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Watch Online Movies and Series for FREE
www.osdb.link/lm

2
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[PAPER RUSTLING]

3
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[FOOTSTEPS]

4
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[AGATHE HUMMING <i>CRY TO ME</i>]

5
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[<i>CRY TO ME</i> BY MARIE MODIANO
& PETER VON POEHL PLAYING]

6
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[SINGING ALONG]
<i>When your baby</i>

7
00:01:04,170 --> 00:01:08,250
{\an8}<i>Leaves you all alone</i>

8
00:01:09,050 --> 00:01:13,090
<i>And nobody</i>

9
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<i>Calls you on the phone</i>

10
00:01:17,331 --> 00:01:21,090
{\an8}<i>Don't you feel like crying?</i>

11
00:01:21,690 --> 00:01:25,411
<i>Don't you feel like crying?</i>

12
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{\an8}<i>But here I am, honey</i>

13
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{\an8}<i>C'mon, and cry to me</i>

14
00:01:35,130 --> 00:01:38,370
<i>When you're all alone</i>

15
00:01:39,490 --> 00:01:42,691
{\an8}<i>In your lonely room</i>

16
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{\an8}<i>And there's nothing</i>

17
00:01:48,250 --> 00:01:52,291
{\an8}<i>But the smell of her perfume</i>

18
00:01:52,370 --> 00:01:56,170
{\an8}<i>Don't you feel like crying?</i>

19
00:01:56,691 --> 00:02:00,890
{\an8}<i>Don't you feel like crying?</i>

20
00:02:00,970 --> 00:02:04,170
{\an8}<i>Don't you feel like crying?</i>

21
00:02:04,250 --> 00:02:06,210
<i>-Come on and cry to me</i>
-[MUSIC FADES]

22
00:02:06,291 --> 00:02:09,210
JANE AUSTEN WRECKED MY LIFE

23
00:02:10,131 --> 00:02:13,930
[AGATHE HUMMING]

24
00:02:15,770 --> 00:02:19,090
<i>"I've been reading
Tolstoy for over a month now</i>

25
00:02:19,171 --> 00:02:20,330
<i>to impress you."</i>

26
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[LAUGHS SOFTLY]
<i>"I always read the same page</i>

27
00:02:23,011 --> 00:02:24,970
<i>because I spend my time
admiring you.</i>

28
00:02:25,050 --> 00:02:26,851
<i>"I hope
you'll notice me one day."</i>

29
00:02:33,370 --> 00:02:35,010
<i>"You were wearing
the burgundy dress</i>

30
00:02:35,091 --> 00:02:37,650
<i>and reading Vivian Gornick's</i>
Fierce Attachments

31
00:02:37,730 --> 00:02:39,090
<i>on the first floor."</i>

32
00:02:39,170 --> 00:02:42,170
<i>"My only regret is that I didn't
dare to speak to you."</i>

33
00:02:47,691 --> 00:02:51,890
<i>"Your white skin, your mouth,
your shoes have captivated me."</i>

34
00:02:52,410 --> 00:02:54,411
<i>"I'm tall, dark and voracious."</i>

35
00:02:55,130 --> 00:02:56,090
<i>"And you?"</i>

36
00:03:06,891 --> 00:03:08,050
[SETS BOOKS DOWN]

37
00:03:25,730 --> 00:03:26,890
[LATCH CLICKING]

38
00:03:29,850 --> 00:03:31,290
[FLOORBOARDS CREAKING]

39
00:03:42,930 --> 00:03:44,250
[AGATHE GRUNTS]

40
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[IN FRENCH]
Who's this bug?

41
00:03:52,530 --> 00:03:53,890
What are you doing here?

42
00:03:55,171 --> 00:03:57,931
Are your PJs in the wash?

43
00:03:58,970 --> 00:03:59,930
Yes.

44
00:04:02,291 --> 00:04:04,091
What a comfortable pillow!

45
00:04:05,410 --> 00:04:07,010
Nice and fluffy.

46
00:04:07,531 --> 00:04:08,891
Where's your mum?

47
00:04:09,770 --> 00:04:12,010
She's asleep.
There's a guy in her bed.

48
00:04:12,090 --> 00:04:14,410
How do you know
there isn't one in mine?

49
00:04:14,890 --> 00:04:16,330
I've never seen one...

50
00:04:16,610 --> 00:04:18,050
-[AGATHE EXCLAIMS]
-[GIGGLING]

51
00:04:18,130 --> 00:04:21,091
Maybe he's hiding under my bed!

52
00:04:21,771 --> 00:04:23,250
[SLURPING]

53
00:04:24,850 --> 00:04:26,130
-MONA: Hey.
-TOM: Hey.

54
00:04:28,170 --> 00:04:30,650
Tom, my son,
and Agathe, my sister.

55
00:04:31,610 --> 00:04:32,891
And this is...

56
00:04:33,649 --> 00:04:35,129
-Raphael.
-Gabriel.

57
00:04:36,370 --> 00:04:37,330
Hi.

58
00:04:38,050 --> 00:04:39,450
Bye, pumpkin.

59
00:04:39,530 --> 00:04:41,730
I'm late,
I'm opening the pool at 8:00.

60
00:04:42,211 --> 00:04:43,810
I'd love a green tea.

61
00:04:45,210 --> 00:04:46,530
I'm coffee intolerant.

62
00:04:47,291 --> 00:04:48,290
Sorry.

63
00:04:50,090 --> 00:04:52,290
Bye, zebra.
I'll pick you up at teatime.

64
00:04:52,371 --> 00:04:53,331
See you later!

65
00:04:53,410 --> 00:04:54,851
-Bye, er, Raphael.
-[DOOR OPENS]

66
00:04:54,930 --> 00:04:55,730
Gabriel.

67
00:04:56,690 --> 00:04:57,571
[DOOR CLOSES]

68
00:04:59,050 --> 00:05:00,331
Right...

69
00:05:01,171 --> 00:05:02,290
A bit of a memory issue.

70
00:05:02,371 --> 00:05:03,410
[CHUCKLING]

71
00:05:09,811 --> 00:05:11,731
[PEOPLE CONVERSING NEARBY]

72
00:05:17,690 --> 00:05:19,931
AGATHE: You're so bloody slow!

73
00:05:21,971 --> 00:05:23,850
FÉLIX: [WHISPERS] God,
you're so slow!

74
00:05:25,291 --> 00:05:26,570
AGATHE: [GASPS] Are you okay?

75
00:05:27,170 --> 00:05:28,490
Shit, sorry.

76
00:05:28,571 --> 00:05:29,531
FÉLIX: She's barking.

77
00:05:29,610 --> 00:05:30,970
[AGATHE LAUGHING, SNORTING]

78
00:05:33,251 --> 00:05:34,211
My little secret

79
00:05:34,290 --> 00:05:36,770
-is the stewed onions.
-[PHONE VIBRATING]

80
00:05:36,850 --> 00:05:39,090
Look, it's her again.

81
00:05:39,930 --> 00:05:41,570
I can't stand her anymore.

82
00:05:42,890 --> 00:05:45,210
Ever heard of the concept
of "breadcrumber"?

83
00:05:45,291 --> 00:05:46,691
-[IN ENGLISH] "Breadcrumber"?
-"Breadcrumber?"

84
00:05:46,770 --> 00:05:48,130
[IN FRENCH] No, never.

85
00:05:48,211 --> 00:05:49,650
It was tailor-made for you.

86
00:05:49,731 --> 00:05:51,651
-What is it?
-[PHONE VIBRATING]

87
00:05:51,731 --> 00:05:53,651
You give girls attention,

88
00:05:53,730 --> 00:05:56,411
the hope of something special,
but never commit.

89
00:05:56,531 --> 00:05:57,371
FÉLIX: Mm-hmm.

90
00:05:57,450 --> 00:05:59,051
You leave everything to stew!

91
00:05:59,130 --> 00:06:00,651
Girls, onions...

92
00:06:01,290 --> 00:06:03,171
[DISTANT BELL TOLLING]

93
00:06:03,251 --> 00:06:04,211
See?

94
00:06:05,010 --> 00:06:06,691
-You keep them hanging on...
-[MESSAGE WHOOSHES]

95
00:06:06,770 --> 00:06:08,730
-Hey!
-...just in case.

96
00:06:08,810 --> 00:06:11,450
Give me a break!
What would you know anyway?

97
00:06:11,531 --> 00:06:14,170
Your only relationship
is with your sandwich.

98
00:06:15,450 --> 00:06:17,890
You're so vulgar, madam.

99
00:06:17,971 --> 00:06:20,291
With that drop of sauce,
you're disgusting too!

100
00:06:22,130 --> 00:06:23,210
[LAUGHING]

101
00:06:23,291 --> 00:06:24,251
No, stop!

102
00:06:24,371 --> 00:06:26,130
-[BOTH GROANING]
-Shit!

103
00:06:26,211 --> 00:06:27,210
All right?

104
00:06:27,291 --> 00:06:28,570
[LAUGHING]

105
00:06:31,330 --> 00:06:32,290
Hang on.

106
00:06:32,850 --> 00:06:33,810
[GRUNTING]

107
00:06:35,570 --> 00:06:37,171
[LAUGHING]

108
00:06:42,050 --> 00:06:43,211
When did you last shag?

109
00:06:43,290 --> 00:06:45,450
Speak properly.
I can't understand you.

110
00:06:45,531 --> 00:06:47,090
Come on, tell me the truth.

111
00:06:47,611 --> 00:06:48,571
Shut it!

112
00:06:52,771 --> 00:06:53,970
What are you waiting for?

113
00:06:55,050 --> 00:06:56,010
Mark Darcy?

114
00:06:57,171 --> 00:06:58,531
Afraid he'll never show up?

115
00:06:59,050 --> 00:07:01,210
-I'm not afraid.
-Sure you are.

116
00:07:02,811 --> 00:07:05,730
You're scared of suffering,
love affairs, one-night stands.

117
00:07:05,811 --> 00:07:07,690
You're scared of apps.

118
00:07:08,890 --> 00:07:11,411
You're scared.
You don't live, you hide.

119
00:07:11,490 --> 00:07:13,131
I don't, it's just that...

120
00:07:13,211 --> 00:07:15,131
I'm not into Uber sex.

121
00:07:15,650 --> 00:07:18,571
I don't do digital. I don't want
to have to "like" guys

122
00:07:18,650 --> 00:07:22,011
or hear them tiptoe off
so as not to wake me up.

123
00:07:25,331 --> 00:07:27,010
I'm not living
in the right century.

124
00:07:27,091 --> 00:07:28,011
FÉLIX: Mm-hmm.

125
00:07:28,090 --> 00:07:30,570
[HORNS HONKING,
SIREN WAILING IN DISTANCE]

126
00:07:33,570 --> 00:07:35,611
[KEYPAD BEEPING]

127
00:07:43,890 --> 00:07:46,411
[PEN CONTINUES SCRATCHING
RAPIDLY ON PAPER]

128
00:07:57,131 --> 00:07:58,331
-Agathe?
-Yes.

129
00:07:58,810 --> 00:08:00,090
Let go.

130
00:08:02,810 --> 00:08:05,091
I'm not sure
I can write to a dead person.

131
00:08:05,171 --> 00:08:07,571
Nobody's forcing you to be here.

132
00:08:08,771 --> 00:08:11,570
You churn out cheap romances.

133
00:08:11,651 --> 00:08:13,691
It wouldn't hurt
to explore something else.

134
00:08:14,571 --> 00:08:17,210
You need to be in tune
with the times, Agathe.

135
00:08:20,611 --> 00:08:22,531
[LOW CHATTER]

136
00:08:27,650 --> 00:08:28,931
[SIGHS]

137
00:08:32,450 --> 00:08:34,851
[LIVELY CHATTER, LAUGHTER]

138
00:08:45,170 --> 00:08:46,731
Excuse me.

139
00:08:48,371 --> 00:08:49,170
WAITRESS: <i>Oui?</i>

140
00:08:49,251 --> 00:08:51,531
Could I have
the ladies' version?

141
00:08:51,611 --> 00:08:53,931
-I'll fetch one right away.
-Thank you.

142
00:09:07,771 --> 00:09:10,131
[FOOTSTEPS APPROACHING]

143
00:09:12,651 --> 00:09:14,970
-It's on the house.
-Thank you.

144
00:09:19,811 --> 00:09:21,331
-Voilà.
-Thank you.

145
00:09:32,370 --> 00:09:34,290
[SOMBER INSTRUMENTAL
MUSIC PLAYING]

146
00:10:55,251 --> 00:10:57,371
MONA: Wear your green socks.
Change socks.

147
00:10:59,091 --> 00:11:00,811
TOM: Félix is snoring
on our couch!

148
00:11:00,891 --> 00:11:02,571
MONA: Again?

149
00:11:02,651 --> 00:11:05,251
Wake him up.
Tell him to make you toast.

150
00:11:05,331 --> 00:11:07,410
TOM: His feet stink!

151
00:11:07,491 --> 00:11:09,051
MONA: I know, but he's sweet.

152
00:11:22,531 --> 00:11:23,491
[QUIETLY] Hey.

153
00:11:24,331 --> 00:11:25,491
[BLOWING]

154
00:11:28,171 --> 00:11:29,131
Oh.

155
00:11:30,011 --> 00:11:31,931
-[GRUNTS] Aïe.
-[CHUCKLING]

156
00:11:32,771 --> 00:11:34,251
Sorry, sorry.

157
00:11:35,291 --> 00:11:36,971
Why are you still here?

158
00:11:37,050 --> 00:11:40,131
Hey, Bukowski,
could you go take a shower?

159
00:11:40,251 --> 00:11:42,091
-[SNIFFING]
-Huh?

160
00:11:42,171 --> 00:11:44,450
-Don't push it, you!
-[CHUCKLING]

161
00:11:45,011 --> 00:11:46,251
Whoa.

162
00:11:49,091 --> 00:11:50,890
You read it?
It isn't even finished!

163
00:11:50,971 --> 00:11:53,931
-Félix, that's not on.
-Calm down.

164
00:11:54,011 --> 00:11:55,331
It's good.

165
00:11:55,411 --> 00:11:56,531
Very good, even.

166
00:11:57,091 --> 00:12:00,691
Seriously. It's a little weird
like you, but...

167
00:12:01,611 --> 00:12:02,690
it's touching.

168
00:12:03,930 --> 00:12:04,890
It's not bad at all.

169
00:12:06,211 --> 00:12:07,210
What happens next?

170
00:12:08,170 --> 00:12:09,451
I don't know, as usual.

171
00:12:09,531 --> 00:12:13,771
It's the umpteenth story
I've started and can't finish.

