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Glow Up is back.
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Ten of the best aspiring
make-up artists
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are pushing their creativity
to its limits...
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I'm born again!
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FLAPS LIPS
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..vying for top spot in one
of the most demanding
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make-up competitions in the world...
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I want to win.
I'll congratulate the runners-up.
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Everybody in this room, be scared.
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..on a mission to impress the most
iconic names in the business.
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Tell me more.
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I know you're a fan of me.
Huge.
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Now I'm a fan of you.
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Don't panic. Nobody panic!
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They'll work on some of the toughest
professional assignments...
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It's like the Hunger Games
but a lot less violent.
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..like designing
next-level lenses...
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..for global platform Snapchat...
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..perfecting prosthetics
on the set of...
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..House of the Dragon...
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..and tackling theatrical looks
backstage at...
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..Cabaret!
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Can we all just have a moment?
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That's enough.
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Each week, the MUAs will face
a fierce creative brief.
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It's joyful.
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It takes me to my happy place.
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And those who fall short...
Ah!
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Hang in there, darling,
this is to help you.
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..will fight for survival
in an intense face-off elimination,
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until only the best are left...
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Magical. Amazing.
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Fantastic. It's a ding-dong!
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..finessing to the finish
for a prize
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that could turn their make-up
dreams into reality.
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Oh, my God, I love it!
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I can't wait to see your first
Oscar for make-up.
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It's time...
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..to Glow Up.
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Oh, my God!
Hi, guys!
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The MUAs created runway looks
for high-end designer Harry.
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Where's my model? Is my model...?
Model's back, model's back!
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And Rahual and Ailish failed
to impress.
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I look at this make-up
and I see absolute sheer panic.
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At Glow Up Studios...
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Oh, my arch-nemesis, the dog.
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SHE LAUGHS
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..Rahual escaped elimination.
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This is one determined
make-up artist.
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And Ailish sent home Joe
in the Face Off.
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THEY CHEER
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I am good and I do deserve
to be here,
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so, like, I've earned my place.
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We are super-excited for today.
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The MUAs are up bright and early,
getting ready for a big day ahead.
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It is starting to hit home
that we are in a competition.
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Yeah, I think the pressure's on
a little bit.
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Obviously, I've got
to prove myself this week,
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cos I was in the Face Off.
But I'm a lot more confident.
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Yeah, so I've been through, like,
the worst of it, so you guys have...
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It's your turn and your turn.
Have fun!
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Stop putting that on me.
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LAUGHTER
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I think it's your turn
in the Face Off this week.
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Pressure! Pressure! Pressure!
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No, sorry, don't put that pressure
on yourselves to beat me,
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cos you won't.
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THEY LAUGH
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This week, the MUAs will be
tapping into digital make-up.
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Augmented Reality is
an interactive experience
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that enhances the real world.
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Think of it as a digital glow-up.
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With just a few taps, you can add
animations and effects
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that can completely transform
the way you see yourself
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and the world around you.
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And today, the MUAs have been tasked
with turning looks into lenses.
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Oh, my God, what could it be?
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Guys, it's, like, Snapchat!
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Stop! Are you serious?
Oh, my God, how cute?!
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Look at that.
Everybody get in.
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THEY LAUGH
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With over 450 million daily active
users, visual messaging app
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Snapchat is renowned for its iconic
augmented reality lenses.
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Each lens is an expression
of creativity,
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sending something that's fun
and positive
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and makes their friends smile.
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From puppy dog ears to fruity faces,
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lenses add a playful twist
to the way we communicate.
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Oh, my God, I love it!
Like, this is huge.
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I used that dog filter 24/7
when I was growing up.
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You can't even see what
I look like as a teenager,
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cos it's all just literally
AR lenses.
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Morning!
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So, who uses lenses?
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Yeah. Yeah.
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Me, personally, I was very much
the flower headband girlie.
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Oh, yeah!
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But the dog was always cute
with the little...
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Woof, woof! That was me.
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Well, come on in, guys. Let's go!
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I've got over a decade of memories
stored within the app.
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So, to be able to work
on an assignment here is amazing.
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Welcome, everyone.
How are you all feeling?
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Excited.
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So, this is your boss for today.
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Head of Creative Strategy at Snap
here in the UK, Kate Mellett.
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Hi. Hello.
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And also, we are lucky enough
to be joined
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by phenomenal content creator
Atarah Mayhew.
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Having grown up in Manchester
with 11 siblings,
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Atarah experimented with
make-up from a young age.
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Today, she is a powerhouse
producer of make-up tutorials,
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with over 8 million followers
across all digital platforms.
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Content creation's a tough
industry to make a name in,
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because you have to really stand out
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and bring your personality
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so that you don't get
kind of lost in the crowd.
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Atarah regularly incorporates
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augmented reality lenses
into her looks.
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Projects like this are really
exciting because it helps us explore
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the future of beauty and the concept
of self-expression in new ways.
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Today, we want you to create
a make-up look
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which could be turned into
an AR lens.
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That is insane.
Insane.
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Today's theme is to convey a lens
that invokes your happy place.
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I want your looks to be fun,
memorable and emotive.
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Once you've finished your look,
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you'll each have two minutes
to pitch your lens idea to us.
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That's going to be the longest
two minutes. Ever. Ever, yeah.
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Only three looks will be
turned into lenses for us to try.
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The lens that impresses us the most
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will go live on Snapchat
for millions to use.
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What? That's crazy.
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I mean, that's exciting, right?
Yeah! Yes. I'm excited.
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All right, guys, are you ready?
Yeah.
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Let's go.
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Over the next 90 minutes,
the MUAs need to create
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a strong make-up look that will form
the basis of their AR lens.
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Hi!
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Today, we want the MUAs
to create something
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that really taps into
the magic of AR.
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Something that's fun, emotive,
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bold and makes you want to smile
straight away.
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OK, so I've already made,
like, a little scribble.
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The MUAs must deliver a look which
showcases their happy place.
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I don't know what I would do
if I had to pick my own happy place.
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Mm, maybe just put some
shopping bags underneath my eyes.
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Oh, my gosh,
I just gave someone a good idea.
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My concept is based on meditation.
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I want to do, like, a lotus flower
in your centre of your forehead.
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My happy place is my partner.
Yeah.
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And, as a gay man, I think
Pride is very important,
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so I'm going to do a look
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where it has this Pride balloon
across the face.
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My happy place is,
like, art and tattoos,
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so I'm kind of doing a piece
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inspired by one of the tattoos
I have.
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I've decided I'm going to do a clown
but trying to do it in all colour.
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And I'm trying to not
pick up the black.
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So, I'm Goth,
if you hadn't gathered.
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Hello, Jamie! Hey, diva!
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Oh, my gosh, already cracking on.
Yes.
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So, what is your happy place?
My happy place is music.
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Feel like I'm always listening
to music.
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So, I'm going to have the piano
wrapping around the face.
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What are you listening to?
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{\an8}Oh, if I'm feeling like a baddie,
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{\an8}I'll listen to like Doechii
or Beyonce.
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You're talking all my favourite
artists right now.
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♪ Da-da-da, da-da-da. ♪
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THEY LAUGH
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I'm just trying to make sure
I've got the colours that I need.
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My happy place is being by the pool
or a beach on holiday.
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But I just feel like my look
is quite, like, basic
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compared to a lot of people.
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Now, one way our MUAs could slip up
today is by being too timid.
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Not being big and bold enough.
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Because you've got to grab
their attention straight away.
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Erm, it might look little
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but I don't want it to be too bold,
where it will overpower the face.
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But then, obviously, I don't want it
to be too minimal,
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where...you can't even
really see it.
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Last week's industry assignment
winner, Mia,
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is creating a mermaid
to convey her happy place.
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I just think the beach is such
a calm, nice place to be.
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I'm from a small village in
North Wales.
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We have beaches,
we have mountains, fields, lakes.
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But round there, the make-up scene
isn't big whatsoever.
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The way I got into make-up
was through dance.
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I competed in freestyle disco
from the ages five to 16.
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The make-up we had to do for it
was basically drag make-up
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minus, like, a block brow.
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It was great.
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I would say I'm a confident person,
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and I am used to being in
a competitive environment,
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so, being on Glow Up,
I know what I need to do.
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I just stay focused
and I should be fine.
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It would be nice to win
the industry assignment,
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because I did good last week,
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so I'd like to have, like,
a little... a roll going on.
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Just lift your head up.
Perfect.
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I'm picking, like, quite a pastel-y,
soft colour palette.
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It goes hand-in-hand
with serenity and calmness.
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With half a million lenses
already on the platform,
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the make-up looks need to have
an instant impact.
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Right now, it's a bit flat,
but once I get the powders on,
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that's when it's really going
to be intense.
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My happy place is, honestly,
when I'm creating.
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So, I'm kind of turning my model
into a paint palette.
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So, I've gone with every colour.
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Open your eyes. Beautiful.
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What do you think of
Ailish's design right now?
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There's just that bold blue
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but nothing else that really pops,
that's kind of memorable.
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What are we thinking of her heart?
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My question here
is around originality.
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Has it been done before?
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Just tilt your head back.
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Have you seen Rahual's design
over here?
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Do you think it's going to grab
a user's attention?
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He's really kind of gone for
that instant impact.
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The colours are popping.
It's got promise.
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I am really pleased with
the colour choices.
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Like, especially this blue.
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Wow, Ailish!
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Hello! Feeling blue?
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Feeling the blue.
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Last week you were in the red chair.
Yes.
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It just, like, lit a fire under me,
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cos I've always just been
really hard on myself.
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Like, if I make one mistake I'm
like, "No, that's it, I'm horrible."
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When you have that mindset,
do you not feel that it takes away
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the happiness that you feel
doing the art? Yeah.
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I realised it did that to me
last week.
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I just really let myself, like,
overthink and just get to myself.
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Not having that this week.
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But you always are showing
your best self,
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even when you feel like you're not.
I just want you to remember that.
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Thank you. Attention, MUAs,
we're halfway through.
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In 45 minutes, get ready
to pitch us your looks.
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I don't know who my main competition
is today.
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Like, this is more than just
a make-up challenge.
243
00:11:18,120 --> 00:11:22,280
It is the element of having to
translate our look onto a lens.
244
00:11:22,280 --> 00:11:25,840
With only the three best looks
being turned into lenses,
245
00:11:25,840 --> 00:11:28,000
the pressure is on to perform.
246
00:11:28,000 --> 00:11:30,440
I would absolutely love to win it.
247
00:11:30,440 --> 00:11:32,680
I mean, the look isn't really
giving centre of the pack.
248
00:11:32,680 --> 00:11:34,080
It's giving, like, very bold...
249
00:11:34,080 --> 00:11:35,800
I'm happy with my concept.
250
00:11:35,800 --> 00:11:40,800
I believe it's going to be strong
enough to create a punchy lens.
251
00:11:40,800 --> 00:11:43,640
I am a little bit worried
that my look might not be enough.
252
00:11:45,240 --> 00:11:48,520
I need to, like, stop kind of
focusing on what everyone else
253
00:11:48,520 --> 00:11:50,920
is doing and like,
just stay in my own lane.
254
00:11:50,920 --> 00:11:53,000
Yeah, I'm getting in my head
a little bit.
255
00:11:54,960 --> 00:11:56,000
One sec...
256
00:11:57,400 --> 00:11:58,840
Sorry, one sec.
