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Well, hello, here we are again, ready
to do a fantastic painting together.

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I thought today we'd do
something that's very soft and

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deep in the woods, and
a very warm little painting.

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So, very quickly here,
I'm gonna have them

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flash the colors across
the screen, so in case

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you didn't get them
on the first show, you'll

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know all the colors
that we're using here.

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And this is a
fantastic little painting.

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It's very soft, very quiet, and it's
like you're walking into the woods.

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So let's do it.

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I'm gonna start out with a little
bit of Phthalo Blue, just a tiny bit,

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and put a little bit of Van Dyke
Brown with it, just to dull it a little.

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And let's start right up here, and
we'll start with our little X patterns,

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little crisscross strokes, and
we'll put a happy little sky in here.

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There.

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And just let this pick up
the magic white, and as

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you work down, it gets
lighter and lighter in value.

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Okay.

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About like so.

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Isn't that fantastic that you
can make a sky that quick?

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All right.

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Now then, without washing the
brush, I'm gonna go right into some

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Van Dyke brown, some burnt
umber, and a little bit of sap green.

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Just mix them on the brush.

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Let them mix on the brush.

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And let's figure out
where we'd like to have

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some beautiful little
trees and stuff here.

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Just push.

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Bend the bristles.

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And all we're looking
for here is the, basically

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what we're doing is
the back of the tree.

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And then we'll put the trunks
and limbs in and that'll be the

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middle of the tree and then
we'll do the front of the tree.

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Okay.

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And maybe there's
one that lives right here.

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Just let your imagination
sort of go crazy here.

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Think about where
you'd want a tree.

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This is your creation.

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There we go.

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Maybe over in here we'll have
some big things happening, big trees.

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And you're really pushing
this paint into the canvas.

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And leave some of
these little airy spots open.

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Don't cover the whole canvas.

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When the picture's finished, you
can see a little bit of sky through there.

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Okay.

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Now, right up in here, I
want it to be quite dark.

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I'm gonna add just a tiny amount
of Prussian blue, just to darken this.

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There we go.

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I want to create some
deep shadows in there.

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Okay, maybe a
little touch over here.

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Alright.

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Okay.

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Now, let's take the fan brush
here and make some trunks.

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I'm gonna use a little
bit of Van Dyke brown.

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And one side of the
fan brush, I'm just

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gonna touch it to a
little tiny bit of white.

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So it's only on one side.

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Now, just pull this down.

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And we'll make some
little trunks back here.

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Van Dyke brown,
little touch of white.

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There.

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You'll probably have to reload
your fan brush after each stroke.

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You just want this to look like little tree
trunks that are way back in the distance.

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Maybe there's another
one that lives right there.

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But by adding that little touch of
white on there, you can put a little

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highlight on there at the same
time you're putting your trunks in.

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It all happens automatically.

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Okay, now.

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We've got a lot of
little limbs to do in this

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painting, so I think I'll
cheat just a little bit here.

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And we'll take and just
make a lot of little limbs here.

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Maybe there's some
up here in this little tree.

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Maybe there's some
over here in these.

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Just here and there.

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Okay.

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Now, with a large
brush, and I'm still using

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the same dirty brush,
I'm gonna go right into

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a little bit of the magic
white to make a little

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thinner paint, and
right into some yellow.

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And load a lot of
paint into the bristles.

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And we'll take a little
bit of the sap green.

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Load a lot of paint
into the bristles.

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Really fill them up.

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And we'll begin applying some
happy little leaves out here.

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And we're just gonna touch, just let
these little leaves jump off the brush.

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There we go.

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Look at there.

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All those little son of a guns.

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Now if you have trouble
getting the paint to

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stick, add a little more
of the magic white.

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Remember, a thin paint
will stick to a thick paint.

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There we are.

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We'll just put little leaves
everywhere out here.

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And the dark just
becomes the shadow.

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Maybe right in here a few.

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Now here's another
happy little bush.

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Let's try a little bit of
yellow ochre on this one.

