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Ten MUAs have been battling it out
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in Britain's biggest
make-up contest.
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They've handled
high-profile assignments...
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I'm panicking! It's like
The Hunger Games,
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but a lot less violent.
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..from creating jaw-dropping looks
for the digital world...
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Aaaaaah!
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Ding-dong.
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..to war wounds on set
for a high-end drama.
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He looks fresh out of battle.
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They've earned the respect
of make-up masters...
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Tell me more. I know
you're a fan of me.
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Huge. Now I'm a fan of you.
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Oh!
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..and delivered iconic
creative briefs.
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Oh, my God, I love it!
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It's a ding-dong!
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Now...the three best will compete
for a life-changing prize -
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a generous starter fund
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and a six-month mentorship
with an industry heavyweight.
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I'm in the final. Like, I did it.
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I would love, love, love to win.
It's the final!
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It's the final countdown.
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But who will be crowned the winner?
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It's the final time to glow up.
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We made it to the final.
We did it! That's nuts.
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Top three.
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It's an early start
for our three remaining MUAs,
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who are heading off to find out
what the final has in store.
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None of this has sunk in.
Yeah, I've got a nervy belly.
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I am so proud of our MUAs.
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They make me feel so emotional
because I can
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see how their journey
has progressed,
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and I just can't wait to see
where they're going to go.
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These three finalists are so unique.
You've got Jade, the beauty,
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you've got Jake, the beast,
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and then you've got Cherise,
the artist.
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I can't believe I'm in the final!
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I keep pinching myself.
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The win is so close and I want it
so badly.
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I can't believe it.
Like, I made it to the very end.
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Like...
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MIMICS EXPLOSION
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..I did it.
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It's such a heavy sense of, like,
I am good at what I do.
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I don't think it's still hit me
that I'm in the finals.
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Yeah, it's crazy.
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SHE LAUGHS
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If I did win the competition,
it would be super validating.
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Good morning!
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ALL: Morning!
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With one last chance to impress,
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the MUAs have been invited
to Westfield, home of Sephora UK.
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Morning. Good morning.
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Good morning, finalists!
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LAUGHTER
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It's been such a pleasure watching
you throughout the competition,
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delivering bigger and bigger
and bigger looks.
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And you're here. So to tell you
about your final assignment
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is someone whose products
are available in this store.
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Stop it!
Oh, my heart's pounding now.
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Her beauty products are a fave
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amongst A-listers like Chappell Roan
and the Kardashians.
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She's flown all the way
from the Big Apple.
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It is the one, the only...
I've got goose bumps.
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..Danessa Myricks.
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EXCITED SCREAMS
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Oh, my God! Oh, my God!
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Danessa Myricks is a beauty legend
whose empowering approach
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to make-up
has seen her work cross boundaries.
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From editorial spreads
to her pioneering beauty brand,
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she's the go-to MUA
for all things inclusive.
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I started the brand
just a single mom,
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launching a brand
that's sold globally in Sephora,
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{\an8}and people exploring and touching
the products that I create from
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{\an8}all over the world
is something I'm super proud of.
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I'm so excited to be here.
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THEY EXCLAIM
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What the hell?
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I've been teaching masterclasses
for over two decades,
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presenting to hundreds of thousands
of people from all over the world.
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And in the next few days, you are
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going to be presenting
your own masterclass... Yes.
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..hosted by Sephora UK,
to a room full of industry experts.
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They want to learn from you.
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They want to see your
signature style
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and just understand who you are
as an artist.
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Danessa is literally one of
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my favourite make-up artists of
all time.
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Um, this is so surreal.
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But before that, it's time
for your last-ever creative brief.
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And whoever impresses
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the most today will get
a one-on-one session with Danessa...
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Oh, my God.
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..before you do your masterclass.
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Nice.
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THEY LAUGH
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So the pressure's on.
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Deliver.
This is an insane opportunity.
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A masterclass
with the master of make-up.
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It would be so beneficial
and I think all of us want it.
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All right, guys, let's head back to
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the studio
for your final creative brief.
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Come on, let's go.
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JAKE: I'm really feeling the
pressure for this creative brief.
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I'm always just, like,
an absolute ball of nerves.
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But this is
the last time I get to do it,
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so just try and have fun with it.
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CHERISE: I want to win this final
creative brief more than anything.
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Danessa is one of my favourite
make-up artists in the whole wide
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world, so this one would absolutely
mean the most.
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I'm just focused. I'm just ready.
I'm ready to lock in.
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For their final creative brief,
the MUAs must deliver
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a look inspired
by the feel-good hormone dopamine.
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And today there are no red chairs,
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so all the finalists have
the same chance to shine.
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It's the final, baby.
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THEY LAUGH
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Are we ready?
ALL: Yes!
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Well, then, bring in the models!
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Hiya. Are you OK? Nice to meet you.
I'm Jake.
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Going to do something fun today.
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MUAs, you'll have 2.5 hours
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to complete your final
creative brief.
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Good luck to all of you.
And your time starts now.
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I'm obsessed with this brief.
I'm all about dopamine.
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Right, we're at the salon today.
It does feel like a haircut.
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I think the interesting thing
about this brief is
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that we always want to know more
about the artists themselves.
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And there's nothing more personal
than what brings you joy.
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So I feel we're going to get
three very different looks.
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This is going to be fun.
This is exciting.
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I really need a win
after a couple of setbacks,
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and just the fact that the win
would be with Danessa as well
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was just like the cherry on top.
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It's level pegging
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because all three artists bring
the creative juices.
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This is going to be
a tough challenge.
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It is. It so is.
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So I am going to be doing
a jellyfish to represent dopamine.
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I think jellyfish look like
floating brains in the ocean.
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And they're super bright
and colourful.
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And I think they really encapsulate
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what I visualise dopamine
to look like.
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I'm going to create the illusion of
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the head of the jellyfish
to look transparent,
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so it'll be black with sort of neon,
like, highlights around.
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I feel like I haven't shown my love
for horror in this competition.
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Jake's dopamine look is based
on a nostalgic character.
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When I was 17, I finally figured out
that make-up's not just eyeliner
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and that I can become
like the creatures that I imagine.
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So I'm recreating a character
that I used to draw all the time.
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The story behind it is
just like she's finding herself.
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And that's how I felt when I first
turned myself into a monster.
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To me, that was
the ultimate rush of dopamine.
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I obviously just would love a
one-to-one masterclass with Danessa,
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so I feel like a lot more is on
the line today.
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Jade's look is inspired
by the science of relaxation.
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Not having to use my brain
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and relaxing is probably like
one of my nicest dopamine hits.
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Science isn't really my thing,
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but I've done a little mood board
and all these, like,
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neurotransmitters kept coming up, so
I thought they looked really cool.
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And I think they'd really be like
a different take.
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Oh, the shape of the bald cap.
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DOMINIC: We've got a bald cap
going on.
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Yeah, like that. Perfect.
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VAL: Last week, Jake gave us a bald
cap and two prosthetics.
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This week we're hoping to see more
from him.
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I am taking a risk. Like, I'm doing
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a bald cap again.
With every creative brief,
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I'm always on edge.
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DOMINIC: For me, the story of Jake
is a story of confidence.
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He came in, he didn't feel
that he was worthy,
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but we saw his possibilities.
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Throughout the competition,
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Jake's had
a hard time backing himself...
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I feel like I just can never accept
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that I've done well because
I'm such a perfectionist.
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I feel like I've just missed
the mark with, like, my precision.
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You need to stop being so hard
on yourself.
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Public speaking really does
freak me out
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because I do stutter
when I'm nervous.
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I had a two-year-long break because
of caring responsibilities.
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I emotionally disconnected myself.
My self-belief was, like,
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on the floor. I need to get out
of this negative mindset.
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Flip it on its head, mate.
For sure. Yeah.
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..yet, week after week, he's wowed
the judges with his unique style.
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And the winner is Jake.
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CHEERING
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Ding-dong!
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CHEERING
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I feel like,
through this competition,
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I've just sprouted.
My self-belief is starting to grow.
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Flawless. Magical.
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Amazing. Fantastic.
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Thank you. Ding-dong, darling!
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Now, Jake is hoping he can
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keep his demons at bay
to take the win.
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To win this competition, like,
it would be just the ultimate
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sort of, like, confidence boost.
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I've made some horns
and some little wings
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that have just sprouted out of
the flesh,
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and they're not quite
fully developed yet.
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I feel like the wings sort of
also represent that, like,
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I am like
a sort of, like, fledgling MUA.
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Like, I'm getting back into it
and I'm finding myself again.
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I'm going to try and make
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the neurotransmitters
out of liquid latex.
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I wanted to do something
a little bit more unexpected.
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This is really unique for Jade.
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So Jade is making a prosthetic
by dipping cotton wool in latex.
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VAL: It gives the make-up
a more three-dimensional effect.
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I'm wondering, is it
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the time to be trying something new
in the final brief?
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I know. It's risky. I apologise
for the smell in advance.
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I mean, it's not easy to do
because you really are sort of at
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the jeopardy of the cotton.
Oh, you're lying!
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Oh, my God,
this was such a bad move.
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And it's actually literally sticking
to everything.
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What am I going to do?
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Jake is also using latex
to create texture.
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I've mixed body paint
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with liquid latex and cotton pads
to make this ripped-flesh look,
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and I've not been that messy today,
so I hope Dom's proud of me.
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He is so messy.
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Well, I can relate there.
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Oh, it is dripping a bit,
but I will wipe it up.
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While Jake and Jade are using
3D elements in their looks,
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Cherise is relying on
her fine-arts background to impress.
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I'm definitely challenging myself
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with the scale of this look,
and I just hope it impresses.
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I am worried at the minute
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because Cherise is going
at this top bit.
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Is she trying to remove...
Maybe she was...
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..more? Has she made a mistake?
Oh, no, it's negative spacing.
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Negative spacing! Negative spacing.
That's exciting.
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I don't know what this bit
on a jellyfish is called.
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Usually that part of the jellyfish
is transparent.
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So I'm creating the illusion
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that obviously
the background is black.
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And then kind of just going to have
the fine linework carrying on
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to make it look like
it's transparent there.
244
00:12:25,080 --> 00:12:27,560
And then the rest of it is going
to be a bit more solid colour.
245
00:12:27,560 --> 00:12:29,880
Sorry, this must...this must
feel horrible.
246
00:12:29,880 --> 00:12:31,840
I'm so sorry. It's fine.
247
00:12:32,840 --> 00:12:34,720
How are you feeling being
in the final?
248
00:12:34,720 --> 00:12:38,120
This is insane. Yeah.
I'm so nervous.
249
00:12:38,120 --> 00:12:41,520
Are you? I went back and forth
with a load of different,
250
00:12:41,520 --> 00:12:44,480
like, ideas.
I feel like it didn't click with me.
251
00:12:44,480 --> 00:12:46,000
Why? I think because, like,
252
00:12:46,000 --> 00:12:48,240
normally there's a lot of noise
in my head, so...
253
00:12:48,240 --> 00:12:50,840
But use it as an opportunity to show
the best that you can be.
254
00:12:50,840 --> 00:12:53,000
Do you know what I mean?
Don't see it as a nervous thing.
255
00:12:53,000 --> 00:12:54,760
See it as like
an opportunity to show off.
