"Glow Up: Britain's Next Make-Up Star" Episode #7.4

ID	13188098
Movie Name	"Glow Up: Britain's Next Make-Up Star" Episode #7.4
Release Name	Glow Up - Britain's Next Make-Up Star S07E04
Year	2025
Kind	tv
Language	English
IMDB ID	36935765
Format	srt

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1 00:00:07,080 --> 00:00:10,120 {\an8}We are on set for House Of The Dragon. 2 00:00:10,120 --> 00:00:11,520 {\an8}Oh, my God! 3 00:00:11,520 --> 00:00:14,560 {\an8}..the MUAs paired up to tackle on-screen make-up. 4 00:00:14,560 --> 00:00:17,000 {\an8}We're in, like, literally the best group. 5 00:00:17,000 --> 00:00:19,280 {\an8}But Mia and Jamie missed the mark. 6 00:00:19,280 --> 00:00:21,760 {\an8}The beard looks fake. 7 00:00:21,760 --> 00:00:23,560 {\an8}At Glow Up Studios... 8 00:00:23,560 --> 00:00:25,680 {\an8}Wah! Oh, my God! 9 00:00:25,680 --> 00:00:27,440 {\an8}..the judges piled on the pressure... 10 00:00:27,440 --> 00:00:30,400 {\an8}I want you to really think about moving away 11 00:00:30,400 --> 00:00:31,760 {\an8}from your comfort zone. 12 00:00:31,760 --> 00:00:33,200 {\an8}What else have you got, babes? 13 00:00:33,200 --> 00:00:35,760 {\an8}..and Josh sent Rahual home in the Face Off. 14 00:00:35,760 --> 00:00:38,320 {\an8}Pack your kit. You'll be going home. 15 00:00:38,320 --> 00:00:39,920 {\an8}Thank you for the opportunity. 16 00:00:42,840 --> 00:00:44,240 Love a bit of bacon. 17 00:00:44,240 --> 00:00:46,800 It's, like, my go-to breakfast. 18 00:00:46,800 --> 00:00:50,520 The MUAs are almost halfway through the competition. 19 00:00:50,520 --> 00:00:54,200 The last industry challenge, I was in the bottom two, 20 00:00:54,200 --> 00:00:57,360 so I feel like today, whatever it is, 21 00:00:57,360 --> 00:00:59,560 I need to, like, bring out the big guns. 22 00:01:02,000 --> 00:01:04,000 Oh! Are we excited for today, guys? 23 00:01:04,000 --> 00:01:06,000 I really want to know what it's going to be. 24 00:01:09,880 --> 00:01:12,600 This week, they're on their way to a photography studio 25 00:01:12,600 --> 00:01:13,640 in East London. 26 00:01:14,640 --> 00:01:16,000 Hello, guys. 27 00:01:16,000 --> 00:01:18,000 Hey. 28 00:01:18,000 --> 00:01:21,480 Let's find out what today's industry assignment is. 29 00:01:21,480 --> 00:01:23,040 Let's go. Come on. 30 00:01:23,040 --> 00:01:24,200 Ooh! 31 00:01:26,920 --> 00:01:28,880 Very botanical. 32 00:01:28,880 --> 00:01:31,000 MUAs, good morning. 33 00:01:31,000 --> 00:01:33,000 ALL: Morning. 34 00:01:33,000 --> 00:01:35,880 Today, you have been booked to create 35 00:01:35,880 --> 00:01:39,000 gorgeous beauty campaign looks. 36 00:01:39,000 --> 00:01:43,520 Your boss for today is creative and brand manager 37 00:01:43,520 --> 00:01:45,240 Bradley Rooney. 38 00:01:45,240 --> 00:01:47,800 And the brand is... 39 00:01:48,920 --> 00:01:51,040 ..Beauty Bay! 40 00:01:48,920 --> 00:01:51,040 THEY GASP 41 00:01:51,040 --> 00:01:52,560 Stop it! 42 00:01:53,640 --> 00:01:56,640 An online shop with over ten million customers, 43 00:01:56,640 --> 00:01:59,000 Beauty Bay sells cult classic brands, 44 00:01:59,000 --> 00:02:01,840 as well as their own award-winning make-up collection. 45 00:02:04,000 --> 00:02:05,360 Oh, my God! 46 00:02:05,360 --> 00:02:07,280 But there's more. Ooh! 47 00:02:07,280 --> 00:02:09,880 Today's shoot is a collaboration with a brand 48 00:02:09,880 --> 00:02:13,640 founded by a true make-up icon. 49 00:02:13,640 --> 00:02:17,000 So, please welcome founder of Nimya, 50 00:02:17,000 --> 00:02:19,520 and your guest judge, 51 00:02:19,520 --> 00:02:21,000 NikkieTutorials! 52 00:02:21,000 --> 00:02:22,600 THEY GASP 53 00:02:22,600 --> 00:02:25,640 Hi! 54 00:02:22,600 --> 00:02:25,640 THEY SCREAM 55 00:02:25,640 --> 00:02:28,120 I'm going to be like, "Aaah!" 56 00:02:28,120 --> 00:02:30,400 Hello, hello, hello, hello! 57 00:02:30,400 --> 00:02:32,240 Hi! 58 00:02:32,240 --> 00:02:34,560 Online sensation NikkieTutorials 59 00:02:34,560 --> 00:02:38,160 is one of the biggest make-up influencers in the world. 60 00:02:38,160 --> 00:02:40,720 Hello, guys - it's me! 61 00:02:40,720 --> 00:02:43,360 Yeah! With 90 million followers, she has worked 62 00:02:43,360 --> 00:02:46,280 with celebrities like Adele and Selena Gomez, 63 00:02:46,280 --> 00:02:48,680 as well as having her own make-up brand. 64 00:02:50,360 --> 00:02:53,200 {\an8}Ha! Nikkie's a part of that queer community. 65 00:02:53,200 --> 00:02:54,360 {\an8}She's a trans icon. 66 00:02:54,360 --> 00:02:58,280 {\an8}She's, I think, the biggest beauty influencer online. 67 00:02:58,280 --> 00:03:00,680 Oh, I just really want to impress her. 68 00:03:00,680 --> 00:03:02,720 I'm so excited that you're helping us out 69 00:03:02,720 --> 00:03:06,080 with our shoot today, and I know you're going to slay! 70 00:03:06,080 --> 00:03:08,320 Today, we are shooting a beauty campaign 71 00:03:08,320 --> 00:03:11,000 that will feature our own product - as well as Nikkie's. 72 00:03:11,000 --> 00:03:13,120 So your looks must showcase them. 73 00:03:13,120 --> 00:03:16,000 The theme for the shoot is botanical bloom. 74 00:03:16,000 --> 00:03:19,120 It's key your make-up encapsulates the essence of spring - 75 00:03:19,120 --> 00:03:21,360 vibrant, fresh and joyful. 76 00:03:21,360 --> 00:03:24,920 And remember, the make-up needs to feel aspirational 77 00:03:24,920 --> 00:03:27,200 yet attainable for our customers. 78 00:03:27,200 --> 00:03:29,920 It is very important you have listened to the brand. 79 00:03:29,920 --> 00:03:32,760 Their wish is your command. 80 00:03:32,760 --> 00:03:35,200 Our favourite looks of today will get featured 81 00:03:35,200 --> 00:03:38,160 in our social campaign, which is huge. 82 00:03:38,160 --> 00:03:42,840 But one overall winner will get their look showcased 83 00:03:42,840 --> 00:03:45,160 on an actual digital billboard! 84 00:03:45,160 --> 00:03:46,360 Oh, my God. 85 00:03:47,600 --> 00:03:50,000 All right, guys, I think it's time for us to go and get ready. 86 00:03:50,000 --> 00:03:51,320 Let's go. See ya! 87 00:03:51,320 --> 00:03:52,600 Thank you. 88 00:03:54,320 --> 00:03:56,520 Exciting, exciting. 89 00:03:56,520 --> 00:03:59,400 I have not had a win in an industry assignment yet. 90 00:03:59,400 --> 00:04:02,440 {\an8}Seeing my work up on a billboard would be unreal. 91 00:04:04,000 --> 00:04:05,800 I'm Mia. Nice to meet you. Nice to meet you. 92 00:04:05,800 --> 00:04:08,280 {\an8}I am very determined not to be in the Red Chairs. 93 00:04:08,280 --> 00:04:12,800 {\an8}It's happened two weeks in a row, so I need to stay away from them. 94 00:04:12,800 --> 00:04:14,320 All right, MUAs, 95 00:04:14,320 --> 00:04:17,760 you have 90 minutes for your models to get camera ready. 96 00:04:17,760 --> 00:04:20,320 Your 90 minutes start now. 97 00:04:20,320 --> 00:04:21,640 Good luck! 98 00:04:24,560 --> 00:04:27,000 I feel it's like a controlled chaos. 99 00:04:27,000 --> 00:04:28,360 Mmm. 100 00:04:28,360 --> 00:04:29,640 CLATTERING 101 00:04:29,640 --> 00:04:32,000 Ooh! Who did that?! 102 00:04:32,000 --> 00:04:33,240 And we're back to chaos. 103 00:04:38,320 --> 00:04:40,000 {\an8}NikkieTutorials - stunning. 104 00:04:40,000 --> 00:04:41,600 {\an8}She's what got me into make-up. 105 00:04:41,600 --> 00:04:43,800 To see her here is just amazing. 106 00:04:45,000 --> 00:04:46,760 I'm so excited for this brief. 107 00:04:46,760 --> 00:04:48,600 {\an8}I was probably one of the loudest people screaming 108 00:04:48,600 --> 00:04:50,720 {\an8}when I saw Nikkie and found out we were working with a brand 109 00:04:50,720 --> 00:04:52,160 {\an8}that I love so much. 110 00:04:52,160 --> 00:04:55,320 {\an8}I'm a bit nervous cos obviously this isn't my forte. 111 00:04:55,320 --> 00:04:57,680 I think Cherise is going to do really well. 112 00:04:57,680 --> 00:04:59,360 And Jade. And Mia. 113 00:04:59,360 --> 00:05:01,360 Because they're really good at the whole beauty thing, 114 00:05:01,360 --> 00:05:02,800 whereas, I feel like I'm not. 115 00:05:04,880 --> 00:05:07,000 The MUAs have each been given the brand's 116 00:05:07,000 --> 00:05:08,400 new eye shadow palette, 117 00:05:08,400 --> 00:05:12,000 and a selection of Nikkie's highlighters to promote. 118 00:05:12,000 --> 00:05:14,280 {\an8}This is the kind of thing I'd do when I get a new palette, 119 00:05:14,280 --> 00:05:15,720 {\an8}is I like to see how it shifts 120 00:05:15,720 --> 00:05:18,640 {\an8}and I like to see the colours and what I've got to play with. 121 00:05:20,000 --> 00:05:23,400 {\an8}The main feature of today's campaign is essentially the eye. 122 00:05:23,400 --> 00:05:24,800 We're selling an eye shadow palette 123 00:05:24,800 --> 00:05:27,000 so the eye needs to be the star of the show. 124 00:05:27,000 --> 00:05:29,680 You always know it's a good pigment when it goes over my tattoos. 125 00:05:29,680 --> 00:05:32,720 If it goes over the black, it's good. 126 00:05:32,720 --> 00:05:35,320 We want our customers to feel inspired, 127 00:05:35,320 --> 00:05:37,160 and we want them to go away and get their own palette 128 00:05:37,160 --> 00:05:38,520 and create their own looks. 129 00:05:38,520 --> 00:05:40,400 Started the eye shadow. 130 00:05:40,400 --> 00:05:42,280 Focusing on the palette. 131 00:05:42,280 --> 00:05:45,280 I don't want to go too stray with using different products. 132 00:05:45,280 --> 00:05:51,000 On a beauty campaign, the brand's product needs to be centre stage. 133 00:05:51,000 --> 00:05:55,000 On no account pick up another company's product. 134 00:05:55,000 --> 00:05:58,040 You'll be straight out the door and you won't get rebooked. 135 00:05:59,240 --> 00:06:01,160 So, I wanted, like, a pop of blue. 136 00:06:01,160 --> 00:06:03,360 There's these flowers. They're this sort of, like, colour. 137 00:06:03,360 --> 00:06:04,640 It's like a periwinkle. 138 00:06:04,640 --> 00:06:06,200 I think they're called forget-me-nots. 139 00:06:08,440 --> 00:06:12,720 What? So, I'm seeing blue cream going onto the eye. 140 00:06:12,720 --> 00:06:14,720 Whose brand is that? I don't know her. 141 00:06:14,720 --> 00:06:16,880 I don't see that blue in the palette. Hmm. 142 00:06:16,880 --> 00:06:18,800 I can't comprehend. 143 00:06:18,800 --> 00:06:21,160 You get a palette. This is your assignment. 144 00:06:21,160 --> 00:06:24,440 "Hey, let me find this other product that has nothing to do with it, 145 00:06:24,440 --> 00:06:26,600 "and make that the star of the show." 146 00:06:26,600 --> 00:06:28,640 It's like... 147 00:06:28,640 --> 00:06:29,800 Yeah. It's gone. 148 00:06:32,000 --> 00:06:34,640 So, I'm just packing that colour on to start with. 149 00:06:35,920 --> 00:06:38,120 The green is really going to pop. 150 00:06:38,120 --> 00:06:40,520 With 42 colours to choose from, 151 00:06:40,520 --> 00:06:43,560 most of the MUAs are going for bold, vibrant looks. 