27:24,480 Bold on the outside, 632 00:27:24,480 --> 00:27:26,880 but they're also very delicate and sensitive, 633 00:27:26,880 --> 00:27:29,160 which is a little bit like me. 634 00:27:29,160 --> 00:27:31,640 Funnily enough, Jade and I are actually doing a similar concept, 635 00:27:31,640 --> 00:27:33,200 but very different interpretations. 636 00:27:33,200 --> 00:27:35,120 We both chose empathy as our theme, 637 00:27:35,120 --> 00:27:38,320 {\an8}and found a Peruvian lily as a great sort of representation for it. 638 00:27:38,320 --> 00:27:40,800 We've gone for very, very different colour schemes, 639 00:27:40,800 --> 00:27:42,960 I went for oranges, reds, yellows. 640 00:27:42,960 --> 00:27:46,440 I'm really hoping the comparison isn't too heavy, 641 00:27:46,440 --> 00:27:48,880 and that our looks kind of stand on their own. 642 00:27:57,120 --> 00:27:58,520 Look at Rahual. 643 00:27:58,520 --> 00:28:01,320 He's meditating. 644 00:28:01,320 --> 00:28:04,800 He's getting emotionally ready for the task. 645 00:28:04,800 --> 00:28:08,160 He is in that zone. 15 minutes. 646 00:28:08,160 --> 00:28:09,560 Hi, Rahual. Hi. 647 00:28:09,560 --> 00:28:11,360 Talk to me about this. 648 00:28:11,360 --> 00:28:13,920 This is insane. Like, this looks amazing. Thank you. 649 00:28:13,920 --> 00:28:17,000 I really wanted to go towards my spiritual side. 650 00:28:17,000 --> 00:28:19,280 You know, a little bit out of this world. 651 00:28:19,280 --> 00:28:22,640 {\an8}I believe my power of influence is my own inner light, 652 00:28:22,640 --> 00:28:25,840 {\an8}and being able to reflect that out to other people, 653 00:28:25,840 --> 00:28:28,920 so that they can see the light within themselves. 654 00:28:28,920 --> 00:28:31,280 That is so beautiful. Thank you. 655 00:28:33,920 --> 00:28:36,720 Take in a deep belly breath... 656 00:28:36,720 --> 00:28:38,840 ..and release. 657 00:28:43,680 --> 00:28:48,400 My own personal make-up style is vibrancy, lots of colour, 658 00:28:48,400 --> 00:28:51,880 and mystical and ethereal kind of vibes. 659 00:28:51,880 --> 00:28:55,080 I'm Indian, my parents are from Indian descent. 660 00:28:55,080 --> 00:28:58,560 My culture and my heritage are very dear to me. 661 00:28:58,560 --> 00:29:03,960 I've explored a lot of ancient practices and spiritual practices. 662 00:29:03,960 --> 00:29:06,080 Being a spiritual person, 663 00:29:06,080 --> 00:29:09,560 it's a very important part of who I am, and what makes me me. 664 00:29:09,560 --> 00:29:12,040 The fact that I'm here and able to showcase 665 00:29:12,040 --> 00:29:13,920 my love and passion for make-up 666 00:29:13,920 --> 00:29:16,800 is a dream come true, 667 00:29:16,800 --> 00:29:20,000 and I'm really excited to be able to share that with the world. 668 00:29:21,760 --> 00:29:25,920 You know, I've had a bit of time to compose, and I've got a game plan. 669 00:29:25,920 --> 00:29:29,320 I can absolutely smash it and get out of this red chair. 670 00:29:31,680 --> 00:29:35,320 If Rahual or Ailish can wow the judges enough to beat the seat, 671 00:29:35,320 --> 00:29:39,880 another MUA will take their place in the face-off elimination. 672 00:29:41,160 --> 00:29:43,560 {\an8}So, today, I am going to be transforming myself 673 00:29:43,560 --> 00:29:46,400 {\an8}into a glamorous lion. 674 00:29:46,400 --> 00:29:49,440 The scars are to represent my past, 675 00:29:49,440 --> 00:29:51,400 where I didn't like myself and I didn't feel good enough. 676 00:29:51,400 --> 00:29:54,680 I'm now this courageous lion, 677 00:29:54,680 --> 00:29:57,440 ready to pounce on anything in my way. 678 00:30:02,960 --> 00:30:07,800 {\an8}I think it takes a lot of power to kind of stand in your originality 679 00:30:07,800 --> 00:30:12,360 and your uniqueness, and I influence others to do the same with drag. 680 00:30:12,360 --> 00:30:16,120 I'm going to be turning myself into a fabulous pink poodle. 681 00:30:16,120 --> 00:30:21,600 Like, a poodle that's had their hair dyed is so unique and fun and camp. 682 00:30:21,600 --> 00:30:26,240 Technically, the second prosthetic I've ever applied, after yesterday. 683 00:30:37,520 --> 00:30:41,440 Rahual, Ailish, your time starts now. 684 00:30:47,520 --> 00:30:49,160 {\an8}Having less time than everyone else 685 00:30:49,160 --> 00:30:50,880 {\an8}is probably not the best scenario to be in, 686 00:30:50,880 --> 00:30:53,440 especially for a look I'm doing that's this big, 687 00:30:53,440 --> 00:30:56,240 but creativity's what I love to do, so I decided to take that 688 00:30:56,240 --> 00:30:59,680 characteristic and turn it into this big explosion of colour. 689 00:30:59,680 --> 00:31:01,560 I am partially colour-blind, 690 00:31:01,560 --> 00:31:03,360 so the trickiest part of my look 691 00:31:03,360 --> 00:31:06,720 would be having to make the shade purple, cos I... 692 00:31:06,720 --> 00:31:08,200 I do struggle to see purple. 693 00:31:08,200 --> 00:31:11,480 But I'm doing a big look cos I'm determined to get out of this seat. 694 00:31:11,480 --> 00:31:12,960 I ain't staying here. 695 00:31:14,320 --> 00:31:16,440 Jake. Hi! What is going on? 696 00:31:16,440 --> 00:31:18,480 What isn't going on! Right? 