256
00:12:54,760 --> 00:12:56,440
Yeah.
257
00:12:56,440 --> 00:13:00,160
Jade's beauty skills have seen her
soar in the competition.
258
00:13:00,160 --> 00:13:03,680
It's yummy, it's gorgeous.
Jade brings the glamour.
259
00:13:03,680 --> 00:13:08,440
She is such a glamour queen.
But by comparing herself to others,
260
00:13:08,440 --> 00:13:10,560
she's often got in her own way.
261
00:13:10,560 --> 00:13:12,120
I just feel like my look
262
00:13:12,120 --> 00:13:14,560
is quite basic compared to
a lot of people.
263
00:13:14,560 --> 00:13:17,080
Yeah, I don't know what's come
264
00:13:14,560 --> 00:13:17,080
over me.
265
00:13:14,560 --> 00:13:17,080
SHE SOBS
266
00:13:17,080 --> 00:13:19,720
I'd always have that self-sabotaging
voice in my head.
267
00:13:19,720 --> 00:13:21,800
Everyone else's looks are really
strong.
268
00:13:21,800 --> 00:13:24,320
But when she has managed
to focus on herself...
269
00:13:25,800 --> 00:13:28,800
..her creativity has blown
the judges away.
270
00:13:28,800 --> 00:13:31,800
Oh, my gosh, girl. Talent!
271
00:13:31,800 --> 00:13:33,560
I think Jade smashed it.
272
00:13:33,560 --> 00:13:37,280
Ding-dong, darling! I definitely
feel like I've made more of
273
00:13:37,280 --> 00:13:40,520
a conscious effort not to try
and compare myself.
274
00:13:40,520 --> 00:13:41,720
I feel like
275
00:13:41,720 --> 00:13:45,280
for the first time I really calmed
down and I'm actually having fun.
276
00:13:45,280 --> 00:13:49,640
Everything about this says
a success story.
277
00:13:49,640 --> 00:13:51,120
Ding-dong, darling.
278
00:13:52,760 --> 00:13:56,600
Now Jade is aiming to put
the comparisons behind her.
279
00:13:56,600 --> 00:13:59,800
The competition
has validated my skills as an MUA,
280
00:13:59,800 --> 00:14:01,760
but also as a person.
281
00:14:04,640 --> 00:14:06,280
This is not how I pictured it.
282
00:14:07,600 --> 00:14:12,160
OK, my loves. Believe it or not,
there's one hour left.
283
00:14:12,160 --> 00:14:14,840
Oh, my God. Yeah, that's too much.
Stop it. Stop faffing.
284
00:14:17,880 --> 00:14:22,640
DOMINIC: That is fun. What is it?
A lobster? Could be.
285
00:14:22,640 --> 00:14:24,120
I think most people probably think
286
00:14:24,120 --> 00:14:26,840
of jellyfish as sort of the blues
and purples.
287
00:14:26,840 --> 00:14:30,200
Maybe some sort of pinks in there.
I love a gorgeous blend.
288
00:14:30,200 --> 00:14:33,160
DANESSA: This colour is
drawing me in.
289
00:14:33,160 --> 00:14:35,400
That sky blue next to
that rich purple.
290
00:14:35,400 --> 00:14:37,280
The pink next to the yellow.
291
00:14:37,280 --> 00:14:38,800
The contrast in these colours
292
00:14:38,800 --> 00:14:40,880
is really making you
feel something instantly,
293
00:14:40,880 --> 00:14:44,280
just how the colours are placed.
The blend. Yes.
294
00:14:44,280 --> 00:14:45,800
Evocative.
295
00:14:45,800 --> 00:14:48,520
I'm getting so much dopamine just
from creating this.
296
00:14:52,880 --> 00:14:54,720
I don't know why I chose to do this.
297
00:14:56,560 --> 00:14:58,840
I wonder if she would have been
better putting
298
00:14:58,840 --> 00:15:03,480
her colour work on first
and the cotton wool on at the end,
299
00:15:03,480 --> 00:15:07,880
because now she's really going
to have to work with these edges.
300
00:15:07,880 --> 00:15:11,400
What are you doing here?
What inspired this look?
301
00:15:11,400 --> 00:15:14,080
I'm in a mad rush to try
and get this all blended out,
302
00:15:14,080 --> 00:15:17,560
because right now
it is not looking very pretty.
303
00:15:17,560 --> 00:15:21,400
I've gone with a colour palette
that's emotive of calmness,
304
00:15:21,400 --> 00:15:24,640
and then these things
are going to be
305
00:15:24,640 --> 00:15:28,400
the neurotransmitters that kind
of travel through your brain,
306
00:15:28,400 --> 00:15:31,400
delivering dopamine all over
the body. That's incredible.
307
00:15:31,400 --> 00:15:34,880
So I have these little fairy lights
that I would actually love
308
00:15:34,880 --> 00:15:39,480
to stick to the face.
So the idea would be...
309
00:15:40,880 --> 00:15:42,440
Oh. So, yeah.
310
00:15:42,440 --> 00:15:44,640
I'm excited to see
how this all comes together.
311
00:15:44,640 --> 00:15:46,000
Thank you so much.
312
00:15:49,480 --> 00:15:51,760
So I'm just laying down my colours
with like a cream-based paint.
313
00:15:51,760 --> 00:15:53,680
And then I'm going to go
in with water paints to add like
314
00:15:53,680 --> 00:15:56,520
a stipply effect to give like
a mouldy look to the flesh.
315
00:15:56,520 --> 00:15:59,080
I care so much about stuff
looking perfect
316
00:15:59,080 --> 00:16:02,240
and it stops me
from enjoying things sometimes.
317
00:16:02,240 --> 00:16:03,920
Oh.
318
00:16:02,240 --> 00:16:03,920
DOMINIC GASPS
319
00:16:03,920 --> 00:16:07,880
I know what it is.
It's a bloomin' jellyfish.
320
00:16:07,880 --> 00:16:09,800
We've got more colour going on.
321
00:16:09,800 --> 00:16:12,920
We've got that negative space that
has now been filled...
322
00:16:12,920 --> 00:16:14,480
Filled with colour. ..with colour.
323
00:16:14,480 --> 00:16:16,400
She's the only make-up artist
in the room
324
00:16:16,400 --> 00:16:21,480
relying totally on her skill
of painting.
325
00:16:21,480 --> 00:16:25,320
There's no prosthetics,
there's no added bits anywhere.
326
00:16:25,320 --> 00:16:26,600
And I wonder
327
00:16:26,600 --> 00:16:31,400
if her look will be big enough
to impress us.
328
00:16:31,400 --> 00:16:33,120
Hi, Cherise.
329
00:16:33,120 --> 00:16:35,320
Oh, my God!
HIGH-PITCHED: Hi! Sorry.
330
00:16:37,760 --> 00:16:40,800
This look, like, it's making me want
to do this.
331
00:16:40,800 --> 00:16:42,560
That's exactly the vibe. Yeah.
332
00:16:42,560 --> 00:16:43,920
THEY LAUGH
333
00:16:43,920 --> 00:16:46,480
Tell me about...how did you start
in make-up?
334
00:16:46,480 --> 00:16:50,640
Um, so I have a fine-art background.
I used to be, um, an oil painter.
335
00:16:50,640 --> 00:16:53,120
The way you're holding the palette,
I get it.
336
00:16:53,120 --> 00:16:55,400
I love that. Well, what's in it
for you
337
00:16:55,400 --> 00:16:58,120
after this? I just want to be doing
what I love full-time.
338
00:16:58,120 --> 00:17:00,440
I just wasn't getting
jobs frequently,
339
00:17:00,440 --> 00:17:02,560
and it felt so defeating
to then have to kind
340
00:17:02,560 --> 00:17:04,240
of get another job on the side.
And, yeah,
341
00:17:04,240 --> 00:17:06,040
it just really had me questioning,
342
00:17:06,040 --> 00:17:09,080
am I supposed to be doing this?
343
00:17:09,080 --> 00:17:13,080
For Cherise, Glow Up has brought
both highs and lows.
344
00:17:13,080 --> 00:17:17,160
I didn't think I'd have the strength
and resilience to keep going,
345
00:17:17,160 --> 00:17:19,800
even after being knocked
back multiple times.
346
00:17:19,800 --> 00:17:22,360
She took risks on
the industry assignments...
347
00:17:22,360 --> 00:17:24,600
I want to make it kind of unique
and interesting.
348
00:17:24,600 --> 00:17:26,800
Today's brief is
all about cohesiveness,
349
00:17:26,800 --> 00:17:29,320
so I'm wondering why she chose that.
350
00:17:29,320 --> 00:17:32,480
..sometimes landing her
in the red chairs.
351
00:17:32,480 --> 00:17:35,480
Your product choice
and placement let you down.
352
00:17:38,000 --> 00:17:42,040
But in the creative briefs,
her artistic flair shone through.
353
00:17:42,040 --> 00:17:45,840
The symmetry of them there lashes...
Oh-ho!
354
00:17:45,840 --> 00:17:49,320
It's good. You have taken it
to another level.
355
00:17:49,320 --> 00:17:52,480
It feels like something you'd see
in the National Portrait Gallery.
356
00:17:52,480 --> 00:17:54,560
For Cherise, the competition could
357
00:17:54,560 --> 00:17:57,760
help turn her make-up dreams
into reality.
358
00:17:57,760 --> 00:17:59,960
You have arrived, you've delivered,
359
00:17:59,960 --> 00:18:01,480
and I've got to give you
a ding-dong.
360
00:18:01,480 --> 00:18:03,240
And I don't know why I'm crying!
361
00:18:04,560 --> 00:18:08,200
It's amazing! Being here
and seeing my growth,
362
00:18:08,200 --> 00:18:10,920
I just couldn't be prouder of myself
and what I've accomplished.
363
00:18:10,920 --> 00:18:12,560
And I'm just ready to get into
364
00:18:12,560 --> 00:18:15,360
the outside world and continue doing
what I love.
365
00:18:17,440 --> 00:18:18,760
Well, I definitely wanted to try
366
00:18:18,760 --> 00:18:20,720
and mimic the way jellyfish look
367
00:18:20,720 --> 00:18:22,320
in the depths of the ocean
where it's dark,
368
00:18:22,320 --> 00:18:24,600
but they just light
so bright within that.
369
00:18:24,600 --> 00:18:25,800
So I just thought that was
370
00:18:25,800 --> 00:18:28,560
a perfect opportunity to go
for this sort of colour scheme.
371
00:18:28,560 --> 00:18:30,400
VAL: I wish that Cherise hadn't put
372
00:18:30,400 --> 00:18:35,120
the black behind the jellyfish
cos I've lost it now.
373
00:18:35,120 --> 00:18:40,000
DOMINIC: I understand the idea,
but I wonder if there's a way to add
374
00:18:40,000 --> 00:18:42,160
a little lightness and brightness to
375
00:18:42,160 --> 00:18:45,520
the actual jellyfish
to just make it really stand out,
376
00:18:45,520 --> 00:18:48,720
away from the black.
I've got a lot more to do,
377
00:18:48,720 --> 00:18:50,720
and I'm not loving it at the moment.
378
00:18:52,000 --> 00:18:58,074
Watch Online Movies and Series for FREE
www.osdb.link/lm
379
00:19:03,400 --> 00:19:04,800
Oh, wow.
