"Mysteries at the Museum" Unbelievable Inventions
ID | 13179182 |
---|---|
Movie Name | "Mysteries at the Museum" Unbelievable Inventions |
Release Name | Mysteries.at.the.Museum.S20E24.Unbelievable.Inventions.480p.x264-mSD |
Year | 2018 |
Kind | tv |
Language | English |
IMDB ID | 37493453 |
Format | srt |
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An electric new sound
rocks America.
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00:00:04,330 --> 00:00:07,100
CAVATORTA:
There was a forgotten
device that gave birth
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00:00:07,240 --> 00:00:09,300
to an entirely new field
of music.
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00:00:09,370 --> 00:00:12,370
A revolution
on the open road.
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This invention
changed road navigation
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00:00:15,710 --> 00:00:18,150
in the U.S. forever.
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And a fashionable solution
for a Space Age problem.
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00:00:22,420 --> 00:00:24,950
They could stick them
to the walls,
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00:00:25,090 --> 00:00:26,720
they could stick them
to the control panel.
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That way, they weren't
floating all around.
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These are the mysteries
at the museum.
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The coastal city
of Tacoma, Washington,
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is one of the busiest ports
in the nation.
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This bustling hub processes
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over 13 million tons
of cargo every year.
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And celebrating
the region's nautical history
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is the Working Waterfront
Maritime Museum.
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On display are early
20th-century canoes,
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a replica of a British naval
ship from the 1780s,
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and a model of the Tacoma,
a 1913 steamship that was once
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the fastest single-propeller
passenger ship in the world.
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But among these items
depicting travel
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on the ocean's surface
is an object designed
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for exploring
the world beneath it.
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SPENCE: It's made from steel,
brass, and rubber.
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It has three air cylinders,
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a pressure regulator,
breathing hoses,
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and it's well-worn from use.
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WILDMAN: This breathing
apparatus was invented
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by the world's most famous
deep-sea explorer --
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Jacques Cousteau.
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But few know the amazing story
behind its creation.
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A seemingly simple dive quickly
became an underwater disaster.
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WILDMAN: It's the 1940s
in the ancient city
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of Avignon, France.
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Jacques Cousteau is an officer
in the French Navy.
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But his passion lies
beneath the waves
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as a deep-sea explorer.
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SPENCE: Cousteau was always
looking for fun and adventure.
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He became obsessed
with being able
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to stay underwater longer,
go deeper,
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and travel farther to explore.
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WILDMAN: But the
technology available
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to divers at the time
is very basic.
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SPENCE: During the 1940s,
diving equipment required
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an air supply from the surface.
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WILDMAN: In order to breathe,
divers use an air hose
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that's tethered to a boat,
which limits the distance
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and depths to which
they can explore.
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The tube makes it difficult
to swim naturally.
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And it could get tangled or even
snagged on underwater obstacles.
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But Cousteau is undeterred.
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SPENCE:
His quest to swim untethered
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inspired him
to create a breathing device
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that would allow him
to stay underwater.
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WILDMAN: So Cousteau
comes up with a simple,
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yet elegant, new design.
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It's a tank of oxygen that is
worn on the diver's back.
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For years, he works
to perfect his device.
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And in 1946, he thinks
he's finally ready.
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The apparatus is made up
of three canisters
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of compressed air
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and a hose which goes directly
into the diver's mouth.
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The key to making it work
is a regulator
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that allows the diver
to inhale the compressed air
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and then exhale
into the water.
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Cousteau calls his invention
the aqualung,
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one of which is on display
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at the Working Waterfront Museum
in Tacoma.
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SPENCE: With the aqualung,
the diver had more flexibility,
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they could travel more freely,
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and they could explore areas
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that were inaccessible before.
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WILDMAN: Cousteau sets out
to test the device.
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So in August, he and
his colleague, Frédéric Dumas,
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along with a safety team,
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travel to a cave
in the South of France
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called the Fountain of Vaucluse.
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Inside the cave
is a deep lake.
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There, they plan to dive
to a depth of 300 feet.
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In case something goes wrong,
they tether themselves to a rope
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that leads back to the team
on the surface.
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Cousteau and Dumas don
their aqualungs
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and embark on their dive.
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[ Water splashes ]
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At first, everything
seems to be going well.
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SPENCE:
The dive started out
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much like the dives Cousteau
and Dumas had done before.
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Everything was running smoothly.
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WILDMAN: But when they reach
a depth of 150 feet,
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something goes terribly wrong.
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SPENCE: He started to experience
a dull headache and confusion
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that was far beyond
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what he normally
would have experienced
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at a similar depth
in the open ocean.
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WILDMAN: He looks over
to his diving companion
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and sees that Dumas
is unconscious.
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He was practically motionless.
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Things were not looking good.
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WILDMAN: Cousteau frantically
pulls on the rope
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to let the team on the surface
know there's an emergency.
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But the team
misinterprets the signal.
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Rather than pulling
the divers back up,
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they give them more slack.
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This is exactly the opposite
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of what Cousteau
and Dumas needed.
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WILDMAN: For Cousteau and his
passed-out diving partner,
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time is running out.
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As the seconds tick by,
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Cousteau starts slipping
in and out of consciousness.
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If Cousteau stayed underwater
much longer, they would die.
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WILDMAN: But then, he feels
the safety rope tighten.
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The rescue team on the surface
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has finally realized
something is amiss.
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The divers are pulled up
to the boat,
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where Dumas is revived.
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SPENCE:
Cousteau is relieved
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that both he and his friend,
Dumas,
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00:06:06,260 --> 00:06:08,130
have returned
safely to the surface.
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WILDMAN:
But what went wrong?
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Cousteau carefully
inspects his aqualung
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and soon finds the source
of the problem.
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A faulty air compressor
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had caused their
oxygen tanks to fill
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with lethal levels of
the deadly gas carbon monoxide.
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The two divers had been
moments away from death.
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SPENCE:
The near-fatal events would have
a lasting impact on Cousteau
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and his diving adventures.
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The lesson learned
is a diver is only as safe
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as the air on his back.
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WILDMAN: To ensure the incident
doesn't happen again,
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Cousteau drafts a strict
set of guidelines
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for how tanks should be handled
and checked before a dive.
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He finally puts the aqualung
on sale in 1946.
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His invention eventually
goes on to become known
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by another name --
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the self-contained underwater
breathing apparatus, or SCUBA.
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Aqualung was
a revolutionary device
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that really brought
diving to the masses.
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WILDMAN: Today, the Working
Waterfront Maritime Museum
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in Tacoma, Washington,
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displays an early version
of Cousteau's aqualung.
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It recalls the man
who risked his life
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to explore the uncharted depths
of the ocean.
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Every year,
at least nine million visitors
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flock to Houston, Texas,
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to enjoy
the city's creative scene.
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This vibrant metropolis is home
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to more than 500
cultural and arts institutions.
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Among them is a museum
that transports its guests
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to the final frontier --
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Space Center Houston.
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Its collection includes a model
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of the International
Space Center,
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a 1963 Mercury capsule,
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and the most powerful rocket
ever built --
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the Saturn V.
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Amid these massive machines
is an object
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that, although smaller,
is just as iconic.
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SPANA: It's about 6 feet tall,
it's mostly white,
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it has red and blue valves,
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and there's an American flag
on it.
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WILDMAN: This space suit
is the ultimate symbol
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of progress and exploration.
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But few realize
this cutting-edge outfit
is actually equipped
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with an item found
in almost every home.
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SPANA:
It was a material that changed
the aerospace industry
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and everyday fashion.
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WILDMAN:
What ingenious invention
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does this space suit conceal?
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1941 -- Lausanne, Switzerland.
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33-year-old engineer
George de Mestral
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enjoys tinkering with gadgets
in his spare time.
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SPANA: George de Mestral
was passionate
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about inventing things.
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In his mind, he was always
thinking about how things work.
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WILDMAN: To his dismay,
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de Mestral has never produced
anything worthy of note.
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But the inventor's luck
is about to change.
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One day,
while walking through the woods,
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de Mestral notices something
clinging to his clothes.