697 00:31:18,480 --> 00:31:21,040 {\an8}Erm, I'm basically just glueing down this, like... 698 00:31:21,040 --> 00:31:24,400 {\an8}this latex headpiece that I've made. 699 00:31:24,400 --> 00:31:26,360 I'm just trying to get it to stick to my skin, 700 00:31:26,360 --> 00:31:28,520 it's not something that I've tried before, so... 701 00:31:28,520 --> 00:31:30,320 OK. What is your characteristic then? 702 00:31:30,320 --> 00:31:33,400 So, basically, my characteristic is just hyping my friends up. 703 00:31:33,400 --> 00:31:37,240 I help them get their sort of self-doubt parasites out. 704 00:31:37,240 --> 00:31:40,520 Now I'm showing that, a physical embodiment of somebody doing that. 705 00:31:40,520 --> 00:31:42,440 I've made some clay worms. 706 00:31:42,440 --> 00:31:44,000 These are the negative voices, 707 00:31:44,000 --> 00:31:46,240 and they're actually moulded to the inside of my ears. 708 00:31:46,240 --> 00:31:48,400 Ah! So they'll be like this. 709 00:31:48,400 --> 00:31:50,240 This is up my nose. OK. Love that. 710 00:31:50,240 --> 00:31:51,920 So... I've had it in my hand already, love that. 711 00:31:51,920 --> 00:31:53,920 Oh, no, don't worry. I'm joking! 712 00:31:53,920 --> 00:31:55,800 That's the first time that I've actually put it up there. 713 00:31:55,800 --> 00:31:57,560 It's going to be just taking my own advice, 714 00:31:57,560 --> 00:32:00,440 so I'm trying my best to believe in myself. 715 00:32:05,520 --> 00:32:07,360 Wow! 716 00:32:07,360 --> 00:32:10,840 Rahual is really racing ahead. 717 00:32:10,840 --> 00:32:12,440 He said, "I had 15 minutes less, 718 00:32:12,440 --> 00:32:14,560 "but I'm going to do it 15 minutes faster." 719 00:32:14,560 --> 00:32:17,280 My game plan is to just get the colour on 720 00:32:17,280 --> 00:32:19,800 because I want to give myself enough time to, 721 00:32:19,800 --> 00:32:23,840 you know, perfect the universe that I'm planning to create. 722 00:32:23,840 --> 00:32:25,880 Check the ears, check the ears. 723 00:32:25,880 --> 00:32:27,280 Check the ears. 724 00:32:27,280 --> 00:32:28,600 Inside the ears. 725 00:32:28,600 --> 00:32:30,040 Can you EAR us? 726 00:32:30,040 --> 00:32:32,840 Can you ear us! I like it. 727 00:32:32,840 --> 00:32:35,920 I'm getting myself out of this red chair by the end of today. 728 00:32:38,280 --> 00:32:41,480 {\an8}I always get told, like, my perspective's so different, 729 00:32:41,480 --> 00:32:43,320 so I wanted to try and do a look 730 00:32:43,320 --> 00:32:46,840 inspired by the ink blot drawings used in psychology. 731 00:32:47,960 --> 00:32:50,800 I am using, like, clingfilm 732 00:32:50,800 --> 00:32:55,760 to get, like, two perfect symmetrical images. 733 00:32:56,760 --> 00:32:58,080 Moment of truth... 734 00:32:59,440 --> 00:33:01,080 Doo-doo-doo... 735 00:33:03,160 --> 00:33:05,440 Oh. Da-dah! 736 00:33:05,440 --> 00:33:08,840 Ooh, what are we doing? What are we doing? 737 00:33:11,160 --> 00:33:14,680 One and done, you cannot make a mistake with this. 738 00:33:17,160 --> 00:33:18,960 Ooh, I love it though! 739 00:33:18,960 --> 00:33:20,600 The tough thing here will be ... 740 00:33:20,600 --> 00:33:22,520 Getting the two. Symmetry. Yeah. 741 00:33:23,520 --> 00:33:24,920 Ah, that did not work. 742 00:33:26,160 --> 00:33:28,040 Work with the mistake. 743 00:33:28,040 --> 00:33:31,760 I'm just trying to make sure I don't like ruin the look, 744 00:33:31,760 --> 00:33:36,800 cos it's so easy to make it go unsymmetrical. 745 00:33:36,800 --> 00:33:38,200 Mia, Mia. 746 00:33:38,200 --> 00:33:39,400 Hey! 747 00:33:39,400 --> 00:33:41,400 {\an8}I see you're going in with the prosthetics again. 748 00:33:41,400 --> 00:33:42,560 I am. OK. 749 00:33:42,560 --> 00:33:45,040 I'm doing like an ice-queeny... 750 00:33:45,040 --> 00:33:47,120 Mmm. ..type look. 751 00:33:47,120 --> 00:33:49,360 I've always been called an ice queen, 752 00:33:49,360 --> 00:33:52,040 because I don't show emotions a lot. 753 00:33:52,040 --> 00:33:54,760 I'll be painted basically fully white, 754 00:33:54,760 --> 00:33:57,920 and I will be adding four prosthetics, maybe three. 755 00:33:57,920 --> 00:33:59,360 You do have emotions, though. 756 00:33:59,360 --> 00:34:01,400 You do. Yeah, I'm mostly like just happy. 757 00:34:01,400 --> 00:34:03,280 Won't catch me crying. 758 00:34:03,280 --> 00:34:05,120 No weaknesses allowed to be shown! 759 00:34:05,120 --> 00:34:06,560 THEY LAUGH 760 00:34:14,120 --> 00:34:16,040 {\an8}Time's moving quite quickly. 761 00:34:16,040 --> 00:34:19,000 {\an8}As long as this base is like, mm, 762 00:34:19,000 --> 00:34:20,840 {\an8}and the rest should go quite smoothly. 763 00:34:20,840 --> 00:34:22,640 I've got like a coloured background, 764 00:34:22,640 --> 00:34:25,920 and then black cracks to sort of show like the paths. 765 00:34:25,920 --> 00:34:28,760 Basically the look is, no matter what's happened in the past, 766 00:34:28,760 --> 00:34:31,200 you still need to shine through and be your colourful self. 767 00:34:31,200 --> 00:34:34,000 I hope that Val and Dom sort of see that too. 768 00:34:43,400 --> 00:34:47,480 I'm just laying down the base colours using a lot of face paints 769 00:34:47,480 --> 00:34:50,800 just to get a really nice sort of even ombre effect. 