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Hi, welcome back.

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Today I thought we'd
do a little seascape

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that's right off of the
California-Oregon coast.

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And I've taken the liberty, because
we do have time restraints here,

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of going ahead and covering a
black canvas with transparent color.

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Now, what I've done, in the
center here, I've put alizarin crimson.

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Right in the center and
going out in both directions.

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And around that, phthalo blue.

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And on the bottom, same thing.

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So we have a circle
here of crimson,

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protruding in both directions,
and blue around the edges.

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Okay, now, let's take the one
inch brush, and a little bit of titanium

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white paint, and let's figure out
here where we want the sun to be.

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And we're gonna start,
say, right about here, and

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we make little tiny Xs,
or crisscross strokes.

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And just begin working them out.

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Never going back toward the
center, always working outward,

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because you're gonna soon
be picking up the blue color.

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And let that run
right on out like so.

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There we go.

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See now how it's
picking up the blue?

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Okay.

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Now, let me clean the brush and we
can brighten it up just a little bit more.

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Okay, a little more
titanium white.

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Be sure your brush
is clean and dry.

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Right into the center,
working outward.

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There we go, look at that
son of a gun shine now.

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Work it all the way out
to the outside edges here.

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Okay, now with a large
brush, we're gonna go in and

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blend this, still making
the crisscross strokes.

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There we go, gentle.

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Just let it go back and forth
just to blend the colors together.

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Now very carefully
take the brush marks out.

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Okay, let's wash
this old big brush out.

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There we go.

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Now, if you wanted to
make it a little bit brighter, we

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can add just the slightest
amount of cad yellow and white.

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Now you have to be very
careful with this because if

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the yellow touches the
blue, we've got a green sky.

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So all we want to do is right around
in here, put a little bit of yellow.

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Just a tiny bit.

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There, that's enough because
we're getting very close to the blue.

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Now once again with a large
brush, we'll blend this out.

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Okay, take out
the brush strokes.

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And we've got the beginnings
of a beautiful little sunset here.

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Let's use the fan brush and
we'll take some Van Dyke

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Brown and add it to a
little bit of Alizarin Crimson.

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Brown and Alizarin Crimson.

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And we'll make some happy little
clouds floating around up here in the sky.

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So let's go right along
here and we'll start with

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a little cloud coming right
across the sun maybe.

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There we go.

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Push this paint into the canvas.

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Really work it.

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Maybe there's a big
old cloud up here.

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There.

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Clouds are very free.

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Just let them
float and have fun.

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There we go.

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One of the freest
things in nature.

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Maybe there's a little one here.

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Once again, just sort of
let your imagination go crazy

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and wherever you see a
little cloud, just drop it in.

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This is your world, your sunset.

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Maybe there's another
one right in here.

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And maybe up in
here, there we go.

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Have a big old dark one
that's just hiding up here.

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Okay, that gives us some
basic cloud shapes to work with.

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Now we need to highlight these happy little
clouds and let some sunlight play on them.

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So let's take a
little bit of yellow.

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This is cad yellow.

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And the smallest
amount of permanent red.

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Just mix them together here.

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There we go.

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We'll make you some
bright, sparkly little clouds.

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A lot of paint on the fan brush.

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Now, just right above
the dark, touch the canvas.

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Maybe a tiny bit more of
the permanent red in there.

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We'll brighten him up a little.

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Just touch the canvas and lay a little
bit of this color right on top of the dark.

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There.

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Just push it off the fan brush.

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There we go.

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Let some little things happen
in some of these clouds.

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Now, this one will be highlighted on the
bottom since the light source is below it.

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Don't let that little
rascal fool you.

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And we'll put some
light down here.

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And maybe there's just a little trickle
hitting up on top of this cloud somewhere.

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Just here and
there, little tiny bits.

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And then we have this big dark
one that's hiding way up here.

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So we'll put some little
highlights on him too.