172
00:12:13,851 --> 00:12:16,051
You must. I want to know
what happens next.

173
00:12:16,971 --> 00:12:17,931
Okay?

174
00:12:18,971 --> 00:12:20,411
Writing in English suits you.

175
00:12:22,811 --> 00:12:23,771
It's really good.

176
00:12:24,611 --> 00:12:26,411
[DISTANT SIREN WAILING]

177
00:12:26,491 --> 00:12:28,051
[LOW CROWD CHATTER]

178
00:12:36,771 --> 00:12:39,651
[PEOPLE CONVERSING NEARBY]

179
00:12:39,731 --> 00:12:40,811
AGATHE: [IN ENGLISH]
There you go.

180
00:12:40,891 --> 00:12:43,171
That's <i>Sense and Sensibility.</i>

181
00:12:43,251 --> 00:12:44,891
-Okay, thank you.
-My favorite.

182
00:12:44,971 --> 00:12:47,810
Um, I think it's a good way
to start with Jane Austen.

183
00:12:47,891 --> 00:12:49,171
-Thank you.
-You're welcome.

184
00:12:49,251 --> 00:12:51,371
Don't hesitate if you've got
any more questions.

185
00:12:51,451 --> 00:12:52,411
All right.

186
00:12:52,491 --> 00:12:54,571
[IN FRENCH] Do you have a Jane
Austen for every circumstance?

187
00:12:54,651 --> 00:12:55,851
Mm, yes.

188
00:12:55,931 --> 00:12:57,451
-"Mm, <i>oui."</i> Hmm.
-Hmm.

189
00:12:57,531 --> 00:12:58,771
What would you recommend to me?

190
00:12:59,691 --> 00:13:00,771
<i>Mansfield Park.</i>

191
00:13:02,411 --> 00:13:04,491
-Henry Crawford is you.
-Why?

192
00:13:04,571 --> 00:13:07,531
He's a liar and a seducer.
[LAUGHING]

193
00:13:07,611 --> 00:13:11,130
A Casanova caught out at his
own game when he falls in love.

194
00:13:11,691 --> 00:13:12,651
Okay.

195
00:13:12,731 --> 00:13:13,731
And who would you be?

196
00:13:14,291 --> 00:13:15,930
Anne Elliot in <i>Persuasion.</i>

197
00:13:16,011 --> 00:13:17,931
Anne Elliot.
Anne Elliot. Anne Elliot.

198
00:13:18,011 --> 00:13:18,971
Why?

199
00:13:19,731 --> 00:13:22,451
Because she's an old maid

200
00:13:22,531 --> 00:13:25,171
who has wilted like a flower
in need of water.

201
00:13:30,611 --> 00:13:33,291
She has let life pass her by.

202
00:13:36,571 --> 00:13:39,930
[PLAYING <i>FANTASIE
EN FA MINEUR, D.940</i>]

203
00:13:52,651 --> 00:13:53,931
[FÉLIX CLEARS THROAT]

204
00:13:55,451 --> 00:13:57,571
[JOINS IN PLAYING]

205
00:14:06,611 --> 00:14:08,611
For an old dried-up flower,
you smell good.

206
00:14:08,691 --> 00:14:10,611
[BOTH CHUCKLING]

207
00:14:24,491 --> 00:14:26,411
[MUSIC CONTINUES PLAYING]

208
00:14:49,491 --> 00:14:51,411
[MUSIC FADES]

209
00:15:03,931 --> 00:15:06,411
[PAPER RUSTLING]

210
00:15:15,251 --> 00:15:16,211
What's that?

211
00:15:18,731 --> 00:15:20,571
An invite from
the Jane Austen Residency

212
00:15:20,651 --> 00:15:23,531
to spend two weeks
at their writers' retreat.

213
00:15:26,571 --> 00:15:28,611
They liked my first chapters?

214
00:15:33,491 --> 00:15:35,171
Fuck, don't tell me it was you!

215
00:15:35,251 --> 00:15:37,531
You needed a kick up the ass.

216
00:15:37,612 --> 00:15:38,811
Thanks.

217
00:15:41,171 --> 00:15:42,131
But I can't.

218
00:15:42,651 --> 00:15:44,291
-Why?
-You know why.

219
00:15:44,371 --> 00:15:46,971
-Don't bail.
-How do I get there? By bike?

220
00:15:47,051 --> 00:15:48,011
Great idea!

221
00:15:48,091 --> 00:15:50,051
Let's call Mona and celebrate.

222
00:15:50,731 --> 00:15:53,252
No, forget it.
You won't change my mind.

223
00:15:53,331 --> 00:15:57,051
You're so annoying.
I could bite you.

224
00:15:57,131 --> 00:15:59,771
-[AGATHE CRIES OUT]
-[FÉLIX GRUNTS PLAYFULLY]

225
00:16:02,051 --> 00:16:02,931
[SIGHS]

226
00:16:03,011 --> 00:16:03,812
FÉLIX: [IN ENGLISH]
Can I help you?

227
00:16:03,891 --> 00:16:04,691
WOMAN: Yes, please.

228
00:16:04,811 --> 00:16:06,971
Would you have a first edition
of Lawrence Durrell?

229
00:16:07,051 --> 00:16:09,011
[FÉLIX SNORING]

230
00:16:14,251 --> 00:16:16,012
[FÉLIX GROANING]

231
00:16:16,691 --> 00:16:18,051
[GRUNTING]

232
00:16:23,131 --> 00:16:24,371
[CHUCKLES SOFTLY]

233
00:16:26,091 --> 00:16:28,371
-You okay, pumpkin?
-Yes.

234
00:16:28,451 --> 00:16:29,931
-Did you sleep well?
-Yes.

235
00:16:30,412 --> 00:16:32,211
[PLAYING SIMPLE CHORDS ON PIANO]

236
00:16:32,291 --> 00:16:34,131
[TOM CHATTERING IN OTHER ROOM]

237
00:16:36,531 --> 00:16:37,971
When does the retreat start?

238
00:16:39,731 --> 00:16:41,891
Tom, do you want to go to
the zoo?

239
00:16:41,971 --> 00:16:43,131
TOM: Yes! I'll get dressed.

240
00:16:43,211 --> 00:16:44,891
[RUNNING FOOTSTEPS]

241
00:16:44,971 --> 00:16:47,251
-Can I say something?
-Nope.

242
00:16:47,331 --> 00:16:49,212
I'm going to, anyway.

243
00:16:50,211 --> 00:16:51,330
It starts in three days.

244
00:16:52,331 --> 00:16:54,451
I can cover for you
at the bookshop.

245
00:16:54,530 --> 00:16:55,491
So we're good.

246
00:16:56,530 --> 00:16:57,490
Hmm?

247
00:16:58,451 --> 00:17:00,651
Plan to spend your life
cycling around Paris,

248
00:17:01,170 --> 00:17:03,251
moaning about writer's block?

249
00:17:03,332 --> 00:17:04,251
[MIMICS WHINING]

250
00:17:04,331 --> 00:17:07,491
Leave me alone, you two!
I can't go, okay?

251
00:17:08,011 --> 00:17:10,011
I can't get back in a car.

252
00:17:10,931 --> 00:17:11,891
Is that clear enough?

253
00:17:13,612 --> 00:17:14,572
[DOOR CLOSES]

254
00:17:17,491 --> 00:17:18,371
Aïe.

255
00:17:18,451 --> 00:17:19,851
What the hell are you doing?

256
00:17:21,531 --> 00:17:23,251
Duh, eating. I'm hungry.

257
00:17:24,971 --> 00:17:25,931
Oh really?

258
00:17:27,211 --> 00:17:29,611
Cold pasta at 2:00 am...

259
00:17:32,251 --> 00:17:33,491
Can't you be like Duras?

260
00:17:33,971 --> 00:17:38,251
Drink whisky, take pills,
something a bit more flamboyant?

261
00:17:40,171 --> 00:17:41,531
Nice. Thanks.

262
00:17:42,651 --> 00:17:43,611
Hey...

263
00:17:44,131 --> 00:17:45,731
what the fuck is wrong with you?

264
00:17:48,091 --> 00:17:50,891
I know you're disappointed but
this trip is too much for me.

265
00:17:54,371 --> 00:17:56,812
[CRIES OUT]
You stupid cow!

266
00:17:56,931 --> 00:17:58,771
[LAUGHING]

267
00:17:58,851 --> 00:18:00,731
I'm sick of your bullshit.

268
00:18:00,812 --> 00:18:02,811
You've put your life on hold
since the accident.

269
00:18:03,651 --> 00:18:05,491
You refuse to go back
to the Bergeronette.

270
00:18:06,211 --> 00:18:08,212
I've had to spend
every summer there

271
00:18:08,291 --> 00:18:10,132
alone with Tom
since he was born.

272
00:18:11,851 --> 00:18:12,811
[LAUGHS SOFTLY]

273
00:18:14,971 --> 00:18:15,931
Sorry.

274
00:18:18,691 --> 00:18:19,651
Are you okay?

275
00:18:20,972 --> 00:18:22,531
No. I'm having a panic attack.

276
00:18:22,612 --> 00:18:24,532
Breathe, breathe, breathe.

277
00:18:25,251 --> 00:18:27,371
-I can't.
-Come on, breathe.

278
00:18:27,451 --> 00:18:29,131
[BREATHING DEEPLY]

279
00:18:29,211 --> 00:18:30,891
[AGATHE BREATHING DEEPLY]

280
00:18:30,972 --> 00:18:34,132
-Give me a cigarette.
-No! You struggled to quit.

281
00:18:34,211 --> 00:18:36,811
-Give me a fucking cig!
-Hang on, calm down.

282
00:18:36,931 --> 00:18:38,331
[AGATHE BREATHING DEEPLY]

283
00:18:39,851 --> 00:18:40,811
Here you go.

284
00:18:46,131 --> 00:18:47,292
Give me one.

285
00:18:47,371 --> 00:18:49,731
What are you doing?
Cut that out!

286
00:18:49,811 --> 00:18:51,851
[VEHICLES PASSING NEARBY]

287
00:19:00,811 --> 00:19:03,731
Agathe, you're such a pain.

288
00:19:06,372 --> 00:19:08,692
[LOW CHATTERING, LAUGHING]

289
00:19:14,251 --> 00:19:16,252
Excuse me,
a dangerous individual

290
00:19:16,331 --> 00:19:17,811
is hiding in your group.

291
00:19:19,372 --> 00:19:20,612
Give me a break!

292
00:19:21,572 --> 00:19:22,931
Félix, do you honestly think

293
00:19:23,011 --> 00:19:24,892
I'm a match
for published authors?

294
00:19:24,971 --> 00:19:28,411
FÉLIX: Of course! You've just
got impostor syndrome.

295
00:19:28,491 --> 00:19:30,931
No, I don't,
I'm a genuine impostor.

296
00:19:38,531 --> 00:19:39,731
[RADIO CLICKS ON]

297
00:19:39,812 --> 00:19:41,531
[<i>JE T'AIME À L'ITALIENNE</i>
BY FRÉDÉRIC FRANÇOIS PLAYING]

298
00:19:41,612 --> 00:19:44,251
<i>In my heart
I have a funny Sicilian song</i>

299
00:19:44,332 --> 00:19:46,371
<i>That you know by heart</i>

300
00:19:46,451 --> 00:19:49,051
-[SINGING ALONG]
<i>-Because my life resembles yours</i>

301
00:19:49,132 --> 00:19:53,731
<i>I love you more
Than the volcanoes of Italy</i>

302
00:19:53,812 --> 00:19:56,171
<i>When the sound of glasses
Of Chianti still rings out</i>

303
00:19:56,251 --> 00:19:57,331
Remember this?

304
00:19:58,892 --> 00:20:00,971
<i>Whoa, oh, oh, oh</i>

305
00:20:01,051 --> 00:20:03,692
<i>I love you the Italian way</i>

306
00:20:03,771 --> 00:20:05,771
<i>Whoa, oh, oh, oh</i>

307
00:20:05,851 --> 00:20:08,411
<i>I love you the Italian Way</i>

308
00:20:09,691 --> 00:20:11,851
<i>My heart pounds</i>

309
00:20:11,932 --> 00:20:13,251
<i>I speak with my hands</i>

310
00:20:13,331 --> 00:20:14,252
[LAUGHING]

311
00:20:14,331 --> 00:20:16,651
<i>And I see red</i>

312
00:20:16,732 --> 00:20:19,411
[SINGING ALONG]
<i>When you talk to anyone</i>

313
00:20:19,491 --> 00:20:24,091
<i>When the south wind
Plays la musica</i>

314
00:20:24,171 --> 00:20:27,771
<i>I sing along with it
Just for you</i>

315
00:20:27,852 --> 00:20:29,931
<i>Whoa, oh, oh, oh</i>

316
00:20:30,012 --> 00:20:32,691
<i>I love you the Italian way</i>

317
00:20:32,772 --> 00:20:34,812
<i>Whoa, oh, oh, oh</i>

318
00:20:34,891 --> 00:20:38,331
<i>I love you the Italian Way</i>

319
00:20:38,532 --> 00:20:40,491
[CONTINUES SINGING IN FRENCH]

320
00:20:48,211 --> 00:20:52,051
-[CAR DOOR CLOSES, OPENS]
-[SEAGULLS SCREECHING]

321
00:20:52,131 --> 00:20:53,411
[DOOR CLOSES]

322
00:21:07,011 --> 00:21:07,892
AGATHE: It feels good
to see the sea.

323
00:21:07,971 --> 00:21:08,852
FÉLIX: <i>Oui.</i>

324
00:21:09,331 --> 00:21:10,291
You were right.

325
00:21:13,492 --> 00:21:14,931
I miss the Bergeronette.

326
00:21:16,851 --> 00:21:17,811
I know.

327
00:21:20,811 --> 00:21:23,532
[BREATHES DEEPLY]

328
00:21:23,611 --> 00:21:25,491
[SHIP'S HORN SOUNDS IN DISTANCE]

329
00:21:25,572 --> 00:21:26,532
Here...

330
00:21:28,052 --> 00:21:30,811
for your nerves,
take half a pill on the ferry

331
00:21:30,892 --> 00:21:33,092
and the other half before bed.

332
00:21:33,171 --> 00:21:34,892
You'll feel better, okay?

333
00:21:35,452 --> 00:21:38,612
How do you know I won't get
anaphylactic shock or--

334
00:21:42,972 --> 00:21:46,771
[<i>MÉLODIE HONGROISE, D.817</i>
PLAYING]

335
00:22:38,891 --> 00:22:40,691
[LIVELY CHATTERING]

336
00:22:47,332 --> 00:22:48,972
{\an8}[CLEARS THROAT, IN ENGLISH]
It's me.