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There we are.

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And I'm just going back and forth
here between ochre and the yellow.

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And we'll just put some happy
little things all up through here.

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There.

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All kinds of little
leaves just happening.

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And I'll add a little
more sap green now.

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I want these to be a little
darker than I'm fixing to do now.

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Then we'll go right back
here in the background.

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Just lay a few of these on.

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Want these to be
nice and loose and airy.

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There they go.

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Isn't that fantastic that you can
put all these leaves and all these

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little things happening in the
trees in just a matter of minutes?

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And if you're painting along
with us at home, by now you

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should begin being quite happy
about what's happening here.

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Okay, now then.

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Let's take a little more of
the Van Dyke brown and

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begin figuring out what
we're gonna build here.

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Just sort of let this happen.

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This is just straight
Van Dyke brown.

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Maybe we'll have
some land back in here.

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And maybe there's some
over here somewhere.

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This is your world.

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So create land or bushes or trees or
whatever, wherever you want them.

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Now we'll take a clean brush and grab
the bottom here and pull straight down.

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Just pull it down.

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But it's important that
it comes straight down.

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You don't want to
do this at an angle.

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And if you don't get quite enough color,
you can add a little bit to your brush.

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There, and just pull it down.

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Now, very gently go across,
just to give it a watery feel.

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It's very easy to destroy all these
nice little lines that you have in there.

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Now, I think we'll take a one-inch
brush, put a little bit of Magic

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White on it, and I'll go into some
Cad Yellow and Yellow Ochre.

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Just sort of mix them
together on the brush.

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And we'll slip back in here and put some
happy little bushes growing right in here.

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There's one.

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All kinds of little leaves
and things happening.

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There we go.

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I thought today we'd
use a fan brush some.

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Fan brush can be
your best friend.

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And we'll still use
the same colors.

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And we'll begin working
down the hill here.

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And automatically your brush is picking
up this dark color that's underneath.

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And you want this back here to
be very subdued, very quiet, soft.

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In the shadows.

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Okay, we'll take a
little bit of the white

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mixed with a little
tiny bit of burnt umber.

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Let's put a few
little highlights here.

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Maybe there's a little sunlight
hitting right along in here.

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There we go.

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And we'll give him
just a little touch.

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Then we'll take our fan
brush and begin building

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all these little soft grassy
areas back in there.

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Very soft.

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Already we're beginning
to create a very quiet

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little puddle somewhere
out in the woods.

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Now, a little bit
of magic white.

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And we'll mix a least
little touch of Van

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Dyke brown with it,
just to dull it down some.

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Don't want it to be too bright.

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And we'll begin putting
some little water lines in here.

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Okay.

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Maybe we'll bring this
a little bit more forward.

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Maybe right like that.

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Just make another
little projection out there.

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Okay, but each time you add
one of these little projections, give

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him some reflections by just
pulling a little bit of the color down.

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Okay, and we'll put a tiny
bit of highlight on there.

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Use our almighty fan
brush, and I'm gonna add a

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touch of magic white,
just to thin it a little bit.

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Little more sap green.

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I want it to start getting a little
darker as it's getting closer to us here.

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And let this go with
the lay of the land.

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Always follow
the lay of the land.

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Maybe a little green
over in this side too.

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And we can bring out another
little projection here if we wanted to.

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Once again though, after
you bring your little projection

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out, he needs his own
personal little reflection.

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Okay, now we can lay just a tiny
bit of highlight on there just to make it

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look like dirt and stones and all the
little things that happen in the woods.

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And let's take just a tiny
bit here of yellow ochre

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and I put a little bit of
alizarin crimson with it.

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Just let this sort of
disappear back here.

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Just to give an indication of something
there, but it's really very quiet, subdued.

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Okay, I think it's time
we built a almighty tree.

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I'm gonna mix burnt umber
and van dyke brown together.

186
00:13:04,188 --> 00:13:10,304
And let's put a couple of beautiful
big birch trees right up through here.

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There they go.