770 00:34:50,800 --> 00:34:54,160 Right now, I am just adding the contours to the face, 771 00:34:54,160 --> 00:34:58,720 and I want it to emulate the shape of a petal. 772 00:34:58,720 --> 00:35:01,440 Two different flower looks, it's like War Of The Roses. 773 00:35:01,440 --> 00:35:04,880 Everyone's look in the room is really, really strong. 774 00:35:04,880 --> 00:35:08,320 I'm a little bit worried that this is not going to be enough. 775 00:35:10,600 --> 00:35:13,760 So the prosthetic's on, I'm just getting the colour down. 776 00:35:13,760 --> 00:35:18,080 Josh put on the prosthetic. 777 00:35:18,080 --> 00:35:20,120 Is it a Grinch? 778 00:35:28,000 --> 00:35:32,680 MUAs, you are halfway through, and you have an hour and a half left. 779 00:35:32,680 --> 00:35:35,840 Ooh! That went so quickly. 780 00:35:35,840 --> 00:35:38,440 We're at the point where I've got all the elements on, 781 00:35:38,440 --> 00:35:39,520 now I'm going to be going in 782 00:35:39,520 --> 00:35:41,720 and I'm just going to be adding in those finer details, 783 00:35:41,720 --> 00:35:44,120 like some brushstrokes to create hair movement. 784 00:35:44,120 --> 00:35:46,200 I'm a bit underwhelmed, actually. 785 00:35:46,200 --> 00:35:48,640 Because I'm still seeing Joe. 786 00:35:48,640 --> 00:35:52,800 Yeah. I'm not seeing bigger, badder, bolder. 787 00:35:52,800 --> 00:35:54,440 Honestly, I'm feeling great. 788 00:35:54,440 --> 00:35:57,800 I am really happy with how this is looking, personally, for myself. 789 00:35:57,800 --> 00:36:00,320 I'm currently using dark purple eye shadow and a tiny 790 00:36:00,320 --> 00:36:03,520 bit of black, just to create like depth on the outer corner here. 791 00:36:03,520 --> 00:36:05,640 What is going on with Ailish? 792 00:36:05,640 --> 00:36:10,720 I mean, I'm feeling very CBeebie-Beebies. 793 00:36:10,720 --> 00:36:12,960 DOM LAUGHS 794 00:36:10,720 --> 00:36:12,960 Is it CBeebie-beebies? 795 00:36:12,960 --> 00:36:14,320 CBeebie-beebie-beebie-bees. 796 00:36:14,320 --> 00:36:19,240 Obviously, it's like... It's a ink blot, so, want it to look wet. 797 00:36:30,600 --> 00:36:33,000 GASPS 798 00:36:30,600 --> 00:36:33,000 Stunning! 799 00:36:33,000 --> 00:36:35,320 No. It's failing. 800 00:36:36,600 --> 00:36:38,120 I am disappointed in myself. 801 00:36:38,120 --> 00:36:40,200 I'm just upset because it's not my vision, 802 00:36:40,200 --> 00:36:43,280 and it's like, I just know that I can do better. 803 00:36:43,280 --> 00:36:47,000 So I'm currently using a sort of burgundy 804 00:36:47,000 --> 00:36:52,680 to mimic the natural pattern that are on a Peruvian Lily. 805 00:36:52,680 --> 00:36:57,040 Cherise's use of colour, it's just so beautiful. 806 00:36:57,040 --> 00:36:58,360 Oh, I've got shivers. 807 00:36:58,360 --> 00:37:00,960 It's giving flame, it's giving "I'm hot, I'm spicy". 808 00:37:00,960 --> 00:37:02,360 Yes. 809 00:37:03,720 --> 00:37:05,600 SNEEZES AND GASPS 810 00:37:14,200 --> 00:37:16,440 Guys, you've had two hours. 811 00:37:16,440 --> 00:37:18,840 You have one hour left. 812 00:37:18,840 --> 00:37:21,200 Honestly, content with the amount of time I have left. 813 00:37:22,520 --> 00:37:24,640 Probably be done in literally like 20 minutes. 814 00:37:24,640 --> 00:37:27,800 All I have left really to do is eyelash and a lip. 815 00:37:27,800 --> 00:37:29,360 I'm worried about Joe. 816 00:37:29,360 --> 00:37:33,360 Everyone else has done a proper make-up look, whereas he's just... 817 00:37:33,360 --> 00:37:36,720 He's doing Friday night, isn't he? He's just going on a night out. 818 00:37:36,720 --> 00:37:38,880 Ooh, yeah. 819 00:37:43,560 --> 00:37:46,280 I really don't want this to look like I've got a hairy chest! 820 00:37:53,560 --> 00:37:55,200 There's something in your nose. 821 00:37:55,200 --> 00:37:56,840 Oh, my goodness, hello. Hello! 822 00:37:56,840 --> 00:37:59,080 Hello! Honestly, I'm really embarrassed, this is not... 823 00:37:59,080 --> 00:38:00,520 I mean, this is not what I wanted. 824 00:38:00,520 --> 00:38:01,920 This isn't what you wanted? 825 00:38:01,920 --> 00:38:04,160 No. Oh, this looks like what you wanted. 826 00:38:04,160 --> 00:38:06,800 Do you think? Yeah, I mean... 827 00:38:06,800 --> 00:38:09,440 I feel like I've just missed the mark with like my precision. 828 00:38:09,440 --> 00:38:11,120 In fact... It's really... Do you know what, no, 829 00:38:11,120 --> 00:38:12,440 that's the worms talking right now. 830 00:38:12,440 --> 00:38:14,520 The what talking? 831 00:38:14,520 --> 00:38:16,240 The worms are a physical manifestation 832 00:38:16,240 --> 00:38:17,960 of, like, flushing out your negativity. 833 00:38:17,960 --> 00:38:19,640 Oh, lovely. Wow. 834 00:38:19,640 --> 00:38:22,200 You need to s... Sorry, I heard that whole interaction. 835 00:38:22,200 --> 00:38:23,760 You need to stop being so hard on yourself. 836 00:38:23,760 --> 00:38:25,760 No, I'm just mad about my precision. 837 00:38:25,760 --> 00:38:28,320 You are so... Trust in yourself, you are so insane. 838 00:38:28,320 --> 00:38:34,360 I am just adding my UV element. 839 00:38:34,360 --> 00:38:37,680 The UV is obviously meant to represent, like, my... 840 00:38:37,680 --> 00:38:40,880 ..my perspective and how I always take inspiration 841 00:38:40,880 --> 00:38:42,400 from the creepy things. 