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The cuffs of his pants
are covered with prickly burrs.
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The burrs
stick really well to fabric,
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and they're real tenacious.
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WILDMAN:
The inventor is intrigued.
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He wondered,
what is it about these burrs
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that makes these things so good
at sticking to the fabric?
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WILDMAN:
De Mestral takes home
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a handful of the spiny pods.
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He found that the casing
of the burr
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was covered with hundreds
of tiny, little hooks.
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WILDMAN: These minute hooks
latch onto an animal's fur,
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ensuring that the seeds
are spread far and wide.
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The inventor then comes up
with a revolutionary idea.
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He could replicate
this hook-and-loop structure
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and create a new kind
of fastener for clothes,
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one that is faster
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and more convenient
than zippers or buttons.
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George's new fastener would be
more reliable and easy to use.
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He knew he was
onto something good.
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WILDMAN:
De Mestral works with a weaver,
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and after nearly a decade
of trial and error,
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perfects his creation.
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His fastener consists
of two nylon strips,
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one of which is lined
with thousands of tiny hooks,
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the other with tiny loops.
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And when you bring
the two together,
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all of those hooks grab
and attach to those threads.
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WILDMAN: In 1955,
De Mestral patents his product.
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Combining the word "velvet"
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with "crochet,"
the French word for hook,
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he calls it a Velcro fastener.
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His hope was to revolutionize
the fashion industry.
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WILDMAN: But when the inventor
meets with fashion designers,
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he's stunned by their reaction.
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They declare the black nylon
strips to be unsightly
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00:11:27,120 --> 00:11:31,850
and refused to use them
in their designs.
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00:11:31,890 --> 00:11:34,050
George's great plans
for the fashion industry
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00:11:34,190 --> 00:11:36,460
were a big flop.
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00:11:36,490 --> 00:11:38,990
WILDMAN:
But what the plucky inventor
doesn't know
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is that the solution to his woes
will be out of this world.
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It's the 1960s.
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00:11:50,610 --> 00:11:52,870
Inventor George de Mestral
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00:11:53,010 --> 00:11:55,340
has created a substitute
for zippers
225
00:11:55,340 --> 00:11:57,680
called Velcro fasteners.
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The problem is,
fashion designers
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00:12:00,250 --> 00:12:03,280
want nothing to do
with this newfangled device.
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00:12:03,320 --> 00:12:07,020
So what will it take
for Velcro to stick?
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00:12:09,490 --> 00:12:12,230
The early 1960s --
Cape Canaveral.
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00:12:12,230 --> 00:12:14,230
NASA is preparing for America's
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00:12:14,360 --> 00:12:16,900
first orbital mission
into space.
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00:12:17,030 --> 00:12:20,100
But the astronauts
have a problem.
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00:12:20,170 --> 00:12:21,630
In the weightless surroundings,
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00:12:21,740 --> 00:12:24,300
they keep losing
their equipment.
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00:12:24,310 --> 00:12:25,640
The astronauts
had a lot of equipment
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00:12:25,770 --> 00:12:26,910
inside their capsule,
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00:12:26,940 --> 00:12:28,510
like binoculars
and cameras
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00:12:28,540 --> 00:12:30,440
and camera accessories,
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00:12:30,510 --> 00:12:32,580
and they needed those
to be close at hand.
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00:12:32,650 --> 00:12:34,050
But in a weightless
environment,
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00:12:34,120 --> 00:12:36,450
all of that was floating around.
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00:12:36,520 --> 00:12:38,790
WILDMAN:
NASA engineers need something
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00:12:38,920 --> 00:12:40,920
that can hold their gadgets
in place
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00:12:40,990 --> 00:12:43,790
but also release them quickly,
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00:12:43,830 --> 00:12:45,460
and that's when it hits them.
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00:12:45,530 --> 00:12:49,330
They could use de Mestral's
little-known Velcro fasteners.
247
00:12:49,330 --> 00:12:50,730
They can stick them
to the walls,
248
00:12:50,800 --> 00:12:53,270
they can stick them
to the control panel,
249
00:12:53,370 --> 00:12:55,800
that way, they weren't
floating all around.
250
00:12:57,510 --> 00:12:59,070
WILDMAN:
Since the hassle-free strips
251
00:12:59,210 --> 00:13:01,710
are more convenient
than buttons or zippers,
252
00:13:01,840 --> 00:13:04,080
de Mestral's product
is also used
253
00:13:04,150 --> 00:13:06,210
in the construction
of their space suits,
254
00:13:06,280 --> 00:13:10,050
just like the Apollo 12 model
at Space Center Houston.
255
00:13:13,120 --> 00:13:14,950
When the public
sees the astronauts
256
00:13:15,090 --> 00:13:16,960
using de Mestral's invention,
257
00:13:17,090 --> 00:13:20,830
demand for the sticky strips
hits the stratosphere.
258
00:13:25,730 --> 00:13:29,340
NASA put him in front
of the eyes of the whole world.
259
00:13:29,400 --> 00:13:32,240
WILDMAN: Over the years,
de Mestral rakes in millions
260
00:13:32,240 --> 00:13:34,910
as Velcro fasteners
are used in everything
261
00:13:34,980 --> 00:13:39,350
from strapping athletic shoes
to wrapping cables and cords.
262
00:13:42,580 --> 00:13:46,090
And today, the suit on display
at Space Center Houston
263
00:13:46,220 --> 00:13:48,590
endures as a testament
to the inventor
264
00:13:48,620 --> 00:13:50,290
whose space-age creation
265
00:13:50,430 --> 00:13:55,090
proves inspiration can be found
in the most unlikely of places.
266
00:13:57,870 --> 00:13:59,900
A 1920s horn machine,
267
00:14:00,000 --> 00:14:04,140
a phonograph designed
by Thomas Edison,
268
00:14:04,240 --> 00:14:07,040
and a coin-operated
miniature orchestra
269
00:14:07,170 --> 00:14:10,510
are just a few of
the musical gadgets on display
270
00:14:10,580 --> 00:14:13,210
at the DeBence Antique
Music World museum
271
00:14:13,280 --> 00:14:15,550
in Franklin, Pennsylvania.
272
00:14:18,420 --> 00:14:20,690
And amidst
these little-known oddities
273
00:14:20,760 --> 00:14:23,820
is one instrument that every
music fan will recognize.
274
00:14:23,930 --> 00:14:28,600
CAVATORTA:
The artifact is 48 inches wide
and 29 inches deep.
275
00:14:28,700 --> 00:14:31,560
It's made out of
beautifully crafted wood.
276
00:14:31,700 --> 00:14:35,400
It has two keyboards
and a row of buttons.
277
00:14:35,470 --> 00:14:37,700
It is almost 80 years old,
278
00:14:37,840 --> 00:14:39,840
but it is
in perfect working condition
279
00:14:39,880 --> 00:14:41,170
and it sounds beautiful.
280
00:14:41,240 --> 00:14:45,710
WILDMAN:
This is a 1935 Hammond organ.
281
00:14:45,850 --> 00:14:49,050
Its unique sound can be heard
on countless hit songs.
282
00:14:49,150 --> 00:14:52,190
[ Electric organ music plays ]
283
00:14:54,090 --> 00:14:55,790
But what few realize
284
00:14:55,920 --> 00:14:58,090
is that
this celebrated instrument
285
00:14:58,160 --> 00:15:01,390
owes its existence
to an outlandish scheme
286
00:15:01,430 --> 00:15:05,000
that almost got the whole world
dancing to the same tune.
287
00:15:05,100 --> 00:15:07,200
CAVATORTA:
This is a story about one man
288
00:15:07,340 --> 00:15:09,700
who had an idea that changed
the entire future of music.
289
00:15:13,780 --> 00:15:15,270
WILDMAN: The early 1900s --
290
00:15:15,340 --> 00:15:17,910
It's an era
of great innovation.
291
00:15:18,050 --> 00:15:20,950
Americans enjoy
an array of new technologies
292
00:15:21,050 --> 00:15:25,150
like escalators, typewriters,
and dishwashers.
