"MasterChef Australia" Episode #17.42
ID | 13184202 |
---|---|
Movie Name | "MasterChef Australia" Episode #17.42 |
Release Name | MasterChef Australia (2009) - S17E42 - Immunity Challenge Test Fine Dining |
Year | 2025 |
Kind | tv |
Language | English |
IMDB ID | 37534498 |
Format | srt |
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SARAH: How good is this view?
It's amazing.
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DEPINDER: It's just absolutely
beautiful.
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It kind of gives you, like,
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like a desert vibe
without being in the desert.
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Yeah, exactly.
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ALANA: I wonder what they've got
in store for us today.
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BEN: Yeah. Hopefully a nice
sit-down meal.
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Yeah, a sit-down meal. (LAUGHS)
Massage.
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Yeah.
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Let's clap them in.
Let's clap.
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(APPLAUSE)
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Hey.
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Hello, beautiful people.
CONTESTANTS: Hello.
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They definitely haven't come
to cook today, have they?
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Morning, all.
CONTESTANTS: Good morning.
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Not a bad place to start the day, eh?
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DEPINDER: Beautiful.
BEN: Amazing.
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Here we go with this.
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Behind us
is the Museum of Islamic Art.
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Now, not only is this museum known
for its history and heritage,
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but a restaurant that is creating
masterpieces of its own.
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I'm talking
about the stunning IDAM...
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(CONTESTANTS EXCLAIM)
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..created by legendary
Michelin-starred chef Alain Ducasse.
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IDAM has been setting the bar
for innovative cuisine in Doha
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for over a decade.
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And you lucky lot,
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you'll be getting the chance
to cook in there for immunity.
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(CHEERING AND APPLAUSE)
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Sarah, are you loving Qatar
at the moment?
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I really am.
I think it's so beautiful.
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You know, the buildings
are so modern,
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but have that kind of, you know,
old-world charm, as well.
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Really, like, understated
and beautiful and really nice.
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Bit like Jean-Christophe.
(LAUGHTER)
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SOFIA: Understated?
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So, guys, I did say yesterday,
more to come.
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And today, you are going
to be cooking in one
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of the most awarded restaurants
around the Middle East.
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Whoa.
ALANA: Wow.
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You are so...and I mean
SO fortunate.
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My dream is to have a Michelin star
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and to be cooking
in a Michelin-star restaurant.
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I feel like these
kind of experiences
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don't come along for many people.
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To have that opportunity today,
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I feel overwhelmed
and really, really excited.
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Wow.
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For this challenge,
you'll be cooking up
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a delicious degustation-style menu
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at IDAM, inspired by Doha.
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(EXCLAIMING)
OK.
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We're giving you 90 minutes each.
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There will be a staggered start.
OK.
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So your dishes will be sent out
to us one after another.
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You'll be allocated a course,
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and you'll be making a plate
for each of us.
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Oh!
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Alrighty. Let's decide
who's doing what course now.
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SOFIA: Alright,
so once you've got your numbers,
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just get in to order.
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Five.
I'm two.
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BEN: I'm three.
One!
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In this degustation menu,
I'm going first.
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Degustation, it's an elegant menu,
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and especially that we're cooking
in a Michelin-star restaurant,
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that freaks me out.
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Pressure's on.
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So, that means, Snez, Alana,
Ben, Depinder, you're on savoury.
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OK.
Yep. Got it.
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And, Sarah and Laura,
you're on sweeties!
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Nice.
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Now, if cooking at IDAM
wasn't exciting enough,
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we're giving you the entire day
to get out there amongst it
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and be inspired by Doha.
Ah!
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ALANA: Yes!
Yes! That's awesome. So good.
BEN: Fun.
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Explore. Use all your senses.
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Really take it in.
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This is a fantastic opportunity
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for you to showcase
the architecture, the culture,
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the cuisine, the energy
of Qatar's capital city.
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We want to be as in awe
of your dishes as we are this city.
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Oh, so excited.
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Oh, yeah. It's going
to be fantastic. (SIGHS)
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Alrighty. Go forth.
We'll meet you back here tomorrow.
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Make sure you are ready
and raring to go.
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SOFIA: Bye! Have the best day!
(CHEERING AND APPLAUSE)
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BEN: Wow, it's gonna be wicked.
LAURA: Let's go and explore!
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SARAH: Some kind of tile?
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DEPINDER: Yeah, beautiful.
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This is all individual,
like, tile work.
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Yeah. Like mosaic.
Really beautiful.
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It's so inspiring, actually.
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I think what I'm looking for
is tradition.
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And that's what I want
to be inspired by.
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When I'm walking through
the spice market,
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the colour of the spices
is so unique.
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Like, I'm just mesmerised.
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Beautiful. Wow.
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Look at how open it is!
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Everywhere I look,
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there's incredible architecture.
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This is pretty amazing.
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There's the smell
of the beautiful spices and food.
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Absolutely loving exploring.
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And I'm already getting
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so much inspiration
from just being here.
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SNEZ: I think locations can
absolutely inspire cooking.
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When you see the colours, the shapes
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or monuments - can definitely
reflect what's on your plate.
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So I'm the first course,
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so I'm going to look
for something fresh.
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Something that's going to fit
the Michelin-star kitchen.
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Oh, hi!
Hi!
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Hope you're feeling inspired, Snez.
I'm feeling good. I'm feeling good.
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There's no time to waste, though,
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because your 90 minutes starts now.
Come on, Snez!
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Woo! I'm running.
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Oh, my goodness.
What are all these goodies?
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Let's get shopping.
Oh, my God, look at this!
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Here I am, in top eight...
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Hm!
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..and I'm cooking
in a Michelin-star kitchen.
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I mean, come on.
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Can you believe it? I mean,
I just want my mum to see this.
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This place is phenomenal.
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So as a first course,
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I really want it to be kind of
quite light and elegant
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and kind of aromatic, as well.
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I was pretty much, yesterday,
inspired by every single site
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I got to.
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But as soon as I walked
to the fish market,
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I knew that's my place.
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And that place just had every colour
in the world you could imagine.
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Lots of green, lots of white.
Very vibrant, very fresh.
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So, today, I'm making a dish,
and I'm calling it Fish Market.
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So I'll have a sea bass crudo,
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poached baby squid noodles.
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I have cucumber and mint consomme.
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Today, I need to be careful not
to overdo it like I always do.
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My style of cooking
is rustic and generous.
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And I think, today, I wanted
to kind of push myself
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and go more elevated.
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And that's what I want to do today
to impress the judges.
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OK.
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Have a go at this place.
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It's just on another level, isn't it?
This is pretty special.
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POH: Yeah, it's very arresting,
this building.
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I feel like this is where
they're definitely going to feel
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the weight of this challenge.
Oh, yes.
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Yeah.
I'm keen to see
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what's resonated with them.
Yeah.
Mm.
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I'm really excited to see
whether they've been inspired
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by something as ephemeral
as a cultural sensibility
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or something more tangible,
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like a piece of architecture.
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I guarantee we'll get great food
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because we're at that stage
of the competition
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where - I'm going
to put it out there -
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these are the best cooks I've seen
in this competition, you know?
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But the challenge here
is who can convey that inspiration?
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Yeah.
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Who can convey that in a really
smart and savvy way
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and put that on a plate
that we are going to remember
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and they will remember
for a very, very long time?
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That's what it's going to take
to win immunity today,
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and it is big time now.
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Where was that pantry?
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Ah!
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Oh!
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Look at the size of that stove, huh?
I know.
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Alana, your 90 minutes starts now.
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Allez, allez! Allez, Alana.
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ALANA: Thank you.
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Alana, how are you?
Hello.
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Hi.
I'm well.
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What is your source
of inspiration today?
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My inspiration is the amphitheatre
at the Katara Cultural Village.
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Uh, you know, amphitheatres,
they kind of open up and have
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these, you know, shows and theatre
and performances in there.
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So my idea is that I'm going
to have this beautiful
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smoked eel cream sort of...
Ooh.
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..enveloping all these beautiful
little touches underneath, so...
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Surprises.
Little surprises underneath.
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So you're kind of wanting a little
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surprise performance on our palates?
(LAUGHS)
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It is. It's a little
surprise performance on your palate.
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That's exactly what
it is going to be.
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Today, I'm cooking smoked eel cream
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with a muhammara jam
and crispy chicken skin.
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The muhammara jam
and the little pickled jujube,
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they are the little surprises
underneath.
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A lot to get done, um,
in a very short amount of time.
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SNEZ: Where are the spoons?
Oh, here they are.
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OK, I wish I saw that earlier.
(CHUCKLES)
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Ben, your 90 minutes starts now,
mate.
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Thank you.
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So far, I already took the fillets
of the fish for my sea bass crudo.
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I started a little broth or stock,
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so I'm going to use this
to lightly poach my squid noodles.
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I'm also working on
my green consomme,
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so I want this broth to be
kind of super green and vibrant.
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This dish, it's a first dish,
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and it's going to set the tone
for the whole menu.
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So I'm thinking,
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"How do I make this dish fit
for this restaurant?"
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Using the flavours of Doha,
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I need to elevate everything.
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This dish should be very vibrant,
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like when you walk
into that fish market,
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you get all the colours -
lots of green, lots of white.
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OK, I'm going to add lemon gel,
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and I'm going to use the saffron
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as a little, lovely oil emulsion
to go around.
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And that's going to warm it up
and make it super delicious.
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And also, I have some fresh
bits and pieces there.
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I feel good. There's so much to do.
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I feel like I'm doing this again -
doing too many things.
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I'm gonna get
onto cleaning my squid now.
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Look how delicious this looks.
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BEN: Right, let's go.
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Spending some time in Doha,
you know,
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there's just this sort of
little journey you go on,
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walking through the streets,
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and that's what I think
I want to replicate today.
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Today, I'm making a braised octopus
with camel lardo,
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red pepper jus and curry oil.
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Yesterday, I went
to the Katara Cultural Village,
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and walking
down the red streets there
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with these beautiful shade cloths
over the top,
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I just was really inspired
to make this dish.
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I'm going to use octopus
to emulate that walkway,
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and some camel lardo to sit
over the top, like the sails.
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And the potatoes will kind of
be the buildings.
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I'm going to put
the lid straight on this.
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First thing I've done
is to get the octopus on.
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Get that cooking. That takes
about an hour. Quite a big octopus.
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I'm toasting spices to make
my own curry powder now.
