"Glow Up: Britain's Next Make-Up Star" Episode #7.5

ID	13188099
Movie Name	"Glow Up: Britain's Next Make-Up Star" Episode #7.5
Release Name	Glow Up - Britain's Next Make-Up Star S07E05
Year	2025
Kind	tv
Language	English
IMDB ID	36981740
Format	srt

Download ZIP

Download subtitle files

Download Glow Up - Britain's Next Make-Up Star S07E05.srt

Subtitle Text

1 00:00:05,760 --> 00:00:06,960 Last time... 2 00:00:06,960 --> 00:00:08,720 Beauty Bay! 3 00:00:08,720 --> 00:00:11,080 ..the MUAs took on a beauty campaign. 4 00:00:11,080 --> 00:00:14,720 I'm trying, but I'm just the miserable Goth in the corner. 5 00:00:14,720 --> 00:00:16,000 Cat struggled... 6 00:00:16,000 --> 00:00:18,280 {\an8}I hate to say this, but it's giving fungus. 7 00:00:18,280 --> 00:00:19,880 ..but Mia shone through. 8 00:00:19,880 --> 00:00:23,640 It's vibrant, it's fresh, and I think she's nailed the brief. 9 00:00:23,640 --> 00:00:25,080 At Glow Up studios... 10 00:00:25,080 --> 00:00:27,040 Oh! That's really clever. 11 00:00:27,040 --> 00:00:28,840 A distorted creative brief... 12 00:00:28,840 --> 00:00:31,120 Have you done this sort of thing before? No. 13 00:00:31,120 --> 00:00:34,320 ..saw Jamie triumph over Cat in the Face Off. 14 00:00:34,320 --> 00:00:36,480 I'm definitely going to go bigger, go bolder, 15 00:00:36,480 --> 00:00:39,040 show them looks that they've never seen before. 16 00:00:39,040 --> 00:00:40,160 So, bring it on. 17 00:00:43,000 --> 00:00:46,520 I'm so happy that we're over the halfway point. It's unreal. 18 00:00:46,520 --> 00:00:48,760 But being in the red chair is something that 19 00:00:48,760 --> 00:00:50,720 I definitely do not want to be in again. 20 00:00:50,720 --> 00:00:52,920 Do you know what? I feel like with the industry assignments, 21 00:00:52,920 --> 00:00:54,920 I've come close to winning twice. 22 00:00:54,920 --> 00:00:58,240 I'd absolutely love to get a win. That'd be cute. Mm. 23 00:00:58,240 --> 00:01:00,400 We've got a winner in the car. 24 00:01:00,400 --> 00:01:02,080 LAUGHTER 25 00:01:03,240 --> 00:01:06,680 Today's industry assignment will take place at Archives, London, 26 00:01:06,680 --> 00:01:10,160 a renowned music venue, club, and popular backdrop for video shoots, 27 00:01:10,160 --> 00:01:13,680 which regularly attracts top-tier talent from across the world. 28 00:01:13,680 --> 00:01:16,120 Morning, MUAs. ALL: Morning. 29 00:01:16,120 --> 00:01:18,680 Let's head on in. Can't leave our clients waiting. 30 00:01:19,800 --> 00:01:22,280 Good morning. ALL: Morning. 31 00:01:24,080 --> 00:01:27,720 Every great make-up artist has to be adaptable 32 00:01:27,720 --> 00:01:31,520 and have the ability to work in any environment with any brief, 33 00:01:31,520 --> 00:01:33,720 and that's what we're going to be testing you with today. 34 00:01:33,720 --> 00:01:35,960 You've been booked to work with rising stars 35 00:01:35,960 --> 00:01:38,160 of alternative British rock, 36 00:01:38,160 --> 00:01:42,480 none other than Mercury Music Prize nominees 37 00:01:42,480 --> 00:01:43,880 Nova Twins! 38 00:01:46,000 --> 00:01:49,200 Oh, my God! Come on, girls! 39 00:01:50,640 --> 00:01:53,480 Nova Twins have carved out a huge name for themselves 40 00:01:53,480 --> 00:01:55,200 in the world of alternative rock. 41 00:01:56,920 --> 00:01:59,920 Childhood friends Amy Love and Georgia South started out 42 00:01:59,920 --> 00:02:02,080 gigging in pubs around London, 43 00:02:02,080 --> 00:02:04,320 but now Nova Twins headline festivals. 44 00:02:05,640 --> 00:02:08,040 Their fierce style and unapologetic make-up 45 00:02:08,040 --> 00:02:10,360 means their look is as loud as their sound. 46 00:02:13,200 --> 00:02:16,640 So, today we're on set for our new music video Soprano, 47 00:02:16,640 --> 00:02:19,680 and we really need you to do the make-up for our dancers. 48 00:02:19,680 --> 00:02:23,520 The concept is about boss energy, celebrating your uniqueness, 49 00:02:23,520 --> 00:02:25,640 and generally just lifting each other up. 50 00:02:25,640 --> 00:02:28,960 And overseeing your make-up looks today is a transformative make-up 51 00:02:28,960 --> 00:02:34,520 artist who has worked alongside the likes of Fenty and Pat McGrath. 52 00:02:35,680 --> 00:02:39,760 It is the incredible Mei Pang. 53 00:02:39,760 --> 00:02:41,120 Stop it! 54 00:02:42,440 --> 00:02:44,960 Shut up! Woo-woo! 55 00:02:44,960 --> 00:02:47,040 I'm on the floor that Mei Pang is here today. 56 00:02:47,040 --> 00:02:49,200 Honestly, she's so cool. 57 00:02:51,720 --> 00:02:53,600 I have been following her for years. 58 00:02:53,600 --> 00:02:56,000 It is insane. 59 00:02:56,000 --> 00:02:59,160 Hey, MUAs, it's an absolute pleasure to be here. 60 00:03:00,160 --> 00:03:02,200 From viral looks to Vogue features, 61 00:03:02,200 --> 00:03:06,400 Canadian make-up artist Mei Pang is a global beauty icon, 62 00:03:06,400 --> 00:03:08,320 and with over seven million followers, 63 00:03:08,320 --> 00:03:12,000 she's inspiring a new generation of MUAs worldwide. 64 00:03:12,000 --> 00:03:15,920 I'd like to think I'm best known for my bold avant-garde looks. 65 00:03:15,920 --> 00:03:19,120 My make-up journey started when I was an early teen, 66 00:03:19,120 --> 00:03:22,240 and ever since, I wanted to push myself out of my comfort zone 67 00:03:22,240 --> 00:03:23,560 and try different techniques, 68 00:03:23,560 --> 00:03:24,880 and that has landed me in 69 00:03:24,880 --> 00:03:27,520 this crazy experimental world of make-up. 70 00:03:32,360 --> 00:03:35,920 Today's look should feature iridescent glass-like skin. 71 00:03:35,920 --> 00:03:38,680 Think highlighted cheeks and a dewy glow. 72 00:03:38,680 --> 00:03:40,520 There's a lot of lights in here today, 73 00:03:40,520 --> 00:03:43,240 so we really need the looks to show up on camera. 74 00:03:43,240 --> 00:03:45,320 The dancers will be dancing in unison, 75 00:03:45,320 --> 00:03:48,160 so it's really important that the looks are cohesive. 76 00:03:48,160 --> 00:03:50,840 Whoever impresses us the most today will be coming with us 77 00:03:50,840 --> 00:03:54,160 to do our make-up for our upcoming performance at the MOBO Awards. 78 00:03:54,160 --> 00:03:56,640 Oh, my God. Stop it! 79 00:03:56,640 --> 00:03:59,640 What? Such a massive opportunity. 80 00:03:59,640 --> 00:04:02,120 I'm just going to channel my inner rocker. 81 00:04:02,120 --> 00:04:04,680 Any of you worked on a music video before? 82 00:04:04,680 --> 00:04:07,560 Cherise! Cherise! 83 00:04:04,680 --> 00:04:07,560 LAUGHTER 84 00:04:07,560 --> 00:04:09,800 I've done a couple, yes. 85 00:04:09,800 --> 00:04:12,800 This is, like, kind of what I do back at home. 86 00:04:12,800 --> 00:04:15,440 Most of my clients are in the music industry. 87 00:04:15,440 --> 00:04:18,600 I've worked on one of Stormzy's music videos. 88 00:04:18,600 --> 00:04:20,360 Um, I'm just so excited. 89 00:04:21,400 --> 00:04:24,720 While Nova Twins record their lead roles for the video, it's up 90 00:04:24,720 --> 00:04:28,400 to Mei Pang to supervise the MUAs as they deliver the dancers' looks. 91 00:04:28,400 --> 00:04:31,080 Hello. Are you Joshua? Yes. Take a seat. 92 00:04:31,080 --> 00:04:32,840 This is a really important music video. 93 00:04:32,840 --> 00:04:35,240 I am feeling a little bit of pressure, 94 00:04:35,240 --> 00:04:39,000 because this is a massive project for Nova Twins. 95 00:04:39,000 --> 00:04:41,240 These outfits are cute! 96 00:04:41,240 --> 00:04:44,080 Therefore, I will have to be quite strict, making sure that 97 00:04:44,080 --> 00:04:47,440 everything hits the brief, and the dancers come out beautiful. 98 00:04:47,440 --> 00:04:51,720 MUAs, I need your dancers ready and on set in 90 minutes. 99 00:04:51,720 --> 00:04:53,120 Your time starts now. 100 00:04:54,360 --> 00:04:57,560 I started my career working on music videos. 101 00:04:57,560 --> 00:05:02,360 I mean, it's tricky, because there are so many people involved, 102 00:05:02,360 --> 00:05:04,120 and a lot of money, 103 00:05:04,120 --> 00:05:08,960 so it's very important that our MUAs listen to the brief. 104 00:05:08,960 --> 00:05:10,600 I want, like, a thicker foundation. 105 00:05:10,600 --> 00:05:13,960 Nova Twins have set a specific brief for the eyebrows and skin. 106 00:05:13,960 --> 00:05:16,920 They want glossy, dewy, like glowy skin. 107 00:05:16,920 --> 00:05:20,720 But how the MUAs design their dancers' eye make-up is up to them. 108 00:05:20,720 --> 00:05:22,720 They have been asked to use blue tones, 109 00:05:22,720 --> 00:05:25,000 and given a mood board for inspiration. 110 00:05:25,000 --> 00:05:27,680 I can see this being a hard look for the MUAs, 111 00:05:27,680 --> 00:05:30,200 because it's up to them to figure out the placement. 112 00:05:30,200 --> 00:05:32,720 Sometimes people can push it a little bit too far. 113 00:05:32,720 --> 00:05:34,920 It's trying to find that balance. 114 00:05:34,920 --> 00:05:38,640 We're also looking for a lot of cohesion within the six dancers, 115 00:05:38,640 --> 00:05:41,880 cos the song is all about being united and together, so we really 116 00:05:41,880 --> 00:05:46,000 want to get the six dancers to feel like they're part of the same group. 117 00:05:46,000 --> 00:05:48,560 So the MUAs do need to be working together, 118 00:05:48,560 --> 00:05:52,400 communicating together, to be able to create that cohesive look. 119 00:05:52,400 --> 00:05:55,480 Do we want to have a chat, or are we just going to go for it? 120 00:05:55,480 --> 00:05:57,360 Well, it's got to be a cohesive look. 121 00:05:57,360 --> 00:06:00,400 I don't know, cos I feel like because we have the sheet... 