380
00:19:04,800 --> 00:19:07,760
Wow, wow, wow. This is insane.
JAKE: Thank you.
381
00:19:19,640 --> 00:19:21,160
Oh, sweetheart.
382
00:19:22,760 --> 00:19:24,640
SOBBING
383
00:19:26,120 --> 00:19:28,280
JADE: It's so messy.
384
00:19:28,280 --> 00:19:30,360
Where is Jade? Where is Jade?
385
00:19:30,360 --> 00:19:32,160
Has she left the room? Oh, wow.
386
00:19:34,320 --> 00:19:37,600
Hello, mate. What is going on, babe?
387
00:19:37,600 --> 00:19:39,760
Sometimes if you look around
the room
388
00:19:39,760 --> 00:19:41,720
and you see what else is going on,
389
00:19:41,720 --> 00:19:45,560
you can get that impostor syndrome.
"Why am I here?
390
00:19:45,560 --> 00:19:47,080
"I'm not good enough."
391
00:19:47,080 --> 00:19:51,520
JADE: I actually just hate the look.
I think it's messy, firstly,
392
00:19:51,520 --> 00:19:54,000
and then I just don't think
it's like
393
00:19:54,000 --> 00:19:56,040
a true reflection of what I can do.
394
00:19:56,040 --> 00:19:57,600
It's a lot of pressure on today,
395
00:19:57,600 --> 00:19:59,520
so I just hope she's all right.
396
00:19:59,520 --> 00:20:02,600
You got this. You have.
There's so much
397
00:20:02,600 --> 00:20:04,440
that you can do
and you have enough time to do it.
398
00:20:04,440 --> 00:20:08,240
Don't just give up. You're
in the top three for a reason,
399
00:20:08,240 --> 00:20:10,800
and I don't want you
to doubt yourself now.
400
00:20:10,800 --> 00:20:13,160
Yeah. Let's do it. Come on, come on.
401
00:20:13,160 --> 00:20:14,640
Come on.
402
00:20:18,840 --> 00:20:22,360
DOMINIC: Oh, thank God.
Jade is back. Yes.
403
00:20:22,360 --> 00:20:23,760
You've got this, OK?
404
00:20:25,800 --> 00:20:27,440
Yes.
405
00:20:27,440 --> 00:20:28,600
I'm so sorry.
406
00:20:30,400 --> 00:20:31,960
Yay!
407
00:20:31,960 --> 00:20:35,360
Go, Jade! Go, Jade!
You will get this done, babe.
408
00:20:40,880 --> 00:20:43,560
DANESSA: OK, artists,
I don't want you to panic,
409
00:20:43,560 --> 00:20:47,200
but you have 30 minutes left.
410
00:20:47,200 --> 00:20:50,680
Uh! Sorry. Ah, I've messed it up
a bit.
411
00:20:50,680 --> 00:20:53,000
I think I got a little bit caught
up in some details,
412
00:20:53,000 --> 00:20:55,560
and now we only have
30 minutes left, so I'm just trying
413
00:20:55,560 --> 00:20:59,400
to focus on getting
this goddamn thing done.
414
00:20:59,400 --> 00:21:02,080
VAL: Wow.
415
00:21:02,080 --> 00:21:05,200
That's astonishing.
416
00:21:05,200 --> 00:21:08,560
We literally turned around
for, like, five minutes...
417
00:21:08,560 --> 00:21:10,280
And there's a whole
418
00:21:10,280 --> 00:21:15,040
skeletal Nightmare On Glow Street
going on.
419
00:21:15,040 --> 00:21:16,880
It's just genius.
420
00:21:16,880 --> 00:21:18,440
JAKE: Oh!
421
00:21:20,240 --> 00:21:22,760
Yeah, I'm a little bit worried
about sticking them on.
422
00:21:22,760 --> 00:21:24,320
I guess we will find out.
423
00:21:25,800 --> 00:21:30,320
Ooh, look at this.
We got lights. Yeah.
424
00:21:30,320 --> 00:21:32,960
And that's to represent
the dopamine hit.
425
00:21:32,960 --> 00:21:36,480
Like, moving...
Moving around the brain.
426
00:21:36,480 --> 00:21:38,440
Yes. Yeah. Yeah.
427
00:21:38,440 --> 00:21:39,720
I'm kind of more trying to create
428
00:21:39,720 --> 00:21:42,160
a UV effect and kind of almost like
glow in the dark.
429
00:21:42,160 --> 00:21:44,280
So, yeah, just really spending
the time to kind of make
430
00:21:44,280 --> 00:21:47,120
all the dimension and linework
I've added pop more.
431
00:21:47,120 --> 00:21:50,640
DOMINIC: The thing about Cherise
that I just find gobsmacking
432
00:21:50,640 --> 00:21:54,120
is her ability to go from painterly
433
00:21:54,120 --> 00:21:58,320
and textural
to almost like a neon realism.
434
00:21:59,880 --> 00:22:01,520
Oh! I'm going to rush like crazy.
435
00:22:06,120 --> 00:22:09,920
OK, artists, you have
ten minutes left to bring it home.
436
00:22:15,560 --> 00:22:17,880
I hate the look.
437
00:22:17,880 --> 00:22:22,720
It just looks pretty messy -
for a final look, especially.
438
00:22:25,560 --> 00:22:27,720
I'm just adding some fake blood now.
439
00:22:27,720 --> 00:22:32,520
Ugh! Oh! Ugh! It's even making me
feel a bit sick.
440
00:22:32,520 --> 00:22:35,200
That's how I know that it's giving
the thing that I want.
441
00:22:36,640 --> 00:22:38,240
I don't know if I like that.
442
00:22:41,000 --> 00:22:44,480
MUAs, you have just two minutes
left.
443
00:22:44,480 --> 00:22:46,000
Oh, my God!
444
00:22:50,440 --> 00:22:52,520
Oh, I'm feeling it. Val will not
come for me
445
00:22:52,520 --> 00:22:54,960
for not curling the lashes.
Look down for me.
446
00:22:59,360 --> 00:23:00,800
It just never gets easier here,
447
00:23:00,800 --> 00:23:03,160
and the fact that we only have
that amount of time left.
448
00:23:03,160 --> 00:23:05,680
But it is...what it is!
449
00:23:09,920 --> 00:23:12,680
MUAs, please put your brushes down.
450
00:23:12,680 --> 00:23:16,040
Well done for completing
your final creative brief, guys.
451
00:23:16,040 --> 00:23:18,120
CHEERING
452
00:23:18,120 --> 00:23:20,680
Thank you so much!
453
00:23:18,120 --> 00:23:20,680
LAUGHTER
454
00:23:20,680 --> 00:23:22,920
Take your models next door
to be photographed.
455
00:23:22,920 --> 00:23:24,320
Are you ready?
456
00:23:33,280 --> 00:23:34,640
I looked at Jake's
457
00:23:34,640 --> 00:23:37,400
and Cherise's briefly,
and they're both incredible.
458
00:23:37,400 --> 00:23:40,200
Mine is so rubbish.
I just need to wait
459
00:23:40,200 --> 00:23:42,320
for the feedback
before I start crying.
460
00:23:42,320 --> 00:23:43,800
JADE LAUGHS
461
00:23:45,880 --> 00:23:49,000
For the first time,
I'm happy with this one.
462
00:23:49,000 --> 00:23:50,240
I don't want to get emotional,
463
00:23:50,240 --> 00:23:52,320
but I've genuinely found myself
again.
464
00:23:52,320 --> 00:23:54,000
Yeah. Ooo!
465
00:23:54,000 --> 00:23:55,640
JAKE LAUGHS
466
00:23:55,640 --> 00:24:00,160
I feel like I really ended our last
creative brief on such a high,
467
00:24:00,160 --> 00:24:02,280
and I couldn't be prouder
of what I've done today.
468
00:24:05,000 --> 00:24:07,360
Cherise, please step forward.
469
00:24:13,400 --> 00:24:16,040
CHERISE: When I think about
how dopamine affects the body,
470
00:24:16,040 --> 00:24:19,400
I picture it flowing through
from head to toe, in the same
471
00:24:19,400 --> 00:24:21,640
way jellyfish move through
the ocean.
472
00:24:21,640 --> 00:24:23,160
I wanted something super bright,
473
00:24:23,160 --> 00:24:27,200
colourful, to utilise my love
of linework, blending, shading.
474
00:24:27,200 --> 00:24:30,280
I definitely get the jelly
in the belly.
475
00:24:30,280 --> 00:24:31,640
The excitement.
476
00:24:33,360 --> 00:24:39,280
Your linework,
the way you blend is unbelievable.
477
00:24:39,280 --> 00:24:44,880
Thank you. You did
all of this with just paint.
478
00:24:45,960 --> 00:24:48,400
I'm going to call it art.
479
00:24:48,400 --> 00:24:51,560
If I had to give you
one little note... Mm-hm.
480
00:24:51,560 --> 00:24:55,520
..I loved it
before you put the black on.
481
00:24:55,520 --> 00:24:59,600
You then had to go back
to make it pop more.
482
00:24:59,600 --> 00:25:01,840
That was my only note. Mm-hm.
483
00:25:01,840 --> 00:25:04,520
Cherise. Hi.
484
00:25:04,520 --> 00:25:08,120
I felt this work instantly.
485
00:25:08,120 --> 00:25:11,080
I could not stop doing this.
486
00:25:11,080 --> 00:25:13,600
Doing that!
487
00:25:11,080 --> 00:25:13,600
THEY LAUGH
488
00:25:13,600 --> 00:25:17,680
You literally made me want
to move my body.
489
00:25:17,680 --> 00:25:20,760
Like, that is the work of an artist,
490
00:25:20,760 --> 00:25:23,560
to make someone feel something.
491
00:25:23,560 --> 00:25:28,560
Before you put the black,
I really felt the joy.
492
00:25:28,560 --> 00:25:31,000
When you added the black, it made it
493
00:25:31,000 --> 00:25:35,080
less joyous for me,
but still beautiful. OK.
494
00:25:35,080 --> 00:25:36,600
I mean...
495
00:25:37,720 --> 00:25:40,520
..I'm not one to put my life
in danger,
496
00:25:40,520 --> 00:25:41,960
but I'm going to disagree.
497
00:25:44,720 --> 00:25:50,280
I think the black works perfectly
because I see the jellyfish,
498
00:25:50,280 --> 00:25:54,320
but in absolute blissful isolation.
499
00:25:54,320 --> 00:25:57,520
Your skill as a painter
is second to none.
500
00:25:59,040 --> 00:26:00,720
It was poetry,
501
00:26:00,720 --> 00:26:05,000
watching how you manipulated
the colour and the paintbrush.
502
00:26:07,480 --> 00:26:09,280
Jade, please come forward.
503
00:26:13,520 --> 00:26:16,760
I feel like very often
there's a lot of noise in my head.
504
00:26:16,760 --> 00:26:22,440
So one of my dopamine hits
is coming home from work,
505
00:26:22,440 --> 00:26:25,360
sitting on the sofa
and watching TV with my family,
506
00:26:25,360 --> 00:26:29,000
where I don't have to use my brain
and I can just relax.
507
00:26:30,160 --> 00:26:33,600
You've given us a look
that I would never have expected,
508
00:26:33,600 --> 00:26:37,240
which is wonderful.