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To win today, I think you've got
to nail absolutely everything.
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There's nowhere to hide.
Simple as that.
242
00:11:49,720 --> 00:11:51,520
Oh! Which one is this?
243
00:11:51,520 --> 00:11:52,960
This one is already on.
244
00:11:54,720 --> 00:11:57,200
I have, like, everything to do
and zero time.
245
00:11:57,200 --> 00:11:59,240
Gel is in the fridge.
Pretty happy with that.
246
00:11:59,240 --> 00:12:01,120
I need to finish my saffron oil.
247
00:12:01,120 --> 00:12:03,280
And I also need to finish
my consomme.
248
00:12:03,280 --> 00:12:06,520
So really, really need to punch on.
249
00:12:06,520 --> 00:12:09,840
My stock is strained, and it's ready
for the noodles to be poached,
250
00:12:09,840 --> 00:12:12,080
but I'm still slicing my noodles.
251
00:12:12,080 --> 00:12:13,560
Oh!
252
00:12:13,560 --> 00:12:16,600
I'm literally focusing
and kind of going one by one,
253
00:12:16,600 --> 00:12:18,720
one by one, taking my time
254
00:12:18,720 --> 00:12:20,760
because I know this is going
to be that...
255
00:12:20,760 --> 00:12:22,640
..the crucial element on my plate.
256
00:12:22,640 --> 00:12:24,200
Hello, Snez.
Snez.
257
00:12:24,200 --> 00:12:25,480
Chefs, how are you?
258
00:12:25,480 --> 00:12:27,800
Yeah, I still have so much to do,
so...
259
00:12:27,800 --> 00:12:30,520
Yep, OK,
so you've got 10 minutes left.
260
00:12:30,520 --> 00:12:32,200
Oh, my God. Not enough time.
261
00:12:32,200 --> 00:12:34,880
10 minutes to go, and I'm actually
dying on the inside.
262
00:12:34,880 --> 00:12:36,000
Um...
263
00:12:36,000 --> 00:12:37,120
Nothing is finished.
264
00:12:37,120 --> 00:12:38,600
You look a little bit stressed.
265
00:12:38,600 --> 00:12:40,480
I am, actually,
because I didn't realise the time,
266
00:12:40,480 --> 00:12:42,280
and I still need to cook
my squid noodles.
267
00:12:42,280 --> 00:12:43,720
I'm really behind.
268
00:12:43,720 --> 00:12:45,480
At this point, I'm really not sure
269
00:12:45,480 --> 00:12:47,040
how I'm gonna make
four perfect plates.
270
00:12:47,040 --> 00:12:49,960
Oh, my God, Snez, let's go.
Oh, my God.
271
00:13:00,840 --> 00:13:02,160
SNEZ: Oh, my God.
272
00:13:02,160 --> 00:13:05,040
10 minutes ago, and I'm still
prepping all my elements
273
00:13:05,040 --> 00:13:06,480
for my sea bass crudo,
274
00:13:06,480 --> 00:13:10,600
poached baby squid noodles
and cucumber and mint consomme.
275
00:13:10,600 --> 00:13:12,480
Far out.
276
00:13:12,480 --> 00:13:14,400
I haven't even plated
a single thing on those plates.
277
00:13:14,400 --> 00:13:16,160
And I need four perfect plates.
278
00:13:16,160 --> 00:13:18,280
So I'm really,
really struggling here.
279
00:13:18,280 --> 00:13:21,240
Oh, my God, I'm so behind.
280
00:13:21,240 --> 00:13:23,160
I need to poach these noodles.
281
00:13:23,160 --> 00:13:25,760
To poach my noodles, I quickly
bring the temperature of my broth
282
00:13:25,760 --> 00:13:27,040
to 65 degrees,
283
00:13:27,040 --> 00:13:30,760
and I'm poaching my noodles in it
for a minute and a half.
284
00:13:30,760 --> 00:13:32,760
I taste it. It's perfect.
285
00:13:34,240 --> 00:13:35,840
Now I need to finish off
the consomme
286
00:13:35,840 --> 00:13:38,040
because that's going to be sitting
all around my dish,
287
00:13:38,040 --> 00:13:39,320
and it needs to be perfect.
288
00:13:44,400 --> 00:13:45,800
BEN: Beautiful.
289
00:13:45,800 --> 00:13:47,560
I've check the octopus.
It's looking good.
290
00:13:47,560 --> 00:13:49,680
Now I need to start working
on the red pepper jus.
291
00:13:49,680 --> 00:13:52,320
Today, I'm making a braised octopus
with camel lardo,
292
00:13:52,320 --> 00:13:54,320
red pepper jus and curry oil.
293
00:13:54,320 --> 00:13:56,240
I'm planning to mimic
the sort of red street
294
00:13:56,240 --> 00:13:57,440
with this red jus on top,
295
00:13:57,440 --> 00:13:58,960
the piece of octopus,
296
00:13:58,960 --> 00:14:02,040
and these sails
with this camel lardo,
297
00:14:02,040 --> 00:14:04,080
which is basically cured camel meat.
298
00:14:04,080 --> 00:14:06,320
Spending some time in Doha
has let me experience
299
00:14:06,320 --> 00:14:08,360
some great ingredients
and some great spices.
300
00:14:08,360 --> 00:14:10,600
I'm trying to sort of mimic
those flavours
301
00:14:10,600 --> 00:14:12,520
and those thoughts into this dish.
302
00:14:12,520 --> 00:14:13,840
This is a Michelin-starred kitchen,
303
00:14:13,840 --> 00:14:15,840
probably the nicest kitchen
I've ever cooked in.
304
00:14:15,840 --> 00:14:17,800
I haven't been cooking
professionally
305
00:14:17,800 --> 00:14:18,920
for a couple of years.
306
00:14:18,920 --> 00:14:20,440
Family life versus restaurant life -
307
00:14:20,440 --> 00:14:23,360
you know, the two things
don't exactly line up.
308
00:14:23,360 --> 00:14:24,800
Now I'm running a software business
309
00:14:24,800 --> 00:14:26,440
so I can spend more time
with my two girls.
310
00:14:27,840 --> 00:14:29,520
Right, I need to get that boiling.
311
00:14:29,520 --> 00:14:32,840
I really miss the excitement
and the thrill
312
00:14:32,840 --> 00:14:34,080
of cooking in a kitchen.
313
00:14:34,080 --> 00:14:36,640
Look at the colour of it.
It's beautiful.
314
00:14:36,640 --> 00:14:38,000
The opportunity to come back,
315
00:14:38,000 --> 00:14:41,600
it's like having a second chance
at a once-in-a-lifetime thing.
316
00:14:44,000 --> 00:14:46,520
And also, I don't want
to disappoint my children,
317
00:14:46,520 --> 00:14:48,320
who are so excited
about me being here.
318
00:14:50,360 --> 00:14:51,720
Alright, Ben?
How are we travelling?
319
00:14:51,720 --> 00:14:53,320
Yeah, well, well.
Look at the colour of it.
320
00:14:53,320 --> 00:14:54,320
It's pretty bloody nice.
321
00:14:54,320 --> 00:14:56,960
So it's all about visuals and colour,
especially, for you?
322
00:14:56,960 --> 00:14:59,080
It's important,
but obviously flavour is top.
323
00:14:59,080 --> 00:15:00,520
Yeah.
It's got to taste amazing.
324
00:15:00,520 --> 00:15:02,360
So, what is the main protein?
325
00:15:02,360 --> 00:15:03,960
Main protein, octopus.
Right.
326
00:15:03,960 --> 00:15:05,600
And how are you going
to be cooking your octopus?
327
00:15:05,600 --> 00:15:06,880
So, I'm braising it
in its own juice.
328
00:15:06,880 --> 00:15:08,960
So, big octopus, probably take
almost an hour to cook.
329
00:15:08,960 --> 00:15:11,320
So you don't want the octopus
to be too chewy, yeah?
330
00:15:11,320 --> 00:15:13,360
Definitely not chewy,
but definitely not mushy, so...
331
00:15:13,360 --> 00:15:17,160
It's not the easiest protein
to get looking immaculate.
332
00:15:20,640 --> 00:15:23,640
I feel like there's going
to have to be a lot of finesse
333
00:15:23,640 --> 00:15:26,480
in the cooking of the octopus,
just to get it to a place
334
00:15:26,480 --> 00:15:28,320
where it's fitting
for that dining room.
335
00:15:28,320 --> 00:15:30,040
Yeah.
336
00:15:30,040 --> 00:15:31,240
Good luck, mate.
Cheers.
337
00:15:31,240 --> 00:15:32,560
Good luck, mate.
Thanks.
338
00:15:32,560 --> 00:15:35,320
If the octopus isn't perfect,
I've got no chance of winning.
339
00:15:35,320 --> 00:15:36,440
I think it's as simple as that.
340
00:15:36,440 --> 00:15:39,280
Snez, we need those plates
leaving the pass in one minute.
341
00:15:39,280 --> 00:15:40,800
Come on, let's go. (CLAPS)
342
00:15:41,880 --> 00:15:43,520
I'm feeling really frazzled.
343
00:15:43,520 --> 00:15:45,720
I'm really feeling, like,
a little bit of panic mode here.
344
00:15:45,720 --> 00:15:46,720
Oh, my God.
345
00:15:46,720 --> 00:15:48,600
Pull my cucumbers out.
I kind of swirl them a little bit
346
00:15:48,600 --> 00:15:50,480
so they look delicate.
347
00:15:51,960 --> 00:15:54,040
I plate my sea bass crudo
around my cucumbers...
348
00:15:55,480 --> 00:15:57,400
..then my squid noodles
in the middle.
349
00:15:58,880 --> 00:16:01,920
I pipe some beautiful
lemon gel around
350
00:16:01,920 --> 00:16:04,320
and the other fresh garnishes,
351
00:16:04,320 --> 00:16:07,120
and I finish it off
with a beautiful broth.
352
00:16:07,120 --> 00:16:09,800
And I'm dropping that saffron oil
on top of it.
353
00:16:09,800 --> 00:16:12,480
Snez, your time is up. We'll see you
outside at the tasting table.
354
00:16:12,480 --> 00:16:14,120
JEAN-CHRISTOPHE: Alright. Good luck.
355
00:16:14,120 --> 00:16:16,360
I'm absolutely exhausted.
356
00:16:16,360 --> 00:16:17,360
(SIGHS)
357
00:16:17,360 --> 00:16:19,480
It was a mad house.