257
00:11:58,840 --> 00:12:00,400
Where's Jade gone?
258
00:12:03,360 --> 00:12:04,720
Can I have a tissue?
259
00:12:08,080 --> 00:12:10,560
Yeah, I don't know
what's come over me.
260
00:12:12,200 --> 00:12:13,320
Is she OK?
261
00:12:15,400 --> 00:12:16,720
Why are you upset?
262
00:12:16,720 --> 00:12:18,440
I was just looking around and like,
263
00:12:18,440 --> 00:12:21,120
everyone else's looks
is really strong,
264
00:12:21,120 --> 00:12:24,600
and mine is quite stripped back
and simple.
265
00:12:24,600 --> 00:12:27,840
Just think about how
you can make it elevated
266
00:12:27,840 --> 00:12:30,120
with the AR part of it. Yeah.
267
00:12:30,120 --> 00:12:32,280
And you're secure in your artistry,
so just try not to
268
00:12:32,280 --> 00:12:36,200
get in your head too much.
Yeah. Thank you. Yeah. Come here.
269
00:12:36,200 --> 00:12:39,320
I need to get it together,
basically, because if I don't, like,
270
00:12:39,320 --> 00:12:41,240
if I'm pitching something
that I don't believe in,
271
00:12:41,240 --> 00:12:42,760
then they're not going to
believe in it.
272
00:12:42,760 --> 00:12:45,920
So I just need to believe
in myself, believe in my work
273
00:12:45,920 --> 00:12:48,280
and then hopefully
that will come across.
274
00:12:52,080 --> 00:12:56,120
MUAs, you're one hour down
and you've got 30 minutes left.
275
00:12:56,120 --> 00:12:57,600
I want to be impressed.
276
00:13:04,200 --> 00:13:06,960
Not sure entirely how this is going.
277
00:13:06,960 --> 00:13:08,960
So, what's going on with you
right now?
278
00:13:08,960 --> 00:13:11,320
So, my happy place
is nature documentaries. Aww!
279
00:13:11,320 --> 00:13:13,640
Cos it's what me and my dad grew up
watching together. Oh, I love that.
280
00:13:13,640 --> 00:13:15,840
So, this is inspired
by bioluminescence.
281
00:13:15,840 --> 00:13:17,880
So when you hit the water
and it shines. Yes!
282
00:13:17,880 --> 00:13:19,480
And how are you feeling this week?
283
00:13:19,480 --> 00:13:22,440
I'm trying to be more positive, cos
I feel like my mood is like a yoyo.
284
00:13:22,440 --> 00:13:24,280
One minute I'm up,
one minute I'm down.
285
00:13:24,280 --> 00:13:27,440
I get in my own head. I'm the
problem, you know what I mean?
286
00:13:32,200 --> 00:13:36,520
I would not say I'm a very confident
person, to be honest.
287
00:13:36,520 --> 00:13:38,640
There's a voice in my head
always telling me that, like,
288
00:13:38,640 --> 00:13:40,120
I don't deserve to be here.
289
00:13:40,120 --> 00:13:43,120
I am on the autistic spectrum
and like, it does sort of, like,
290
00:13:43,120 --> 00:13:47,120
manifest itself in, like,
a nervous stutter for me sometimes.
291
00:13:47,120 --> 00:13:50,160
It's challenging when you're, like,
in, like, a job interview
292
00:13:50,160 --> 00:13:52,880
or, like, this when you're trying
to, like, be a professional.
293
00:13:52,880 --> 00:13:56,240
It is really hard for me.
Yeah, I-I don't know why.
294
00:13:56,240 --> 00:13:57,520
It just is.
295
00:13:58,840 --> 00:14:02,360
I'm doing this competition
just to prove to myself
296
00:14:02,360 --> 00:14:05,440
that I'm brave enough
to try new things.
297
00:14:05,440 --> 00:14:08,640
Doing this creative sort of stuff
is what makes me feel alive.
298
00:14:08,640 --> 00:14:11,520
Without that it's like,
life gets a bit stagnant.
299
00:14:13,360 --> 00:14:15,880
My personal style
is, like, more dark.
300
00:14:15,880 --> 00:14:18,400
So this is, like, a little bit
out of the box for me,
301
00:14:18,400 --> 00:14:19,880
so thank you for keeping me calm.
302
00:14:19,880 --> 00:14:21,160
Turn your head.
303
00:14:22,280 --> 00:14:24,520
I feel a little bit more confident
with my look.
304
00:14:24,520 --> 00:14:26,200
I just hope that it's enough.
305
00:14:26,200 --> 00:14:31,320
I want these lines to be really
straight, so concentration time.
306
00:14:31,320 --> 00:14:33,480
What do you think of Jamie's look?
307
00:14:33,480 --> 00:14:35,360
Does it invoke joy?
308
00:14:35,360 --> 00:14:39,160
100%. It's about fun,
and we want to invoke play.
309
00:14:39,160 --> 00:14:41,760
These are going to be, like,
scales.
310
00:14:41,760 --> 00:14:43,880
We have Mia at the back there.
311
00:14:43,880 --> 00:14:47,600
It's risky to go with
such a simple design.
312
00:14:47,600 --> 00:14:51,000
I guess the key thing is,
will it grab users' attention?
313
00:14:51,000 --> 00:14:54,240
Feeling quite confident with
how everything's going so far?
314
00:14:54,240 --> 00:14:56,960
I've actually not got much to do
but, like, I think
315
00:14:56,960 --> 00:14:58,960
my look is giving very, erm...
316
00:14:58,960 --> 00:15:01,000
..mermaid. OK.
317
00:15:01,000 --> 00:15:03,000
I want to talk about Jake's look.
318
00:15:03,000 --> 00:15:05,760
Well, he's another one
who's potentially holding back
319
00:15:05,760 --> 00:15:08,600
a little bit and it feels
a little bit too subtle.
320
00:15:08,600 --> 00:15:11,560
Hopefully the AR story can push it
a little bit further. Yeah.
321
00:15:11,560 --> 00:15:14,160
I'm interested to see
how he's going to pitch it.
322
00:15:14,160 --> 00:15:16,760
As well as creating
a bold make-up look,
323
00:15:16,760 --> 00:15:20,720
the MUAs need to make the most
of the magic of AR.
324
00:15:21,720 --> 00:15:24,320
I want all my animated elements
to be like the paint
325
00:15:24,320 --> 00:15:25,760
sort of like splashing about.
326
00:15:25,760 --> 00:15:28,200
So I hope that
that translates well.
327
00:15:28,200 --> 00:15:31,560
We want the MUAs
to really think about
328
00:15:31,560 --> 00:15:34,560
doing things that aren't possible
with traditional make-up.
329
00:15:34,560 --> 00:15:38,360
Think from a dimension
point of view, think about movement.
330
00:15:38,360 --> 00:15:41,480
There are so many added layers
that you can kind of bring to life
331
00:15:41,480 --> 00:15:43,240
through a digital lens.
332
00:15:43,240 --> 00:15:45,320
So, I want to make the lotus
animated,
333
00:15:45,320 --> 00:15:49,160
which will kind of have, like,
a soft movement to it, with a glow.
334
00:15:49,160 --> 00:15:53,080
I want the AR to, like,
kind of mimic the water moving.
335
00:15:53,080 --> 00:15:54,680
Put emotion in the ocean.
336
00:15:56,440 --> 00:15:58,720
MUAs, ten minutes left.
337
00:15:58,720 --> 00:16:00,520
Ten minutes only. Urgh!
338
00:16:00,520 --> 00:16:02,440
Oh, my God, don't stress me.
339
00:16:02,440 --> 00:16:06,880
Just wanted to add that little bit
of, like, extra with the lashes.
340
00:16:06,880 --> 00:16:10,360
I'm feeling very positive, I just
need to do a little bit on the lips.
341
00:16:12,200 --> 00:16:14,840
I think I'm done.
342
00:16:14,840 --> 00:16:16,960
It looks like Mia's finished.
343
00:16:16,960 --> 00:16:19,520
I think she potentially
could have spent, you know,
344
00:16:19,520 --> 00:16:22,880
the full amount of time really
kind of pushing the boundaries of
345
00:16:22,880 --> 00:16:24,600
kind of embellishing that look.
346
00:16:26,000 --> 00:16:32,074
Watch Online Movies and Series for FREE
www.osdb.link/lm
347
00:16:35,200 --> 00:16:37,120
I'm that, I'm that guy
who's just like, "Act normal,"
348
00:16:37,120 --> 00:16:38,320
like, "I can't act normal!"
349
00:16:44,320 --> 00:16:46,120
Just turn this way.
350
00:16:46,120 --> 00:16:49,040
MUAs, your time is up.
351
00:16:50,320 --> 00:16:52,400
I just really wanted to put
the duck on it.
352
00:16:52,400 --> 00:16:54,680
I'm allergic to them,
but I love them.
353
00:16:54,680 --> 00:16:57,720
It's time for the MUAs to explain
how their look
354
00:16:57,720 --> 00:17:00,920
could be turned into
a scroll-stopping AR lens.
355
00:17:02,560 --> 00:17:05,440
One part of being a make-up artist
is sometimes you have to
356
00:17:05,440 --> 00:17:09,040
pitch your ideas, because you've
got to explain to a creative team
357
00:17:09,040 --> 00:17:11,640
the ideas you have in your head.
358
00:17:11,640 --> 00:17:13,680
So I'm keen to see
how they handle it.
359
00:17:13,680 --> 00:17:17,560
Only the judges' three favourite
concepts will be turned into lenses,
360
00:17:17,560 --> 00:17:20,040
so it's vital the MUAs
sell their story.
361
00:17:21,280 --> 00:17:22,920
Rahual, you're up.
362
00:17:24,360 --> 00:17:26,200
The things I'm going to be
looking for -
363
00:17:26,200 --> 00:17:28,360
are they really leaning into
the magic of AR?
364
00:17:28,360 --> 00:17:31,000
There is so much more
that they can do with this format
365
00:17:31,000 --> 00:17:34,280
and I really want them
to unleash its true potential.
366
00:17:34,280 --> 00:17:38,240
So, my happy place is
based on meditation
367
00:17:38,240 --> 00:17:41,800
and the lotus represents
tranquillity and serenity.
368
00:17:41,800 --> 00:17:45,320
In terms of augmented reality,
where would you take this?
369
00:17:45,320 --> 00:17:47,360
With the lotus
being quite a focal point,
370
00:17:47,360 --> 00:17:51,320
we would ask the users to
close their eyes, inhale,
371
00:17:51,320 --> 00:17:54,240
and as they exhale
and open their eyes,
372
00:17:54,240 --> 00:17:56,720
there will be a pulsating glow.
373
00:17:56,720 --> 00:17:58,400
I'm there. I'm totally there.
374
00:17:58,400 --> 00:18:00,000
Thank you.
375
00:18:00,000 --> 00:18:01,320
So good!
376
00:18:04,000 --> 00:18:05,840
Ailish.
377
00:18:05,840 --> 00:18:08,280
I think I have something
to prove to the judges.
378
00:18:08,280 --> 00:18:10,680
I just want to show them
that I am here for a reason
379
00:18:10,680 --> 00:18:12,120
and I am good enough to be here.
380
00:18:12,120 --> 00:18:15,800
So, my look is inspired by my love
of art and tattoos.
381
00:18:15,800 --> 00:18:17,640
You can tap it
and it'll change colour.
