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Hello, welcome back again.

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This being the final show,
normally we devote it to a question

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and answer period, but we've
had so many cards and letters

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requesting that we paint the
little picture that you see on the

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introduction that I thought
we'd go ahead and do that today.

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I think most of the
questions in the problem

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areas we went over
somewhere during the series.

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If you have some questions that
we haven't answered, drop me a line

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in Care of the Station and I'll be
glad to try to answer them for you.

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Okay, let's paint the one that you
always see at the beginning of the show.

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I'm gonna start with
a little bit of Phthalo

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Blue, tiny bit of Van
Dyke Brown mixed with it.

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Okay, and we'll just
start right up in here,

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just making little
crisscross patterns.

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This is a fun little picture,
I think you'll really enjoy it.

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Just let it work downward here.

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Okay.

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Now.

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While we have the brush
dirty, I'm gonna add a little

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bit of phthalo green to it,
just a small, small amount.

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And we'll throw in some water.

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Okay.

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Just like so.

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Now, clean the brush, and we'll
go back and blend all this together.

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Start in the light area and work
upward into the darker areas.

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And just smooth this out.

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This particular painting
that you've been

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watching has a lot of
almighty clouds in it.

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They're a lot of fun to do.

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So I'm gonna go right
into the Prussian blue,

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Van Dyke brown,
little touch of crimson.

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Blue, brown, crimson.

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And we'll just take and just lay
an almighty cloud right in here.

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Just let it work around
and play and have fun.

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Now this may not be an exact
duplicate of what you see at the

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beginning of the show because
it's virtually impossible to create

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an exact duplicate, but I'll
try to show you all the steps in

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it so you know how it was done,
and you can do your own at home.

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Alright, that gives us
some nice cloud shapes.

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Clean the brush again.

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This is a nice one because
I get to clean the brush a lot.

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Okay, with a fan brush, titanium
white, and a tiny, tiny little bit

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of the permanent red in it, just
to give it a little warmish glow.

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A lot of paint in the brush.

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Now let's just go right above the
dark and lay in some highlights.

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You know, while I'm doing
that, one question I will answer.

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We've got a lot of
cards from the last show.

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My son was on that show, on the last
one, and he read the questions to me.

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So I'll tell you just
a little bit about him.

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He's just about 18 years old.

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Six foot four.

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He's a black belt in karate.

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It's bad when you have to
ask permission to spank him.

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But he couldn't be
with us this time.

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He's getting ready
to set up a class.

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He travels with me and
teaches this fantastic method.

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So maybe if we
come to your town and

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demonstrate or teach,
you'll get to meet him.

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I hope you enjoy
him as much as I do.

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There.

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Okay, just outline the clouds.

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Now, very quickly, with
a large brush, just blend

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the bottom out, leaving
the tops unaffected.

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Don't touch them.

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There.

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Just the bottoms.

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And don't overwork these things.

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They're very, very
easy to overwork.

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There.

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Now, very gently, we lift it up.

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Just sort of fluff it.

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And don't worry if you pull some of
these little stringy things up in the sky.

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They'll go away.

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Clean, dry brush.

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Just gently blend it.

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Very gently.

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You almost let a hair
touch your canvas.

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There we go.

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Okay.

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Now, we had a ridge of
mountains in that painting.

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And this is probably the most
complicated and hardest mountain to do.

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And it looks the easiest.

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That's what tricks you.

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Blue brown, little
touch of crimson.

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And we'll just very quickly
throw in the basic shape.

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Very, very little paint here.

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Very little paint.

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And really push
it into the canvas.

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Okay, now with a large brush, I'm
just gonna take and pull that down.

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Just to take off all
that excess loose paint.

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And to blend the
color out on the canvas.

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Now we'll take a little bit of the
titanium white, pull it out very flat.

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Tiny, tiny, tiny
little bit of paint.

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And just begin thinking where
you think light will strike this.

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Almost no paint on the knife.

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Very, very little.

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Just where you think
the light will strike.

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There we are.

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Maybe a little bit over in here.

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Brown and white.

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There we go.

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Just to make sort
of a bluish gray color.

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And then we can
lay some of that in.

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Just here and there.

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Once again, very little paint.

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Do you want subtitles for any video?
-=[ ai.OpenSubtitles.com ]=-

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And we just sort of
bring all this together.

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Let all these little things
start happening in here.

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And when you're doing this at home, you can
put all kinds of little details in here.

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They sort of get upset if I go over 30
minutes here and yell at me a lot, so.

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Just want to give you a brief
idea of how this was done.