358
00:16:26,120 --> 00:16:27,960
But I'm pretty happy
with my dish now.
359
00:16:27,960 --> 00:16:30,520
Here she is.
SOFIA: Hello, Snez.
360
00:16:30,520 --> 00:16:32,320
JEAN-CHRISTOPHE: Wow.
361
00:16:32,320 --> 00:16:34,440
SNEZ: It definitely reflects
that market.
362
00:16:34,440 --> 00:16:37,960
It's fresh, it's colourful,
it's beautiful, it's a seafood.
363
00:16:37,960 --> 00:16:39,760
So, I hope they're gonna like it.
364
00:16:41,000 --> 00:16:43,320
Snez, you were inspired
by that stunning fish market.
365
00:16:43,320 --> 00:16:44,480
What's your dish?
366
00:16:45,680 --> 00:16:47,760
So, my dish is actual Fish Market.
367
00:16:47,760 --> 00:16:49,560
So there's a seabass crudo,
368
00:16:49,560 --> 00:16:53,920
lightly poached squid noodles,
and also cucumber and mint consomme.
369
00:16:53,920 --> 00:16:58,000
There's also lemon gel, and I have
a touch of saffron oil, as well.
370
00:16:59,720 --> 00:17:02,440
Snez, you might have been pushed
for time, but this looks incredible.
371
00:17:02,440 --> 00:17:04,040
Does it? Thank you.
JEAN-CHRISTOPHE: Oh, yes.
372
00:17:04,040 --> 00:17:05,280
It matches your outfit.
373
00:17:05,280 --> 00:17:07,160
We're gonna taste it. Thank you.
Thank you.
374
00:17:07,160 --> 00:17:08,280
Thank you.
Thank you so much.
375
00:17:08,280 --> 00:17:10,480
(SNEZ SIGHS)
376
00:17:10,480 --> 00:17:13,160
JEAN-CHRISTOPHE: I mean, look,
just the presentation is sublime.
377
00:17:13,160 --> 00:17:15,680
I mean, it's so attractive.
378
00:17:15,680 --> 00:17:17,080
I can't wait to test it.
379
00:17:17,080 --> 00:17:18,480
It's very fine-dining.
380
00:17:26,520 --> 00:17:28,840
This is my first time trying
one of these little guys.
381
00:17:28,840 --> 00:17:30,000
A BlinQ Blossom.
382
00:17:30,000 --> 00:17:31,800
Oh, they're so delicious!
383
00:17:33,440 --> 00:17:34,480
Oh!
384
00:17:37,400 --> 00:17:39,280
I'm so happy right now.
385
00:17:40,560 --> 00:17:43,520
I feel like a little mermaid
swimming through a sea garden.
386
00:17:43,520 --> 00:17:45,920
You look a bit like
a little mermaid.
387
00:17:45,920 --> 00:17:49,000
It's just such an elegant dish
to start off with,
388
00:17:49,000 --> 00:17:52,080
and very befitting of IDAM.
Mm.
389
00:17:53,080 --> 00:17:56,640
Every mouthful was a little
surprise pop in my mouth,
390
00:17:56,640 --> 00:18:00,960
from the beautifully, perfectly
poached squid noodles
391
00:18:00,960 --> 00:18:04,760
to the tiny little cubes
of sea bass.
392
00:18:04,760 --> 00:18:06,360
Everything was just so
melt-in-your-mouth.
393
00:18:06,360 --> 00:18:08,840
And then, there was just
that gorgeous crunch
394
00:18:08,840 --> 00:18:10,280
from the cucumber.
395
00:18:10,280 --> 00:18:11,680
So fresh, so inviting.
396
00:18:11,680 --> 00:18:13,680
I kind of didn't want it to stop.
I loved it.
397
00:18:13,680 --> 00:18:15,720
And I think that's also
what the first dish
398
00:18:15,720 --> 00:18:18,040
in a degustation should do -
make you want more.
399
00:18:18,040 --> 00:18:19,960
Yes, yes! Yes, absolutely.
400
00:18:21,320 --> 00:18:23,400
This is a symphony of the sea.
401
00:18:23,400 --> 00:18:26,480
It's fresh, it's light,
it's powerful,
402
00:18:26,480 --> 00:18:29,320
and it's super well done.
403
00:18:38,760 --> 00:18:40,920
One minute...
404
00:18:40,920 --> 00:18:43,160
SOFIA: Depinder,
welcome to the kitchen.
405
00:18:43,160 --> 00:18:44,680
Your 90 minutes starts now.
406
00:18:44,680 --> 00:18:46,680
DEPINDER: Oh, my God. I'm gonna run.
407
00:18:46,680 --> 00:18:47,960
Oh, what was I doing?
408
00:18:47,960 --> 00:18:50,680
I am definitely feeling
under the pump right now.
409
00:18:50,680 --> 00:18:53,240
Seeing Snez leave made me
put the...you know, the pedal down.
410
00:18:53,240 --> 00:18:55,560
So, I've got my beautiful
smoked eel cream.
411
00:18:55,560 --> 00:18:58,360
It's tasting really delicious
so I'm really happy with that.
412
00:18:58,360 --> 00:18:59,560
My chicken skin's in the oven.
413
00:18:59,560 --> 00:19:01,800
I'm on to my, um, muhammara
at the moment.
414
00:19:01,800 --> 00:19:04,800
My muhammara getting beautiful
and jammy,
415
00:19:04,800 --> 00:19:07,760
and it has that lovely,
sweet capsicum flavour, as well.
416
00:19:08,880 --> 00:19:10,520
This is a great second course.
417
00:19:10,520 --> 00:19:13,760
For me, a second course is really
that perfect entree to have,
418
00:19:13,760 --> 00:19:17,400
leading into your sort of bigger,
you know, more meatier-style mains.
419
00:19:17,400 --> 00:19:20,080
Alana, we want your four
perfect plates to leave the pass
420
00:19:20,080 --> 00:19:21,760
in one minute.
421
00:19:21,760 --> 00:19:23,560
Go, Alana!
422
00:19:23,560 --> 00:19:25,880
Got my chicken skins
out of the oven.
423
00:19:25,880 --> 00:19:27,440
They're beautiful and crispy.
424
00:19:29,280 --> 00:19:30,840
To plate up, I add a little scoop
425
00:19:30,840 --> 00:19:33,520
of the muhammara jam
on the bottom of the plate.
426
00:19:35,560 --> 00:19:38,160
Then, I top that
with the pickled jujube,
427
00:19:38,160 --> 00:19:40,680
a little crumble
of those roasted walnuts.
428
00:19:42,480 --> 00:19:45,080
That'll sit underneath
the smoked eel cream
429
00:19:45,080 --> 00:19:47,120
that I'm siphoning on top of that.
430
00:19:49,120 --> 00:19:50,200
Then, on top,
431
00:19:50,200 --> 00:19:51,680
the last little finishing touch
432
00:19:51,680 --> 00:19:55,040
is that crispy chicken skin
with the bay leaf za'atar.
433
00:19:57,440 --> 00:19:58,760
Alana, your time is up.
434
00:19:58,760 --> 00:20:00,520
Thank you.
We'll see you at the tasting table.
OK.
435
00:20:07,400 --> 00:20:09,800
Hi, Alana.
Hey, Alana.
Here we go.
436
00:20:09,800 --> 00:20:11,120
Hello, Alana.
Thanks, Chef.
Oh, wow.
437
00:20:12,360 --> 00:20:15,160
For you, Sofia.
Thank you so much.
There we go.
438
00:20:16,360 --> 00:20:17,880
Wow. OK.
439
00:20:20,400 --> 00:20:23,040
Alana, your inspiration
was the amphitheatre.
440
00:20:23,040 --> 00:20:25,200
Yes.
So tell us what your dish is.
441
00:20:25,200 --> 00:20:27,960
So it is smoked eel cream
with muhammara
442
00:20:27,960 --> 00:20:31,040
and a bay leaf za'atar chicken skin.
443
00:20:31,040 --> 00:20:32,680
Mm!
JEAN-CHRISTOPHE: OK.
444
00:20:32,680 --> 00:20:34,720
Thank you so much, Alana.
We're going to taste the dish now.
445
00:20:34,720 --> 00:20:36,560
Thanks, Alana.
Thank you. Enjoy.
Well done. Thank you.
446
00:20:38,040 --> 00:20:41,000
Her whole idea was about something
that has a shell on...
447
00:20:41,000 --> 00:20:43,760
..and then when you go inside it,
448
00:20:43,760 --> 00:20:45,560
there's all these layers
and it comes alive.
449
00:20:45,560 --> 00:20:47,800
Longbow for me, guys.
Very long bow.
450
00:20:47,800 --> 00:20:49,440
Really?
Yeah, I'm just not...
451
00:20:49,440 --> 00:20:52,000
I'm just not picking up
what she was putting down.
452
00:21:11,720 --> 00:21:14,560
So the surprise inside
was definitely that muhammara.
453
00:21:15,800 --> 00:21:17,680
It was super powerful.
454
00:21:18,840 --> 00:21:21,440
Although the smoked eel cream
was lovely,
455
00:21:21,440 --> 00:21:23,320
it just didn't really stand a chance
456
00:21:23,320 --> 00:21:25,160
against how powerful
that muhammara was.
457
00:21:25,160 --> 00:21:26,600
Mm.
458
00:21:26,600 --> 00:21:30,200
We're in such a luxurious setting,
and everything was quite like,
459
00:21:30,200 --> 00:21:32,040
"Whoa!" in this bowl.
460
00:21:33,960 --> 00:21:37,320
That muhammara is definitely
the dominant flavour.
461
00:21:37,320 --> 00:21:39,120
I really thought
there was going to be
462
00:21:39,120 --> 00:21:43,000
a lot more of that eel in there,
but I did love the chicken skin.
463
00:21:44,720 --> 00:21:47,320
She did a wonderful job
of making that super crispy.
464
00:21:47,320 --> 00:21:49,880
If I have to compare with
the first dish,
465
00:21:49,880 --> 00:21:53,400
it looked like this one
is missing a bit of ooh-la-la.
466
00:21:53,400 --> 00:21:54,760
Mm.
467
00:22:01,280 --> 00:22:04,160
DEPINDER: I could use an extra pair
of hands today, that's for sure.
468
00:22:04,160 --> 00:22:06,880
I feel like Doha is kind of like
a melting pot of, like,
469
00:22:06,880 --> 00:22:09,040
so many different cultures
and cuisines,
470
00:22:09,040 --> 00:22:11,960
and that's exactly
what I'm channelling today.