152 00:06:45,320 --> 00:06:47,600 I'm going to do as much of the palette as possible 153 00:06:47,600 --> 00:06:49,640 without overdoing it. 154 00:06:49,640 --> 00:06:51,240 I am watching you, Cherise. 155 00:06:51,240 --> 00:06:53,080 Don't say my name. I am watching you. 156 00:06:56,000 --> 00:06:58,360 On the eyes, I'm going to do a little bit of a green, 157 00:06:58,360 --> 00:07:00,560 but then I'm also going to do a bit of gloss. 158 00:07:02,760 --> 00:07:05,760 I want to do something different cos I'm different. 159 00:07:05,760 --> 00:07:07,440 I might be a Goth, but I can do colour. 160 00:07:07,440 --> 00:07:09,720 I did sneak in a cool tone grey, though. 161 00:07:11,600 --> 00:07:14,880 I've seen Beauty Bay do these big, bold, expressive looks. 162 00:07:14,880 --> 00:07:16,440 I love a graphic eye. 163 00:07:16,440 --> 00:07:18,600 Even if they don't like it, I'd wear it. 164 00:07:19,640 --> 00:07:21,000 How are you feeling today? 165 00:07:21,000 --> 00:07:25,000 I'm feeling good. I love doing bold eye shadow looks. 166 00:07:25,000 --> 00:07:27,000 You taught me how to, like, pack on colour. 167 00:07:27,000 --> 00:07:29,000 A little student! I love it! Yes! 168 00:07:29,000 --> 00:07:30,640 I'm like a proud mama bear. 169 00:07:32,360 --> 00:07:37,400 Taking a different approach, Jade is creating a more subtle design. 170 00:07:37,400 --> 00:07:40,000 I want to incorporate a bit of orange in the look 171 00:07:40,000 --> 00:07:42,000 cos my model's eyes are... 172 00:07:42,000 --> 00:07:43,840 Are they blue? They are blue. Open your eyes. 173 00:07:43,840 --> 00:07:45,000 Yeah, they're blue. 174 00:07:45,000 --> 00:07:48,040 And I think I'm going to go for more of a nude look. 175 00:07:49,080 --> 00:07:50,800 Look at me. 176 00:07:50,800 --> 00:07:52,840 I don't know if the eyes are enough. 177 00:07:52,840 --> 00:07:54,720 I just don't want to mess it up. 178 00:07:55,880 --> 00:07:58,000 Hello. How's it going? 179 00:07:58,000 --> 00:08:01,080 Good. I mean, I'm not a beauty artist myself. 180 00:08:01,080 --> 00:08:02,760 You don't do a lot of beauty make-up? 181 00:08:02,760 --> 00:08:04,000 What is your street? 182 00:08:04,000 --> 00:08:07,280 More like creature, fairies, goblins. 183 00:08:07,280 --> 00:08:08,680 Oh, my goodness. 184 00:08:08,680 --> 00:08:09,960 Me and my mama - 185 00:08:09,960 --> 00:08:11,480 mama is my word for, like, grandma. 186 00:08:11,480 --> 00:08:14,680 We just always went on walks together in forests and stuff 187 00:08:14,680 --> 00:08:16,600 and, like, she'd always make it so magical. 188 00:08:16,600 --> 00:08:18,280 So it connects me to her 189 00:08:18,280 --> 00:08:20,400 and she's, like, my favourite person alive. 190 00:08:20,400 --> 00:08:22,560 ♪ Riding down, riding down... ♪ 191 00:08:24,280 --> 00:08:26,360 I would say that my mama is my best friend. 192 00:08:26,360 --> 00:08:27,560 100%. 193 00:08:28,880 --> 00:08:30,320 Oh! 194 00:08:30,320 --> 00:08:32,280 So sorry. I'm OK. I just... 195 00:08:32,280 --> 00:08:34,520 I love that woman so much. 196 00:08:34,520 --> 00:08:37,000 My mama's influenced, like, my signature style 197 00:08:37,000 --> 00:08:42,000 cos she, like, always had that fantasy, like, mind as well. 198 00:08:42,000 --> 00:08:44,680 Like, we'd pretend that we could see fairies in the woods. 199 00:08:44,680 --> 00:08:46,760 Doing make-up, it's a sort of way for me to, like, 200 00:08:46,760 --> 00:08:48,520 have a segue to my inner child, 201 00:08:48,520 --> 00:08:50,000 to the good memories. 202 00:08:50,000 --> 00:08:52,200 And I feel like if it wasn't for going out with her, 203 00:08:52,200 --> 00:08:55,000 I don't think I'd be the same sort of person that I am now. 204 00:08:55,000 --> 00:08:56,320 She shaped me. Do you know what I mean? 205 00:08:56,320 --> 00:08:58,280 She shaped me into the artist that I am. 206 00:09:00,480 --> 00:09:02,600 So, tell me a bit more about your look today. 207 00:09:02,600 --> 00:09:04,800 I just wanted to go a little bit big. 208 00:09:04,800 --> 00:09:06,800 OK. But I'm not sure. 209 00:09:06,800 --> 00:09:08,240 I never really feel confident, 210 00:09:08,240 --> 00:09:10,520 but I'm trying to just be as calm as I can. 211 00:09:10,520 --> 00:09:12,560 Cos if you're not calm, you just start to spiral. 212 00:09:12,560 --> 00:09:14,520 So, I'm trying to just be... 213 00:09:12,560 --> 00:09:14,520 JAKE SIGHS 214 00:09:16,280 --> 00:09:18,560 The eye shadow is popping, 215 00:09:18,560 --> 00:09:20,640 and I've added this bit of orange underneath the eye 216 00:09:20,640 --> 00:09:22,320 to bring the eye out even more. 217 00:09:25,000 --> 00:09:27,360 I'm going to do a smoky liner with the glitter, 218 00:09:27,360 --> 00:09:30,000 cos I want it to be nice and dramatic. 219 00:09:30,000 --> 00:09:31,840 I feel so surreal having NikkieTutorials 220 00:09:31,840 --> 00:09:33,720 just stood behind me, like. 221 00:09:33,720 --> 00:09:36,200 NikkieTutorials - the government name. 222 00:09:36,200 --> 00:09:38,800 Oh, no, it's Mrs Tutorials now. 223 00:09:38,800 --> 00:09:40,080 Is it? 224 00:09:40,080 --> 00:09:43,080 He put a ring on it. Yeah. Yeah. 225 00:09:44,800 --> 00:09:48,000 For today's shoot, we are asking them to capture 226 00:09:48,000 --> 00:09:49,360 the essence of spring. 227 00:09:49,360 --> 00:09:51,000 Botanical bloom. 228 00:09:51,000 --> 00:09:52,840 I'm going for a fairy-ish look. 229 00:09:52,840 --> 00:09:54,840 You always see fairies in gardens. 230 00:09:54,840 --> 00:09:56,360 That's what the brand campaign is. 231 00:09:56,360 --> 00:09:58,360 {\an8}We paid a lot of money for this shoot, 232 00:09:58,360 --> 00:10:00,800 {\an8}and we want them to deliver. 233 00:10:00,800 --> 00:10:04,400 I feel like my look fits the botanical-inspired brief. 234 00:10:04,400 --> 00:10:08,000 A lot of the colours are definitely very sort of spring vibes, 235 00:10:08,000 --> 00:10:09,520 and I've gone for, like, a floral-shaped eye 236 00:10:09,520 --> 00:10:12,000 without doing a flower. 237 00:10:12,000 --> 00:10:16,600 Today, it is so important to listen to what the client wants. 238 00:10:16,600 --> 00:10:19,000 I'm an autumn girl, 239 00:10:19,000 --> 00:10:23,000 so spring isn't normally, like, a season that I love, 240 00:10:23,000 --> 00:10:25,000 but it's a season everyone else loves. 241 00:10:25,000 --> 00:10:28,280 I'm just the miserable Goth in the corner. 242 00:10:28,280 --> 00:10:32,200 So I'm trying now to, like, still embrace my style, 243 00:10:32,200 --> 00:10:35,200 but making it a bit more, like, approachable. 244 00:10:35,200 --> 00:10:37,640 ♪ I do it for the drama... ♪ 245 00:10:37,640 --> 00:10:39,880 My friends call me a Gothic Bratz doll. 246 00:10:39,880 --> 00:10:41,560 I think with my, like, Gothic side, 247 00:10:41,560 --> 00:10:43,760 it's definitely down to, like, the music that I like 248 00:10:43,760 --> 00:10:48,360 and the literature and the films - like, I love horror. 249 00:10:48,360 --> 00:10:51,760 I definitely think my make-up looks are a lot like Marmite. 250 00:10:51,760 --> 00:10:54,000 People either love it or they hate it. 251 00:10:54,000 --> 00:10:55,600 I've had comments before, of going, like, 252 00:10:55,600 --> 00:10:57,560 "Why can't you just do a pretty make-up look? 253 00:10:57,560 --> 00:11:00,320 "Why do you always have to do stuff that's like horror or creepy?" 254 00:11:00,320 --> 00:11:03,440 And I'm like, "That's literally me and my style." 255 00:11:03,440 --> 00:11:05,800 I'm hoping that, like, being in the competition 256 00:11:05,800 --> 00:11:09,840 will help me boost my confidence in my work. 257 00:11:09,840 --> 00:11:11,920 But I'm not going to apologise for my art 258 00:11:11,920 --> 00:11:13,440 and apologise for what I do. 259 00:11:13,440 --> 00:11:15,160 I'm going to be true to me. 260 00:11:15,160 --> 00:11:16,440 I love it. 261 00:11:16,440 --> 00:11:17,720 ♪ I do it for the drama. ♪ 262 00:11:19,440 --> 00:11:21,280 I'm just going to add little pops of colour. 263 00:11:21,280 --> 00:11:23,600 Yeah, I like that purple. 264 00:11:24,720 --> 00:11:26,160 How do you think Kat's getting on? 265 00:11:26,160 --> 00:11:28,120 This is a bit more of a grunge take. 266 00:11:28,120 --> 00:11:33,000 And I love grunge, but grunge is not always the way to pull people in, 267 00:11:33,000 --> 00:11:34,480 to be like, "Buy me!" 268 00:11:34,480 --> 00:11:35,760 Yeah. 269 00:11:35,760 --> 00:11:37,160 I love a yellow blush. 270 00:11:38,200 --> 00:11:39,680 Do you think the Beauty Bay's customer 271 00:11:39,680 --> 00:11:41,000 would want to create this look? 272 00:11:41,000 --> 00:11:45,000 It feels like this fits another brand a bit more, but not us. 273 00:11:45,000 --> 00:11:46,600 Not today. 274 00:11:46,600 --> 00:11:48,840 I hate to say this, but it's giving fungus. 275 00:11:53,240 --> 00:11:55,000 How long have we got left? 276 00:11:55,000 --> 00:12:00,000 MUAs, you've got half an hour left, darlings. 277 00:12:00,000 --> 00:12:02,560 Still see lots of eye action. 278 00:12:02,560 --> 00:12:04,640 Let's think of the other stuff, too. 279 00:12:08,160 --> 00:12:11,160 I'm putting on your highlighter now. Ah! Good girl. 280 00:12:11,160 --> 00:12:12,840 As a brand collaboration, 281 00:12:12,840 --> 00:12:15,320 the MUAs should showcase both the eye palette 282 00:12:15,320 --> 00:12:18,560 and Nikkie's highlighter, used to add glow. 283 00:12:21,000 --> 00:12:24,320 I'm planning on incorporating it obviously on the cheeks, 284 00:12:24,320 --> 00:12:26,240 a little bit on the eye, but also on the lip. 285 00:12:26,240 --> 00:12:28,000 Oh, I see how you whispered that. 286 00:12:28,000 --> 00:12:29,560 Trying to keep the strategy... I guess! 287 00:12:29,560 --> 00:12:31,640 ..close to your chest. Oh, I see that. 288 00:12:31,640 --> 00:12:33,560 Who said that? 289 00:12:33,560 --> 00:12:36,880 I'm going to do a pop of colour with the pink highlighter. 290 00:12:36,880 --> 00:12:40,240 Mostly just in the centre of the eye. 291 00:12:40,240 --> 00:12:41,800 So, what do you think about Mia? 292 00:12:41,800 --> 00:12:44,600 I love that she went for the pink on the lid. Mm. 293 00:12:44,600 --> 00:12:47,640 That highlighter brings it all together. Yes. 294 00:12:48,840 --> 00:12:50,880 I've added highlighter onto the eyes, 295 00:12:50,880 --> 00:12:53,440 and then there's also a bit going into the brows. 