As make-up artists,
509
00:26:37,240 --> 00:26:40,680
sometimes the vision that we have
in our head doesn't
510
00:26:40,680 --> 00:26:46,760
always come out exactly
how we see it, but that's OK.
511
00:26:46,760 --> 00:26:50,520
If you don't try,
you will never grow.
512
00:26:50,520 --> 00:26:53,880
And I would rather see someone try
than not even bother.
513
00:26:53,880 --> 00:26:56,000
Thank you. So, well done.
514
00:26:56,000 --> 00:27:01,160
I felt that you maybe hesitated
and there was a little uncertainty.
515
00:27:01,160 --> 00:27:04,880
Like, if you feel it, just do it.
Don't go halfway.
516
00:27:04,880 --> 00:27:06,240
Yeah.
517
00:27:06,240 --> 00:27:10,680
VAL: I was excited that you picked
up cotton wool and latex,
518
00:27:10,680 --> 00:27:12,280
but I was surprised that that was
519
00:27:12,280 --> 00:27:14,720
the first thing that you put on
the face,
520
00:27:14,720 --> 00:27:19,920
because that made your job of
what you do beautifully...
521
00:27:19,920 --> 00:27:21,920
Yeah. ..harder because you had to go
522
00:27:21,920 --> 00:27:24,880
in and out
of all the little crevices.
523
00:27:24,880 --> 00:27:27,040
But I think...I think you are
an amazing artist,
524
00:27:27,040 --> 00:27:29,400
so thank you. Thank you.
Thank you so much.
525
00:27:29,400 --> 00:27:31,400
APPLAUSE
526
00:27:35,000 --> 00:27:37,120
Jake, can you come to the front?
527
00:27:41,480 --> 00:27:43,600
For my dopamine look,
I wanted to travel back to
528
00:27:43,600 --> 00:27:46,240
the first time I realised make-up
was an art form,
529
00:27:46,240 --> 00:27:47,880
and that was when I was 17.
530
00:27:47,880 --> 00:27:50,520
I don't know what 17-year-old me
was thinking about,
531
00:27:50,520 --> 00:27:52,840
but like, it was just like
a fleshy sort of monster.
532
00:27:52,840 --> 00:27:54,080
It was the first time
533
00:27:54,080 --> 00:27:57,280
that my passion
for make-up was ignited.
534
00:27:57,280 --> 00:28:00,800
What I think is so unique
about you is your use of colour.
535
00:28:00,800 --> 00:28:06,480
The way you were able to make horror
look this beautiful is a gift.
536
00:28:06,480 --> 00:28:07,960
JAKE CHUCKLES
537
00:28:07,960 --> 00:28:10,840
The confidence
538
00:28:10,840 --> 00:28:14,320
that you have brought to
the room today,
539
00:28:14,320 --> 00:28:18,360
just beautiful to watch. Thank you.
The more confidence you have,
540
00:28:18,360 --> 00:28:22,480
the bigger you can go.
And, boy, have you gone big.
541
00:28:22,480 --> 00:28:26,240
My little monster
has been skinned alive.
542
00:28:26,240 --> 00:28:28,840
I loved it!
543
00:28:28,840 --> 00:28:31,520
Ding-dong, darling!
544
00:28:31,520 --> 00:28:33,680
APPLAUSE
545
00:28:33,680 --> 00:28:35,040
Thank you so much.
546
00:28:36,040 --> 00:28:39,480
I think you will go very far
on your journey,
547
00:28:39,480 --> 00:28:43,080
and I can't wait to see your first
Oscar for make-up.
548
00:28:43,080 --> 00:28:44,920
Oh, thank you. Aw!
549
00:28:44,920 --> 00:28:48,080
And that is so true.
Thank you so much.
550
00:28:48,080 --> 00:28:50,560
JADE: Oh, my God. That looks
so incredible.
551
00:28:54,080 --> 00:28:55,560
JAKE SIGHS
552
00:28:58,240 --> 00:29:03,040
Three amazing,
talented make-up artists.
553
00:29:03,040 --> 00:29:07,560
You have all brought the magic.
554
00:29:09,000 --> 00:29:13,800
The person who impressed the most,
brought me instant joy,
555
00:29:13,800 --> 00:29:17,440
and they were masterful...
556
00:29:17,440 --> 00:29:18,840
..Jake.
557
00:29:18,840 --> 00:29:20,240
APPLAUSE
558
00:29:20,240 --> 00:29:21,600
Thank you.
559
00:29:23,920 --> 00:29:26,440
Thank you so much.
Congratulations, Jake.
560
00:29:26,440 --> 00:29:29,320
You'll have the chance
to spend some time with Danessa
561
00:29:29,320 --> 00:29:32,720
to get some insider tips and tricks
before your masterclass.
562
00:29:33,840 --> 00:29:37,840
But, all of you, get practising
and we'll see you there.
563
00:29:37,840 --> 00:29:41,000
Thank you, guys.
Good luck, everyone! Good luck!
564
00:29:41,000 --> 00:29:42,600
APPLAUSE
565
00:29:42,600 --> 00:29:45,200
JAKE: The fact that I've won time
with, like, Danessa is
566
00:29:45,200 --> 00:29:49,440
just so exciting. I'm going to try
and suck up all the knowledge I can.
567
00:29:49,440 --> 00:29:51,080
1,000%.
568
00:29:53,640 --> 00:29:59,520
{\an8}The next day, the MUAs are preparing
for their first-ever masterclass.
569
00:29:59,520 --> 00:30:04,080
I'm feeling such a mix of nerves
and excitement.
570
00:30:04,080 --> 00:30:07,160
Having excelled at linework during
the competition,
571
00:30:07,160 --> 00:30:10,480
Cherise is taking on one of
the toughest skills in make-up -
572
00:30:10,480 --> 00:30:12,120
symmetry.
573
00:30:12,120 --> 00:30:14,880
Symmetry is something
that I pride myself on massively,
574
00:30:14,880 --> 00:30:17,560
and I know that that's very much
the opposite for a lot of people,
575
00:30:17,560 --> 00:30:21,280
so I'm kind of hoping to make it
feel less daunting for people.
576
00:30:21,280 --> 00:30:23,000
I think the pressure's on.
577
00:30:26,120 --> 00:30:28,800
The focus of my masterclass is how
578
00:30:28,800 --> 00:30:32,800
to create a glam eye
for more mature skin.
579
00:30:32,800 --> 00:30:36,560
It's an ode to my mum.
When I do, like, really glam looks,
580
00:30:36,560 --> 00:30:38,960
she's always like,
"It'll never look the same on me."
581
00:30:38,960 --> 00:30:40,920
So I think I just want to instil
582
00:30:40,920 --> 00:30:45,680
that your age doesn't define you
and you can still be very glam.
583
00:30:45,680 --> 00:30:47,800
I definitely think
there is more pressure
584
00:30:47,800 --> 00:30:51,520
because I really wasn't happy
with the last creative brief.
585
00:30:51,520 --> 00:30:54,440
This is my chance to redeem myself.
586
00:30:56,800 --> 00:31:00,760
After a tough day yesterday,
Jade calls home.
587
00:31:00,760 --> 00:31:04,560
Hey. How are you?
I'm good. How are you?
588
00:31:04,560 --> 00:31:07,680
{\an8}I'm a little bit stressed
for the masterclass.
589
00:31:07,680 --> 00:31:10,440
I'm just nervous
that I'll just ramble
590
00:31:10,440 --> 00:31:12,440
and that I'll talk too fast.
591
00:31:12,440 --> 00:31:15,760
You're probably your worst critic,
so we're proud of you
592
00:31:15,760 --> 00:31:19,120
whatever happens.
So... Thank you. ..well done.
593
00:31:19,120 --> 00:31:21,920
I go to both my parents
for advice quite a lot.
594
00:31:21,920 --> 00:31:25,640
They're always super, super helpful.
It's so quiet here without you.
595
00:31:25,640 --> 00:31:27,080
Yeah, I bet it is.
596
00:31:33,160 --> 00:31:35,520
Having won the creative brief,
597
00:31:35,520 --> 00:31:39,720
Jake is getting a one-on-one session
with masterclass legend Danessa.
598
00:31:41,240 --> 00:31:42,360
I'm really excited to see
599
00:31:42,360 --> 00:31:44,720
what you're going to do
for the masterclass. I wanted to do
600
00:31:44,720 --> 00:31:47,760
a masterclass on something
that I feel like is very true to me.
601
00:31:47,760 --> 00:31:52,000
How to create a glowing illusion
with matte paints.
602
00:31:52,000 --> 00:31:54,760
I think it's bringing
the magic back into make-up.
603
00:31:54,760 --> 00:31:58,000
Do you know what I mean? I feel like
that's... I'm excited to see this.
604
00:31:58,000 --> 00:32:00,800
I'm going to do three sort of dots
with the eye shadow.
605
00:32:00,800 --> 00:32:02,640
When I look at this, in my head
606
00:32:02,640 --> 00:32:04,880
I can already see
where I want to go with it.
607
00:32:04,880 --> 00:32:07,160
I think this is a really good
opportunity to bring
608
00:32:07,160 --> 00:32:09,120
the room into this with you.
609
00:32:09,120 --> 00:32:10,680
The fastest way to disconnect from
610
00:32:10,680 --> 00:32:12,480
the audience
is to give them your back.
611
00:32:12,480 --> 00:32:15,200
OK. You can say, "Here's a pro tip."
612
00:32:15,200 --> 00:32:16,680
You know, that's an opportunity
613
00:32:16,680 --> 00:32:20,320
for you not just to teach
a technique, but to make it yours.
614
00:32:20,320 --> 00:32:23,240
Just in my head now,
I thought about making it easier.
615
00:32:23,240 --> 00:32:26,600
Like, I might, like, do one eye
with a bobby pin.
616
00:32:26,600 --> 00:32:29,000
I freaking love this so much.
617
00:32:29,000 --> 00:32:32,480
Everybody in the room has used
a bobby pin, right?
618
00:32:32,480 --> 00:32:34,400
Like... Yes. Yes.
619
00:32:34,400 --> 00:32:37,000
I feel like I got some really good
insight.
620
00:32:37,000 --> 00:32:39,600
And the fact that she believes
in what I'm doing,
621
00:32:39,600 --> 00:32:42,760
I hope that I can just do her proud.
Bring on the masterclass.
622
00:32:45,040 --> 00:32:48,440
The next day,
at Exhibition in West London,
623
00:32:48,440 --> 00:32:50,480
it's the final day of
the competition,
624
00:32:50,480 --> 00:32:54,200
and our three MUAs are about to face
an audience of industry experts
625
00:32:54,200 --> 00:32:57,960
as they present their
very own make-up masterclass,
626
00:32:57,960 --> 00:32:59,840
hosted by Sephora UK,
627
00:32:59,840 --> 00:33:02,160
one of the biggest brands
in the make-up business.
628
00:33:02,160 --> 00:33:05,000
Masterclasses are super important
because they enable us
629
00:33:05,000 --> 00:33:09,000
to educate our customers
on any new trends and tips
630
00:33:09,000 --> 00:33:10,680
and tricks
that we can share with them,
631
00:33:10,680 --> 00:33:13,280
because it's
an industry that's forever evolving.