382
00:18:17,640 --> 00:18:19,840
So it can go from blue
to red to pink.
383
00:18:19,840 --> 00:18:22,280
Is there anything else
in terms of kind of AR
384
00:18:22,280 --> 00:18:25,200
that you would do
to bring this look to life?
385
00:18:26,560 --> 00:18:28,760
I want there to be a choice as well
with, like, the lashes,
386
00:18:28,760 --> 00:18:31,440
so you can have it with the lash
or without a lash as well.
387
00:18:33,440 --> 00:18:34,880
Thank you very much.
388
00:18:34,880 --> 00:18:37,080
Next up, Josh.
389
00:18:37,080 --> 00:18:40,160
My happy place is anywhere
that my partner is.
390
00:18:40,160 --> 00:18:41,960
We could be a bin and I'd be happy.
391
00:18:41,960 --> 00:18:46,200
Er, and it... Without Pride
I wouldn't have him.
392
00:18:46,200 --> 00:18:48,960
So, this is going to be
kind of wiggling just a little bit
393
00:18:48,960 --> 00:18:52,400
as a balloon would and I'd love
for the colours on the balloons
394
00:18:52,400 --> 00:18:56,600
to change from the gay flag to
the lesbian flag to the trans flag,
395
00:18:56,600 --> 00:18:58,240
because everybody is accepted.
396
00:18:58,240 --> 00:18:59,440
Thank you.
397
00:18:59,440 --> 00:19:03,160
Next up to pitch her AR lens
concept is Kat.
398
00:19:03,160 --> 00:19:07,680
I wanted to represent my true
happy place, which is in horror,
399
00:19:07,680 --> 00:19:12,920
by when the model smiles it will
change into a Halloween clown.
400
00:19:12,920 --> 00:19:14,400
So the duck and the hearts'd go
401
00:19:14,400 --> 00:19:17,240
and then it's going to go
black, white and red.
402
00:19:17,240 --> 00:19:18,560
Thank you.
403
00:19:18,560 --> 00:19:22,920
Also using multiple colours for
that instant impact is Cherise,
404
00:19:22,920 --> 00:19:25,720
whose happy place is creating art.
405
00:19:25,720 --> 00:19:28,400
I wanted to go for sort of bold,
sort of dynamic colours,
406
00:19:28,400 --> 00:19:31,240
and I wanted my 3D element
to sort of be
407
00:19:31,240 --> 00:19:33,200
the paint splotches on the outside.
408
00:19:33,200 --> 00:19:34,680
I want those to kind of move about.
409
00:19:34,680 --> 00:19:37,160
Yeah, brilliant. Thank you.
410
00:19:37,160 --> 00:19:41,440
Up next is Jamie, whose happy place
is listening to music.
411
00:19:41,440 --> 00:19:45,040
I want the fireworks
and the music notes
412
00:19:45,040 --> 00:19:48,000
to sort of dance
when the user opens their mouth.
413
00:19:48,000 --> 00:19:50,320
And I would love it
if the keys on the piano as well
414
00:19:50,320 --> 00:19:52,520
sort of, like, changed colours.
415
00:19:52,520 --> 00:19:56,160
I can see it makes you smile.
It makes me smile too. Thank you.
416
00:19:57,320 --> 00:19:58,480
Mia.
417
00:20:00,600 --> 00:20:03,040
My happy place is the beach.
418
00:20:03,040 --> 00:20:07,760
I wanted to recreate that in, like,
a mermaidy style of look.
419
00:20:07,760 --> 00:20:11,120
For the scales,
I want them to be 3D.
420
00:20:11,120 --> 00:20:13,800
Is there a reason why
you didn't show us
421
00:20:13,800 --> 00:20:17,120
this imagination coming to life
through your make-up?
422
00:20:17,120 --> 00:20:21,800
I mostly wanted it to be
a pretty type of look.
423
00:20:21,800 --> 00:20:24,400
Mostly because I know from
when I had to use lenses
424
00:20:24,400 --> 00:20:27,920
I didn't like the big bold ones
too much. Thank you.
425
00:20:30,000 --> 00:20:31,800
After doubting her look earlier,
426
00:20:31,800 --> 00:20:35,640
Jade now need to bring
her love of the seaside to life.
427
00:20:35,640 --> 00:20:39,720
I want the waves to kind of
be iridescent and shimmery
428
00:20:39,720 --> 00:20:42,040
to kind of emulate the water moving.
429
00:20:42,040 --> 00:20:46,600
I'd love the AR element to be, erm,
when you open the mouth
430
00:20:46,600 --> 00:20:49,480
and there'd be bubbles going up
the screen and popping.
431
00:20:49,480 --> 00:20:51,680
So it's fun and playful as well.
432
00:20:51,680 --> 00:20:54,320
Thank you so much, Jade.
Thank you, guys. Thank you.
433
00:20:57,000 --> 00:20:59,160
That was so nerve-racking.
434
00:20:59,160 --> 00:21:00,600
Jake.
435
00:21:01,840 --> 00:21:03,680
I'm very nervous
about pitching my idea.
436
00:21:03,680 --> 00:21:05,600
I've got, like,
a storyline in my head,
437
00:21:05,600 --> 00:21:08,880
so that I can say that properly
and not, like, get choked up.
438
00:21:12,000 --> 00:21:15,160
My happy place is actually
watching nature documentaries.
439
00:21:15,160 --> 00:21:17,960
And something that I'm just
absolutely obsessed with is
440
00:21:17,960 --> 00:21:20,760
bioluminescence and like,
when you hit the water
441
00:21:20,760 --> 00:21:23,360
and it glows back.
And er, the highlights
442
00:21:23,360 --> 00:21:25,400
is mapping out for, like,
the AR.
443
00:21:25,400 --> 00:21:28,960
When the user blinks I want it to
sort of like glimmer and pulse,
444
00:21:28,960 --> 00:21:30,800
so it looks like
the bioluminescence,
445
00:21:30,800 --> 00:21:33,800
like voom, voom, voom, voom.
That's what I'm trying to go for.
446
00:21:33,800 --> 00:21:35,360
Yeah.
447
00:21:35,360 --> 00:21:37,240
Do you use augmented reality
already?
448
00:21:37,240 --> 00:21:41,680
I did once, erm, play a shark game
when, like, you know, like VR.
449
00:21:41,680 --> 00:21:43,160
It was terrifying.
450
00:21:43,160 --> 00:21:45,640
I only say that
because you're talking the language
451
00:21:45,640 --> 00:21:48,160
of someone who really understands
the technology.
452
00:21:48,160 --> 00:21:51,280
You know, you've got how to kind of
bring your ideas to life
453
00:21:51,280 --> 00:21:55,160
through storytelling. Thank you.
So, well done. Thank you.
454
00:21:57,240 --> 00:22:00,000
Honestly, the pitches,
they're bringing it to life.
455
00:22:01,800 --> 00:22:04,160
I do feel, like, a little bit more
positive after that.
456
00:22:04,160 --> 00:22:06,960
I got it done,
so I'm rooting for myself for sure.
457
00:22:08,640 --> 00:22:11,800
It's now down to the judges
to decide which three concepts
458
00:22:11,800 --> 00:22:14,120
they'd like to see transformed
into lenses.
459
00:22:15,920 --> 00:22:18,560
Jamie has instantly
grabbed my attention.
460
00:22:18,560 --> 00:22:20,240
It's fun and it's playful.
461
00:22:20,240 --> 00:22:21,640
If I saw this on the platform,
462
00:22:21,640 --> 00:22:24,880
I would definitely click on it
and use it. I think it's great.
463
00:22:24,880 --> 00:22:28,560
Cherise. So, wow, in terms of, like,
instant impact,
464
00:22:28,560 --> 00:22:30,600
her look really kind of drew me in.
465
00:22:30,600 --> 00:22:32,560
It feels alive.
466
00:22:32,560 --> 00:22:34,960
It's bright and yet it's got depth.
467
00:22:34,960 --> 00:22:37,280
Let's talk about Rahual.
468
00:22:37,280 --> 00:22:40,080
Genuinely, I feel like
that was pitch of the day.
469
00:22:40,080 --> 00:22:44,560
He really did take me to
the calmness of his happy place.
470
00:22:44,560 --> 00:22:48,560
I can understand how people
would potentially use this
471
00:22:48,560 --> 00:22:51,080
as a daily five-minute meditation.
472
00:22:51,080 --> 00:22:54,280
Oh, my God, I'm getting all zen.
What's wrong with me?
473
00:22:54,280 --> 00:22:55,800
So, Kat.
474
00:22:55,800 --> 00:22:57,360
I really enjoyed it.
475
00:22:57,360 --> 00:23:00,920
Like, I think I like any chance
where I get to be weird.
476
00:23:00,920 --> 00:23:05,520
I love a rubber duck but with lashes
and hearts and the mouth,
477
00:23:05,520 --> 00:23:07,120
it was just a lot.
478
00:23:07,120 --> 00:23:09,720
I think we can agree it was bold,
it was beautiful
479
00:23:09,720 --> 00:23:12,640
but potentially a little bit
too much. Yeah.
480
00:23:12,640 --> 00:23:14,240
So, moving on to Jake...
481
00:23:14,240 --> 00:23:16,320
Public speaking
really does freak me out,
482
00:23:16,320 --> 00:23:17,800
cos I do stutter when I'm nervous.
483
00:23:17,800 --> 00:23:20,480
For someone that's, like,
a little bit more reserved,
484
00:23:20,480 --> 00:23:22,920
you were really well-spoken
up there. You did the job.
485
00:23:22,920 --> 00:23:26,000
I was actually really worried about
his look, but when he came out
486
00:23:26,000 --> 00:23:29,760
and pitched it to us,
like, wow, talk about comeback.
487
00:23:29,760 --> 00:23:31,000
Comeback kid.
488
00:23:31,000 --> 00:23:36,440
This is a prime example of
when a pitch is right, it works.
489
00:23:36,440 --> 00:23:38,800
It's so beautifully executed.
490
00:23:38,800 --> 00:23:41,120
But do you think
it's going to have the impact?
491
00:23:41,120 --> 00:23:44,480
I think Jake's make-up
is worth taking a gamble on.
492
00:23:45,880 --> 00:23:48,360
Have we picked our three winners?
I think so.
493
00:23:54,840 --> 00:23:59,640
The three lenses that we have
chosen today, they are...
494
00:23:59,640 --> 00:24:02,480
Jamie.
495
00:23:59,640 --> 00:24:02,480
CHEERING
496
00:24:03,760 --> 00:24:06,040
Rahual.
497
00:24:03,760 --> 00:24:06,040
CHEERING
498
00:24:07,200 --> 00:24:09,000
And finally...
499
00:24:09,000 --> 00:24:11,920
Jake.
500
00:24:09,000 --> 00:24:11,920
CHEERING
501
00:24:11,920 --> 00:24:13,320
Amazing!
502
00:24:14,880 --> 00:24:18,280
We'll see you back at the studio
to try out your lenses
503
00:24:18,280 --> 00:24:22,440
and decide which lens
will go live on the platform.
504
00:24:22,440 --> 00:24:24,120
That's incredible!
505
00:24:25,920 --> 00:24:28,720
The team at Snap get to work
on creating the lenses.
506
00:24:30,120 --> 00:24:33,000
I don't think I can count
how many Snapchat lenses
507
00:24:33,000 --> 00:24:36,560
I've actually used myself.