293
00:15:25,190 --> 00:15:26,690
But in Washington, D.C.,
294
00:15:26,820 --> 00:15:28,490
there's one man who thinks
295
00:15:28,490 --> 00:15:31,420
he has
the most unique idea of all --
296
00:15:31,430 --> 00:15:36,160
26-year-old inventor
Thaddeus Cahill.
297
00:15:36,300 --> 00:15:38,230
CAVATORTA:
Cahill's idea was to create
298
00:15:38,300 --> 00:15:40,830
the world's first electronic
streaming music service.
299
00:15:40,900 --> 00:15:44,370
WILDMAN: Cahill's concept
is to give people
300
00:15:44,440 --> 00:15:46,710
the ability to listen
to live music
301
00:15:46,710 --> 00:15:47,970
in their living rooms...
[ Telephone rings ]
302
00:15:48,110 --> 00:15:50,780
...just by making
a telephone call.
303
00:15:50,880 --> 00:15:53,050
This would be
a subscription service.
304
00:15:53,050 --> 00:15:55,010
You'd go to your telephone
and ask to be connected,
305
00:15:55,080 --> 00:15:58,620
and the room would be
filled with music.
306
00:15:58,690 --> 00:16:00,050
And the subscribers
in their homes
307
00:16:00,160 --> 00:16:03,490
could turn the music on and off
just like water in a tap.
308
00:16:04,660 --> 00:16:05,660
WILDMAN: If it works,
309
00:16:05,690 --> 00:16:07,390
the service
would be like nothing
310
00:16:07,460 --> 00:16:09,160
the world
has ever heard before.
311
00:16:10,370 --> 00:16:11,600
In 1901,
312
00:16:11,670 --> 00:16:13,530
Cahill builds
a prototype instrument
313
00:16:13,570 --> 00:16:15,670
that uses magnets
and electric currents
314
00:16:15,740 --> 00:16:17,040
to create music
315
00:16:17,110 --> 00:16:20,210
that can then be broadcast
through the telephone lines.
316
00:16:20,310 --> 00:16:24,340
The revolutionary device
weighs 14,000 pounds.
317
00:16:24,410 --> 00:16:27,980
He calls his creation...
318
00:16:28,120 --> 00:16:29,880
the Telharmonium.
319
00:16:30,020 --> 00:16:33,950
The Telharmonium was full-scale
Frankenstein-style endeavor.
320
00:16:34,090 --> 00:16:37,320
He made it a gigantic hive of
little electrical switches
321
00:16:37,460 --> 00:16:39,530
and big electric keyboards.
322
00:16:42,400 --> 00:16:44,900
WILDMAN: To demonstrate
his grand creation,
323
00:16:44,970 --> 00:16:48,400
Cahill organizes a party of
moneyed businessmen and bankers.
324
00:16:50,110 --> 00:16:53,170
The guests gather around a table
where a telephone is set up...
325
00:16:54,380 --> 00:16:58,510
...and as they lean in,
a strange sound fills the room.
326
00:16:58,580 --> 00:17:03,120
[ Electronic music plays ]
327
00:17:03,250 --> 00:17:05,680
CAVATORTA: Out poured
this loud electronic music
328
00:17:05,720 --> 00:17:07,420
like they'd never
heard before.
329
00:17:07,490 --> 00:17:09,560
[ Electronic music plays ]
330
00:17:09,690 --> 00:17:12,930
Beeps and strange sine waves
and odd harmonies.
331
00:17:16,830 --> 00:17:19,200
WILDMAN:
The audience is stunned.
332
00:17:19,230 --> 00:17:21,470
Cahill explains that the song
333
00:17:21,540 --> 00:17:23,600
is being played
on an electric keyboard
334
00:17:23,670 --> 00:17:25,640
located 30 miles away,
335
00:17:25,770 --> 00:17:28,740
and if they want to hear
more of this unique sound,
336
00:17:28,740 --> 00:17:29,940
all they have to do
337
00:17:29,940 --> 00:17:32,010
is pay a nominal
subscription fee.
338
00:17:32,050 --> 00:17:33,010
They were blown away,
339
00:17:33,080 --> 00:17:34,610
and they lined up
to hand him money.
340
00:17:34,750 --> 00:17:38,250
[ Applause ]
341
00:17:38,350 --> 00:17:43,520
WILDMAN:
Word of Cahill's unparalleled
music service spreads,
342
00:17:43,590 --> 00:17:47,830
and in 1906,
the Telharmonium goes live.
343
00:17:47,930 --> 00:17:51,530
Thousands of people rush
to subscribe to the service.
344
00:17:51,630 --> 00:17:54,170
It appeared to be
a gigantic success.
345
00:17:54,300 --> 00:17:56,440
Everybody loved
the Telharmonium.
346
00:17:59,240 --> 00:18:01,310
But the growing popularity
of his device
347
00:18:01,380 --> 00:18:03,380
is about to cause
the young entrepreneur
348
00:18:03,410 --> 00:18:05,080
an unexpected problem --
349
00:18:05,180 --> 00:18:09,450
One that threatens to silence
the Telharmonium for good.
350
00:18:09,550 --> 00:18:10,620
CAVATORTA:
Cahill did not anticipate
351
00:18:10,750 --> 00:18:13,320
how difficult this venture
would really be.
352
00:18:13,450 --> 00:18:17,520
WILDMAN: So, what will become of
Cahill's incredible invention?
353
00:18:17,590 --> 00:18:20,190
[ Indistinct conversations ]
354
00:18:25,000 --> 00:18:27,070
It's 1906 in New York.
355
00:18:27,140 --> 00:18:31,170
Inventor Thaddeus Cahill
has taken the country by storm
356
00:18:31,310 --> 00:18:34,470
with his invention,
the Telharmonium.
357
00:18:34,540 --> 00:18:36,980
It is a brand new
electric instrument
358
00:18:37,080 --> 00:18:39,580
that streams live music
into people's homes
359
00:18:39,650 --> 00:18:41,410
through the telephone lines.
360
00:18:41,550 --> 00:18:43,320
But little does Cahill realize
361
00:18:43,420 --> 00:18:46,320
his runaway hit
is about to go off-key.
362
00:18:48,920 --> 00:18:52,120
One day,
Cahill gets an unwelcome call
363
00:18:52,160 --> 00:18:54,460
from the phone company.
364
00:18:54,560 --> 00:18:56,730
They say that
Cahill's music service
365
00:18:56,830 --> 00:18:59,470
is wreaking havoc
on the telephone system.
366
00:18:59,600 --> 00:19:01,800
People having
normal conversations
367
00:19:01,870 --> 00:19:04,500
are being interrupted
by the Telharmonium.
368
00:19:04,540 --> 00:19:07,210
[ Indistinct conversations,
Telharmonium plays ]
369
00:19:07,210 --> 00:19:10,740
CAVATORTA:
An ongoing problem throughout
the Telharmonium's run
370
00:19:10,810 --> 00:19:12,710
was cross talk on the lines.
371
00:19:12,810 --> 00:19:14,080
So, you'd be talking
372
00:19:14,210 --> 00:19:15,780
and trying to
understand one another,
373
00:19:15,850 --> 00:19:17,580
and this loud music
would come over the line
374
00:19:17,650 --> 00:19:18,580
and it would stay there.
375
00:19:18,720 --> 00:19:20,850
[ Music plays ]
Is that music?
376
00:19:23,020 --> 00:19:26,260
WILDMAN: The telephone company
says it has no choice
377
00:19:26,390 --> 00:19:29,600
but to cut off Cahill's access
to their phone lines.
378
00:19:29,660 --> 00:19:31,930
The entrepreneur
is devastated.
379
00:19:31,970 --> 00:19:35,400
Thaddeus Cahill was at the mercy
of the telephone company.
380
00:19:35,440 --> 00:19:38,140
Without them,
his Telharmonium was
381
00:19:38,210 --> 00:19:40,410
completely dead in the water.
382
00:19:40,510 --> 00:19:44,410
WILDMAN: In 1908,
the Telharmonium
plays its last tune.