337
00:22:52,372 --> 00:22:54,332
Agathe Robinson, it's me.

338
00:22:54,412 --> 00:22:56,532
{\an8}Oh, sorry, I thought
you'd be much older. Um...

339
00:22:57,452 --> 00:23:00,011
{\an8}I was asked to collect
an elderly lady. Uh...

340
00:23:01,371 --> 00:23:04,572
{\an8}I'm Oliver Lowe.
I'll be driving you.

341
00:23:04,651 --> 00:23:06,011
Is that your car?

342
00:23:06,892 --> 00:23:08,692
-Yes. Yeah, that's--
-Right.

343
00:23:09,211 --> 00:23:11,012
Uh, I must warn you
about something.

344
00:23:11,091 --> 00:23:14,131
I'm really not comfortable
when it comes to cars.

345
00:23:14,212 --> 00:23:15,891
It panics me
to be in a car. It's...

346
00:23:15,972 --> 00:23:18,292
Sorry, my head is kind
of spinning all of a sudden.

347
00:23:18,811 --> 00:23:21,011
[AGATHE GAGGING]

348
00:23:21,172 --> 00:23:22,132
Are you all right?

349
00:23:22,211 --> 00:23:24,892
-[VOMITING]
-[OLIVER CRIES OUT]

350
00:23:24,971 --> 00:23:27,291
-[GRUNTS, COUGHING]
-[GROANING]

351
00:23:29,211 --> 00:23:30,171
I'm really sorry.

352
00:23:31,332 --> 00:23:32,371
No, it's all right.

353
00:23:32,452 --> 00:23:34,291
Um, these things happen.

354
00:23:34,372 --> 00:23:37,932
-Nice shoes, by the way.
-Thank you. Um...

355
00:23:39,012 --> 00:23:39,972
Yeah, thank you.

356
00:23:40,532 --> 00:23:42,332
-Uh...
-I'm fine.

357
00:23:42,412 --> 00:23:43,491
-Good.
-We can go.

358
00:23:56,211 --> 00:23:57,372
[AGATHE CLEARS THROAT]

359
00:23:58,411 --> 00:24:00,252
So, have you been
working a long time

360
00:24:00,331 --> 00:24:02,092
for the Jane Austen Residency?

361
00:24:05,171 --> 00:24:08,971
I'm Jane Austen's great,
great-great-great-nephew.

362
00:24:09,052 --> 00:24:10,012
Wow.

363
00:24:10,491 --> 00:24:13,651
Yeah. My parents set up
the Jane Austen Residency,

364
00:24:13,732 --> 00:24:16,732
but, um, I am not really
part of the fan club.

365
00:24:16,811 --> 00:24:19,652
I'm just helping out
because my father

366
00:24:19,732 --> 00:24:21,491
recently lost
his driver's license.

367
00:24:23,292 --> 00:24:24,252
Right.

368
00:24:26,131 --> 00:24:28,572
And what do you normally do
for a living then?

369
00:24:28,652 --> 00:24:30,771
I teach contemporary literature
at King's.

370
00:24:30,852 --> 00:24:32,451
[CHUCKLES QUIETLY]

371
00:24:32,532 --> 00:24:33,492
Sorry.

372
00:24:35,331 --> 00:24:39,731
You teach literature,
but you despise Jane Austen?

373
00:24:39,812 --> 00:24:42,092
I just think her work
is a little overrated.

374
00:24:43,971 --> 00:24:45,092
She has a rather limited scope

375
00:24:45,171 --> 00:24:46,652
if you compare her writings
to, say,

376
00:24:46,732 --> 00:24:48,012
Dickens or Shakespeare.

377
00:24:48,091 --> 00:24:49,892
Do you know
what the real problem is?

378
00:24:50,492 --> 00:24:51,452
What?

379
00:24:51,532 --> 00:24:53,372
Well, until Jane Austen
came along,

380
00:24:53,452 --> 00:24:56,132
all female roles
were solely written by men.

381
00:24:56,212 --> 00:24:58,012
And they were either portrayed

382
00:24:58,091 --> 00:25:00,372
as idealized perfection
or monsters.

383
00:25:00,892 --> 00:25:04,572
Jane Austen made them
human beings, that's all.

384
00:25:05,252 --> 00:25:06,731
Even capable of humor.

385
00:25:06,812 --> 00:25:09,092
[ENGINE RATTLING QUIETLY]

386
00:25:11,892 --> 00:25:14,332
[RATTLING GROWS LOUDER]

387
00:25:14,411 --> 00:25:16,132
-[ENGINE SPUTTERING]
-Um...

388
00:25:16,211 --> 00:25:17,171
Hang on.

389
00:25:17,252 --> 00:25:18,852
[ENGINE WHINING]

390
00:25:18,931 --> 00:25:21,411
[ENGINE RATTLING]

391
00:25:24,291 --> 00:25:25,412
AGATHE: What's going on?

392
00:25:25,492 --> 00:25:27,532
-[ENGINE GRINDING]
-OLIVER: Nothing, don't worry.

393
00:25:27,612 --> 00:25:29,132
-[ENGINE STALLS]
-It's, uh...

394
00:25:29,211 --> 00:25:30,731
[OLIVER STAMMERING]

395
00:25:32,371 --> 00:25:34,171
[ENGINE WHIRS]

396
00:25:34,252 --> 00:25:36,532
Blasted car!
[GRUNTS IN FRUSTRATION]

397
00:25:36,611 --> 00:25:38,092
[OLIVER MUTTERING]

398
00:25:38,172 --> 00:25:39,692
Ah, shit!

399
00:25:39,771 --> 00:25:42,531
-Fucking thing.
-[RINGTONE PLAYING]

400
00:25:42,612 --> 00:25:43,572
Take that.

401
00:25:43,652 --> 00:25:44,612
[IN FRENCH] Hello?

402
00:25:45,292 --> 00:25:47,652
Not at all.
I don't know where we are.

403
00:25:47,731 --> 00:25:49,452
Our car just broke down
in a forest.

404
00:25:49,531 --> 00:25:50,412
[OLIVER MUTTERING]

405
00:25:50,491 --> 00:25:51,692
Plus I'm stuck

406
00:25:51,772 --> 00:25:55,372
with Jane Austen's
great-great-great-nephew.

407
00:25:56,412 --> 00:25:59,572
No, he's unbearable,
really arrogant

408
00:25:59,651 --> 00:26:01,092
and totally stuck-up.

409
00:26:01,612 --> 00:26:03,012
I've never seen the like.

410
00:26:03,532 --> 00:26:05,532
I threw up on his shoes, too.

411
00:26:06,052 --> 00:26:07,692
Hello? Mona?

412
00:26:07,771 --> 00:26:09,612
[OLIVER GRUNTING]

413
00:26:09,691 --> 00:26:11,132
Shit, I'm out of battery!

414
00:26:11,611 --> 00:26:12,571
OLIVER: [IN ENGLISH] Fuck.

415
00:26:14,972 --> 00:26:15,932
Fuck it.

416
00:26:18,412 --> 00:26:19,892
[IN FRENCH]
I speak French, you know.

417
00:26:24,052 --> 00:26:25,132
Shit.

418
00:26:29,932 --> 00:26:31,172
[AGATHE CLEARS THROAT]

419
00:26:33,932 --> 00:26:34,892
Sorry.

420
00:26:37,172 --> 00:26:39,332
I lived with a French woman
for five years.

421
00:26:40,212 --> 00:26:41,812
One of my worst-ever decisions.

422
00:26:42,772 --> 00:26:46,052
And you're rude to French women
because she dumped you.

423
00:26:48,371 --> 00:26:49,331
[TAPS CAR]

424
00:26:51,371 --> 00:26:53,532
You don't know how
to fix your car, do you?

425
00:26:55,091 --> 00:26:56,252
Not a clue.

426
00:26:58,172 --> 00:26:59,451
Do you have service?

427
00:27:02,252 --> 00:27:03,212
None.

428
00:27:04,411 --> 00:27:06,692
[IN ENGLISH] Okay. Mm...

429
00:27:07,691 --> 00:27:08,651
Okay.

430
00:27:08,732 --> 00:27:10,171
[IN FRENCH]
Is the next village far?

431
00:27:10,812 --> 00:27:11,892
[IN ENGLISH] About 20 miles.

432
00:27:13,292 --> 00:27:14,332
[IN FRENCH] It'll be dark soon.

433
00:27:14,812 --> 00:27:16,572
[IN ENGLISH] Okay, okay.

434
00:27:16,652 --> 00:27:18,172
[IN FRENCH]
So what do we do now?

435
00:27:19,732 --> 00:27:20,932
We wait.

436
00:27:22,492 --> 00:27:23,611
What's the other option?

437
00:27:23,692 --> 00:27:26,932
We decide
who eats who to survive.

438
00:27:28,892 --> 00:27:29,852
[IN ENGLISH] Okay.

439
00:27:47,372 --> 00:27:49,172
[IN FRENCH]
What's your problem with cars?

440
00:27:51,332 --> 00:27:52,811
[AGATHE SIGHS]

441
00:27:54,532 --> 00:27:56,412
Um... [CLEARS THROAT]

442
00:27:56,492 --> 00:27:58,052
I was in a crash
with my parents.

443
00:28:01,852 --> 00:28:04,412
My dad had a stroke
and lost control of the car.

444
00:28:04,492 --> 00:28:06,052
They were killed instantly.

445
00:28:07,652 --> 00:28:10,332
I was in the back
and escaped with injuries.

446
00:28:17,692 --> 00:28:18,692
I'm sorry.

447
00:28:21,852 --> 00:28:22,932
It is what it is.

448
00:28:30,372 --> 00:28:32,292
[SIGHS] If you're cold...

449
00:28:34,452 --> 00:28:36,452
[IN ENGLISH] It's not much,
but... [GRUNTS]

450
00:28:36,532 --> 00:28:37,492
[IN FRENCH] Thank you.

451
00:28:40,252 --> 00:28:43,652
Try to get some sleep.

452
00:28:45,132 --> 00:28:46,092
Yep.

453
00:28:48,972 --> 00:28:49,972
[OLIVER GRUNTS]

454
00:28:52,172 --> 00:28:53,772
[SIGHS]

455
00:28:55,452 --> 00:28:57,252
[SNORING]

456
00:29:03,572 --> 00:29:05,052
[AGATHE HUFFS]

457
00:29:07,172 --> 00:29:13,452
[WHISTLING <i>LA MARSEILLAISE</i>]

458
00:29:13,532 --> 00:29:16,932
[SNORING CONTINUES]

459
00:29:17,012 --> 00:29:20,812
[WHISTLING AND SNORING CONTINUE]

460
00:29:20,892 --> 00:29:23,092
-[OLIVER GRUNTS]
-[WHISTLING STOPS]

461
00:29:27,292 --> 00:29:29,212
Are you whistling
<i>La Marseillaise</i>?

462
00:29:31,812 --> 00:29:33,092
OLIVER: [IN ENGLISH]
Jesus Christ.

463
00:29:35,332 --> 00:29:37,252
[GENTLE INSTRUMENTAL
MUSIC PLAYING]

464
00:30:20,972 --> 00:30:23,732
[BIRDS CHIRPING]

465
00:30:30,612 --> 00:30:31,892
[ENGINE SHUTS OFF]

466
00:30:31,972 --> 00:30:33,812
-Thank you so much.
-DRIVER: You're welcome.

467
00:30:39,172 --> 00:30:41,332
[ENGINE STARTS]

468
00:30:41,412 --> 00:30:42,972
[AGATHE EXCLAIMS]

469
00:30:48,812 --> 00:30:49,852
[IN FRENCH]
You're enjoying this, eh?

470
00:30:51,132 --> 00:30:52,092
Kind of.

471
00:30:55,332 --> 00:30:57,092
[IN ENGLISH] Welcome to
the Jane Austen Residency.

472
00:30:58,452 --> 00:30:59,612
Thank you.

473
00:31:05,652 --> 00:31:08,492
[TRACTOR DEPARTING]

474
00:31:12,572 --> 00:31:15,852
[BELL TOLLING IN DISTANCE]

475
00:31:23,052 --> 00:31:24,212
[DOOR CLOSES]

476
00:31:26,452 --> 00:31:27,572
[DOOR CLOSES IN DISTANCE]

477
00:31:30,412 --> 00:31:31,972
BETH: Oh. [LAUGHS SOFTLY]

478
00:31:32,052 --> 00:31:35,012
[IN FRENCH]
You're incredibly young!

479
00:31:35,492 --> 00:31:38,052
I thought you were much older.

480
00:31:39,372 --> 00:31:41,612
-You speak French?
-Yes.

481
00:31:41,692 --> 00:31:42,732
I love it!

482
00:31:43,332 --> 00:31:45,452
I'm sorry about last night.

483
00:31:46,332 --> 00:31:50,252
My son Oliver insists
on driving that old car.

484
00:31:50,332 --> 00:31:53,052
Give me your coat. Voilà.

485
00:31:53,612 --> 00:31:54,572
That's it.

486
00:31:58,412 --> 00:31:59,372
Thank you.

487
00:32:02,892 --> 00:32:03,972
Um...

488
00:32:04,052 --> 00:32:05,852
To be honest,
I haven't eaten for ages

489
00:32:05,932 --> 00:32:07,932
and I'm starving.
If I could grab...

490
00:32:08,012 --> 00:32:09,573
My dear.

491
00:32:09,652 --> 00:32:15,132
You've come to the right place
for a proper English breakfast.

492
00:32:15,212 --> 00:32:19,212
You're free to write
wherever you like,

493
00:32:19,292 --> 00:32:21,292
to stroll on the grounds...

494
00:32:22,492 --> 00:32:25,972
And we always hold a ball

495
00:32:26,052 --> 00:32:27,772
at the beginning of autumn.

496
00:32:27,852 --> 00:32:28,932
A ball!

497
00:32:29,012 --> 00:32:32,252
And a public reading
of your work in progress.

498
00:32:32,332 --> 00:32:33,412
Uh...

499
00:32:33,492 --> 00:32:35,493
Is the public reading...

500
00:32:36,052 --> 00:32:37,012
compulsory?

501
00:32:37,092 --> 00:32:39,452
Yes, my dear,
but it's all very casual.

502
00:32:39,932 --> 00:32:41,092
You'll see.

503
00:32:41,852 --> 00:32:46,012
I hope you'll be inspired here.

504
00:32:47,172 --> 00:32:49,692
Your agent said
you needed peace and quiet

505
00:32:49,772 --> 00:32:51,412
because of your age.