122 00:06:00,400 --> 00:06:02,800 That will be fine. And I feel like also because everyone's 123 00:06:02,800 --> 00:06:04,840 skin tones are so different, like, I feel like if we all go 124 00:06:04,840 --> 00:06:07,040 for, like, pastel or something, it's not going to suit everybody, 125 00:06:07,040 --> 00:06:08,200 do you know what I mean? 126 00:06:10,200 --> 00:06:11,920 I'm starting off with the brows, 127 00:06:11,920 --> 00:06:15,800 because on the brief it says, "Faux brow". 128 00:06:15,800 --> 00:06:20,320 The brows need to be like a no-brow, like, fake look. 129 00:06:20,320 --> 00:06:23,720 The MUAs must achieve a specific effect on the brows. 130 00:06:23,720 --> 00:06:26,520 We really want to go for like a faux no-brow, 131 00:06:26,520 --> 00:06:28,720 so very, like, a nude look, 132 00:06:28,720 --> 00:06:32,760 by using foundations, concealers, to blend into their skin tone. 133 00:06:32,760 --> 00:06:35,280 So, it says a bleached eyebrow. Ooh. 134 00:06:35,280 --> 00:06:36,920 Yes, fun. 135 00:06:36,920 --> 00:06:38,240 Love a bleached eyebrow. 136 00:06:38,240 --> 00:06:39,760 I mean, I have bleached brows. Yeah. 137 00:06:45,760 --> 00:06:47,440 Hi, Josh. Hello. 138 00:06:47,440 --> 00:06:49,840 This is such a sick industry assignment. 139 00:06:49,840 --> 00:06:52,360 Isn't it? Right? I'm in a good headspace. 140 00:06:52,360 --> 00:06:54,800 Yes. I'm still in the same headspace that I was last week, 141 00:06:54,800 --> 00:06:56,080 and I kind of want to keep that up. 142 00:06:56,080 --> 00:06:58,200 I really don't want to kind of fall off 143 00:06:58,200 --> 00:07:00,800 the good critique bandwagon, to be honest. 144 00:07:05,000 --> 00:07:08,120 I'm here to put everything I have into what I'm doing, 145 00:07:08,120 --> 00:07:10,880 really push myself, push my boundaries, 146 00:07:10,880 --> 00:07:14,520 do things I've never done before, and celebrate my creativity. 147 00:07:14,520 --> 00:07:17,720 When I decide to do something, I do it with my whole soul. 148 00:07:17,720 --> 00:07:20,840 Coming from school, where I had this, "You're not good enough, 149 00:07:20,840 --> 00:07:22,920 "you're not strong enough", to flip that and be like, 150 00:07:22,920 --> 00:07:25,280 "You are strong enough, you are bold enough, you are creative enough, 151 00:07:25,280 --> 00:07:26,960 "and you are going to do well", 152 00:07:26,960 --> 00:07:29,640 that's the kind of mindset I go into everything with. 153 00:07:31,080 --> 00:07:33,520 ♪ You've got that attitude. ♪ 154 00:07:33,520 --> 00:07:36,320 Have you ever worked on a music video before? 155 00:07:36,320 --> 00:07:39,720 I haven't, but I would absolutely love to win today. 156 00:07:39,720 --> 00:07:41,480 How do you plan to do that, then? 157 00:07:41,480 --> 00:07:43,960 I really want to make sure that I perfect the skin, 158 00:07:43,960 --> 00:07:46,440 because it's going to be shot from so many angles, and then once 159 00:07:46,440 --> 00:07:49,760 I've got the skin ready, I can really go back in and build up that 160 00:07:49,760 --> 00:07:53,280 pigment and that kind of flow, and that kind of ethereal finish. 161 00:07:56,320 --> 00:07:58,240 I think we can go a tiny bit lighter. 162 00:07:58,240 --> 00:07:59,840 I am feeling quite confident. 163 00:07:59,840 --> 00:08:01,960 {\an8}I am very used to doing dancers' make-up. 164 00:08:01,960 --> 00:08:04,160 {\an8}It's something I do quite frequently. 165 00:08:04,160 --> 00:08:08,400 I was a dancer from the age of five up until 16. 166 00:08:08,400 --> 00:08:12,080 My biggest competition is Cherise, because she has done 167 00:08:12,080 --> 00:08:15,680 music videos before, so she kind of knows what's going on. 168 00:08:15,680 --> 00:08:18,920 {\an8}Cherise is definitely the biggest competition, cos she's 169 00:08:18,920 --> 00:08:22,600 {\an8}always used to doing this stuff, this is her area in the industry. 170 00:08:22,600 --> 00:08:24,680 I've never done make-up like this before 171 00:08:24,680 --> 00:08:26,680 for like performers or dancers. 172 00:08:27,960 --> 00:08:29,960 Look how good your skin looks. 173 00:08:29,960 --> 00:08:31,200 Hello, Cherise. 174 00:08:31,200 --> 00:08:34,160 Hey, Miss Girl, how are you? I'm stunning. 175 00:08:34,160 --> 00:08:37,080 So, I've heard that you have some experience in music videos. 176 00:08:37,080 --> 00:08:38,960 I have, yeah. I have done a couple. 177 00:08:38,960 --> 00:08:41,040 And how do we like them? Oh, I love them. 178 00:08:41,040 --> 00:08:42,400 It's my favourite thing to do. Yeah. 179 00:08:42,400 --> 00:08:44,760 I think something about, like, seeing your work, like, 180 00:08:44,760 --> 00:08:46,600 in motion on someone else is really cool. Yes. 181 00:08:46,600 --> 00:08:49,440 And I like being a part of, like, the storytelling of it. Mm-mm. 182 00:08:49,440 --> 00:08:51,560 I feel like make-up, in particular, 183 00:08:51,560 --> 00:08:53,160 just plays such a massive part. 184 00:08:57,000 --> 00:09:00,880 I felt very lost around GCSEs, 185 00:09:00,880 --> 00:09:02,760 sort of sixth form time, 186 00:09:02,760 --> 00:09:06,240 and then my mum managed to find me a make-up course. 187 00:09:06,240 --> 00:09:08,600 That was genuinely the first time where I was like, 188 00:09:08,600 --> 00:09:10,520 "I actually want to be in school." 189 00:09:10,520 --> 00:09:13,280 I love doing anything intricate, graphic liner, 190 00:09:13,280 --> 00:09:16,240 just something where I can almost like doodle on my face. 191 00:09:18,360 --> 00:09:19,960 I love doing a music video. 192 00:09:19,960 --> 00:09:21,520 It's just super, super rewarding. 193 00:09:21,520 --> 00:09:23,920 I try and Cherise-ify them in any way possible. 194 00:09:26,880 --> 00:09:28,640 See, I'm definitely feeling the pressure a little bit, 195 00:09:28,640 --> 00:09:31,920 I think, from the other MUAs. I'm sure they've all named me. 196 00:09:31,920 --> 00:09:33,400 Named and shamed me. 197 00:09:33,400 --> 00:09:34,800 Good luck, have fun. 198 00:09:34,800 --> 00:09:36,080 Thank you so much. 199 00:09:37,680 --> 00:09:39,840 MUAs, 30 minutes has passed. 200 00:09:39,840 --> 00:09:41,800 We need your dancers ready in one hour. 201 00:09:41,800 --> 00:09:44,640 Half an hour? How has half an hour gone? 202 00:09:44,640 --> 00:09:46,480 Hi. Hey, girl! 203 00:09:46,480 --> 00:09:48,320 My double Ding Dong winner. 204 00:09:48,320 --> 00:09:50,040 How do you feel about that? Thanks, girl. 205 00:09:50,040 --> 00:09:51,400 Yeah, I feel good. 206 00:09:51,400 --> 00:09:54,320 I just need to impress on the industry assignments now. 207 00:09:54,320 --> 00:09:55,840 How do you think you're going to do that today? 208 00:09:57,200 --> 00:09:59,120 Pick up the pace, but also not panic. 209 00:10:00,600 --> 00:10:02,400 With less than an hour to go, 210 00:10:02,400 --> 00:10:05,240 the MUAs now need to move on to the dancers' eye make-up. 211 00:10:06,240 --> 00:10:10,040 The Nova Twins have requested blue tones with an iridescent shimmer. 212 00:10:10,040 --> 00:10:13,320 I sort of have an idea of what I'm going to do in my head. 213 00:10:13,320 --> 00:10:16,440 Like, a deep blue smoky eye sort of, 214 00:10:16,440 --> 00:10:18,720 and add, like, the iridescent in there. 215 00:10:18,720 --> 00:10:20,560 But I don't want to go, like, too big or bold, 216 00:10:20,560 --> 00:10:23,320 cos they want it to be more like a natural... 217 00:10:23,320 --> 00:10:25,160 Just with, like, a pop of colour. 218 00:10:25,160 --> 00:10:28,000 I really like this brief. Um... 219 00:10:28,000 --> 00:10:31,240 I mean, it's my favourite colour, if you can't tell. 220 00:10:31,240 --> 00:10:33,040 It's nice and sparkly. 221 00:10:33,040 --> 00:10:36,600 My look is going to be very winged out, very blown out. 222 00:10:36,600 --> 00:10:38,320 She has these beautiful cat eyes. 223 00:10:40,160 --> 00:10:42,720 Mm. That looks nice, actually. 224 00:10:42,720 --> 00:10:44,360 Hello, Jake. Hi. 225 00:10:44,360 --> 00:10:46,200 Oh, my God, I'm trying to keep my composure. 226 00:10:46,200 --> 00:10:48,120 That's OK. You can scream at me. 227 00:10:48,120 --> 00:10:49,680 Ah! 228 00:10:49,680 --> 00:10:52,160 To my face. Decibels. Yeah. 229 00:10:52,160 --> 00:10:54,800 I notice how you started with the brows first. 230 00:10:54,800 --> 00:10:57,320 Yeah, cos bleached brows are quite like a difficult thing 231 00:10:57,320 --> 00:10:58,400 to do at times. 232 00:11:00,160 --> 00:11:01,920 What do you think about Jake's look? 233 00:11:01,920 --> 00:11:05,280 So Jake is giving a fully bleached brow moment. 234 00:11:05,280 --> 00:11:08,400 The look was supposed to be a more subtle faux brow. 235 00:11:08,400 --> 00:11:11,720 It'll be interesting to see how this looks under the camera lights. 236 00:11:11,720 --> 00:11:13,320 It's time for your eyes, honey. 237 00:11:14,640 --> 00:11:17,120 See, I'm just debating in my head. I want to look at the reference 238 00:11:17,120 --> 00:11:19,440 again, if I can actually go as bold as I want to. 239 00:11:20,800 --> 00:11:22,520 I just don't want to be boring. 240 00:11:22,520 --> 00:11:24,640 Do you know what? I think I can get away with what I'm going to do. 241 00:11:24,640 --> 00:11:26,080 OK. 242 00:11:26,080 --> 00:11:28,480 I'm actually going to draw the eyes kind of slightly 243 00:11:28,480 --> 00:11:31,040 across the browline, but still sort of very soft, 244 00:11:31,040 --> 00:11:33,200 just incorporating the colours. 