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Maybe there's a little something
that plays right along in here.

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Just like so.

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And you can put these little peaks
and stuff wherever you want them.

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There's one.

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These are very quiet, soft little
mountains far, far in the distance.

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Maybe a little shadow
right in here somewhere.

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Now, with a clean, dry brush, we're gonna
just tap the bottom here and diffuse it.

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Don't wanna destroy
it, just diffuse it.

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Just like in all the other mountains
we've done, always follow your angles.

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And then lift upward,
still following the angles.

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Most important that
you follow those angles.

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And just bring
all this together.

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And that gives us a nice little
ridge of mountains back here.

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Okay, let's come forward
and I'll use the same colors.

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That was Prussian Blue, Van
Dyke Brown, a little bit of Alizarin

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Crimson, and let's take and put an
almighty mountain right up in here.

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Just let it go.

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Push that paint into the canvas.

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Get strong with it.

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Really push it in.

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I want this one to be darker,
because it's closer to us.

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So I use a little
bit more paint.

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And then pull it.

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Just to get that
excess paint off there.

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Alright.

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Okay.

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Now, clean up the brush.

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Now a little bit more
of the titanium white.

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And we can lay some little
highlights right along here.

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Just let it flow
with the mountain.

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Follow the angles
in your mountain.

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There.

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Let it go.

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And this is a very,
very delicate touch.

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Very delicate touch.

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And a little snow
laying right along there.

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And for the shadow color,
we'll take some Prussian

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blue, Van Dyke brown, and
make us up a shadow color.

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We want this shadow color
to be lighter in value than

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the base coat that we've
put on, so that it stands out.

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And we can just lay in some
happy little shadows here and there.

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Just let them
roll off your knife.

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Okay.

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Now, once again, with a clean,
dry brush, we'll diffuse the bottom.

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There we are.

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Lift upward to create
the misty effect.

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And we're ready to
move right along now.

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Now take just
a little bit of the

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Prussian blue, Van Dyke brown,
and sap green in about equal parts.

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Blue, brown, and green.

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There we are.

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That'll be our base color
for our trees and stuff.

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And let's take the fan
brush loaded full of paint, and

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we can begin laying in
just little indications here.

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There we go.

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Just keep the brush moving.

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Just keep them moving.

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There.

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Okay.

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And we'll make a little
foothill right through here.

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Just drop these in.

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And wherever you think they
should be, that's where they should be.

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There's one.

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And it's funny how you
can do this and it looks

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like just hundreds of
little trees back here.

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And it's so simple.

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There.

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And if you wanna make it
look like they're getting farther

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and farther away, overall
let them get a little bit smaller.

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And we can begin putting in
some ground area underneath them.

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Just like so.

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We had a few of them that was a little
bit closer, a little more detail in them.

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That looks like a good
one to bring a little closer,

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so we'll just take it, give
him some little branches.

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Just back and forth with a fan
brush, making it bend downward.

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Maybe, maybe, maybe you
can, you can put one right there.

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There we go, just bring
him right on down forward.

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And it helps create the illusion
of distance in the painting.

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With a large brush, grab the bottom
of this and begin pulling downward.

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Down.

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Down, down, down.

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And this is where you make
your reflections and have

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a general idea of where
your shoreline is gonna be.

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Come across.

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Okay, we'll take a
little bit of Magic White

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now, with a touch of
Van Dyke Brown in it.

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00:13:25,939 --> 00:13:32,920
Just mix it up good, and we can
begin laying a little water line in there.

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Keep these lines basically straight, so
your water doesn't run out of the painting.

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Nothing's worse than having a wet floor,
because the water ran out of your painting.

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All right, now I wanna make a
separate little projection right out here,

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00:13:47,668 --> 00:13:51,750
so all I do is take a little dark and
just bring it right on out like that.

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00:13:52,243 --> 00:13:54,643
See how easy that is?

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00:13:57,451 --> 00:14:01,828
Grab a hold of it, pull a little bit down
so we have some reflections for that part.

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00:14:01,878 --> 00:14:02,878
Across.

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00:14:05,263 --> 00:14:07,637
Back to our magic white.

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00:14:07,687 --> 00:14:14,315
And we can throw a happy
little water line right in there.

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00:14:14,362 --> 00:14:19,282
And maybe there's a couple little
ripples on the water here and there.

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00:14:19,332 --> 00:14:20,703
There we go.

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00:14:21,776 --> 00:14:29,776
Now, let's take a little of the magic,
a little yellow, and some sap green.

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00:14:29,887 --> 00:14:32,061
Mix a lot on your brush.