471
00:22:11,960 --> 00:22:15,200
I got inspired by the spice market.
Loved the vibe there.
472
00:22:15,200 --> 00:22:17,320
I've never been to a market
like that before.
473
00:22:17,320 --> 00:22:19,200
I'm thinking of a dish like biryani,
474
00:22:19,200 --> 00:22:22,520
which uses spices
in so many different ways,
475
00:22:22,520 --> 00:22:24,520
and I think that would be
a perfect celebration
476
00:22:24,520 --> 00:22:26,760
of those spices that I saw
in the spice market.
477
00:22:28,880 --> 00:22:31,160
As much as India is known
for its biryani,
478
00:22:31,160 --> 00:22:34,120
it actually is a dish that travelled
from the Middle East to India.
479
00:22:34,120 --> 00:22:37,680
So I think it's a perfect dish
to create for the judges today.
480
00:22:37,680 --> 00:22:39,120
Being in this beautiful city,
481
00:22:39,120 --> 00:22:41,800
I'm drawing inspiration
from the two beautiful cultures,
482
00:22:41,800 --> 00:22:43,680
the Middle East as well
as the Indian culture,
483
00:22:43,680 --> 00:22:45,000
using all these spices.
484
00:22:58,040 --> 00:22:59,480
BEN: Trying to get everything done.
485
00:22:59,480 --> 00:23:01,960
So we've got
the red pepper jus reducing,
486
00:23:01,960 --> 00:23:03,200
potatos poached,
487
00:23:03,200 --> 00:23:05,000
and then cut everything up
and get it on the plate.
488
00:23:05,000 --> 00:23:06,680
Time is running out fast.
489
00:23:06,680 --> 00:23:08,520
Time for me to take a look
at this octopus.
490
00:23:08,520 --> 00:23:09,840
It's full-on, man.
491
00:23:10,960 --> 00:23:13,040
I've definitely taken a risk today
with this dish.
492
00:23:14,400 --> 00:23:15,920
Octopus is not easy to cook.
493
00:23:15,920 --> 00:23:18,960
I don't have time to do
anything else if it hasn't worked.
494
00:23:20,600 --> 00:23:21,960
Everything is riding on this.
495
00:23:23,120 --> 00:23:24,120
Cross your fingers.
496
00:23:40,040 --> 00:23:43,040
BEN: 12 minutes to go
in this degustation challenge.
497
00:23:43,040 --> 00:23:44,760
The cook on the octopus
has to be perfect
498
00:23:44,760 --> 00:23:46,520
in order to have a chance
at immunity today.
499
00:23:47,640 --> 00:23:49,880
I can feel with my fingers
that it's feeling pretty good,
500
00:23:49,880 --> 00:23:51,320
pretty well cooked.
501
00:23:53,480 --> 00:23:54,840
I slice it...
502
00:23:58,600 --> 00:23:59,720
..taste it.
503
00:24:00,960 --> 00:24:04,080
So happy. I think
it's going to be a winner here.
504
00:24:05,160 --> 00:24:07,480
I'm going to let it rest
in the juices a bit
so it doesn't dry out,
505
00:24:07,480 --> 00:24:10,080
and then let it cool down a bit
before I finish it on the hibachi.
506
00:24:10,080 --> 00:24:13,040
Time is running out fast, so I need
to get everything else sorted
507
00:24:13,040 --> 00:24:15,000
or it's not going to be
on the plate - simple as that.
508
00:24:18,640 --> 00:24:19,800
Sarah, welcome.
509
00:24:19,800 --> 00:24:22,480
You are course five,
our first sweet course.
510
00:24:22,480 --> 00:24:24,200
Your 90 minutes starts now.
511
00:24:24,200 --> 00:24:25,800
SARAH: OK.
Come on, let's go. (CLAPS)
512
00:24:34,560 --> 00:24:37,160
Honestly, this is
the most incredible feeling
513
00:24:37,160 --> 00:24:39,480
to be cooking in IDAM kitchen.
514
00:24:39,480 --> 00:24:42,280
But I have to say,
it's making me very nervous
515
00:24:42,280 --> 00:24:45,080
because I definitely want to do
a really good job today.
516
00:24:46,600 --> 00:24:49,400
I fell in love with
the National Museum,
517
00:24:49,400 --> 00:24:50,520
the Desert Rose,
518
00:24:50,520 --> 00:24:54,560
So, the shape of the Desert Rose
is absolutely gorgeous.
519
00:24:54,560 --> 00:24:55,840
It's very grand,
520
00:24:55,840 --> 00:24:59,000
and it has this beautiful disc
that really showcases
521
00:24:59,000 --> 00:25:01,080
the architecture of the place.
522
00:25:01,080 --> 00:25:05,200
It feels kind of powerful,
but very feminine at the same time.
523
00:25:06,280 --> 00:25:07,800
Oh, that is super hot, isn't it?
524
00:25:07,800 --> 00:25:12,480
My idea is to replicate
the essence of the Desert Rose,
525
00:25:12,480 --> 00:25:14,640
not only the structure,
but also from things
526
00:25:14,640 --> 00:25:16,400
that you would get
in a cheese platter,
527
00:25:16,400 --> 00:25:19,680
but turned into sort of
a salty-sweet version of that,
528
00:25:19,680 --> 00:25:22,200
that'll bridge
from savoury to dessert.
529
00:25:22,200 --> 00:25:23,520
So, basically,
530
00:25:23,520 --> 00:25:27,000
the base of my dish is going to be
the aloo bukhara compote,
531
00:25:27,000 --> 00:25:28,440
the little apricot things.
532
00:25:28,440 --> 00:25:29,680
OK.
533
00:25:29,680 --> 00:25:32,520
Then I'm going to layer on
a namelaka,
534
00:25:32,520 --> 00:25:35,080
so, like a chocolate layer
over the top,
535
00:25:35,080 --> 00:25:39,320
and then I'm going to add on top
my camel milk mousse.
536
00:25:39,320 --> 00:25:41,440
Just everything you would find
in the desert.
537
00:25:41,440 --> 00:25:44,520
And I'm turning that into
a beautiful sculpture
538
00:25:44,520 --> 00:25:45,640
that is the Desert Rose.
539
00:25:45,640 --> 00:25:47,920
It's going to be very tough to do
in 90 minutes,
540
00:25:47,920 --> 00:25:50,400
but I think most of all
I really need to finesse this,
541
00:25:50,400 --> 00:25:52,200
so I think that's going to be
the hardest part.
542
00:25:56,240 --> 00:25:57,880
DEPINDER: Oh, my God, this saffron.
543
00:25:59,120 --> 00:26:00,880
Depinder!
Hello, guys.
Hey, Depinder.
544
00:26:00,880 --> 00:26:02,400
How are you going?
Good. How are you guys?
545
00:26:02,400 --> 00:26:04,880
Tell us what you took
your inspiration from
and what's your dish.
546
00:26:04,880 --> 00:26:09,240
Um, so I took inspiration from
the spice market at Souq Waqif.
Mm-hm.
547
00:26:09,240 --> 00:26:12,560
I am going to do
a layered chicken biryani, raita,
548
00:26:12,560 --> 00:26:13,720
and I've got the salan.
549
00:26:13,720 --> 00:26:18,400
How are you going to make biryani,
like, appropriate for where we are?
550
00:26:21,800 --> 00:26:23,120
I'm going to try
and make it finessed,
551
00:26:23,120 --> 00:26:26,640
but at the same time, I promise to
deliver it with flavour.
552
00:26:26,640 --> 00:26:28,400
That is your challenge today...
I agree.
553
00:26:28,400 --> 00:26:31,800
..is like,
how do you make biryani fit
554
00:26:31,800 --> 00:26:33,360
in a degustation menu?
555
00:26:33,360 --> 00:26:36,840
Because if you can achieve this
with finesse and class,
556
00:26:36,840 --> 00:26:38,600
it would be
an absolute game-changer.
557
00:26:38,600 --> 00:26:40,000
Yeah. I hope so, I hope so.
558
00:26:40,000 --> 00:26:42,600
I'm aiming for that today.
OK. Make it elegant.
559
00:26:42,600 --> 00:26:43,800
Yes. Thank you. Appreciate it.
560
00:26:44,800 --> 00:26:46,760
Are you done with this, babe?
Yeah, done.
561
00:26:51,880 --> 00:26:53,240
Ben, you've got one minute.
562
00:26:53,240 --> 00:26:55,040
Perfect. We're good.
563
00:26:55,040 --> 00:26:56,760
I'm starting to plate up.
564
00:26:56,760 --> 00:26:59,480
I'm really happy with the cook
on the octopus.
565
00:26:59,480 --> 00:27:01,680
Is that how the judges like it?
I don't know.
566
00:27:03,000 --> 00:27:04,960
But the red octopus
looks great on the plate.
567
00:27:04,960 --> 00:27:06,760
The jus on top
just falling off the sides,
568
00:27:06,760 --> 00:27:08,720
being held by the yoghurt,
just like the street.
569
00:27:08,720 --> 00:27:10,600
I'm really happy
with how this looks.
570
00:27:12,040 --> 00:27:15,760
Put these triangles
of the camel lardo
on each of the pieces of octopus.
571
00:27:18,440 --> 00:27:20,280
I give it a quick blowtorch.
572
00:27:20,280 --> 00:27:22,400
It starts to melt.
It looks translucent.
573
00:27:22,400 --> 00:27:25,360
It really takes me back
to that street with the sails above.
574
00:27:25,360 --> 00:27:26,840
Perfect.
575
00:27:26,840 --> 00:27:29,000
The colours are there,
the shapes are there,
576
00:27:29,000 --> 00:27:31,920
and I hope I've nailed it.
577
00:27:31,920 --> 00:27:33,680
Ben, your time is up.
We'll see you in the dining room.
578
00:27:33,680 --> 00:27:34,760
Ooh!
Good luck.
Let's go!
579
00:27:34,760 --> 00:27:35,920
Thank you.
580
00:27:48,360 --> 00:27:49,680
Beny.
Hi, Ben.
Hello.
581
00:27:49,680 --> 00:27:51,360
Hello, Ben. Wow.
582
00:27:51,360 --> 00:27:54,160
Looks like you've been working hard.
Uh, yeah, I hadn't noticed.
583
00:27:54,160 --> 00:27:56,640
Oh, my goodness.