506
00:32:52,732 --> 00:32:54,013
My agent?

507
00:33:12,852 --> 00:33:14,252
[SNIFFS, GROANS]

508
00:33:25,332 --> 00:33:27,052
[LIGHT FIXTURE JINGLING]

509
00:33:35,612 --> 00:33:37,412
[SCREAMING]

510
00:33:40,812 --> 00:33:41,972
AGATHE: I thought
it was the bathroom!

511
00:33:42,652 --> 00:33:43,971
What a direct approach.

512
00:33:44,772 --> 00:33:47,251
I'd be grateful
if you locked your side too.

513
00:33:49,293 --> 00:33:50,252
[LOCK CLICKS]

514
00:33:50,451 --> 00:33:51,412
Thank you!

515
00:33:52,772 --> 00:33:53,932
Oh, <i>là, là.</i>

516
00:33:59,212 --> 00:34:00,572
[SIGHS]

517
00:34:03,652 --> 00:34:05,572
[BIRDS CHIRPING]

518
00:34:07,332 --> 00:34:09,292
[SOMBER INSTRUMENTAL
MUSIC PLAYING]

519
00:34:16,772 --> 00:34:18,332
SYBIL: [IN ENGLISH] <i>Killing
is the logical conclusion</i>

520
00:34:18,412 --> 00:34:19,652
<i>of revolutions.</i>

521
00:34:19,733 --> 00:34:21,292
<i>He who ignores
the desire to kill</i>

522
00:34:21,373 --> 00:34:23,412
<i>may well hold
subversive opinions,</i>

523
00:34:23,492 --> 00:34:26,173
<i>but he will never be anything
more than a conformist.</i>

524
00:34:41,692 --> 00:34:43,173
OLYMPIA: <i>Marxist feminism,</i>

525
00:34:43,252 --> 00:34:46,092
<i>as found in transcriptions
of speeches by Clara Zetkin,</i>

526
00:34:46,172 --> 00:34:48,933
<i>raises the issue
of the manipulation of women,</i>

527
00:34:49,012 --> 00:34:52,492
<i>first and foremost as
a working and political force,</i>

528
00:34:52,572 --> 00:34:56,012
<i>before their consideration as
individual and thinking beings.</i>

529
00:35:02,253 --> 00:35:03,812
CHÉRYL: [IN FRENCH]
<i>Write me down</i>

530
00:35:04,652 --> 00:35:05,652
<i>Cover me up</i>

531
00:35:06,292 --> 00:35:07,572
<i>Swallow my face</i>

532
00:35:08,492 --> 00:35:10,532
<i>Mute my voice
Hear my whisper</i>

533
00:35:11,052 --> 00:35:12,332
<i>Listen to my cry...</i>

534
00:35:18,452 --> 00:35:19,452
[CONVERSING QUIETLY IN ENGLISH]

535
00:35:19,533 --> 00:35:20,852
-Think you've missed the point.
-Yes.

536
00:35:20,932 --> 00:35:22,813
-And missed its meaning.
-You get it wrong.

537
00:35:22,892 --> 00:35:24,893
[SHARP CLINKING]

538
00:35:30,412 --> 00:35:31,372
Friends,

539
00:35:32,413 --> 00:35:34,692
we're now gathered together
all of us,

540
00:35:34,772 --> 00:35:37,493
we can begin
this year's writers' residency.

541
00:35:37,972 --> 00:35:40,412
Chéryl, Olympia, Sybil,

542
00:35:40,492 --> 00:35:42,252
it's a joy to welcome you again.

543
00:35:42,932 --> 00:35:44,532
And we're delighted

544
00:35:44,613 --> 00:35:46,813
to count amongst us
this year a new recruit!

545
00:35:46,892 --> 00:35:48,213
-SYBIL AND OLYMPIA: Welcome.
-Hello.

546
00:35:48,292 --> 00:35:49,532
CHÉRYL: [IN FRENCH]
Good to meet you, Agathe.

547
00:35:50,612 --> 00:35:52,132
[IN ENGLISH] Well, uh, some...

548
00:35:53,292 --> 00:35:56,052
some very important works
have been written here,

549
00:35:56,133 --> 00:35:57,292
in this building.

550
00:35:59,412 --> 00:36:02,092
Not forgetting the gardens,
which are very beautiful.

551
00:36:04,732 --> 00:36:06,732
-Um...
-[OLIVER CLEARS THROAT]

552
00:36:10,293 --> 00:36:12,772
We're here if you need us. Um...

553
00:36:13,452 --> 00:36:14,692
We hope you'll be inspired

554
00:36:14,772 --> 00:36:16,532
and we look forward
to reading your work.

555
00:36:16,612 --> 00:36:17,693
BETH: Yeah.

556
00:36:17,772 --> 00:36:18,773
[QUIETLY] Thank you, darling.

557
00:36:22,092 --> 00:36:24,772
-Wait. Wait, what was that?
-[AGATHE CLEARS THROAT]

558
00:36:24,852 --> 00:36:25,972
[IN FRENCH] What's the matter
with him?

559
00:36:27,732 --> 00:36:28,692
I don't know.

560
00:36:30,212 --> 00:36:32,132
He refuses to see a doctor,
but...

561
00:36:32,692 --> 00:36:35,292
we're going to have
to face facts soon.

562
00:36:35,373 --> 00:36:37,052
[OTHERS TALKING QUIETLY]

563
00:36:37,132 --> 00:36:39,373
Did you find your bathroom?

564
00:36:39,452 --> 00:36:40,733
OLYMPIA: [IN ENGLISH]
And I don't even want to look

565
00:36:40,812 --> 00:36:42,532
at the cover,
which I-- I ruined it.

566
00:36:42,612 --> 00:36:44,212
You know, it's all about timing.

567
00:36:44,293 --> 00:36:46,652
The book at the right time,
and it means something to you...

568
00:36:46,732 --> 00:36:48,332
If you don't, it's...

569
00:36:49,012 --> 00:36:52,533
[<i>FANTAISIE EN FA MINEUR, D.940</i>
PLAYING]

570
00:37:03,252 --> 00:37:06,132
[<i>FANTAISIE EN FA MINEUR, D.940</i>
CONTINUES PLAYING]

571
00:37:22,573 --> 00:37:25,212
[HUMS]

572
00:37:25,293 --> 00:37:26,492
[GASPS]

573
00:37:27,653 --> 00:37:30,172
Please, go on. It's lovely.

574
00:37:32,092 --> 00:37:33,332
I'm sorry, I--

575
00:37:34,172 --> 00:37:35,492
I didn't want to disturb you.

576
00:37:35,573 --> 00:37:37,572
I hadn't noticed
anyone was here.

577
00:37:37,653 --> 00:37:39,772
I love being disturbed.

578
00:37:39,853 --> 00:37:42,532
People don't dare anymore.
It's such a shame.

579
00:37:46,492 --> 00:37:47,972
Your house is incredible.

580
00:37:48,692 --> 00:37:51,172
-Have you always lived here?
-I was born here.

581
00:37:51,852 --> 00:37:52,853
My parents had the idea

582
00:37:52,932 --> 00:37:55,092
of turning it
into a writers' residence

583
00:37:55,173 --> 00:37:56,252
when they retired.

584
00:37:58,532 --> 00:38:01,692
[IN FRENCH] Agathe, how come
you speak such good English?

585
00:38:02,252 --> 00:38:03,413
Ah, um...

586
00:38:03,492 --> 00:38:04,533
My father is...

587
00:38:05,773 --> 00:38:08,292
was born in Bristol
and spoke to us in English.

588
00:38:08,373 --> 00:38:09,252
Ah.

589
00:38:10,652 --> 00:38:12,773
[IN ENGLISH] You remind me
a little bit of him, actually.

590
00:38:12,852 --> 00:38:14,572
[TODD CHUCKLES]

591
00:38:14,653 --> 00:38:16,932
-[BELL TOLLING]
-[BIRDS CHIRPING]

592
00:38:23,652 --> 00:38:25,572
-[DOOR CLOSES]
-[TOLLING STOPS]

593
00:38:44,332 --> 00:38:45,572
[IN FRENCH] Where the fuck am I?

594
00:38:58,973 --> 00:39:00,733
-[BIRD CAWING]
-[EXHALES]

595
00:39:00,812 --> 00:39:02,533
Why isn't it working?

596
00:39:28,893 --> 00:39:30,852
The house is that way.

597
00:39:31,532 --> 00:39:33,572
I know. Thanks.

598
00:39:37,292 --> 00:39:38,493
[PHONE DINGS]

599
00:39:40,973 --> 00:39:42,053
[GASPS]

600
00:39:44,052 --> 00:39:46,013
[<i>JE T'AIME À L'ITALIENNE</i>
PLAYING]

601
00:39:46,092 --> 00:39:48,773
<i>I love you the Italian way</i>

602
00:39:48,852 --> 00:39:50,772
<i>Whoa, oh, oh, oh</i>

603
00:39:50,853 --> 00:39:53,813
<i>I love you the Italian way</i>

604
00:39:54,693 --> 00:39:56,693
<i>My heart pounds</i>

605
00:39:56,772 --> 00:39:59,573
<i>I speak with my hands</i>

606
00:39:59,652 --> 00:40:04,253
<i>And I see red
When you talk to anyone</i>

607
00:40:04,332 --> 00:40:05,933
-[GRUNTS, CRIES OUT]
-[MUSIC STOPS]

608
00:40:06,013 --> 00:40:07,052
[GROANING]

609
00:40:07,133 --> 00:40:08,493
[GRUNTING]

610
00:40:08,572 --> 00:40:11,253
[SOFT HUMMING NEARBY]

611
00:40:11,332 --> 00:40:12,453
[GRUNTS]

612
00:40:12,532 --> 00:40:14,293
[SOFT HUMMING CONTINUES]

613
00:40:15,292 --> 00:40:18,292
[GASPS] Hello,
what are you doing here?

614
00:40:19,093 --> 00:40:20,413
[YELPS]

615
00:40:21,813 --> 00:40:23,092
What the fuck!

616
00:40:23,173 --> 00:40:24,612
What's your problem?

617
00:40:26,453 --> 00:40:28,492
-[LLAMA HUMMING]
-Stay away from me!

618
00:40:29,213 --> 00:40:31,133
[BIRDS CHIRPING]

619
00:40:49,693 --> 00:40:50,653
Hey.

620
00:40:51,252 --> 00:40:54,132
I'm lying on my bed,
thinking about you.

621
00:40:55,813 --> 00:40:57,733
Thinking about when we kissed,

622
00:40:59,732 --> 00:41:01,173
your tongue in my mouth,

623
00:41:03,133 --> 00:41:04,093
your tongue in my--

624
00:41:04,173 --> 00:41:05,133
-OLIVER: [IN ENGLISH] Lunchtime!
-[KNOCKING]

625
00:41:05,212 --> 00:41:06,172
[MESSAGE WHOOSHES]

626
00:41:07,493 --> 00:41:08,932
[IN FRENCH]
"Your tongue in my..."

627
00:41:09,612 --> 00:41:10,572
Fuck!

628
00:41:10,653 --> 00:41:13,813
Oh no!

629
00:41:13,893 --> 00:41:15,772
Fuck, fuck, fuck.

630
00:41:15,853 --> 00:41:17,132
[LOW CHATTER]

631
00:41:22,013 --> 00:41:23,573
CHÉRYL: [IN ENGLISH]
Good night, everyone.

632
00:41:23,653 --> 00:41:24,653
-Night.
-Good night.

633
00:41:26,413 --> 00:41:27,653
I don't know when the last time

634
00:41:27,732 --> 00:41:29,612
you actually
looked at a book properly...

635
00:41:29,693 --> 00:41:31,173
[IN FRENCH]
Where did you get the idea?

636
00:41:32,772 --> 00:41:34,093
What idea?

637
00:41:34,172 --> 00:41:35,132
Your novel.

638
00:41:35,893 --> 00:41:38,972
A woman who falls for the man
she sees in her sake cup.

639
00:41:39,053 --> 00:41:40,573
Ah...

640
00:41:40,653 --> 00:41:43,013
In my local Chinese restaurant.

641
00:41:44,572 --> 00:41:46,573
You probably think
it's ridiculous.

642
00:41:46,652 --> 00:41:48,132
No. It intrigues me.

643
00:41:49,173 --> 00:41:50,492
Are you making headway?

644
00:41:51,093 --> 00:41:53,333
Uh... Yes, a lot.

645
00:41:53,853 --> 00:41:56,733
I'm writing non-stop.
It's so inspiring here.

646
00:41:56,812 --> 00:41:57,772
SYBIL: [IN ENGLISH]
What is the point?

647
00:41:57,853 --> 00:41:59,132
OLYMPIA: Your perception
of literature

648
00:41:59,213 --> 00:42:00,492
is confoundedly naïve.

649
00:42:01,052 --> 00:42:02,333
What do you think, Agathe?

650
00:42:03,652 --> 00:42:04,612
Me?

651
00:42:05,493 --> 00:42:06,573
Um...

652
00:42:08,373 --> 00:42:11,253
I believe that some books
become part of our lives.

653
00:42:13,333 --> 00:42:17,173
They enter
our most intimate selves and...

654
00:42:18,253 --> 00:42:20,613
some of them move in forever.

655
00:42:20,693 --> 00:42:21,653
They help us to live

656
00:42:21,732 --> 00:42:24,453
because they reveal to us
our true nature.

657
00:42:25,933 --> 00:42:29,172
I once heard someone say that
"Literature is like an ambulance

658
00:42:29,253 --> 00:42:30,932
speeding through the night
to save someone."

659
00:42:31,013 --> 00:42:33,532
That isn't
the job of literature!

660
00:42:33,613 --> 00:42:34,693
AGATHE: Why not?

661
00:42:34,772 --> 00:42:36,453
I don't believe
that the main mission

662
00:42:36,533 --> 00:42:37,932
of a writer should be political.

663
00:42:38,013 --> 00:42:39,373
I believe that the main mission

664
00:42:39,452 --> 00:42:41,333
of a writer should be
to tell a good story.

665
00:42:41,893 --> 00:42:43,012
Forgive me, Agathe.

666
00:42:43,093 --> 00:42:44,573
Yours is a touching notion.

667
00:42:44,652 --> 00:42:46,693
But in the 18th century,

668
00:42:46,773 --> 00:42:48,733
the struggle of philosophers

669
00:42:48,813 --> 00:42:51,893
paved the way for
the French Revolution of 1789.