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We'll put the dark on first,

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Just straight Van Dyke
brown and burnt umber.

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00:13:23,054 --> 00:13:27,396
Just let it come
right off your knife.

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And just to keep him from getting
lonely here, we'll give him another friend.

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And just mix these
two browns together.

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But don't overmix them.

194
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Just put them together and
leave them alone so when you

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00:13:47,803 --> 00:13:51,729
put the highlight on here,
it'll pick up both colors.

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There.

197
00:13:58,649 --> 00:14:03,806
Okay, now let's take a
little bit of titanium white.

198
00:14:03,856 --> 00:14:06,850
Maybe we'll make these
trees really stand out.

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00:14:06,900 --> 00:14:09,414
Touch, pull it around.

200
00:14:12,269 --> 00:14:16,269
Just give it a
little pop, like so.

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00:14:21,826 --> 00:14:22,837
Oh, look at that.

202
00:14:22,887 --> 00:14:25,401
Look at all that bark.

203
00:14:28,197 --> 00:14:29,197
Okay.

204
00:14:30,060 --> 00:14:32,835
And these trees need a
few little limbs on them, too.

205
00:14:32,885 --> 00:14:38,370
The bigger ones here
would just do with a knife.

206
00:14:39,877 --> 00:14:40,414
There we go.

207
00:14:40,438 --> 00:14:43,638
And we'll put one over here.

208
00:14:45,845 --> 00:14:48,473
Maybe there's one here.

209
00:14:49,290 --> 00:14:57,290
And we'll take a little more of the white
and put a little highlight on the limbs.

210
00:14:58,382 --> 00:14:59,382
There.

211
00:15:04,470 --> 00:15:10,970
Now then, let's add a few
little delicate limbs out here.

212
00:15:10,994 --> 00:15:14,254
Just here and there.

213
00:15:14,278 --> 00:15:17,712
Just to give all these nice little
leaves something to hang on.

214
00:15:17,762 --> 00:15:25,762
Maybe there's one that
comes right down through here.

215
00:15:27,933 --> 00:15:28,933
Okay.

216
00:15:30,216 --> 00:15:32,375
Now I'm still using the
same old dirty brush that

217
00:15:32,399 --> 00:15:34,671
I've used all the way
through here without washing.

218
00:15:34,721 --> 00:15:39,397
I'm gonna add a little more magic white,
because we want this paint to be thinner.

219
00:15:39,447 --> 00:15:41,943
Take a little bit of crimson,

220
00:15:41,993 --> 00:15:43,821
Oh, looky there.

221
00:15:44,435 --> 00:15:49,309
We'll make sort of a
bright little color here.

222
00:15:49,359 --> 00:15:51,752
And now we'll just lay
some leaves out here.

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Just let them float around.

224
00:15:53,363 --> 00:15:54,620
Very quiet.

225
00:15:55,425 --> 00:15:56,425
Soft.

226
00:15:57,306 --> 00:15:59,518
And don't kill all your
background with them.

227
00:15:59,568 --> 00:16:02,539
Leave them loose and airy.

228
00:16:04,273 --> 00:16:05,758
Look at that.

229
00:16:08,356 --> 00:16:12,013
Just let them play and have fun.

230
00:16:13,837 --> 00:16:16,122
Put some up in here.

231
00:16:16,642 --> 00:16:18,736
Let your imagination
be your guide now.

232
00:16:18,786 --> 00:16:20,084
Just wherever you
think they should be.

233
00:16:20,108 --> 00:16:26,696
I think sometimes we
work too hard at painting.

234
00:16:26,720 --> 00:16:28,694
Painting should always be fun.

235
00:16:28,744 --> 00:16:31,258
Should make you happy.

236
00:16:32,070 --> 00:16:36,070
That's when
you're truly an artist.

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00:16:37,225 --> 00:16:39,737
For so many years,
painting hadn't got to

238
00:16:39,761 --> 00:16:42,483
where it wasn't fun
anymore, it became work.