842 00:38:43,600 --> 00:38:44,680 Wow. 843 00:38:44,680 --> 00:38:47,280 A UV light with UV markings! 844 00:38:47,280 --> 00:38:48,760 I love that. 845 00:38:48,760 --> 00:38:51,840 It's like the perfect influencer piece of content, 846 00:38:51,840 --> 00:38:54,440 which is bringing something new to the market. 847 00:39:05,680 --> 00:39:10,560 MUAs, you have 30 minutes left. 848 00:39:11,720 --> 00:39:16,680 I am feeling confident, I'm just tweaking now and just fine tuning. 849 00:39:16,680 --> 00:39:18,840 Ooh! 850 00:39:18,840 --> 00:39:21,240 This is the universe, isn't it? Shooting stars. 851 00:39:21,240 --> 00:39:23,000 It's shooting stars, the galaxy. 852 00:39:23,000 --> 00:39:25,280 Yeah. I think this is magical. 853 00:39:26,920 --> 00:39:32,360 It is very time-consuming doing gems but then, like, it's very effective. 854 00:39:32,360 --> 00:39:35,640 Wow, you are definitely colourful here, 855 00:39:35,640 --> 00:39:39,560 and I can see your arm is like filled to the brim with colours. 856 00:39:39,560 --> 00:39:42,080 Yeah! Because I've been mixing like different shades to get 857 00:39:42,080 --> 00:39:44,840 deeper ones in like the paintwork, like lighter, darker, 858 00:39:44,840 --> 00:39:46,280 so I've been using my arm as a paint palette. 859 00:39:46,280 --> 00:39:48,200 Mixing the different shades is probably the hardest 860 00:39:48,200 --> 00:39:49,400 cos I am partially colour-blind. 861 00:39:49,400 --> 00:39:52,480 Yeah. So how does the colour blindness impact your ability to 862 00:39:52,480 --> 00:39:55,200 kind of play with colours and make-up? I would say, 863 00:39:55,200 --> 00:39:57,840 blues and purples, reds and oranges, greens and browns, 864 00:39:57,840 --> 00:40:00,240 they all look the same to me, and I can't really see pastels. 865 00:40:00,240 --> 00:40:01,680 OK. 866 00:40:01,680 --> 00:40:04,280 So all the paints are, like, labelled at the bottom, 867 00:40:04,280 --> 00:40:06,000 so that's how I work around with the paints. 868 00:40:06,000 --> 00:40:07,120 That is amazing. 869 00:40:07,120 --> 00:40:09,800 I can't wait to be able to take that breath in through my nose. 870 00:40:09,800 --> 00:40:11,960 Oh, my arch nemesis, the dog. 871 00:40:11,960 --> 00:40:13,680 SHE LAUGHS 872 00:40:13,680 --> 00:40:17,080 MUAs, only ten minutes left. 873 00:40:33,240 --> 00:40:34,960 I really love my look. 874 00:40:36,200 --> 00:40:38,280 I really do love my look. 875 00:40:38,280 --> 00:40:41,240 I'm just hoping they do, too, and hopefully it's enough. 876 00:40:47,120 --> 00:40:48,680 That was so fabulous. 877 00:40:48,680 --> 00:40:50,240 The hair flip. 878 00:40:50,240 --> 00:40:51,400 THEY CHUCKLE 879 00:40:51,400 --> 00:40:54,400 MUAs, you have two minutes left. 880 00:40:54,400 --> 00:40:56,280 Woo! 881 00:41:02,920 --> 00:41:05,320 It's come to life - I can see what I had in my head 882 00:41:05,320 --> 00:41:06,800 in the mirror and I'm happy. 883 00:41:08,920 --> 00:41:10,160 OK, OK. 884 00:41:15,200 --> 00:41:17,280 I don't know why I'm still trying to do line work 885 00:41:17,280 --> 00:41:18,880 when I know my hands are so shaky. 886 00:41:21,480 --> 00:41:24,280 MUAs, time is up. 887 00:41:24,280 --> 00:41:25,920 Brushes down. 888 00:41:25,920 --> 00:41:29,080 You have completed your very first creative brief. 889 00:41:29,080 --> 00:41:31,360 Damn, that went so quick. 890 00:41:31,360 --> 00:41:32,800 Ah, ah, ah, ah! 891 00:41:36,760 --> 00:41:38,440 I don't think the look is simple. 892 00:41:38,440 --> 00:41:39,760 I think it's effective. 893 00:41:39,760 --> 00:41:41,040 I'm just nervous. 894 00:41:41,040 --> 00:41:42,280 Everyone did so well. 895 00:41:43,680 --> 00:41:45,400 I went big, I went bold. 896 00:41:45,400 --> 00:41:46,680 I'm really happy with the look. 897 00:41:46,680 --> 00:41:49,360 I definitely think I've done enough to beat the seat. 898 00:41:50,360 --> 00:41:52,160 I believe I've given it my all today 899 00:41:52,160 --> 00:41:54,320 and shown the judges what I'm here for. 900 00:41:54,320 --> 00:41:59,200 Hopefully that means that I'm out of the Face Off chair. 901 00:42:00,200 --> 00:42:02,400 Kat, please step forward. 902 00:42:06,680 --> 00:42:08,560 Tell us your story. 903 00:42:08,560 --> 00:42:12,000 My look's based on my perception. 904 00:42:12,000 --> 00:42:16,080 People always say that I have, like, a different outlook on things. 905 00:42:16,080 --> 00:42:17,240 Thank you. 906 00:42:17,240 --> 00:42:20,680 You had two sponges, but you don't know what you're going to get. 907 00:42:20,680 --> 00:42:22,680 You only have one go at it. 908 00:42:22,680 --> 00:42:26,880 You're a risk-taker, and I like that. 909 00:42:26,880 --> 00:42:30,640 I will say, I've seen the ink blot look before, 910 00:42:30,640 --> 00:42:33,320 but you did it in your way. 911 00:42:33,320 --> 00:42:35,480 It's a beautiful finish. Well done. 912 00:42:36,720 --> 00:42:39,960 The concept, as Patricia said, is nothing new, 913 00:42:39,960 --> 00:42:43,480 but doing it with UV light is an incredible idea. 914 00:42:43,480 --> 00:42:45,440 Wow. Oh, wow. 915 00:42:45,440 --> 00:42:50,040 Right? It's incredible. 916 00:42:50,040 --> 00:42:52,280 It's so clever. Well done. 917 00:42:52,280 --> 00:42:54,000 Josh, please step forward. 