245 00:11:34,920 --> 00:11:39,440 Very aware that this is like a rock, sort of alternative group, 246 00:11:39,440 --> 00:11:42,120 so I want to make it kind of unique and interesting. 247 00:11:45,080 --> 00:11:46,960 I think I'm definitely taking a risk. 248 00:11:49,960 --> 00:11:51,440 Let's get into Cherise. 249 00:11:51,440 --> 00:11:55,120 I definitely understand the need to put your own personal spin on it. 250 00:11:55,120 --> 00:11:57,720 However, today's brief is all about cohesiveness, 251 00:11:57,720 --> 00:11:59,560 so I'm wondering why she chose that. 252 00:12:03,760 --> 00:12:08,520 MUAs, no stress, but slight amount of stress. 253 00:12:08,520 --> 00:12:11,640 We need your dancers ready on set in 30 minutes. 254 00:12:11,640 --> 00:12:14,280 Urgh! 255 00:12:14,280 --> 00:12:15,840 Look towards me. 256 00:12:15,840 --> 00:12:19,440 Stress is not welcome in my life today. 257 00:12:19,440 --> 00:12:21,760 Sorry, love. Blocked. 258 00:12:21,760 --> 00:12:25,840 I just hope that I can get it done in time, to a good standard. 259 00:12:25,840 --> 00:12:29,160 So I'm wanting the skin to be like really glossy. 260 00:12:29,160 --> 00:12:33,000 The final step for the MUAs is to give the skin a dewy shine, 261 00:12:33,000 --> 00:12:35,880 to ensure the dancers have a cohesive, glass-like finish 262 00:12:35,880 --> 00:12:37,600 under the lights. 263 00:12:37,600 --> 00:12:40,960 So, now I'm kind of blending this into this eye, 264 00:12:40,960 --> 00:12:43,280 really kind of building the highlighter up, 265 00:12:43,280 --> 00:12:47,240 to really kind of give that gorgeous ethereal glow. 266 00:12:47,240 --> 00:12:49,520 How do you think Josh is doing? 267 00:12:49,520 --> 00:12:52,280 Josh is currently doing a great job. 268 00:12:53,400 --> 00:12:57,680 This is a very effective way to create a wet look. 269 00:12:59,400 --> 00:13:01,800 Is there anything that you're worried about? 270 00:13:01,800 --> 00:13:05,560 Overall, I'm surprised that none of the MUAs have talked 271 00:13:05,560 --> 00:13:08,680 amongst each other on how to make their look uniform. 272 00:13:11,600 --> 00:13:13,320 Oh, blue. 273 00:13:13,320 --> 00:13:15,360 Hi, Jamie. Sorry, just wanted to have a look. 274 00:13:15,360 --> 00:13:18,480 Hi, Jamie. Can you look down for me, darling? 275 00:13:18,480 --> 00:13:20,320 Have you put eyeliner on? 276 00:13:20,320 --> 00:13:23,480 I'm just wondering whether I need to do eyeliner. 277 00:13:23,480 --> 00:13:24,720 Look in the mirror. 278 00:13:26,760 --> 00:13:27,920 Gag. 279 00:13:28,920 --> 00:13:30,840 I feel like everyone's done it a bit differently. 280 00:13:30,840 --> 00:13:32,680 Jamie, are you finished? I'm just sort of, like, having 281 00:13:32,680 --> 00:13:35,880 a look around, just to, like, make sure they all sort of like... 282 00:13:35,880 --> 00:13:38,320 Are they all giving, like, cohesive, though? 283 00:13:38,320 --> 00:13:39,680 Yeah. That's what I was thinking, 284 00:13:39,680 --> 00:13:42,080 cos we haven't even looked at each other's look. Yeah. Oh, no! 285 00:13:42,080 --> 00:13:46,400 That's why I've sort of, like, gone around and been, like, looking. 286 00:13:46,400 --> 00:13:48,920 With the dancers on set in a matter of minutes, 287 00:13:48,920 --> 00:13:51,280 the MUAs still aren't working together. 288 00:13:52,520 --> 00:13:58,040 Mia, because all the dancers have to be uniform, complete, 289 00:13:58,040 --> 00:14:01,560 I would soften this cat eye that you've created. Yeah, of course. 290 00:14:01,560 --> 00:14:03,520 Cherise... Hello. 291 00:14:03,520 --> 00:14:07,280 ..unfortunately, you have to remove that in the nose area. 292 00:14:07,280 --> 00:14:08,680 OK. 293 00:14:08,680 --> 00:14:12,480 Jamie, you need to pump up the cheeks a lot more, 294 00:14:12,480 --> 00:14:13,600 with the shimmer. 295 00:14:13,600 --> 00:14:15,920 With the shimmer? Oh, I thought I was doing too much. 296 00:14:15,920 --> 00:14:18,360 Music video setting, it's quite low light. 297 00:14:18,360 --> 00:14:19,440 Oh, OK. 298 00:14:22,120 --> 00:14:24,360 MUAs, you have five minutes left. 299 00:14:29,120 --> 00:14:30,960 What am I looking for? Powder. 300 00:14:32,440 --> 00:14:35,760 I hope I can still get a win, despite that. 301 00:14:37,000 --> 00:14:38,200 We shall see. 302 00:14:40,000 --> 00:14:46,074 Watch Online Movies and Series for FREE www.osdb.link/lm 303 00:14:47,560 --> 00:14:51,400 Just do a little movement with your head, just so I can see. 304 00:14:51,400 --> 00:14:53,000 I think that's nice. 305 00:14:56,640 --> 00:14:58,960 OK, MUAs, your time is up. 306 00:14:58,960 --> 00:15:01,600 I need your dancers on set right now. 307 00:15:01,600 --> 00:15:03,480 Done, stop faffing. 308 00:15:03,480 --> 00:15:05,520 Thank you so much. It was lovely to meet you. 309 00:15:05,520 --> 00:15:08,720 I think it went well. Hopefully I've done enough. 310 00:15:08,720 --> 00:15:11,640 Personally, I do love my look, but I feel like you can never be 311 00:15:11,640 --> 00:15:14,480 too 100% sure of what the judges are going to think. 312 00:15:14,480 --> 00:15:15,560 SQUEAKING 313 00:15:15,560 --> 00:15:16,960 With their dancers due on set, 314 00:15:16,960 --> 00:15:19,920 the MUAs have to hope their looks deliver under the lights. 315 00:15:19,920 --> 00:15:22,280 ♪ If you don't know, then you'll never know 316 00:15:22,280 --> 00:15:24,840 ♪ Small town, big goals, now we're scoring gold 317 00:15:24,840 --> 00:15:27,200 ♪ It's only competition if you stand there alone 318 00:15:27,200 --> 00:15:30,680 ♪ Keys in the ignition, watch us drop it down low... ♪ 319 00:15:30,680 --> 00:15:33,960 As the dancers film their scenes, the MUAs watch on. 320 00:15:33,960 --> 00:15:36,440 Oh, my God, there she is. Go, girl. Sick. My model just ran away. 321 00:15:39,360 --> 00:15:42,400 For the Nova Twins, it's a chance to check out the MUAs' work. 322 00:15:44,480 --> 00:15:47,840 The dancers all look beautiful and stunning. Yeah. They look incredible. 323 00:15:47,840 --> 00:15:51,040 But the one thing that wasn't quite sitting right is the brows. 324 00:15:51,040 --> 00:15:54,520 Yeah. Jake and Jade's dancers need touch-ups. 325 00:15:57,120 --> 00:16:00,400 With time ticking, Jake and Jade are called to set. 326 00:16:00,400 --> 00:16:02,880 See you in minute. Bye, girls. See you in a minute. 327 00:16:04,560 --> 00:16:06,760 Hi. Hi. Are we in trouble? 328 00:16:06,760 --> 00:16:08,280 LAUGHTER 329 00:16:08,280 --> 00:16:11,920 It's all looking incredible, but with your brow, 330 00:16:11,920 --> 00:16:15,240 we wanted it to feel, like, a bit more blended in. OK. 331 00:16:15,240 --> 00:16:18,600 And with this brow, it's a bit too light. 332 00:16:18,600 --> 00:16:20,280 I mean, I think I just misinterpreted 333 00:16:20,280 --> 00:16:21,720 what they meant by the brows. I thought they meant 334 00:16:21,720 --> 00:16:25,400 like a bleached brow, but I think it was more just like skin tone. 335 00:16:25,400 --> 00:16:27,240 I mean, I wouldn't like to be in the red chair, 336 00:16:27,240 --> 00:16:30,480 so I hope that... I just hope they like it now. 337 00:16:32,440 --> 00:16:34,080 I'm worried now. Yeah, same. 338 00:16:36,520 --> 00:16:40,040 I do feel a little bit deflated after being called back. 339 00:16:40,040 --> 00:16:43,840 I don't necessarily think that that was a good thing. 340 00:16:45,160 --> 00:16:47,400 Touch-ups done and cameras rolling, 341 00:16:47,400 --> 00:16:50,160 the judges must now decide whose look has earned them 342 00:16:50,160 --> 00:16:53,200 the chance to do Nova Twins' make-up at the MOBO Awards. 343 00:16:54,560 --> 00:16:56,320 This is Jade's dancer. 344 00:16:56,320 --> 00:16:57,560 Look at the lips. 345 00:16:57,560 --> 00:17:00,120 The lips look stunning, and the cheekbones, I think, 346 00:17:00,120 --> 00:17:01,320 look really nice. 347 00:17:01,320 --> 00:17:04,840 They look really good, cos she's added a really subtle contour. 348 00:17:04,840 --> 00:17:09,320 Mm. And the contour, when the light isn't on the face, 349 00:17:09,320 --> 00:17:11,360 still gives you definition. Look at that. 350 00:17:11,360 --> 00:17:12,440 Yeah, beautiful. It's gorgeous. 351 00:17:12,440 --> 00:17:15,720 So, we did ask her to touch up the eyebrows, and she did deliver. 352 00:17:15,720 --> 00:17:19,040 Girl did good. Girl did good. Girl did good. 353 00:17:19,040 --> 00:17:22,800 I just want to see... Oh, there she is. Oh, there's mine! 354 00:17:22,800 --> 00:17:24,880 I'm scared that I've done too much again. 355 00:17:26,000 --> 00:17:27,240 This is Jake's dancer. 356 00:17:28,240 --> 00:17:30,960 We love the lips and the lashes, but... 357 00:17:30,960 --> 00:17:32,800 We're just still not sure if he delivered. 358 00:17:32,800 --> 00:17:35,280 We're just looking for more subtlety here. Yeah. 359 00:17:35,280 --> 00:17:38,200 I think the execution's let Jake down. 360 00:17:38,200 --> 00:17:41,760 He framed her eyes in quite a circular way, 361 00:17:41,760 --> 00:17:44,880 and I feel like if he maybe blended it out a little bit more, 362 00:17:44,880 --> 00:17:50,000 and even with the pink cheeks, I can almost see the highlight. 363 00:17:50,000 --> 00:17:53,000 I mean, that may have looked great in the make-up room, right? Mm-mm. 364 00:17:53,000 --> 00:17:56,600 But here, under those lights, that's not a good look. 365 00:17:57,600 --> 00:17:59,120 Oh, there you go, Josh. Oh! 366 00:17:59,120 --> 00:18:02,920 The highlight there. Look at me. Oh, my Lord. Oh! 367 00:18:02,920 --> 00:18:05,640 Yeah, that highlight is stunning, Josh. 368 00:18:06,800 --> 00:18:08,560 This is Josh's dancer. 