632
00:33:13,280 --> 00:33:16,960
And that's exactly
what our MUAs will need to do today.
633
00:33:18,040 --> 00:33:21,280
This is the final.
This is where we get
634
00:33:21,280 --> 00:33:24,560
to crown Britain's next
make-up star.
635
00:33:25,600 --> 00:33:28,600
This is such an amazing opportunity
because it allows our MUAs
636
00:33:28,600 --> 00:33:30,080
to really showcase who they are
637
00:33:30,080 --> 00:33:32,600
as an artist
and what they're capable of.
638
00:33:34,480 --> 00:33:37,960
Scary. Oh, shut up! Oh, my God.
639
00:33:37,960 --> 00:33:39,640
It just really sunk in.
640
00:33:39,640 --> 00:33:42,360
Like, this is
a professional setting and...
641
00:33:42,360 --> 00:33:44,480
Oh, I'm so nervous!
642
00:33:45,840 --> 00:33:48,200
Oh, my God. It's our looks,
guys! Wait, what?
643
00:33:49,720 --> 00:33:53,080
JAKE: I've made it all the way to
the end. Like, it's very surreal
644
00:33:53,080 --> 00:33:56,120
and I'm just absolutely terrified.
645
00:33:56,120 --> 00:33:58,360
I'm so scared!
No, you're going to eat this up.
646
00:33:58,360 --> 00:33:59,560
THEY LAUGH
647
00:33:59,560 --> 00:34:02,640
This is the last chance to impress
the judges.
648
00:34:04,000 --> 00:34:05,480
There's a lot riding on today.
649
00:34:06,920 --> 00:34:10,960
This is crazy.
Final three, masterclass.
650
00:34:10,960 --> 00:34:12,920
Oh, my God. I'm shaking in my boots.
Yeah.
651
00:34:12,920 --> 00:34:15,040
I'm going to wet myself up there.
That's how I feel right now.
652
00:34:15,040 --> 00:34:16,560
THEY LAUGH
653
00:34:15,040 --> 00:34:16,560
OK.
654
00:34:20,120 --> 00:34:24,320
Hi, Guy. How are you?
Nice to see you again.
655
00:34:24,320 --> 00:34:27,560
Val and Dominic have invited
an exclusive audience.
656
00:34:27,560 --> 00:34:30,040
A who's who of the make-up industry.
657
00:34:30,040 --> 00:34:32,160
Oh, my God!
658
00:34:32,160 --> 00:34:35,120
This masterclass could
hold the key to their future career.
659
00:34:35,120 --> 00:34:37,440
Because those industry experts...
660
00:34:37,440 --> 00:34:40,480
Well, they can offer jobs.
They can offer career paths.
661
00:34:40,480 --> 00:34:43,000
This is a money-can't-buy
opportunity.
662
00:34:43,000 --> 00:34:46,480
Do you see that lady in red?
Her name is Ruby Hammer MBE,
663
00:34:46,480 --> 00:34:48,840
and she has worked with
the likes of Kate Moss,
664
00:34:48,840 --> 00:34:51,800
Naomi Campbell, Tom Hanks,
Meghan Markle and more.
665
00:34:51,800 --> 00:34:53,440
So no pressure.
666
00:34:53,440 --> 00:34:56,360
Andrew Gallimore has just walked
in and he's another huge
667
00:34:56,360 --> 00:35:00,880
MUA who's worked with Kylie Minogue,
Bjork, Jessie Ware.
668
00:35:00,880 --> 00:35:03,920
Ooo! Jake, I know
that you're really interested
669
00:35:03,920 --> 00:35:07,680
in getting into film,
and we have Nadia Stacey here,
670
00:35:07,680 --> 00:35:12,480
who is the lead hair and make-up
for Poor Things and Cruella.
671
00:35:13,800 --> 00:35:17,360
Also arriving are the MUAs' friends
and family.
672
00:35:17,360 --> 00:35:19,720
Oh! I'm going to cry!
673
00:35:19,720 --> 00:35:22,840
Doing a masterclass in front
of a live audience
674
00:35:22,840 --> 00:35:27,320
is probably the most difficult way
to show your skills as an artist.
675
00:35:27,320 --> 00:35:30,640
This can be the biggest opportunity
of their career.
676
00:35:30,640 --> 00:35:32,760
I'm really excited to see it.
677
00:35:32,760 --> 00:35:34,400
Cheers. Cheers.
678
00:35:34,400 --> 00:35:36,720
Jade, you're the first one up.
679
00:35:38,440 --> 00:35:39,920
Good luck.
680
00:35:43,240 --> 00:35:45,600
I can do this. I can do this.
I can do this. Have fun.
681
00:35:46,840 --> 00:35:48,840
The industry is full
of make-up artists,
682
00:35:48,840 --> 00:35:51,600
so it's really difficult
to stand out from the crowd.
683
00:35:51,600 --> 00:35:54,240
Oh, God. I'm actually not ready.
684
00:35:54,240 --> 00:35:57,040
You've got to be able
to present exactly who you are,
685
00:35:57,040 --> 00:35:58,480
what your style is,
686
00:35:58,480 --> 00:36:01,360
and how you can shift
the industry forward.
687
00:36:02,880 --> 00:36:04,880
This is a huge opportunity for me,
688
00:36:04,880 --> 00:36:07,600
because there's going to be people
in the audience that could open
689
00:36:07,600 --> 00:36:12,320
so many doors for myself, which kind
of adds a lot more pressure.
690
00:36:13,920 --> 00:36:18,480
And without further ado,
please welcome Jade.
691
00:36:18,480 --> 00:36:21,240
CHEERING AND APPLAUSE
692
00:36:25,440 --> 00:36:26,720
Jade!
693
00:36:28,040 --> 00:36:29,480
JADE LAUGHS
694
00:36:30,440 --> 00:36:31,760
Morning!
695
00:36:33,280 --> 00:36:34,600
Oh, look at this!
696
00:36:36,040 --> 00:36:39,440
Morning, everyone! How are we?
697
00:36:39,440 --> 00:36:41,840
Good? I'm going to need some
more energy than that.
698
00:36:41,840 --> 00:36:43,280
Morning. How are we?
699
00:36:43,280 --> 00:36:44,520
CHEERING
700
00:36:44,520 --> 00:36:45,800
Fabulous.
701
00:36:47,400 --> 00:36:52,480
Great opening. As you can tell,
I love a glam make-up.
702
00:36:52,480 --> 00:36:54,440
Especially my eyes.
703
00:36:54,440 --> 00:36:56,280
So my mum always used to say to me,
704
00:36:56,280 --> 00:36:57,840
"I love the way
that you do your make-up,
705
00:36:57,840 --> 00:37:00,720
"but I'm too old for that,"
which is so not true.
706
00:37:00,720 --> 00:37:02,680
Yes, she's a little bit old...
707
00:37:02,680 --> 00:37:03,720
GASPS
708
00:37:03,720 --> 00:37:04,920
DOMINIC: Oh!
709
00:37:04,920 --> 00:37:06,840
Never too old for a glam make-up.
710
00:37:06,840 --> 00:37:08,840
So today I'm going to show you how
711
00:37:08,840 --> 00:37:12,520
to create a beautiful
eye make-up on mature skin.
712
00:37:12,520 --> 00:37:14,280
Are we ready?
713
00:37:14,280 --> 00:37:17,440
Are we ready?! Yes!
All right, let's go.
714
00:37:17,440 --> 00:37:19,480
We're going to start off with
an eye base.
715
00:37:19,480 --> 00:37:21,000
Work that in with your finger.
716
00:37:21,000 --> 00:37:24,040
And that's really going to warm
up the product into the eyes.
717
00:37:24,040 --> 00:37:27,280
Lots of benefits to using
an eye shadow primer.
718
00:37:27,280 --> 00:37:29,640
So first is longevity.
719
00:37:29,640 --> 00:37:31,280
It's also going to give you
720
00:37:31,280 --> 00:37:34,600
the most payoff to the products
that you're using.
721
00:37:34,600 --> 00:37:36,480
It'll enhance the colours.
722
00:37:36,480 --> 00:37:38,080
That definitely needs
a little bit of blending.
723
00:37:38,080 --> 00:37:39,760
I'm just going to go
in with my fingers.
724
00:37:39,760 --> 00:37:42,160
Don't be scared to use your fingers.
725
00:37:42,160 --> 00:37:45,040
Your fingers are the cheapest tools
and you'll always have them,
726
00:37:45,040 --> 00:37:46,600
hopefully.
727
00:37:46,600 --> 00:37:49,080
LAUGHTER
728
00:37:49,080 --> 00:37:52,480
What's everyone's biggest fear
when doing eye make-up?
729
00:37:52,480 --> 00:37:56,880
Is it liner? Is it shadow, colour?
Just shout it out at me.
730
00:37:56,880 --> 00:37:58,480
Liner? All right. Perfect.
731
00:37:58,480 --> 00:38:01,320
We're going to go on and do liner
in a moment.
732
00:38:01,320 --> 00:38:02,880
We've got a question to
the audience.
733
00:38:02,880 --> 00:38:04,160
A question. That's good.
734
00:38:05,160 --> 00:38:08,200
She looks very comfortable.
Confident.
735
00:38:08,200 --> 00:38:10,440
Yeah, she's owning it.
Sometimes I feel like
736
00:38:10,440 --> 00:38:12,720
eye pencils can be a little bit
scary.
737
00:38:12,720 --> 00:38:14,400
What you want to do is really warm
738
00:38:14,400 --> 00:38:16,320
that up on the back of your hand,
739
00:38:16,320 --> 00:38:19,520
just to make sure it's nice
and creamy.
740
00:38:19,520 --> 00:38:22,640
This is a good tip.
Just take little strokes.
741
00:38:22,640 --> 00:38:24,760
If it does go
a little wibbly-wobbly,
742
00:38:24,760 --> 00:38:27,280
take your finger, rub the lash line
743
00:38:27,280 --> 00:38:29,200
and it will kind of blend it
all together.
744
00:38:29,200 --> 00:38:31,960
Or, if you've got chunky fingers
like my dad...
745
00:38:31,960 --> 00:38:33,320
LAUGHTER
746
00:38:33,320 --> 00:38:35,280
..you can get a little Q-tip.
747
00:38:35,280 --> 00:38:37,720
I'm actually just cussing my parents
at this point.
748
00:38:37,720 --> 00:38:41,240
Sorry, guys.
I actually do really like them.
749
00:38:41,240 --> 00:38:43,080
JADE LAUGHS
750
00:38:43,080 --> 00:38:44,880
I don't know
whether she should be doing
751
00:38:44,880 --> 00:38:47,040
a masterclass or a stand-up show.
Yeah.
752
00:38:47,040 --> 00:38:48,240
This is really funny.
753
00:38:48,240 --> 00:38:51,160
Next step, I'm going to go in with a
lash curler.
754
00:38:51,160 --> 00:38:53,960
Jade wants to be a celebrity MUA.
755
00:38:53,960 --> 00:38:58,440
So having a good personality,
that's really good.
756
00:38:58,440 --> 00:39:03,800
I'm just going to pulse
the lash curler for five seconds.
757
00:39:03,800 --> 00:39:07,040
It's a great tip because a lot
of people kind of crimp it down,
758
00:39:07,040 --> 00:39:10,280
and it just kind of bends it.