So to finally be able to use one
508
00:24:36,560 --> 00:24:40,440
that I've actually created
and designed is...
509
00:24:40,440 --> 00:24:41,840
..pfff!
510
00:24:41,840 --> 00:24:44,480
I don't think
I could ever dream about this.
511
00:24:44,480 --> 00:24:46,280
Yeah, very happy.
512
00:24:46,280 --> 00:24:49,520
The idea that my lens could
potentially have the chance
513
00:24:49,520 --> 00:24:52,400
to be viewed by millions of people -
that, that's pretty crazy.
514
00:24:52,400 --> 00:24:53,920
Before the day is done,
515
00:24:53,920 --> 00:24:57,280
the judges must decide
which two MUAs least impressed
516
00:24:57,280 --> 00:25:01,920
and will start the creative brief
tomorrow in the red Face Off chairs.
517
00:25:01,920 --> 00:25:04,160
So, we've got to talk about Ailish.
518
00:25:04,160 --> 00:25:06,240
In terms of bringing it to life,
519
00:25:06,240 --> 00:25:10,400
all she wanted to do was just tap to
change the colour a few times.
520
00:25:10,400 --> 00:25:14,080
And as a user of lenses,
it wasn't really nothing new.
521
00:25:14,080 --> 00:25:16,160
You'll be swiping by that one.
522
00:25:16,160 --> 00:25:19,160
So, Jade.
It was a very simple look.
523
00:25:19,160 --> 00:25:22,880
I would have added more, like, pool
floats or little elements into it.
524
00:25:22,880 --> 00:25:26,400
But actually she brought it back
with her articulation
525
00:25:26,400 --> 00:25:28,480
of how it would come to life in AR.
526
00:25:28,480 --> 00:25:32,760
I could see the water, the movement.
527
00:25:32,760 --> 00:25:34,920
So I actually really liked Jade's.
528
00:25:34,920 --> 00:25:37,360
So now I want to talk about Josh.
529
00:25:37,360 --> 00:25:40,680
I felt like the make-up
was very literal. It was quite safe.
530
00:25:40,680 --> 00:25:42,960
But I thought he brought it back,
talking about
531
00:25:42,960 --> 00:25:46,800
these three-dimensional balloons
popping from his face.
532
00:25:46,800 --> 00:25:49,160
So, Mia.
533
00:25:49,160 --> 00:25:52,600
When you're presenting your look
in a pitch, you've got to make sure
534
00:25:52,600 --> 00:25:55,520
that make-up really stands out,
and it was forgettable.
535
00:25:55,520 --> 00:25:58,360
It could have been a lot bolder,
a lot more colourful.
536
00:25:58,360 --> 00:26:00,440
Just more going on.
537
00:26:00,440 --> 00:26:02,760
So, I think we've got
a few contenders
538
00:26:02,760 --> 00:26:06,600
but we know who's going off
into those red Face Off chairs.
539
00:26:11,000 --> 00:26:13,840
It's morning at Glow Up Studios.
540
00:26:13,840 --> 00:26:14,960
What's this?
541
00:26:14,960 --> 00:26:17,480
And while the MUAs play with
the finished lenses...
542
00:26:17,480 --> 00:26:19,560
Oh, my God! Oh!
543
00:26:23,160 --> 00:26:25,000
I'm going to go
and have a look at Rahual's.
544
00:26:25,000 --> 00:26:28,000
..the judges must decide
which one will be the winner.
545
00:26:28,000 --> 00:26:29,840
Everybody breathe in.
546
00:26:29,840 --> 00:26:31,480
Hold.
547
00:26:31,480 --> 00:26:33,920
And exhale, release...
548
00:26:33,920 --> 00:26:36,600
Oh!
549
00:26:36,600 --> 00:26:38,680
When I smile...
550
00:26:38,680 --> 00:26:41,960
..we can see that
the lotus flower lights up.
551
00:26:41,960 --> 00:26:44,520
And then when I kind of like
go into that calming...
552
00:26:46,160 --> 00:26:47,800
..the light switches off.
Ooh, wow!
553
00:26:47,800 --> 00:26:51,800
I mean, I'd be happy doing my daily
kind of meditation to this.
554
00:26:51,800 --> 00:26:55,400
Not only is it a great make-up,
but it's a great lens.
555
00:26:55,400 --> 00:26:57,040
Ding dong!
556
00:26:58,400 --> 00:27:01,920
I would definitely try it and use it
myself or even share it to friends.
557
00:27:01,920 --> 00:27:04,600
HE SINGS A NOTE
558
00:27:04,600 --> 00:27:06,880
♪ Raise your ya, ya, ya! ♪
559
00:27:06,880 --> 00:27:08,040
LAUGHTER
560
00:27:08,040 --> 00:27:10,080
Wow! Oh, wow!
561
00:27:10,080 --> 00:27:12,720
This one is using
our open-mouth trigger.
562
00:27:12,720 --> 00:27:14,440
So...
563
00:27:14,440 --> 00:27:17,680
Talk about fun, playful,
instant impact.
564
00:27:17,680 --> 00:27:19,760
I mean, I'm feeling like Elton John.
565
00:27:19,760 --> 00:27:21,600
This is absolutely brilliant.
566
00:27:21,600 --> 00:27:23,040
Jake's up next.
567
00:27:23,040 --> 00:27:24,920
Grrr...grrr!
568
00:27:26,360 --> 00:27:27,600
Hey!
569
00:27:27,600 --> 00:27:30,600
We loved his pitch.
The potential for this lens was huge
570
00:27:30,600 --> 00:27:32,920
but I'm just not sure
if it's quite hit the mark.
571
00:27:32,920 --> 00:27:34,760
I am picking up
on the bioluminescence,
572
00:27:34,760 --> 00:27:37,000
cos when you raise your eyebrows
and it glows,
573
00:27:37,000 --> 00:27:40,000
but I feel like
there could be a bit more.
574
00:27:40,000 --> 00:27:41,200
Yeah, I agree.
575
00:27:41,200 --> 00:27:44,080
So, I think we can all agree
there's one clear winner.
576
00:27:44,080 --> 00:27:45,520
Yes. Definitely.
577
00:27:45,520 --> 00:27:47,880
Before the winning lens
is announced,
578
00:27:47,880 --> 00:27:51,640
time for the MUAs to find out
whose look didn't hit the mark.
579
00:27:53,920 --> 00:27:57,120
The MUAs whose names are on the
red chair will have 15 minutes less
580
00:27:57,120 --> 00:27:58,960
to complete today's creative brief
581
00:27:58,960 --> 00:28:02,880
and are heading for the Face Off
elimination at the end of the day.
582
00:28:21,440 --> 00:28:24,680
Ailish, Kate and Atarah felt
that your proposed use of AR
583
00:28:24,680 --> 00:28:26,800
would not elevate the make-up.
584
00:28:26,800 --> 00:28:30,160
It wouldn't grab people's attention
and they would swipe by.
585
00:28:30,160 --> 00:28:33,640
Mia, they felt that your look
was too simple.
586
00:28:33,640 --> 00:28:36,520
You could have used the AR
to make your look extraordinary
587
00:28:36,520 --> 00:28:38,320
but instead it just fell flat.
588
00:28:39,920 --> 00:28:45,120
Now, the MUA whose lens
will go live on the platform
589
00:28:45,120 --> 00:28:48,920
for millions to see is...
590
00:28:51,960 --> 00:28:53,200
..Rahual.
591
00:28:53,200 --> 00:28:54,440
Oh, my God!
592
00:28:56,080 --> 00:28:57,520
Well done!
593
00:28:57,520 --> 00:28:59,040
I am very happy.
594
00:28:59,040 --> 00:29:00,360
It's a phenomenal feeling
595
00:29:00,360 --> 00:29:03,240
and a great way to start
today's challenge.
596
00:29:05,600 --> 00:29:07,040
In the industry assignment,
597
00:29:07,040 --> 00:29:10,800
you exaggerated make-up looks
using AR in the virtual world.
598
00:29:10,800 --> 00:29:15,480
For today's creative brief, we want
you to serve us some realness.
599
00:29:15,480 --> 00:29:20,280
Inspired by drag, serving realness
is about embodying the truest,
600
00:29:20,280 --> 00:29:23,200
most authentic version
of something or someone.
601
00:29:23,200 --> 00:29:25,120
And today, to help judge your look,
602
00:29:25,120 --> 00:29:29,320
is someone who knows a thing or two
about serving realness.
603
00:29:29,320 --> 00:29:33,120
So let me introduce you to
the icon...
604
00:29:33,120 --> 00:29:36,960
..Miss Courtney Act!
605
00:29:36,960 --> 00:29:38,160
Hi!
606
00:29:39,440 --> 00:29:40,880
Hi, everyone!
607
00:29:42,600 --> 00:29:46,040
Australian drag icon and singer
Courtney Act rose to fame
608
00:29:46,040 --> 00:29:48,840
by showcasing her flawless talent,
wit and glamour
609
00:29:48,840 --> 00:29:50,960
on RuPaul's Drag Race
610
00:29:50,960 --> 00:29:54,640
and became one of the most iconic
queens in the show's history.
611
00:29:55,840 --> 00:30:01,200
Since then she's dazzled audiences
on Broadway, hosted her own TV shows
612
00:30:01,200 --> 00:30:06,160
and used her platform to encourage
others to be their authentic selves.
613
00:30:06,160 --> 00:30:09,000
For me, serving realness is this.
614
00:30:09,000 --> 00:30:12,640
Like, bringing out
the truest form of yourself.
615
00:30:12,640 --> 00:30:17,840
I want to see a look that blends
the MUAs' authenticity and realness
616
00:30:17,840 --> 00:30:20,480
with drag techniques
to create a brilliant look.
617
00:30:22,200 --> 00:30:24,760
I am so excited to see
the looks that you do.
618
00:30:24,760 --> 00:30:28,600
And it's drag, so go big
and then go a little bit bigger.
619
00:30:28,600 --> 00:30:31,320
OK, so are you ready?
ALL: Yes!
620
00:30:31,320 --> 00:30:33,240
Bring in the models!
621
00:30:33,240 --> 00:30:35,680
CHEERING
622
00:30:37,800 --> 00:30:40,560
Lovely to meet you, I'm Kat.
Take a seat.
623
00:30:40,560 --> 00:30:43,840
You have gorgeous bone structure.
Oh, my God! Thank you.
624
00:30:43,840 --> 00:30:47,760
MUAs, you will have two and a half
hours to complete your looks.
625
00:30:47,760 --> 00:30:50,640
Ailish, Mia, I'll let you know
when you can start,
626
00:30:50,640 --> 00:30:52,280
but the rest of you...
627
00:30:52,280 --> 00:30:54,280
..let's go!
628
00:30:57,080 --> 00:31:00,200
This is going to be
the longest 15 minutes of our life.
629
00:31:00,200 --> 00:31:05,080
I'm such a Drag Race fan, so seeing
Courtney has honestly gagged me.
630
00:31:05,080 --> 00:31:08,640
Honestly, she's just like...an icon.
631
00:31:08,640 --> 00:31:13,600
The MUAs have been allowed to
prepare for today's creative brief.
632
00:31:13,600 --> 00:31:17,680
We need to see at least
two drag techniques
633
00:31:17,680 --> 00:31:20,760
incorporated into their make-up,
don't we? Yeah.
634
00:31:20,760 --> 00:31:22,160
A blocked brow.