296 00:12:53,440 --> 00:12:55,920 And then I've also added some onto the cheekbones, 297 00:12:55,920 --> 00:12:57,640 going up to the temples. 298 00:12:57,640 --> 00:13:01,280 Keen to shine, Jamie is packing on the highlighter - 299 00:13:01,280 --> 00:13:05,120 and adding extra glow to his model's complexion. 300 00:13:05,120 --> 00:13:08,240 The skin is looking lovely and dewy. 301 00:13:08,240 --> 00:13:10,880 I'm going to put a little bit of gloss in there as well. 302 00:13:10,880 --> 00:13:12,440 How do you think Jamie's doing over there? 303 00:13:12,440 --> 00:13:15,280 Sometimes make-up artists like to go a little bit overboard 304 00:13:15,280 --> 00:13:18,400 with the glow, but you've got to think of how it photographs. 305 00:13:18,400 --> 00:13:21,800 Jamie's model has stunning skin. 306 00:13:21,800 --> 00:13:23,440 It doesn't need much. Yes. 307 00:13:23,440 --> 00:13:26,000 Last week, I ended up in the Red Chair, 308 00:13:26,000 --> 00:13:28,680 so this is like the redemption. 309 00:13:28,680 --> 00:13:32,520 I hope they love the shininess. 310 00:13:32,520 --> 00:13:35,720 MUAs, it's make it or break it time. 311 00:13:35,720 --> 00:13:37,480 You've got ten minutes left. 312 00:13:39,000 --> 00:13:45,074 Support us and become VIP member to remove all ads from www.OpenSubtitles.org 313 00:14:04,440 --> 00:14:05,760 That was scary. 314 00:14:08,680 --> 00:14:10,640 I am happy with mine. 315 00:14:10,640 --> 00:14:12,880 It's bold, but it's still achievable. 316 00:14:12,880 --> 00:14:15,040 It's got, like, the pop of colour. 317 00:14:16,240 --> 00:14:18,600 I like the look. I just hope that Beauty Bay and Nikkie 318 00:14:18,600 --> 00:14:21,720 like the look as well, cos that's obviously most important. 319 00:14:21,720 --> 00:14:23,000 And then look up. 320 00:14:24,760 --> 00:14:28,200 The last thing I'm going to do is the gloss. 321 00:14:28,200 --> 00:14:31,000 See, I don't know if it's too shimmery. 322 00:14:31,000 --> 00:14:32,880 I don't want you to look sweaty. 323 00:14:32,880 --> 00:14:34,400 I am a little bit worried now. 324 00:14:34,400 --> 00:14:38,880 I'm literally the only person that hasn't gone for green. 325 00:14:38,880 --> 00:14:40,360 Can you look forward, please? 326 00:14:47,080 --> 00:14:49,880 Just look straight on for me a second. 327 00:14:49,880 --> 00:14:51,040 I'm happy with that. 328 00:14:52,560 --> 00:14:55,000 That's it, MUAs. 329 00:14:55,000 --> 00:14:56,840 Your time is up. 330 00:14:58,120 --> 00:14:59,360 Do you know what? It's done. 331 00:14:59,360 --> 00:15:01,560 So it's just going to have to be what it is. 332 00:15:01,560 --> 00:15:03,000 I think she looks stunning. 333 00:15:03,000 --> 00:15:05,280 I think she looks like a little fairy. 334 00:15:05,280 --> 00:15:08,320 I need all your models on set for photographs, please. 335 00:15:08,320 --> 00:15:09,360 Let's go. 336 00:15:12,000 --> 00:15:14,840 As the shoot gets under way, 337 00:15:14,840 --> 00:15:17,000 it's a waiting game for the MUAs. 338 00:15:19,000 --> 00:15:21,000 Only three looks will be chosen to feature 339 00:15:21,000 --> 00:15:23,200 in the global social campaign, 340 00:15:23,200 --> 00:15:25,360 and the best make-up will be showcased 341 00:15:25,360 --> 00:15:27,680 on a giant digital billboard. 342 00:15:29,000 --> 00:15:31,240 This is Jamie's model. 343 00:15:31,240 --> 00:15:34,000 I feel like I should've made the skin a bit more matte. 344 00:15:34,000 --> 00:15:35,800 I feel like it was a bit too dewy, 345 00:15:35,800 --> 00:15:37,520 but maybe they like it. 346 00:15:37,520 --> 00:15:39,120 Ooh. Ooh. 347 00:15:39,120 --> 00:15:42,360 The eye shadow palette isn't taking centre stage on this look at all. 348 00:15:42,360 --> 00:15:45,560 I'm just getting too much skin, and just not enough eye. 349 00:15:45,560 --> 00:15:48,440 I know that the highlighter was used in the inner corners, 350 00:15:48,440 --> 00:15:52,320 but it has to fight up against so much glow 351 00:15:52,320 --> 00:15:55,400 on the entire face that it gets lost. 352 00:15:55,400 --> 00:15:57,120 Exactly. There's too much shine. 353 00:15:59,000 --> 00:16:02,680 OK, so this is Cherise's model. 354 00:16:02,680 --> 00:16:05,000 We've hit the halfway mark now, 355 00:16:05,000 --> 00:16:07,360 and obviously haven't won an industry challenge yet. 356 00:16:07,360 --> 00:16:10,000 I'm really hoping that this is my week. 357 00:16:10,000 --> 00:16:11,440 Stunning. 358 00:16:11,440 --> 00:16:14,200 We've asked them to do botanical. 359 00:16:14,200 --> 00:16:16,000 I feel like she's really mastered that 360 00:16:16,000 --> 00:16:17,360 by giving us that shape 361 00:16:17,360 --> 00:16:20,640 that's giving kind of, like, lotus or orchid. Yeah. 362 00:16:20,640 --> 00:16:23,000 It almost looks like a petal, doesn't it, over her eye? 363 00:16:23,000 --> 00:16:26,000 Yeah. It's uplifting, it's spring, it's joyous. 364 00:16:26,000 --> 00:16:27,600 It's all of the good things. 365 00:16:27,600 --> 00:16:30,000 I feel like, out of all the prizes industry-wise so far, 366 00:16:30,000 --> 00:16:32,160 this one would be the one that would mean the most to me, I think. 367 00:16:32,160 --> 00:16:33,840 Yeah? Yeah, yeah. 368 00:16:33,840 --> 00:16:36,040 Like, Nikkie knows who I am, so I'm, like, "OK." 369 00:16:36,040 --> 00:16:38,160 LAUGHTER 370 00:16:39,720 --> 00:16:41,440 OK, so this is Kat's model. 371 00:16:41,440 --> 00:16:43,000 OK. 372 00:16:43,000 --> 00:16:46,000 Very...grungy. 373 00:16:46,000 --> 00:16:49,000 What I admire about Kat is she's our Goth girl, 374 00:16:49,000 --> 00:16:52,000 and she is bringing her signature style into this. 375 00:16:52,000 --> 00:16:55,400 But as an MUA, whatever my preference is, 376 00:16:55,400 --> 00:16:57,160 and there is a brief, 377 00:16:57,160 --> 00:17:03,000 so if I'm into Goth and the brief is beauty and nature, 378 00:17:03,000 --> 00:17:05,520 you've got to bring their vision to life. 379 00:17:05,520 --> 00:17:07,480 Yellow blush. 380 00:17:07,480 --> 00:17:11,000 This is not the campaign at all. 381 00:17:11,000 --> 00:17:14,160 I don't know if I did too grunge, 382 00:17:14,160 --> 00:17:16,360 even though I was trying to make it spring. 383 00:17:16,360 --> 00:17:19,440 I am obviously, obviously a Goth, 384 00:17:19,440 --> 00:17:22,040 so I don't know if I made it, like, the wrong season. 385 00:17:24,000 --> 00:17:26,280 All right, so this is Jake's model. 386 00:17:26,280 --> 00:17:28,640 Do you recognise the blue from somewhere? 387 00:17:28,640 --> 00:17:31,240 I don't think there's a blue in the palette. 388 00:17:31,240 --> 00:17:33,240 Ooh! Oh! 389 00:17:33,240 --> 00:17:38,000 Jake has used another company's colour. 390 00:17:38,000 --> 00:17:39,480 But that's not OK. 391 00:17:39,480 --> 00:17:43,440 I mean, you're selling a product and you're not using the product. 392 00:17:43,440 --> 00:17:45,640 I love the theme, you know, like, botanicals. 393 00:17:45,640 --> 00:17:48,680 I'm, like, dressed for it as well today, like a little plant. 394 00:17:48,680 --> 00:17:51,360 There is lots of colours being used. Yeah. 395 00:17:51,360 --> 00:17:54,160 If Jake had just used the colours from the eye shadow palette, 396 00:17:54,160 --> 00:17:55,880 would this have been a contender? 397 00:17:55,880 --> 00:17:58,720 The graphic on the eye just looks beautiful on her face 398 00:17:58,720 --> 00:18:01,640 and would've definitely been a contender, yeah. 399 00:18:01,640 --> 00:18:04,000 I feel like all of you used green, pretty much. 400 00:18:04,000 --> 00:18:05,720 Thanks! 401 00:18:05,720 --> 00:18:08,240 It was very different from everyone else's. 402 00:18:08,240 --> 00:18:09,800 I mean, I like the make-up, 403 00:18:09,800 --> 00:18:11,800 but I just don't know if it hit the brief. 404 00:18:13,680 --> 00:18:16,520 All right, this is Jade's model. 405 00:18:16,520 --> 00:18:18,000 Oh. 406 00:18:18,000 --> 00:18:19,560 A little bit underwhelmed. 407 00:18:19,560 --> 00:18:21,880 There is a really subtle colour. 408 00:18:21,880 --> 00:18:26,480 We've got the eye shadow colour the same as the cheek... 409 00:18:26,480 --> 00:18:28,480 Yeah. ..and highlight colour. 410 00:18:28,480 --> 00:18:32,000 I think this is the safest you can go... Yeah. 411 00:18:32,000 --> 00:18:33,240 ..for this campaign. 412 00:18:34,920 --> 00:18:37,040 This is Mia's model. 413 00:18:39,200 --> 00:18:42,520 This is amazing. Yeah. 414 00:18:42,520 --> 00:18:44,360 I love the negative space, 415 00:18:44,360 --> 00:18:46,000 you know, in the corner of the eye. Right! 416 00:18:46,000 --> 00:18:48,680 That's genius. How many colours have we got on the eye? 417 00:18:48,680 --> 00:18:51,320 I'm going to say four or five. 418 00:18:51,320 --> 00:18:52,760 The layering of those colours, 419 00:18:52,760 --> 00:18:55,520 and then that shocking throw of pink 420 00:18:55,520 --> 00:18:57,680 on the centre from the highlighter 421 00:18:57,680 --> 00:18:59,680 I think is a really beautiful combination. 422 00:18:59,680 --> 00:19:03,480 Thank you, Mia, for selling our products. 423 00:19:03,480 --> 00:19:06,640 It's vibrant, it's fresh, it gives me spring, 424 00:19:06,640 --> 00:19:08,360 it sells me the palette. 425 00:19:08,360 --> 00:19:10,040 I think she's nailed the brief. 426 00:19:12,320 --> 00:19:14,040 OK, so this is Josh's model. 427 00:19:17,200 --> 00:19:18,600 Ooh! 428 00:19:18,600 --> 00:19:20,560 Oh, look at that emerald. 429 00:19:20,560 --> 00:19:22,400 Yeah, I feel like they've used the palette really well. 430 00:19:22,400 --> 00:19:25,000 That's beautiful. It draws you into the eye, 431 00:19:25,000 --> 00:19:26,880 which is everything we want as a brand. 432 00:19:26,880 --> 00:19:30,760 Josh has used different tones of green, 433 00:19:30,760 --> 00:19:34,240 and also the pinks and the aubergines and the golds 434 00:19:34,240 --> 00:19:37,840 are helping to complement. Mm-hm. 435 00:19:37,840 --> 00:19:39,440 And, you know, look at that one there! 436 00:19:39,440 --> 00:19:42,000 Oh, my God, that's the shot! That is the palette. 437 00:19:42,000 --> 00:19:43,680 If I saw this, I would be like, 438 00:19:43,680 --> 00:19:46,440 "I want this on my face right now." Yeah. 439 00:19:46,440 --> 00:19:48,000 I'm very happy with what I did, 440 00:19:48,000 --> 00:19:51,720 and hopefully it's enough to get the top spot. 441 00:19:51,720 --> 00:19:53,000 Fingers crossed, guys. 442 00:19:53,000 --> 00:19:54,920 If I don't win, I'm printing mine out and sticking it 443 00:19:54,920 --> 00:19:57,280 to a billboard. 