But a pulse gives you a nice curve.
759
00:39:10,280 --> 00:39:13,120
To finish this look off,
we're going to go in with mascara,
760
00:39:13,120 --> 00:39:14,560
wiggle the little spoolie,
761
00:39:14,560 --> 00:39:16,400
and that's going to really help
762
00:39:16,400 --> 00:39:19,800
glide the mascara through
the lashes.
763
00:39:19,800 --> 00:39:21,040
It's beautiful.
764
00:39:21,040 --> 00:39:24,320
It's not all this impactful
make-up, but it is beautiful.
765
00:39:24,320 --> 00:39:26,440
She's definitely got
the audience, though.
766
00:39:26,440 --> 00:39:30,400
So, hopefully you all know how
to do a glam eye
767
00:39:30,400 --> 00:39:32,920
that's easily achievable.
768
00:39:32,920 --> 00:39:37,320
And there definitely is no age limit
to a shimmery eye shadow.
769
00:39:37,320 --> 00:39:41,760
I am free for questions if anyone
would like to ask me anything.
770
00:39:41,760 --> 00:39:44,400
Hi Jade, I'm Ruby Hammer MBE.
771
00:39:44,400 --> 00:39:46,520
I've been a make-up artist
for 40 years.
772
00:39:46,520 --> 00:39:49,320
Where do you see yourself,
in a few years down the road?
773
00:39:49,320 --> 00:39:51,360
I'd love to be a celebrity
make-up artist,
774
00:39:51,360 --> 00:39:53,920
just because it'll give my work that
exposure,
775
00:39:53,920 --> 00:39:57,040
and have the opportunity to meet
so many amazing people,
776
00:39:57,040 --> 00:39:59,800
work at really cool events.
777
00:39:59,800 --> 00:40:02,520
Right, any more questions?
778
00:40:02,520 --> 00:40:05,440
Ah, who's this handsome gentleman?
779
00:40:06,920 --> 00:40:08,640
Hi, I'm Jade's proud dad.
780
00:40:08,640 --> 00:40:11,920
You've been surrounded with
amazing professionals,
781
00:40:11,920 --> 00:40:14,000
not least the judges, of course...
Yeah.
782
00:40:14,000 --> 00:40:16,840
..but what would you say
your biggest takeaway
783
00:40:16,840 --> 00:40:19,320
from the experience has been?
784
00:40:19,320 --> 00:40:22,000
We always say, you're
only as good as your last look.
785
00:40:22,000 --> 00:40:25,240
But I need to redeem myself after
that final challenge.
786
00:40:25,240 --> 00:40:28,000
So, you just need to keep
persevering.
787
00:40:28,000 --> 00:40:30,880
Thank you all so much
for attending my masterclass.
788
00:40:30,880 --> 00:40:35,040
I'm Jade Mistry, and hopefully I'll
see some of your beautiful faces
789
00:40:35,040 --> 00:40:36,720
again in the future.
790
00:40:38,120 --> 00:40:40,040
Bye, guys!
791
00:40:40,040 --> 00:40:42,200
CHEERING AND APPLAUSE
792
00:40:44,880 --> 00:40:46,880
She's so cute!
793
00:40:48,320 --> 00:40:49,720
Awww!
794
00:40:54,840 --> 00:40:56,760
I actually am so proud of myself.
795
00:40:56,760 --> 00:41:00,480
I got some crowd engagement,
and, yeah, people...
796
00:41:00,480 --> 00:41:03,200
..well, people seemed to love it,
unless I'm just delusional.
797
00:41:03,200 --> 00:41:05,800
So, fingers crossed!
798
00:41:05,800 --> 00:41:09,120
Jade could not have done a better
job of making the audience
799
00:41:09,120 --> 00:41:10,720
fall in love with her.
800
00:41:10,720 --> 00:41:12,960
I think that is her superpower.
801
00:41:12,960 --> 00:41:15,800
{\an8}I'd love it if Jade assisted me,
just to make me laugh.
802
00:41:15,800 --> 00:41:17,440
{\an8}She's hilarious.
803
00:41:17,440 --> 00:41:20,600
I think it's interesting to do
make-up on mature skin
804
00:41:20,600 --> 00:41:22,760
because a lot of people
are afraid of it.
805
00:41:22,760 --> 00:41:25,440
So, I think it was a good subject
to choose.
806
00:41:25,440 --> 00:41:26,480
Hey!
807
00:41:28,480 --> 00:41:31,640
Her laugh and her personality
just ooze, you know,
808
00:41:31,640 --> 00:41:34,880
and I can see her doing really well
with a lot of clients
809
00:41:34,880 --> 00:41:37,200
and really engaging with people.
810
00:41:37,200 --> 00:41:39,240
I had so much fun.
811
00:41:39,240 --> 00:41:42,720
I don't know if I was just, like,
cracking jokes too much.
812
00:41:42,720 --> 00:41:47,080
I did want to kind of try and come
off as professional. You did, girl.
813
00:41:47,080 --> 00:41:49,720
I'm worried about me matching
this energy now. Same.
814
00:41:49,720 --> 00:41:52,360
Cherise, you're up. Good luck.
815
00:41:52,360 --> 00:41:54,000
You've got this so much.
816
00:41:54,000 --> 00:41:56,600
Thank you, my sweethearts.
You've got this. You've got it.
817
00:42:05,400 --> 00:42:07,400
My heart is racing like crazy
right now.
818
00:42:10,600 --> 00:42:11,920
{\an8}I'm not a public speaker,
819
00:42:11,920 --> 00:42:14,000
so this is really sending me
right now.
820
00:42:16,560 --> 00:42:18,960
Oh, I just need to calm myself.
821
00:42:18,960 --> 00:42:23,080
I am pleased to introduce you
to Cherise.
822
00:42:23,080 --> 00:42:24,760
CHEERING AND APPLAUSE
823
00:42:28,640 --> 00:42:33,080
I hope that this really is the start
of an amazing career for me.
824
00:42:33,080 --> 00:42:36,400
I'm just hoping that I feel
super proud of myself once I'm done.
825
00:42:36,400 --> 00:42:38,640
I've got my mum and my boyfriend
in the audience,
826
00:42:38,640 --> 00:42:41,800
and I just really want to make them
proud, as well as Val and Dom.
827
00:42:41,800 --> 00:42:44,040
CHEERING AND APPLAUSE
828
00:42:44,040 --> 00:42:45,440
Oh, my God.
829
00:42:46,840 --> 00:42:48,360
Oh, I can't believe I'm here.
830
00:42:48,360 --> 00:42:50,600
Thank you so much for joining me
today.
831
00:42:50,600 --> 00:42:53,160
The focus of my masterclass,
I would love it to be symmetry.
832
00:42:56,600 --> 00:42:59,800
Is symmetry a scary thing to try
and do in front of an audience?
833
00:42:59,800 --> 00:43:01,640
I feel like symmetry can be risky.
834
00:43:01,640 --> 00:43:03,680
It's a very good thing to do
in a masterclass,
835
00:43:03,680 --> 00:43:05,600
as it's something
that a lot of people struggle with.
836
00:43:05,600 --> 00:43:07,680
Even I struggle with it, so...
837
00:43:07,680 --> 00:43:10,000
How do we all feel
about approaching symmetry?
838
00:43:10,000 --> 00:43:12,120
Do we feel it's stressful? Yes.
839
00:43:12,120 --> 00:43:14,360
Hopefully, today,
by the end of this,
840
00:43:14,360 --> 00:43:16,760
you'll feel a bit more at ease
with it.
841
00:43:16,760 --> 00:43:19,120
Symmetry. I would not be doing
symmetry
842
00:43:19,120 --> 00:43:21,080
in front of a live audience.
843
00:43:21,080 --> 00:43:23,680
That is a huge risk.
844
00:43:23,680 --> 00:43:26,200
Yeah, because if you don't get
it right,
845
00:43:26,200 --> 00:43:28,560
everyone knows you've got it wrong.
846
00:43:28,560 --> 00:43:32,520
I'm going to take my gel liner
on my flat brush.
847
00:43:32,520 --> 00:43:34,680
I'm going to now curve round,
848
00:43:34,680 --> 00:43:38,520
and we're going to connect
just to that point there.
849
00:43:38,520 --> 00:43:40,640
My dominant hand is my right hand.
850
00:43:40,640 --> 00:43:43,240
I've actually gone in on the left
side of the face first,
851
00:43:43,240 --> 00:43:45,720
I think sometimes it's easier to do
the side of your face
852
00:43:45,720 --> 00:43:47,360
that you struggle with more.
853
00:43:47,360 --> 00:43:49,520
So then once you go in and try
and replicate
854
00:43:49,520 --> 00:43:52,400
the symmetry on the other side,
it's easier.
855
00:43:52,400 --> 00:43:54,040
That's good. Great tip. Yeah.
856
00:43:55,600 --> 00:43:57,720
And we're going to connect
it in together.
857
00:43:59,000 --> 00:44:02,520
The probably most important rule
of symmetry is perspective.
858
00:44:02,520 --> 00:44:04,440
Just going to take a step back
here, OK,
859
00:44:04,440 --> 00:44:06,360
I need you to look straight at me.
860
00:44:06,360 --> 00:44:09,280
I think I did quite well in terms
of symmetry for that first time.
861
00:44:09,280 --> 00:44:10,440
Thank you!
862
00:44:10,440 --> 00:44:11,600
CHEERING AND APPLAUSE
863
00:44:11,600 --> 00:44:13,360
Woo-woo! Got the audience.
864
00:44:15,000 --> 00:44:16,640
Thank you.
865
00:44:16,640 --> 00:44:18,880
I'm actually going to take this
shape now
866
00:44:18,880 --> 00:44:20,920
onto these sort of lower tear ducts.
867
00:44:20,920 --> 00:44:23,320
Now, Cherise really wants to
go into editorial,
868
00:44:23,320 --> 00:44:26,120
and this is an editorial look.
Yeah.
869
00:44:26,120 --> 00:44:29,280
This could impress some
of the editorial make-up artists
870
00:44:29,280 --> 00:44:30,960
that we've got in the room.
871
00:44:30,960 --> 00:44:35,280
Now, it wouldn't be a Cherise look
if I didn't add a pop of colour.
872
00:44:35,280 --> 00:44:36,800
I'm going to go for blue.
873
00:44:36,800 --> 00:44:40,160
That undereye, one feels lower
than the other.
874
00:44:40,160 --> 00:44:42,120
OK, I feel like there's
definitely a bit more sort of
875
00:44:42,120 --> 00:44:43,560
pigment on this side,
876
00:44:43,560 --> 00:44:48,040
so I'm going to go in
slightly heavier on this side.
877
00:44:48,040 --> 00:44:50,800
That's not giving symmetrical,
that bit there.
878
00:44:50,800 --> 00:44:53,640
She stood back
and looked at her model,
879
00:44:53,640 --> 00:44:57,400
but she's attacking the eyeliner
on the upper lid,
880
00:44:57,400 --> 00:45:02,440
rather than looking at the liner
on the lower lid.