369 00:18:08,560 --> 00:18:10,920 Oh, yes! Ooh, this is nice. 370 00:18:10,920 --> 00:18:12,480 Look at that make-up. 371 00:18:12,480 --> 00:18:15,280 You're picking up so much shine. 372 00:18:15,280 --> 00:18:17,440 It's really bringing out her character as well, which is 373 00:18:17,440 --> 00:18:18,760 just perfect. 374 00:18:18,760 --> 00:18:21,520 I mean, her skin just looks incredible. 375 00:18:21,520 --> 00:18:23,520 It doesn't look, like, overly pink, 376 00:18:23,520 --> 00:18:25,680 and you're not really thinking about make-up when you look at her. 377 00:18:25,680 --> 00:18:28,200 Yeah, and the curve from the cheekbone to the eyebrow, 378 00:18:28,200 --> 00:18:31,120 you're really getting that in there, especially with the movement. 379 00:18:31,120 --> 00:18:34,560 The brow is matching the skin, it's nude, 380 00:18:34,560 --> 00:18:36,680 but it's still present slightly. 381 00:18:36,680 --> 00:18:37,720 He's nailed it. 382 00:18:37,720 --> 00:18:42,160 That feels very music video, doesn't it? Yeah. Stunning. Stunning, yeah. 383 00:18:42,160 --> 00:18:43,400 Love, love, love. 384 00:18:45,560 --> 00:18:47,920 Whose model's this one here? Mine. Mia, yeah. 385 00:18:47,920 --> 00:18:49,040 That's lovely. Stunning. 386 00:18:49,040 --> 00:18:50,160 This is Mia's dancer. 387 00:18:51,160 --> 00:18:54,360 Stunning. Beautiful. We asked for iridescency... 388 00:18:54,360 --> 00:18:58,240 Yeah. ..and even when the dancer is in the shadow, cheekbone. 389 00:18:58,240 --> 00:19:00,400 The cheekbone is popping! 390 00:19:00,400 --> 00:19:03,400 And the lips and everything, it really picks up on camera. Yes! 391 00:19:03,400 --> 00:19:07,000 And she changed so much in the last five minutes. 392 00:19:07,000 --> 00:19:08,520 Really? Yes. 393 00:19:08,520 --> 00:19:11,800 The wing that you see was much more of a cat eye. 394 00:19:11,800 --> 00:19:13,720 Yours looks great, Jamie. 395 00:19:13,720 --> 00:19:16,080 I'm not feeling too good about it. 396 00:19:16,080 --> 00:19:17,640 This is Jamie's dancer. 397 00:19:17,640 --> 00:19:22,160 I feel like with my make-up look I'm sort of, like, in the bottom. 398 00:19:22,160 --> 00:19:26,760 In terms of, like, the highlight and the iridescent cheekbone, 399 00:19:26,760 --> 00:19:28,200 that is giving. 400 00:19:28,200 --> 00:19:32,880 This has been done well, but there is nothing of fierceness, 401 00:19:32,880 --> 00:19:34,440 of intensity. 402 00:19:34,440 --> 00:19:36,600 Do you know what the crazy thing is? Go on. 403 00:19:36,600 --> 00:19:41,640 I did suggest to add more intensity, and so if you think that this 404 00:19:41,640 --> 00:19:44,920 is already falling flat, it was a whisper in comparison. 405 00:19:44,920 --> 00:19:46,640 And then what about you, Cherise? 406 00:19:46,640 --> 00:19:48,960 I know I took a risk with my initial sort of 407 00:19:48,960 --> 00:19:52,000 idea with my look, and I completely understand, obviously, seeing 408 00:19:52,000 --> 00:19:55,160 everyone's look towards the end, why I had to make the change I did. 409 00:19:55,160 --> 00:19:57,840 But I don't think I've done enough. I'm worried. 410 00:19:57,840 --> 00:19:59,480 This is Cherise's dancer. 411 00:19:59,480 --> 00:20:01,320 The lips definitely look amazing. 412 00:20:01,320 --> 00:20:03,400 I think the lashes look really good, too. 413 00:20:03,400 --> 00:20:08,040 But when she's looking up, you get a nice lovely pop of colour here, 414 00:20:08,040 --> 00:20:11,800 but then as soon as it's front-on, it disappears. Yeah. I agree. 415 00:20:11,800 --> 00:20:15,760 Halfway she decided to put a little bit of iridescence within 416 00:20:15,760 --> 00:20:19,920 the nose area, so I had to instruct Cherise to take it off, 417 00:20:19,920 --> 00:20:21,960 to blend in with the other dancers. 418 00:20:21,960 --> 00:20:24,320 Why you would go down that path, I don't know. 419 00:20:24,320 --> 00:20:26,880 There was no reference to that in the mood boards. 420 00:20:26,880 --> 00:20:29,880 By reducing it, it feels like she's reduced it on the lids as well. 421 00:20:29,880 --> 00:20:31,720 Like, there's some colour on the inner corner, 422 00:20:31,720 --> 00:20:34,160 and then there's blush, but there's nothing else really going on. 423 00:20:34,160 --> 00:20:35,600 It's almost like she pulled it back 424 00:20:35,600 --> 00:20:38,600 so far that it's become almost nonexistent. 425 00:20:38,600 --> 00:20:40,040 All I'm seeing is pink. 426 00:20:40,040 --> 00:20:42,240 Mm. Yeah. That's so true. 427 00:20:42,240 --> 00:20:45,000 Who thinks they're going to be in the red chairs possibly? 428 00:20:45,000 --> 00:20:48,080 I feel like I'm very likely in the red chair tomorrow, I think. 429 00:20:51,520 --> 00:20:56,480 So, the MUAs all did an amazing job, but there was a brief, 430 00:20:56,480 --> 00:20:59,920 and one just seemed to stand out. 431 00:20:59,920 --> 00:21:01,520 I would absolutely love this win. 432 00:21:01,520 --> 00:21:05,000 It's such a massive opportunity to impress Mei Pang, 433 00:21:05,000 --> 00:21:07,720 to be a part of the MOBO Awards and do make-up for it. 434 00:21:07,720 --> 00:21:10,120 As soon as we saw the dancer, we was like, "Wow", 435 00:21:10,120 --> 00:21:11,360 like, "That really stands out." 436 00:21:11,360 --> 00:21:14,280 I feel like I have a high possibility chance of winning. 437 00:21:14,280 --> 00:21:18,480 I'm kind of hoping my unique style, they like it. 438 00:21:18,480 --> 00:21:20,000 I think we have our winner. 439 00:21:20,000 --> 00:21:22,360 Yes, yes. Yeah. That's great. 440 00:21:24,880 --> 00:21:28,600 Well done, MUAs. You all did a fantastic job today. 441 00:21:28,600 --> 00:21:34,000 But there was one MUA who gave us the definition of iridescent skin. 442 00:21:34,000 --> 00:21:37,120 It hit the brief and looked absolutely incredible under 443 00:21:37,120 --> 00:21:39,880 the lights. So, that person is... 444 00:21:41,320 --> 00:21:42,360 BOTH: Josh! 445 00:21:42,360 --> 00:21:44,920 CHEERING 446 00:21:44,920 --> 00:21:46,040 Shut up! 447 00:21:48,840 --> 00:21:50,920 Well done, babe. Oh, thank you. 448 00:21:52,400 --> 00:21:53,960 Thank you so much. Bye! 449 00:22:07,200 --> 00:22:08,600 CHEERING 450 00:22:08,600 --> 00:22:11,840 I can't believe I've just seen the make-up that I've done onstage 451 00:22:11,840 --> 00:22:15,240 at the MOBO Awards, and they looked incredible. 452 00:22:16,320 --> 00:22:18,280 I'm on top of the moon. 453 00:22:18,280 --> 00:22:21,040 Thank you! Thank you! 454 00:22:24,040 --> 00:22:26,200 What a couple of weeks, though, Josh. 455 00:22:26,200 --> 00:22:28,680 Like, you've won, I keep forgetting... Three now. 456 00:22:28,680 --> 00:22:31,640 Little hat-trick, cheeky little hat-trick. 457 00:22:31,640 --> 00:22:33,400 I can't even put into words how I'm feeling. 458 00:22:33,400 --> 00:22:36,600 It's really bizarre 459 00:22:36,600 --> 00:22:38,880 to keep doing so well in the industry assignments. 460 00:22:38,880 --> 00:22:40,720 But I'm really proud of myself. 461 00:22:40,720 --> 00:22:43,040 To do it for the MOBO Awards is insane. 462 00:22:44,240 --> 00:22:46,120 Your look looked lovely on camera as well. 463 00:22:46,120 --> 00:22:47,800 The skin, it was delicious. 464 00:22:47,800 --> 00:22:50,360 I don't know. We'll just have to wait and see until tomorrow. 465 00:22:50,360 --> 00:22:53,600 Where's the confidence? Bring it back right. No, I just feel 466 00:22:53,600 --> 00:22:55,600 like I've been in the bottom more than I have the top. 467 00:22:55,600 --> 00:22:58,000 Like, you've got a double Ding Dong, you've got a Ding Dong, 468 00:22:58,000 --> 00:23:00,040 you've been winning things, you've been winning things. 469 00:23:00,040 --> 00:23:02,720 Like, I've literally got nothing. 470 00:23:02,720 --> 00:23:04,480 Well, I don't think you're in danger at all. 471 00:23:04,480 --> 00:23:05,920 I feel like I'm in the red chair, 472 00:23:05,920 --> 00:23:09,240 cos obviously I had to re-touch my eyebrows. 473 00:23:09,240 --> 00:23:11,880 I feel like I'm very much there, honestly. I don't think you are. 474 00:23:11,880 --> 00:23:13,080 I do. 475 00:23:13,080 --> 00:23:15,520 I felt quite deflated and disappointed the moment 476 00:23:15,520 --> 00:23:18,080 I saw it on the camera. 477 00:23:18,080 --> 00:23:21,600 I feel like in terms of impact, I feel like the other MUAs 478 00:23:21,600 --> 00:23:25,000 kind of got the message across stronger. 479 00:23:25,000 --> 00:23:26,640 If I am in the red chairs tomorrow, 480 00:23:26,640 --> 00:23:28,440 that doesn't have to be the end for me. 481 00:23:28,440 --> 00:23:30,200 I'm not going to let this defeat me. 482 00:23:34,000 --> 00:23:37,640 The next morning at Glow Up Studios, it's crunch time. 483 00:23:37,640 --> 00:23:40,600 If an MUA's name is on one of the two red chairs, 484 00:23:40,600 --> 00:23:44,040 they'll be heading to the Face Off elimination at the end of the day. 485 00:23:46,360 --> 00:23:47,800 Jade, you're good. 486 00:23:47,800 --> 00:23:49,400 Thank you, babes. 487 00:23:49,400 --> 00:23:50,480 Oh! 488 00:23:53,320 --> 00:23:54,800 It's me, it's me. 489 00:23:54,800 --> 00:23:55,880 It's me. 490 00:23:57,080 --> 00:23:58,200 Yeah. 491 00:24:06,720 --> 00:24:11,040 Cherise, Jake, unfortunately you did not do enough to impress yesterday, 492 00:24:11,040 --> 00:24:14,680 and will have 15 minutes less to complete today's creative brief. 