444 00:19:54,920 --> 00:19:57,280 LAUGHTER 445 00:19:57,280 --> 00:19:58,520 Period. 446 00:20:00,000 --> 00:20:02,000 OK, so there was three people that I think I can see 447 00:20:02,000 --> 00:20:04,000 in the social media campaign. 448 00:20:04,000 --> 00:20:06,480 I think it's going to be so difficult to choose a winner 449 00:20:06,480 --> 00:20:08,000 out of these three. 450 00:20:08,000 --> 00:20:10,680 Oh, I don't envy you that decision. 451 00:20:22,000 --> 00:20:25,000 MUAs, I'm so proud of how well you've done today. 452 00:20:25,000 --> 00:20:29,000 You've created some awesome, awesome, gorgeous looks. 453 00:20:29,000 --> 00:20:32,680 There were three MUAs that created looks that were joyous 454 00:20:32,680 --> 00:20:34,040 and gave us spring. 455 00:20:35,360 --> 00:20:37,240 And I really feel like people at home 456 00:20:37,240 --> 00:20:38,800 want to recreate these, 457 00:20:38,800 --> 00:20:40,080 so job well done. 458 00:20:42,040 --> 00:20:44,400 These three looks were by... 459 00:20:45,400 --> 00:20:46,600 ..Cherise... 460 00:20:47,760 --> 00:20:49,000 ..Mia... 461 00:20:50,080 --> 00:20:51,360 ..and Josh. 462 00:20:51,360 --> 00:20:53,720 APPLAUSE 463 00:20:51,360 --> 00:20:53,720 Yes! 464 00:20:55,080 --> 00:20:56,520 I'm absolutely buzzing. 465 00:20:56,520 --> 00:20:59,000 I've got this mentality now. 466 00:20:59,000 --> 00:21:00,280 I want to prove to them why I'm here, 467 00:21:00,280 --> 00:21:02,800 and I want to go all the way to the top now. 468 00:21:02,800 --> 00:21:04,600 I feel it in my bones. 469 00:21:04,600 --> 00:21:06,240 Incredible job, you guys. 470 00:21:06,240 --> 00:21:09,160 Well done. Your looks will get featured on mine - 471 00:21:09,160 --> 00:21:11,760 as well as Beauty Bay's - socials. 472 00:21:11,760 --> 00:21:14,920 Oh, my gosh! Oh, guys! 473 00:21:14,920 --> 00:21:17,000 Just, you know... 474 00:21:17,000 --> 00:21:19,600 Knowing my look is going to be featured on sort of both platforms - 475 00:21:19,600 --> 00:21:22,160 so, like, millions of people - is just insane. 476 00:21:22,160 --> 00:21:24,160 I actually can't even comprehend it. 477 00:21:24,160 --> 00:21:27,000 One MUA really blew us away. 478 00:21:27,000 --> 00:21:30,400 They used the product to the full potential and beyond, 479 00:21:30,400 --> 00:21:32,360 and it was beautifully executed. 480 00:21:33,600 --> 00:21:38,040 The MUA whose look will feature on the billboard is... 481 00:21:39,400 --> 00:21:41,160 ..Mia. 482 00:21:41,160 --> 00:21:42,840 MIA SQUEALS 483 00:21:46,240 --> 00:21:48,800 Congratulations! 484 00:21:48,800 --> 00:21:51,040 Mia, come with me. 485 00:21:51,040 --> 00:21:52,320 Oh, yeah, she's off. She's going. See ya! 486 00:21:52,320 --> 00:21:54,400 Let's go. Let's go. 487 00:21:58,840 --> 00:22:00,320 Mia, everyone. 488 00:22:00,320 --> 00:22:02,880 Congratulations. Thank you so much. 489 00:22:02,880 --> 00:22:05,440 Go and have a look. See if you need to do any touch up. 490 00:22:06,520 --> 00:22:08,120 I'm very, very happy. 491 00:22:08,120 --> 00:22:11,000 Obviously, like, the prize for this is actually crazy. 492 00:22:11,000 --> 00:22:12,280 From last week in the Red Chair, 493 00:22:12,280 --> 00:22:15,480 just kind of, like, kicked me to, like, try and just push harder 494 00:22:15,480 --> 00:22:17,000 and just do what I love. 495 00:22:17,000 --> 00:22:19,440 You look great. You look great! 496 00:22:19,440 --> 00:22:21,720 It is crazy. I have been on set before, 497 00:22:21,720 --> 00:22:23,720 but it's always been, like, smaller brands. 498 00:22:23,720 --> 00:22:26,520 And so, to be on set with as big a brand as Beauty Bay - 499 00:22:26,520 --> 00:22:29,640 with, like, Nikkie, with Nimya and stuff like that - 500 00:22:29,640 --> 00:22:32,000 it is actually insane. 501 00:22:32,000 --> 00:22:36,000 Mind-blowing. Didn't think I'd do that at the age of 22. 502 00:22:36,000 --> 00:22:38,440 My brain can't comprehend that my work 503 00:22:38,440 --> 00:22:39,640 is going to be on a billboard. 504 00:22:39,640 --> 00:22:42,360 I'm going to have to, like, get pictures of it and everything. 505 00:22:48,000 --> 00:22:51,000 The judges must now decide who failed to hit the brief 506 00:22:51,000 --> 00:22:53,840 and will start tomorrow in the red Face Off chairs. 507 00:22:55,000 --> 00:22:57,000 Let's talk about Jake. 508 00:22:57,000 --> 00:22:59,000 Strong concept, 509 00:22:59,000 --> 00:23:04,000 but if you get booked by a brand, you've got to use the brand. 510 00:23:04,000 --> 00:23:06,000 He's used some colours from the palette, 511 00:23:06,000 --> 00:23:07,440 but it's really blue. 512 00:23:07,440 --> 00:23:09,280 Not just a touch. 513 00:23:09,280 --> 00:23:12,840 If Jake had just stuck to the colours within the palette. 514 00:23:12,840 --> 00:23:15,000 What a missed opportunity. 515 00:23:15,000 --> 00:23:18,000 Well, you just can't use the shot. Yeah. At all. 516 00:23:18,000 --> 00:23:19,680 A waste of model, 517 00:23:19,680 --> 00:23:21,600 a waste of the photographer's time, 518 00:23:21,600 --> 00:23:23,000 a waste of money. 519 00:23:23,000 --> 00:23:24,320 It's... 520 00:23:24,320 --> 00:23:25,480 It's a shame. 521 00:23:26,680 --> 00:23:29,000 I'd like to talk about Kat's look. 522 00:23:29,000 --> 00:23:31,800 Kat's look is just too grungy. 523 00:23:31,800 --> 00:23:35,000 This is just something that we could never feature within the campaign. 524 00:23:35,000 --> 00:23:37,680 There's nothing spring and vibrant about it. 525 00:23:38,760 --> 00:23:41,000 OK, let's talk about Jamie. 526 00:23:41,000 --> 00:23:43,360 That's not glass skin, that's not glow. 527 00:23:43,360 --> 00:23:45,320 She's got a sweat on. 528 00:23:45,320 --> 00:23:47,600 My only plus side is that my highlighter looks good. 529 00:23:47,600 --> 00:23:48,720 THEY LAUGH 530 00:23:48,720 --> 00:23:51,600 If you see it in between all the wetness. 531 00:23:53,040 --> 00:23:55,240 I think we've come to a decision, haven't we? 532 00:23:55,240 --> 00:23:57,040 Oh, yes. Oh, yeah. We have. 533 00:24:03,680 --> 00:24:06,360 The next morning at Glow Up Studios, 534 00:24:06,360 --> 00:24:10,240 the MUAs are about to find out whose looks least impressed. 535 00:24:11,280 --> 00:24:14,000 I think there's always a possibility that I'm in the Red Chair, 536 00:24:14,000 --> 00:24:16,520 but the thing is, if I am, worrying about it is not going to change it. 537 00:24:16,520 --> 00:24:18,360 What a good mindset, babe! 538 00:24:18,360 --> 00:24:19,920 I'm very proud of you. So proud. 539 00:24:21,280 --> 00:24:22,760 I am nervous. 540 00:24:22,760 --> 00:24:26,360 It was a green palette, and I didn't even use the green. 541 00:24:26,360 --> 00:24:28,960 I feel like I'm going to be in the Red Chair. 542 00:24:30,640 --> 00:24:34,000 If an MUA's name is on one of the two Red Chairs, 543 00:24:34,000 --> 00:24:36,480 they'll have 15 minutes less to complete 544 00:24:36,480 --> 00:24:38,200 today's creative brief. 545 00:24:38,200 --> 00:24:39,400 Oh, my God. 546 00:24:46,320 --> 00:24:47,520 Jade, you're here. 547 00:24:51,800 --> 00:24:53,160 I can breathe now. 548 00:25:04,640 --> 00:25:07,720 Kat, Brad and I felt like you didn't hit the brief. 549 00:25:07,720 --> 00:25:11,440 You gave more grunge than joyous. 550 00:25:11,440 --> 00:25:14,280 Jake, we actually really liked your look, 551 00:25:14,280 --> 00:25:16,600 but you used a colour that was nowhere to be found 552 00:25:16,600 --> 00:25:18,000 in the palette. 553 00:25:18,000 --> 00:25:20,120 We could not use any of your photos. 554 00:25:21,640 --> 00:25:24,120 But it's important to remember, no matter how well you did 555 00:25:24,120 --> 00:25:26,560 yesterday, today is a brand-new day. 556 00:25:28,440 --> 00:25:32,000 Today, we want you to delve into the realm 557 00:25:32,000 --> 00:25:38,000 of distortion, where realities bend and boundaries blur. 558 00:25:38,000 --> 00:25:40,760 This is all about playing with perspectives 559 00:25:40,760 --> 00:25:45,520 to create an artistic optical illusion. 560 00:25:46,720 --> 00:25:48,680 So, are we ready? MUAS: Yes! 561 00:25:48,680 --> 00:25:51,280 OK, let's bring in the models! 562 00:25:56,400 --> 00:25:58,560 Oh, I'm so excited to work on you! 563 00:25:58,560 --> 00:26:00,000 Exciting! 564 00:26:02,000 --> 00:26:03,760 You've got lovely skin. 565 00:26:03,760 --> 00:26:05,640 Wow. 566 00:26:05,640 --> 00:26:09,400 Jake, Kat, I'm going to let you know when you guys can start. 567 00:26:09,400 --> 00:26:14,000 The rest of you have 2.5 hours to complete your optical illusion. 568 00:26:14,000 --> 00:26:17,840 Good luck, and your time starts now. 569 00:26:17,840 --> 00:26:19,200 Go, go, go! 570 00:26:22,080 --> 00:26:24,400 Like, even though I'm tired, I'm ready! 571 00:26:24,400 --> 00:26:25,600 I'm ready! 572 00:26:25,600 --> 00:26:27,240 Regardless of if I'm not in the Red Chair, 573 00:26:27,240 --> 00:26:29,880 cos I do know that I could have performed better yesterday. 574 00:26:29,880 --> 00:26:33,360 But today is a new day, and we move. 575 00:26:33,360 --> 00:26:35,800 So, today's brief is distortion. 576 00:26:35,800 --> 00:26:38,600 We're looking for mind-bending illusion, right? 577 00:26:38,600 --> 00:26:40,560 Yeah, where you have to, like, blink a couple of times. 578 00:26:40,560 --> 00:26:42,440 Where you're like, "What?" Yeah. 579 00:26:42,440 --> 00:26:44,400 Today is really tough. 580 00:26:44,400 --> 00:26:47,760 We need really well executed make-up. 581 00:26:47,760 --> 00:26:50,320 Because we're asking for an optical illusion. 582 00:26:50,320 --> 00:26:53,640 None of that is going to come from a bit of slap-dash 583 00:26:53,640 --> 00:26:55,200 and a bit of glitter. 584 00:26:55,200 --> 00:26:57,000 I have also done distorted make-up 585 00:26:57,000 --> 00:27:00,160 where I, like, pulled up my skin and there was a devil underneath. 586 00:27:00,160 --> 00:27:02,240 That was fun. That took me 12 hours. 587 00:27:02,240 --> 00:27:03,560 Oh, my gosh! 588 00:27:03,560 --> 00:27:05,640 And then I said, "Never again, cheers." 589 00:27:05,640 --> 00:27:07,600 LAUGHS 590 00:27:07,600 --> 00:27:10,160 Hi, Kat. Morning. 591 00:27:10,160 --> 00:27:11,920 How are you doing? Yeah. 592 00:27:14,000 --> 00:27:15,560 Try and not get in my head. 593 00:27:15,560 --> 00:27:18,520 The Red Chair - I kind of expected it 594 00:27:18,520 --> 00:27:20,600 because obviously what I do is grunge. Yeah. 595 00:27:20,600 --> 00:27:24,000 But I can see I need to learn how to work 596 00:27:24,000 --> 00:27:27,360 with spring and joy a bit better. 