635
00:31:22,160 --> 00:31:24,200
Beautiful contouring.
636
00:31:24,200 --> 00:31:26,400
A big old eye. And overdrawn lips.
637
00:31:26,400 --> 00:31:28,320
Yeah, this is not an easy task.
638
00:31:28,320 --> 00:31:30,840
But it's a fun task!
639
00:31:32,320 --> 00:31:34,600
I mean, it's not nice
being in the red chair again
640
00:31:34,600 --> 00:31:36,160
but positive mindset.
641
00:31:36,160 --> 00:31:39,480
The only way for Ailish and Mia
to beat the seat is to produce
642
00:31:39,480 --> 00:31:42,920
knockout looks in today's
serving realness brief.
643
00:31:42,920 --> 00:31:44,800
Hey, Ailish. Hi.
644
00:31:44,800 --> 00:31:47,080
So, what are you going to do
to impress the judges today?
645
00:31:47,080 --> 00:31:49,160
I'm doing a look
based on my love of sci-fi.
646
00:31:49,160 --> 00:31:52,160
So I'm going like a full alien.
Oh! I'm excited.
647
00:31:52,160 --> 00:31:55,480
I'm excited to see that too!
Beam me up.
648
00:31:55,480 --> 00:31:58,640
I go...back and forth...
649
00:31:58,640 --> 00:32:00,360
Also inspired by the unworldly
650
00:32:00,360 --> 00:32:03,760
to portray their authentic selves
is Kat.
651
00:32:03,760 --> 00:32:05,960
Whenever I'm in, like, full Goth,
652
00:32:05,960 --> 00:32:08,560
I always get looked at
like I'm an absolute alien
653
00:32:08,560 --> 00:32:12,040
and, like, get grief
for looking the way that I do.
654
00:32:12,040 --> 00:32:14,160
But I couldn't be happier.
655
00:32:18,440 --> 00:32:22,680
So I've done a few brow covers but
it's not something that I do often.
656
00:32:22,680 --> 00:32:26,000
Like, Josh is a drag queen,
so he does it all the time.
657
00:32:26,000 --> 00:32:28,560
This is just going to
smooth those edges right out.
658
00:32:28,560 --> 00:32:31,680
Can we take a vote
on how many blocked eyebrows
659
00:32:31,680 --> 00:32:32,880
there are going to be?
660
00:32:32,880 --> 00:32:34,600
I'm going to say nine. Nine.
661
00:32:34,600 --> 00:32:36,120
Nine blocked brow.
662
00:32:36,120 --> 00:32:38,120
Josh... Hello?
663
00:32:38,120 --> 00:32:40,120
Can I quickly get an opinion?
Yeah, of course you can.
664
00:32:40,120 --> 00:32:42,280
Do you think these are
glued down enough or...
665
00:32:42,280 --> 00:32:43,560
I'd just say do the front bit. OK.
666
00:32:43,560 --> 00:32:46,240
Er, don't go too much back and
forth, cos you'll ruin the brows.
667
00:32:46,240 --> 00:32:48,840
Thanks, queen! No worries!
668
00:32:48,840 --> 00:32:53,080
So, my look is based on
the Hindu goddess called Kali.
669
00:32:53,080 --> 00:32:57,720
She's known for, like, rebelling
against societal and cultural norms.
670
00:32:57,720 --> 00:33:00,960
So I feel like that is very me,
as an Indian girl.
671
00:33:00,960 --> 00:33:05,440
I was always the one to get,
like, tattoos and piercings
672
00:33:05,440 --> 00:33:08,720
and like, even choosing make-up
as a career, like,
673
00:33:08,720 --> 00:33:11,680
it's not your typical job
to go into in our culture.
674
00:33:11,680 --> 00:33:15,240
So hopefully I can convey that
within this drag look.
675
00:33:16,320 --> 00:33:18,120
Hey, Mia. Hi!
676
00:33:18,120 --> 00:33:20,840
So, how are you feeling today?
I'm feeling all right.
677
00:33:20,840 --> 00:33:24,760
It's just 15 minutes less
and I know I can get out of it.
678
00:33:24,760 --> 00:33:26,960
So, talk to me about
your look today.
679
00:33:26,960 --> 00:33:30,920
{\an8}My creative brief is based on a drag
version of, like, a monster doll,
680
00:33:30,920 --> 00:33:34,760
because they have influenced me
in my hair, my make-up, my clothes.
681
00:33:34,760 --> 00:33:37,320
But because I didn't want to
stick to the prettiness,
682
00:33:37,320 --> 00:33:41,200
I'm making it as if she's,
like decaying. Ooh, rotten. Yeah.
683
00:33:41,200 --> 00:33:42,920
So, do you find, like, Glow Up then
684
00:33:42,920 --> 00:33:45,960
is really pushing your creative
boundaries? It is, yeah.
685
00:33:45,960 --> 00:33:48,720
I stick to simple.
Well, I'm glad that you're here
686
00:33:48,720 --> 00:33:50,320
because that's what Glow Up
is all about. Yeah.
687
00:33:50,320 --> 00:33:52,600
Really pushing yourself
out of your comfort zone.
688
00:33:55,080 --> 00:33:57,320
And voila, you have no brows.
689
00:33:57,320 --> 00:34:00,920
Ailish, Mia, you can now start.
690
00:34:00,920 --> 00:34:02,520
I'll be back.
691
00:34:02,520 --> 00:34:07,080
What got Ailish in the red chairs
is quite a basic make-up look.
692
00:34:07,080 --> 00:34:10,440
So today, she has to bring it.
693
00:34:10,440 --> 00:34:12,760
It's all good. We've got it.
694
00:34:12,760 --> 00:34:14,240
Ooh, that is scary.
695
00:34:16,000 --> 00:34:17,880
What is going on here?
696
00:34:17,880 --> 00:34:20,000
I'm turning him
into a little drag queen.
697
00:34:20,000 --> 00:34:22,520
Obviously you're, like,
the resident drag queen.
698
00:34:22,520 --> 00:34:23,880
It's what I wake up for.
699
00:34:23,880 --> 00:34:25,920
I absolutely love, love, love drag.
700
00:34:29,240 --> 00:34:32,760
I've done drag for eight years
and I go by Lexi Black.
701
00:34:32,760 --> 00:34:36,240
Named after a Black Lexus,
cos I love cars.
702
00:34:36,240 --> 00:34:37,840
I don't drive, though.
703
00:34:39,240 --> 00:34:41,280
She's very much just
an extension of who I am.
704
00:34:41,280 --> 00:34:43,880
She's unapologetic,
she's loud and she's brash.
705
00:34:43,880 --> 00:34:46,000
I think that's why I love drag
so much,
706
00:34:46,000 --> 00:34:49,520
because working in retail,
it's just kind of like robotic.
707
00:34:49,520 --> 00:34:52,000
"Yes, of course I'll help you.
I'd love to do that."
708
00:34:52,000 --> 00:34:54,200
Whereas in drag I can be like, "No."
709
00:34:54,200 --> 00:34:57,440
I can just truly say exactly
how I'm feeling.
710
00:34:57,440 --> 00:35:01,160
The way that it makes me feel
is like a superpower.
711
00:35:01,160 --> 00:35:02,800
I absolutely love it.
712
00:35:04,240 --> 00:35:05,760
How are you going?
713
00:35:08,160 --> 00:35:09,440
I can't believe you're here.
714
00:35:09,440 --> 00:35:10,960
Tell me what's going on here.
715
00:35:10,960 --> 00:35:14,320
So, I'm creating something that
really invokes that bright,
716
00:35:14,320 --> 00:35:16,880
bold, colourful look that I have,
717
00:35:16,880 --> 00:35:19,120
mixed with the dominance
that drag gives me.
718
00:35:19,120 --> 00:35:23,240
Nice. So I'm going to create
a black latex bald-cap vision.
719
00:35:23,240 --> 00:35:25,560
Bold! Very.
720
00:35:25,560 --> 00:35:29,040
Sorry, that must feel really weird,
me just, like, rubbing your head.
721
00:35:29,040 --> 00:35:30,280
Oh, another bald cap.
722
00:35:30,280 --> 00:35:32,560
{\an8}My look is based on
my clothing style.
723
00:35:32,560 --> 00:35:34,520
The skater boy aesthetic.
724
00:35:34,520 --> 00:35:36,880
I don't think I can ride
a skateboard but, like,
725
00:35:36,880 --> 00:35:38,960
the clothing style is quite nice.
726
00:35:38,960 --> 00:35:40,800
This is the problem with bald caps.
727
00:35:40,800 --> 00:35:42,400
Yes, you're taking away the hair,
728
00:35:42,400 --> 00:35:45,800
but you're also taking away
about an hour of your time.
729
00:35:45,800 --> 00:35:48,760
Hopefully the judges like
a bald drag queen.
730
00:35:55,800 --> 00:35:57,760
I shouldn't really be
going over this.
731
00:35:57,760 --> 00:36:01,840
We haven't really moved on,
have we, Jade? No.
732
00:36:01,840 --> 00:36:03,920
I don't know what to do,
I don't know what to do,
733
00:36:03,920 --> 00:36:05,320
I don't know what to do.
734
00:36:05,320 --> 00:36:07,720
I feel like I very much
doubt myself a lot.
735
00:36:07,720 --> 00:36:09,480
I feel like I've always
been like that.
736
00:36:09,480 --> 00:36:11,280
But I still need
to prove myself today.
737
00:36:11,280 --> 00:36:14,360
Brows are coming undone. Oh, no.
738
00:36:15,400 --> 00:36:18,000
Yeah, I'm just going to have
to redo it.
739
00:36:18,000 --> 00:36:19,800
ALL: No!
Oh, no!
740
00:36:19,800 --> 00:36:22,080
Breathe, breathe, breathe.
We're all fine.
741
00:36:22,080 --> 00:36:23,560
You got this, you're OK.
742
00:36:23,560 --> 00:36:28,160
Ailish has just removed the eyebrow.
743
00:36:28,160 --> 00:36:33,200
Might affect me a bit timewise,
but deep breaths, we've got this.
744
00:36:33,200 --> 00:36:36,880
Aww, go with the flow.
That is so you.
745
00:36:36,880 --> 00:36:38,920
That is very me.
So, yeah, I thought what better way
746
00:36:38,920 --> 00:36:41,720
to kind of express
"go with the flow" than water?
747
00:36:41,720 --> 00:36:45,440
I instantly kind of thought of David
Hockney's, like, water paintings.
748
00:36:45,440 --> 00:36:48,160
Oh, you're such an art student!
I love it!
749
00:36:48,160 --> 00:36:50,960
Oh, stop!
"Just a little David Hockney."
750
00:36:50,960 --> 00:36:54,600
Come on now... I got the references!
Yeah.
751
00:36:54,600 --> 00:36:56,240
So much happier.
752
00:36:56,240 --> 00:37:00,000
It's not perfect but it's better
and it's going to stay flat.
753
00:37:00,000 --> 00:37:04,920
MUAs, you have
an hour and a half left.
754
00:37:04,920 --> 00:37:06,600
I need to get a move on.
755
00:37:07,720 --> 00:37:11,880
My look is based on the punk rock
era of the late '70s.
756
00:37:11,880 --> 00:37:14,280
It's also an ode to my mother,
757
00:37:14,280 --> 00:37:16,400
who was a punk rocker
758
00:37:16,400 --> 00:37:20,280
in the late '70s.