881
00:45:02,440 --> 00:45:04,600
A big tip for sort of getting
the inner corner line
882
00:45:04,600 --> 00:45:06,440
without making that super chunky,
883
00:45:06,440 --> 00:45:08,480
if I can get you to just look
down slightly,
884
00:45:08,480 --> 00:45:10,040
but then kind of look away that way,
885
00:45:10,040 --> 00:45:12,080
it's going to stretch the eye
in the best way possible.
886
00:45:12,080 --> 00:45:15,280
So you can really get nice
and tight in that inner corner.
887
00:45:15,280 --> 00:45:16,960
Then take a step back.
888
00:45:16,960 --> 00:45:19,440
Double check my symmetry
for the 400th time.
889
00:45:19,440 --> 00:45:21,720
I think my biggest thing
with symmetry is just
890
00:45:21,720 --> 00:45:23,680
very much about back and forth,
and patience.
891
00:45:23,680 --> 00:45:26,040
But I hope there are sort of bits,
892
00:45:26,040 --> 00:45:28,640
tips and tricks throughout
that you can apply in your everyday
893
00:45:28,640 --> 00:45:31,240
make-up routine
that aren't super overwhelming.
894
00:45:31,240 --> 00:45:33,560
Do you have any questions for me
at all?
895
00:45:33,560 --> 00:45:36,400
Hi, I'm Lottie.
I'm in the MAC PR team.
896
00:45:36,400 --> 00:45:39,520
I was just wondering
how you see trends
897
00:45:39,520 --> 00:45:41,120
and where you find your influence?
898
00:45:41,120 --> 00:45:44,400
Like fashion versus sort of newer
ways, like social or TikTok,
899
00:45:44,400 --> 00:45:46,640
and where you fit into that?
900
00:45:46,640 --> 00:45:49,080
Oh, do you know what,
901
00:45:49,080 --> 00:45:51,520
I think I love sort of big and bold
and creative,
902
00:45:51,520 --> 00:45:54,960
and I feel very confident in the
fact that my particular skill set
903
00:45:54,960 --> 00:45:57,000
translates into a lot of different
areas.
904
00:45:57,000 --> 00:45:59,840
So I'm just here to sort of embrace
and try all of it.
905
00:45:59,840 --> 00:46:02,680
Thank you.
Honestly, thank you, guys, so much.
906
00:46:02,680 --> 00:46:05,080
CHEERING AND APPLAUSE
907
00:46:12,480 --> 00:46:16,000
I think that Cherise started off
really well. Really well.
908
00:46:16,000 --> 00:46:20,960
But the main thing that she was
selling today was symmetry.
909
00:46:20,960 --> 00:46:22,440
Her symmetry, I mean...
910
00:46:23,560 --> 00:46:24,680
Slightly off.
911
00:46:26,280 --> 00:46:28,480
Oh, my God, that was mad.
912
00:46:28,480 --> 00:46:30,280
Jesus Christ!
913
00:46:30,280 --> 00:46:32,760
I'm so proud of myself
for getting that done.
914
00:46:34,000 --> 00:46:35,040
Yay!
915
00:46:36,600 --> 00:46:39,920
The self-growth journey
since being here is mad.
916
00:46:39,920 --> 00:46:43,080
I just feel like I've changed
so much as a person,
917
00:46:43,080 --> 00:46:44,640
as an artist,
918
00:46:44,640 --> 00:46:46,560
in my confidence in myself, my art.
919
00:46:46,560 --> 00:46:48,640
It just feels -
it was really amazing.
920
00:46:48,640 --> 00:46:50,760
I'm on such a high right now.
921
00:46:50,760 --> 00:46:52,280
She did really well,
922
00:46:52,280 --> 00:46:55,240
because doing a symmetry look,
923
00:46:55,240 --> 00:46:57,080
live onstage,
924
00:46:57,080 --> 00:46:59,520
that takes braveness.
925
00:46:59,520 --> 00:47:04,080
I am so proud of her
and excited for her future.
926
00:47:04,080 --> 00:47:08,760
That level of poise was insane.
927
00:47:08,760 --> 00:47:11,320
Jake, you're up next. Good luck.
928
00:47:17,080 --> 00:47:20,560
I'm looking forward to seeing
what Jake is going to do. Yeah.
929
00:47:20,560 --> 00:47:22,880
I'm feeling, like,
just a massive ball of nerves.
930
00:47:22,880 --> 00:47:26,320
I'm just, like,
numbed by fear right now.
931
00:47:26,320 --> 00:47:30,240
Public speaking is just
my worst fear, hell on Earth.
932
00:47:33,160 --> 00:47:36,560
I'm hoping that we see
something exciting.
933
00:47:36,560 --> 00:47:41,960
I hope he gives us some kind of,
like, new trick or trend.
934
00:47:41,960 --> 00:47:44,880
I'm feeling terrified.
I just want it to be over.
935
00:47:44,880 --> 00:47:46,320
I'm terrified.
936
00:47:48,280 --> 00:47:51,640
I think Jake will get
in his head before,
937
00:47:51,640 --> 00:47:55,040
but I think as soon as he gets on
the stage, he'll be absolutely fine.
938
00:47:56,120 --> 00:47:59,280
I'm pleased to introduce you
to Jake.
939
00:47:59,280 --> 00:48:01,440
CHEERING AND APPLAUSE
940
00:48:01,440 --> 00:48:03,560
I don't want to. Oh, my God.
941
00:48:06,400 --> 00:48:08,040
Woo-woo-woo-woo!
942
00:48:11,120 --> 00:48:13,160
Do I look OK? Sorry.
943
00:48:14,360 --> 00:48:17,280
Is my mic all right? I just...
I just... Can I just...? Yeah.
944
00:48:21,680 --> 00:48:23,760
I don't want to do it.
945
00:48:23,760 --> 00:48:25,280
Where is he?
946
00:48:26,560 --> 00:48:28,160
Jake, come on now.
947
00:48:28,160 --> 00:48:30,560
Where is he? Where he at?
948
00:48:30,560 --> 00:48:33,120
I'm just terrified of making myself
look like an absolute
949
00:48:33,120 --> 00:48:35,240
idiot in front of some
really cool people.
950
00:48:36,680 --> 00:48:39,120
I hope he's OK. Is he OK?
I hope so.
951
00:48:45,320 --> 00:48:47,400
CHEERING AND APPLAUSE
952
00:48:58,320 --> 00:49:00,880
Hello, everyone, thank you so much
for coming to my masterclass,
953
00:49:00,880 --> 00:49:03,520
and today I'm going
to sort of be bringing back
954
00:49:03,520 --> 00:49:06,160
the magic into make-up,
cos I feel like it is magic,
955
00:49:06,160 --> 00:49:08,000
and that we should be having fun
with it.
956
00:49:08,000 --> 00:49:11,360
So today I'm going to show you how
to achieve a glowing eyeliner look.
957
00:49:11,360 --> 00:49:13,760
We're actually going to be
inspired by natural forms today -
958
00:49:13,760 --> 00:49:16,880
things like moss, things
like lightning, anything in nature.
959
00:49:16,880 --> 00:49:19,120
I can feel he's so nervous.
960
00:49:19,120 --> 00:49:22,440
It takes so much nerve to get on the
stage in front of all these people.
961
00:49:22,440 --> 00:49:26,640
So, roughly, get a jagged
sort of line,
962
00:49:26,640 --> 00:49:29,600
cos this is just going to be
the base for our feature colour
963
00:49:29,600 --> 00:49:31,160
to pop off.
964
00:49:31,160 --> 00:49:35,040
And the colour I'm wanting
to feature today is green.
965
00:49:35,040 --> 00:49:39,440
It'd be nice if he looked towards
the audience and engaged them.
966
00:49:39,440 --> 00:49:41,480
But that comes with nerves.
967
00:49:41,480 --> 00:49:44,040
The reason why we put dark
in the centre
968
00:49:44,040 --> 00:49:47,400
is so that when I add the white gel
liner in the centre,
969
00:49:47,400 --> 00:49:50,160
it will pop more
against a darker colour.
970
00:49:50,160 --> 00:49:52,000
OK, once we have this down,
971
00:49:52,000 --> 00:49:56,120
I'm going to go in
with a gel eyeliner.
972
00:49:56,120 --> 00:49:58,920
My worry is he's not engaging
with the audience.
973
00:49:58,920 --> 00:50:00,520
He's not throwing anything out.
974
00:50:00,520 --> 00:50:04,360
He's not getting their attention
through a conversation.
975
00:50:04,360 --> 00:50:07,600
He really needs to get them
behind him.
976
00:50:07,600 --> 00:50:13,040
Pack it on, just to favour
that sort of glowing light look.
977
00:50:14,160 --> 00:50:16,520
OK, so I've shown you
how to do it with tools,
978
00:50:16,520 --> 00:50:19,120
now I'm going to show you
how to do it with a bobby pin.
979
00:50:21,600 --> 00:50:23,400
What are we doing here?
980
00:50:23,400 --> 00:50:25,480
Just using it like, as a brush.
981
00:50:25,480 --> 00:50:27,640
I'm just going to bend this...
982
00:50:30,320 --> 00:50:32,480
..and dunk that into my white liner.
983
00:50:32,480 --> 00:50:36,560
He's using a bobby pin
to apply the product.
984
00:50:36,560 --> 00:50:38,320
That is so clever.
985
00:50:38,320 --> 00:50:40,160
That's what we love about Jake.
986
00:50:40,160 --> 00:50:44,120
He's experimental, even in the tools
that he uses.
987
00:50:44,120 --> 00:50:47,600
For the creative make-up artists
in the room,
988
00:50:47,600 --> 00:50:51,640
what Jake is doing now is a genius.
989
00:50:51,640 --> 00:50:53,320
That could get Jake noticed.
990
00:50:54,880 --> 00:50:57,880
Even though I've used the correct
sort of tools on this side,
991
00:50:57,880 --> 00:50:59,680
this side is actually brighter.
992
00:50:59,680 --> 00:51:05,240
So you don't need the full kitchen
sink to achieve a fun look.
993
00:51:05,240 --> 00:51:10,160
As he's going, his confidence seems
to be increasing.
994
00:51:10,160 --> 00:51:15,320
I don't think we would have had Jake
from week one on the stage. No.
995
00:51:16,840 --> 00:51:19,120
Yeah, I love this,
996
00:51:19,120 --> 00:51:21,920
and I'd wear this
to go to a supermarket,
997
00:51:21,920 --> 00:51:24,840
party...party with the fairies
in the forest.
998
00:51:24,840 --> 00:51:27,000
So does anyone have any questions?
999
00:51:27,000 --> 00:51:28,480
Yes?
1000
00:51:28,480 --> 00:51:30,600
Hi, I'm Nadia Stacey.
1001
00:51:30,600 --> 00:51:33,400
I'm a make-up
and prosthetics designer,
1002
00:51:33,400 --> 00:51:35,680
did Cruella, Poor Things,
1003
00:51:35,680 --> 00:51:38,720
and just wanted to know where
you get your inspiration from?
1004
00:51:38,720 --> 00:51:42,680
Specifically like folklore, forests,
like, nature,
1005
00:51:42,680 --> 00:51:45,600
or anything that sort of
gets us back to that childhood
1006
00:51:45,600 --> 00:51:46,960
sort of like whimsicality.
1007
00:51:46,960 --> 00:51:49,440
We sort of lose sight of that
as we get older.
1008
00:51:49,440 --> 00:51:53,280
Hi, I'm Joanna. I'm make-up
category manager at Sephora head
office.