383
00:19:44,410 --> 00:19:46,950
Cahill is forced
to shut down his operation
384
00:19:46,950 --> 00:19:48,950
and declare bankruptcy.
385
00:19:49,050 --> 00:19:50,680
He put everything he had
into this.
386
00:19:50,690 --> 00:19:52,620
This was a failure.
387
00:19:52,750 --> 00:19:55,220
WILDMAN: But this isn't
the end of the Telharmonium.
388
00:19:57,760 --> 00:20:00,490
The ideas and the vision
in the instrument lived on.
389
00:20:00,530 --> 00:20:02,630
A surprisingly rich
390
00:20:02,660 --> 00:20:05,760
kind of amazing legacy
of musical technology
391
00:20:05,830 --> 00:20:08,230
and musical ideas
get started there.
392
00:20:08,370 --> 00:20:10,900
WILDMAN: In the 1930s,
393
00:20:11,010 --> 00:20:12,910
another inventor
named Lawrence Hammond
394
00:20:13,010 --> 00:20:14,770
applies Cahill's design
395
00:20:14,840 --> 00:20:17,180
to build a new type
of instrument --
396
00:20:17,280 --> 00:20:19,180
the Hammond organ.
397
00:20:19,280 --> 00:20:21,250
Similar to the Telharmonium,
398
00:20:21,380 --> 00:20:24,050
the Hammond generates sound
by creating current
399
00:20:24,050 --> 00:20:27,520
from a rotating metal reel
and an electromagnet.
400
00:20:27,590 --> 00:20:30,320
In its concepts
and in its technology,
401
00:20:30,330 --> 00:20:32,860
it was really like
a tiny Telharmonium,
402
00:20:32,860 --> 00:20:36,200
with the tiny spinning tone
wheels, the additive synthesis,
403
00:20:36,260 --> 00:20:38,700
all of the harmonics,
and a lot of the same
404
00:20:38,800 --> 00:20:41,000
mathematics for how
it calculated pitches.
405
00:20:41,070 --> 00:20:43,140
WILDMAN: Its unique sound
406
00:20:43,140 --> 00:20:46,670
is used in a slew of
new American musical genres.
407
00:20:46,740 --> 00:20:48,470
It's used in all kinds of hits,
408
00:20:48,540 --> 00:20:50,740
including
the Grateful Dead's "Bertha,"
409
00:20:50,750 --> 00:20:53,010
Bob Dylan's
"Like a Rolling Stone,"
410
00:20:53,110 --> 00:20:56,220
and Bob Marley's
"No Woman, No Cry."
411
00:20:56,280 --> 00:21:00,490
So much popular music today
is possible and inspired by
412
00:21:00,490 --> 00:21:03,690
Thaddeus Cahill's invention
and the Hammond organ.
413
00:21:06,830 --> 00:21:08,430
[ Electric organ music plays ]
414
00:21:08,460 --> 00:21:10,030
WILDMAN:
This Hammond electric organ
415
00:21:10,060 --> 00:21:12,900
at the DeBence Antique
Music World museum
416
00:21:13,030 --> 00:21:14,830
recalls the brilliant invention
417
00:21:14,900 --> 00:21:17,900
that struck a major chord
in music history.
418
00:21:22,980 --> 00:21:24,240
Chicago, Illinois --
419
00:21:24,310 --> 00:21:26,550
the Windy City's Chicago River
420
00:21:26,580 --> 00:21:29,250
boasts a unique
and unusual feature --
421
00:21:29,350 --> 00:21:31,950
To prevent sewage
from running into Lake Michigan,
422
00:21:32,090 --> 00:21:34,050
which supplies the city
with water,
423
00:21:34,090 --> 00:21:37,190
it was engineered
to flow backwards.
424
00:21:37,260 --> 00:21:40,190
And just a stone's throw away
from the famous waterway
425
00:21:40,230 --> 00:21:44,100
is an institution showcasing
other feats of innovation --
426
00:21:44,130 --> 00:21:47,570
The Museum
of Science and Industry.
427
00:21:47,670 --> 00:21:52,040
Its exhibits include
a Boeing 727 airplane,
428
00:21:52,170 --> 00:21:54,070
a German submarine
that was captured off
429
00:21:54,080 --> 00:21:57,540
the cost of Africa
during World War II,
430
00:21:57,580 --> 00:22:01,350
and a steam locomotive that
broke the land speed record.
431
00:22:03,620 --> 00:22:05,680
But among
these oversized exhibits
432
00:22:05,720 --> 00:22:08,890
is a small
and seemingly simple gadget.
433
00:22:08,960 --> 00:22:10,220
McCARTHY:
It's a circular device,
434
00:22:10,360 --> 00:22:13,090
about 9 1/2
inches in diameter.
435
00:22:13,090 --> 00:22:14,430
It has paper inserts
436
00:22:14,430 --> 00:22:16,960
that are filled with
written information.
437
00:22:16,960 --> 00:22:18,430
It's over a century old,
438
00:22:18,430 --> 00:22:20,770
and it was a really
invaluable device
439
00:22:20,900 --> 00:22:22,670
for those who used it.
440
00:22:24,910 --> 00:22:28,710
WILDMAN:
This tiny tool paved the way
for a trail-blazing technology
441
00:22:28,740 --> 00:22:31,510
that drivers today
would be lost without.
442
00:22:31,580 --> 00:22:33,010
This is the story
443
00:22:33,080 --> 00:22:36,380
of one of the most ubiquitous
inventions of the 20th century.
444
00:22:36,520 --> 00:22:38,320
G.P.S.:
Turn left at the fork.
445
00:22:40,460 --> 00:22:42,390
WILDMAN:
It's the early 1900s.
446
00:22:42,490 --> 00:22:44,990
In just a few short years,
cars have become
447
00:22:45,090 --> 00:22:48,030
the country's fastest-growing
mode of transportation.
448
00:22:48,130 --> 00:22:50,900
People could go to places
they had never been to before.
449
00:22:50,970 --> 00:22:52,100
It was quite an adventure
450
00:22:52,170 --> 00:22:54,800
to venture out
in your automobile.
451
00:22:54,940 --> 00:22:57,140
WILDMAN: But there's a problem
that has motorists
452
00:22:57,270 --> 00:22:58,570
spinning their wheels...
453
00:22:58,640 --> 00:23:01,870
[ Tires screeching ]
454
00:23:01,980 --> 00:23:05,540
...barely any roads
are marked with street signs.
455
00:23:05,550 --> 00:23:06,680
As a result, drivers
456
00:23:06,810 --> 00:23:09,350
often find themselves
hopelessly lost.
457
00:23:09,450 --> 00:23:10,950
McCARTHY:
In the early 1900s,
458
00:23:11,020 --> 00:23:12,180
the roads were dangerous
459
00:23:12,290 --> 00:23:14,890
and there
was no reliable navigation.
460
00:23:18,090 --> 00:23:19,460
WILDMAN:
But in New York City,
461
00:23:19,590 --> 00:23:21,890
one man is determined
to point drivers
462
00:23:22,030 --> 00:23:23,630
in the right direction --
463
00:23:23,760 --> 00:23:27,170
engineer and inventor
J.W. Jones.
464
00:23:27,240 --> 00:23:29,770
J.W. Jones was creative,
industrious,
465
00:23:29,900 --> 00:23:33,310
and entrepreneurial.
466
00:23:33,310 --> 00:23:34,970
WILDMAN:
Jones has invented a device
467
00:23:35,010 --> 00:23:37,680
that he thinks can
change motoring forever --
468
00:23:37,680 --> 00:23:41,110
a turn-by-turn
navigation system.
469
00:23:41,180 --> 00:23:43,880
He calls it
the Jones Live Map.
470
00:23:46,490 --> 00:23:48,520
The small,
circular contraption
471
00:23:48,520 --> 00:23:50,460
sits on the car's dashboard
472
00:23:50,590 --> 00:23:53,190
and is connected
to the car's odometer.