Thought it was white.
Thank you.
584
00:27:58,440 --> 00:28:01,160
So if this was course three
on a degustation menu,
585
00:28:01,160 --> 00:28:02,480
what would the dish name be?
586
00:28:02,480 --> 00:28:07,240
This name would be
charred octopus with red pepper jus,
587
00:28:07,240 --> 00:28:10,480
camel lardo and curried potato.
588
00:28:10,480 --> 00:28:12,080
How's the cook on that octopus?
589
00:28:12,080 --> 00:28:14,120
It's... I'm really happy
with the octopus.
590
00:28:14,120 --> 00:28:15,520
It's not a way
people normally cook it,
591
00:28:15,520 --> 00:28:17,360
but that's how I like octopus.
I hope you do as well.
592
00:28:17,360 --> 00:28:19,080
Mate, I'm looking forward
to digging into this one.
593
00:28:19,080 --> 00:28:20,280
Mm.
JEAN-CHRISTOPHE: Absolutely.
594
00:28:20,280 --> 00:28:21,680
Thanks, guys.
Thank you, Ben.
595
00:28:22,880 --> 00:28:25,080
This is looking delicious.
596
00:28:26,240 --> 00:28:28,680
I'm getting a visual representation,
597
00:28:28,680 --> 00:28:30,920
even looking at that photo there,
598
00:28:30,920 --> 00:28:33,960
just how he's cut
that camel lardo into,
599
00:28:33,960 --> 00:28:37,760
like, sail shapes, and then also
that beautiful red pepper sauce
600
00:28:37,760 --> 00:28:39,760
is just stained over that octopus.
601
00:28:39,760 --> 00:28:42,320
I'm picking up
what he's putting down.
602
00:28:42,320 --> 00:28:45,160
Mm. I think it looks stunning,
and it smells terrific!
603
00:28:45,160 --> 00:28:47,720
SOFIA: It smells so good.
Let's hope it tastes
as good as it looks.
604
00:28:47,720 --> 00:28:49,040
Yeah.
605
00:29:03,960 --> 00:29:07,000
OK, I am loving what's going on here.
606
00:29:08,280 --> 00:29:12,240
The octopus is cooked so perfectly.
607
00:29:12,240 --> 00:29:15,560
Like, just has
the tiniest bit of bite,
608
00:29:15,560 --> 00:29:17,920
but is so beautiful and succulent
609
00:29:17,920 --> 00:29:20,760
and has
the most light wisp of smoke.
610
00:29:20,760 --> 00:29:22,120
I'm so impressed by that.
611
00:29:22,120 --> 00:29:25,640
The red pepper sauce versus
the yoghurt was a great play,
612
00:29:25,640 --> 00:29:29,040
because that red pepper sauce
is quite sweet and really vibrant,
613
00:29:29,040 --> 00:29:31,880
but then the yoghurt
just gives it this beautiful fat,
614
00:29:31,880 --> 00:29:33,320
but also acidity
615
00:29:33,320 --> 00:29:35,920
that went with every single component
on the dish.
616
00:29:37,760 --> 00:29:40,040
For me, it is working.
Mm.
Yeah.
617
00:29:41,640 --> 00:29:43,920
The way he has cooked that ocky
618
00:29:43,920 --> 00:29:47,400
is probably one of
the best examples I've ever tasted.
619
00:29:47,400 --> 00:29:49,600
It is sensational.
620
00:29:49,600 --> 00:29:53,240
Like, buttery,
but still a bite to it.
621
00:29:53,240 --> 00:29:54,680
The smokiness of the curry leaves,
622
00:29:54,680 --> 00:29:59,080
the crispiness of them
against the buttery, smoky lardo.
623
00:29:59,080 --> 00:30:00,720
I just think
everything belongs on the plate,
624
00:30:00,720 --> 00:30:02,680
and I think
it's one of his best cooks.
625
00:30:03,800 --> 00:30:06,640
Ben has done a fantastic job.
Yeah.
Ah!
626
00:30:06,640 --> 00:30:07,800
Very self-controlled.
627
00:30:07,800 --> 00:30:10,720
Guys, we're only in course three!
Oh, my God, what a dish!
628
00:30:10,720 --> 00:30:12,720
I'm so anxious about
how we're going to judge this.
Anxious?
629
00:30:12,720 --> 00:30:13,840
I'm excited.
Yeah.
630
00:30:13,840 --> 00:30:15,520
Mm.
You don't mind, do you?
631
00:30:15,520 --> 00:30:17,640
You can have... Of course, yeah.
Save yourself.
632
00:30:17,640 --> 00:30:19,640
Save yourself for the next one.
It might be hearty.
633
00:30:23,640 --> 00:30:26,520
DEPINDER: OK. This is going to be
cooking until the last minute.
634
00:30:26,520 --> 00:30:29,160
Three out of four of my elements
are done for the biryani.
635
00:30:29,160 --> 00:30:31,760
I'm feeling really good with
all of my elements at the moment.
636
00:30:31,760 --> 00:30:34,960
The chicken tastes amazing.
The rice is so fragrant.
637
00:30:34,960 --> 00:30:38,560
The salan is coming together,
the raita is already
in the fridge, chilling.
638
00:30:38,560 --> 00:30:42,000
I want to make sure I pack
this biryani full of flavour.
639
00:30:42,000 --> 00:30:43,160
This is looking good.
640
00:30:43,160 --> 00:30:46,160
In terms of the course number,
I'm number four,
641
00:30:46,160 --> 00:30:47,760
so it's the last savoury course,
642
00:30:47,760 --> 00:30:50,560
which is technically, like,
the heaviest course.
643
00:30:50,560 --> 00:30:52,400
You want them to be,
like, satisfied,
644
00:30:52,400 --> 00:30:54,080
and it kind of ties it all together.
645
00:30:54,080 --> 00:30:57,560
So I'm hoping biryani
does just that.
646
00:30:58,520 --> 00:31:01,560
Biryani is usually like
a massive plate of food.
647
00:31:01,560 --> 00:31:04,040
Because it's not used to being
really elegant,
648
00:31:04,040 --> 00:31:06,320
I kind of have to really think
about my plating
649
00:31:06,320 --> 00:31:07,600
and not let them down.
650
00:31:07,600 --> 00:31:09,200
This biryani, it needs to be
651
00:31:09,200 --> 00:31:11,520
a dish fitted
for a degustation menu.
652
00:31:11,520 --> 00:31:13,320
Stressed. I'm feeling stressed.
653
00:31:15,280 --> 00:31:17,440
Laura, welcome.
You're the final cook.
654
00:31:17,440 --> 00:31:19,720
Your 90 minutes starts now.
655
00:31:19,720 --> 00:31:21,600
LAURA: Oh, my Gosh.
656
00:31:21,600 --> 00:31:23,880
Two minutes, Depinder.
Got it. Yeah, thank you.
657
00:31:23,880 --> 00:31:26,280
To plate up this biryani,
I'm going to do it
658
00:31:26,280 --> 00:31:29,320
in a layered structure
to make it look elegant.
659
00:31:29,320 --> 00:31:32,200
I start with placing
a mould in the centre.
660
00:31:32,200 --> 00:31:36,560
I add some rice, some of
that fried onions, some herbs,
661
00:31:36,560 --> 00:31:38,280
some of that biryani masala.
662
00:31:38,280 --> 00:31:39,840
I layer it with some chicken.
663
00:31:39,840 --> 00:31:41,160
Yep, yep, yep.
664
00:31:41,160 --> 00:31:44,320
I top it off with some more rice
and I lift off the mould.
665
00:31:44,320 --> 00:31:46,560
Oh, yes!
666
00:31:46,560 --> 00:31:48,760
I've definitely translated
the spice market
667
00:31:48,760 --> 00:31:49,760
onto my plate today.
668
00:31:49,760 --> 00:31:52,200
I've used spices
in every single element,
669
00:31:52,200 --> 00:31:54,760
so I think it's
a perfect celebration of spice.
670
00:31:54,760 --> 00:31:57,160
Depinder, your plates
are leaving the pass now.
671
00:31:57,160 --> 00:31:59,160
I'll see you in the dining room.
Yeah.
672
00:32:04,520 --> 00:32:06,520
Hi, Depinder.
Hey, guys.
673
00:32:06,520 --> 00:32:08,440
Hello, Depinder. How are you?
674
00:32:11,720 --> 00:32:13,200
Thank you.
675
00:32:14,680 --> 00:32:16,400
Depinder.
Hey, guys.
676
00:32:16,400 --> 00:32:18,120
Hello.
Hello.
677
00:32:18,120 --> 00:32:21,480
You were inspired
by the spice stalls at Souq Waqif.
678
00:32:21,480 --> 00:32:22,840
So tell us what you made today.
679
00:32:24,760 --> 00:32:29,120
So I've made
a layered chicken biryani
680
00:32:29,120 --> 00:32:31,960
with a salan,
681
00:32:31,960 --> 00:32:35,160
and then I've got
a mint and a pomegranate raita.
682
00:32:35,160 --> 00:32:39,040
And do you think
that you have nailed a dish
683
00:32:39,040 --> 00:32:42,080
that is fitting for a fourth course
of a degustation menu?
684
00:32:53,520 --> 00:32:56,800
Do you think
that you have nailed a dish
685
00:32:56,800 --> 00:32:59,760
that is fitting for a fourth course
of a degustation menu?
686
00:33:02,400 --> 00:33:05,840
I think so, yes,
because it's like...it's satisfying.
687
00:33:07,840 --> 00:33:10,320
Well, we look forward to tasting
the spice market in this dish.
688
00:33:10,320 --> 00:33:12,080
Oh, thanks, guys. Enjoy.
Thanks, Depinder.
689
00:33:12,080 --> 00:33:14,000
Cheers, Depinder.
Thank you, Depinder, thank you.
690
00:33:20,560 --> 00:33:23,440
It's not screaming
fine dining for me.
691
00:33:23,440 --> 00:33:25,320
No, not even remotely.
692
00:33:25,320 --> 00:33:26,880
There has to be consideration
693
00:33:26,880 --> 00:33:28,800
as to how it sits
amongst all the other dishes,
694
00:33:28,800 --> 00:33:30,920
and compared
to what we've seen so far,
695
00:33:30,920 --> 00:33:33,720
it's definitely
sitting out as a clanger.
Yeah.
696
00:33:47,040 --> 00:33:49,720
I am going to say it's delicious,
because it is!