670
00:42:51,973 --> 00:42:53,413
In the 19th century,

671
00:42:53,493 --> 00:42:55,253
the novel tried
to be a mirror to society,

672
00:42:55,333 --> 00:42:57,292
a way to denounce
social injustices.

673
00:42:57,373 --> 00:42:58,693
-Yeah.
-And we all know

674
00:42:58,772 --> 00:43:01,053
how hard Dickens
raged against poverty...

675
00:43:01,132 --> 00:43:02,693
-I know.
-...and Virginia Woolf

676
00:43:02,772 --> 00:43:05,453
-defended feminism.
-Yeah, that's all very true.

677
00:43:05,533 --> 00:43:07,213
But what I'm saying is that

678
00:43:07,292 --> 00:43:10,213
what I personally ask of,
whether they are writers,

679
00:43:10,292 --> 00:43:12,372
or painters or musicians,

680
00:43:12,453 --> 00:43:16,173
is that poetic spark
that doesn't exist in real life.

681
00:43:16,853 --> 00:43:18,453
What I want literature to do

682
00:43:18,532 --> 00:43:20,852
is to remind me
that I'm only human,

683
00:43:20,933 --> 00:43:25,132
and help me to understand
my fears, and my sadness,

684
00:43:25,213 --> 00:43:26,892
and my struggles in life--

685
00:43:26,973 --> 00:43:28,333
That's ridiculous, Oliver.

686
00:43:28,412 --> 00:43:30,052
You'll have to agree with me,
won't you?

687
00:43:30,533 --> 00:43:31,893
In the history of literature,

688
00:43:31,972 --> 00:43:34,773
the interplay between
the figurative and the literal

689
00:43:34,852 --> 00:43:37,093
has given rise
to many definitions

690
00:43:37,172 --> 00:43:39,493
and semantic inventions
that are quite frankly--

691
00:43:39,573 --> 00:43:40,653
-[EXCLAIMING]
-Jesus, Dad! What are you doing?

692
00:43:40,733 --> 00:43:41,813
BETH: God, I'm so sorry!

693
00:43:41,893 --> 00:43:43,573
You can't water the guests.

694
00:43:45,093 --> 00:43:46,213
Excuse me.

695
00:43:47,093 --> 00:43:48,213
Unbelievable.

696
00:43:48,292 --> 00:43:49,932
-[FROGS CROAKING]
-[CRICKETS CHIRRING]

697
00:43:52,613 --> 00:43:53,733
[OWL HOOTING]

698
00:43:56,093 --> 00:43:57,013
TOM: [IN FRENCH]
<i>Mona isn't home.</i>

699
00:43:57,093 --> 00:43:58,013
<i>Leave a message.</i>

700
00:43:58,093 --> 00:43:59,893
-[VOICEMAIL BEEPS]
-Hi, it's me.

701
00:44:00,492 --> 00:44:02,613
I hope you're both well.

702
00:44:03,133 --> 00:44:05,013
Call me back when you can.

703
00:44:06,013 --> 00:44:09,253
Tom, a llama spat
right in my face.

704
00:44:09,333 --> 00:44:11,133
You'd have loved it.

705
00:44:11,853 --> 00:44:14,133
I miss you.
I'll be home in eight sleeps.

706
00:44:14,212 --> 00:44:15,172
Love you.

707
00:44:18,493 --> 00:44:20,133
BETH: [IN ENGLISH]
Your scrambled eggs,

708
00:44:20,213 --> 00:44:24,253
scotch pancakes, crumpets,
baked beans, scones.

709
00:44:24,333 --> 00:44:26,173
She's brought
some lovely fresh toast.

710
00:44:26,253 --> 00:44:27,613
Would you like some of that?

711
00:44:27,693 --> 00:44:28,693
-Thank you.
-There we are.

712
00:44:29,613 --> 00:44:32,052
I think that will do the trick,
won't it?

713
00:44:32,573 --> 00:44:33,853
Right. And...

714
00:44:33,933 --> 00:44:35,773
Yes, there's some homemade jam.

715
00:44:38,053 --> 00:44:39,133
Excellent.

716
00:44:40,173 --> 00:44:42,612
[SCOFFS] Could you please
ask your husband

717
00:44:42,693 --> 00:44:44,733
to stop his naked poetry recital

718
00:44:44,812 --> 00:44:46,893
in the garden
first thing in the morning?

719
00:44:46,973 --> 00:44:48,493
It's very off-putting.

720
00:44:49,973 --> 00:44:51,813
How are we supposed to write?

721
00:44:52,693 --> 00:44:53,933
TODD: Oh, sun.

722
00:44:54,013 --> 00:44:56,213
Which day by day
caresses the flowers.

723
00:44:56,293 --> 00:44:58,493
The little flowers
that poetically...

724
00:44:58,573 --> 00:45:00,533
And, mmm, oh.

725
00:45:00,613 --> 00:45:02,492
-[CONTINUES INDISTINCTLY]
-[DOOR OPENS]

726
00:45:02,573 --> 00:45:03,613
-Sunshine...
-OLIVER: Dad!

727
00:45:03,693 --> 00:45:05,613
-[DOOR CLOSES]
-[TODD HUMMING]

728
00:45:09,053 --> 00:45:13,612
TODD: Oh, thank you. Thank you.
Thank you. Thank you. Ah!

729
00:45:16,013 --> 00:45:17,733
And, which on the other hand...

730
00:45:17,813 --> 00:45:20,493
[CONTINUES INDISTINCTLY]

731
00:45:24,813 --> 00:45:26,693
[SIGHS]

732
00:45:38,773 --> 00:45:40,492
[FOOTSTEPS IN DISTANCE]

733
00:45:46,413 --> 00:45:48,333
[CLATTERING IN DISTANCE]

734
00:45:53,813 --> 00:45:56,373
[GENTLE INSTRUMENTAL
MUSIC PLAYING]

735
00:46:49,573 --> 00:46:52,213
[DOOR OPENS, CLOSES]

736
00:46:52,293 --> 00:46:54,333
-AGATHE: Hello.
-Hi.

737
00:46:54,533 --> 00:46:57,053
[BELL TOLLING IN DISTANCE]

738
00:47:04,133 --> 00:47:05,493
[RATTLING]

739
00:47:09,813 --> 00:47:11,573
[TOY SQUEAKS]

740
00:47:11,653 --> 00:47:12,973
[MUSICAL TOY PLAYING]

741
00:47:18,253 --> 00:47:19,413
[IN FRENCH] Damn.

742
00:47:21,613 --> 00:47:22,573
Do you have kids?

743
00:47:23,053 --> 00:47:25,173
Uh... It's for my nephew Tom.

744
00:47:26,213 --> 00:47:27,533
I've lived with him
since he was born.

745
00:47:29,893 --> 00:47:32,533
My sister fell pregnant
just after our parents died.

746
00:47:32,613 --> 00:47:34,413
So we decided
to all live together.

747
00:47:35,093 --> 00:47:36,773
-How old is he?
-Six.

748
00:47:36,853 --> 00:47:40,213
I found
this old illustrated edition

749
00:47:40,293 --> 00:47:42,653
of <i>The Wonderful Adventures
of Nils.</i>

750
00:47:42,733 --> 00:47:45,293
-Does he know it?
-I don't think so.

751
00:47:45,373 --> 00:47:46,533
It's a good idea.

752
00:47:50,613 --> 00:47:53,053
Wouldn't you like
to have your own children...

753
00:47:53,853 --> 00:47:55,693
with your partner?

754
00:48:03,173 --> 00:48:04,133
[IN ENGLISH] Sorry.

755
00:48:04,973 --> 00:48:06,293
It was none of my business.

756
00:48:14,333 --> 00:48:16,213
[IN FRENCH] I haven't slept
with a guy in two years.

757
00:48:17,653 --> 00:48:20,773
I fantasize about my sake cup
and I snog my best friend.

758
00:48:23,213 --> 00:48:27,013
The university suspended me
for wrecking the staff room.

759
00:48:29,213 --> 00:48:33,133
My partner slept with most
of the literature department.

760
00:48:33,213 --> 00:48:35,533
Men, women, everyone.

761
00:48:36,253 --> 00:48:38,133
I'm very, very good
at screwing up.

762
00:48:39,253 --> 00:48:40,493
The Palme d'Or of losers.

763
00:48:41,093 --> 00:48:43,373
The Turner Prize for drifting.

764
00:48:43,454 --> 00:48:46,813
I moved back home,
but Dad walks around half-naked,

765
00:48:46,893 --> 00:48:48,053
forgets my name...

766
00:48:49,293 --> 00:48:51,733
And I can't sleep
without Tramadol.

767
00:48:56,413 --> 00:48:58,973
[SOMBER INSTRUMENTAL
MUSIC PLAYING]

768
00:49:24,453 --> 00:49:27,133
[IN ENGLISH]
Yes, you are very lovely.

769
00:49:28,053 --> 00:49:30,253
-Very lovely.
-Hello.

770
00:49:31,213 --> 00:49:32,573
Hi, Agathe.

771
00:49:33,333 --> 00:49:35,933
[IN FRENCH]
Have I had breakfast?

772
00:49:36,733 --> 00:49:39,613
-I can't remember.
-Yes, you had it this morning.

773
00:49:39,693 --> 00:49:40,653
Ah.

774
00:49:42,813 --> 00:49:44,013
But you're...

775
00:49:44,773 --> 00:49:47,333
-You're very beautiful.
-Thank you.

776
00:49:48,093 --> 00:49:49,893
I'm going to write
a poem for you.

777
00:49:50,934 --> 00:49:53,253
Let me take you back
to your room first.

778
00:49:53,333 --> 00:49:54,293
All right.

779
00:49:57,973 --> 00:49:59,453
We'll find your trousers.

780
00:50:03,613 --> 00:50:05,933
-[OLIVER AND AGATHE CHUCKLE]
-Um...

781
00:50:06,014 --> 00:50:07,413
I'll take it from here.

782
00:50:07,493 --> 00:50:08,453
All right.

783
00:50:09,253 --> 00:50:10,293
Thank you.

784
00:50:30,253 --> 00:50:31,373
Good night, Agathe.

785
00:50:31,973 --> 00:50:33,174
Good night.

786
00:50:45,254 --> 00:50:49,253
[SOMBER INSTRUMENTAL
MUSIC PLAYING]

787
00:50:49,333 --> 00:50:51,173
[BIRDS CHIRPING]

788
00:51:09,013 --> 00:51:10,813
[LINE RINGING]

789
00:51:10,894 --> 00:51:12,733
AUTOMATED VOICE:
<i>You have no new messages.</i>

790
00:51:13,533 --> 00:51:15,053
<i>Félix hasn't tried to reach you</i>

791
00:51:15,134 --> 00:51:18,453
<i>and you still haven't written
a single line.</i>

792
00:51:18,533 --> 00:51:21,093
<i>You're wasting your time
at this residency</i>

793
00:51:21,174 --> 00:51:23,173
<i>and you're wasting ours.</i>

794
00:51:25,574 --> 00:51:26,693
[EXHALES]

795
00:51:34,773 --> 00:51:35,733
[CLATTERING IN DISTANCE]

796
00:51:38,293 --> 00:51:39,253
[BELL JINGLING]

797
00:51:50,733 --> 00:51:51,693
Ah.

798
00:51:52,973 --> 00:51:53,933
[IN ENGLISH] Hi.

799
00:51:56,694 --> 00:51:57,973
[IN FRENCH]
I baked them for ages.

800
00:51:58,453 --> 00:52:01,693
I know you like them
crunchy on top.

801
00:52:01,774 --> 00:52:02,734
That's kind of you.

802
00:52:03,613 --> 00:52:04,573
I'll have a taste.

803
00:52:05,173 --> 00:52:06,253
Are you making progress?

804
00:52:06,333 --> 00:52:07,573
Mmm!

805
00:52:08,094 --> 00:52:09,373
-Mmm.
-[IN ENGLISH] Good.

806
00:52:09,454 --> 00:52:10,533
[IN FRENCH] So good.

807
00:52:10,613 --> 00:52:12,173
How's your love story going?

808
00:52:12,773 --> 00:52:13,733
Mm.

809
00:52:13,813 --> 00:52:16,373
I can't wait
to hear your reading.

810
00:52:18,133 --> 00:52:20,613
Well, I won't disturb you
any longer.

811
00:52:20,694 --> 00:52:23,174
I have to go
and look after Todd.

812
00:52:23,253 --> 00:52:25,893
Don't you ever get tired
of doing everything?

813
00:52:27,014 --> 00:52:29,894
Wordsworth spoke of...

814
00:52:29,973 --> 00:52:33,054
"Little, nameless,
unremembered acts

815
00:52:33,573 --> 00:52:36,494
of kindness and of love"

816
00:52:36,573 --> 00:52:39,533
as being the best part of life.

817
00:52:40,813 --> 00:52:41,974
That's beautiful.

818
00:52:42,053 --> 00:52:44,613
I love to see
this house full of life.

819
00:52:44,694 --> 00:52:46,933
All the writers who come here...

820
00:52:47,013 --> 00:52:49,133
It's like a family, you know.

821
00:52:49,214 --> 00:52:51,253
And you're part of it now.

822
00:52:51,333 --> 00:52:54,213
Our Oliver has come home too!

823
00:52:56,214 --> 00:52:57,573
He seems better.

824
00:52:58,613 --> 00:53:00,413
I find him more...

825
00:53:03,494 --> 00:53:04,454
I don't know.

826
00:53:05,613 --> 00:53:07,173
-See you later.
-See you later.

827
00:53:10,094 --> 00:53:11,054
[DOOR CLOSES]

828
00:53:13,613 --> 00:53:15,773
[GENTLE MELODY PLAYING
ON PIANO]

829
00:53:15,854 --> 00:53:17,774
OLIVER: [IN ENGLISH]
"Life is a great sunrise."

830
00:53:19,333 --> 00:53:22,213
"I do not see why death should
not be an even greater one."

831
00:53:24,054 --> 00:53:26,733
"Lies, energy, passion."

832
00:53:27,494 --> 00:53:29,733
"So many things
that life admires."

833
00:53:30,453 --> 00:53:33,613
"Still everything can be undone
if humanity is not watching."

834
00:53:33,693 --> 00:53:37,013
[IN FRENCH] That's how
I became an expert in I Ching.

835
00:53:37,094 --> 00:53:39,014
And I had a lover in Shanghai.

836
00:53:39,093 --> 00:53:40,013
[PLAYING STOPS]

837
00:53:40,094 --> 00:53:42,854
-[OLIVER CONTINUES READING]
-[OTHERS TALKING, LAUGHING]

838
00:53:42,933 --> 00:53:45,054
What are you plotting?
Can I play too?