493 00:24:14,680 --> 00:24:19,120 Jake, in the assignment, your use of colours and tones really stood out. 494 00:24:19,120 --> 00:24:21,880 However, under the video lighting, it didn't work. 495 00:24:21,880 --> 00:24:24,160 We asked you to do touch-ups, and when you did, 496 00:24:24,160 --> 00:24:26,800 unfortunately, your execution let us down. Yep. 497 00:24:26,800 --> 00:24:28,000 QUIETLY: That's fine. 498 00:24:28,000 --> 00:24:31,040 Cherise, you decided to do something unique to stand out. 499 00:24:31,040 --> 00:24:33,280 However, this brief was about cohesion. 500 00:24:33,280 --> 00:24:36,080 I had to ask you to adapt it, but when you did, 501 00:24:36,080 --> 00:24:37,840 you pared it back a little too much. 502 00:24:40,040 --> 00:24:42,200 For today's creative brief, 503 00:24:42,200 --> 00:24:46,440 we want you to take us on a playful trip down memory lane, 504 00:24:46,440 --> 00:24:52,720 and draw inspiration from your favourite childhood toy. 505 00:24:52,720 --> 00:24:55,560 Whether you create something nostalgic and retro, 506 00:24:55,560 --> 00:24:57,320 or playful and contemporary, 507 00:24:57,320 --> 00:25:00,200 we want to see an imaginative interpretation. 508 00:25:00,200 --> 00:25:01,640 There are no models this week, 509 00:25:01,640 --> 00:25:04,240 so you'll be doing your look on yourself. 510 00:25:04,240 --> 00:25:07,680 Jake, Cherise, I'll let you know when you guys can start. 511 00:25:07,680 --> 00:25:10,560 The rest of you will have two and a half hours to 512 00:25:10,560 --> 00:25:13,600 turn your childhood memories into make-up magic. 513 00:25:13,600 --> 00:25:15,880 Your time starts now. 514 00:25:18,600 --> 00:25:19,840 I hate my hair like this. 515 00:25:21,160 --> 00:25:22,760 I am a little bit shocked. 516 00:25:22,760 --> 00:25:24,400 I just expected to be in the red chairs, 517 00:25:24,400 --> 00:25:26,440 because of that brow touch-up. 518 00:25:26,440 --> 00:25:28,880 Yeah, I am very relieved that I wasn't in the red chair today. 519 00:25:28,880 --> 00:25:32,280 Last night I kept sort of thinking that I was going to be in it. 520 00:25:32,280 --> 00:25:38,120 {\an8}So, my look is based on these little alien egg toys, 521 00:25:38,120 --> 00:25:40,600 {\an8}and it would have some like slime on the inside. 522 00:25:40,600 --> 00:25:43,360 {\an8}But I've never tried anything like this before. 523 00:25:43,360 --> 00:25:46,920 I'm expecting to see some big looks. Yeah. 524 00:25:46,920 --> 00:25:49,960 You know, I want full transformation. 525 00:25:49,960 --> 00:25:52,760 Bring the drama, bring the joy. 526 00:25:52,760 --> 00:25:56,120 The only way for Cherise and Jake to beat the seat is to impress 527 00:25:56,120 --> 00:25:59,000 the judges with their childhood toy looks. 528 00:25:59,000 --> 00:26:01,720 QUIETLY: I'm not going home. I'm not going home. 529 00:26:01,720 --> 00:26:04,640 Hey, Cherise. How are you feeling? 530 00:26:04,640 --> 00:26:06,600 Uh, I expected it. 531 00:26:06,600 --> 00:26:09,680 Just taking the time now, zen headspace, locking in. Yeah. 532 00:26:09,680 --> 00:26:11,640 I'm mentally preparing what I'm about to do. 533 00:26:11,640 --> 00:26:13,520 And so talk to me about today. 534 00:26:13,520 --> 00:26:14,880 I'm doing a Russian doll. 535 00:26:14,880 --> 00:26:16,800 I think this look, probably my most sort of 536 00:26:16,800 --> 00:26:18,400 personal that I've done so far. 537 00:26:18,400 --> 00:26:20,840 I think it feels like a love letter to the sort of 538 00:26:20,840 --> 00:26:22,920 amazing women in my life. Aw. 539 00:26:22,920 --> 00:26:25,000 My great-aunt gifted me, like, my first Russian doll 540 00:26:25,000 --> 00:26:27,720 when I was young, she also gave one to my mum, my sister. 541 00:26:27,720 --> 00:26:30,360 It's actually, like, the only toy that I still have to this day. 542 00:26:30,360 --> 00:26:31,400 Oh, that's beautiful. 543 00:26:31,400 --> 00:26:33,440 Everybody in your family's going to be very proud to see it. 544 00:26:33,440 --> 00:26:35,560 Thank you so much. I'll leave you to centre yourself, 545 00:26:35,560 --> 00:26:37,000 and I'll let you know when you can start. 546 00:26:37,000 --> 00:26:38,160 Patiently waiting. 547 00:26:39,440 --> 00:26:40,800 LAUGHTER 548 00:26:43,880 --> 00:26:46,840 Interesting. We've got some prosthetic work going on. 549 00:26:46,840 --> 00:26:50,280 I can see Josh is applying a nose prosthetic. 550 00:26:50,280 --> 00:26:52,440 Oh, OK, Miss Prosthetic. 551 00:26:52,440 --> 00:26:56,600 And I think Mia is going for some kind of forehead... 552 00:26:56,600 --> 00:26:58,040 Yeah, what is it? 553 00:26:58,040 --> 00:27:00,080 Could that be a third eye? 554 00:27:00,080 --> 00:27:04,920 So, I'm basing my look off these little fashionable alien dolls 555 00:27:04,920 --> 00:27:06,320 I used to have. 556 00:27:06,320 --> 00:27:10,120 I'm mixing this Asian make-up style, called gyaru, in with it, 557 00:27:10,120 --> 00:27:13,320 to add my, like, own unique twist and prosthetics. 558 00:27:13,320 --> 00:27:15,720 Like, five prosthetics in two and a half hours, 559 00:27:15,720 --> 00:27:17,240 a full painted face... 560 00:27:18,520 --> 00:27:21,720 ..details, so it's going to be quite a big look. 561 00:27:21,720 --> 00:27:23,680 I find when it comes to prosthetics, 562 00:27:23,680 --> 00:27:25,800 you want to build out the full fantasy. 563 00:27:25,800 --> 00:27:27,320 So as long as the prosthetic is not, 564 00:27:27,320 --> 00:27:29,680 "Oh, it's just a skill I can do, please be impressed with me," 565 00:27:29,680 --> 00:27:33,000 and it actually paints the full fantasy of a childhood toy, 566 00:27:33,000 --> 00:27:34,640 I'm all about it. Yeah. Yeah. 567 00:27:34,640 --> 00:27:37,560 My look is based on Beyblades, something that me 568 00:27:37,560 --> 00:27:39,760 and my brother used to play together. 569 00:27:39,760 --> 00:27:42,560 So, instead of actually turning myself into the toy, 570 00:27:42,560 --> 00:27:45,680 I wanted to kind of capture the adrenaline rush 571 00:27:45,680 --> 00:27:48,400 and the sparks when they would collide. 572 00:27:48,400 --> 00:27:50,320 I feel like I've got a lot to live up to, 573 00:27:50,320 --> 00:27:52,400 considering the past two Ding Dongs. 574 00:27:53,680 --> 00:27:55,280 Hey, mate. Hi. 575 00:27:55,280 --> 00:27:58,360 How do you feel about your feedback from yesterday? 576 00:27:58,360 --> 00:28:00,280 I feel like it's fair. 577 00:28:00,280 --> 00:28:02,520 I'm just hoping that I can pull this off. 578 00:28:02,520 --> 00:28:03,840 What's your look based on? 579 00:28:03,840 --> 00:28:05,800 So, it's two sort of like monster toys. 580 00:28:05,800 --> 00:28:07,600 One is like a fluffy teddy bear with teeth, 581 00:28:07,600 --> 00:28:10,400 and one is like just a squishy, sort of like goblin puppet. 582 00:28:10,400 --> 00:28:12,640 So, you really love toys? Yeah. 583 00:28:12,640 --> 00:28:13,800 See, there you go. 584 00:28:13,800 --> 00:28:16,480 They're just fun and a bit, like, silly, aren't they? Yeah. 585 00:28:20,200 --> 00:28:22,040 Look at Josh's prosthetic. 586 00:28:22,040 --> 00:28:24,080 Josh, that's amazing. Well done. 587 00:28:25,560 --> 00:28:26,800 OK. Right. 588 00:28:28,360 --> 00:28:30,760 There's a lot of intricate details with this, 589 00:28:30,760 --> 00:28:33,440 creating an egg on my face with an alien on the inside. 590 00:28:33,440 --> 00:28:34,800 What is Jamie doing? 591 00:28:34,800 --> 00:28:36,560 Jamie is mapping. 592 00:28:36,560 --> 00:28:38,280 Lovely. 593 00:28:38,280 --> 00:28:41,160 Oh. Ooh. Another prosthetic. 594 00:28:42,680 --> 00:28:46,440 Cherise, Jake, your time starts now. 595 00:28:46,440 --> 00:28:47,520 Good luck! 596 00:28:52,240 --> 00:28:54,800 I'm just ready to lock in now. 597 00:28:54,800 --> 00:28:57,640 I now feel probably more determined than I've ever been. 598 00:29:02,040 --> 00:29:03,760 Oh, OK. You look very nice. 599 00:29:03,760 --> 00:29:04,840 Thank you very much. 600 00:29:04,840 --> 00:29:06,880 I'm in my, you know, bad teacher era. 601 00:29:06,880 --> 00:29:07,920 Oh, wow. 602 00:29:08,960 --> 00:29:11,280 Congratulations on yesterday. 603 00:29:11,280 --> 00:29:14,920 Thank you. So, what is your toy inspiration? 604 00:29:14,920 --> 00:29:17,560 It's this kind of like spinning toy that you would pull a little wire 605 00:29:17,560 --> 00:29:20,440 on and it would just zoom and you'd have little battles between them. 606 00:29:20,440 --> 00:29:23,800 Have you seen that Jade is doing the same toy as you? 607 00:29:23,800 --> 00:29:25,920 Yes. So, what do you think? 608 00:29:25,920 --> 00:29:28,080 It's not my problem. 609 00:29:28,080 --> 00:29:29,400 She can do as she wishes. 610 00:29:29,400 --> 00:29:32,640 OK. I mean, don't get me wrong, she's a double Ding Dong, so... 611 00:29:32,640 --> 00:29:33,880 Urgh! What are you saying? 612 00:29:33,880 --> 00:29:35,840 I'm not taking you seriously when you look like that, mate. 613 00:29:35,840 --> 00:29:37,640 You know what? We're going to start spinning at each other 614 00:29:37,640 --> 00:29:40,160 once we're done. I know. Oh, my gosh. Zoom, zoom! 615 00:29:40,160 --> 00:29:41,920 LAUGHTER 616 00:29:43,200 --> 00:29:46,560 In previous creative briefs, Jade's looks have been bold, 617 00:29:46,560 --> 00:29:48,720 and today is no exception. 618 00:29:48,720 --> 00:29:52,240 I'm going with yellow, orange, red, black, 619 00:29:52,240 --> 00:29:55,680 to emulate, like, the adrenaline rush and, like, the sparks 620 00:29:55,680 --> 00:29:59,120 that fly between the toys when they collide. 621 00:29:59,120 --> 00:30:02,040 But the yellow's actually gone a little bit patchy. 