Mm.
697
00:33:51,120 --> 00:33:53,880
Taking the inspiration
from the spice market
698
00:33:53,880 --> 00:33:58,080
and putting it into this dish,
that box is well and truly ticked...
699
00:33:59,680 --> 00:34:02,800
..but I just feel like
it doesn't belong here.
700
00:34:04,600 --> 00:34:07,360
It doesn't belong here,
and I wanted it to so bad.
701
00:34:09,200 --> 00:34:10,920
In a fine-dining setting,
702
00:34:10,920 --> 00:34:16,080
the main course before dessert
needs to be an absolute showstopper.
703
00:34:16,080 --> 00:34:17,800
Yeah.
704
00:34:17,800 --> 00:34:19,600
I think she's kind
of excluded herself
705
00:34:19,600 --> 00:34:21,480
from winning immunity
as a result of that,
706
00:34:21,480 --> 00:34:22,960
despite it being delicious.
707
00:34:28,080 --> 00:34:31,640
I'm going alright at the moment,
but the time is definitely flying.
708
00:34:31,640 --> 00:34:35,600
Um, I've got a lot
I want to get through still,
709
00:34:35,600 --> 00:34:38,800
but there's a lot
of highly technical elements here,
710
00:34:38,800 --> 00:34:41,800
so, um, I also need
to be really precise as well.
711
00:34:42,840 --> 00:34:45,440
My idea is that it should look a
little bit like the National Museum,
712
00:34:45,440 --> 00:34:47,320
the Desert Rose,
713
00:34:47,320 --> 00:34:50,880
and it will be
a savoury-sweet bridging course,
714
00:34:50,880 --> 00:34:53,280
with a dessert kind of based around
a cheese platter.
715
00:34:53,280 --> 00:34:55,360
20 minutes? Shit!
716
00:34:55,360 --> 00:34:57,680
That went so quickly.
717
00:34:57,680 --> 00:35:02,160
I have finished my date
and olive compote
718
00:35:02,160 --> 00:35:05,960
and finishing off
my chocolate blue cheese namelaka,
719
00:35:05,960 --> 00:35:08,080
and I'm working on my creme pat.
720
00:35:08,080 --> 00:35:09,360
So this is camel milk
721
00:35:09,360 --> 00:35:11,800
and I'm steeping it
with the Turkish bread.
722
00:35:13,440 --> 00:35:16,600
But I am experimenting a bit
with my ratios,
723
00:35:16,600 --> 00:35:19,240
trying to increase
the fat levels in this,
724
00:35:19,240 --> 00:35:21,240
because camel milk
has a lot less fat
725
00:35:21,240 --> 00:35:23,720
than what
a regular cow's milk would.
726
00:35:23,720 --> 00:35:26,040
Oh, God.
I'm not going to be able to do this.
727
00:35:26,040 --> 00:35:29,800
I'm just not really happy
with the consistency of this one.
728
00:35:29,800 --> 00:35:31,280
Oh!
729
00:35:31,280 --> 00:35:33,840
I don't have time
to experiment further.
730
00:35:33,840 --> 00:35:35,200
I'm already behind.
731
00:35:35,200 --> 00:35:37,200
I need to get it chilling,
ready to serve.
732
00:35:37,200 --> 00:35:39,560
The pressure, I'm feeling it.
733
00:35:40,640 --> 00:35:42,960
LAURA: Come on, Toddy.
Please work.
734
00:35:45,440 --> 00:35:46,720
Shit.
735
00:35:50,840 --> 00:35:52,560
Oh, my God.
736
00:35:52,560 --> 00:35:54,080
Hold that thought, Andy.
737
00:36:02,840 --> 00:36:05,880
I went to the gym this morning.
Settle down.
738
00:36:05,880 --> 00:36:07,280
(LAUGHS)
739
00:36:07,280 --> 00:36:09,960
How was that inspiration?
Like, through the roof, or what?
740
00:36:09,960 --> 00:36:12,280
Oh, pretty incredible.
Yeah?
Like, so much to see.
741
00:36:12,280 --> 00:36:14,640
It actually
really made my job quite hard.
742
00:36:14,640 --> 00:36:15,720
What did you zone in on?
743
00:36:15,720 --> 00:36:18,000
The Golden Mosque
in Katara Cultural Centre.
744
00:36:18,000 --> 00:36:19,200
Oh, cool.
Yeah.
745
00:36:19,200 --> 00:36:20,560
Yeah, it's just, like...
746
00:36:20,560 --> 00:36:22,960
I think for a place that's,
like, so sacred and holy
747
00:36:22,960 --> 00:36:24,560
and everything's quite neutral,
748
00:36:24,560 --> 00:36:27,200
and then to have this, like,
incredible gold mosque
749
00:36:27,200 --> 00:36:29,720
just, like, sticking out,
I was just so drawn to it.
750
00:36:29,720 --> 00:36:32,960
Yeah.
How is that going to translate
to your dish?
751
00:36:32,960 --> 00:36:36,600
Uh, so I'm going to make
a golden mosque with...
752
00:36:36,600 --> 00:36:39,720
Sorry, what? Hang on. One more time.
(GIGGLES)
753
00:36:39,720 --> 00:36:41,240
I'm going to make a golden mosque...
754
00:36:41,240 --> 00:36:43,760
OK!
..with golden tiles.
755
00:36:43,760 --> 00:36:45,880
Um, so, basically,
once the dish hits the table,
756
00:36:45,880 --> 00:36:47,400
all you're going to see
is golden tiles,
757
00:36:47,400 --> 00:36:49,480
and the dessert
is hidden inside of that.
758
00:36:49,480 --> 00:36:51,400
Right. That sounds like
a lot of work.
759
00:36:51,400 --> 00:36:54,400
Yeah, it's so much work.
What's the dish made up of?
760
00:36:54,400 --> 00:36:57,840
Pistachio financier,
some stewed blood orange,
761
00:36:57,840 --> 00:37:00,400
fresh blood orange,
karak tea gelato on top.
762
00:37:00,400 --> 00:37:02,480
And then you're going to have
the honey golden tuiles
763
00:37:02,480 --> 00:37:03,800
covering the whole dish.
764
00:37:03,800 --> 00:37:06,000
Wow.
Yeah.
765
00:37:06,000 --> 00:37:07,880
OK.
I'm going really conceptual.
766
00:37:07,880 --> 00:37:09,040
How many tiles you got to do?
767
00:37:09,040 --> 00:37:12,440
So I think that each dish
may need 15 tiles,
768
00:37:12,440 --> 00:37:14,720
and that means
I need to make 60 tiles.
769
00:37:14,720 --> 00:37:16,120
60 tiles?
Yeah.
770
00:37:16,120 --> 00:37:17,480
That's a lot of tiles.
771
00:37:17,480 --> 00:37:19,440
60 tiles?
Yeah. Oh, my God.
772
00:37:19,440 --> 00:37:22,040
I regret all my decisions
right now so much.
773
00:37:22,040 --> 00:37:23,200
Good luck!
Bye.
774
00:37:27,800 --> 00:37:29,640
Sarah, how's it travelling?
775
00:37:29,640 --> 00:37:31,160
Um, I am...
776
00:37:31,160 --> 00:37:33,520
I have run out of time.
Run out of time?
777
00:37:33,520 --> 00:37:36,920
Yeah, literally.
Like, you've got
six and a half minutes to go.
778
00:37:36,920 --> 00:37:40,000
Are we getting any desserts?
Oh, my God.
779
00:37:40,000 --> 00:37:42,120
No.
780
00:37:42,120 --> 00:37:45,760
It's not frozen enough. Shit.
781
00:37:45,760 --> 00:37:47,520
I don't really have a dessert.
782
00:37:47,520 --> 00:37:49,640
I've let the wheels
fall off the wagon.
783
00:37:49,640 --> 00:37:52,520
You need to think about
what you can actually achieve
in these three minutes.
784
00:37:52,520 --> 00:37:54,080
Oh!
Come on, Sarah.
785
00:37:55,080 --> 00:37:56,480
I'm definitely panicking.
786
00:37:56,480 --> 00:37:58,680
Is that the second element?
Yeah.
787
00:37:58,680 --> 00:38:00,960
Is there anything else
going on the plate?
788
00:38:00,960 --> 00:38:03,160
I don't know. It's like ice-cream.
789
00:38:03,160 --> 00:38:04,760
The tuile's not set.
790
00:38:04,760 --> 00:38:09,960
Yeah, this is
a very horrible feeling right now.
791
00:38:09,960 --> 00:38:11,400
You've got a 1 minute 40.
792
00:38:11,400 --> 00:38:13,640
What can I do? I've got nothing.
793
00:38:22,280 --> 00:38:25,400
SARAH: Oh, I haven't got anything.
Shit.
794
00:38:25,400 --> 00:38:27,720
ANDY: You got 1 minute 40.
What can I do?
795
00:38:27,720 --> 00:38:29,480
I've got nothing.
796
00:38:29,480 --> 00:38:30,960
Yeah.
Shame.
797
00:38:30,960 --> 00:38:32,440
Shit. It's not gonna happen.
798
00:38:32,440 --> 00:38:35,440
This is the worst feeling,
to see a dish
799
00:38:35,440 --> 00:38:38,920
that could be so amazing
and not have a finished plate.
800
00:38:38,920 --> 00:38:41,160
60 seconds, Sarah.
801
00:38:41,160 --> 00:38:44,960
Thankfully, I've got a few tuiles
that are ready to go.
802
00:38:44,960 --> 00:38:47,000
Alright.
803
00:38:47,000 --> 00:38:50,160
I've got my date and olive chutney,
804
00:38:50,160 --> 00:38:52,600
I've got my namelaka,
I've got my tuiles,
805
00:38:52,600 --> 00:38:54,960
but I'm worried
it won't be balanced.
806
00:38:54,960 --> 00:38:56,400
Sarah, you've got 20 seconds.
807
00:38:56,400 --> 00:38:59,680
OK, I just...
Something to sprinkle.
808
00:38:59,680 --> 00:39:01,800
Just...
10 seconds.
809
00:39:06,400 --> 00:39:11,560
Five, four, three, two, one.
810
00:39:12,760 --> 00:39:16,040
Whoa. OK.
Time's up, Sarah. I'm so sorry.
811
00:39:16,040 --> 00:39:17,600
Oh, my God, no!
812
00:39:17,600 --> 00:39:19,800
What the hell? Shit!