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Don't want this one as bright, because
he's farther away from the light source.

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Now, let's see.

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You can with a big brush.

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All we're gonna do is just gently wipe
across this, and watch what happens.

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Just bring all this together.

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There we go.

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Look at them son of a guns.

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Isn't that something?

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And you can fluff them
up, move them around.

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But you must have a paint
that's very firm, it's underneath.

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If you're using a thin, oily
paint, you become a mud mixer.

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Okie dokie.

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And, nice, simple,
very effective little sky.

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So, let's move right along here.

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We'll take a little bit of

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Titanium white with the least,
least little touch of cad yellow in it.

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Very, very small amount.

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And figure out where your
water line's gonna be here.

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And maybe right about here.

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We'll just begin by
touching the canvas.

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Just touch.

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Allow the paint to be
pulled off onto the canvas.

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And start under the sun
and work outwards so

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automatically it gets
darker as it goes out.

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And this line needs
to be pretty straight.

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If it's got crooks and bumps
in it, it'll sort of bother you.

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We'll lay a little
color right here.

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Little bit of the light's just
reflecting through the water.

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There we go.

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Just let it play and have fun.

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Okay, now we need the big brush.

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And very gently, we're just
gonna blend right across this.

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Bring it together.

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There we go.

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Okay.

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Clean up our brush here.

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That is fun.

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That's better than
arguing with your spouse.

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Take the almighty fan brush.

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I'm gonna put a little tiny
bit of magic white with it.

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Tiniest little bit.

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Okay now, we're gonna begin
making some little wave actions in here.

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So just touch, and every once in a while
give it a little push so it bends upward.

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Tiny little push.

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You want it to bend
upward though.

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And see how it picks up the
crimson that's underneath?

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Makes all those pretty little
things happen automatically.

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You don't have to
worry about them.

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There we go.

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Just let it get darker and darker
toward the edges over here.

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And we're beginning to see
some little things happen, so

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begin to put a little more
detail in some of these waves.

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And you can see now it's beginning to
pick up the blue that's underneath there.

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And a super way
to make little waves.

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Well, if we're gonna make a
California, Oregon type seascape

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here, let's start putting
some little rocks in the water.

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Maybe way back here.

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There's a little stone
out here in the water.

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Or it's really a big stone that's far
away, but it looks small, perspective.

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And let's highlight this
with some burnt umber

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and the least little
touch of yellow in it.

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Very, very small
amount of yellow in it.

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There we go.

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Just barely touch it.

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Just let the paint break.

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And now then, we can splash
some water upon that rock.

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We'll take the fan brush again,

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Little bit of the magic
white with it to thin it.

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And we'll just begin bringing
some water right up here and let it

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hit and splash and have fun and
sort of give it a little pull upward.

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Okay.

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Let's have another
little rock in there.

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Maybe he comes right along here.

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Like that.

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There we go.

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This is just Van Dyke Brown
with a little bit of Burnt Umber in it.

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Okay.

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And we'll lay some
highlights on that one.

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Same color.

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Burnt Umber with
a little bit of yellow.

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Just here and there.

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And maybe this
one's a little bigger.

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Maybe I'll knit, maybe there's a
little grass that grows out there.

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I'm gonna have some
vegetation on these rocks.

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They're quite large.

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So we'll make a little
sap green, yellow,

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and a little tiny bit
of permanent red in it.

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Just to dull it down a little.

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And then just pop some little
grassy things out here on this.

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There.

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Don't want them too bright.

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Don't want them too bright.

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Be careful they don't get so
bright you can't stand them.

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Wanna keep it quite dark.

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I've got behind me
my brush cleaner.

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Now, I'll take a little Van Dyke
brown and a burnt umber, just mixed on

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the fan brush here, and let's put a
few little trees back here on this one.

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All we're gonna
do is just touch.

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All we're looking
for is silhouettes.

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So just touch here and there.

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There we go.