839
00:53:45,133 --> 00:53:46,294
Go on, then.

840
00:53:47,173 --> 00:53:48,494
AGATHE: What do I have to do?

841
00:53:48,573 --> 00:53:51,693
Think of a question
and write it down here.

842
00:53:52,493 --> 00:53:53,453
AGATHE: [IN ENGLISH] Okay.

843
00:54:07,814 --> 00:54:10,093
[IN FRENCH] "Is Félix
in love with me?"

844
00:54:10,174 --> 00:54:12,774
"Have we been afraid
of our feelings

845
00:54:12,853 --> 00:54:13,974
these last few years?"

846
00:54:15,214 --> 00:54:16,174
No, that's two questions.

847
00:54:16,253 --> 00:54:17,613
You have to choose one.

848
00:54:18,374 --> 00:54:19,334
AGATHE: [IN ENGLISH] Okay.

849
00:54:24,333 --> 00:54:25,693
[IN FRENCH] Toss the coins
three times.

850
00:54:30,093 --> 00:54:31,773
[COINS JINGLING]

851
00:54:31,853 --> 00:54:33,413
[COINS CLATTERING]

852
00:54:34,414 --> 00:54:35,733
-CHÉRYL: Mm.
-BETH: Mm.

853
00:54:39,293 --> 00:54:40,614
[COINS JINGLING]

854
00:54:40,693 --> 00:54:41,933
[COINS CLATTERING]

855
00:54:43,494 --> 00:54:44,933
-CHÉRYL: Hmm.
-BETH: Mm.

856
00:54:46,173 --> 00:54:47,773
[COINS JINGLING, CLATTERING]

857
00:54:49,374 --> 00:54:50,614
-BETH: Ah.
-Mm-hmm.

858
00:54:52,293 --> 00:54:53,813
[PEN SCRATCHING ON PAPER]

859
00:54:54,854 --> 00:54:55,814
[EXHALES]

860
00:55:03,934 --> 00:55:04,933
What?

861
00:55:05,534 --> 00:55:06,934
-"Obstruction."
-Huh?

862
00:55:07,013 --> 00:55:08,213
There's a block.

863
00:55:08,294 --> 00:55:10,894
A separation of yin and yang.

864
00:55:11,773 --> 00:55:14,533
You have to find an alternative.

865
00:55:15,373 --> 00:55:18,294
"A fallback situation
must be considered."

866
00:55:18,373 --> 00:55:21,573
"Many disappointments
will arise over time

867
00:55:22,134 --> 00:55:24,253
in your love situation."

868
00:55:24,334 --> 00:55:25,373
I'm sorry.

869
00:55:25,893 --> 00:55:27,614
Can we do it again?

870
00:55:27,693 --> 00:55:28,653
No, we can't.

871
00:55:28,734 --> 00:55:29,694
-Come on.
-No.

872
00:55:29,773 --> 00:55:32,653
I hate these things anyway.
I'm going for a smoke.

873
00:55:34,293 --> 00:55:37,333
[DEPARTING FOOTSTEPS]

874
00:55:37,413 --> 00:55:39,974
[CRICKETS CHIRRING]

875
00:55:43,534 --> 00:55:45,573
[LINE RINGING]

876
00:55:51,053 --> 00:55:52,933
FÉLIX: <i>Hello?</i>

877
00:55:53,493 --> 00:55:54,494
<i>Agathe?</i>

878
00:55:54,573 --> 00:55:56,373
Are you in a busy place?

879
00:55:56,454 --> 00:55:59,454
<i>Yes. I can't hear.
Can you hear me?</i>

880
00:55:59,533 --> 00:56:01,214
Yes, I can.

881
00:56:01,293 --> 00:56:02,533
Did you get my messages?

882
00:56:02,614 --> 00:56:05,453
<i>Yes. Sorry I didn't call back.</i>

883
00:56:05,533 --> 00:56:08,374
<i>I've been busy at the bookshop.</i>

884
00:56:08,453 --> 00:56:10,294
-Félix?
<i>-Mm-hmm?</i>

885
00:56:11,053 --> 00:56:15,173
You're not ghosting me
or breadcrumbing me, are you?

886
00:56:15,254 --> 00:56:16,133
FÉLIX: <i>Huh?</i>

887
00:56:16,214 --> 00:56:18,973
Just don't ruin this, okay?

888
00:56:19,054 --> 00:56:20,574
<i>I can barely hear you.</i>

889
00:56:20,653 --> 00:56:24,014
-<i>What did you say?</i>
-Never mind. Take care. Bye.

890
00:56:24,093 --> 00:56:25,374
<i>I can't hear a thing.</i>

891
00:56:25,453 --> 00:56:26,614
[EXHALES]

892
00:56:36,693 --> 00:56:38,134
[WOMAN SNIFFLING]

893
00:56:41,814 --> 00:56:42,774
[CRYING SOFTLY]

894
00:56:42,853 --> 00:56:44,054
[EXHALES]

895
00:56:50,334 --> 00:56:51,294
[IN ENGLISH] Hi.

896
00:56:57,533 --> 00:56:58,493
[SIGHS]

897
00:57:04,293 --> 00:57:05,493
You should come with us.

898
00:57:06,254 --> 00:57:07,934
I'll buy you a drink at the pub.

899
00:57:08,894 --> 00:57:10,934
We don't have to talk
if you don't want to.

900
00:57:11,013 --> 00:57:12,213
We can just get drunk.

901
00:57:13,053 --> 00:57:15,174
[SNIFFLES]
I don't drink alcohol.

902
00:57:16,053 --> 00:57:17,334
Of course you don't.

903
00:57:19,734 --> 00:57:22,734
[SIGHS] Just had IVF.

904
00:57:24,654 --> 00:57:27,494
-It's my fifth attempt.
-[DOOR OPENS]

905
00:57:27,573 --> 00:57:29,613
And the hormones are killing me.

906
00:57:31,094 --> 00:57:32,054
[DOOR CLOSES]

907
00:57:32,694 --> 00:57:34,894
Can I have
one of your cigarettes, please?

908
00:57:46,334 --> 00:57:48,094
Hey. There you are.

909
00:57:48,814 --> 00:57:50,333
[IN FRENCH] Shall we go
to the pub?

910
00:57:54,134 --> 00:57:55,094
OLYMPIA: [IN ENGLISH] Yeah.

911
00:57:58,374 --> 00:57:59,854
AGATHE: I kinda want
to dress up first.

912
00:57:59,933 --> 00:58:02,374
OLYMPIA: I've got to put makeup
on my eyes.

913
00:58:02,494 --> 00:58:03,854
My mascara's run everywhere.

914
00:58:04,053 --> 00:58:05,254
AGATHE: You look fine.

915
00:58:05,334 --> 00:58:09,293
BOTH: [SINGING]
<i>Keep the love light glowing</i>

916
00:58:09,374 --> 00:58:14,574
<i>In your eyes so true</i>

917
00:58:15,173 --> 00:58:19,374
<i>Let me call you sweetheart</i>

918
00:58:19,454 --> 00:58:23,973
<i>I'm in love with you</i>

919
00:58:24,054 --> 00:58:27,014
[WHOOPING AND CHEERING]

920
00:58:28,333 --> 00:58:30,014
MAN: Thank you.
Thank you, ladies.

921
00:58:30,094 --> 00:58:32,894
<i>Even though the rain is falling</i>

922
00:58:32,974 --> 00:58:35,374
<i>And the sun ain't in the sky</i>

923
00:58:35,453 --> 00:58:37,054
<i>-It's all right</i>
-[LIVELY CHATTER]

924
00:58:37,133 --> 00:58:38,773
-Guinness?
-Yes.

925
00:58:38,854 --> 00:58:40,854
-Two Guinness. Thanks.
-BARTENDER: Yeah.

926
00:58:42,694 --> 00:58:43,973
Well done.

927
00:58:44,054 --> 00:58:46,334
<i>Hang on in there, baby</i>

928
00:58:46,414 --> 00:58:49,574
-[INDISTINCT CONVERSATION]
<i>-We'll make it through the night</i>

929
00:58:50,254 --> 00:58:51,134
[INDISTINCT CONVERSATION]

930
00:58:51,214 --> 00:58:53,733
<i>Just as long as we stay together</i>

931
00:58:53,814 --> 00:58:56,094
<i>It's all gonna be all right</i>

932
00:58:56,173 --> 00:58:57,973
<i>It's all right</i>

933
00:58:58,054 --> 00:59:00,573
<i>-Sometimes you make me happy</i>
-[INDISTINCT CONVERSATION]

934
00:59:00,654 --> 00:59:03,374
<i>Sometimes you make me sad</i>

935
00:59:03,453 --> 00:59:04,774
<i>It's all right</i>

936
00:59:04,854 --> 00:59:07,094
<i>But I won't change you</i>

937
00:59:07,573 --> 00:59:10,134
<i>I love you as you are</i>

938
00:59:11,614 --> 00:59:13,173
<i>You're my inspiration...</i>

939
00:59:13,254 --> 00:59:14,214
[IN FRENCH]
Are you leaving already?

940
00:59:14,734 --> 00:59:16,854
That depends. Do you play darts?

941
00:59:18,054 --> 00:59:19,014
No.

942
00:59:21,534 --> 00:59:26,213
[IN ENGLISH]
<i>You held me tight</i>

943
00:59:26,294 --> 00:59:29,414
<i>You felt desire</i>

944
00:59:29,493 --> 00:59:32,734
<i>Then why tonight</i>

945
00:59:32,813 --> 00:59:34,374
<i>You quenched the fire</i>

946
00:59:34,453 --> 00:59:38,894
<i>Dreams that seemed to promise
You'd be mine</i>

947
00:59:38,973 --> 00:59:42,054
<i>Have disappeared</i>

948
00:59:42,133 --> 00:59:44,974
<i>Before their time</i>

949
00:59:45,054 --> 00:59:46,334
[DOOR SLAMS OPEN]

950
00:59:53,734 --> 00:59:54,893
Uh, uh, uh.

951
00:59:56,614 --> 00:59:58,134
[OLIVER SIGHS]

952
00:59:58,214 --> 01:00:00,454
[IN FRENCH] I'd rather
you were conscious.

953
01:00:03,253 --> 01:00:04,694
Can't you just eat me out?

954
01:00:05,254 --> 01:00:06,214
[IN ENGLISH] What?

955
01:00:08,814 --> 01:00:09,614
Mm.

956
01:00:18,814 --> 01:00:19,934
[OLIVER SIGHS]

957
01:00:30,054 --> 01:00:31,054
[DOOR CLOSES]

958
01:00:43,973 --> 01:00:45,374
[DOOR OPENS]

959
01:00:49,414 --> 01:00:50,374
FÉLIX: Hey.

960
01:00:51,253 --> 01:00:52,213
[IN FRENCH] It's me.

961
01:00:55,093 --> 01:00:56,014
Oh.

962
01:00:56,094 --> 01:00:57,734
[LAUGHING QUIETLY]

963
01:00:59,213 --> 01:01:01,094
You look like shit.

964
01:01:03,814 --> 01:01:05,894
-Agathe.
-[GRUNTS, CRIES OUT]

965
01:01:05,974 --> 01:01:07,534
What a welcome! Nice.

966
01:01:09,254 --> 01:01:12,254
I was on the ferry earlier.
I was afraid you'd realize.

967
01:01:13,814 --> 01:01:15,854
I've come to distract you
and take you to the ball.

968
01:01:15,933 --> 01:01:18,334
Why didn't you reply
to my message?

969
01:01:18,413 --> 01:01:19,373
That was some message!

970
01:01:21,494 --> 01:01:23,294
I loved it. Thanks a lot.

971
01:01:24,734 --> 01:01:27,414
I just needed time to process.

972
01:01:27,494 --> 01:01:30,294
I've thought of nothing
but you since we kissed...

973
01:01:30,374 --> 01:01:32,894
This new turn of events
kind of freaks me out.

974
01:01:32,974 --> 01:01:34,294
-[KNOCKING ON DOOR]
-[IN ENGLISH] Yes?

975
01:01:37,134 --> 01:01:38,494
Well, hello.

976
01:01:40,014 --> 01:01:41,214
Um...

977
01:01:42,214 --> 01:01:43,414
Your breakfast, Ms. Robinson.

978
01:01:43,494 --> 01:01:45,614
Should I leave it on the table?

979
01:01:45,694 --> 01:01:48,294
Oh, no, no, no.
Nonsense, my boy.

980
01:01:48,374 --> 01:01:50,134
Leave this to me.
Thank you very much.

981
01:01:50,214 --> 01:01:51,414
What is your name again, sir?

982
01:01:51,894 --> 01:01:53,894
-Oliver.
-Oliver. Nice name.

983
01:01:53,974 --> 01:01:55,654
Thank you, Oliver.
Have a nice day.

984
01:01:55,734 --> 01:01:58,654
[IN FRENCH] Breakfast for two!
How splendid is that?

985
01:01:59,374 --> 01:02:01,974
We've wasted 10 years.
Let's not waste more.

986
01:02:02,054 --> 01:02:03,694
Kiss me! I missed you.

987
01:02:07,414 --> 01:02:08,534
[AGATHE GRUNTS]

988
01:02:08,694 --> 01:02:10,214
-[FÉLIX STAMMERS]
-[GAGGING]

989
01:02:10,894 --> 01:02:11,854
Are you okay?

990
01:02:12,214 --> 01:02:13,854
-[VOMITING]
-Oh no.

991
01:02:14,134 --> 01:02:16,334
-[GROANS]
-[AGATHE GAGGING]

992
01:02:18,814 --> 01:02:20,454
Can I get you anything?

993
01:02:20,533 --> 01:02:22,574
AGATHE: No! Stay where you are.

994
01:02:23,574 --> 01:02:25,294
[AGATHE RETCHING LOUDLY]

995
01:02:25,374 --> 01:02:27,734
-[GROANING]
-[AGATHE COUGHING]

996
01:02:27,813 --> 01:02:30,894
[WOMEN CONVERSING,
LAUGHING QUIETLY]

997
01:02:44,094 --> 01:02:45,734
[BETH AND OLYMPIA
TALKING QUIETLY]

998
01:02:45,814 --> 01:02:47,174
Here, put this on.

999
01:02:48,933 --> 01:02:49,893
All right.

1000
01:02:49,974 --> 01:02:51,174
[BETH LAUGHING]

1001
01:02:58,854 --> 01:03:00,014
[LAUGHING]

1002
01:03:14,614 --> 01:03:16,534
So what did you do?

1003
01:03:16,974 --> 01:03:17,934
AGATHE: Hmm?