813
00:39:21,560 --> 00:39:23,680
Goddamn!
814
00:39:23,680 --> 00:39:25,200
(GROANS)
815
00:39:25,200 --> 00:39:27,040
LAURA: That's stressing me out
so much now.
816
00:39:27,040 --> 00:39:29,520
Like, I need to motor.
817
00:39:29,520 --> 00:39:32,720
I'm sure
it's going to taste delicious.
818
00:39:32,720 --> 00:39:34,240
Today I want to create a dessert
819
00:39:34,240 --> 00:39:38,400
that is completely covered
with golden tiles.
820
00:39:38,400 --> 00:39:43,160
I am so inspired by the golden tiles
of the Golden Mosque.
821
00:39:43,160 --> 00:39:46,120
I don't know
if they're going to get 60 tiles.
822
00:39:46,120 --> 00:39:48,000
I think I take that all back.
823
00:39:48,000 --> 00:39:51,360
These golden tiles
are taking me so long to make,
824
00:39:51,360 --> 00:39:54,000
but without these tiles
I do not have the concept.
825
00:39:54,000 --> 00:39:56,920
And this dish is all about
a visual concept.
826
00:39:56,920 --> 00:40:00,000
I just need to get one batch
in the oven and it is what it is.
827
00:40:00,000 --> 00:40:01,480
So what's that?
828
00:40:01,480 --> 00:40:03,480
They'll get maybe 10 each.
829
00:40:03,480 --> 00:40:04,880
If they're lucky.
830
00:40:04,880 --> 00:40:06,000
Don't know if I can...
831
00:40:06,000 --> 00:40:08,120
If I can give them
that many tuiles,
832
00:40:08,120 --> 00:40:09,320
I've definitely sacrificed that
833
00:40:09,320 --> 00:40:10,800
to make sure I've got enough time
to plate.
834
00:40:10,800 --> 00:40:12,640
And I think
that's the smartest decision here.
835
00:40:12,640 --> 00:40:14,280
It will definitely
still scream of gold.
836
00:40:14,280 --> 00:40:15,720
It's going to look
exactly how I want it to.
837
00:40:15,720 --> 00:40:17,200
Maybe a few little less tiles.
838
00:40:17,200 --> 00:40:19,040
OK. Tuile - done.
839
00:40:23,280 --> 00:40:26,360
SARAH: I feel devastated walking up
to the judges with a dish
840
00:40:26,360 --> 00:40:28,760
that I know has not hit the mark.
841
00:40:28,760 --> 00:40:30,080
I'm sorry.
Sarah.
842
00:40:30,080 --> 00:40:31,840
I'm sorry.
POH: Oh, Sarah!
843
00:40:31,840 --> 00:40:33,360
I'm sorry.
JEAN-CHRISTOPHE: Oh, please.
844
00:40:33,360 --> 00:40:34,560
Thank you.
Thank you.
845
00:40:34,560 --> 00:40:35,560
I feel frustrated
846
00:40:35,560 --> 00:40:38,560
that I haven't served a dish
that I'm proud of.
847
00:40:38,560 --> 00:40:43,080
Serving in such a grand
and beautiful restaurant like IDAM.
848
00:40:44,680 --> 00:40:45,880
Sarah, what was your inspiration?
849
00:40:47,120 --> 00:40:49,600
So my inspiration
was the National Museum -
850
00:40:49,600 --> 00:40:50,800
The Desert Rose.
851
00:40:50,800 --> 00:40:52,600
So I wanted it to be
a bridging course,
852
00:40:52,600 --> 00:40:54,960
so I did that play on
a cheese plate.
853
00:40:54,960 --> 00:40:58,720
So on the base we have
that aloo bukhara
854
00:40:58,720 --> 00:41:00,520
and olive chutney.
855
00:41:00,520 --> 00:41:02,240
And then we have the namelaka,
856
00:41:02,240 --> 00:41:06,640
which is a blue cheese
and sheep's cheese chocolate.
857
00:41:06,640 --> 00:41:09,720
And then we have our tuile on top.
858
00:41:11,920 --> 00:41:13,520
So where did it go wrong?
859
00:41:13,520 --> 00:41:15,760
Um, I think it was everything.
860
00:41:15,760 --> 00:41:17,800
It's this restaurant.
It's grand, it's beautiful.
861
00:41:17,800 --> 00:41:21,760
It's a, um, incredible kitchen
and...
862
00:41:21,760 --> 00:41:23,040
Yeah, just...
863
00:41:23,040 --> 00:41:24,680
Yeah. Pretty disappointed.
864
00:41:24,680 --> 00:41:25,720
Yeah.
865
00:41:25,720 --> 00:41:27,320
Don't make me cry.
866
00:41:28,920 --> 00:41:31,240
Sarah, we're all heartbroken
for you.
867
00:41:31,240 --> 00:41:32,600
It was a tough cook.
Yeah.
868
00:41:32,600 --> 00:41:33,720
But we'll taste now.
869
00:41:33,720 --> 00:41:34,840
Thank you.
Thanks.
870
00:41:34,840 --> 00:41:37,720
Thanks, Sarah,
Thank you so much, Sarah.
871
00:41:37,720 --> 00:41:39,680
What a shame, eh?
Yeah. Pressure can do, like,
872
00:41:39,680 --> 00:41:41,880
crazy things to people
at different times.
873
00:41:41,880 --> 00:41:43,880
And unfortunately,
it wasn't her day today.
874
00:41:43,880 --> 00:41:45,040
I feel so sorry for her.
875
00:41:45,040 --> 00:41:46,800
Shall we try
what made it on the plate?
876
00:41:46,800 --> 00:41:47,840
Yeah.
877
00:41:52,000 --> 00:41:53,800
That's strong. Wow!
878
00:41:55,280 --> 00:41:57,320
Whoa!
Whoa!
879
00:41:57,320 --> 00:41:58,760
Oh!
880
00:42:01,840 --> 00:42:04,520
That's intense. (WHISTLES)
881
00:42:04,520 --> 00:42:06,440
That does not taste how it looks.
882
00:42:09,920 --> 00:42:14,080
You know Sarah, she's at this stage
in her career and her skill set
883
00:42:14,080 --> 00:42:18,080
where she can actually come up
with a dish idea conceptually,
884
00:42:18,080 --> 00:42:19,680
and it translates really well.
885
00:42:20,840 --> 00:42:23,240
And most of the time,
she's so solid.
886
00:42:23,240 --> 00:42:25,600
But today she just pushed
it way too far.
887
00:42:26,720 --> 00:42:29,720
There's so many hardcore flavours
on the plate.
888
00:42:29,720 --> 00:42:31,240
They are such intense flavours.
889
00:42:31,240 --> 00:42:33,400
Like, I could literally eat
890
00:42:33,400 --> 00:42:36,120
just tiniest dot of that mousse
on the outside.
891
00:42:36,120 --> 00:42:38,600
It was so intense
with the blue cheese
892
00:42:38,600 --> 00:42:41,880
and then
the bitter almonds on top,
893
00:42:41,880 --> 00:42:44,040
again, another intense flavour.
894
00:42:44,040 --> 00:42:46,360
I can actually see
where this was going,
895
00:42:46,360 --> 00:42:48,640
but it was like she needed
to take it
896
00:42:48,640 --> 00:42:50,160
way to the other end of the spectrum
897
00:42:50,160 --> 00:42:53,200
in terms of how much she had
of those really intense ingredients.
898
00:42:53,200 --> 00:42:55,000
I really love the concept.
899
00:42:55,000 --> 00:42:56,800
I love the idea
of the bridging course.
900
00:42:56,800 --> 00:42:58,640
She's such an intelligent cook,
901
00:42:58,640 --> 00:43:01,240
but I think this time
she did get into her own head.
902
00:43:02,720 --> 00:43:04,320
When you look at this dish, yeah,
903
00:43:04,320 --> 00:43:07,240
you can see someone
is quite genius behind it.
904
00:43:07,240 --> 00:43:11,960
I mean, if she managed to nail this,
not just visually, textures,
905
00:43:11,960 --> 00:43:14,520
but also the balance of acidity,
saltiness,
906
00:43:14,520 --> 00:43:16,720
sweetness and so on,
she would have been
907
00:43:16,720 --> 00:43:19,320
probably producing
the best cheese course,
908
00:43:19,320 --> 00:43:22,320
including chocolate
in a Michelin star restaurant,
909
00:43:22,320 --> 00:43:24,800
but sadly, it's entirely unbalanced.
910
00:43:30,040 --> 00:43:32,320
LAURA: They're good, they're good,
they're good.
911
00:43:32,320 --> 00:43:33,520
OK. Hey.
912
00:43:33,520 --> 00:43:35,640
While the tuiles are in the oven,
913
00:43:35,640 --> 00:43:38,440
it's time to start plating up.
914
00:43:38,440 --> 00:43:41,680
I've got the pistachio financier
on the bottom of the plate.
915
00:43:41,680 --> 00:43:43,280
Sitting on top of that
916
00:43:43,280 --> 00:43:45,360
is the pistachio
creme fraiche cream.
917
00:43:45,360 --> 00:43:48,400
I've got the fresh
and macerated blood orange
918
00:43:48,400 --> 00:43:49,640
on top of that.
919
00:43:49,640 --> 00:43:53,040
A really nice, generous scoop
of the karak tea gelato.
920
00:43:53,040 --> 00:43:54,120
And now it's time
921
00:43:54,120 --> 00:43:57,400
to start covering this dish
with our tiles.
922
00:43:57,400 --> 00:43:58,880
So nervous.
923
00:43:58,880 --> 00:44:00,840
My tiles are baked.
924
00:44:00,840 --> 00:44:03,480
I'm going to brush them
with a gold lustre powder
925
00:44:03,480 --> 00:44:04,720
so they're really vibrant,
926
00:44:04,720 --> 00:44:07,640
and replicate those golden tiles
on the mosque.
927
00:44:07,640 --> 00:44:09,000
She gold.
928
00:44:10,520 --> 00:44:13,320
The whole concept
of today's challenge
929
00:44:13,320 --> 00:44:16,280
is the visual representation
of our inspiration.
930
00:44:16,280 --> 00:44:19,800
And if my dish doesn't look like
the Katara Golden Mosque,
931
00:44:19,800 --> 00:44:22,600
then there's no chance
I'm going to win immunity today.
932
00:44:22,600 --> 00:44:26,040
And I think I'm only going
to have 20 golden tiles to use.