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Just a few little happy things.

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And I'll use a liner brush

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with a little bit
of thin oil in it.

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And just turn that brush
until it gets real sharp.

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There we go.

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And we'll put a few little
trunks on those trees.

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Now these may be quite hard
for you to see, but they are here.

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And when you do your
painting at home, you'll

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want to have all this
little detail in here.

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It really makes a
painting stand out.

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Okay.

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Now, let's highlight
those little trees.

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Just a tiny bit.

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We'll use a little bit of
ochre with permanent red.

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Yellow ochre with a little
touch of permanent red in it.

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And just highlight
them, just a little.

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Just so they stand out.

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And these trees
have quite flat tops on.

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There.

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That's good.

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A little bit more of
the wave action here.

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Just touch, let it bend.

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Push it up that mountain.

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And let it spin up here.

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Right up the rocks.

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Maybe there's
another wave right here.

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Make little stories up
when you're doing this.

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Little sounds.

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Think you're at the ocean.

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Think how it sounds, how the wave
feels, the wind blowing in your face.

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All these things help put you in
the mood to do paintings like these.

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There we go.

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Just let these little
waves happen.

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Don't let them get too
bright on you again.

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Okay.

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Let's make a bigger stone, same
color, Van Dyke brown, burnt umber.

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And maybe this one
comes way up like this.

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And maybe we're up above
looking down off one of the big cliffs.

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Let's really go crazy.

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Let's put one out here like so.

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And just let him wander on down.

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There.

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I'm just filling all this in with the Van
Dyke brown and a little bit of burnt umber.

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Okay.

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This painting's a little different
than things we've done in the

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past, but it gives you a whole
new bunch of ideas to go with.

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Always look for
new ways to do this.

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All we want to do here
is give you the basic

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technique and turn
you loose on the world.

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But always believe in yourself, believe
in your ability and what you can do.

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There we go, all that's
covered now in just brown.

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Let's put a few little
highlights in here.

245
00:15:31,674 --> 00:15:39,674
This is Burnt Umber with Yellow and
a little touch of Permanent Red in it.

246
00:15:40,908 --> 00:15:43,863
And let's turn this into some
almighty big stones here.

247
00:15:43,913 --> 00:15:46,767
Just let that paint run
down there and break.

248
00:15:46,817 --> 00:15:52,616
That's what I mean by breaking is when the
paint has all the holes and stuff in it.

249
00:15:52,666 --> 00:15:56,780
Just let it come
down here and play.

250
00:16:00,961 --> 00:16:04,961
Look at all those
things happening.

251
00:16:08,628 --> 00:16:12,823
Okay, right here maybe
a little light striking.

252
00:16:12,873 --> 00:16:16,301
And it's playing through here.

253
00:16:19,739 --> 00:16:23,853
Mix up just a touch
more color here.

254
00:16:24,083 --> 00:16:27,968
Little bit of
permanent red in it.

255
00:16:29,108 --> 00:16:34,136
Little bit of light on
this stone over here.

256
00:16:34,998 --> 00:16:35,998
There we go.

257
00:16:36,040 --> 00:16:39,125
So let these things happen.

258
00:16:41,469 --> 00:16:42,469
Okay.

259
00:16:43,052 --> 00:16:46,568
Maybe, maybe, maybe, maybe
there's a little light right there.

260
00:16:46,618 --> 00:16:50,134
Maybe there's a little,
there, look at that.

261
00:16:50,184 --> 00:16:51,669
Look at that.

262
00:16:52,568 --> 00:16:54,168
You can do it.

263
00:16:58,619 --> 00:17:00,482
Alright.

264
00:17:01,593 --> 00:17:05,702
Let's take a little crimson and
a little bit of Van Dyke brown

265
00:17:05,726 --> 00:17:09,593
and let's put some pretty
little bushes and stuff up here.

266
00:17:10,844 --> 00:17:14,478
Maybe there's a little
plant that lives right here.