She hanged out with Boy George,
759
00:37:20,280 --> 00:37:22,040
had all the crazy looks
760
00:37:22,040 --> 00:37:24,680
and this is very much
serving realness.
761
00:37:24,680 --> 00:37:27,520
That punchy boldness of drag
762
00:37:27,520 --> 00:37:30,920
and infusing the punk rock era
into that.
763
00:37:30,920 --> 00:37:33,360
There we go. That's the kind of
colour I'm looking for.
764
00:37:33,360 --> 00:37:38,280
My biggest competition in this
brief would be either Rahual,
765
00:37:38,280 --> 00:37:40,640
because he's an underdog,
766
00:37:40,640 --> 00:37:44,120
or Jake, because he's also
a drag queen.
767
00:37:44,120 --> 00:37:47,000
Ooh! Well, yes.
768
00:37:47,000 --> 00:37:49,480
{\an8}My biggest competition today
would be Josh,
769
00:37:49,480 --> 00:37:51,640
cos I think Josh
is, like, pure glamour.
770
00:37:52,760 --> 00:37:55,480
So, do you have any drag experience?
771
00:37:55,480 --> 00:37:57,920
Yes. I'm a drag monster,
not a drag queen.
772
00:37:57,920 --> 00:37:59,920
A drag monster? Perfect! Aargh!
773
00:37:59,920 --> 00:38:02,520
So are you creating
a drag monster today?
774
00:38:02,520 --> 00:38:05,000
I think she's a monster
that's trying not to be a monster.
775
00:38:05,000 --> 00:38:07,560
She's painting a pretty face on.
Aww!
776
00:38:07,560 --> 00:38:09,000
Ooh!
777
00:38:12,480 --> 00:38:14,000
Right... Does that look even?
778
00:38:19,040 --> 00:38:20,840
Trying to do perfect straight lines
779
00:38:20,840 --> 00:38:23,880
when you have a tremor
is not the best.
780
00:38:25,040 --> 00:38:31,040
I'm really hoping that Kat
looks at her symmetry.
781
00:38:31,040 --> 00:38:34,720
Stop looking in the mirror
from the side of the model!
782
00:38:34,720 --> 00:38:36,600
Get behind your model! Yeah.
783
00:38:36,600 --> 00:38:38,960
That is why it's unsymmetrical.
784
00:38:38,960 --> 00:38:41,480
It's like no-one listens to us.
785
00:38:41,480 --> 00:38:43,360
You want to close your eyes for me?
786
00:38:43,360 --> 00:38:49,680
So this is to get, like, a perfect
straight line with the eyeshadow.
787
00:38:49,680 --> 00:38:51,840
I think when we talk about
drag techniques,
788
00:38:51,840 --> 00:38:54,680
one of the main things is contour.
Yeah.
789
00:38:54,680 --> 00:38:58,320
Making sure that you are
over-emphasising the bone structure.
790
00:38:58,320 --> 00:39:00,360
It's got to be strong
and emphasised.
791
00:39:00,360 --> 00:39:03,400
Sharp, crisp line.
792
00:39:03,400 --> 00:39:07,080
I'm doing a strong contour cheek
and nose.
793
00:39:08,200 --> 00:39:12,480
Used to being a beauty artist,
so, er, I think I'd probably get
794
00:39:12,480 --> 00:39:16,640
cancelled by my brides if I ever did
a contour like this on the nose.
795
00:39:16,640 --> 00:39:20,960
Attention, everybody! One hour left.
796
00:39:20,960 --> 00:39:22,560
SHE WHIMPERS
797
00:39:22,560 --> 00:39:24,120
Don't panic! Nobody panic!
798
00:39:24,120 --> 00:39:25,920
I'm panicking!
799
00:39:35,400 --> 00:39:37,600
I'm just adding the line work now,
800
00:39:37,600 --> 00:39:42,440
to almost mimic the effect of
when light hits water.
801
00:39:42,440 --> 00:39:44,280
That is schmick.
802
00:39:44,280 --> 00:39:46,160
Schmick? What is schmick?
803
00:39:46,160 --> 00:39:49,680
Schmick is, like, smart and slick.
804
00:39:49,680 --> 00:39:51,280
Ooh, Val, you're schmicking.
805
00:39:51,280 --> 00:39:54,880
There's definitely things I would
change but it's too late now.
806
00:39:54,880 --> 00:39:57,240
I'm just powering through
and doing the best I can.
807
00:39:58,800 --> 00:40:00,520
So, tell me
what we've got going on here.
808
00:40:00,520 --> 00:40:02,480
I'm making it look like
she's, like, eroding.
809
00:40:02,480 --> 00:40:05,000
I saw you putting down this
in the beginning.
810
00:40:05,000 --> 00:40:07,120
Oh, yeah,
so, cos she's made out of metal,
811
00:40:07,120 --> 00:40:09,640
that's a seam to her skin, yeah.
812
00:40:09,640 --> 00:40:11,760
Aah! And then the pearls are rivets.
813
00:40:11,760 --> 00:40:15,640
Yeah. So I'm going to go over the
pearls with the gold and the bronze.
814
00:40:15,640 --> 00:40:17,280
Anything that
you're worried about, Mia?
815
00:40:17,280 --> 00:40:20,120
I'm mostly just worried that, like,
no-one's going to get the concept.
816
00:40:20,120 --> 00:40:22,280
Is there anything else
that you're planning?
817
00:40:23,480 --> 00:40:25,840
No. No? This is it.
818
00:40:27,920 --> 00:40:33,840
In drag, it's about creating
a big, bold character.
819
00:40:33,840 --> 00:40:37,840
Mia is giving us pretty make-up.
820
00:40:37,840 --> 00:40:39,200
We need to see beyond that.
821
00:40:40,640 --> 00:40:44,800
Attention, everybody!
Half an hour left.
822
00:40:44,800 --> 00:40:47,240
Oh, no!
823
00:40:47,240 --> 00:40:49,880
Oh, no!
824
00:40:51,120 --> 00:40:52,960
Just thinking of
a Doctor Who episode in my head
825
00:40:52,960 --> 00:40:54,920
to, like, calm me down here.
Like, think of David Tennant.
826
00:40:54,920 --> 00:40:57,640
I've never lubricated
an entire head before.
827
00:40:57,640 --> 00:41:00,160
The idea behind it
is to make it look like latex,
828
00:41:00,160 --> 00:41:02,320
so I'm going to use
black foundation.
829
00:41:02,320 --> 00:41:04,240
Instead of it being
a clear lubricant,
830
00:41:04,240 --> 00:41:06,160
it's now like a black tar.
831
00:41:06,160 --> 00:41:09,160
And it's going to kind of intensify
that black.
832
00:41:09,160 --> 00:41:10,920
Oh! Oh!
833
00:41:10,920 --> 00:41:12,680
I'm smiling because it's working.
834
00:41:12,680 --> 00:41:14,120
Whew!
835
00:41:14,120 --> 00:41:16,720
Instead of it being like
a plain bald head, I feel like
836
00:41:16,720 --> 00:41:19,760
the studs sort of, like, give it
that grungy-ish type of vibe.
837
00:41:19,760 --> 00:41:23,040
On the second day of Glow Up,
my true love gave to me
838
00:41:23,040 --> 00:41:25,160
two bald caps...
839
00:41:25,160 --> 00:41:27,440
♪ Four blue faces...
840
00:41:27,440 --> 00:41:31,280
♪ Nine blocked-out brows! ♪
841
00:41:31,280 --> 00:41:34,160
Aah! Why did I do this?
842
00:41:34,160 --> 00:41:35,960
To add dimension to her look,
843
00:41:35,960 --> 00:41:38,560
Jade incorporates
a traditional technique.
844
00:41:40,440 --> 00:41:43,720
She's used white henna on the brow
845
00:41:43,720 --> 00:41:46,120
to create almost like a 3D relief.
846
00:41:46,120 --> 00:41:48,400
Oh, yeah. Aah!
It's really clever.
847
00:41:49,520 --> 00:41:52,680
It's actually very hard
when you've got nothing to lean on!
848
00:41:52,680 --> 00:41:54,680
Right, lashes.
849
00:41:54,680 --> 00:41:57,440
Just open your eye for me.
Quick blink.
850
00:41:57,440 --> 00:41:58,800
With me?
851
00:41:58,800 --> 00:42:00,440
Cute!
852
00:42:00,440 --> 00:42:02,880
Just popping a little pop
of red lash.
853
00:42:02,880 --> 00:42:07,600
MUAs, you have
just ten minutes left.
854
00:42:07,600 --> 00:42:08,760
No!
855
00:42:08,760 --> 00:42:10,880
I hate this. What?
856
00:42:10,880 --> 00:42:12,640
No, I hate this, this part.
857
00:42:12,640 --> 00:42:15,240
Mia has once again finished early.
858
00:42:16,640 --> 00:42:19,480
Cos everyone's working
and then obviously I sort of...
859
00:42:19,480 --> 00:42:22,920
I had 15 minutes less than everyone.
But you're just good.
860
00:42:25,480 --> 00:42:27,560
I mean, it's giving me Pocahontas.
861
00:42:27,560 --> 00:42:29,400
I'm disappointed. Yeah.
862
00:42:29,400 --> 00:42:30,920
I love it.
863
00:42:30,920 --> 00:42:34,080
I think she looks stunning
as well as, like...
864
00:42:34,080 --> 00:42:35,520
..eerie.
865
00:42:35,520 --> 00:42:39,880
I am just refining the lip shape.
866
00:42:39,880 --> 00:42:44,680
I'm going for a weird sort of
asymmetric, overlined lip.
867
00:42:44,680 --> 00:42:49,120
Drag technique, you've got to have
that full, juicy lip.
868
00:42:53,200 --> 00:42:58,480
MUAs, you have two minutes left!
869
00:42:58,480 --> 00:42:59,920
I have bigger fish to fr...
870
00:42:59,920 --> 00:43:01,560
Oh!
871
00:43:05,320 --> 00:43:06,880
Aww!
872
00:43:06,880 --> 00:43:09,520
Yeah, a little bit stressed.
873
00:43:09,520 --> 00:43:14,360
I don't think it's looking as good
as I kind of envisioned it looking.
874
00:43:29,080 --> 00:43:33,960
Brushes down! Please take your
models next door to be photographed.
875
00:43:33,960 --> 00:43:36,000
Waah!
876
00:43:36,000 --> 00:43:38,120
Have fun!
877
00:43:40,520 --> 00:43:43,560
After a few hiccups, there is some
worries and some anxieties that
878
00:43:43,560 --> 00:43:46,720
I might be in the Face Off again,
but I'm still proud of myself.
879
00:43:49,840 --> 00:43:51,880
There's some other
really strong looks
880
00:43:51,880 --> 00:43:54,520
but I do feel like I've done
really, really well.
881
00:43:54,520 --> 00:43:57,040
And I'm manifesting
that "ding dong".
882
00:44:00,320 --> 00:44:02,560
Kat, please come forward.
883
00:44:05,240 --> 00:44:07,600
I really wanted to create an alien,
884
00:44:07,600 --> 00:44:11,240
cos I know whenever I'm, like,
fully Gothed up,
885
00:44:11,240 --> 00:44:15,600
I always still get that kind of like
hate and alienation from people.
886
00:44:15,600 --> 00:44:18,480
Thank you for sharing.
And your ideas are really strong.
887
00:44:18,480 --> 00:44:23,840
What we now need to start
working on is your application.