918 00:42:59,280 --> 00:43:02,080 I wanted to do a look inspired by my confidence. 919 00:43:02,080 --> 00:43:06,160 Practically, your use of colour is really, really nice. 920 00:43:06,160 --> 00:43:09,120 But it's literally, and I don't want to be rude, 921 00:43:09,120 --> 00:43:12,640 a purple glam dog at the end of the day. 922 00:43:12,640 --> 00:43:17,640 Yeah. It's great, what you've done, but you could do this in a car, 923 00:43:17,640 --> 00:43:22,800 whilst you're driving, blind-folded, because this is what you do. Yeah. 924 00:43:22,800 --> 00:43:26,600 Yes, the prosthetic is out of your comfort zone, 925 00:43:26,600 --> 00:43:28,560 but I want to see more. Yeah. 926 00:43:28,560 --> 00:43:30,120 Thank you. 927 00:43:30,120 --> 00:43:32,280 Jamie, please come forward. 928 00:43:35,920 --> 00:43:38,400 JAMIE: I always tell people to live life to the fullest, 929 00:43:38,400 --> 00:43:40,960 shine bright and let the colours shine through. 930 00:43:40,960 --> 00:43:42,640 DOMINIC: A blended rainbow - 931 00:43:42,640 --> 00:43:44,760 oh, I can't tell you how many times I've seen it. 932 00:43:44,760 --> 00:43:46,240 It's nothing new. 933 00:43:46,240 --> 00:43:49,680 And what we're looking for is innovation. Yeah. 934 00:43:49,680 --> 00:43:52,840 This would work great in a theatre. Mm. 935 00:43:52,840 --> 00:43:57,120 For me, I feel like you haven't stepped out of your comfort 936 00:43:57,120 --> 00:43:58,960 zone yet. 937 00:43:58,960 --> 00:44:01,440 There's some great make-up in this room, 938 00:44:01,440 --> 00:44:04,800 so everybody needs to step out of their comfort zone. 939 00:44:04,800 --> 00:44:07,120 Thank you, Jamie. Thank you. 940 00:44:07,120 --> 00:44:08,160 Joe. 941 00:44:12,240 --> 00:44:15,320 So, my make-up look is cowardly to courageous, 942 00:44:15,320 --> 00:44:19,600 and the scars that are left behind make us the people we are now. 943 00:44:19,600 --> 00:44:23,080 Hearing your story, it's beautiful. 944 00:44:23,080 --> 00:44:24,960 It doesn't translate to your image. 945 00:44:24,960 --> 00:44:27,920 What I'm getting is, hate to say it, 946 00:44:27,920 --> 00:44:30,120 a bit of a low-rent panto character. 947 00:44:30,120 --> 00:44:34,480 This is not a creative way of expressing courage. 948 00:44:34,480 --> 00:44:39,040 And, unfortunately, you haven't shown me what you're capable of. 949 00:44:39,040 --> 00:44:41,960 What I can see is beautiful eye make-up, 950 00:44:41,960 --> 00:44:46,120 but it just doesn't show artistry and skill. 951 00:44:46,120 --> 00:44:49,720 Joe, you did so well yesterday. Thank you. 952 00:44:49,720 --> 00:44:52,200 You've got some great ideas, but you've got to bring them 953 00:44:52,200 --> 00:44:53,960 all together. 954 00:44:53,960 --> 00:44:57,400 OK. Thank you. Thank you. Thanks so much. 955 00:44:57,400 --> 00:44:58,440 Rahual. 956 00:45:03,720 --> 00:45:07,720 My influential character was based on the light within. 957 00:45:07,720 --> 00:45:09,040 It's stunning. 958 00:45:09,040 --> 00:45:10,720 Really impressive. 959 00:45:10,720 --> 00:45:13,800 You've got this incredible blend. 960 00:45:13,800 --> 00:45:16,360 The play with the lashes, positive and negative, 961 00:45:16,360 --> 00:45:20,920 blue lash versus the white lash - it's really clever. 962 00:45:20,920 --> 00:45:23,840 I love the way you incorporated your ears, 963 00:45:23,840 --> 00:45:26,000 your hair, your headpiece. 964 00:45:26,000 --> 00:45:30,480 For week one, you have showed up. Well done. 965 00:45:30,480 --> 00:45:32,280 Instead of going, "I'm not good enough, 966 00:45:32,280 --> 00:45:35,120 "oh, my God, like, I'm in the red chair, what am I going to do?", 967 00:45:35,120 --> 00:45:38,840 you went, "Phew," focus - 968 00:45:38,840 --> 00:45:44,440 you meditated, you used that 15 minutes to make your plan. 969 00:45:44,440 --> 00:45:45,920 SHE SNIFFLES 970 00:45:44,440 --> 00:45:45,920 Stop it, Val, stop it. 971 00:45:45,920 --> 00:45:50,040 Anyway, everybody in this room, be scared, 972 00:45:50,040 --> 00:45:54,120 because this is one determined make-up artist. 973 00:45:54,120 --> 00:45:56,200 Thank you so much. 974 00:45:56,200 --> 00:45:57,600 THEY APPLAUD 975 00:46:01,360 --> 00:46:02,560 Mia. 976 00:46:07,720 --> 00:46:10,080 So, I'm perceived as an ice queen, 977 00:46:10,080 --> 00:46:11,920 because I don't really show emotions. 978 00:46:11,920 --> 00:46:14,120 But I don't think it's a bad thing at all, 979 00:46:14,120 --> 00:46:16,480 because I can make myself seem more confident. 980 00:46:16,480 --> 00:46:17,840 Thank you. 981 00:46:17,840 --> 00:46:22,640 The lay down of prosthetics is absolutely stunning. 982 00:46:24,000 --> 00:46:27,960 However, it hasn't brought anything to the make-up that you 983 00:46:27,960 --> 00:46:33,120 couldn't have done with line work, colour, blending. 984 00:46:33,120 --> 00:46:36,200 OK. That blend in the socket is beautiful. 985 00:46:36,200 --> 00:46:37,880 The contour in the blue is beautiful. 986 00:46:37,880 --> 00:46:39,480 It's all very pretty. 987 00:46:39,480 --> 00:46:43,720 You can be pretty, but can you be creative? 988 00:46:45,680 --> 00:46:46,880 Jade. 989 00:46:50,920 --> 00:46:53,080 My look is based on the Peruvian Lily, as that 990 00:46:53,080 --> 00:46:55,000 kind of symbolises empathy. 