473
00:23:53,260 --> 00:23:55,860
The driver places a paper disc
474
00:23:55,860 --> 00:23:57,660
with step-by-step directions
475
00:23:57,700 --> 00:24:00,270
from one pre-determined point
to another
476
00:24:00,270 --> 00:24:02,000
on to the device.
477
00:24:02,100 --> 00:24:04,400
At the start of the journey,
the driver reads
478
00:24:04,410 --> 00:24:07,410
the first set of directions
from the disc.
479
00:24:07,440 --> 00:24:11,510
As the car motors along,
the disc slowly rotates.
480
00:24:11,580 --> 00:24:14,280
At a certain point,
after a specific number of miles
481
00:24:14,350 --> 00:24:15,550
have been completed,
482
00:24:15,580 --> 00:24:17,350
an arrow on the device lines
483
00:24:17,350 --> 00:24:19,150
up with a new set
of instructions
484
00:24:19,190 --> 00:24:21,290
that are printed on the disc.
485
00:24:21,290 --> 00:24:23,490
The driver then follows
those directions,
486
00:24:23,560 --> 00:24:27,030
and so on, until he reaches
his destination.
487
00:24:27,030 --> 00:24:29,160
Each disc is able
to provide directions
488
00:24:29,260 --> 00:24:31,560
for a trip up to 100 miles.
489
00:24:31,600 --> 00:24:33,970
For longer journeys,
the driver simply pops
490
00:24:34,100 --> 00:24:36,770
in another paper disc.
491
00:24:36,900 --> 00:24:38,970
Jones thinks
it's foolproof.
492
00:24:39,040 --> 00:24:40,770
Jones must have
some inkling
493
00:24:40,810 --> 00:24:44,240
that he's really about
to transform navigation.
494
00:24:47,750 --> 00:24:50,780
WILDMAN: In 1912, Jones puts
his device on the market
495
00:24:50,820 --> 00:24:53,850
for a whopping $75.
496
00:24:53,990 --> 00:24:58,390
Despite the high cost,
drivers love it.
497
00:24:58,460 --> 00:25:02,260
For the first time,
drivers had reliable navigation.
498
00:25:02,330 --> 00:25:04,800
WILDMAN: With no other device
like it on the market,
499
00:25:04,870 --> 00:25:07,400
it seems that Jones
will dominate navigation
500
00:25:07,470 --> 00:25:09,800
on America's roads
for years to come.
501
00:25:09,900 --> 00:25:11,940
Jones was ecstatic
that his map
502
00:25:12,070 --> 00:25:13,710
was such a huge success.
503
00:25:16,110 --> 00:25:18,010
WILDMAN: But little
does the inventor know,
504
00:25:18,050 --> 00:25:21,110
his device is about
to lose its way.
505
00:25:26,750 --> 00:25:29,120
It's 1912 in New York.
506
00:25:29,190 --> 00:25:30,990
Inventor J.W. Jones
507
00:25:31,060 --> 00:25:34,930
has created something that will
change automobiles forever --
508
00:25:35,030 --> 00:25:37,600
a turn-by-turn
navigation device
509
00:25:37,670 --> 00:25:41,400
that he calls
the Jones Live Map.
510
00:25:41,440 --> 00:25:43,500
But Jones is about to
hit a bump in the road
511
00:25:43,640 --> 00:25:45,500
that he never saw coming.
512
00:25:47,580 --> 00:25:50,610
In the 1920s, city
governments across the nation
513
00:25:50,610 --> 00:25:54,610
start to install road signs
at intersections.
514
00:25:54,750 --> 00:25:58,750
In 1926, the federal government
organizes America's roadways
515
00:25:58,750 --> 00:26:01,750
even further with
a system of numbers.
516
00:26:01,820 --> 00:26:05,290
For drivers, these developments
are a godsend,
517
00:26:05,330 --> 00:26:09,430
but for Jones and his live map,
they're a disaster.
518
00:26:09,500 --> 00:26:12,130
Companies across
the nation produce printed maps
519
00:26:12,270 --> 00:26:15,100
of the nation's highways
and byways,
520
00:26:15,100 --> 00:26:16,770
and instead of
paying top dollar
521
00:26:16,840 --> 00:26:19,270
for a complicated
navigation device,
522
00:26:19,340 --> 00:26:23,910
motorists prefer the convenience
and cheap price of paper maps.
523
00:26:23,950 --> 00:26:27,150
The Jones Live Map
eventually became obsolete.
524
00:26:29,950 --> 00:26:33,490
WILDMAN: Jones has no choice
but to shut down his business.
525
00:26:33,520 --> 00:26:35,250
But this is not
the end of the road
526
00:26:35,390 --> 00:26:38,990
for the Jones Live Map.
527
00:26:39,090 --> 00:26:40,460
In the early 2000s,
528
00:26:40,560 --> 00:26:44,800
turn-by-turn navigation
systems make an epic comeback.
529
00:26:44,870 --> 00:26:47,600
Using an array of
24 satellites known
530
00:26:47,600 --> 00:26:49,470
as the global
positioning system,
531
00:26:49,540 --> 00:26:51,070
or G.P.S.,
532
00:26:51,140 --> 00:26:54,340
a slew of digital devices
hits the market,
533
00:26:54,410 --> 00:26:58,010
making paper maps
virtually obsolete.
534
00:26:58,050 --> 00:27:01,410
The Jones Live Map
was the precursor to the G.P.S.
535
00:27:01,550 --> 00:27:03,820
that we couldn't live without
today.
536
00:27:03,920 --> 00:27:07,690
G.P.S.: Stay on route 76.
537
00:27:07,720 --> 00:27:09,320
WILDMAN:
And this Jones Live Map
538
00:27:09,390 --> 00:27:12,220
on display at The Museum
of Science and Industry
539
00:27:12,330 --> 00:27:13,560
allows a glimpse
540
00:27:13,690 --> 00:27:15,230
into the ingenious invention
541
00:27:15,300 --> 00:27:18,660
that was almost 100 years
ahead of its time.
542
00:27:23,840 --> 00:27:26,040
Nashville, Tennessee.
543
00:27:26,170 --> 00:27:27,710
This Southern metropolis
544
00:27:27,780 --> 00:27:31,610
is home to a full-scale replica
of the ancient Greek Parthenon,
545
00:27:31,680 --> 00:27:33,850
so it's only fitting
that the city
546
00:27:33,880 --> 00:27:37,220
is nicknamed
"the Athens of the South."
547
00:27:37,350 --> 00:27:39,850
And near the outskirts of town
is an institution
548
00:27:39,920 --> 00:27:44,520
that celebrates a more modern
slice of history --
549
00:27:44,660 --> 00:27:46,430
the Lane Motor Museum.
550
00:27:48,000 --> 00:27:51,260
Dedicated to the history
of European sports vehicles,
551
00:27:51,400 --> 00:27:53,670
the museum's collection includes
552
00:27:53,730 --> 00:27:58,500
a coal-powered
French Citroen from 1938...
553
00:27:58,570 --> 00:28:01,410
a 1932
propeller-driven automobile
554
00:28:01,480 --> 00:28:03,810
called the Helicron...
555
00:28:03,880 --> 00:28:05,280
and the Autocanoe,
556
00:28:05,280 --> 00:28:08,610
a pedal-powered
amphibious vehicle from 2005.
557
00:28:11,820 --> 00:28:15,820
And parked among
these unusual vehicles,
558
00:28:15,820 --> 00:28:18,290
one machine stands out.
559
00:28:18,330 --> 00:28:21,960
GRUNDHAUSER:
It's about 70 inches long,
stands about 30 inches high,
560
00:28:22,060 --> 00:28:24,230
and is only 30 inches wide.
561
00:28:24,300 --> 00:28:27,200
It's a sleek, clean white,
and it has three wheels.
562
00:28:30,170 --> 00:28:32,910
WILDMAN: This trike recalls
the tumultuous tale
563
00:28:32,910 --> 00:28:34,570
of a little-known inventor
564
00:28:34,710 --> 00:28:37,310
whose vision was
way ahead of its time.