888
00:44:23,840 --> 00:44:26,160
It's patchy foundation.
889
00:44:26,160 --> 00:44:27,800
And the other thing is the symmetry.
890
00:44:27,800 --> 00:44:31,360
One side is higher than the other.
Yeah. It's got to be spot-on.
891
00:44:32,440 --> 00:44:36,480
I love the marriage of drag
and Goth and because you've created
892
00:44:36,480 --> 00:44:39,920
the background with the black,
the red just sits on top.
893
00:44:39,920 --> 00:44:41,840
I think you've done a beautiful job.
894
00:44:43,040 --> 00:44:44,520
Mia, please step forward.
895
00:44:47,400 --> 00:44:50,760
My look is based off the monster
dolls that I used to play with
896
00:44:50,760 --> 00:44:54,280
when I was younger,
but I wanted to make it my own,
897
00:44:54,280 --> 00:44:55,920
like she was decaying.
898
00:44:55,920 --> 00:44:57,800
It's pretty.
899
00:44:57,800 --> 00:44:59,840
But you haven't told your story.
900
00:44:59,840 --> 00:45:02,640
It's still too close to gorge.
901
00:45:02,640 --> 00:45:06,040
I love that you went for,
like, the bolts.
902
00:45:06,040 --> 00:45:09,880
But I think you could have added
even more depth with some shadowing,
903
00:45:09,880 --> 00:45:13,680
because they look like those little
balls that you put on cakes.
904
00:45:13,680 --> 00:45:18,240
I mean, the blending in that eye,
can we all just have a moment...
905
00:45:19,240 --> 00:45:21,560
Yeah, that's enough.
It's beautiful.
906
00:45:21,560 --> 00:45:26,080
Beyond that, as Val says,
it's nice,
907
00:45:26,080 --> 00:45:29,760
but in the Glow Up Studio,
nice is not a good word.
908
00:45:31,200 --> 00:45:32,480
Jake.
909
00:45:35,280 --> 00:45:39,080
I feel like inside of us
there is a monster,
910
00:45:39,080 --> 00:45:41,600
so I wanted it to, like,
be a more beautiful side to that.
911
00:45:41,600 --> 00:45:43,280
Does she have a name?
Not a name.
912
00:45:43,280 --> 00:45:45,800
I think she has more of a sound.
Graargh!
913
00:45:45,800 --> 00:45:47,200
LAUGHTER
914
00:45:47,200 --> 00:45:51,320
Well, I think that Graargh!
looks absolutely stunning.
915
00:45:52,960 --> 00:45:57,720
To put pink on top of a minty green
is really difficult.
916
00:45:57,720 --> 00:46:00,800
But you've somehow done it
without it going grey.
917
00:46:00,800 --> 00:46:02,000
It's really stunning.
918
00:46:03,200 --> 00:46:04,680
Jade, please step forward.
919
00:46:09,800 --> 00:46:13,760
My look is inspired by
the Hindu goddess Kali.
920
00:46:13,760 --> 00:46:17,400
She is known for
her rebellious side.
921
00:46:17,400 --> 00:46:19,320
Er, and I feel that,
as an Indian girl,
922
00:46:19,320 --> 00:46:21,400
that really resonates with myself.
923
00:46:21,400 --> 00:46:24,680
I love the fact that
you've used the white henna.
924
00:46:24,680 --> 00:46:28,760
I really feel that this brings
another dimension to the make-up.
925
00:46:28,760 --> 00:46:34,000
But perhaps I might have liked to
have seen a bit more rebellion,
926
00:46:34,000 --> 00:46:36,800
cos that was in your story. Yeah.
927
00:46:36,800 --> 00:46:39,720
There was a lot of faffing around
with the white brow
928
00:46:39,720 --> 00:46:41,440
before even the henna went on.
929
00:46:41,440 --> 00:46:45,600
So, in future,
speed it up and then give us
930
00:46:45,600 --> 00:46:47,800
what really is going on
in your head.
931
00:46:47,800 --> 00:46:49,080
Yeah.
932
00:46:49,080 --> 00:46:50,400
Ailish.
933
00:46:53,040 --> 00:46:56,560
My serving realness look was
inspired by my love of sci-fi.
934
00:46:56,560 --> 00:46:59,120
I mean, that lip is giving me lip!
935
00:46:59,120 --> 00:47:03,600
But unfortunately,
the removing of the brow
936
00:47:03,600 --> 00:47:08,280
and redoing of the brow, it just
ate into so much time. Yeah.
937
00:47:08,280 --> 00:47:10,240
{\an8}It is just an eye and a lip.
938
00:47:10,240 --> 00:47:12,440
{\an8}There is not a lot going on.
939
00:47:12,440 --> 00:47:14,640
I think I just need
to get out of my own head,
940
00:47:14,640 --> 00:47:16,880
cos I've just been really struggling
since I've got here.
941
00:47:16,880 --> 00:47:18,480
I'm like, uh! Yeah.
942
00:47:18,480 --> 00:47:21,160
You know what, like,
this is a tough situation
943
00:47:21,160 --> 00:47:23,040
because it's a competition.
944
00:47:24,480 --> 00:47:27,360
I'm just really embarrassed.
Don't be embarrassed, darling.
945
00:47:27,360 --> 00:47:28,560
Do not be embarrassed, ever.
946
00:47:28,560 --> 00:47:31,560
I don't want yous to think I can
not deliver, but I can deliver it.
947
00:47:31,560 --> 00:47:33,760
Come on. You've got this.
948
00:47:33,760 --> 00:47:35,520
OK? Mm-hm.
949
00:47:35,520 --> 00:47:37,200
And breathe.
950
00:47:39,480 --> 00:47:41,640
I'm only 20,
so I still have so much to learn.
951
00:47:41,640 --> 00:47:44,720
I think this is great. And I think
the different between great
952
00:47:44,720 --> 00:47:47,720
and brilliant is just some
fine-tuning. Thank you.
953
00:47:49,320 --> 00:47:50,360
Jamie.
954
00:47:54,760 --> 00:47:56,640
My make-up look is based on
955
00:47:56,640 --> 00:47:58,560
the skater boy aesthetic.
956
00:47:58,560 --> 00:48:03,160
This is a beautiful make-up
but I didn't see skater boy in it.
957
00:48:03,160 --> 00:48:05,800
I think the time you spent
on the bald cap and the spikes
958
00:48:05,800 --> 00:48:09,680
could have been spent doing
more in the face and the make-up.
959
00:48:09,680 --> 00:48:12,960
A few extra colours would have given
it more depth and more vibrancy.
960
00:48:12,960 --> 00:48:15,000
You've got really great potential
961
00:48:15,000 --> 00:48:17,600
but it never went to
where I wanted it to go.
962
00:48:19,160 --> 00:48:20,480
Josh.
963
00:48:22,760 --> 00:48:25,120
I wanted to create a look
that was inspired by
964
00:48:25,120 --> 00:48:26,800
everything that makes me me.
965
00:48:26,800 --> 00:48:29,560
The dominant, the strong,
the fun, the playful.
966
00:48:29,560 --> 00:48:31,160
I love the story.
967
00:48:31,160 --> 00:48:33,880
For me,
what I'm really into is the colour.
968
00:48:33,880 --> 00:48:36,840
So actually, all the black
is distracting.
969
00:48:36,840 --> 00:48:39,240
I disagree with Dom on the bald cap
because I think
970
00:48:39,240 --> 00:48:42,440
there's something wonderful about
the way it frames the face.
971
00:48:42,440 --> 00:48:45,680
And that lash, I think,
is the biggest lash
972
00:48:45,680 --> 00:48:48,320
we've seen in the competition.
Thank you.
973
00:48:48,320 --> 00:48:51,280
Erm...so good job for that.
Thank you.
974
00:48:51,280 --> 00:48:54,440
It's bold, it's striking.
975
00:48:54,440 --> 00:48:56,480
Is it the best make-up in the room?
976
00:48:57,760 --> 00:49:00,320
It's so close.
977
00:49:00,320 --> 00:49:01,760
Thank you.
978
00:49:01,760 --> 00:49:03,560
APPLAUSE
979
00:49:05,240 --> 00:49:06,800
Rahual.
980
00:49:10,040 --> 00:49:12,280
So, my look was inspired by
981
00:49:12,280 --> 00:49:13,840
the punk rock movement.
982
00:49:13,840 --> 00:49:15,760
And an ode to my mother,
983
00:49:15,760 --> 00:49:18,280
who was part of the movement
in the late '70s.
984
00:49:18,280 --> 00:49:20,320
The make-up is amazing!
985
00:49:22,120 --> 00:49:24,120
I'd just like to see you
twist it up a bit.
986
00:49:25,520 --> 00:49:29,120
The technique of blocking
those brows - beautiful.
987
00:49:29,120 --> 00:49:34,680
But there are just very obvious
choices to create a punk.
988
00:49:34,680 --> 00:49:37,360
Spikes on the cheeks, a black lip.
989
00:49:37,360 --> 00:49:39,840
We just want to see
what else you've got.
990
00:49:39,840 --> 00:49:41,400
And I'll show you that.
991
00:49:41,400 --> 00:49:42,760
Cherise.
992
00:49:46,480 --> 00:49:49,680
{\an8}I'm very sort of go with the flow
with my techniques, so I thought
993
00:49:49,680 --> 00:49:51,320
go with the flow, water,
994
00:49:51,320 --> 00:49:54,360
{\an8}then thought of David Hockney's,
like, water paintings.
995
00:49:54,360 --> 00:49:58,800
This look is beautiful and despite
this look being so abstract
996
00:49:58,800 --> 00:50:01,760
and the face being blue,
there's still a real beauty there.
997
00:50:02,880 --> 00:50:08,960
The way you incorporated the style
of David Hockney's water
998
00:50:08,960 --> 00:50:14,800
to work in a drag style
was just so clever.
999
00:50:14,800 --> 00:50:17,800
Getting that really deep cut
drag contour,
1000
00:50:17,800 --> 00:50:19,600
but it's a ripple in the water.
1001
00:50:19,600 --> 00:50:22,880
And then this shape of the lip,
1002
00:50:22,880 --> 00:50:25,160
it's just beautiful.
1003
00:50:25,160 --> 00:50:27,880
We've got all the drag techniques
in there
1004
00:50:27,880 --> 00:50:30,680
but you have taken it
to another level.
1005
00:50:30,680 --> 00:50:33,400
This is something
that I haven't seen before.
1006
00:50:33,400 --> 00:50:37,960
It is the most modern make-up
in the room today.
1007
00:50:39,800 --> 00:50:42,320
It's a ding dong!
1008
00:50:44,240 --> 00:50:46,000
Brilliant!
1009
00:50:46,000 --> 00:50:47,520
Oh, my God! Thank you.
1010
00:50:47,520 --> 00:50:50,080
Oh, my God! Well done!
Congratulations!
1011
00:50:50,080 --> 00:50:51,440
You smashed it, mate!
1012
00:50:51,440 --> 00:50:53,640
Please could you take yourselves
next door
1013
00:50:53,640 --> 00:51:00,000
while we decide who is going to
go into the Face Off elimination?
1014
00:51:00,000 --> 00:51:01,320
Goodbye!
1015
00:51:06,840 --> 00:51:10,960
This was tough!
Ailish, I see you're looking down.
1016
00:51:10,960 --> 00:51:12,760
How are you feeling? I'm OK.