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00:14:32,111 --> 00:14:34,365
And we can put a few
little highlights in here.

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00:14:34,415 --> 00:14:35,672
Just touch.

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00:14:36,178 --> 00:14:39,554
Let it follow right down
the angle that you have.

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00:14:39,604 --> 00:14:41,603
Darker, darker, darker
as it comes around the hill.

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00:14:41,627 --> 00:14:44,088
You want the top to be
the brightest and get darker

217
00:14:44,112 --> 00:14:46,305
as it comes around so
it makes it look round.

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00:14:46,355 --> 00:14:47,383
This way.

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00:14:47,557 --> 00:14:51,671
Maybe there's a
little back in here.

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00:14:52,766 --> 00:14:54,137
There we go.

221
00:14:57,224 --> 00:15:02,260
Okay, now we can begin
putting in some trees and stuff.

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00:15:02,310 --> 00:15:04,322
Let's have a nice
tree right here.

223
00:15:04,372 --> 00:15:07,393
I think I'll just
continue to use a fan

224
00:15:07,417 --> 00:15:10,930
brush today, since
I've already got it dirty.

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Just lay it in.

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There we are.

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These little trees live right
there in your fan brush.

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00:15:22,113 --> 00:15:25,845
You just gotta outsmart
them, push them out.

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00:15:25,895 --> 00:15:29,323
Maybe there's one right there.

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00:15:30,100 --> 00:15:32,634
Back and forth
with the fan brush.

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00:15:32,684 --> 00:15:36,359
I use the same corner of the
brush all the way through the tree.

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00:15:36,409 --> 00:15:41,323
Just add more pressure
as we work downward.

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00:15:44,219 --> 00:15:51,647
Okay, don't want this one to
get lonely, we'll give him a friend.

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And I think we had a
large one on the other side.

235
00:16:03,161 --> 00:16:11,161
So let's come right over in here and
we'll do an almighty tree right along here.

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00:16:11,313 --> 00:16:12,684
There we go.

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00:16:15,720 --> 00:16:16,720
There.

238
00:16:21,509 --> 00:16:24,143
A lot of paint on the brush.

239
00:16:24,193 --> 00:16:30,478
Just let it work off your
brush and flow right on down.

240
00:16:31,302 --> 00:16:33,134
Okay, that brush
is getting too slow.

241
00:16:33,184 --> 00:16:34,616
Let's get an
almighty brush here.

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00:16:34,666 --> 00:16:37,800
I'll use the large one and just
go right through this same color.

243
00:16:37,850 --> 00:16:43,627
And let's just pop us in some
little bushes and trees and stuff.

244
00:16:43,677 --> 00:16:45,008
Just like so.

245
00:16:45,058 --> 00:16:47,696
And while we have
paint on the brush, just

246
00:16:47,720 --> 00:16:50,635
reverse it and drop
some right into the water.

247
00:16:50,685 --> 00:16:54,239
That'll end up
being our reflections.

248
00:16:54,289 --> 00:16:56,302
Okay, a little more paint.

249
00:16:56,352 --> 00:17:00,969
And we'll let this one just
wander right on down the canvas.

250
00:17:01,019 --> 00:17:02,019
Like so.

251
00:17:08,528 --> 00:17:09,945
Okay.

252
00:17:09,969 --> 00:17:12,140
Clean the brush up.

253
00:17:17,959 --> 00:17:19,911
Give it a good wrap.

254
00:17:19,961 --> 00:17:22,314
Now, let's put some
trunks in those trees.

255
00:17:22,364 --> 00:17:27,700
I'll use some burnt umber,
little touch of white in it.

256
00:17:27,750 --> 00:17:30,348
And let's go right up here

257
00:17:30,398 --> 00:17:35,655
Let's put a happy little
trunk here and there.

258
00:17:37,447 --> 00:17:40,418
Just touch here and there.

259
00:17:45,697 --> 00:17:51,845
Okay, we'll scratch a
few little limbs and bushes.

260
00:17:51,885 --> 00:17:57,763
Okay, let's have a little sap green
and yellow mixed on the fan brush.

261
00:17:57,813 --> 00:18:01,702
And let's highlight
these trees just a little bit.

262
00:18:01,752 --> 00:18:05,381
If your light's coming from
the right, you want the right

263
00:18:05,405 --> 00:18:08,930
side of the tree to be a
little brighter than the left.

264
00:18:08,980 --> 00:18:09,077
Okay.

265
00:18:09,101 --> 00:18:13,656
Don't kill all that
beautiful dark color.