565
00:28:37,410 --> 00:28:40,580
GRUNDHAUSER:
This vehicle tells the story
of a man who was willing
566
00:28:40,650 --> 00:28:42,510
to put his reputation
on the line
567
00:28:42,520 --> 00:28:44,780
to improve the lives
of thousands.
568
00:28:50,990 --> 00:28:53,590
WILDMAN:
It's the 1970s.
569
00:28:53,660 --> 00:28:56,230
The world is in the grip
of a gas crisis.
570
00:28:56,330 --> 00:28:58,300
Political turmoil
in the Middle East
571
00:28:58,370 --> 00:29:01,200
combined with increasing demand
572
00:29:01,200 --> 00:29:04,600
have caused prices at the pump
to skyrocket.
573
00:29:04,640 --> 00:29:07,110
As a result, the heavy,
gas-guzzling vehicles
574
00:29:07,170 --> 00:29:08,910
produced by the motor industry
575
00:29:09,010 --> 00:29:11,140
are becoming
too expensive to operate,
576
00:29:11,250 --> 00:29:14,450
and the public is looking
for an automotive answer.
577
00:29:14,580 --> 00:29:17,480
Something had to be done.
578
00:29:17,520 --> 00:29:20,950
WILDMAN: One man steps forward
who thinks he can help --
579
00:29:21,020 --> 00:29:23,960
a 40-year-old British inventor
and entrepreneur
580
00:29:23,990 --> 00:29:26,430
named Sir Clive Sinclair.
581
00:29:26,430 --> 00:29:29,900
Sinclair was a pioneer,
a genius.
582
00:29:29,900 --> 00:29:33,200
He'd been inventing
from a very young age.
583
00:29:33,200 --> 00:29:34,670
WILDMAN:
After making a name for himself
584
00:29:34,740 --> 00:29:36,570
in the consumer-electronics
industry,
585
00:29:36,640 --> 00:29:39,610
Sinclair believes
he can use his expertise
586
00:29:39,710 --> 00:29:42,440
to wean the country
off oil for good.
587
00:29:45,410 --> 00:29:49,110
One of Sinclair's passions
was to make things smaller.
588
00:29:49,250 --> 00:29:51,150
He'd created
a smaller calculator.
589
00:29:51,280 --> 00:29:53,250
He'd created
a smaller television.
590
00:29:53,250 --> 00:29:56,360
The next logical step
was a smaller vehicle.
591
00:29:56,360 --> 00:29:58,260
What Sinclair wanted was no less
592
00:29:58,390 --> 00:30:01,230
than a transportation
revolution.
593
00:30:01,230 --> 00:30:05,130
WILDMAN:
For years, Sinclair pours
himself into the project.
594
00:30:05,130 --> 00:30:08,970
Then, in 1985, he makes
a big announcement.
595
00:30:09,100 --> 00:30:12,200
He has created a three-wheeled
vehicle that runs
596
00:30:12,240 --> 00:30:15,810
on a combination of pedal power
and electricity.
597
00:30:15,910 --> 00:30:19,380
Its name -- the Sinclair C5,
598
00:30:19,450 --> 00:30:21,980
the same vehicle
that is now on display
599
00:30:21,980 --> 00:30:23,620
at the Lane Motor Museum.
600
00:30:23,680 --> 00:30:26,020
GRUNDHAUSER:
Sinclair's final design
ended up being a mash-up
601
00:30:26,050 --> 00:30:27,950
of all sorts
of different influences.
602
00:30:28,020 --> 00:30:31,420
Over here, it's part bicycle.
Over here, it's part car.
603
00:30:31,490 --> 00:30:35,530
All around, it's sort of a new,
futuristic transportation pod.
604
00:30:38,300 --> 00:30:41,170
WILDMAN: It seems that the C5
will solve the problems
605
00:30:41,300 --> 00:30:45,300
posed by high gas prices
in one fell swoop.
606
00:30:45,410 --> 00:30:48,570
Sinclair explains the key
is the vehicle's battery,
607
00:30:48,640 --> 00:30:50,840
which can be
charged at home.
608
00:30:50,910 --> 00:30:53,810
At the time, this was
a hugely novel idea.
609
00:30:53,810 --> 00:30:57,180
You could just bring the C5 home
and plug in the battery.
610
00:30:57,280 --> 00:30:58,820
You're ready to go.
611
00:31:01,260 --> 00:31:03,190
WILDMAN:
In January 1985,
612
00:31:03,260 --> 00:31:05,720
Sinclair arranges for
a public demonstration
613
00:31:05,830 --> 00:31:08,130
of the C5 in London.
614
00:31:08,130 --> 00:31:09,690
GRUNDHAUSER:
Sinclair very much believed
615
00:31:09,730 --> 00:31:12,260
that the public would just be
immediately on board
616
00:31:12,330 --> 00:31:13,700
the minute it was unveiled.
617
00:31:13,730 --> 00:31:16,270
WILDMAN: But the ingenious
inventor has forgotten
618
00:31:16,270 --> 00:31:17,940
one important detail
619
00:31:18,010 --> 00:31:20,810
that will doom
his novel vehicle.
620
00:31:20,810 --> 00:31:23,910
What fatal flaw will hit
the brakes on the C5?
621
00:31:25,680 --> 00:31:26,880
[ Crowd gasps ]
622
00:31:30,920 --> 00:31:34,790
It's January 1985 in England.
623
00:31:34,820 --> 00:31:37,490
An eccentric inventor
named Clive Sinclair
624
00:31:37,590 --> 00:31:40,560
has come up with a
groundbreaking electric vehicle
625
00:31:40,660 --> 00:31:44,000
that he claims will transform
the way people travel.
626
00:31:44,030 --> 00:31:46,930
But this British entrepreneur
has forgotten
627
00:31:46,930 --> 00:31:48,530
one important thing.
628
00:31:51,170 --> 00:31:53,210
On a frigid January morning,
629
00:31:53,310 --> 00:31:57,880
Sinclair brings several C5s
to London's Alexandra Park
630
00:31:57,980 --> 00:32:01,210
and lets members of the press
take them for a drive.
631
00:32:01,280 --> 00:32:04,650
He's sure he has a hit
on his hands.
632
00:32:04,750 --> 00:32:07,220
But as soon as
the demonstration begins,
633
00:32:07,290 --> 00:32:10,820
it's clear Sinclair
has miscalculated.
634
00:32:10,860 --> 00:32:14,290
He's forgotten to factor in
the notorious British weather.
635
00:32:17,030 --> 00:32:19,230
Not only does
the car's open design
636
00:32:19,270 --> 00:32:23,240
expose its passengers
to freezing temperatures,
637
00:32:23,240 --> 00:32:26,310
the batteries run down quickly
in the cold.
638
00:32:26,440 --> 00:32:28,370
GRUNDHAUSER: The experience
for the assembled press
639
00:32:28,510 --> 00:32:31,110
was almost uniformly negative.
640
00:32:31,180 --> 00:32:35,250
They looked at Sinclair's
invention as a titanic folly.
641
00:32:38,250 --> 00:32:40,590
WILDMAN:
Despite the tumultuous debut,
642
00:32:40,590 --> 00:32:44,220
Sinclair puts the C5s
on the open market.
643
00:32:44,290 --> 00:32:46,120
He racks up a few sales,
644
00:32:46,190 --> 00:32:50,230
but the negative reviews
continue to pour in.
645
00:32:50,300 --> 00:32:53,660
People complain that it leaves
them exposed to the weather,
646
00:32:53,700 --> 00:32:56,130
and it also feels unsafe.
647
00:32:56,270 --> 00:32:59,140
The C5 was a lot of fun
to drive,
648
00:32:59,140 --> 00:33:04,140
but the thought of taking it
into traffic was pretty scary.
649
00:33:04,140 --> 00:33:06,340
WILDMAN: Others report
that the open canopy
650
00:33:06,410 --> 00:33:09,480
lets in foul-smelling
exhaust fumes.
651
00:33:09,550 --> 00:33:11,550
It put their faces
directly level
652
00:33:11,620 --> 00:33:15,620
with the exhaust pipes
of any standard-size vehicle.