1017
00:51:12,760 --> 00:51:14,880
I'm just annoyed at myself.
I was just like, ugh!
1018
00:51:14,880 --> 00:51:17,320
So, I think we need to talk about
1019
00:51:17,320 --> 00:51:20,480
our MUAs that were
in the Face Off chairs today.
1020
00:51:20,480 --> 00:51:22,480
Shall we look at Ailish?
1021
00:51:22,480 --> 00:51:25,840
It has the starting potential
of a big look,
1022
00:51:25,840 --> 00:51:30,400
but I think because Ailish
had to redo the brows,
1023
00:51:30,400 --> 00:51:34,840
it just ate into any time for her
to elaborate upon the look.
1024
00:51:34,840 --> 00:51:37,200
Absolutely.
Let's talk about Mia.
1025
00:51:37,200 --> 00:51:39,520
You told her to go big
and then bigger.
1026
00:51:39,520 --> 00:51:42,080
And what she's done is none of that.
1027
00:51:42,080 --> 00:51:44,720
When I think, oh, my God,
it looks amazing in my own head,
1028
00:51:44,720 --> 00:51:47,560
like I need to think, oh, no, what's
it going to look like in their eyes?
1029
00:51:47,560 --> 00:51:52,040
Because Mia is so used to
being in the world of beauty -
1030
00:51:52,040 --> 00:51:53,680
and there's nothing wrong
with that...
1031
00:51:53,680 --> 00:51:55,120
No, there's not.
1032
00:51:55,120 --> 00:51:57,280
No, there isn't, darling.
1033
00:51:57,280 --> 00:52:00,000
You don't feel the decay.
1034
00:52:00,000 --> 00:52:03,440
I'd say Mia was resting on pretty.
Ah! Ooh!
1035
00:52:04,760 --> 00:52:06,240
I think we need to talk about Jamie.
1036
00:52:06,240 --> 00:52:08,480
I should have added more,
and if I'm in the Face Off,
1037
00:52:08,480 --> 00:52:11,720
I'm in the Face Off. I just have to
beat whoever I'm with.
1038
00:52:11,720 --> 00:52:12,880
Ooh!
1039
00:52:14,920 --> 00:52:17,000
This is not skater boy.
1040
00:52:17,000 --> 00:52:19,800
There's a scar in the eyebrow
that he might have got
1041
00:52:19,800 --> 00:52:21,600
when he fell over at the skate park.
1042
00:52:21,600 --> 00:52:23,760
For me, Jamie could be in danger.
1043
00:52:23,760 --> 00:52:25,880
Yeah, but do we have a seat to fill?
1044
00:52:30,840 --> 00:52:35,760
Mia, Ailish, you found yourselves
in the red Face Off chairs.
1045
00:52:35,760 --> 00:52:39,760
Mia, you didn't push yourself
and you played it safe.
1046
00:52:41,240 --> 00:52:43,560
You haven't got yourself
out of the red chair.
1047
00:52:44,840 --> 00:52:49,920
Ailish, although you delivered
a big, bold look,
1048
00:52:49,920 --> 00:52:53,000
your process let you down.
1049
00:52:53,000 --> 00:52:57,040
You will be joining Mia
in the Face Off elimination.
1050
00:52:57,040 --> 00:52:58,160
It's OK.
1051
00:52:59,120 --> 00:53:01,040
Thank you, judges.
1052
00:53:01,040 --> 00:53:05,040
All right guys, say your goodbyes
and your good lucks
1053
00:53:05,040 --> 00:53:07,720
because one of you
will not be returning.
1054
00:53:07,720 --> 00:53:09,800
You've done it once,
you can do it again.
1055
00:53:09,800 --> 00:53:12,520
Being in the Face Off two weeks
in a row is not the nicest feeling
1056
00:53:12,520 --> 00:53:16,560
to have, but I know what to expect,
so I hope that'll work in my favour.
1057
00:53:17,720 --> 00:53:19,080
So, fingers crossed.
1058
00:53:20,440 --> 00:53:24,840
I want to keep getting experience
through this competition,
1059
00:53:24,840 --> 00:53:27,680
so I'm just going to try
and not think about the pressure
1060
00:53:27,680 --> 00:53:30,240
of the Face Off,
because that can mess you up.
1061
00:53:32,720 --> 00:53:34,880
To create a level playing field,
1062
00:53:34,880 --> 00:53:38,200
the MUAs will face off
over a set of identical twins.
1063
00:53:47,320 --> 00:53:52,680
We want you to execute
a gorgeous chocolate lip.
1064
00:53:52,680 --> 00:53:56,400
You must create a perfectly balanced
lip shape with clean, sharp edges.
1065
00:53:57,720 --> 00:54:01,440
We want to see a rich, chocolate
colour with a satin finish.
1066
00:54:02,920 --> 00:54:04,680
Creating the perfect lip.
1067
00:54:04,680 --> 00:54:06,800
Start by lining the cupid's bow.
1068
00:54:06,800 --> 00:54:10,000
{\an8}Then from the corners,
draw up towards it.
1069
00:54:10,000 --> 00:54:13,520
Then take the pencil
and draw along the bottom lip.
1070
00:54:13,520 --> 00:54:15,680
To guarantee a crip edge,
1071
00:54:15,680 --> 00:54:17,880
hold the pencil
so that the sharpest point
1072
00:54:17,880 --> 00:54:19,360
is along the lip line.
1073
00:54:21,160 --> 00:54:24,040
Take a brush to fill in the lip
with a satin lipstick,
1074
00:54:24,040 --> 00:54:25,920
creating a rich, chocolaty colour.
1075
00:54:29,960 --> 00:54:35,120
Mia, Ailish, you'll have ten minutes
to save yourself from elimination.
1076
00:54:35,120 --> 00:54:38,640
And your time starts now.
1077
00:55:03,600 --> 00:55:07,040
MUAs, you have five minutes left.
1078
00:55:08,320 --> 00:55:11,960
Well? Interesting. Ailish was
going for short, flicky strokes,
1079
00:55:11,960 --> 00:55:16,920
which meant that her lip line
didn't have a direction.
1080
00:55:16,920 --> 00:55:19,920
She wasn't going from point A
to point B like Mia was,
1081
00:55:19,920 --> 00:55:24,920
so therefore Mia's getting
a sharper, cleaner edge.
1082
00:55:24,920 --> 00:55:28,480
But her model's head
is on a bit of an angle,
1083
00:55:28,480 --> 00:55:32,720
so I'm worried that the lip
is going to be unbalanced.
1084
00:55:32,720 --> 00:55:34,440
Mm. It's still all to play for.
1085
00:55:35,600 --> 00:55:38,560
All right, guys, two minutes left.
1086
00:55:52,160 --> 00:55:53,840
Five,
1087
00:55:53,840 --> 00:55:55,160
four,
1088
00:55:55,160 --> 00:55:56,320
three,
1089
00:55:56,320 --> 00:55:57,480
two,
1090
00:55:57,480 --> 00:55:59,200
one.
1091
00:55:59,200 --> 00:56:01,360
Well done, guys.
1092
00:56:01,360 --> 00:56:04,280
Judges, I think it's time for you
to take a closer look.
1093
00:56:25,440 --> 00:56:27,560
Conflab? Conflab.
1094
00:56:31,720 --> 00:56:32,960
Wow!
1095
00:56:32,960 --> 00:56:37,440
What we have are two
very good chocolate lips.
1096
00:56:38,920 --> 00:56:41,320
But when you then compare
the two shapes,
1097
00:56:41,320 --> 00:56:43,880
{\an8}one has a really beautiful balance
1098
00:56:43,880 --> 00:56:47,240
{\an8}and sharp, consistent,
strong, clean lines
1099
00:56:47,240 --> 00:56:49,280
{\an8}and that's where she nailed it.
1100
00:56:49,280 --> 00:56:54,520
{\an8}And sometimes the simplest thing,
a lip line, can be the hardest.
1101
00:56:54,520 --> 00:56:56,960
{\an8}I think we agree that
there's a clear winner.
1102
00:56:56,960 --> 00:56:58,640
{\an8}Absolutely.
1103
00:56:58,640 --> 00:56:59,920
Come on.
1104
00:57:06,520 --> 00:57:10,840
Ailish, Mia, you both delivered
gorgeous lips.
1105
00:57:10,840 --> 00:57:14,520
Mia, you used long brushstrokes,
1106
00:57:14,520 --> 00:57:21,040
which allowed you to create
precise, sharp edges.
1107
00:57:21,040 --> 00:57:23,200
Well done. Thank you.
1108
00:57:23,200 --> 00:57:25,840
Ailish,
you used shorter brushstrokes,
1109
00:57:25,840 --> 00:57:28,040
which meant that your edges
were not as sharp.
1110
00:57:29,760 --> 00:57:33,800
Ailish, I'm sorry,
you'll be the next MUA going home.
1111
00:57:33,800 --> 00:57:36,920
Don't cry! Don't cry!
Honestly, Mia! Honey...
1112
00:57:36,920 --> 00:57:38,080
This competition has taught me
1113
00:57:38,080 --> 00:57:39,800
that I need to have more
confidence in myself.
1114
00:57:39,800 --> 00:57:42,680
The judges have given me
so much feedback and so much advice
1115
00:57:42,680 --> 00:57:44,680
so I'm really going to
take their advice on board
1116
00:57:44,680 --> 00:57:46,360
and really just go forward
in my career.
1117
00:57:46,360 --> 00:57:48,560
As my mum always says,
"Winning would have been
1118
00:57:48,560 --> 00:57:51,240
"the icing on the cake,
but not every cake needs icing."
1119
00:57:56,360 --> 00:57:57,800
Oh, my God! Yes!
1120
00:57:57,800 --> 00:57:59,160
Oh, my God!
1121
00:57:59,160 --> 00:58:00,720
Yes!
1122
00:58:00,720 --> 00:58:03,320
You get a hug! Everyone gets a hug!
1123
00:58:05,080 --> 00:58:07,680
I am very happy
that I'm not leaving.
1124
00:58:07,680 --> 00:58:10,760
I do have so much more
to show the judges.
1125
00:58:10,760 --> 00:58:12,840
If I think it's bold enough,
I need to go bigger.
1126
00:58:12,840 --> 00:58:15,480
Bye, guys! See ya! Bye!
1127
00:58:15,480 --> 00:58:16,920
Next time...
1128
00:58:16,920 --> 00:58:21,880
{\an8}We are on set for
House Of The Dragon!
1129
00:58:21,880 --> 00:58:25,040
{\an8}..the MUAs take on the world
of on-screen make-up.
1130
00:58:25,040 --> 00:58:27,000
{\an8}I'm happy I get to do the gore.
1131
00:58:27,000 --> 00:58:29,160
{\an8}Sorry, I really feel like
I'm letting us down.
1132
00:58:29,160 --> 00:58:31,280
{\an8}And at Glow Up Studios...
1133
00:58:31,280 --> 00:58:33,440
{\an8}SHRIEKS
1134
00:58:31,280 --> 00:58:33,440
{\an8}Oh, my God!
1135
00:58:33,440 --> 00:58:35,720
{\an8}..a special guest judge
sees emotions run high.
1136
00:58:36,920 --> 00:58:38,600
{\an8}Hi, everyone!
1137
00:58:38,600 --> 00:58:40,320
{\an8}Completely mind-blown.
1138
00:58:41,305 --> 00:59:41,685