622 00:30:02,040 --> 00:30:06,160 I feel like I've just, like, slapped it on a little bit too much maybe. 623 00:30:06,160 --> 00:30:08,800 In fact, that's probably exactly the reason. 624 00:30:08,800 --> 00:30:11,640 Jade is using a very small brush. 625 00:30:11,640 --> 00:30:14,280 I wonder if she would've been better off using a sponge. 626 00:30:14,280 --> 00:30:15,320 Yeah. 627 00:30:19,440 --> 00:30:21,840 Ooh. 628 00:30:21,840 --> 00:30:24,360 Look at the detail of that. Look at the teeth. 629 00:30:24,360 --> 00:30:26,040 This is going to be good. 630 00:30:26,040 --> 00:30:29,360 I mean, Jake has shown us that he can do incredible work, 631 00:30:29,360 --> 00:30:32,720 and he's shown us how he can do incredible teeth only last week. 632 00:30:32,720 --> 00:30:35,440 This could be amazing. So, he's playing to his strengths. 633 00:30:35,440 --> 00:30:36,640 Yeah. I love it. 634 00:30:38,000 --> 00:30:41,440 Across the room, Cherise is taking yet another risky approach. 635 00:30:42,480 --> 00:30:45,280 On top of sort of doing a Russian doll, I'm also doing it in 636 00:30:45,280 --> 00:30:46,960 sort of traditional tattoo styles. 637 00:30:46,960 --> 00:30:49,160 I'm also going for an optical illusion, 638 00:30:49,160 --> 00:30:51,320 the way in which I'm doing it. 639 00:30:51,320 --> 00:30:54,400 I didn't just want to copy what a Russian doll looks like. 640 00:30:54,400 --> 00:30:57,000 I wanted it to kind of have a twist. 641 00:30:57,000 --> 00:30:59,000 I know it's slightly more unexpected. 642 00:30:59,000 --> 00:31:01,400 I'm just hoping it helps me to beat the seat. 643 00:31:01,400 --> 00:31:03,760 I thought it was one of those magic eight balls and you shake it - 644 00:31:03,760 --> 00:31:06,360 yes, no, maybe, try again. 645 00:31:06,360 --> 00:31:09,560 Take me through to the final, maybe? Yeah. Please. 646 00:31:09,560 --> 00:31:10,600 Please. 647 00:31:19,840 --> 00:31:21,560 Josh, that blend is delicious. 648 00:31:22,600 --> 00:31:24,000 Thank you. 649 00:31:24,000 --> 00:31:27,360 The gradient on the shading looks flawless. 650 00:31:27,360 --> 00:31:30,160 However, I don't know about the story yet. 651 00:31:30,160 --> 00:31:31,720 If the story doesn't connect to the make-up, 652 00:31:31,720 --> 00:31:33,200 it could all fall apart. 653 00:31:33,200 --> 00:31:34,560 Ooh. Ooh. 654 00:31:34,560 --> 00:31:37,960 We've got another prosthetic. One, two... 655 00:31:37,960 --> 00:31:40,840 We've got five prosthetic pieces on Mia's face. 656 00:31:40,840 --> 00:31:42,240 Wow. That is a lot. 657 00:31:45,480 --> 00:31:47,640 Hello. Hi. 658 00:31:47,640 --> 00:31:50,000 So, why did you pick the alien egg toy? 659 00:31:50,000 --> 00:31:52,840 Because it's something that I always wanted as a child. 660 00:31:52,840 --> 00:31:55,600 Like... Oh, did you not get one? No, my brother always had one, 661 00:31:55,600 --> 00:31:57,160 and I was so jealous. 662 00:31:57,160 --> 00:32:00,080 Would you say this is one of your biggest looks? 663 00:32:00,080 --> 00:32:03,200 Yeah, I've never done anything of this sort of, like, scale 664 00:32:03,200 --> 00:32:04,600 and detail on my face. 665 00:32:04,600 --> 00:32:07,360 Are you nervous about that, trying something so big? 666 00:32:07,360 --> 00:32:08,440 Um, no. 667 00:32:08,440 --> 00:32:11,520 At the moment, I'm feeling pretty confident about this look. 668 00:32:13,720 --> 00:32:15,560 I've always been a confident person. 669 00:32:15,560 --> 00:32:17,760 My dad taught me how to be confident, like, 670 00:32:17,760 --> 00:32:21,320 just to stand there and be like, "Right, OK, you've got this." 671 00:32:21,320 --> 00:32:24,240 But sadly he passed away in 2022. 672 00:32:25,720 --> 00:32:28,160 Make-up has definitely helped me during that 673 00:32:28,160 --> 00:32:29,560 sort of grieving period. 674 00:32:30,600 --> 00:32:32,920 I was sort of hyper focused on that, 675 00:32:32,920 --> 00:32:35,920 instead of the thought that my dad passed away. 676 00:32:37,160 --> 00:32:40,280 But I know my dad would be very proud of me being here. 677 00:32:43,400 --> 00:32:45,920 What do you want the judges to really pay attention to 678 00:32:45,920 --> 00:32:47,280 today in your look? 679 00:32:47,280 --> 00:32:49,360 That I can make something look realistic. 680 00:32:49,360 --> 00:32:52,120 Ooh. So, a lot of realism today? Yeah. OK. 681 00:32:52,120 --> 00:32:54,720 I'm really just, like, hoping that it all goes well. 682 00:32:57,880 --> 00:33:00,200 MUAs, that's one hour gone. 683 00:33:00,200 --> 00:33:02,320 An hour and a half left. 684 00:33:02,320 --> 00:33:03,600 Oh, God, OK. 685 00:33:03,600 --> 00:33:06,240 An hour? What the hell have I been doing for an hour? 686 00:33:06,240 --> 00:33:07,720 I've got so much to do. 687 00:33:07,720 --> 00:33:10,480 I'm just, like, lightly brushing over where the high points are, 688 00:33:10,480 --> 00:33:14,920 because then I will know where to do shadows. 689 00:33:14,920 --> 00:33:17,400 Having finished applying her five prosthetics, 690 00:33:17,400 --> 00:33:20,440 Mia can finally bring her alien doll to life. 691 00:33:20,440 --> 00:33:25,000 My only thing is this side is the tiniest bit higher than this side. 692 00:33:25,000 --> 00:33:26,880 Look, look. It's much lower. 693 00:33:26,880 --> 00:33:30,680 I would like to see Mia take some care on the prosthetic 694 00:33:30,680 --> 00:33:33,920 application, because, yeah, they're good, 695 00:33:33,920 --> 00:33:39,400 but they could be almost perfect if she just thought about the symmetry. 696 00:33:39,400 --> 00:33:42,520 Bloody hell! It's really not like me to be worried with time. 697 00:33:43,720 --> 00:33:46,320 Right, going to start with the colour now. 698 00:33:50,040 --> 00:33:53,000 So, I'm painting my ears so they kind of disappear. 699 00:33:53,000 --> 00:33:54,440 That is so gross. 700 00:33:54,440 --> 00:33:59,200 I'm not feeling yet what Jade is doing. 701 00:34:02,840 --> 00:34:04,720 Hello, Josh. Hello. 702 00:34:04,720 --> 00:34:06,920 I see you've got prosthetics. Yes. 703 00:34:06,920 --> 00:34:08,200 What are your next steps? 704 00:34:08,200 --> 00:34:09,720 So, I'm going to finish the mouth area, 705 00:34:09,720 --> 00:34:12,040 cos I wanted it to look like a dragon breathing fire. 706 00:34:12,040 --> 00:34:13,920 Cos on the spinny thing that I had when I was younger, 707 00:34:13,920 --> 00:34:16,200 it had like a Japanese illustration of a dragon. Yes. 708 00:34:16,200 --> 00:34:18,320 And then I'm going to continue the graphic lines, kind of 709 00:34:18,320 --> 00:34:19,560 up in this area. 710 00:34:19,560 --> 00:34:21,640 And then I've got this card. 711 00:34:21,640 --> 00:34:24,760 I'm going to cut this out and place it on the face. 712 00:34:26,360 --> 00:34:27,640 Yeah, yeah. 713 00:34:29,880 --> 00:34:32,080 Ah! Oh. 714 00:34:32,080 --> 00:34:34,120 A tattooed lady. 715 00:34:34,120 --> 00:34:35,800 It's a Russian doll. 716 00:34:35,800 --> 00:34:37,120 It's looking good. 717 00:34:38,520 --> 00:34:41,760 I'm almost just creating sort of a mini face within my face. 718 00:34:41,760 --> 00:34:44,680 And the only sort of real natural feature of myself that will be 719 00:34:44,680 --> 00:34:47,400 showing for what it is are my eyes. 720 00:34:47,400 --> 00:34:49,160 Everything else and my nose is... Sorry, 721 00:34:49,160 --> 00:34:51,600 my lips are going to be on my nose. 722 00:34:51,600 --> 00:34:54,680 Yeah, just kind of condensing everything into that 723 00:34:54,680 --> 00:34:57,520 kind of little egg Russian doll shape. 724 00:34:57,520 --> 00:35:03,280 I like the faded tattooed-ness of the paintwork. Mm. 725 00:35:03,280 --> 00:35:04,720 That is really cool. 726 00:35:07,720 --> 00:35:10,040 Hello, Jake. Hi. 727 00:35:10,040 --> 00:35:11,280 What are we doing? 728 00:35:11,280 --> 00:35:14,440 I'm doing like a real, like, sort of painterly sort of 729 00:35:14,440 --> 00:35:16,800 monster, you know, like a... Yes. 730 00:35:16,800 --> 00:35:19,680 ..vibe, cos when I do that, it's like it really... 731 00:35:19,680 --> 00:35:21,600 Right. The character sort of comes into the face. 732 00:35:21,600 --> 00:35:22,880 It's very animated. Yeah. 733 00:35:22,880 --> 00:35:25,240 I'm laying down the linework, and then I can go in, back in 734 00:35:25,240 --> 00:35:27,280 and refine it in the last 30 minutes. Mm-hm. 735 00:35:27,280 --> 00:35:30,000 I just hope that I can bring this "fug goblin" to life. 736 00:35:30,000 --> 00:35:31,440 To life. 737 00:35:31,440 --> 00:35:33,360 To spook some people. Yes. 738 00:35:45,280 --> 00:35:47,480 Gosh, look at that. 739 00:35:47,480 --> 00:35:49,320 Things are hotting up. 740 00:35:49,320 --> 00:35:53,320 Things that were looking like they were being left behind seem 741 00:35:53,320 --> 00:35:55,600 to be coming to the fore. 742 00:35:55,600 --> 00:35:57,520 Now, Josh. I am a little bit worried. 743 00:35:57,520 --> 00:36:00,760 If I'm honest, like, at the minute it's just a dragon make-up. 744 00:36:00,760 --> 00:36:02,840 I feel like it's just missing something. 745 00:36:04,920 --> 00:36:06,520 I'm also worried about Jamie. 746 00:36:06,520 --> 00:36:09,080 Yeah, I'm worried about Jamie. 747 00:36:09,080 --> 00:36:11,560 I don't know what that is. 748 00:36:11,560 --> 00:36:13,040 Oh. 749 00:36:13,040 --> 00:36:14,280 I don't like it. 750 00:36:17,160 --> 00:36:19,520 Hello. Hello. 751 00:36:19,520 --> 00:36:21,520 So, what's going on here? 752 00:36:21,520 --> 00:36:23,920 I mean, I don't know. 753 00:36:23,920 --> 00:36:25,720 It looks like... What do you mean you don't know? 754 00:36:25,720 --> 00:36:26,760 It doesn't look like an egg. 755 00:36:26,760 --> 00:36:28,800 Do you want to stay in this competition? 