266
00:18:13,706 --> 00:18:15,838
Leave that dark in there.

267
00:18:15,888 --> 00:18:18,630
Otherwise it'll be flat.

268
00:18:19,413 --> 00:18:24,555
You want dimension,
depth in these paintings.

269
00:18:25,580 --> 00:18:29,639
Okay, let's go over to
this old big one over here

270
00:18:29,663 --> 00:18:33,580
and give him some
nice little shiny highlights.

271
00:18:39,738 --> 00:18:42,366
Clean up the fan brush.

272
00:18:46,388 --> 00:18:50,244
Now, clean brush, we'll just
pull these reflections down.

273
00:18:50,294 --> 00:18:51,686
Choop, choop, choop.

274
00:18:51,736 --> 00:18:53,549
Drop them in the water.

275
00:18:53,599 --> 00:18:54,741
Go across.

276
00:18:58,186 --> 00:19:06,186
And we'll use a one inch brush, a little
bit of the yellow, and sap green mixed.

277
00:19:07,120 --> 00:19:10,434
Load a lot of paint
into the bristles.

278
00:19:10,484 --> 00:19:16,426
Push those pretty little
leaves right off the brush.

279
00:19:19,297 --> 00:19:20,890
There's another one right there.

280
00:19:20,940 --> 00:19:24,976
Now if you want to reflect him
into the water, that's all you gotta do.

281
00:19:25,026 --> 00:19:26,968
Just drop him in.

282
00:19:28,331 --> 00:19:31,566
Maybe another nice
one right out in here.

283
00:19:31,616 --> 00:19:32,616
Like so.

284
00:19:34,700 --> 00:19:40,414
Now let's go over on the
other side of the canvas.

285
00:19:40,943 --> 00:19:46,200
And let's put a happy
little bush right there.

286
00:19:47,992 --> 00:19:48,789
There we are.

287
00:19:48,813 --> 00:19:54,527
I'm gonna add just a
touch more of the thin paint.

288
00:19:54,881 --> 00:19:57,595
Just so it sticks
a little easier.

289
00:19:57,645 --> 00:20:00,699
And we'll put a little
bush right in here.

290
00:20:00,749 --> 00:20:03,377
Oh, there's a nice one.

291
00:20:04,394 --> 00:20:08,851
Just let him fall
right off your brush.

292
00:20:09,817 --> 00:20:13,793
Okay, now with a fan
brush, we'll use a little of the

293
00:20:13,817 --> 00:20:17,817
magic white, a little yellow,
and a little sap green.

294
00:20:19,832 --> 00:20:23,107
Maybe we'll even throw a little ochre
in there, just to break it up a little.

295
00:20:23,157 --> 00:20:29,214
And we can put some nice
little grassy areas in here.

296
00:20:32,251 --> 00:20:35,385
Just little soft
things happening.

297
00:20:35,435 --> 00:20:37,104
Maybe, maybe, maybe,

298
00:20:37,154 --> 00:20:41,193
We need a little stone, some
dirt showing through, so we'll just

299
00:20:41,217 --> 00:20:45,154
take some Van Dyke brown, let
it break and play through there.

300
00:20:46,789 --> 00:20:50,444
And we'll highlight it with
some brown, white, and blue.

301
00:20:50,494 --> 00:20:54,350
Very little blue, though,
that blue is strong.

302
00:20:54,400 --> 00:20:59,542
Just enough to give
us a little bit of color.

303
00:21:00,570 --> 00:21:03,791
And then bring it together.

304
00:21:03,815 --> 00:21:06,900
Just bring it all together.

305
00:21:12,828 --> 00:21:14,501
Okay, now, same thing over here.

306
00:21:14,551 --> 00:21:18,093
Let's just bring them together.

307
00:21:22,984 --> 00:21:29,825
Okay, let's take and put some
little reflections into the water.

308
00:21:29,875 --> 00:21:33,851
Now, with a clean, dry brush and the
lightest touch imaginable, pull straight

309
00:21:33,875 --> 00:21:37,875
down and very, very gently go across
to make those nice mirrored reflections.

310
00:21:43,591 --> 00:21:47,567
And we can take a
little bit of the Van Dyke

311
00:21:47,591 --> 00:21:51,591
Brown, put us a bank
over here on this side.

312
00:22:00,568 --> 00:22:03,781
Little touch of
highlight here and there.

313
00:22:03,831 --> 00:22:07,731
Just here and there.

314
00:22:07,755 --> 00:22:14,304
Now with a fan brush, we
can bring all that back together.

315
00:22:14,354 --> 00:22:16,534
Hmm.