239
00:16:42,533 --> 00:16:48,713
Until I had the opportunity to study with
Bill and learn this fantastic technique.

240
00:16:48,763 --> 00:16:51,877
And he made it fun again for me.

241
00:16:51,927 --> 00:16:55,681
Little water line into
here, this is just the magic

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00:16:55,705 --> 00:16:59,927
white with a tiny bit of Van
Dyke brown in it to dull it.

243
00:17:00,520 --> 00:17:04,631
Let some of these
little things just happen.

244
00:17:04,681 --> 00:17:08,459
You know, when we do these
paintings, we have a general idea of what

245
00:17:08,483 --> 00:17:12,061
we're gonna do, but other than
that, they're really not planned.

246
00:17:12,111 --> 00:17:15,024
We learn to work
with what happens.

247
00:17:15,074 --> 00:17:19,931
And when you're at home, don't worry
about following exactly what we have here.

248
00:17:19,981 --> 00:17:23,816
Let things happen and use what
happens and create your own masterpieces.

249
00:17:23,866 --> 00:17:26,299
Don't just try to copy
what we're doing.

250
00:17:26,349 --> 00:17:28,406
And you can do it.

251
00:17:28,732 --> 00:17:31,017
Oh, let's get brave.

252
00:17:31,736 --> 00:17:32,993
How's that?

253
00:17:35,815 --> 00:17:37,190
We'll just put
some brown in here.

254
00:17:37,240 --> 00:17:41,684
This is Van Dyke brown
with a little bit of umber in it.

255
00:17:41,734 --> 00:17:43,450
Really push this
into the canvas.

256
00:17:43,500 --> 00:17:48,985
All we're looking for
here is a nice dark value.

257
00:17:56,032 --> 00:18:00,035
And you know, the colors that we
have here, if you're using a different

258
00:18:00,059 --> 00:18:03,916
brand of paint, you'll find slight
variations, but that's all right.

259
00:18:03,966 --> 00:18:07,081
Once again, this is your world,
so whatever color you want.

260
00:18:07,131 --> 00:18:10,928
We're really just trying to
show you the technique.

261
00:18:10,978 --> 00:18:15,675
The big thing you're looking for,
though, is a paint that's very firm.

262
00:18:15,725 --> 00:18:18,231
We get so many cards and
letters from people who have

263
00:18:18,255 --> 00:18:20,641
run into problems, and
normally that's what it is.

264
00:18:20,691 --> 00:18:22,744
The paint is too thin.

265
00:18:22,794 --> 00:18:24,766
In some techniques,
you need a very thin paint.

266
00:18:24,816 --> 00:18:28,531
In this, you need
something that's very strong.

267
00:18:28,581 --> 00:18:32,251
Okay, let's go back to the old
fan brush here, and we'll take some

268
00:18:32,275 --> 00:18:36,080
yellow, and I'm just beginning to
have a mixture of color down here.

269
00:18:36,130 --> 00:18:38,182
It's really hard to tell
you exactly what it is.

270
00:18:38,232 --> 00:18:41,478
It's yellow, yellow
ochre, a little bit of

271
00:18:41,502 --> 00:18:45,240
crimson in it, and it's
whatever comes together.

272
00:18:45,290 --> 00:18:50,065
Let's begin laying some little
grassy areas on top of this.

273
00:18:50,115 --> 00:18:54,931
Now your fan brush is beginning
to pick up all the dark browns here.

274
00:18:54,981 --> 00:18:57,734
Don't wanna kill
all the dark browns.

275
00:18:57,784 --> 00:19:01,618
You'll lose this beautiful
darkness in the front of the painting.

276
00:19:01,668 --> 00:19:05,690
Let's do a little,
take a little tiny bit of

277
00:19:05,714 --> 00:19:09,668
Prussian blue and
white and a little brown.

278
00:19:12,104 --> 00:19:15,999
Let's just give the indication there's
some little stones or something here.

279
00:19:16,049 --> 00:19:21,546
Just sort of lay them in at random and
then we'll cover up whatever we don't want.