267
00:17:14,528 --> 00:17:17,261
Now the trees that live
here really catch the devil.

268
00:17:17,311 --> 00:17:20,285
Oh, the wind beats
on them all the time.

269
00:17:20,335 --> 00:17:22,708
So they're scrawny little trees.

270
00:17:22,758 --> 00:17:24,290
Oh, they've been hurt.

271
00:17:24,340 --> 00:17:25,277
Looky there.

272
00:17:25,301 --> 00:17:27,701
Flatten the tops out.

273
00:17:30,027 --> 00:17:35,103
Maybe there's one back in
here that grows on the ground too.

274
00:17:35,153 --> 00:17:36,153
There.

275
00:17:39,437 --> 00:17:41,494
And maybe up here.

276
00:17:43,742 --> 00:17:48,427
I have a big tall one
up here in the sky.

277
00:17:49,549 --> 00:17:50,549
Okay.

278
00:17:51,531 --> 00:17:58,682
Let's see, we'll take a little bit of
yellow, a little bit of magic white,

279
00:17:58,732 --> 00:18:02,708
Permanent red, and
then we'll go right into the

280
00:18:02,732 --> 00:18:06,732
burnt umber to make a
dark reddish brown color.

281
00:18:08,533 --> 00:18:11,509
And with that, I'm gonna
start highlighting some of these.

282
00:18:11,559 --> 00:18:14,301
Gently touch the canvas.

283
00:18:14,665 --> 00:18:15,665
There.

284
00:18:16,870 --> 00:18:24,070
Ooh, look at all those pretty
colors that happen automatically.

285
00:18:26,255 --> 00:18:29,569
Okay, maybe this one up here.

286
00:18:32,801 --> 00:18:36,001
Don't let it get too bright.

287
00:18:40,008 --> 00:18:43,887
Go all the way to the top.

288
00:18:43,911 --> 00:18:47,665
Remember where
your light's coming from.

289
00:18:47,715 --> 00:18:51,829
You want those
sides to be brighter.

290
00:18:54,561 --> 00:18:55,932
There we go.

291
00:19:00,899 --> 00:19:03,641
A little bit right here.

292
00:19:05,205 --> 00:19:06,690
There we are.

293
00:19:09,430 --> 00:19:12,971
There we go, now then.

294
00:19:12,995 --> 00:19:17,337
Let's take, wash
out a fan brush here.

295
00:19:19,103 --> 00:19:22,597
And we'll begin putting
some trunks on these trees.

296
00:19:22,647 --> 00:19:28,490
And I'm gonna use a Van Dyke
Brown, Burnt Umber, very dark.

297
00:19:28,540 --> 00:19:32,480
And with a fan brush, using
it sideways, all we do here

298
00:19:32,504 --> 00:19:36,540
is touch and gently begin
pulling in our general shapes.

299
00:19:42,241 --> 00:19:44,641
Isn't that something?

300
00:19:44,925 --> 00:19:48,020
Okay, put a little down here.

301
00:19:48,070 --> 00:19:50,355
Maybe it comes down.

302
00:19:51,195 --> 00:19:54,150
Oh, poor old
tree, poor old tree.

303
00:19:54,200 --> 00:19:57,857
Rough life, they're all bent up.

304
00:19:58,105 --> 00:20:03,384
Maybe we can see a little
bit of a stem back in here.

305
00:20:03,434 --> 00:20:04,686
Now I'll take a lighter color.

306
00:20:04,736 --> 00:20:10,221
This is some of the
umber and yellow I had left.

307
00:20:11,487 --> 00:20:14,115
And highlight one side.

308
00:20:17,376 --> 00:20:18,949
Pull it down like so.

309
00:20:18,999 --> 00:20:21,970
Just follow the curvature.

310
00:20:22,204 --> 00:20:26,546
Just follow the
curvature of the tree.