597 00:27:27,360 --> 00:27:29,760 I'm just hoping I can get out the Red Chair today. 598 00:27:29,760 --> 00:27:31,200 This looks insane. 599 00:27:31,200 --> 00:27:32,560 It's actually really funny. 600 00:27:32,560 --> 00:27:34,520 Cos, like, I can't look at distortion 601 00:27:34,520 --> 00:27:36,000 because it always gives me a migraine. 602 00:27:36,000 --> 00:27:37,480 Oh, really? Ooh. And then I was like, 603 00:27:37,480 --> 00:27:38,680 "Oh, that is distortion." 604 00:27:38,680 --> 00:27:42,760 So I've created a migraine aura, but on the face. Mm. 605 00:27:42,760 --> 00:27:45,720 So I've got this squiggle in the middle to represent, like, 606 00:27:45,720 --> 00:27:47,120 the blurred vision that I get 607 00:27:47,120 --> 00:27:49,400 and the colour of the aura that I get. 608 00:27:49,400 --> 00:27:52,240 Your migraines may be painful, but they are beautiful. 609 00:27:52,240 --> 00:27:53,520 Well, like, yeah. 610 00:27:53,520 --> 00:27:55,760 So, like, we'll turn a negative into a positive, 611 00:27:55,760 --> 00:27:57,080 and we'll just go for it. 612 00:28:00,240 --> 00:28:01,800 Just have to trust my eyes. 613 00:28:03,640 --> 00:28:08,360 My distortion look is inspired by my depression 614 00:28:08,360 --> 00:28:11,000 and, like, just battle with my mental health. 615 00:28:11,000 --> 00:28:14,000 Depression impacts me a lot of the time 616 00:28:14,000 --> 00:28:16,800 and distorts how I see the world 617 00:28:16,800 --> 00:28:19,120 and, like, reality and my emotions. 618 00:28:19,120 --> 00:28:21,760 So I want to depict that on the face. 619 00:28:24,560 --> 00:28:25,880 When I was younger, 620 00:28:25,880 --> 00:28:27,200 like, going through school, 621 00:28:27,200 --> 00:28:30,680 I thought the world was against me and I was very emotional. 622 00:28:30,680 --> 00:28:33,000 I've worked a lot on myself. 623 00:28:33,000 --> 00:28:35,000 I definitely handle things better 624 00:28:35,000 --> 00:28:37,360 and approach things with a different mindset. 625 00:28:37,360 --> 00:28:39,360 One of the biggest things that I'm proud of 626 00:28:39,360 --> 00:28:41,840 is just getting to where I am today. 627 00:28:41,840 --> 00:28:43,800 I know that sounds really cheesy. 628 00:28:45,440 --> 00:28:48,240 I've always loved Indian make-up, 629 00:28:48,240 --> 00:28:50,360 and I think that's had a massive impact. 630 00:28:51,880 --> 00:28:54,240 Make-up is such a powerful thing. 631 00:28:54,240 --> 00:28:56,880 People often mistake it for vanity, 632 00:28:56,880 --> 00:28:59,920 but it's got the ability to change lives. 633 00:29:03,000 --> 00:29:05,920 I am doing more of, like, a cartoony look, 634 00:29:05,920 --> 00:29:07,440 cos that's another style that I haven't, like, 635 00:29:07,440 --> 00:29:10,240 shown the judges that I can hopefully do, 636 00:29:10,240 --> 00:29:12,200 cos I've actually never done it before. 637 00:29:12,200 --> 00:29:14,280 So that is a little bit of a risk. 638 00:29:14,280 --> 00:29:15,880 That way... 639 00:29:22,760 --> 00:29:25,400 So, this is the first time Jake has been in the bottom. 640 00:29:25,400 --> 00:29:28,000 It's interesting cos he's doing some meditation. 641 00:29:28,000 --> 00:29:30,760 You know, like, whatever it takes to get you there. 642 00:29:30,760 --> 00:29:33,000 When I did Adele's make-up, I started playing cards 643 00:29:33,000 --> 00:29:35,640 with my friends just to get my mind off of things. Oh, my God! 644 00:29:37,480 --> 00:29:40,000 Trying to draw a straight line going up the nose 645 00:29:40,000 --> 00:29:41,600 is, like, the worst. 646 00:29:43,080 --> 00:29:46,080 The look is a figure of eight going around the face, 647 00:29:46,080 --> 00:29:49,360 because life involves a lot of going around in circles. 648 00:29:49,360 --> 00:29:52,000 I want the face to sort of be distorted in the way 649 00:29:52,000 --> 00:29:54,200 pieces of it are sort of, like, sinking into the face. 650 00:29:56,000 --> 00:29:58,000 You need to open your eyes. 651 00:29:58,000 --> 00:30:01,120 I'm going to make the face look like it's been going 652 00:30:01,120 --> 00:30:03,040 on a quick cycle in the wash. 653 00:30:04,720 --> 00:30:06,760 My inspiration honestly was, as a kid, 654 00:30:06,760 --> 00:30:08,440 I used to kind of look at the washing machine 655 00:30:08,440 --> 00:30:11,120 and be like, "That'd be kind of fun to get in there." 656 00:30:11,120 --> 00:30:14,000 I wanted to lean more into realism. 657 00:30:14,000 --> 00:30:18,000 I'm using a lot of line work to elongate the features, 658 00:30:18,000 --> 00:30:20,560 making them sort of merge and blend into others. 659 00:30:21,600 --> 00:30:24,800 While Cherise aims for a realistic look, 660 00:30:24,800 --> 00:30:26,840 Mia is doing the opposite. 661 00:30:26,840 --> 00:30:30,440 Realism is not my strong point when it comes to art, 662 00:30:30,440 --> 00:30:33,560 so I'm doing quite an impressionistic look. 663 00:30:33,560 --> 00:30:36,840 I am painting the eyes, the nose and the mouth 664 00:30:36,840 --> 00:30:41,400 offset to the original features, as if a painting's been smudged. 665 00:30:41,400 --> 00:30:44,360 I've never done this style of make-up before. 666 00:30:44,360 --> 00:30:45,680 Ah! 667 00:30:45,680 --> 00:30:47,040 Making me panic a bit! 668 00:30:50,000 --> 00:30:55,640 Jake, Kat, your 15 minutes is up, and your time starts now. 669 00:30:55,640 --> 00:30:57,040 Let's go. 670 00:31:02,000 --> 00:31:05,640 My look for distortion is based on Picasso 671 00:31:05,640 --> 00:31:08,000 and his work with distorting a face. 672 00:31:08,000 --> 00:31:09,720 The point of the bald cap for me today 673 00:31:09,720 --> 00:31:12,000 is that it gives me more of a canvas to work on. 674 00:31:12,000 --> 00:31:15,320 And I'm going to bring the art all the way to the back of the head, 675 00:31:15,320 --> 00:31:18,880 just show that I can go bolder, I can go bigger. 676 00:31:18,880 --> 00:31:20,480 And hopefully it's big enough. 677 00:31:23,200 --> 00:31:26,000 Josh just literally inflated his model's head. 678 00:31:26,000 --> 00:31:27,160 That was really funny! 679 00:31:31,560 --> 00:31:35,560 I'm trying to make the aura that you do get with your vision - 680 00:31:35,560 --> 00:31:39,000 it's like multiple coloured - when you get a migraine. 681 00:31:39,000 --> 00:31:42,120 Normally Kat does black and white. 682 00:31:42,120 --> 00:31:43,760 Sorry, it's going to dribble everywhere. 683 00:31:45,280 --> 00:31:48,000 This is different for Kat because... 684 00:31:48,000 --> 00:31:49,720 Colour. ..it's colour! 685 00:31:52,880 --> 00:31:56,520 Jake on the other hand has got a whole load of black 686 00:31:56,520 --> 00:31:58,000 on the outside. 687 00:31:58,000 --> 00:32:01,000 This could be a floater make-up. 688 00:32:01,000 --> 00:32:03,000 Yeah. 689 00:32:03,000 --> 00:32:04,520 What's a floater make-up? 690 00:32:04,520 --> 00:32:07,040 I have no idea. It just came into my head. 691 00:32:07,040 --> 00:32:08,920 THEY LAUGH 692 00:32:08,920 --> 00:32:14,520 So, my look today is sort of just like a shape-shifting demon, 693 00:32:14,520 --> 00:32:17,520 but it's had its photo taken during the process. 694 00:32:17,520 --> 00:32:19,520 That's why I've got floating features - 695 00:32:19,520 --> 00:32:21,200 like floating teeth. 696 00:32:21,200 --> 00:32:23,800 I just hope it's enough to get me out of the Red Chair. 697 00:32:26,400 --> 00:32:29,160 The MUAs are using a range of different techniques 698 00:32:29,160 --> 00:32:31,040 to bring out their distorted looks. 699 00:32:32,920 --> 00:32:35,840 So we're beginning the sort of illusion 700 00:32:35,840 --> 00:32:37,560 by sort of building up dimension. 701 00:32:37,560 --> 00:32:40,200 I want the face to look like features aren't still 702 00:32:40,200 --> 00:32:42,160 as they would be sort of normally. 703 00:32:42,160 --> 00:32:44,760 But when you lean the more realism route, 704 00:32:44,760 --> 00:32:47,480 I feel like it's easier to mess up. 705 00:32:47,480 --> 00:32:52,200 What you've got to be careful about here is that it looks believable. 706 00:32:52,200 --> 00:32:56,000 Yeah. Cos if it's a bit rough, it can just look... 707 00:32:56,000 --> 00:32:57,640 Like scribble. 708 00:32:57,640 --> 00:32:59,960 Just hope this reads as distortion. 709 00:32:59,960 --> 00:33:01,160 Cos right now it's not, 710 00:33:01,160 --> 00:33:03,400 but the details still need to go into it. 711 00:33:03,400 --> 00:33:06,280 We've got an eye going vertical 712 00:33:06,280 --> 00:33:08,520 and the other one is very horizontal. 713 00:33:08,520 --> 00:33:12,440 This could be quite Picasso-esque, which would be really fabulous 714 00:33:12,440 --> 00:33:14,280 if he gets the colouration right. Mm-hm. 715 00:33:17,280 --> 00:33:21,000 The main feature is the distorted pupil in the eyes, 716 00:33:21,000 --> 00:33:24,720 with a blurred-out wave. 717 00:33:24,720 --> 00:33:27,040 Looks like just a very sad clown. 718 00:33:28,240 --> 00:33:31,000 It's a story, but what story? 719 00:33:32,000 --> 00:33:33,720 I think it works better, doesn't it? 720 00:33:33,720 --> 00:33:35,160 It gives it the washy. 721 00:33:39,000 --> 00:33:40,760 Wow, that's a lot of detail. 722 00:33:40,760 --> 00:33:45,280 I'm locked-in today. You are locked and loaded, babes. 723 00:33:45,280 --> 00:33:49,000 Basically now it is just working on the features and details. 724 00:33:49,000 --> 00:33:51,520 The hardest part of the look today is making sure 725 00:33:51,520 --> 00:33:53,440 the illusion actually looks like an illusion, 726 00:33:53,440 --> 00:33:56,080 and not just a weirdly painted eye on the face. 727 00:33:56,080 --> 00:34:01,000 She's doing a second face on the face. 728 00:34:01,000 --> 00:34:03,880 And you know a lot about being two-faced, don't you? 729 00:34:07,400 --> 00:34:11,360 These are face tapes to emulate when I feel very depressed 730 00:34:11,360 --> 00:34:14,120 and kind of have to force a smile. 731 00:34:14,120 --> 00:34:16,000 Is that a tape? 732 00:34:14,120 --> 00:34:16,000 DOMINIC GASPS 733 00:34:16,000 --> 00:34:18,240 She's going to pull that right out. It's the Joker. 734 00:34:18,240 --> 00:34:19,880 That's really clever. 735 00:34:19,880 --> 00:34:23,720 Cos normally you would stick tapes above the eyes 736 00:34:23,720 --> 00:34:25,000 and pull them right back 737 00:34:25,000 --> 00:34:28,280 so you get that lovely sort of snatched-tight face. 738 00:34:28,280 --> 00:34:31,440 But pulling them under, I've never seen that before. 739 00:34:31,440 --> 00:34:36,080 I haven't used face tapes before, so hopefully they actually stick. 