756 00:36:30,080 --> 00:36:33,720 Oh, I can't even explain how much, like, it means to me to be here. 757 00:36:33,720 --> 00:36:35,640 Make-up is literally all I think about. 758 00:36:35,640 --> 00:36:37,520 You have to fight, babe. Yeah, for real. 759 00:36:37,520 --> 00:36:40,400 Like, I really hope that the judges see I really just wanted to, 760 00:36:40,400 --> 00:36:43,200 like, push myself. Trying something new is sort of the main reason 761 00:36:43,200 --> 00:36:46,640 why I'm here. Keep adding the depth, keep adding the detail. Yeah. 762 00:36:46,640 --> 00:36:48,760 Best of luck. Thank you. 763 00:36:50,480 --> 00:36:53,280 MUAs, you have half an hour left. 764 00:36:53,280 --> 00:36:56,440 Oh, my God. Half an hour? What the hell? 765 00:36:56,440 --> 00:36:58,480 I'm a little bit worried about the time, I can't lie. 766 00:36:58,480 --> 00:37:00,040 Come on, I want to see it. 767 00:37:00,040 --> 00:37:02,080 Bring your childhood toys to life. 768 00:37:08,280 --> 00:37:09,920 Oh, I love this. Oh, look. 769 00:37:09,920 --> 00:37:13,000 This is gorgeous. Do you know what I love about this? 770 00:37:13,000 --> 00:37:14,760 Go on. It's joyful. 771 00:37:14,760 --> 00:37:19,400 I collect toys because they make me feel something, 772 00:37:19,400 --> 00:37:25,120 and when I look at Cherise's, I get absolute joy. 773 00:37:25,120 --> 00:37:27,520 You know, it takes me to my happy place. 774 00:37:28,960 --> 00:37:30,400 Oh. That's tickly. 775 00:37:40,760 --> 00:37:42,240 No, it's not working. 776 00:37:42,240 --> 00:37:43,920 SIGHING 777 00:37:42,240 --> 00:37:43,920 That's annoying. 778 00:37:52,320 --> 00:37:55,400 I tried to cut them out and kind of place them on the face, 779 00:37:55,400 --> 00:37:57,240 but then even when I kind of did it, I was like, 780 00:37:57,240 --> 00:38:00,400 "This just doesn't look as good as what I thought." 781 00:38:00,400 --> 00:38:03,720 It looks like paper stuck to a face, which is not what I wanted to do. 782 00:38:07,320 --> 00:38:09,800 Just put the wig on, just so that I can see how I want to adapt 783 00:38:09,800 --> 00:38:11,200 the shape of everything. 784 00:38:11,200 --> 00:38:14,040 I think I'm trying to find the balance of not being too 785 00:38:14,040 --> 00:38:16,920 cartoony, but I don't think I'm happy with it. 786 00:38:16,920 --> 00:38:20,320 It's all a bit of like... A little bit of like a train wreck right now. 787 00:38:22,880 --> 00:38:24,760 I don't like the whole look. 788 00:38:24,760 --> 00:38:26,640 Um, I think the idea was good, 789 00:38:26,640 --> 00:38:31,880 but the way that I've done it is just not working out. 790 00:38:31,880 --> 00:38:35,120 It just doesn't look like an egg that's just cracked open with 791 00:38:35,120 --> 00:38:36,600 the alien inside. Like... 792 00:38:38,920 --> 00:38:40,120 I don't know. 793 00:38:48,920 --> 00:38:51,040 I already know that I'm in the Face Off. 794 00:38:53,400 --> 00:38:56,560 MUAs, you have ten minutes to go. 795 00:38:56,560 --> 00:38:58,760 HISSING 796 00:38:59,760 --> 00:39:02,720 It's this lipstick, it's so sticky. 797 00:39:02,720 --> 00:39:03,800 I've had enough now. 798 00:39:06,720 --> 00:39:09,600 I just need to, like, add detail to this look now. 799 00:39:09,600 --> 00:39:12,280 I originally wasn't actually going to put any lashes on, 800 00:39:12,280 --> 00:39:14,080 but I feel like it needs a lash. 801 00:39:19,960 --> 00:39:24,200 I've had to make some edits to simplify my design. 802 00:39:24,200 --> 00:39:26,080 I haven't been able to incorporate sort of all the details 803 00:39:26,080 --> 00:39:31,160 I wanted to, but I'd rather it kind of be refined as possible, 804 00:39:31,160 --> 00:39:34,800 rather than kind of having, I don't know, half-done areas. 805 00:39:42,560 --> 00:39:44,280 I didn't do what I wanted to do. 806 00:39:44,280 --> 00:39:47,600 It definitely makes me stressed, I'll say that. 807 00:39:51,280 --> 00:39:53,400 Adding some gloss. 808 00:39:54,760 --> 00:40:00,320 I thought maybe that could sort of create a more slimy texture. 809 00:40:00,320 --> 00:40:02,560 MUAs, you have two minutes left. 810 00:40:06,840 --> 00:40:09,960 I have no idea if this is enough to get me out of the Face Off or not. 811 00:40:09,960 --> 00:40:11,960 I'm trying not to even think about that. 812 00:40:14,760 --> 00:40:17,840 I think if I had more time, it would definitely be more refined, but 813 00:40:17,840 --> 00:40:21,280 the amount that I've got on in this time, I'm so, so proud of myself. 814 00:40:22,520 --> 00:40:26,080 I would love a Ding Dong. That would just, I don't know, lift my spirits. 815 00:40:27,920 --> 00:40:29,600 MUAs, your time is up. 816 00:40:29,600 --> 00:40:31,400 Please take yourselves next door, 817 00:40:31,400 --> 00:40:33,520 and we'll see you shortly for the judging. 818 00:40:35,880 --> 00:40:38,440 You look nice and slimy. 819 00:40:38,440 --> 00:40:39,520 It's horrible. 820 00:40:39,520 --> 00:40:41,960 Oh, Jamie, no negative thoughts, please. 821 00:40:46,560 --> 00:40:48,960 I feel like I've done enough to get myself out of the chair, 822 00:40:48,960 --> 00:40:51,080 but I was confident yesterday. 823 00:40:51,080 --> 00:40:52,960 That didn't work out for me! 824 00:40:54,520 --> 00:40:56,600 When Val came round the room, she saw my mood board 825 00:40:56,600 --> 00:40:59,920 and kind of had a second look at me and was like... 826 00:40:59,920 --> 00:41:05,480 "That's not..." So, I hope when I explain why, she understands why. 827 00:41:05,480 --> 00:41:07,720 I'm definitely going to start preparing for the Face Off. 828 00:41:07,720 --> 00:41:10,640 I'm not happy with the execution, I'm not happy with the design. 829 00:41:10,640 --> 00:41:12,120 I just want to take it off now. 830 00:41:14,880 --> 00:41:16,640 Jake, please step forward. 831 00:41:18,440 --> 00:41:19,880 This look is sort of like 832 00:41:19,880 --> 00:41:23,320 a combination of two of my favourite monster toys, 833 00:41:23,320 --> 00:41:25,840 one being like a goblin, and one being more of like 834 00:41:25,840 --> 00:41:27,240 a fuzzy teddy bear with teeth. 835 00:41:27,240 --> 00:41:31,920 Considering where you were sat, you did an excellent job. 836 00:41:31,920 --> 00:41:34,560 Thank you. That mouth is amazing. 837 00:41:34,560 --> 00:41:36,600 The teeth look like teeth. 838 00:41:36,600 --> 00:41:40,760 You always create great characters, 839 00:41:40,760 --> 00:41:45,720 but what I'd love to see is something that's not a monster. 840 00:41:45,720 --> 00:41:47,160 Yeah. That's fine. 841 00:41:47,160 --> 00:41:51,360 I mean, first off, I totally see the toys from your description. 842 00:41:51,360 --> 00:41:55,560 Your use of colour is so vivid and so expressive. 843 00:41:55,560 --> 00:41:58,640 You've used three different shades of green, 844 00:41:58,640 --> 00:42:02,640 this incredible neon pink, and then the creases 845 00:42:02,640 --> 00:42:07,000 and all the linework in the face is so exciting. 846 00:42:07,000 --> 00:42:10,560 If toy you was on the shelf, I would pick you right off. 847 00:42:12,360 --> 00:42:14,240 Cherise, please come forward. 848 00:42:16,160 --> 00:42:18,520 My inspiration for my look were Russian dolls. 849 00:42:18,520 --> 00:42:21,600 My great-aunt actually gifted me one when I was younger, and it's 850 00:42:21,600 --> 00:42:25,320 still the only toy that I actually have from my childhood to this day. 851 00:42:25,320 --> 00:42:27,680 The paintwork is incredible. 852 00:42:27,680 --> 00:42:31,680 The blue that's shaded and lifted, and then the centrepiece, 853 00:42:31,680 --> 00:42:35,120 where you've got the big doll eyes and the cute little 854 00:42:35,120 --> 00:42:39,800 mouth on the nose, and then almost, like, this tattoo-style hair, 855 00:42:39,800 --> 00:42:41,800 all of that really works in harmony, 856 00:42:41,800 --> 00:42:43,480 and I think it's really clever. 857 00:42:43,480 --> 00:42:46,680 I am infatuated with this look. 858 00:42:46,680 --> 00:42:49,520 I see the ode to American traditional tattoos, 859 00:42:49,520 --> 00:42:51,960 as someone who has... That was what I was going for, yeah. 860 00:42:51,960 --> 00:42:55,840 Yeah, as someone who has a couple, it reads beautifully. 861 00:42:55,840 --> 00:42:57,480 Thank you so much. 862 00:42:57,480 --> 00:43:00,320 I absolutely adore this make-up. 863 00:43:00,320 --> 00:43:02,960 There is an ease of execution. 864 00:43:02,960 --> 00:43:05,840 Your precision is on point. 865 00:43:05,840 --> 00:43:09,080 This is why I'm a judge on this competition. 866 00:43:11,920 --> 00:43:16,120 You know, this make-up, to me, screams that you have arrived, 867 00:43:16,120 --> 00:43:18,520 you've delivered, and I've got to give you a Ding Dong, 868 00:43:18,520 --> 00:43:20,520 and I don't know why I'm crying! 869 00:43:21,880 --> 00:43:24,880 It's amazing! Thank you so much. Thank you. 870 00:43:24,880 --> 00:43:28,240 It's amazing. Well done! 871 00:43:28,240 --> 00:43:30,400 Smashed it, babe. Smashed it. Well done. 872 00:43:35,160 --> 00:43:38,240 Josh, please come up here and tell us all about your look. 873 00:43:39,240 --> 00:43:43,240 So my look is inspired by a spinning toy, and there was this 874 00:43:43,240 --> 00:43:46,440 graphic of like a Japanese dragon in the centre of it 875 00:43:46,440 --> 00:43:48,680 and I really wanted to kind of bring that to life. 876 00:43:48,680 --> 00:43:54,040 Colour gradience is hard to achieve, but watching you blend 877 00:43:54,040 --> 00:43:58,280 the gradient in the cheekbones, I was taking notes. 