280
00:19:21,596 --> 00:19:22,967
There we go.

281
00:19:27,103 --> 00:19:30,337
Now begin bringing your
grassy areas right on down here.

282
00:19:30,387 --> 00:19:32,960
Leaving some of these little
things you just made to show.

283
00:19:33,010 --> 00:19:35,752
We'll cover them all up.

284
00:19:41,855 --> 00:19:48,026
All right, now we're beginning
to have something here.

285
00:19:48,085 --> 00:19:51,520
If you practice this little painting, it's
something you can do very, very quickly.

286
00:19:51,570 --> 00:19:56,047
It's very effective,
very nice and warm.

287
00:19:56,097 --> 00:20:00,172
It's a super little painting to
give to a relative or a friend

288
00:20:00,196 --> 00:20:04,097
as a gift, because everybody
likes these type of paintings.

289
00:20:10,441 --> 00:20:14,338
And also, if you're interested,
it'll put a happy buck in

290
00:20:14,362 --> 00:20:18,420
your pocket if you want to
sell a painting once in a while.

291
00:20:18,470 --> 00:20:25,784
Of course, we're not interested
in those monetary gains, I know.

292
00:20:25,877 --> 00:20:31,477
Okay, and we just begin
filling all this in here.

293
00:20:33,125 --> 00:20:36,325
And right down through here.

294
00:20:39,584 --> 00:20:41,984
Isn't that something?

295
00:20:42,048 --> 00:20:43,126
I like these little paintings.

296
00:20:43,150 --> 00:20:44,322
A little dark up in here.

297
00:20:44,372 --> 00:20:52,372
I wanna just increase the amount of dark
right back here so the shadows are deeper.

298
00:20:52,745 --> 00:20:56,592
Now with a knife, just a clean
knife, I'm gonna scrape a few

299
00:20:56,616 --> 00:21:00,745
little trunks here and there,
little stems, just here and there.

300
00:21:05,906 --> 00:21:07,391
Not too many.

301
00:21:14,212 --> 00:21:21,334
Okay, here I want a little color,
so I put a little brown on the knife.

302
00:21:21,384 --> 00:21:26,692
There we go.

303
00:21:26,752 --> 00:21:32,872
Okay, now we need to, these little birch
trees here need something on their foots.

304
00:21:32,922 --> 00:21:36,968
They're sort of ragged
hanging out here, so let's just put

305
00:21:36,992 --> 00:21:40,922
some color right underneath
it so it just ends the tree.

306
00:21:41,482 --> 00:21:43,554
And then a little
shadow behind it.

307
00:21:43,604 --> 00:21:47,261
Gotta have a little shadow here.

308
00:21:48,769 --> 00:21:52,348
Like so.

309
00:21:52,372 --> 00:21:58,314
All these little things
happening back in the woods.

310
00:21:58,878 --> 00:22:02,971
Okay, now we can put a
few little stems here and there.

311
00:22:03,021 --> 00:22:08,076
I'm using just a liner brush with
a little bit of the Van Dyke brown.

312
00:22:08,126 --> 00:22:11,326
And a thin oil on the brush.

313
00:22:12,008 --> 00:22:13,480
Just a nice thin oil.

314
00:22:13,530 --> 00:22:17,186
Bring that brush to
a very sharp point.

315
00:22:17,236 --> 00:22:21,135
And we can add in a few
more little things here and

316
00:22:21,159 --> 00:22:25,236
there, just to create a
little more distance in here.

317
00:22:25,790 --> 00:22:26,790
Like so.

318
00:22:31,560 --> 00:22:34,895
Maybe there's an old
limb that's hanging here.

319
00:22:34,945 --> 00:22:36,316
There he is.

320
00:22:42,552 --> 00:22:46,437
Put him some
little arms out here.

321
00:22:49,520 --> 00:22:50,891
There we go.

322
00:22:51,802 --> 00:22:56,602
He sort of fell over,
he's a little tired.

323
00:23:00,172 --> 00:23:02,124
Just here and there with these.