740 00:34:37,120 --> 00:34:39,640 MUAs, that's one hour gone. 741 00:34:39,640 --> 00:34:41,680 An hour and a half left. 742 00:34:41,680 --> 00:34:43,000 I need to get a move on. 743 00:34:49,000 --> 00:34:50,360 That looks so good! 744 00:34:50,360 --> 00:34:52,000 Oh, my God! 745 00:34:52,000 --> 00:34:53,680 So, guys... Yeah? 746 00:34:53,680 --> 00:34:57,000 ..I know I've been here quite often, and I just want to say thank you. 747 00:34:57,000 --> 00:34:59,480 Last year, we took such a beautiful photo, 748 00:34:59,480 --> 00:35:01,480 and I just wanted to frame it, you know? 749 00:35:01,480 --> 00:35:04,000 Oh! Oh. Oh! 750 00:35:01,480 --> 00:35:04,000 DOMINIC SQUEALS 751 00:35:04,000 --> 00:35:06,000 I love that! 752 00:35:06,000 --> 00:35:08,000 Oh, my God, we've morphed! 753 00:35:08,000 --> 00:35:09,760 That is a distortion! 754 00:35:09,760 --> 00:35:11,520 LAUGHTER 755 00:35:14,000 --> 00:35:17,000 Yeah, I just really want to make it look 756 00:35:17,000 --> 00:35:19,400 like the face is really being pulled. 757 00:35:21,640 --> 00:35:24,600 I'm just doing, like, some glowing eyes. 758 00:35:24,600 --> 00:35:26,280 I'm not confident in distortion 759 00:35:26,280 --> 00:35:28,320 cos it's not something that I've ever done. 760 00:35:28,320 --> 00:35:29,760 This is a really nice red on you. 761 00:35:29,760 --> 00:35:31,560 Yeah? Mm-hm. 762 00:35:31,560 --> 00:35:34,000 This is a 3D printing pen. 763 00:35:34,000 --> 00:35:38,000 So I'm representing the sharp pain that I get with the migraines, 764 00:35:38,000 --> 00:35:43,000 with, like, these really sharp, spiky lashes. 765 00:35:43,000 --> 00:35:45,400 I hope it works. 766 00:35:45,400 --> 00:35:47,560 I'm placing on my little paper ears now, 767 00:35:47,560 --> 00:35:50,480 so that I can go over and distort the ears as well. 768 00:35:50,480 --> 00:35:52,280 Can I have a look at your gum? 769 00:35:52,280 --> 00:35:53,360 OK, that's fine. 770 00:35:53,360 --> 00:35:56,280 Just so I can see where her teeth and gums are, 771 00:35:56,280 --> 00:35:59,680 so I can kind of replicate that within the fake smile. 772 00:36:05,120 --> 00:36:06,720 Is that comfortable? Mm-hm. 773 00:36:09,280 --> 00:36:11,000 Hi! Hi! 774 00:36:11,000 --> 00:36:12,720 What am I looking at? 775 00:36:12,720 --> 00:36:16,600 You're looking at the face formed into a figure of eight. 776 00:36:16,600 --> 00:36:19,280 I didn't see it until you said it. Yeah. 777 00:36:19,280 --> 00:36:20,800 Why an eight? 778 00:36:20,800 --> 00:36:24,480 I feel like, with an eight, it's like a continuous journey, 779 00:36:24,480 --> 00:36:26,360 continuously flowing. It's flowing, right. 780 00:36:26,360 --> 00:36:28,400 And I feel like, with the make-up industry, 781 00:36:28,400 --> 00:36:30,480 there's a lot of flow, there's a lot of things 782 00:36:30,480 --> 00:36:33,000 that you need to learn. Well, that's true. 783 00:36:33,000 --> 00:36:34,120 Completely. Wait, how old are you? 784 00:36:34,120 --> 00:36:36,680 19. You're 19? 785 00:36:36,680 --> 00:36:38,240 Yeah, I'm the youngest. 786 00:36:38,240 --> 00:36:40,760 How does it make you feel to be the youngest? 787 00:36:40,760 --> 00:36:41,920 Amazing! 788 00:36:41,920 --> 00:36:46,000 To be 19 and free of fear is unheard of. 789 00:36:46,000 --> 00:36:47,800 I know. It's crazy. 790 00:36:47,800 --> 00:36:49,280 Shocked but inspired. 791 00:36:49,280 --> 00:36:50,880 Yeah! Thank you. 792 00:36:50,880 --> 00:36:53,000 Thank you. 793 00:36:53,000 --> 00:36:56,120 Oh. Yeah. That was so scary. 794 00:36:56,120 --> 00:36:58,160 I've been watching her for years. 795 00:36:58,160 --> 00:37:01,640 MUAs, you have just ten minutes left. 796 00:37:03,000 --> 00:37:04,960 Get those illusions going. 797 00:37:07,800 --> 00:37:09,680 I think I might add, like, a tiniest bit more shade 798 00:37:09,680 --> 00:37:14,200 on the side of your face, but, like, that's literally it. 799 00:37:14,200 --> 00:37:17,760 Oh, my God. 800 00:37:14,200 --> 00:37:17,760 LAUGHTER 801 00:37:17,760 --> 00:37:19,040 Thank you so much. 802 00:37:33,640 --> 00:37:35,120 This is making me really nervous. 803 00:37:35,120 --> 00:37:36,840 Like, I don't know if I've done enough. 804 00:37:41,000 --> 00:37:44,240 Yeah, I've been a bit worried that mine might be a bit too simple. 805 00:37:46,800 --> 00:37:48,400 I do really want a ding-dong, 806 00:37:48,400 --> 00:37:50,920 but I don't think it's going to be possible. 807 00:37:50,920 --> 00:37:52,920 I hated last week in the Face Off. 808 00:37:52,920 --> 00:37:54,440 I really don't want to go back. 809 00:37:56,760 --> 00:37:58,800 MUAs, you have just two minutes left. 810 00:37:58,800 --> 00:38:01,000 Come on, guys, hurry up. 811 00:38:09,120 --> 00:38:13,000 I feel like this look is possibly ding-dong worthy. 812 00:38:15,360 --> 00:38:16,800 What is going on with me? 813 00:38:16,800 --> 00:38:18,440 I usually am finished by now. 814 00:38:21,360 --> 00:38:23,160 I just feel like I'm not ready to go yet. 815 00:38:27,000 --> 00:38:30,000 MUAs, brushes down. 816 00:38:30,000 --> 00:38:31,840 This creative brief is over. 817 00:38:31,840 --> 00:38:35,040 Please take your models next door to be photographed. 818 00:38:40,000 --> 00:38:43,040 I'm actually quite pleased with it, 819 00:38:43,040 --> 00:38:45,160 but I don't want to speak too soon! 820 00:38:47,000 --> 00:38:48,480 I'm not feeling great. 821 00:38:48,480 --> 00:38:51,000 I don't think my look was strong enough 822 00:38:51,000 --> 00:38:52,400 to get me out of the Face Off. 823 00:38:53,600 --> 00:38:57,560 For 15 minutes less, I do feel like I packed a punch today. 824 00:38:57,560 --> 00:38:59,200 I think maybe, hopefully. 825 00:38:59,200 --> 00:39:00,720 I hope so, anyway. 826 00:39:03,400 --> 00:39:05,320 Cherise, please come forward. 827 00:39:08,400 --> 00:39:10,640 Tell me the story behind your look. 828 00:39:10,640 --> 00:39:13,240 As a kid, I would, like, look at the washing machine and think, 829 00:39:13,240 --> 00:39:15,040 "Oh, getting in there looks fun." 830 00:39:15,040 --> 00:39:17,320 LAUGHTER 831 00:39:15,040 --> 00:39:17,320 Wouldn't recommend. 832 00:39:19,080 --> 00:39:21,680 Your look today is not really giving washing machine. 833 00:39:21,680 --> 00:39:24,720 It's more sort of like dropping a stone in the water. 834 00:39:24,720 --> 00:39:27,800 But the fact that we can get that from make-up is sick. 835 00:39:27,800 --> 00:39:29,000 I love it. 836 00:39:29,000 --> 00:39:33,000 It feels like this model is going down the drain. 837 00:39:33,000 --> 00:39:35,840 But I feel like there was probably a little bit more depth 838 00:39:35,840 --> 00:39:40,440 to be added into the motion, to really get that swirl. 839 00:39:40,440 --> 00:39:44,000 My favourite bit is around the nose. 840 00:39:44,000 --> 00:39:46,640 It looks like the nose has been squashed. 841 00:39:46,640 --> 00:39:49,000 But there's more to you than this, you know? 842 00:39:49,000 --> 00:39:50,440 This is amazing. Thank you. 843 00:39:50,440 --> 00:39:51,760 But there is more. 844 00:39:51,760 --> 00:39:53,560 Thank you so much. 845 00:39:53,560 --> 00:39:55,240 Josh, please come forward. 846 00:40:01,440 --> 00:40:03,480 My look is inspired by Picasso. 847 00:40:03,480 --> 00:40:05,760 I wanted to create something that was painterly 848 00:40:05,760 --> 00:40:08,280 and distort the face in more of an abstract way. 849 00:40:09,240 --> 00:40:11,000 What do I say, Josh? 850 00:40:11,000 --> 00:40:12,560 Bonkers. 851 00:40:12,560 --> 00:40:16,000 Thank you. You had a lot of area to cover. 852 00:40:16,000 --> 00:40:19,240 Not only the face, but the bald cap as well. 853 00:40:19,240 --> 00:40:21,000 Fantastic. 854 00:40:21,000 --> 00:40:23,880 I love the distortion in those eyes, 855 00:40:23,880 --> 00:40:27,760 and the interesting way that you have moved the mouth 856 00:40:27,760 --> 00:40:30,280 to be on the chin and the neck to really, again, 857 00:40:30,280 --> 00:40:32,320 distort the length of the face. 858 00:40:32,320 --> 00:40:33,800 It's really creative. 859 00:40:33,800 --> 00:40:35,480 It's really expressionistic. 860 00:40:35,480 --> 00:40:37,000 Thank you. 861 00:40:37,000 --> 00:40:38,480 Please step forward, Jamie. 862 00:40:42,000 --> 00:40:45,000 So, my look is a figure of eight. 863 00:40:45,000 --> 00:40:48,280 It's sort of a continuous journey of improvement and growth. 864 00:40:48,280 --> 00:40:51,000 Do you mean eight or infinity? 865 00:40:51,000 --> 00:40:52,720 Like, the infinity, sorry. 866 00:40:52,720 --> 00:40:55,000 OK, I've got to be honest with you, 867 00:40:55,000 --> 00:40:57,800 I couldn't see the illusion. 868 00:40:57,800 --> 00:41:01,640 I think what would've made this look stronger is... 869 00:41:01,640 --> 00:41:03,360 this hole here goes like this... 870 00:41:03,360 --> 00:41:04,960 Yeah, I couldn't really get that effect. 871 00:41:04,960 --> 00:41:07,880 ..and the hole at the mouth goes horizontally. 872 00:41:07,880 --> 00:41:12,800 So that is the disbalance that takes me out of the illusion. 873 00:41:12,800 --> 00:41:15,040 I couldn't see the infinity sign. 874 00:41:16,200 --> 00:41:18,200 I'm surprised. 875 00:41:18,200 --> 00:41:21,000 Because you've got the skill. 876 00:41:21,000 --> 00:41:22,560 Jamie, 877 00:41:22,560 --> 00:41:25,000 the placement of the shadows 878 00:41:25,000 --> 00:41:28,360 instantly give you foreground and background, 879 00:41:28,360 --> 00:41:30,640 so I want you to be really proud of that. 880 00:41:30,640 --> 00:41:33,000 Have you done this sort of thing before? No. 881 00:41:33,000 --> 00:41:34,800 No. I'm sorry. 882 00:41:34,800 --> 00:41:36,040 It's OK. 883 00:41:37,320 --> 00:41:38,600 Hang in there, darling. 884 00:41:39,640 --> 00:41:41,280 This is to help you. 885 00:41:42,480 --> 00:41:45,720 It's in there. I know it's in there. 886 00:41:45,720 --> 00:41:49,000 Sorry. We're here to help you bring it out. 887 00:41:49,000 --> 00:41:51,000 You are learning and you're growing, 888 00:41:51,000 --> 00:41:53,280 and that's kind of what I want to see. 889 00:41:53,280 --> 00:41:54,560 Well done. Thank you. 890 00:41:57,000 --> 00:41:58,760 Please come forward, Jade. 891 00:42:03,000 --> 00:42:06,360 My distortion look is inspired by 892 00:42:06,360 --> 00:42:07,800 my battle with depression - 893 00:42:07,800 --> 00:42:12,040 trying to slap a smile on when that is far from what I feel. 894 00:42:13,440 --> 00:42:18,120 The way you have put all that emotion into this look 895 00:42:18,120 --> 00:42:20,000 is mind-boggling. 