1004
01:03:18,134 --> 01:03:19,534
Sleep with both of them?

1005
01:03:20,454 --> 01:03:21,694
No, neither.

1006
01:03:23,174 --> 01:03:25,334
Oliver tucked me in

1007
01:03:26,694 --> 01:03:28,134
and Félix woke me up.

1008
01:03:29,054 --> 01:03:31,894
It was really weird but...

1009
01:03:32,494 --> 01:03:33,974
not at all unpleasant.

1010
01:03:34,774 --> 01:03:36,014
I'm relieved he's here.

1011
01:03:36,574 --> 01:03:38,134
Relieved? Yes.

1012
01:03:38,654 --> 01:03:40,134
That doesn't sound
very exciting.

1013
01:03:41,934 --> 01:03:43,854
[<i>MÉLODIE HONGROISE, D.817</i>
PLAYING]

1014
01:03:50,654 --> 01:03:52,574
[INDISTINCT CHATTER]

1015
01:04:03,734 --> 01:04:05,654
[LOW, LIVELY CHATTER]

1016
01:04:27,894 --> 01:04:30,294
[IN ENGLISH] Yes. Uh, thank you.

1017
01:04:31,134 --> 01:04:32,094
Ladies.

1018
01:04:51,774 --> 01:04:53,574
-[IN FRENCH] You look beautiful.
-Thanks.

1019
01:04:59,214 --> 01:05:01,134
[<i>AMOUR ET PRINTEMPS</i> PLAYING]

1020
01:05:46,934 --> 01:05:48,854
[BOTH HUMMING ALONG TO MUSIC]

1021
01:06:02,174 --> 01:06:04,294
-[WHISPERING]
-Oh.

1022
01:06:10,494 --> 01:06:11,573
[LAUGHING]

1023
01:06:11,654 --> 01:06:13,294
[SPEAKS INDISTINCTLY]

1024
01:06:17,534 --> 01:06:19,013
[BOTH CHUCKLING]

1025
01:06:22,574 --> 01:06:23,774
BETH: [IN ENGLISH]
You all right, my darling?

1026
01:06:23,855 --> 01:06:25,333
[SPEAKING INDISTINCTLY]

1027
01:06:29,533 --> 01:06:32,254
[IN FRENCH] Beth, I feel dizzy.
Go and dance with Felix.

1028
01:06:32,333 --> 01:06:34,333
[IN ENGLISH]
Of course. I'd be delighted.

1029
01:06:34,414 --> 01:06:35,374
Hello.

1030
01:06:36,494 --> 01:06:37,454
[IN FRENCH] I'll be right back.

1031
01:06:38,494 --> 01:06:39,453
[IN ENGLISH] Sir.

1032
01:06:40,614 --> 01:06:42,454
Sir, just going to grab a glass.

1033
01:06:43,054 --> 01:06:44,454
Sorry.

1034
01:06:45,655 --> 01:06:46,813
Please-- Sorry.

1035
01:06:46,895 --> 01:06:48,014
[IN FRENCH] Is he nuts?

1036
01:06:48,093 --> 01:06:50,014
[<i>ROSES DU SUD, OP. 388</i> PLAYING]

1037
01:07:40,494 --> 01:07:42,614
[SOMBER INSTRUMENTAL
MUSIC PLAYING]

1038
01:08:55,174 --> 01:08:56,134
FÉLIX: [DISTANTLY] Agathe.

1039
01:08:57,455 --> 01:08:58,934
[IN ENGLISH] Thank you
very much. Thank you.

1040
01:08:59,014 --> 01:09:00,854
[NORMAL] Agathe. Agathe.

1041
01:09:01,654 --> 01:09:02,614
Hey.

1042
01:09:03,814 --> 01:09:06,054
Can I...
You're a very good dancer, sir.

1043
01:09:06,134 --> 01:09:07,134
Very good.

1044
01:09:08,175 --> 01:09:10,654
-Shall we?
-Yes.

1045
01:09:10,734 --> 01:09:11,694
FÉLIX: Thank you.

1046
01:09:31,574 --> 01:09:32,534
[DOOR SLAMS SHUT]

1047
01:09:40,414 --> 01:09:41,454
[FÉLIX CHUCKLING]

1048
01:09:41,974 --> 01:09:42,855
[FÉLIX GRUNTS]

1049
01:09:46,094 --> 01:09:47,054
FÉLIX: Agathe.

1050
01:09:51,215 --> 01:09:52,175
[BREATHING HEAVILY]

1051
01:09:54,775 --> 01:09:55,934
[KISSING]

1052
01:10:00,654 --> 01:10:02,414
AGATHE: [IN FRENCH] No, turn!

1053
01:10:02,495 --> 01:10:04,135
[BOTH LAUGHING]

1054
01:10:09,175 --> 01:10:10,254
[CRIES OUT]

1055
01:10:10,334 --> 01:10:11,694
Don't do that!

1056
01:10:13,214 --> 01:10:15,334
My nipples are sensitive.
Are you nuts?

1057
01:10:15,414 --> 01:10:17,295
I'll have red marks too.

1058
01:10:17,894 --> 01:10:19,895
-Don't do it again.
-Okay, fine.

1059
01:10:20,455 --> 01:10:22,694
-I mean it.
-I got it!

1060
01:10:25,694 --> 01:10:26,974
[EXHALES]

1061
01:10:28,494 --> 01:10:31,575
Do you realize
this house is 300 years old?

1062
01:10:32,894 --> 01:10:34,334
Have you seen
how thick the walls are?

1063
01:10:38,214 --> 01:10:39,174
Yeah...

1064
01:10:42,334 --> 01:10:43,615
I have, yeah.

1065
01:10:46,095 --> 01:10:47,294
[FÉLIX EXHALES]

1066
01:10:48,494 --> 01:10:49,815
[RAIN PATTERING]

1067
01:10:54,814 --> 01:10:56,255
It's a nice temperature.

1068
01:10:58,975 --> 01:11:00,215
Very nice.

1069
01:11:02,854 --> 01:11:04,374
Should I open the window wider?

1070
01:11:04,455 --> 01:11:06,255
No, it's fine as it is.

1071
01:11:06,935 --> 01:11:08,455
There's a lovely breeze.

1072
01:11:11,175 --> 01:11:12,254
[FÉLIX GRUNTS]

1073
01:11:17,254 --> 01:11:18,575
-Félix.
-Mm-hmm?

1074
01:11:21,134 --> 01:11:24,655
Maybe there's a reason nothing
has ever happened between us.

1075
01:11:28,615 --> 01:11:29,894
Was it that bad?

1076
01:11:30,454 --> 01:11:33,214
No. That isn't the issue.

1077
01:11:34,775 --> 01:11:38,414
But when we're side by side
like this,

1078
01:11:38,495 --> 01:11:41,174
I just want to eat kebabs
and watch TV together.

1079
01:11:43,175 --> 01:11:45,654
Well, we know each other
inside out.

1080
01:11:47,174 --> 01:11:49,335
So it'll take us
a bit of time...

1081
01:11:50,094 --> 01:11:52,495
to adjust to this new situation.

1082
01:11:52,574 --> 01:11:54,854
-Are you serious?
-Yes. It's perfectly normal.

1083
01:11:56,134 --> 01:11:59,254
With you, I have found
my double flame at last.

1084
01:11:59,335 --> 01:12:00,815
Fuck no, Félix!

1085
01:12:00,894 --> 01:12:03,735
You quote Octavio Paz
to every girl you sleep with.

1086
01:12:04,334 --> 01:12:06,014
Don't say that crap to me!

1087
01:12:07,135 --> 01:12:09,014
Us being together
is self-evident,

1088
01:12:09,095 --> 01:12:10,494
but we refused to see that.

1089
01:12:11,655 --> 01:12:13,774
So it's normal to feel afraid.

1090
01:12:14,654 --> 01:12:16,094
What's there to be afraid of?

1091
01:12:18,655 --> 01:12:20,575
[EXHALES] Well...

1092
01:12:25,535 --> 01:12:27,415
Aren't we just afraid
of ending up alone?

1093
01:12:27,975 --> 01:12:28,935
No.

1094
01:12:30,575 --> 01:12:32,294
I've always wanted
to sleep with you.

1095
01:12:32,375 --> 01:12:33,895
You want to sleep with everyone!

1096
01:12:40,654 --> 01:12:41,654
I adore you.

1097
01:12:43,655 --> 01:12:44,934
But I don't feel...

1098
01:12:46,134 --> 01:12:48,535
that little inexplicable spark.

1099
01:12:50,375 --> 01:12:52,174
[SIGHS] Okay.

1100
01:12:52,255 --> 01:12:55,455
So that's it, huh?
You won't even give us a chance.

1101
01:12:56,294 --> 01:12:57,375
AGATHE: Sorry.

1102
01:12:57,455 --> 01:12:58,654
It isn't that.

1103
01:12:59,574 --> 01:13:00,534
Okay.

1104
01:13:00,615 --> 01:13:01,895
-Where are you going?
-For a walk.

1105
01:13:01,975 --> 01:13:04,974
-I'll come with you.
-No. I'm going alone.

1106
01:13:05,534 --> 01:13:06,494
[DOOR SLAMS SHUT]

1107
01:13:09,815 --> 01:13:11,735
[<i>SONATE NO. 20 EN LA MAJEUR,
D. 959</i> PLAYING]

1108
01:13:36,894 --> 01:13:38,134
-Are you mad at me?
-No.

1109
01:13:38,974 --> 01:13:40,255
-Are you sure?
-Yes.

1110
01:13:40,334 --> 01:13:41,574
Okay.

1111
01:13:42,175 --> 01:13:44,655
-Should I stay for the reading?
-Definitely not.

1112
01:13:45,215 --> 01:13:47,095
It's more stressful
with loved ones present.

1113
01:13:48,335 --> 01:13:50,135
-We'll see each other soon.
-Yep.

1114
01:14:02,294 --> 01:14:03,254
[ENGINE STARTS]

1115
01:14:10,534 --> 01:14:11,494
[LAUGHS SOFTLY]

1116
01:14:30,775 --> 01:14:31,774
[YELLS]

1117
01:14:33,495 --> 01:14:36,255
[IN ENGLISH]
"Until death, it is all life."

1118
01:15:13,054 --> 01:15:14,215
[AGATHE EXHALES]

1119
01:15:14,294 --> 01:15:15,654
[IN FRENCH]
What a fucking surprise!

1120
01:15:18,134 --> 01:15:19,855
Was it you who spat at me?

1121
01:15:19,934 --> 01:15:21,775
[LLAMA HUMMING]

1122
01:15:22,374 --> 01:15:24,495
[DISTANT THUNDER RUMBLING]

1123
01:15:31,775 --> 01:15:33,695
[WIND BLOWING]

1124
01:15:53,774 --> 01:15:54,815
[SNIFFS]

1125
01:16:13,335 --> 01:16:14,535
[CLATTERING]

1126
01:16:16,455 --> 01:16:17,774
[BAG ZIPPER WHIZZING]

1127
01:16:22,815 --> 01:16:24,215
[RUSTLING]

1128
01:16:25,855 --> 01:16:26,815
[DOOR CLOSES]

1129
01:16:29,015 --> 01:16:30,375
[ROOSTER CROWING IN DISTANCE]

1130
01:16:38,695 --> 01:16:40,095
Are you leaving already?

1131
01:16:41,094 --> 01:16:44,414
Don't tell me
it's because of your reading.

1132
01:16:47,775 --> 01:16:48,735
Beth...

1133
01:16:51,254 --> 01:16:52,214
I'm sorry.

1134
01:16:54,055 --> 01:16:55,215
I lied to you.

1135
01:16:57,095 --> 01:17:00,055
I haven't written anything,
not a single word.

1136
01:17:02,015 --> 01:17:05,175
I'm not a writer. I need
to accept that and move on.

1137
01:17:05,254 --> 01:17:06,214
[IN ENGLISH] Darling.

1138
01:17:06,295 --> 01:17:09,695
[IN FRENCH] You should have told
us you had hit a dry spell.

1139
01:17:09,774 --> 01:17:13,614
So many residents
have before you.

1140
01:17:14,135 --> 01:17:17,895
We loved the first chapters
of your novel.

1141
01:17:17,975 --> 01:17:19,415
Just ask Oliver.

1142
01:17:20,095 --> 01:17:23,614
He said that your first chapters
were the most promising

1143
01:17:23,695 --> 01:17:25,575
he had read in years.

1144
01:17:26,935 --> 01:17:28,535
Thank you again
for your kindness.

1145
01:17:29,575 --> 01:17:30,695
I'll never forget you.

1146
01:17:31,335 --> 01:17:32,975
I'm so sorry.

1147
01:17:33,774 --> 01:17:35,375
[VEHICLE APPROACHING]

1148
01:17:45,095 --> 01:17:46,415
OLIVER:
The bus doesn't run on Sundays.

1149
01:17:56,735 --> 01:17:58,454
[TIRES SCREECHING]

1150
01:18:02,975 --> 01:18:04,615
WOMAN: [OVER RADIO, IN ENGLISH]
<i>My ex killed himself</i>

1151
01:18:04,695 --> 01:18:06,014
<i>after I cheated and left him.</i>

1152
01:18:06,095 --> 01:18:08,775
<i>I know I didn't pull the trigger
but I pushed him to it.</i>

1153
01:18:08,855 --> 01:18:10,495
<i>I took everything from him.</i>

1154
01:18:10,575 --> 01:18:13,015
<i>I don't know what else to say.
I'm a horrible human being.</i>

1155
01:18:13,095 --> 01:18:16,095
<i>And I don't know how I can
move on or live anymore.</i>

1156
01:18:25,655 --> 01:18:27,455
[IN FRENCH]
Have you ever had the feeling

1157
01:18:27,534 --> 01:18:29,615
you were made
for something or someone?

1158
01:18:30,815 --> 01:18:33,574
That it was
just a matter of luck

1159
01:18:34,375 --> 01:18:35,335
or timing?

1160
01:18:35,935 --> 01:18:40,135
Are you talking about writing
or your boyfriend?

1161
01:18:40,215 --> 01:18:41,215
He isn't my boyfriend.

1162
01:18:43,215 --> 01:18:45,575
And I'm sorry
about what happened.

1163
01:18:46,255 --> 01:18:47,535
I was talking about writing.

1164
01:18:48,654 --> 01:18:50,335
I always found excuses.

1165
01:18:50,415 --> 01:18:53,935
I thought conditions needed
to be perfect to write.

1166
01:18:55,055 --> 01:18:56,735
And that I had to experience

1167
01:18:56,815 --> 01:18:58,534
interesting things
to write but...