991 00:46:56,200 --> 00:46:58,040 Ooh. Delectable. 992 00:46:58,040 --> 00:46:59,760 Thank you. It's yummy, it's gorgeous. 993 00:46:59,760 --> 00:47:04,360 Can we get into that glossy, 3D lip? 994 00:47:04,360 --> 00:47:07,720 The shape of it is so sultry and feminine. 995 00:47:07,720 --> 00:47:11,080 The colours and the tones are stunning. 996 00:47:11,080 --> 00:47:16,440 My issue, though, is it's very obviously a flower, 997 00:47:16,440 --> 00:47:19,640 it's literal. Be more experimental, be more risk-taking. 998 00:47:19,640 --> 00:47:20,840 Yep. Thank you. 999 00:47:22,280 --> 00:47:23,880 Cherise, please step forward. 1000 00:47:27,760 --> 00:47:30,920 So, mine was inspired by the Peruvian Lily as well. 1001 00:47:30,920 --> 00:47:34,160 I wanted to go for the warm tones, to kind of evoke that 1002 00:47:34,160 --> 00:47:37,880 feeling of warmth that you get when someone sort of shows you empathy. 1003 00:47:37,880 --> 00:47:40,800 I mean, this is precision. 1004 00:47:40,800 --> 00:47:42,400 It's balanced. 1005 00:47:42,400 --> 00:47:45,840 I never saw you do a correction, pick up a cotton bud. 1006 00:47:45,840 --> 00:47:51,920 So that tells me this is the hand of an accomplished artist. 1007 00:47:51,920 --> 00:47:53,760 Thank you so much. 1008 00:47:53,760 --> 00:47:57,760 You have influenced an OG influencer. 1009 00:47:57,760 --> 00:47:59,360 Oh stop it, Patricia. 1010 00:47:59,360 --> 00:48:03,720 I look at it, and I think, "Oh, how did she do that?" It's gorgeous. 1011 00:48:03,720 --> 00:48:05,040 Thank you so much. 1012 00:48:05,040 --> 00:48:08,400 The symmetry of them there lashes, 1013 00:48:08,400 --> 00:48:11,160 is, ho-ho, it's good. 1014 00:48:11,160 --> 00:48:12,880 Thank you. It's really good. 1015 00:48:12,880 --> 00:48:16,280 I can see that you've been inspired, 1016 00:48:16,280 --> 00:48:20,400 but what I don't see is a flower. 1017 00:48:20,400 --> 00:48:23,120 It's pushing the idea further. 1018 00:48:23,120 --> 00:48:25,680 Thank you so much. Well done. Thank you, guys. 1019 00:48:25,680 --> 00:48:28,800 THEY APPLAUD 1020 00:48:28,800 --> 00:48:30,320 Ailish, please step forward. 1021 00:48:34,520 --> 00:48:37,400 So the inspiration behind my look was, like, my free spirit, 1022 00:48:37,400 --> 00:48:38,680 my creativity. 1023 00:48:38,680 --> 00:48:41,000 So I just want to show, like, a big explosion of colour. 1024 00:48:41,000 --> 00:48:44,240 I see your love of colour. 1025 00:48:44,240 --> 00:48:48,880 What I struggle to see here is, really, the artistry. 1026 00:48:48,880 --> 00:48:52,120 VAL: The body painting, it's very simplistic. 1027 00:48:52,120 --> 00:48:53,880 This feels a bit flat. 1028 00:48:53,880 --> 00:48:55,440 There is a "however", though. 1029 00:48:55,440 --> 00:48:58,520 I think it's amazing that you've got this much colour down, 1030 00:48:58,520 --> 00:49:00,440 being colour-blind. Thanks. 1031 00:49:00,440 --> 00:49:04,320 That is showing a very determined make-up artist. 1032 00:49:04,320 --> 00:49:08,600 Yeah. What I do love is the painterly quality of the work. 1033 00:49:08,600 --> 00:49:11,400 Because you've done such a simple make-up look, 1034 00:49:11,400 --> 00:49:15,240 all the refinement that is lacking stands out. Yeah. 1035 00:49:16,800 --> 00:49:18,280 Jake, do you want to come up? 1036 00:49:22,360 --> 00:49:25,160 Me and my friends share verbal affirmations, 1037 00:49:25,160 --> 00:49:27,560 and I always give them lifting messages, you know, like 1038 00:49:27,560 --> 00:49:29,560 "You've got this" sort of thing, 1039 00:49:29,560 --> 00:49:31,800 I help them flush their negativity out. 1040 00:49:31,800 --> 00:49:34,720 I love the mottled skin, 1041 00:49:34,720 --> 00:49:37,080 there's something unearthed about it, 1042 00:49:37,080 --> 00:49:40,760 like you've been buried underground for centuries. 1043 00:49:40,760 --> 00:49:42,000 That's what I was going for. 1044 00:49:42,000 --> 00:49:44,080 That's a skill of a great make-up artist, 1045 00:49:44,080 --> 00:49:48,160 being able to convey that through a simple gesture of a wrist. 1046 00:49:48,160 --> 00:49:50,320 Thank you. VAL: Jake, panic over. 1047 00:49:51,480 --> 00:49:53,320 You delivered. 1048 00:49:53,320 --> 00:49:59,360 I mean, it was genius how you made all your pieces, your prosthetics. 1049 00:49:59,360 --> 00:50:02,160 The hair! It's a great piece of work. 1050 00:50:02,160 --> 00:50:04,240 Thank you so much. Thank you. 1051 00:50:04,240 --> 00:50:05,680 THEY APPLAUD 1052 00:50:07,320 --> 00:50:09,920 MUAs, thank you so much for showing your work. 1053 00:50:09,920 --> 00:50:11,800 If you'd like to go next door, myself, 1054 00:50:11,800 --> 00:50:14,800 Val and Patricia will be deliberating to work out 1055 00:50:14,800 --> 00:50:17,880 which two of you will be going into the face-off elimination. 1056 00:50:21,560 --> 00:50:23,280 Oh, my God, the UV. 1057 00:50:23,280 --> 00:50:25,800 Give me a minute. 1058 00:50:25,800 --> 00:50:28,400 So let's talk about the two artists in the Red Chairs. 1059 00:50:28,400 --> 00:50:29,800 Let's start with Ailish. 1060 00:50:29,800 --> 00:50:32,560 It's painting by numbers. Mm. 1061 00:50:32,560 --> 00:50:35,800 For me, she's not done enough to get out of the chair. 