653
00:33:15,760 --> 00:33:20,030
WILDMAN: Sinclair's venture
is a total failure.
654
00:33:20,160 --> 00:33:22,960
Tragically, Sinclair had turned
from a visionary
655
00:33:23,030 --> 00:33:24,660
into a laughingstock.
656
00:33:24,730 --> 00:33:26,630
Among the reviews,
some described it
657
00:33:26,700 --> 00:33:29,130
as an aerodynamic bathtub
658
00:33:29,140 --> 00:33:32,570
and an oversized
electric skateboard.
659
00:33:32,610 --> 00:33:35,040
It must have been devastating.
660
00:33:35,110 --> 00:33:39,440
WILDMAN:
Sinclair's company is forced
to file for bankruptcy.
661
00:33:39,450 --> 00:33:42,510
But while the C5 was a flop,
his vision
662
00:33:42,650 --> 00:33:45,680
for clean, electric-powered
automobiles lives on,
663
00:33:45,720 --> 00:33:49,990
from the Tesla Model S
to the Chevy Volt.
664
00:33:50,060 --> 00:33:52,460
There are now more than
1 million electric cars
665
00:33:52,530 --> 00:33:53,730
on the road.
666
00:33:53,730 --> 00:33:56,130
Transportation is naturally
growing towards
667
00:33:56,130 --> 00:33:57,860
Sinclair's vision.
668
00:33:58,000 --> 00:34:00,470
WILDMAN: As for Sinclair,
he continues to develop
669
00:34:00,570 --> 00:34:02,470
other energy-saving vehicles.
670
00:34:04,810 --> 00:34:08,010
Today, this Sinclair C5
is on display
671
00:34:08,040 --> 00:34:11,680
at the Lane Motor Museum
in Nashville, Tennessee.
672
00:34:11,710 --> 00:34:13,780
It recalls the
forward-thinking inventor
673
00:34:13,880 --> 00:34:16,080
who charged ahead of his time.
674
00:34:20,250 --> 00:34:22,820
Alamogordo, New Mexico.
675
00:34:22,890 --> 00:34:26,960
This remote desert community is
home to the other-worldly dunes
676
00:34:27,060 --> 00:34:29,490
of White Sands
National Monument.
677
00:34:29,500 --> 00:34:32,560
But on the edge of town
stands an institution
678
00:34:32,670 --> 00:34:36,770
documenting man's quest to reach
another alien landscape --
679
00:34:36,870 --> 00:34:39,400
the New Mexico Museum
of Space History.
680
00:34:41,240 --> 00:34:45,040
Here visitors can see
an AJ10 Delta rocket engine,
681
00:34:45,180 --> 00:34:48,850
an astronaut's
portable life-support system,
682
00:34:48,980 --> 00:34:52,680
and
a meteor-detecting satellite.
683
00:34:52,820 --> 00:34:54,750
But one device
684
00:34:54,790 --> 00:34:57,460
was intended
to never leave the ground.
685
00:34:57,490 --> 00:35:00,630
The artifact
is about 30 feet long,
686
00:35:00,690 --> 00:35:03,860
about 10 feet wide,
and about 7 feet tall.
687
00:35:04,000 --> 00:35:05,560
It's red, it's white,
it's black.
688
00:35:05,670 --> 00:35:08,470
WILDMAN: The person
who piloted this apparatus
689
00:35:08,540 --> 00:35:10,870
led some of
the most groundbreaking
690
00:35:10,870 --> 00:35:14,010
and life-threatening experiments
of the 20th Century.
691
00:35:14,140 --> 00:35:16,810
This is a man who repeatedly
put his life on the line
692
00:35:16,940 --> 00:35:18,740
to help save the lives
of others.
693
00:35:18,880 --> 00:35:22,480
WILDMAN: So, who drove
this dangerous contraption,
694
00:35:22,620 --> 00:35:26,550
and how did it revolutionize
the way Americans travel?
695
00:35:28,690 --> 00:35:34,090
December 1947 --
Muroc Army Airfield, California.
696
00:35:34,190 --> 00:35:38,530
Medical officer and biophysicist
John Paul Stapp
697
00:35:38,670 --> 00:35:41,570
is staring down
a high-octane challenge --
698
00:35:41,570 --> 00:35:44,270
saving the lives
of American jet pilots.
699
00:35:44,400 --> 00:35:47,810
New cutting-edge
military aircraft
700
00:35:47,910 --> 00:35:52,180
are capable of traveling at
upwards of 650 miles per hour,
701
00:35:52,210 --> 00:35:56,250
but if a pilot is forced
to eject midair at that speed,
702
00:35:56,280 --> 00:35:59,990
the rapid force of deceleration
ravages their body.
703
00:36:00,120 --> 00:36:01,890
ORWOLL:
The common belief at the time
704
00:36:02,020 --> 00:36:05,320
was that the human body
could not endure more
than 18 Gs of force
705
00:36:05,330 --> 00:36:07,990
and that ejections at speeds
above 600 miles an hour
706
00:36:08,000 --> 00:36:09,330
would be fatal.
707
00:36:09,460 --> 00:36:12,930
WILDMAN: Stapp suspects
that with the proper equipment,
708
00:36:13,000 --> 00:36:16,430
pilots actually can
withstand this force,
709
00:36:16,570 --> 00:36:18,740
so he and his team
set about developing
710
00:36:18,770 --> 00:36:20,470
cutting-edge harnesses
711
00:36:20,540 --> 00:36:23,740
that will better brace pilots
during ejection.
712
00:36:23,810 --> 00:36:28,610
To put their design to the test,
they build a rocket-powered sled
713
00:36:28,720 --> 00:36:32,350
equipped with hydraulic brakes
designed to run along a track.
714
00:36:32,420 --> 00:36:34,620
The rocket sled is a large
metal structure that is
715
00:36:34,750 --> 00:36:38,090
attached via rails
to a set of railroad ties,
716
00:36:38,160 --> 00:36:40,730
and then you're gonna attach
rockets to the back of it,
717
00:36:40,730 --> 00:36:42,830
and you're gonna shoot it
down those standard
718
00:36:42,900 --> 00:36:45,160
railway rails,
so it can accelerate
719
00:36:45,270 --> 00:36:47,770
and then decelerate
at very high speed.
720
00:36:47,870 --> 00:36:50,170
WILDMAN:
After months of preparation,
721
00:36:50,170 --> 00:36:54,310
the team employs a dummy
in initial trials.
722
00:36:54,310 --> 00:36:56,510
While results seem promising,
723
00:36:56,510 --> 00:36:58,780
the test conditions
are less than ideal.
724
00:36:58,850 --> 00:37:01,450
ORWOLL: They needed to show
what the results were
725
00:37:01,480 --> 00:37:03,250
of testing on the human body.
726
00:37:03,320 --> 00:37:06,120
WILDMAN:
So, later that year,
727
00:37:06,150 --> 00:37:09,450
Stapp makes
a stunning announcement.
728
00:37:09,460 --> 00:37:11,020
He was gonna be putting himself
on the sled
729
00:37:11,060 --> 00:37:12,390
to be the test dummy.
730
00:37:12,390 --> 00:37:15,060
WILDMAN: While colleagues
try to convince their leader
731
00:37:15,200 --> 00:37:17,930
to let someone else
play human guinea pig,
732
00:37:18,000 --> 00:37:19,800
Stapp is steadfast.
733
00:37:19,870 --> 00:37:22,470
ORWOLL: Dr. Stapp knew
that he needed a human
734
00:37:22,470 --> 00:37:25,440
test subject -- he also
was the kind of individual
735
00:37:25,440 --> 00:37:27,740
who knew that he wanted
to ride it first
736
00:37:27,770 --> 00:37:30,040
before he asked somebody else
to do it.
737
00:37:30,180 --> 00:37:34,450
If anything went wrong,
the results could be fatal.
738
00:37:34,550 --> 00:37:37,020
WILDMAN: Stapp dons
the protective harness,
739
00:37:37,150 --> 00:37:39,720
and his team watches anxiously.