316
00:22:16,558 --> 00:22:18,672
It's coming along quite well.

317
00:22:18,722 --> 00:22:26,379
A little bit of magic white to make
us a waterline underneath here.

318
00:22:26,897 --> 00:22:31,073
Once again, if there's something
that you want to see in future

319
00:22:31,097 --> 00:22:34,897
series, please drop us a line,
let us know what you want.

320
00:22:36,435 --> 00:22:40,224
And we'll certainly
try to come up with it.

321
00:22:40,274 --> 00:22:44,020
If it's not within my
knowledge to do it,

322
00:22:44,044 --> 00:22:48,274
we'll go see if we can
find somebody that can.

323
00:22:48,544 --> 00:22:55,401
Okay, we'll just scratch a
few little trunks here and there.

324
00:22:57,855 --> 00:22:58,855
Like so.

325
00:23:02,781 --> 00:23:06,781
And one or two
over here and there.

326
00:23:07,274 --> 00:23:13,788
Now, with the liner brush,
and a little bit of the brown.

327
00:23:14,043 --> 00:23:15,915
Little bit of oil on the brush.

328
00:23:15,965 --> 00:23:18,064
There we go.

329
00:23:18,088 --> 00:23:22,023
Let's just throw a quick
little happy tree right there.

330
00:23:22,073 --> 00:23:26,073
Just an old
stillness layin' there.

331
00:23:27,621 --> 00:23:34,592
Think we had one in the painting
that you see in the opening.

332
00:23:35,150 --> 00:23:36,382
There we are.

333
00:23:36,432 --> 00:23:38,717
Something like that.

334
00:23:44,838 --> 00:23:45,838
Alright.

335
00:23:51,027 --> 00:23:55,404
I think we're about ready
for a signature on this one.

336
00:23:55,454 --> 00:23:58,082
Little bit of thin oil.

337
00:23:59,099 --> 00:24:00,699
Permanent red.

338
00:24:01,102 --> 00:24:06,100
Bring the brush to a nice
sharp point with very thin paint.

339
00:24:06,150 --> 00:24:10,150
And let's just go
right up in here.

340
00:24:10,196 --> 00:24:14,881
And put a happy
little signature in here.

341
00:24:21,946 --> 00:24:25,734
There.

342
00:24:25,758 --> 00:24:28,376
Once again, it's very
nice to have a short name.

343
00:24:28,426 --> 00:24:31,907
Only takes a second
to sign these paintings.

344
00:24:31,957 --> 00:24:35,210
And I think we'll call
that painting finished.

345
00:24:35,260 --> 00:24:39,359
And I'd like to take a few minutes
of your time, if I may, and tell

346
00:24:39,383 --> 00:24:43,260
you how very much we appreciate
you allowing us into your home.

347
00:24:44,032 --> 00:24:46,325
We hope you've
enjoyed this series.

348
00:24:46,375 --> 00:24:50,451
And something that you never see that I'd
like to take a minute, I'd like to thank

349
00:24:50,475 --> 00:24:54,375
all the fantastic people here at this
TV station that have made this possible.

350
00:24:55,047 --> 00:24:58,207
You don't see all the people
that are behind the cameras

351
00:24:58,231 --> 00:25:01,586
that work very hard to bring
you a quality production show.

352
00:25:01,636 --> 00:25:03,970
And they too deserve credit.

353
00:25:04,020 --> 00:25:07,971
So, right here and publicly now, I would
like to tell each and every one of them,

354
00:25:07,995 --> 00:25:12,020
from the bottom of my heart, that I thank
them for everything they've done for us.

355
00:25:12,652 --> 00:25:17,049
And I thank you, more than anyone,
for enjoying and watching our show.

356
00:25:17,099 --> 00:25:20,394
We sincerely hope that we
teach you something here.

357
00:25:20,444 --> 00:25:24,760
And once again, let us hear from
you, let us know what you want to see.

358
00:25:24,810 --> 00:25:28,467
And on behalf of all of us here,

359
00:25:28,973 --> 00:25:32,529
We really hope to see you
again in the very near future.

360
00:25:32,579 --> 00:25:37,437
We wish you the absolute
best that life has to offer.

361
00:25:37,487 --> 00:25:40,523
Once again, have a super day.

362
00:25:40,573 --> 00:25:41,490
God bless.

363
00:25:41,514 --> 00:25:43,868
We look forward
to seeing you again.

364
00:25:43,918 --> 00:25:44,918
Bye bye.

365
00:25:45,305 --> 00:26:45,711
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