933
00:44:26,040 --> 00:44:28,200
I just need one...
I'm just one short.
934
00:44:29,360 --> 00:44:31,760
It's OK, it's OK.
935
00:44:31,760 --> 00:44:33,640
Laura, you got
to get that ice-cream on.
936
00:44:33,640 --> 00:44:35,000
You've got one minute.
937
00:44:35,000 --> 00:44:36,840
SOFIA: Come on, Laura,
bring it home.
938
00:44:38,320 --> 00:44:39,640
Stay, stay, stay.
939
00:44:39,640 --> 00:44:41,800
I'm gonna try and use some gold leaf
to add it to the dish,
940
00:44:41,800 --> 00:44:45,000
but this just needs
to scream Gold Mosque.
941
00:44:45,000 --> 00:44:46,040
10...
942
00:44:46,040 --> 00:44:48,400
BOTH: ..nine, eight,
943
00:44:48,400 --> 00:44:51,200
seven, six, five,
944
00:44:51,200 --> 00:44:52,960
four, three,
945
00:44:52,960 --> 00:44:55,000
two, one.
946
00:44:55,000 --> 00:44:57,400
That's it, Laura.
947
00:44:57,400 --> 00:44:59,880
Time's up.
We'll see you at the tasting table.
948
00:44:59,880 --> 00:45:01,560
Oh, my gosh.
949
00:45:01,560 --> 00:45:05,440
It looks fantastic.
It's shimmering with gold.
950
00:45:05,440 --> 00:45:08,360
And even though
it's not what I set out to do
951
00:45:08,360 --> 00:45:11,440
and have a completely covered dish
with those golden tiles,
952
00:45:11,440 --> 00:45:13,320
it looks pretty goddamn special.
953
00:45:16,080 --> 00:45:17,840
Here she is.
Hello.
954
00:45:17,840 --> 00:45:20,520
Shiny, shiny.
(GASPS)
955
00:45:20,520 --> 00:45:22,520
Thank you.
Wow!
956
00:45:24,240 --> 00:45:26,160
Wow!
What an incredible effect.
957
00:45:28,000 --> 00:45:30,120
Big sigh?
Yeah.
958
00:45:30,120 --> 00:45:31,760
That was huge.
959
00:45:31,760 --> 00:45:33,600
We're in
a Michelin star restaurant today.
960
00:45:33,600 --> 00:45:35,920
The pressure is absolutely insane.
961
00:45:35,920 --> 00:45:37,080
Wow.
962
00:45:37,080 --> 00:45:40,720
Immunity is on the line,
and I want it so bad.
963
00:45:51,800 --> 00:45:53,360
Big sigh?
Yeah.
964
00:45:53,360 --> 00:45:55,280
That was huge.
965
00:45:55,280 --> 00:45:57,480
(SIGHS)
966
00:45:57,480 --> 00:45:59,320
So you were inspired
by the Golden Mosque
967
00:45:59,320 --> 00:46:00,600
in the Cultural Village.
968
00:46:00,600 --> 00:46:02,200
Tell us the name of your dish?
969
00:46:02,200 --> 00:46:03,640
So this is Golden Katara.
970
00:46:03,640 --> 00:46:05,320
So we've got a pistachio financier,
971
00:46:05,320 --> 00:46:07,000
a little pistachio creme fraiche,
972
00:46:07,000 --> 00:46:09,280
blood orange, a karak tea gelato,
973
00:46:09,280 --> 00:46:11,720
and then
you've got the gold tiles.
974
00:46:11,720 --> 00:46:14,040
I think the flavours are there,
and it looks pretty good.
975
00:46:14,040 --> 00:46:16,440
JEAN-CHRISTOPHE: Thank you so much.
We're going to taste now, Laura.
976
00:46:16,440 --> 00:46:17,720
Good. Thank you so much.
Thank you.
977
00:46:17,720 --> 00:46:19,400
Thank you.
Thank you so much, Laura.
978
00:46:20,640 --> 00:46:22,240
Jean-Christophe,
can you do me a favour
979
00:46:22,240 --> 00:46:24,480
and pass that thing down, please?
Absolutely.
980
00:46:24,480 --> 00:46:25,960
'Cause I just want to do something.
981
00:46:25,960 --> 00:46:29,200
This is as legit as it gets, right?
982
00:46:29,200 --> 00:46:33,080
Oh, yeah.
It's... That's incredible.
Look at that!
983
00:46:33,080 --> 00:46:34,240
That really appeals...
984
00:46:34,240 --> 00:46:36,920
'Cause she's used that texture
on the silpat
985
00:46:36,920 --> 00:46:38,600
to make it look similar
to the tiles.
986
00:46:38,600 --> 00:46:39,880
Yeah.
Let's do it.
987
00:46:39,880 --> 00:46:42,160
Allez.
Mmm.
988
00:46:44,280 --> 00:46:45,320
Wow.
989
00:46:47,920 --> 00:46:49,160
(EXCLAIMS)
990
00:46:55,280 --> 00:47:01,040
This is such an exquisite expression
of everything I've tasted in Doha.
991
00:47:02,160 --> 00:47:06,080
But pared back, refined.
992
00:47:06,080 --> 00:47:09,040
Absolutely suited
to this gorgeous setting.
993
00:47:09,040 --> 00:47:10,960
I loved it.
994
00:47:12,080 --> 00:47:13,520
That financier in the middle,
995
00:47:13,520 --> 00:47:16,440
which was nice and sort of chewy,
squidgy, fudgy.
996
00:47:16,440 --> 00:47:18,800
And it's got that beautiful hum
of cardamom,
997
00:47:18,800 --> 00:47:21,120
all those warm spices.
998
00:47:21,120 --> 00:47:24,160
But the execution
of what she was inspired by
999
00:47:24,160 --> 00:47:26,160
was just, I think, flawless.
1000
00:47:27,520 --> 00:47:31,600
Like, I look around and this dessert
could be on the menu
1001
00:47:31,600 --> 00:47:33,040
and you would not blink an eye.
1002
00:47:33,040 --> 00:47:34,120
Yeah.
1003
00:47:35,760 --> 00:47:41,800
For me, the beauty of the cardamom
in the karak tea ice-cream or gelato
1004
00:47:41,800 --> 00:47:44,400
versus that real sharpness
1005
00:47:44,400 --> 00:47:48,280
of those slightly caramelised
blood oranges,
1006
00:47:48,280 --> 00:47:50,360
and then the pistachio financier,
1007
00:47:50,360 --> 00:47:51,640
that was like...
1008
00:47:51,640 --> 00:47:53,680
That is Doha right there.
Yeah. Yeah.
1009
00:47:53,680 --> 00:47:55,280
She's gone to another level
1010
00:47:55,280 --> 00:47:59,440
and now she has made our decision
so tough.
1011
00:47:59,440 --> 00:48:01,360
So much harder. Yeah.
1012
00:48:01,360 --> 00:48:02,840
And this is what it's all about.
1013
00:48:04,640 --> 00:48:06,680
I mean, it is dramatic.
1014
00:48:08,880 --> 00:48:10,480
It's not a mirage.
1015
00:48:10,480 --> 00:48:14,400
It's an assemblage
of Arabian treasure.
1016
00:48:19,560 --> 00:48:20,840
With a challenge like this,
1017
00:48:20,840 --> 00:48:24,560
we were expecting something
extra special.
1018
00:48:26,760 --> 00:48:31,680
And what you gave us,
that was absolutely unforgettable.
1019
00:48:33,240 --> 00:48:36,920
The standard of cooking today,
it was exceptionally high.
1020
00:48:36,920 --> 00:48:40,000
If we could pick two winners,
then our decision would be easy.
1021
00:48:42,280 --> 00:48:43,360
Laura...
1022
00:48:47,680 --> 00:48:49,160
..and Ben.
1023
00:48:49,160 --> 00:48:51,560
ALL: Oooh!
1024
00:48:54,560 --> 00:48:57,640
Guys, your dishes...
1025
00:48:57,640 --> 00:48:59,400
..they were unbelievable.
1026
00:49:00,880 --> 00:49:04,760
Both of you should be so proud
of what you put up today,
1027
00:49:04,760 --> 00:49:05,960
but one of your dishes,
1028
00:49:05,960 --> 00:49:09,080
it ticked all our boxes.
1029
00:49:09,080 --> 00:49:11,920
It embodied the depth of this city,
1030
00:49:11,920 --> 00:49:15,320
the sophistication
of this restaurant,
1031
00:49:15,320 --> 00:49:18,960
and the skills
of a MasterChef veteran
1032
00:49:18,960 --> 00:49:20,720
who is back to win.
1033
00:49:24,800 --> 00:49:26,040
It was made by...
1034
00:49:29,320 --> 00:49:30,360
..Ben.
1035
00:49:30,360 --> 00:49:32,720
(CHEERING AND APPLAUSE)
1036
00:49:32,720 --> 00:49:33,960
Well done!
1037
00:49:33,960 --> 00:49:37,680
Well done.
Good job.
1038
00:49:37,680 --> 00:49:38,880
(SPEAKS INDISTINCTLY)
1039
00:49:40,000 --> 00:49:41,400
CALLUM: Congratulations, mate.
1040
00:49:45,640 --> 00:49:47,000
ANNOUNCER: Tomorrow night...
1041
00:49:47,000 --> 00:49:49,960
SOFIA: Bring us
a business class-worthy dish
1042
00:49:49,960 --> 00:49:54,280
to win a business class seat
for the flight home.
1043
00:49:54,280 --> 00:49:57,680
..the stakes are sky-high...
1044
00:49:57,680 --> 00:49:59,800
DEPINDER: I would love to win
this immunity
1045
00:49:59,800 --> 00:50:02,560
And it would be amazing
to fly business class back home.
1046
00:50:02,560 --> 00:50:07,680
..for their last chance
at immunity in Doha.
1047
00:50:07,680 --> 00:50:08,800
You do realise
1048
00:50:08,800 --> 00:50:10,760
that whoever doesn't win
this challenge
1049
00:50:10,760 --> 00:50:13,840
is going into a cook
with only four people in it,
1050
00:50:13,840 --> 00:50:16,720
which means we're going to lose
one of the girls.
1051
00:50:16,720 --> 00:50:18,960
SARAH: I'm so stressed,
I don't know what to do.
1052
00:50:18,960 --> 00:50:20,960
Captions by Red Bee Media
1053
00:50:21,305 --> 00:51:21,175