311
00:20:30,438 --> 00:20:34,216
Now very gently take the
brush and begin working

312
00:20:34,240 --> 00:20:38,438
that over so it gives a
round appearance to the tree.

313
00:20:42,235 --> 00:20:44,969
Just barely
touch it and pull it.

314
00:20:45,019 --> 00:20:46,390
There we go.

315
00:20:47,263 --> 00:20:52,646
Okay.

316
00:20:52,670 --> 00:20:53,808
Now let's come right down here.

317
00:20:53,832 --> 00:20:57,146
I'm gonna use some sap green.

318
00:20:58,079 --> 00:21:00,613
And a little bit of yellow
and permanent red.

319
00:21:00,663 --> 00:21:03,011
And we'll just make
some little grassy areas

320
00:21:03,035 --> 00:21:05,461
all around in here,
just using the fan brush.

321
00:21:05,511 --> 00:21:06,511
Let it bounce and play.

322
00:21:06,553 --> 00:21:09,714
You're gonna pick up the dark
color that's underneath, and

323
00:21:09,738 --> 00:21:12,813
automatically this is gonna
get darker in value for you.

324
00:21:12,863 --> 00:21:16,291
Let it happen, don't fight it.

325
00:21:16,449 --> 00:21:19,044
Let all these little
things happen.

326
00:21:19,094 --> 00:21:21,151
Learn to use them.

327
00:21:26,007 --> 00:21:30,342
Maybe there's grass and stuff
that comes right down here.

328
00:21:30,392 --> 00:21:33,605
Remember, this is your world.

329
00:21:33,655 --> 00:21:36,740
You make all the decisions.

330
00:21:39,641 --> 00:21:40,641
There.

331
00:21:44,566 --> 00:21:46,051
Look at that.

332
00:21:49,371 --> 00:21:51,085
Let's see here.

333
00:21:54,931 --> 00:21:58,702
Let's clean this
up a little bit.

334
00:21:59,798 --> 00:22:00,798
Like so.

335
00:22:02,662 --> 00:22:05,396
Then we'll put a
happy little bush in the

336
00:22:05,420 --> 00:22:08,379
front of the tree, so
it sits down in there.

337
00:22:08,429 --> 00:22:12,571
There we go.

338
00:22:12,595 --> 00:22:16,438
Now we'll highlight those
little bushes, and I'll use some

339
00:22:16,462 --> 00:22:20,595
permanent red, a little touch of
yellow, and some magic white.

340
00:22:24,597 --> 00:22:28,112
Put a little permanent
red in there.

341
00:22:28,162 --> 00:22:31,318
Still don't want it to
get bright, so I'll add just

342
00:22:31,342 --> 00:22:34,460
a touch of this umber
color to it to dull it down.

343
00:22:34,510 --> 00:22:36,224
And just touch.

344
00:22:37,534 --> 00:22:42,671
Don't let it smear, touch, bend
the bristles, get away from it.

345
00:22:42,721 --> 00:22:47,958
Maybe there's a happy
little bush lives right here.

346
00:22:48,008 --> 00:22:52,023
And wherever you want a
little bush, just drop one in.

347
00:22:52,073 --> 00:22:53,444
There we go.

348
00:22:54,770 --> 00:22:59,748
Now we can take the knife, cut
in a few little sticks here and there.

349
00:22:59,798 --> 00:23:05,262
Just make that stone
come down a little sharper.

350
00:23:05,286 --> 00:23:06,657
There we go.

351
00:23:06,989 --> 00:23:08,441
Just a few little touches.

352
00:23:08,491 --> 00:23:11,065
Now at home you
have unlimited time.

353
00:23:11,115 --> 00:23:15,452
You can play with this,
put in tremendous detail.

354
00:23:15,502 --> 00:23:18,765
Here we're sort of limited,
so we have to just try

355
00:23:18,789 --> 00:23:22,142
to give you an idea and
let you take it from there.