1009
00:51:53,280 --> 00:51:55,840
I'd love to know, what
kind of mistakes have you made
1010
00:51:55,840 --> 00:51:57,400
in your career journey so far,
1011
00:51:57,400 --> 00:51:58,920
and what have you learned from that?
1012
00:51:58,920 --> 00:52:00,960
It's mainly
just been like timekeeping,
1013
00:52:00,960 --> 00:52:02,440
and, like, getting out of my head.
1014
00:52:02,440 --> 00:52:04,640
Each week I've sort of just tried
to, like, let loose
1015
00:52:04,640 --> 00:52:06,720
more and more and more, cos
I have certain aspects
1016
00:52:06,720 --> 00:52:08,840
that hold me back, such as
perfectionism,
1017
00:52:08,840 --> 00:52:11,160
and allowing that space
for myself to grow,
1018
00:52:11,160 --> 00:52:13,320
because I'm here to learn and grow.
1019
00:52:13,320 --> 00:52:15,080
That's great, thank you. Thank you.
1020
00:52:15,080 --> 00:52:16,720
CHEERING AND APPLAUSE
1021
00:52:18,360 --> 00:52:20,600
Thank you very much, guys.
Thank you.
1022
00:52:33,240 --> 00:52:35,640
Jake was so good, yes.
1023
00:52:35,640 --> 00:52:37,240
I could feel the nerves
at the beginning. Yeah.
1024
00:52:37,240 --> 00:52:42,200
But he got into his stride, and he
really, sort of, became confident.
1025
00:52:42,200 --> 00:52:44,720
I've just done a masterclass
in front of industry, like,
1026
00:52:44,720 --> 00:52:47,840
like professionals,
so I'm proud of myself.
1027
00:52:47,840 --> 00:52:51,920
I feel like this whole experience
has helped me with confidence.
1028
00:52:51,920 --> 00:52:55,560
At the start of this competition, I
would have not been able to do that.
1029
00:52:55,560 --> 00:52:58,600
Oh, my God, you did so well.
That was so good.
1030
00:52:58,600 --> 00:53:01,880
I thought Jake's masterclass was
chef's kiss.
1031
00:53:01,880 --> 00:53:05,760
He just gave me the confidence
to just try something new.
1032
00:53:05,760 --> 00:53:07,080
When he got the bobby pin out,
1033
00:53:07,080 --> 00:53:09,160
I was like, "Yeah, this is,
this is a bit of me."
1034
00:53:09,160 --> 00:53:11,120
I just loved
his approach to make-up.
1035
00:53:11,120 --> 00:53:13,200
I would definitely love to get him
out on some films,
1036
00:53:13,200 --> 00:53:15,720
and give him some experience
on a film set.
1037
00:53:16,800 --> 00:53:19,600
I love that he took something
traditional
1038
00:53:19,600 --> 00:53:23,360
and spun it on its head, and was
able to connect with the room
1039
00:53:23,360 --> 00:53:27,280
the way I deeply connected to him
in our one-on-one session.
1040
00:53:27,280 --> 00:53:29,000
I'm really proud of him.
1041
00:53:29,000 --> 00:53:33,120
Right, MUAs, you guys have done all
that you can possibly do.
1042
00:53:33,120 --> 00:53:34,840
Now it's up to the judges.
1043
00:53:37,640 --> 00:53:42,320
The judges will now decide which MUA
has impressed the most overall.
1044
00:53:43,840 --> 00:53:46,400
Now, this was Jake's first look.
1045
00:53:46,400 --> 00:53:50,840
We could tell that he was coming in
a great storyteller.
1046
00:53:50,840 --> 00:53:52,920
What a way to make your mark.
1047
00:53:52,920 --> 00:53:56,200
I just knew that he was
an MUA to watch.
1048
00:53:56,200 --> 00:53:57,880
Wow!
1049
00:53:57,880 --> 00:54:00,520
Come on!
I mean, this was my favourite.
1050
00:54:00,520 --> 00:54:05,160
Jake was displaying incredible
natural ability
1051
00:54:05,160 --> 00:54:06,840
when it came to colour choice.
1052
00:54:06,840 --> 00:54:09,280
I just love that Jake creates
1053
00:54:09,280 --> 00:54:12,240
a full character week after week.
1054
00:54:12,240 --> 00:54:17,360
Now, this was ding-dong delicious.
1055
00:54:17,360 --> 00:54:20,520
And Jake's looks grew
with his confidence.
1056
00:54:20,520 --> 00:54:24,040
I agree.
This final look moved me to tears.
1057
00:54:25,680 --> 00:54:27,240
So, this is Cherise.
1058
00:54:27,240 --> 00:54:30,360
I mean, the shape of that paint
1059
00:54:30,360 --> 00:54:31,960
around the lip.
1060
00:54:31,960 --> 00:54:33,360
It's distorted,
1061
00:54:33,360 --> 00:54:35,520
but in such a beautiful way.
1062
00:54:35,520 --> 00:54:38,480
That's when I saw a true artist.
1063
00:54:38,480 --> 00:54:41,960
I mean, this blew my mind.
1064
00:54:41,960 --> 00:54:44,360
The actual application
1065
00:54:44,360 --> 00:54:48,200
of the linework was insane.
1066
00:54:48,200 --> 00:54:51,480
She has skills for symmetry
1067
00:54:51,480 --> 00:54:52,800
like I've never seen.
1068
00:54:52,800 --> 00:54:54,520
Oh! Ohhh!
1069
00:54:54,520 --> 00:54:56,120
I haven't seen a look like this
1070
00:54:56,120 --> 00:54:58,000
in the competition before.
1071
00:54:58,000 --> 00:55:00,840
All of this with just paint!
1072
00:55:00,840 --> 00:55:05,080
This is a gobsmackingly outstanding
1073
00:55:05,080 --> 00:55:06,680
piece of art.
1074
00:55:07,800 --> 00:55:08,960
So, Jade.
1075
00:55:08,960 --> 00:55:10,280
Wow!
1076
00:55:10,280 --> 00:55:12,280
The blending, the use of colour,
1077
00:55:12,280 --> 00:55:14,320
the balance and symmetry.
1078
00:55:14,320 --> 00:55:15,920
Jade came into this competition
1079
00:55:15,920 --> 00:55:17,280
to get herself noticed,
1080
00:55:17,280 --> 00:55:19,240
and, boy, did she?!
1081
00:55:19,240 --> 00:55:21,320
Ohhh! Ohhh!
1082
00:55:21,320 --> 00:55:23,480
This was my favourite look
from Jade.
1083
00:55:23,480 --> 00:55:25,240
I knew she was a beauty queen,
1084
00:55:25,240 --> 00:55:29,800
but to see her create
this big character,
1085
00:55:29,800 --> 00:55:32,920
it was just so gorgeous to see.
1086
00:55:32,920 --> 00:55:35,280
Awww! Ahhh!
1087
00:55:35,280 --> 00:55:38,720
The blending and details
of the distorted brow,
1088
00:55:38,720 --> 00:55:40,560
and the gloss on the lips,
1089
00:55:40,560 --> 00:55:42,120
I mean, it was so clever.
1090
00:55:43,440 --> 00:55:45,560
This is such a tough decision,
1091
00:55:45,560 --> 00:55:47,600
but I think we've got our winner.
1092
00:55:47,600 --> 00:55:49,600
Let's go tell them. Yeah.
1093
00:55:53,800 --> 00:55:58,480
Please put your hands together
for our three finalists,
1094
00:55:58,480 --> 00:56:01,960
Jade, Jake, and Cherise.
1095
00:56:17,880 --> 00:56:19,040
Oh...
1096
00:56:19,040 --> 00:56:22,200
The work that you three have
delivered over the past eight weeks
1097
00:56:22,200 --> 00:56:24,200
has been nothing short of amazing.
1098
00:56:24,200 --> 00:56:28,920
And we are both so proud to have
been part of this journey with you.
1099
00:56:28,920 --> 00:56:31,200
And we are so excited
to see what you do next.
1100
00:56:32,400 --> 00:56:35,120
You are all brilliant...
1101
00:56:39,280 --> 00:56:44,080
..but the winner of Glow Up is...
1102
00:56:53,240 --> 00:56:54,440
..Jake.
1103
00:57:10,280 --> 00:57:11,960
I just want to say that, like...
1104
00:57:11,960 --> 00:57:13,000
Oh, give me a minute.
1105
00:57:13,000 --> 00:57:14,320
Wooo! Brrrrrp!
1106
00:57:14,320 --> 00:57:16,840
No, like... Thank you.
1107
00:57:16,840 --> 00:57:20,080
No, I just want to say that, like,
during my two-year break from,
1108
00:57:20,080 --> 00:57:22,400
like, make-up, I genuinely
lost hope, and I never thought
1109
00:57:22,400 --> 00:57:23,560
I would do make-up again.
1110
00:57:23,560 --> 00:57:25,640
So, I hope this is inspiration
to anyone that's going through
1111
00:57:25,640 --> 00:57:28,640
something similar to, like, I don't
know, a caring responsibility,
1112
00:57:28,640 --> 00:57:31,160
just anything like that.
That, like, it's never the end.
1113
00:57:31,160 --> 00:57:33,600
If you believe in yourself,
you can do amazing things.
1114
00:57:33,600 --> 00:57:35,600
Trust yourself,
and there's no limitation -
1115
00:57:35,600 --> 00:57:37,560
especially being, like,
neurodivergent,
1116
00:57:37,560 --> 00:57:38,760
it doesn't stop anything.
1117
00:57:38,760 --> 00:57:40,560
So, thank you.
1118
00:57:40,560 --> 00:57:42,120
Thank you.
1119
00:57:43,160 --> 00:57:47,640
Jake walked into this competition
with such little self-belief...
1120
00:57:48,600 --> 00:57:51,920
..but he had talent.
And then, in those final few weeks,
1121
00:57:51,920 --> 00:57:56,000
he blossomed
into the most incredible artist.
1122
00:57:56,000 --> 00:57:59,960
He had to learn things
along the way, but he got there.
1123
00:57:59,960 --> 00:58:05,880
And the more that his confidence
grew, the better his art became.
1124
00:58:05,880 --> 00:58:08,240
It was extraordinary to watch.
1125
00:58:08,240 --> 00:58:10,240
Hello! Well done, everybody!
1126
00:58:10,240 --> 00:58:12,080
Well done, you!
1127
00:58:12,080 --> 00:58:13,560
Awwww!
1128
00:58:15,280 --> 00:58:17,880
This win, for me,
is just, like, validation
1129
00:58:17,880 --> 00:58:19,560
that I can go out there and create.
1130
00:58:19,560 --> 00:58:21,040
I finally believe in myself.
1131
00:58:21,040 --> 00:58:23,120
I've still got so much to learn.
1132
00:58:23,120 --> 00:58:26,680
Now I have the confidence to go out
and do that, and I can't wait.
1133
00:58:26,680 --> 00:58:29,240
Stand in the middle and take a bow.
1134
00:58:29,240 --> 00:58:32,000
There you go! There you go!
1135
00:58:32,000 --> 00:58:35,480
Wooooo!
1136
00:58:35,480 --> 00:58:36,800
Woo!
1137
00:58:37,305 --> 00:59:37,781
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