1062 00:50:35,800 --> 00:50:37,200 No. 1063 00:50:37,200 --> 00:50:39,720 Bit deflated, but take the criticism 1064 00:50:39,720 --> 00:50:41,880 and I'll just apply it to, like, the next one. 1065 00:50:41,880 --> 00:50:44,560 Shall we talk about Rahual? 1066 00:50:44,560 --> 00:50:48,240 I mean, what can you say? This is mesmerising. 1067 00:50:48,240 --> 00:50:50,240 He got so much done. 1068 00:50:50,240 --> 00:50:52,600 There are so many incredible things going on here. 1069 00:50:52,600 --> 00:50:54,880 Rahual is flying out of that seat. 1070 00:50:54,880 --> 00:50:56,160 And made Val cry. 1071 00:50:56,160 --> 00:50:57,600 MUAs: Yeah! 1072 00:50:57,600 --> 00:51:01,040 I was holding back the tears. Yeah, emotions were definitely high. 1073 00:51:01,040 --> 00:51:03,320 So, who do we think is going to take his place, then? 1074 00:51:03,320 --> 00:51:05,480 I think we need to talk about Joe. 1075 00:51:05,480 --> 00:51:06,600 I don't get it. 1076 00:51:06,600 --> 00:51:13,240 I mean, it's a perfectly nice execution for a Halloween. 1077 00:51:13,240 --> 00:51:16,760 Yeah. But it's not at Glow Up level. No. 1078 00:51:16,760 --> 00:51:18,840 It's just obviously saying "You could do more." 1079 00:51:18,840 --> 00:51:22,120 I just need to prove myself more and I just... That's all it is. 1080 00:51:23,320 --> 00:51:27,080 Someone else I think is in danger is Josh. 1081 00:51:27,080 --> 00:51:28,480 Power to the poodle. 1082 00:51:28,480 --> 00:51:29,800 THEY CHUCKLE 1083 00:51:29,800 --> 00:51:33,440 I mean, this is clearly just a drag look to go to the club. 1084 00:51:33,440 --> 00:51:37,000 The brief was "your influential characteristic," 1085 00:51:37,000 --> 00:51:39,040 and I can't see that in this. 1086 00:51:39,040 --> 00:51:40,480 Looking back, I'm like, 1087 00:51:40,480 --> 00:51:42,600 "Yeah, I could've really pushed it a little bit further." 1088 00:51:42,600 --> 00:51:45,480 I was... A lot of the techniques I used were really comfortable. 1089 00:51:45,480 --> 00:51:48,440 I think we're all in agreement on who should be going in to 1090 00:51:48,440 --> 00:51:51,480 this first Face Off Elimination. 1091 00:51:57,240 --> 00:52:02,680 Ailish, your look was quite simplistic 1092 00:52:02,680 --> 00:52:07,520 and lacked refinement, so you will be the first MUA 1093 00:52:07,520 --> 00:52:10,760 going in to the Face Off. 1094 00:52:10,760 --> 00:52:15,320 Rahual, like Ailish, you had 15 minutes less, 1095 00:52:15,320 --> 00:52:18,720 but, boy, did you run at that make-up. 1096 00:52:18,720 --> 00:52:23,800 You delivered a well-executed, thought-out look. 1097 00:52:23,800 --> 00:52:25,400 You've beat the seat. 1098 00:52:25,400 --> 00:52:28,000 APPLAUSE 1099 00:52:25,400 --> 00:52:28,000 Thank you, thanks so much. 1100 00:52:28,000 --> 00:52:30,720 But that means we've got one seat to fill. 1101 00:52:30,720 --> 00:52:33,760 The MUA joining Ailish in the Face Off Elimination didn't 1102 00:52:33,760 --> 00:52:35,480 show us what they were capable of. 1103 00:52:35,480 --> 00:52:37,680 Their story didn't shine through, 1104 00:52:37,680 --> 00:52:39,760 they played it safe, 1105 00:52:39,760 --> 00:52:41,120 and we wanted more. 1106 00:52:44,400 --> 00:52:48,160 Joe, you'll be the second MUA going into the face-off. 1107 00:52:49,440 --> 00:52:52,720 LEOMIE: Ailish, Joe, get ready to say your goodbyes 1108 00:52:52,720 --> 00:52:55,240 because one of you will not be coming back. 1109 00:52:55,240 --> 00:52:58,280 I didn't expect to be in the Face Off in week one, but I've 1110 00:52:58,280 --> 00:53:01,360 got faith in myself, I'm a driven person, I don't give up easily. 1111 00:53:01,360 --> 00:53:02,840 Smash it. Smash it. 1112 00:53:02,840 --> 00:53:05,280 I think it's ironic that now I'm in the bottom two, 1113 00:53:05,280 --> 00:53:08,080 I've been gassing on about the fact of how confident I am, 1114 00:53:08,080 --> 00:53:10,000 but I'm ready to show why I have that confidence, 1115 00:53:10,000 --> 00:53:11,800 why I should remain in this competition. 1116 00:53:11,800 --> 00:53:14,400 Let's go. Good luck, guys. 1117 00:53:19,000 --> 00:53:20,960 To create a level playing field, 1118 00:53:20,960 --> 00:53:25,000 the MUAs will face off over a set of identical twins. 1119 00:53:25,000 --> 00:53:29,000 DOMINIC: We do the Face Off because we want to strip back everything, 1120 00:53:29,000 --> 00:53:33,040 take away all the fuss and bring it straight down to technique. 1121 00:53:33,040 --> 00:53:36,720 We need to make sure that the person going through each week is 1122 00:53:36,720 --> 00:53:38,960 the best technically. 1123 00:53:38,960 --> 00:53:42,640 For your first Face Off, we want you to execute a striking 1124 00:53:42,640 --> 00:53:46,840 symmetrical negative space graphic liner. 1125 00:53:46,840 --> 00:53:50,600 The eye liner should be clean, sharp, 1126 00:53:50,600 --> 00:53:54,320 balanced and complement the model's eye shape. 1127 00:53:55,520 --> 00:53:59,880 The key to a great negative space liner is symmetry. 1128 00:53:59,880 --> 00:54:03,880 To map out the placement, draw three dots. 1129 00:54:03,880 --> 00:54:06,680 One, two, three. 