356
00:23:22,192 --> 00:23:25,049
Put your dream on canvas.

357
00:23:25,263 --> 00:23:31,341
Take a little more of the grass color
here and brighten up this little corner.

358
00:23:31,391 --> 00:23:35,207
But it's absolutely unreal what can
be done on these black canvases.

359
00:23:35,257 --> 00:23:38,792
All the colors that we put underneath
here were transparent colors,

360
00:23:38,816 --> 00:23:42,056
so it still looks black until
you begin applying color to it.

361
00:23:42,106 --> 00:23:46,026
Once you begin applying color,
then the base colors that you put on the

362
00:23:46,050 --> 00:23:50,106
transparent colors begin picking up
and showing all the beautiful detail.

363
00:23:51,659 --> 00:23:52,659
Okay.

364
00:23:53,748 --> 00:23:55,943
So we could put a
few more little details

365
00:23:55,967 --> 00:23:58,403
here and there if you
wanted to very quickly.

366
00:23:58,453 --> 00:24:03,569
You know, maybe there's a little
tree right over here on the dark side.

367
00:24:03,619 --> 00:24:06,849
Things like, yes, this is the
kind of things you can do at

368
00:24:06,873 --> 00:24:10,296
home where you have all this
dear time and you can just play.

369
00:24:10,346 --> 00:24:13,088
Ooh, that is a nice one.

370
00:24:14,871 --> 00:24:15,871
Okay.

371
00:24:16,492 --> 00:24:20,834
And we can highlight
him a little bit.

372
00:24:21,157 --> 00:24:22,757
Just a little.

373
00:24:26,317 --> 00:24:31,002
Okay, now I think
I'm starting to piddle.

374
00:24:31,326 --> 00:24:35,803
You know, one of the hardest things in
the world is to figure out when to stop.

375
00:24:35,853 --> 00:24:39,450
So I think I'm
about ready to stop.

376
00:24:39,500 --> 00:24:43,476
Okay, we'll take the liner
brush, put a small amount

377
00:24:43,500 --> 00:24:47,500
of a thin oil on it, bring
it to a nice sharp point.

378
00:24:51,460 --> 00:24:53,813
And turn that brush
when you're doing that.

379
00:24:53,863 --> 00:24:54,500
Turn it.

380
00:24:54,524 --> 00:24:57,878
People seem to have such
difficulty signing the painting.

381
00:24:57,928 --> 00:24:58,928
Turn it.

382
00:24:59,711 --> 00:25:02,453
And we'll sign this one.

383
00:25:04,000 --> 00:25:10,074
Support us and become VIP member 
to remove all ads from www.OpenSubtitles.org

384
00:25:13,689 --> 00:25:15,060
There we go.

385
00:25:18,528 --> 00:25:21,001
Once again, it's nice to
have a very short name.

386
00:25:21,051 --> 00:25:26,729
I can sign these paintings on the air for
you so you can see them being signed.

387
00:25:26,779 --> 00:25:28,674
Well, I think this
painting is finished, and

388
00:25:28,698 --> 00:25:30,574
I'm gonna start
piddling with it right now.

389
00:25:30,624 --> 00:25:33,873
Next week, have a white
canvas ready, and we'll

390
00:25:33,897 --> 00:25:36,822
do a fantastic scene
using a white canvas.

391
00:25:36,872 --> 00:25:38,404
I sincerely hope
you've enjoyed this.

392
00:25:38,454 --> 00:25:40,886
Once again, it is
something a little bit

393
00:25:40,910 --> 00:25:43,611
different, but it does
stir the imagination.

394
00:25:43,661 --> 00:25:47,402
So, with that, we'll bring
this show to a close.

395
00:25:47,452 --> 00:25:49,986
We wish each and every
one of you happy painting.

396
00:25:50,036 --> 00:25:58,036
God bless.

397
00:25:59,305 --> 00:26:59,527