740
00:37:41,190 --> 00:37:42,520
They ignite the rocket engines,
741
00:37:42,560 --> 00:37:45,260
sending their leader
zooming down the track.
742
00:37:45,360 --> 00:37:47,430
The dead silence of the desert
743
00:37:47,490 --> 00:37:49,690
was broken by a pretty loud roar
744
00:37:49,760 --> 00:37:52,560
as that rocket engine lit off
on the back of the sled
745
00:37:52,700 --> 00:37:54,770
with Colonel Stapp
sitting on it.
746
00:37:54,900 --> 00:37:58,370
WILDMAN: Then, they abruptly
engage the brakes.
747
00:37:58,440 --> 00:38:00,970
To the team's great relief,
748
00:38:01,040 --> 00:38:03,510
Stapp has survived
the sudden impact.
749
00:38:03,640 --> 00:38:06,910
ORWOLL: And he
climbed off the sled unscathed
750
00:38:07,010 --> 00:38:08,110
and ready to do it again.
751
00:38:08,120 --> 00:38:09,710
WILDMAN: Tests reveal
752
00:38:09,780 --> 00:38:13,720
that Stapp endured
a stunning 18 Gs of force,
753
00:38:13,720 --> 00:38:16,390
once thought
to be the lethal limit.
754
00:38:16,390 --> 00:38:18,990
But the daredevil
is not satisfied.
755
00:38:19,030 --> 00:38:21,060
To truly replicate
the conditions
756
00:38:21,090 --> 00:38:22,860
of ejecting from a jet,
757
00:38:23,000 --> 00:38:27,200
he must subject himself to
even greater speeds and risks,
758
00:38:27,270 --> 00:38:30,840
and he'll need a more powerful
vehicle to do it.
759
00:38:30,900 --> 00:38:34,410
For Dr. Stapp to be able
to develop harnesses
760
00:38:34,410 --> 00:38:37,340
and cockpits that would be able
to withstand the high G forces
761
00:38:37,340 --> 00:38:39,480
that might be experienced
by a pilot traveling
762
00:38:39,550 --> 00:38:41,480
at 600 miles an hour,
he was gonna need
763
00:38:41,480 --> 00:38:44,420
a whole new sled that could
go a lot faster.
764
00:38:44,550 --> 00:38:47,690
WILDMAN: So, engineers
at New Mexico's Holloman
Air Force Base
765
00:38:47,790 --> 00:38:51,090
set about constructing
a more powerful sled.
766
00:38:51,190 --> 00:38:52,420
The new model,
767
00:38:52,460 --> 00:38:55,890
on display at the New Mexico
Museum of Space History,
768
00:38:55,900 --> 00:38:58,700
is dubbed Sonic Wind Number 1.
769
00:38:58,770 --> 00:39:03,640
It can reach the unprecedented
speed of 650 miles an hour
770
00:39:03,740 --> 00:39:08,310
and decelerate to a dead stop
in just over a second.
771
00:39:08,340 --> 00:39:10,310
Even if the harnesses hold up,
772
00:39:10,380 --> 00:39:13,980
no one knows whether
the human body can withstand
773
00:39:14,110 --> 00:39:17,320
this potentially
organ-crushing force.
774
00:39:17,420 --> 00:39:19,250
They thought that
they might have a casualty,
775
00:39:19,320 --> 00:39:21,520
a potential death
on the test track.
776
00:39:21,520 --> 00:39:25,420
WILDMAN: Can John Paul Stapp
survive this terrifying run?
777
00:39:29,800 --> 00:39:33,130
It's 1954
in Alamogordo, New Mexico.
778
00:39:33,270 --> 00:39:36,870
In an attempt to understand
the impact of high-speed forces
779
00:39:36,900 --> 00:39:39,000
on the human body,
780
00:39:39,040 --> 00:39:42,110
John Stapp is about to attempt
the unthinkable --
781
00:39:42,210 --> 00:39:44,640
he'll take off
in a rocket-powered sled
782
00:39:44,750 --> 00:39:46,510
at unprecedented speeds,
783
00:39:46,580 --> 00:39:49,110
and then come to
a screeching halt.
784
00:39:49,180 --> 00:39:52,250
So, will this human
crash-test dummy survive
785
00:39:52,290 --> 00:39:54,350
this dangerous experiment?
786
00:39:56,560 --> 00:39:59,220
On the afternoon
of December 10th,
787
00:39:59,260 --> 00:40:01,660
the countdown begins.
788
00:40:01,700 --> 00:40:06,400
When it reaches zero,
the sled's nine rockets ignite.
789
00:40:06,470 --> 00:40:09,070
Stapp zooms down the track
790
00:40:09,100 --> 00:40:12,570
at a record-breaking
632 miles an hour.
791
00:40:12,570 --> 00:40:14,570
He was accelerated to a speed
792
00:40:14,640 --> 00:40:17,540
that exceeds that
of a bullet coming out of a gun.
793
00:40:17,610 --> 00:40:21,450
WILDMAN: Just a moment later,
the hydraulic brakes engage,
794
00:40:21,520 --> 00:40:25,580
and the sled
instantly screams to a halt.
795
00:40:27,190 --> 00:40:29,120
When the smoke finally clears,
796
00:40:29,160 --> 00:40:32,260
colleagues race
to the human crash-test dummy.
797
00:40:32,260 --> 00:40:35,190
The medics expected that there
might be some grave injuries
798
00:40:35,260 --> 00:40:36,660
coming out of this sled run.
799
00:40:36,700 --> 00:40:40,530
WILDMAN: Yet it seems
Stapp and the restraint system
800
00:40:40,600 --> 00:40:42,600
were indeed up to the test.
801
00:40:42,640 --> 00:40:45,070
Scientists later determine
802
00:40:45,140 --> 00:40:49,410
that he endured
a staggering 40 Gs of force.
803
00:40:49,510 --> 00:40:51,280
The forces were so tremendous
804
00:40:51,410 --> 00:40:54,150
that he had to keep his eyes
closed very tightly
805
00:40:54,150 --> 00:40:56,310
to keep his eyeballs
essentially in his head.
806
00:40:56,350 --> 00:40:58,780
WILDMAN:
Stapp's remarkable test
807
00:40:58,820 --> 00:41:03,750
proves supersonic jet pilots
can eject safely.
808
00:41:03,790 --> 00:41:06,460
And soon,
his team's restraint designs
809
00:41:06,590 --> 00:41:10,030
are implemented in military
and civilian aircraft.
810
00:41:10,060 --> 00:41:11,830
It's not long
811
00:41:11,900 --> 00:41:15,400
before his research crosses over
to the auto industry.
812
00:41:15,440 --> 00:41:17,500
In the 1960s,
813
00:41:17,540 --> 00:41:20,470
he helps perfect the three-point
passenger safety belt
814
00:41:20,510 --> 00:41:22,640
and successfully
leads the charge
815
00:41:22,780 --> 00:41:26,610
to make them mandatory
in all U.S. cars.
816
00:41:26,650 --> 00:41:31,320
For anyone who gets around on
planes, trains, and automobiles,
817
00:41:31,350 --> 00:41:34,350
the work of John Paul Stapp
continues to resonate,
818
00:41:34,390 --> 00:41:36,650
and this rocket-powered sled
819
00:41:36,660 --> 00:41:39,920
at the New Mexico Museum
of Space History
820
00:41:39,960 --> 00:41:41,990
reflects the courage
of a researcher
821
00:41:42,030 --> 00:41:45,130
always willing
to take the driver's seat.
822
00:41:46,700 --> 00:41:48,470
From a musical revolution
823
00:41:48,540 --> 00:41:51,000
to an electric tricycle.
824
00:41:51,070 --> 00:41:53,200
A human crash test dummy
825
00:41:53,310 --> 00:41:55,470
to Space Age fashions.
826
00:41:55,610 --> 00:41:58,010
I'm Don Wildman,
and these are
827
00:41:58,140 --> 00:41:59,440
the mysteries
at the museum.