896 00:42:20,000 --> 00:42:21,400 Thank you. 897 00:42:21,400 --> 00:42:24,160 The way you play with shadows and contours 898 00:42:24,160 --> 00:42:28,000 and highlights to really pull back skin, give wrinkles - 899 00:42:28,000 --> 00:42:31,200 oh, my gosh, girl! Talent! 900 00:42:31,200 --> 00:42:35,000 Jade, you have really distorted that brow, 901 00:42:35,000 --> 00:42:37,560 and then the falsifying of the cheeks 902 00:42:37,560 --> 00:42:41,680 to really push against that smile and lift it up. 903 00:42:41,680 --> 00:42:43,280 It's so clever. 904 00:42:43,280 --> 00:42:47,360 I mean, just looking at those teeth, teeth are one of the hardest things. 905 00:42:47,360 --> 00:42:50,520 The fact that I can see the pink of the gums, 906 00:42:50,520 --> 00:42:53,000 it gives the realism. 907 00:42:53,000 --> 00:42:58,280 Everything about this says a success story. 908 00:42:58,280 --> 00:42:59,760 Ding-dong, darling. 909 00:43:03,160 --> 00:43:07,680 Yeah, it's absolutely stunning! 910 00:43:07,680 --> 00:43:09,040 Stunning! 911 00:43:10,080 --> 00:43:13,600 Ah! Thank you so much! Thank you so much. 912 00:43:13,600 --> 00:43:15,240 Kat, please come forward. 913 00:43:20,800 --> 00:43:24,640 When I think of distortion, I think of cluster migraines. 914 00:43:24,640 --> 00:43:26,680 But I struggle with looking at anything 915 00:43:26,680 --> 00:43:28,200 that's like optical illusion, 916 00:43:28,200 --> 00:43:30,000 so I just had to embrace it. 917 00:43:30,000 --> 00:43:32,360 I think it's beautiful how you're connecting it 918 00:43:32,360 --> 00:43:34,640 to your personal experience. 919 00:43:34,640 --> 00:43:36,520 I love that you used colour. 920 00:43:36,520 --> 00:43:40,200 But somehow it is lacking that story. 921 00:43:40,200 --> 00:43:45,240 If that swirly line in the centre of the face was strong and spiky, 922 00:43:45,240 --> 00:43:46,800 and almost like it hurts you, 923 00:43:46,800 --> 00:43:49,320 I think it would've made more sense to me. 924 00:43:49,320 --> 00:43:51,840 It is a beautiful make-up, 925 00:43:51,840 --> 00:43:55,240 but perhaps this adornment that you've added - 926 00:43:55,240 --> 00:43:57,600 which I really like cos it's very sort of spiky - 927 00:43:57,600 --> 00:43:59,600 maybe there could've been a feeling of that 928 00:43:59,600 --> 00:44:01,480 sticking into the skin. 929 00:44:01,480 --> 00:44:04,640 Like, so that you could feel the pain. Yeah. 930 00:44:04,640 --> 00:44:07,400 I think it's interesting because make-up is art, 931 00:44:07,400 --> 00:44:08,680 and art is subjective. 932 00:44:08,680 --> 00:44:12,000 And where Val doesn't see the pain, I do. 933 00:44:12,000 --> 00:44:14,280 But the idea of illusion, 934 00:44:14,280 --> 00:44:18,480 that's where I think it just loses a little bit of its power. 935 00:44:18,480 --> 00:44:21,000 Contour is an illusion. 936 00:44:21,000 --> 00:44:23,880 If there was some form of contour in the brows 937 00:44:23,880 --> 00:44:25,520 to make the brows look frowned, 938 00:44:25,520 --> 00:44:28,000 that would've been enough for us to go, 939 00:44:28,000 --> 00:44:31,280 "Yeah, there's the illusion, there's the distortion." 940 00:44:31,280 --> 00:44:33,280 "There's the pain." "There's the pain." 941 00:44:33,280 --> 00:44:34,960 Thank you. 942 00:44:34,960 --> 00:44:37,040 APPLAUSE 943 00:44:38,640 --> 00:44:40,440 Mia, please step forward. 944 00:44:44,720 --> 00:44:49,320 Because I'm not amazing at realism, I wanted to create this, like, 945 00:44:49,320 --> 00:44:50,840 impressionist type of make-up look, 946 00:44:50,840 --> 00:44:53,280 as if, like, a painting's been made and it's been smudged. 947 00:44:53,280 --> 00:44:59,520 Mia, you say you don't do realism, but, honey, that eye gives...real. 948 00:44:59,520 --> 00:45:03,000 Conceptually, there's something there. 949 00:45:03,000 --> 00:45:05,000 I just don't know if I'm a fan 950 00:45:05,000 --> 00:45:07,840 of what the outcome has become today. 951 00:45:07,840 --> 00:45:10,280 It's neither real... Mm. 952 00:45:10,280 --> 00:45:12,320 ..or cartoon. 953 00:45:12,320 --> 00:45:14,000 So it's in between. 954 00:45:14,000 --> 00:45:18,360 And the other thing that let you down is proportion. Mm. 955 00:45:18,360 --> 00:45:21,880 The new nose is tiny! Yeah. 956 00:45:21,880 --> 00:45:26,880 There is realism and then there's abstract...ism. 957 00:45:26,880 --> 00:45:29,520 And when you put them together, it doesn't work. 958 00:45:29,520 --> 00:45:31,560 So, is it a win for me? 959 00:45:31,560 --> 00:45:33,000 No. 960 00:45:33,000 --> 00:45:35,680 It's a learn. Yeah. Thank you, darling. 961 00:45:40,000 --> 00:45:41,800 Jake, please step forward. 962 00:45:46,520 --> 00:45:48,360 I used to be really scared of the dark 963 00:45:48,360 --> 00:45:51,000 cos I would see these sort of like distorted creatures, 964 00:45:51,000 --> 00:45:52,680 so it's sort of based on that. 965 00:45:52,680 --> 00:45:56,760 With 15 minutes less, I absolutely adore this make-up. 966 00:45:56,760 --> 00:46:01,120 Thank you. I love the fact that most of the make-up is matte 967 00:46:01,120 --> 00:46:04,200 except for that metallic shine on the centre of the eyes. 968 00:46:04,200 --> 00:46:07,120 Actually, the yellow pupil - it's all matte. 969 00:46:07,120 --> 00:46:10,000 That is incredible. 970 00:46:10,000 --> 00:46:15,840 And that, to me, speaks of an artist who knows how to lay down colour. 971 00:46:15,840 --> 00:46:18,480 I think the shading and the highlighting that you did 972 00:46:18,480 --> 00:46:20,000 in such a painterly way, 973 00:46:20,000 --> 00:46:23,240 especially on the forehead here - so unique. 974 00:46:23,240 --> 00:46:25,720 It's giving Death Note... 975 00:46:25,720 --> 00:46:27,000 I love that. ..avant-garde. 976 00:46:27,000 --> 00:46:29,600 Oh, OK! Right? Insane job. 977 00:46:29,600 --> 00:46:36,320 You've created this real beautiful optical illusion with movement. 978 00:46:36,320 --> 00:46:38,720 There's the side shift on the nose that then wraps 979 00:46:38,720 --> 00:46:40,000 into the forehead. 980 00:46:40,000 --> 00:46:41,360 It's stunning. 981 00:46:41,360 --> 00:46:44,000 You're building your confidence. 982 00:46:44,000 --> 00:46:45,480 And what I would really hope 983 00:46:45,480 --> 00:46:49,320 is that you can keep growing that confidence. 984 00:46:49,320 --> 00:46:51,280 Because the three of us, 985 00:46:51,280 --> 00:46:53,360 we have so much confidence in you. 986 00:46:53,360 --> 00:46:55,080 Thank you. Well done. 987 00:46:55,080 --> 00:46:57,040 APPLAUSE 988 00:46:58,760 --> 00:47:00,240 Well done, MUAs. 989 00:47:00,240 --> 00:47:03,360 Please take yourselves next door whilst we decide 990 00:47:03,360 --> 00:47:06,640 who's going into the Face Off elimination. 991 00:47:12,400 --> 00:47:15,320 I feel so good after Val's little ding-dong, 992 00:47:15,320 --> 00:47:17,880 especially after an industry assignment as well. 993 00:47:17,880 --> 00:47:20,000 It's just an emotional roller-coaster. 994 00:47:20,000 --> 00:47:22,680 I got upset because I've watched Nikkie for years. 995 00:47:22,680 --> 00:47:25,680 She's literally part of the reason that I got into make-up. 996 00:47:25,680 --> 00:47:27,520 And Val, she's amazing. 997 00:47:27,520 --> 00:47:31,000 And for sort of, like, both of those to sort of not see 998 00:47:31,000 --> 00:47:32,160 what I was going for... 999 00:47:32,160 --> 00:47:34,240 And, yeah, I really was not expecting it. 1000 00:47:36,920 --> 00:47:40,320 Let's talk about who started in the Red Chairs today. 1001 00:47:40,320 --> 00:47:41,640 I want to talk about Kat. 1002 00:47:43,120 --> 00:47:46,800 There should be that feeling of frowning in the eyebrows. 1003 00:47:46,800 --> 00:47:49,000 She could've worked with the highlights 1004 00:47:49,000 --> 00:47:53,000 and the contours to create that agonising pain. 1005 00:47:53,000 --> 00:47:55,080 I'm just not seeing it here. 1006 00:47:55,080 --> 00:47:57,760 It's just not up to standard with the other artists in the room. 1007 00:47:57,760 --> 00:48:01,200 Is this make-up enough to get Kat out of the Red Chair? 1008 00:48:01,200 --> 00:48:03,080 I don't know. 1009 00:48:03,080 --> 00:48:05,840 They kind of understood the story, but they didn't see the distortion. 1010 00:48:05,840 --> 00:48:08,800 So I don't think I hit the brief well enough. 1011 00:48:09,920 --> 00:48:12,360 Shall we look at Jake? Yes. Yeah. 1012 00:48:12,360 --> 00:48:15,360 The fact that on the lid is matte paint... Yes! 1013 00:48:15,360 --> 00:48:17,440 ..and not a chrome shimmer... Yes! 1014 00:48:17,440 --> 00:48:18,640 ..sick. 1015 00:48:18,640 --> 00:48:21,320 And if you zoom into that gum, 1016 00:48:21,320 --> 00:48:23,560 you've got three shades of pink going on... Exactly. 1017 00:48:23,560 --> 00:48:27,000 ..delivering highlights, shadows and colour. 1018 00:48:27,000 --> 00:48:29,440 There's a confidence in that application, 1019 00:48:29,440 --> 00:48:31,840 and the finished result is stonking. 1020 00:48:31,840 --> 00:48:35,120 Do we think that Jake has beaten the seat? 1021 00:48:35,120 --> 00:48:36,400 Absolutely. Yes. 1022 00:48:36,400 --> 00:48:39,280 He took that chair and threw it out the window. 1023 00:48:40,400 --> 00:48:41,680 So, we have a seat to fill. 1024 00:48:41,680 --> 00:48:43,440 Shall we talk about Mia? Yes. 1025 00:48:43,440 --> 00:48:48,080 It just looks unappealing. 1026 00:48:48,080 --> 00:48:50,480 And the nose. The nose is far too small. 1027 00:48:50,480 --> 00:48:52,800 She said she didn't want to do realism, 1028 00:48:52,800 --> 00:48:54,560 she wanted to do surrealism. 1029 00:48:54,560 --> 00:48:57,000 But, I mean, when you look at it - 1030 00:48:57,000 --> 00:49:01,160 that nose, realism, that eyeball, realism. 1031 00:49:01,160 --> 00:49:05,000 So what we've ended up with is elements of realism 1032 00:49:05,000 --> 00:49:07,240 that actually lack believability. 1033 00:49:08,800 --> 00:49:10,680 So, shall we talk about Jamie? 1034 00:49:10,680 --> 00:49:15,000 There's not enough light and shade and shadows 1035 00:49:15,000 --> 00:49:19,240 that makes me believe that I'm looking at a figure eight. 1036 00:49:19,240 --> 00:49:21,320 Yeah. So I'm not getting the illusion. 1037 00:49:21,320 --> 00:49:22,520 It's not an eight. 1038 00:49:22,520 --> 00:49:26,200 Not every eight is small at the bottom and big at the top. 1039 00:49:26,200 --> 00:49:28,200 I do see the infinity sign. 1040 00:49:28,200 --> 00:49:30,120 I see the overlapping. 