324
00:23:02,174 --> 00:23:10,174
You always have all these little
sticks and stuff out here in the woods.

325
00:23:11,341 --> 00:23:15,394
Maybe you want to get a
little bit crazy, and we take

326
00:23:15,418 --> 00:23:19,341
the almighty palette
knife here, and let's do this.

327
00:23:30,268 --> 00:23:35,726
And just lay in a little tree
right here in the foreground.

328
00:23:35,776 --> 00:23:37,147
There he is.

329
00:23:43,100 --> 00:23:46,080
Okay.

330
00:23:46,104 --> 00:23:48,222
Almighty tree.

331
00:23:48,246 --> 00:23:56,246
And I'll take just a tiny bit of the
crimson here and just highlight this side.

332
00:23:57,377 --> 00:24:00,551
Just a little bit, just
to sparkle him a little.

333
00:24:00,601 --> 00:24:02,360
And maybe there's a little
reflected light over here.

334
00:24:02,384 --> 00:24:05,237
I'll use just a
tiny bit of blue.

335
00:24:05,287 --> 00:24:09,695
Just to show indication
of reflected light.

336
00:24:09,745 --> 00:24:11,597
Then back to the brown
and we'll build him up.

337
00:24:11,647 --> 00:24:13,118
Make it thick.

338
00:24:13,168 --> 00:24:15,681
And when this thing dries, you
can feel the bark on this tree.

339
00:24:15,731 --> 00:24:18,504
And all I'm doing is
touching and pulling.

340
00:24:18,554 --> 00:24:20,954
Touching and pulling.

341
00:24:22,898 --> 00:24:27,126
And let's give him
a little arm here.

342
00:24:29,185 --> 00:24:30,556
There we go.

343
00:24:33,810 --> 00:24:39,638
Put some little branches
going here, but which way?

344
00:24:43,141 --> 00:24:46,014
And a little more of the
crimson underneath here.

345
00:24:46,064 --> 00:24:49,264
Just to show a little light.

346
00:24:54,774 --> 00:24:57,167
And we're sort of filling in
the top of this composition.

347
00:24:57,217 --> 00:25:00,731
Just filling it in, leaving
the bottom part open.

348
00:25:00,781 --> 00:25:05,237
Okay, let's put some happy
little leaves on here real quick.

349
00:25:05,287 --> 00:25:09,501
I'll use some more of the magic
white and a little bit of yellow.

350
00:25:09,551 --> 00:25:10,849
And we'll just put
some indications.

351
00:25:10,873 --> 00:25:13,128
Most of these leaves
are off the canvas.

352
00:25:13,178 --> 00:25:16,606
But just a few here and there.

353
00:25:16,702 --> 00:25:17,702
Like so.

354
00:25:20,966 --> 00:25:25,201
Just to give the impression that
there's leaves going all the way over.

355
00:25:25,251 --> 00:25:28,617
And I think that pretty
well gives us a little

356
00:25:28,641 --> 00:25:31,588
painting that we can
be very happy with.

357
00:25:31,638 --> 00:25:34,471
Put a little grass
right down in here.

358
00:25:34,521 --> 00:25:37,534
And I think we're ready to
sign this almighty painting.

359
00:25:37,584 --> 00:25:42,778
So I use a little bit of
the red and a little thin oil.

360
00:25:42,828 --> 00:25:46,544
And let's drop a little
signature on here.

361
00:25:46,594 --> 00:25:48,112
Okay.

362
00:25:48,136 --> 00:25:51,612
Now, next week we'll
be doing a black canvas.

363
00:25:51,662 --> 00:25:53,795
So, have your canvas ready.

364
00:25:53,845 --> 00:25:56,146
You can purchase one
at your local art store

365
00:25:56,170 --> 00:25:58,443
or paint your own
with a flat back acrylic.

366
00:25:58,493 --> 00:26:03,978
Until then, from all of
us here, happy painting.

367
00:26:04,305 --> 00:27:04,508
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