1168
01:18:59,375 --> 01:19:01,015
that's all bullshit.

1169
01:19:01,975 --> 01:19:03,375
At least I know that now.

1170
01:19:05,175 --> 01:19:08,414
Writing is like ivy...

1171
01:19:10,135 --> 01:19:14,655
like weeds and plants.
It needs ruins to exist.

1172
01:19:14,735 --> 01:19:15,855
[LAUGHS SOFTLY]

1173
01:19:15,935 --> 01:19:17,615
[SEAGULLS SCREECHING]

1174
01:19:19,615 --> 01:19:20,894
Look for your ruins.

1175
01:19:26,535 --> 01:19:28,935
Tramadol and Lexomil
are on a boat. Who falls in?

1176
01:19:29,455 --> 01:19:30,575
What?

1177
01:19:30,655 --> 01:19:32,015
Nothing, forget it.

1178
01:19:33,815 --> 01:19:36,295
[OLIVER BREATHES DEEPLY]

1179
01:19:38,055 --> 01:19:39,134
[OLIVER SPEAKS SOFTLY]

1180
01:19:41,015 --> 01:19:41,975
Bye.

1181
01:19:43,815 --> 01:19:45,735
[MELANCHOLIC INSTRUMENTAL
MUSIC PLAYS]

1182
01:20:05,295 --> 01:20:07,215
[MELANCHOLIC MUSIC CONTINUES]

1183
01:21:02,015 --> 01:21:03,015
[KEY CLATTERS]

1184
01:21:06,255 --> 01:21:07,215
[DROPS PURSE ON FLOOR]

1185
01:21:29,855 --> 01:21:31,375
[LINE RINGING]

1186
01:21:32,015 --> 01:21:33,175
MONA: <i>Are you
at the Bergeronette?</i>

1187
01:21:34,735 --> 01:21:35,695
Yes.

1188
01:21:36,415 --> 01:21:39,775
You really shouldn't leave
the keys under the flowerpots.

1189
01:21:39,855 --> 01:21:42,375
It's the first place
burglars look.

1190
01:21:43,015 --> 01:21:44,815
You might as well
leave the door open.

1191
01:21:44,895 --> 01:21:45,975
<i>Agathe?</i>

1192
01:21:46,935 --> 01:21:48,895
-What?
-<i>You're such a pain.</i>

1193
01:21:51,335 --> 01:21:52,295
[IN ENGLISH] Okay.

1194
01:21:55,655 --> 01:21:56,615
MONA: [IN FRENCH] <i>Are you okay?</i>

1195
01:22:01,695 --> 01:22:05,055
AGATHE: <i>Well, I feel great joy</i>

1196
01:22:05,135 --> 01:22:06,895
<i>and immense sadness too.</i>

1197
01:22:08,535 --> 01:22:09,895
MONA: <i>I know, sweetie.</i>

1198
01:22:10,575 --> 01:22:12,015
<i>It'll pass, you'll see.</i>

1199
01:22:14,455 --> 01:22:15,935
[SEAGULLS SCREECHING]

1200
01:22:16,015 --> 01:22:17,415
[EXHALES HEAVILY]

1201
01:22:18,415 --> 01:22:20,175
AGATHE: <i>Remember what Dad
used to say?</i>

1202
01:22:21,175 --> 01:22:23,895
<i>"Literature is the only remedy</i>

1203
01:22:23,975 --> 01:22:25,935
<i>for the disorder
of thoughts and feelings."</i>

1204
01:22:26,215 --> 01:22:29,215
MONA: [SIGHS] <i>I never did get
his theories.</i>

1205
01:22:29,295 --> 01:22:32,415
<i>Dad kind of crushed you
with his literature crap.</i>

1206
01:22:33,135 --> 01:22:36,055
<i>Don't you think it's time
you told him to piss off?</i>

1207
01:22:37,296 --> 01:22:38,455
AGATHE: <i>He's dead, Mona.</i>

1208
01:22:38,975 --> 01:22:40,775
MONA: <i>All the more reason.</i>

1209
01:22:42,135 --> 01:22:44,055
[WAVES CRASHING]

1210
01:23:07,616 --> 01:23:09,055
[EXHALES HEAVILY]

1211
01:23:30,055 --> 01:23:31,975
[LEAVES RUSTLING]

1212
01:23:47,615 --> 01:23:49,535
[SOMBER INSTRUMENTAL
MUSIC PLAYING]

1213
01:24:21,175 --> 01:24:23,095
[KEYBOARD CLACKING]

1214
01:24:32,096 --> 01:24:33,935
[SEAGULLS SCREECHING]

1215
01:25:02,335 --> 01:25:04,695
[SEAGULLS SCREECHING]

1216
01:25:07,015 --> 01:25:08,215
{\an8}Dear Oliver,

1217
01:25:08,296 --> 01:25:10,415
{\an8}Thank you
for your gardening tips.

1218
01:25:10,496 --> 01:25:13,855
{\an8}I found my ruins.

1219
01:25:20,096 --> 01:25:22,976
[TRAFFIC PASSING]

1220
01:25:27,776 --> 01:25:28,736
[HORN HONKS]

1221
01:25:30,335 --> 01:25:31,935
[DISTANT BELL TOLLING]

1222
01:25:33,816 --> 01:25:35,575
[HORNS HONKING]

1223
01:25:53,655 --> 01:25:55,575
[TV PLAYING QUIETLY]

1224
01:25:56,615 --> 01:26:00,136
[AGATHE LAUGHING,
SPEAKING FRENCH]

1225
01:26:00,215 --> 01:26:02,175
-Hi!
-Everyone okay?

1226
01:26:03,535 --> 01:26:04,495
Okay.

1227
01:26:05,496 --> 01:26:08,215
NARRATOR: [ON TV] <i>Penetration
is extremely painful...</i>

1228
01:26:08,295 --> 01:26:09,616
Is this <i>The Lion King?</i>

1229
01:26:11,816 --> 01:26:12,655
[GROWLING]

1230
01:26:13,456 --> 01:26:14,416
[ROARING]

1231
01:26:15,776 --> 01:26:18,135
Excuse me, sorry. Thanks.

1232
01:26:18,775 --> 01:26:20,856
There's a letter for you.
It's on the fridge.

1233
01:26:22,815 --> 01:26:25,776
NARRATOR: <i>The hairs on the tip
of the male's penis</i>

1234
01:26:25,855 --> 01:26:27,415
<i>are as hard as spines</i>

1235
01:26:28,136 --> 01:26:31,416
<i>but necessary to trigger
ovulation in the female.</i>

1236
01:26:34,735 --> 01:26:36,175
-Well?
-Who's it from?

1237
01:26:38,016 --> 01:26:41,696
An English publisher.
He loved my novel.

1238
01:26:41,775 --> 01:26:42,936
That's fantastic!

1239
01:26:43,015 --> 01:26:45,215
FÉLIX: Cheer up!
Don't kill yourself out of joy.

1240
01:26:45,295 --> 01:26:46,295
Smile!

1241
01:26:47,535 --> 01:26:49,096
MONA: Congrats, old cow!

1242
01:26:49,175 --> 01:26:51,335
-TOM: Ow!
-[ALL LAUGH]

1243
01:26:55,055 --> 01:26:56,256
[SHOP DOOR BELL JINGLING]

1244
01:26:58,296 --> 01:26:59,256
[QUIET CHATTER]

1245
01:27:05,495 --> 01:27:06,455
{\an8}AGATHE: [IN ENGLISH] <i>"Agathe,</i>

1246
01:27:08,375 --> 01:27:09,976
<i>in vain have I struggled."</i>

1247
01:27:10,055 --> 01:27:11,336
<i>"It will not do."</i>

1248
01:27:11,415 --> 01:27:13,256
<i>"My feelings
will not be repressed."</i>

1249
01:27:13,936 --> 01:27:15,456
<i>"You must allow me to tell you</i>

1250
01:27:15,535 --> 01:27:17,735
<i>how ardently
I admire and love you."</i>

1251
01:27:28,176 --> 01:27:30,416
[IN FRENCH] There's a
Jane Austen quote on the mirror.

1252
01:27:31,896 --> 01:27:32,856
[IN ENGLISH] Okay.

1253
01:27:32,935 --> 01:27:34,135
[IN FRENCH] With my name on it!

1254
01:27:34,936 --> 01:27:35,896
Great.

1255
01:27:36,375 --> 01:27:37,776
Who made such a lame joke?

1256
01:27:37,855 --> 01:27:41,496
Don't look at me!
How would I know?

1257
01:27:41,575 --> 01:27:42,616
You're weird.

1258
01:27:50,215 --> 01:27:51,575
[APPLAUSE]

1259
01:27:53,016 --> 01:27:54,936
[APPLAUSE CONTINUES]

1260
01:27:58,695 --> 01:27:59,736
Thank you.

1261
01:28:02,216 --> 01:28:05,415
And the final poem this evening

1262
01:28:05,975 --> 01:28:07,495
is <i>Path</i> by Jack Hirschman.

1263
01:28:09,216 --> 01:28:10,296
[IN ENGLISH] "Path."

1264
01:28:12,535 --> 01:28:14,215
"Go to your broken heart."

1265
01:28:16,736 --> 01:28:19,975
"If you think
you don't have one, get one."

1266
01:28:22,135 --> 01:28:25,215
"To get one, be sincere."

1267
01:28:26,135 --> 01:28:28,175
"Learn sincerity of intent

1268
01:28:28,256 --> 01:28:32,055
by letting life enter
because you're helpless, really,

1269
01:28:32,575 --> 01:28:34,255
to do otherwise."

1270
01:28:36,055 --> 01:28:38,416
"Even as you try escaping,

1271
01:28:38,895 --> 01:28:41,535
let it take you
and tear you open

1272
01:28:41,615 --> 01:28:43,056
like a letter sent,

1273
01:28:43,135 --> 01:28:46,175
like a sentence inside
you've waited for

1274
01:28:46,855 --> 01:28:47,815
all your life,

1275
01:28:48,696 --> 01:28:51,375
though you've committed
nothing."

1276
01:28:53,335 --> 01:28:55,255
"Let it send you up."

1277
01:28:57,255 --> 01:29:00,096
"Let it break you, heart."

1278
01:29:01,456 --> 01:29:03,136
"Broken-heartedness

1279
01:29:03,216 --> 01:29:07,336
is the beginning
of all real reception."

1280
01:29:09,296 --> 01:29:11,655
"The ear of humility

1281
01:29:12,456 --> 01:29:14,175
hears beyond the gates."

1282
01:29:15,896 --> 01:29:17,175
"See the gates opening."

1283
01:29:17,936 --> 01:29:21,415
"Feel your hands
going akimbo on your hips,

1284
01:29:21,496 --> 01:29:25,535
your mouth opening like a womb
giving birth to your voice

1285
01:29:26,495 --> 01:29:28,056
for the first time."

1286
01:29:29,056 --> 01:29:34,575
"Go singing, whirling
into the glory of being

1287
01:29:35,336 --> 01:29:36,895
ecstatically...

1288
01:29:38,255 --> 01:29:39,255
simple."

1289
01:29:40,735 --> 01:29:41,896
"Write the poem."

1290
01:29:42,736 --> 01:29:44,455
-[CHEERING]
-MAN: Bravo!

1291
01:29:46,095 --> 01:29:47,215
[WHISPERING]

1292
01:29:52,935 --> 01:29:53,895
[APPLAUSE CONTINUES]

1293
01:29:55,256 --> 01:29:56,056
Pardon.

1294
01:29:56,296 --> 01:29:58,216
[<i>SEPTEMBER FIELDS</i>
BY FRAZEY FORD PLAYING]

1295
01:30:04,455 --> 01:30:08,855
<i>You better get up for your mama</i>

1296
01:30:13,456 --> 01:30:19,015
<i>You better grab
The best of your life</i>

1297
01:30:20,095 --> 01:30:22,295
<i>I know you're ready</i>

1298
01:30:25,455 --> 01:30:27,456
<i>To get older</i>

1299
01:30:30,015 --> 01:30:31,895
<i>Anyhow</i>

1300
01:30:41,176 --> 01:30:46,776
<i>Well, all you have to do
Is wander</i>

1301
01:30:50,415 --> 01:30:56,656
<i>Over fields of dark time</i>

1302
01:30:56,976 --> 01:31:00,175
<i>Where do you find yourself</i>

1303
01:31:01,815 --> 01:31:04,936
<i>Feeling lonesome</i>

1304
01:31:06,256 --> 01:31:09,456
<i>And do you reckon</i>

1305
01:31:09,536 --> 01:31:13,615
<i>Your body and your mind?</i>

1306
01:31:17,855 --> 01:31:19,296
<i>Day on Earth</i>

1307
01:31:20,175 --> 01:31:22,775
<i>By the streets at night</i>

1308
01:31:23,335 --> 01:31:24,855
<i>Oh, yeah</i>

1309
01:31:26,615 --> 01:31:28,616
<i>I saw you passing</i>

1310
01:31:29,775 --> 01:31:32,375
<i>There in the street lights</i>

1311
01:31:34,216 --> 01:31:38,216
<i>And do you have</i>

1312
01:31:38,616 --> 01:31:41,536
<i>A home for the morning?</i>

1313
01:31:43,336 --> 01:31:46,976
<i>And are you holding</i>

1314
01:31:47,055 --> 01:31:50,095
<i>Holding on so tight?</i>

1315
01:31:59,856 --> 01:32:05,575
<i>You say that's what
You have been given</i>

1316
01:32:09,135 --> 01:32:15,615
<i>A whole lot of nothing
For your time</i>

1317
01:32:15,696 --> 01:32:18,936
<i>Or have you sunken</i>

1318
01:32:20,616 --> 01:32:23,736
<i>Down in your bones</i>

1319
01:32:24,976 --> 01:32:29,216
<i>And do you toss and turn</i>

1320
01:32:29,296 --> 01:32:32,055
<i>And turn at night?</i>

1321
01:32:34,096 --> 01:32:38,056
<i>And are you holding</i>

1322
01:32:38,136 --> 01:32:41,095
<i>Holding on so tight?</i>

1323
01:32:43,656 --> 01:32:47,936
<i>And do you toss and turn</i>

1324
01:32:48,016 --> 01:32:50,736
<i>And turn at night?</i>

1325
01:32:52,775 --> 01:32:56,735
<i>And are you holding</i>

1326
01:32:56,816 --> 01:32:59,775
<i>Holding on so tight?</i>

1327
01:33:19,016 --> 01:33:20,936
[SONG ENDS]

1327
01:33:21,305 --> 01:34:21,306
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