1130 00:54:06,680 --> 00:54:12,520 Start your liner from the inner corner, across the lash line. 1131 00:54:12,520 --> 00:54:14,440 Now to do your second line. 1132 00:54:14,440 --> 00:54:19,880 Leave a gap close to the tear duct, draw just above the socket line, 1133 00:54:19,880 --> 00:54:23,800 carry it through and connect it to your outer wing. 1134 00:54:24,880 --> 00:54:31,240 Clean up with a damp cotton bud to define and refine your edge. 1135 00:54:31,240 --> 00:54:36,240 And there you have it - a striking negative spaced liner. 1136 00:54:37,560 --> 00:54:42,520 MUAs, you have 15 minutes, and your time starts now. 1137 00:55:00,800 --> 00:55:04,600 MUAs, you have ten minutes left. 1138 00:55:08,040 --> 00:55:12,600 Ailish is doing a little bit of both eyes at the same time, 1139 00:55:12,600 --> 00:55:17,240 whereas Joe, he went in for the kill, he delivered a big eye. 1140 00:55:17,240 --> 00:55:18,760 The problem is, he's now got to try 1141 00:55:18,760 --> 00:55:20,680 and replicate that on the other side, 1142 00:55:20,680 --> 00:55:23,960 and I wonder if he's going to be successful in creating symmetry. 1143 00:55:25,160 --> 00:55:28,080 Ailish's symmetry was off balance. 1144 00:55:28,080 --> 00:55:31,840 Yeah. I hope she sees that and rectifies it. 1145 00:55:31,840 --> 00:55:35,400 It's too close to tell right now. Yeah. 1146 00:55:35,400 --> 00:55:37,960 MUAs, you have one minute left. 1147 00:55:54,200 --> 00:55:59,200 Five, four, three, two, one. 1148 00:55:59,200 --> 00:56:00,360 Brushes down. 1149 00:56:02,280 --> 00:56:04,720 Judges, I think it's time you take a closer look. 1150 00:56:23,600 --> 00:56:26,040 Are you ready to conflab? I think so. 1151 00:56:29,760 --> 00:56:31,360 Well, that was interesting. Mm. 1152 00:56:31,360 --> 00:56:35,800 Halfway through, it felt like they were level pegging, but when 1153 00:56:35,800 --> 00:56:38,400 we moved towards the finish line, 1154 00:56:38,400 --> 00:56:41,040 it really opened up for Ailish. 1155 00:56:41,040 --> 00:56:44,680 It's clean, sharp, and symmetrical. 1156 00:56:44,680 --> 00:56:46,840 Yeah. Joe's, it's... 1157 00:56:46,840 --> 00:56:48,840 ..it's all over the show. Yeah. 1158 00:56:48,840 --> 00:56:51,720 It's inconsistent in its thickness. 1159 00:56:51,720 --> 00:56:54,520 {\an8}Yep. And the overall shape is very 1160 00:56:54,520 --> 00:56:57,040 {\an8}clearly two very different eye liners. 1161 00:56:57,040 --> 00:56:59,160 I think we have a clear winner. I think we do. 1162 00:57:04,160 --> 00:57:08,200 Ailish, your look was precise, 1163 00:57:08,200 --> 00:57:09,880 clean, and symmetrical. 1164 00:57:11,240 --> 00:57:15,760 Joe, your look was bold and striking. 1165 00:57:15,760 --> 00:57:17,440 But the line was inconsistent 1166 00:57:17,440 --> 00:57:20,120 and the negative space eye liner was unsymmetrical. 1167 00:57:21,200 --> 00:57:23,840 So therefore, Joe, please pick up your kit, you'll be going home. 1168 00:57:23,840 --> 00:57:25,520 Right. 1169 00:57:25,520 --> 00:57:27,600 AILISH: I'm so sorry. Don't worry about it. 1170 00:57:28,600 --> 00:57:30,400 I don't feel like I'm ready to go. 1171 00:57:30,400 --> 00:57:33,560 But I knew when I'd stepped back that I... 1172 00:57:33,560 --> 00:57:34,760 ..I had lost. 1173 00:57:34,760 --> 00:57:37,120 I've still got to help Isamaya on the line, 1174 00:57:37,120 --> 00:57:40,560 I feel really happy that I was able to show all that skillset. 1175 00:57:40,560 --> 00:57:41,840 Do you know what? 1176 00:57:41,840 --> 00:57:44,440 I am so happy for the amazing opportunity 1177 00:57:44,440 --> 00:57:46,920 I've been given, because...wow. 1178 00:57:46,920 --> 00:57:48,400 Did you miss me?! 1179 00:57:48,400 --> 00:57:50,120 THEY CHEER 1180 00:57:50,120 --> 00:57:52,120 Ha-ha-ha-ha! 1181 00:57:52,120 --> 00:57:53,920 Oh, my God, I'm so happy. 1182 00:57:53,920 --> 00:57:55,840 Oh, I'm buzzing, I'm over the moon. 1183 00:57:55,840 --> 00:57:57,680 I'm really proud of myself. 1184 00:57:57,680 --> 00:58:01,320 It feels really good to have survived the Face Off. 1185 00:58:01,320 --> 00:58:02,640 It proves that I am good 1186 00:58:02,640 --> 00:58:05,280 and I do deserve to be here, so, like, I've earned my place. 1187 00:58:05,280 --> 00:58:07,480 Don't get rid of the Irish that easily. 1188 00:58:07,480 --> 00:58:09,800 I've got so much more to show the judges, 1189 00:58:09,800 --> 00:58:11,800 so I'm so excited to have that opportunity. 1190 00:58:11,800 --> 00:58:14,880 Get some rest because we go again, we ride at dawn. 1191 00:58:14,880 --> 00:58:17,240 THEY LAUGH 1192 00:58:18,720 --> 00:58:20,480 Guys, it's Snapchat! 1193 00:58:20,480 --> 00:58:23,120 ..the MUAs go digital. 1194 00:58:23,120 --> 00:58:24,680 Concentration time. 1195 00:58:24,680 --> 00:58:25,880 Oh, my God, don't stress me. 1196 00:58:25,880 --> 00:58:27,640 And at Glow Up studios ... 1197 00:58:27,640 --> 00:58:29,080 Nobody panic! 1198 00:58:29,080 --> 00:58:31,000 Yeah, I'm just going to have to redo it. 1199 00:58:31,000 --> 00:58:32,240 ALL: No! 1200 00:58:32,240 --> 00:58:34,400 I have bigger fish to f... Aaargh, ha-ha! 1201 00:58:34,400 --> 00:58:35,960 ..some are pushed to their limits. 1202 00:58:35,960 --> 00:58:38,320 It's nice, but in the Glow Up studio, 1203 00:58:38,320 --> 00:58:40,120 "nice" is not a good word. 1204 00:58:41,305 --> 00:59:41,685 Watch Online Movies and Series for FREE www.osdb.link/lm