1041 00:49:30,120 --> 00:49:32,600 But it's not well done. 1042 00:49:32,600 --> 00:49:35,560 He is better than that. 1043 00:49:35,560 --> 00:49:39,360 Is this enough at this moment in the competition, 1044 00:49:39,360 --> 00:49:43,000 knowing the level of talent that we've got in the room? 1045 00:49:43,000 --> 00:49:44,360 Is it? 1046 00:49:53,480 --> 00:49:58,240 Jake and Kat, you started off the day in the red Face Off chairs. 1047 00:49:59,400 --> 00:50:01,560 Now, Kat, well done. 1048 00:50:01,560 --> 00:50:04,560 Thank you for stepping out of your comfort zone. 1049 00:50:04,560 --> 00:50:08,360 But we would've liked you to use some of your skills 1050 00:50:08,360 --> 00:50:12,000 that you've shown us throughout the competition. 1051 00:50:12,000 --> 00:50:15,000 So, Kat, you will be the first MUA 1052 00:50:15,000 --> 00:50:17,920 going into the Face Off elimination. 1053 00:50:19,520 --> 00:50:25,240 Now, Jake, your technical skill continues to inspire us. 1054 00:50:25,240 --> 00:50:29,360 Your biggest hurdle is believing in yourself, 1055 00:50:29,360 --> 00:50:33,360 and we want you to see what we see. 1056 00:50:33,360 --> 00:50:36,400 So, Jake, you have beat the seat. 1057 00:50:41,480 --> 00:50:43,240 This means we have a seat to fill. 1058 00:50:44,720 --> 00:50:47,600 The second MUA going into the Face Off elimination 1059 00:50:47,600 --> 00:50:51,320 has been struggling with consistency throughout this competition. 1060 00:50:51,320 --> 00:50:53,640 We know what they're capable of, 1061 00:50:53,640 --> 00:50:56,640 but today, we struggled to see the illusion. 1062 00:50:58,640 --> 00:51:00,920 This MUA is Jamie. 1063 00:51:03,200 --> 00:51:04,560 Smash it, guys. 1064 00:51:05,680 --> 00:51:09,520 Staying in the competition would mean the world to me. 1065 00:51:09,520 --> 00:51:12,400 I've never done anything like this before, 1066 00:51:12,400 --> 00:51:14,560 so I'm just going to try and think of the most stressful day 1067 00:51:14,560 --> 00:51:18,400 on counter, and hopefully it'll just be like that. 1068 00:51:19,920 --> 00:51:21,080 In the Face Off, 1069 00:51:21,080 --> 00:51:23,520 confidence is definitely going to be, like, the key thing. 1070 00:51:23,520 --> 00:51:25,000 I'm not going home today. 1071 00:51:25,000 --> 00:51:26,520 I've still got so much to show. 1072 00:51:26,520 --> 00:51:29,000 And, yeah, I'm just going to bring it. 1073 00:51:29,000 --> 00:51:30,640 Come on, gang. Got this. 1074 00:51:34,520 --> 00:51:36,400 To create a level playing field, 1075 00:51:36,400 --> 00:51:40,520 the MUAs will Face Off over a set of identical twins. 1076 00:51:49,840 --> 00:51:54,120 For today's Face Off, we are testing your ability to replicate. 1077 00:51:54,120 --> 00:51:57,560 We want to see a high contrast colour cut crease. 1078 00:51:58,720 --> 00:52:01,000 Copy your model's opposite eye 1079 00:52:01,000 --> 00:52:04,000 to create a symmetrical shape 1080 00:52:04,000 --> 00:52:06,040 and a balanced finished look. 1081 00:52:08,000 --> 00:52:10,800 A high contrast colour cut crease is an eye look 1082 00:52:10,800 --> 00:52:13,040 that showcases big, bold colours. 1083 00:52:14,360 --> 00:52:17,440 However, the technique that we're testing our artists on today 1084 00:52:17,440 --> 00:52:19,400 is replication and symmetry. 1085 00:52:19,400 --> 00:52:22,600 Top tip - use the pencil you have in your hand as a measuring tool 1086 00:52:22,600 --> 00:52:25,000 to work out exactly where the product needs to be placed. 1087 00:52:25,000 --> 00:52:27,440 Once you're happy with the placement of your sketch, 1088 00:52:27,440 --> 00:52:29,200 then you can go in with the colour, 1089 00:52:29,200 --> 00:52:31,840 making sure you look back and forth to the original eye 1090 00:52:31,840 --> 00:52:33,680 to see where the blend is going to. 1091 00:52:34,680 --> 00:52:38,000 Every now and then, take a step back so you see the full picture 1092 00:52:38,000 --> 00:52:39,680 to make sure that it's symmetrical. 1093 00:52:39,680 --> 00:52:41,880 To get strong definition between the two colours, 1094 00:52:41,880 --> 00:52:43,760 use a white eye base. 1095 00:52:43,760 --> 00:52:45,560 And there we have it - a replication 1096 00:52:45,560 --> 00:52:47,800 of a high contrast colour cut crease. 1097 00:52:51,760 --> 00:52:54,320 We're looking for bold, consistent colours 1098 00:52:54,320 --> 00:52:57,000 with definition between the two. 1099 00:52:57,000 --> 00:52:59,640 Kat, Jamie, you'll have 15 minutes. 1100 00:52:59,640 --> 00:53:01,320 Best of luck with this one. 1101 00:53:01,320 --> 00:53:04,680 And your time...starts...now. 1102 00:53:29,840 --> 00:53:33,040 MUAs, you have ten minutes left. 1103 00:53:34,240 --> 00:53:36,560 Both MUAs went in with the pencil 1104 00:53:36,560 --> 00:53:39,000 after they'd blended some white over the lid. 1105 00:53:39,000 --> 00:53:43,000 Kat went in with an idea of what the shape is, 1106 00:53:43,000 --> 00:53:46,400 whereas I saw Jamie really sort of working out and sketching, 1107 00:53:46,400 --> 00:53:49,000 and making sure he was looking at the eye. 1108 00:53:49,000 --> 00:53:53,760 Jamie has the potential of really getting better symmetry. 1109 00:53:53,760 --> 00:53:55,160 Absolutely. 1110 00:53:59,800 --> 00:54:02,560 MUAs, you have five minutes left. 1111 00:54:10,880 --> 00:54:12,360 One minute left, guys. 1112 00:54:20,000 --> 00:54:22,800 Five, four, 1113 00:54:22,800 --> 00:54:25,240 three, two, 1114 00:54:25,240 --> 00:54:26,520 one. 1115 00:54:26,520 --> 00:54:27,840 {\an8}Brushes down, MUAs. 1116 00:54:27,840 --> 00:54:29,200 {\an8}Well done. 1117 00:54:27,840 --> 00:54:29,200 {\an8}SHE MOUTHS 1118 00:54:51,760 --> 00:54:53,280 And just look at me. 1119 00:55:01,000 --> 00:55:03,200 Conflab? Yeah, OK. 1120 00:55:06,000 --> 00:55:10,000 {\an8}Both MUAs have got a clear definition 1121 00:55:10,000 --> 00:55:12,000 {\an8}of contrast of colour. 1122 00:55:12,000 --> 00:55:13,760 {\an8}And boy did they get that colour on quick! 1123 00:55:13,760 --> 00:55:18,120 {\an8}Oh, it's bright, it's consistent, it's vivid, 1124 00:55:18,120 --> 00:55:20,640 {\an8}and it is really similar to the original eye. 1125 00:55:20,640 --> 00:55:22,560 {\an8}When I got my little measuring tool out - 1126 00:55:22,560 --> 00:55:26,400 {\an8}very slightly, but very definitely - 1127 00:55:26,400 --> 00:55:32,280 {\an8}Jamie had the better measurements when it came to his eye shape. 1128 00:55:32,280 --> 00:55:36,000 {\an8}Kat's eye has really beautiful consistency with that blue, 1129 00:55:36,000 --> 00:55:39,000 {\an8}and a lovely smooth blend in that socket. 1130 00:55:39,000 --> 00:55:44,040 But there is colour going into the eyebrow. 1131 00:55:45,200 --> 00:55:46,560 {\an8}We're splitting hairs, 1132 00:55:46,560 --> 00:55:50,800 {\an8}but we have to do this because the best MUA has to go through. 1133 00:55:59,440 --> 00:56:03,000 Jamie, Kat, you both did an incredible job 1134 00:56:03,000 --> 00:56:05,560 with a very difficult Face Off. 1135 00:56:06,800 --> 00:56:11,000 Kat, you gave us a good consistency of colour. 1136 00:56:12,200 --> 00:56:18,200 But because you didn't plan out your shape, it lacked symmetry. 1137 00:56:19,440 --> 00:56:24,000 Jamie, you also gave great consistency of colour, 1138 00:56:24,000 --> 00:56:26,000 but you mapped out your eye shape 1139 00:56:26,000 --> 00:56:28,240 while referring to the original. 1140 00:56:28,240 --> 00:56:32,000 This meant you had better symmetry and balance. 1141 00:56:32,000 --> 00:56:34,080 Compared to the original, it was spot-on. 1142 00:56:35,440 --> 00:56:38,280 Kat, please pack your kit, 1143 00:56:38,280 --> 00:56:39,680 you'll be going home today. 1144 00:56:43,360 --> 00:56:46,000 When I first came in and I saw it was a cut crease, 1145 00:56:46,000 --> 00:56:48,360 I just knew I was going home. 1146 00:56:48,360 --> 00:56:53,000 I definitely let my self-doubt get the better of me. 1147 00:56:53,000 --> 00:56:57,840 What you've done throughout the competition has been amazing. 1148 00:56:57,840 --> 00:57:00,320 As a make-up artist, it's great to have a signature, 1149 00:57:00,320 --> 00:57:03,240 but it's also good to really show variety. 1150 00:57:03,240 --> 00:57:06,720 So take that beauty that you do with Goth looks, 1151 00:57:06,720 --> 00:57:10,000 and start reshaping them and working them into a different style, 1152 00:57:10,000 --> 00:57:11,560 because you've got skill. 1153 00:57:11,560 --> 00:57:16,000 Getting told to kind of, like, embrace my weird from Dom 1154 00:57:16,000 --> 00:57:17,280 was, like, really validating. 1155 00:57:17,280 --> 00:57:20,000 To kind of have someone who's as iconic as that 1156 00:57:20,000 --> 00:57:23,320 being like, "No, just keep being you," was amazing. 1157 00:57:26,520 --> 00:57:28,600 LAUGHTER 1158 00:57:34,240 --> 00:57:36,000 Did someone say Survivor? 1159 00:57:36,000 --> 00:57:37,240 I'm back. 1160 00:57:37,240 --> 00:57:38,520 I feel amazing. 1161 00:57:38,520 --> 00:57:41,000 I feel like I can still win the competition. 1162 00:57:41,000 --> 00:57:43,400 Going forward, I'm definitely going to go bigger, 1163 00:57:43,400 --> 00:57:46,360 go bolder, show them looks that they've never seen before. 1164 00:57:46,360 --> 00:57:48,000 So bring it on. 1165 00:57:48,000 --> 00:57:50,480 Well, the room is getting empty. 1166 00:57:50,480 --> 00:57:53,320 My voice is echoing louder and louder each week. 1167 00:57:53,320 --> 00:57:55,520 I'm very proud of everything that you've done. 1168 00:57:55,520 --> 00:57:57,400 So get some rest, 1169 00:57:57,400 --> 00:58:00,280 celebrate your survival, 1170 00:58:00,280 --> 00:58:02,120 and I'll be seeing you very soon, guys. 1171 00:58:02,120 --> 00:58:05,160 Goodnight. Goodnight. Bye. Bye. 1172 00:58:06,160 --> 00:58:07,440 {\an8}Nova Twins. 1173 00:58:07,440 --> 00:58:08,600 {\an8}Stop it! 1174 00:58:08,600 --> 00:58:11,480 {\an8}..the MUAs are on set at a music video. 1175 00:58:11,480 --> 00:58:13,320 {\an8}I think I'm definitely taking a risk. 1176 00:58:13,320 --> 00:58:14,560 {\an8}Oh, no! 1177 00:58:14,560 --> 00:58:16,720 {\an8}We're just looking for more subtlety here. 1178 00:58:16,720 --> 00:58:18,600 {\an8}And at Glow Up Studios... 1179 00:58:18,600 --> 00:58:19,880 {\an8}Come on, I want to see it. 1180 00:58:19,880 --> 00:58:22,040 {\an8}Bring your childhood toys to life. 1181 00:58:22,040 --> 00:58:23,920 {\an8}..playtime's over. 1182 00:58:23,920 --> 00:58:25,680 {\an8}A bit of, like, a train wreck right now. 1183 00:58:25,680 --> 00:58:28,560 {\an8}This look is not the standard 1184 00:58:28,560 --> 00:58:33,200 {\an8}we are expecting at this level of the competition. 1185 00:58:34,305 --> 00:59:34,371