878 00:43:58,280 --> 00:44:00,200 Shut your mouth. I'm serious. 879 00:44:00,200 --> 00:44:02,840 Your blend work is phenomenal. Thank you so much. 880 00:44:02,840 --> 00:44:05,600 You've created a fierce character, 881 00:44:05,600 --> 00:44:11,120 but that spinning toy has a sort of metal finish to it. 882 00:44:11,120 --> 00:44:16,000 I would have liked to have seen some metal colouration. 883 00:44:16,000 --> 00:44:17,120 Yeah. 884 00:44:17,120 --> 00:44:19,200 I sense it isn't finished. 885 00:44:20,520 --> 00:44:23,640 I feel like you're not giving us your toy. 886 00:44:23,640 --> 00:44:27,760 The vision that I had on my mood board wasn't what I did, 887 00:44:27,760 --> 00:44:29,560 cos I wanted to frame the face with, like, metal pieces 888 00:44:29,560 --> 00:44:31,280 that I was going to make out of card. 889 00:44:31,280 --> 00:44:34,400 I feel like if you had actually added those elements, 890 00:44:34,400 --> 00:44:38,080 it would've taken me to Toy Land, and at the minute this is 891 00:44:38,080 --> 00:44:41,320 a fierce "drag-on", 892 00:44:41,320 --> 00:44:45,080 whereas what I'm looking for is your toy. 893 00:44:47,360 --> 00:44:49,120 Jade, please come forward. 894 00:44:50,160 --> 00:44:52,840 My look is also based on a spinning toy. 895 00:44:52,840 --> 00:44:56,120 So, I actually wanted to kind of emulate the feeling 896 00:44:56,120 --> 00:45:00,480 of the adrenaline rush that you get from playing with the toys. 897 00:45:00,480 --> 00:45:03,520 This is a very exciting make-up. 898 00:45:03,520 --> 00:45:07,880 I love that you put a white eyelash on the lashes. 899 00:45:07,880 --> 00:45:10,320 The linework is fabulous, 900 00:45:10,320 --> 00:45:14,440 and that is such a fantastic lip, 901 00:45:14,440 --> 00:45:16,480 such a great shape. 902 00:45:16,480 --> 00:45:19,000 I absolutely adore it. 903 00:45:19,000 --> 00:45:22,680 The fact that you went conceptual with the brief 904 00:45:22,680 --> 00:45:24,840 and went with feeling 905 00:45:24,840 --> 00:45:28,440 instead of the object itself, 906 00:45:28,440 --> 00:45:29,840 it's inspiring. 907 00:45:29,840 --> 00:45:31,200 I mean, this is amazing. 908 00:45:31,200 --> 00:45:34,840 Thank you. What's really striking is the asymmetry. 909 00:45:34,840 --> 00:45:37,800 Yeah. You've done one black smoky eye, 910 00:45:37,800 --> 00:45:39,760 which looks sick, by the way. Thank you. 911 00:45:39,760 --> 00:45:41,640 And then on the other side you've done this really incredible 912 00:45:41,640 --> 00:45:44,040 graphic black linework, 913 00:45:44,040 --> 00:45:45,840 and then you've got this electricity, 914 00:45:45,840 --> 00:45:49,720 and I feel the static-ness, the "Krr", I can hear it. Krr! 915 00:45:49,720 --> 00:45:51,680 I mean, it's beautiful work, well done. 916 00:45:51,680 --> 00:45:53,000 Thanks, guys. Well done. 917 00:45:56,640 --> 00:45:58,400 Mia, please come forward. 918 00:45:59,680 --> 00:46:03,880 My make-up look is based off a alien fashion doll. 919 00:46:03,880 --> 00:46:06,960 This is a very accomplished make-up, 920 00:46:06,960 --> 00:46:10,200 but five prosthetics? 921 00:46:10,200 --> 00:46:12,800 You are crazy! 922 00:46:12,800 --> 00:46:15,840 With the cheek prosthetics, it's not symmetrical. 923 00:46:15,840 --> 00:46:20,280 You've got one side that just goes higher than the other. 924 00:46:20,280 --> 00:46:23,520 Yeah. When I was watching it, it was a little bit of a, "Ugh". 925 00:46:23,520 --> 00:46:25,200 I was, like, scared with time, 926 00:46:25,200 --> 00:46:27,600 and I was like, "Oh, my God, I have five!" Yeah, well, this is it. 927 00:46:27,600 --> 00:46:31,600 I was like, "I need to slap it on," and I should've just like... 928 00:46:31,600 --> 00:46:34,880 We don't want to find fault, but when everyone in the room is 929 00:46:34,880 --> 00:46:38,000 so good, we have to start looking. 930 00:46:38,000 --> 00:46:42,280 Speaking on symmetrical, they call it benchmarking. 931 00:46:42,280 --> 00:46:45,160 So, with the prosthetic, hold it up to your face, 932 00:46:45,160 --> 00:46:46,840 see how you like it, 933 00:46:46,840 --> 00:46:49,480 draw a line on the prosthetic to your skin. 934 00:46:49,480 --> 00:46:54,000 If you draw it on multiple points, then once you apply the glue 935 00:46:54,000 --> 00:46:55,320 and the prosthetic to your face, 936 00:46:55,320 --> 00:46:57,440 you can line it up and the lines will match. 937 00:46:59,080 --> 00:47:02,600 Jamie, will you please come up and tell us about your look? 938 00:47:02,600 --> 00:47:07,480 So, my look is based on the egg toy, with, like, a slimy alien 939 00:47:07,480 --> 00:47:08,600 on the inside. 940 00:47:08,600 --> 00:47:10,920 I thought I would try something new, 941 00:47:10,920 --> 00:47:13,000 really push myself out of my comfort zone. 942 00:47:13,000 --> 00:47:14,680 I commend you for taking the risk. 943 00:47:14,680 --> 00:47:17,360 Doing something hyper realistic is a challenge, 944 00:47:17,360 --> 00:47:19,760 especially on your face. 945 00:47:19,760 --> 00:47:24,720 As a paint design, I think it's really cool. 946 00:47:24,720 --> 00:47:26,280 I do. I like it. Thank you. 947 00:47:26,280 --> 00:47:30,200 Because it's obscure, and it's interesting. 948 00:47:30,200 --> 00:47:32,920 But it's not the standard 949 00:47:32,920 --> 00:47:35,640 that we are expecting 950 00:47:35,640 --> 00:47:38,280 at this level of the competition. 951 00:47:39,520 --> 00:47:43,280 Because of the over-blending in the alien, 952 00:47:43,280 --> 00:47:46,040 you lost the contrast in the shadows. 953 00:47:46,040 --> 00:47:49,880 So, when you then look at it on the face, 954 00:47:49,880 --> 00:47:54,040 you can't see what's a feature of your face 955 00:47:54,040 --> 00:47:56,600 and what is a feature of the artwork. 956 00:47:56,600 --> 00:48:00,400 So it becomes flat, it becomes nonsensical, 957 00:48:00,400 --> 00:48:02,560 you can't really see what it is. 958 00:48:03,640 --> 00:48:06,200 I think it's a really good learning experience for you. 959 00:48:06,200 --> 00:48:07,280 Thank you. 960 00:48:07,280 --> 00:48:08,640 APPLAUSE 961 00:48:08,640 --> 00:48:09,680 Well done. 962 00:48:10,960 --> 00:48:16,080 MUAs, myself, Val, and Mei have got a really tough decision ahead of us. 963 00:48:16,080 --> 00:48:18,920 But if you'd like to go next door, we'll be discussing which 964 00:48:18,920 --> 00:48:21,880 two of you will be going into the Face Off elimination. 965 00:48:21,880 --> 00:48:22,920 Thank you. 966 00:48:28,680 --> 00:48:30,240 They mentioned my symmetry again, 967 00:48:30,240 --> 00:48:33,000 which has already been a comment before, 968 00:48:33,000 --> 00:48:34,880 so that kind of scares me. 969 00:48:34,880 --> 00:48:38,040 I didn't necessarily get glowing critiques. 970 00:48:38,040 --> 00:48:39,560 I think I might be in the Face Off. 971 00:48:39,560 --> 00:48:40,960 I hope not. 972 00:48:40,960 --> 00:48:44,480 Obviously I'm still sort of mad that it didn't go well, 973 00:48:44,480 --> 00:48:46,520 but, yeah, it is what it is. 974 00:48:46,520 --> 00:48:49,080 So, let's discuss the two artists 975 00:48:49,080 --> 00:48:50,960 that started today in the red Face Off chairs. 976 00:48:50,960 --> 00:48:56,440 Cherise? I mean, that is just absolutely dropping, isn't it? 977 00:48:56,440 --> 00:48:58,120 Has Cherise beat the seat? 978 00:48:58,120 --> 00:48:59,920 Well, she dinged my dong. Oh! 979 00:49:01,240 --> 00:49:03,160 Yeah. 100%. Definitely. 980 00:49:03,160 --> 00:49:05,040 OK, Miss Ding Dong. 981 00:49:05,040 --> 00:49:07,600 Yeah, let's get into it. 982 00:49:07,600 --> 00:49:10,120 I'm so proud of you. I'm so proud of you. Thank you. 983 00:49:10,120 --> 00:49:13,080 The whole execution was so sick. Well done. Thank you. 984 00:49:13,080 --> 00:49:15,720 So, also in the red chair was Jake. 985 00:49:15,720 --> 00:49:18,440 Jake delivered a big look. 986 00:49:18,440 --> 00:49:20,800 I mean, look at that, that's amazing. 987 00:49:20,800 --> 00:49:23,040 I can't even see Jake any more. 988 00:49:23,040 --> 00:49:26,600 No. Last week, he also found himself in the red chairs, 989 00:49:26,600 --> 00:49:27,960 but he got himself out. 990 00:49:27,960 --> 00:49:29,360 Has he done it again this week? 991 00:49:29,360 --> 00:49:31,400 I think yes. 992 00:49:31,400 --> 00:49:33,080 Oh, Jake, your look was so good. 993 00:49:33,080 --> 00:49:34,320 If you say anything negative... 994 00:49:34,320 --> 00:49:37,040 Jake, you're out of that chair. Thanks, guys. 995 00:49:37,040 --> 00:49:39,600 This means we've got two seats to fill, 996 00:49:39,600 --> 00:49:41,560 and I think we should talk about Jamie. 997 00:49:43,200 --> 00:49:44,640 It hurts my heart. 998 00:49:44,640 --> 00:49:46,520 Jamie's had a really bad day. 999 00:49:46,520 --> 00:49:48,920 I don't feel like he was up to standard. 1000 00:49:48,920 --> 00:49:51,560 I did something that I've, like, never tried before, 1001 00:49:51,560 --> 00:49:53,200 I was pushing my boundaries, 1002 00:49:53,200 --> 00:49:57,400 but, like, I did horrible, clearly. 1003 00:49:57,400 --> 00:49:59,080 No, it was not. Mm-mm. 1004 00:49:59,080 --> 00:50:01,680 So, let's talk about Josh. 1005 00:50:01,680 --> 00:50:03,080 The challenge was 1006 00:50:03,080 --> 00:50:05,400 celebrate your favourite childhood toy. 1007 00:50:05,400 --> 00:50:06,480 We're lacking in that. 1008 00:50:06,480 --> 00:50:09,480 He gave us the character, but he didn't give us the toy. 1009 00:50:09,480 --> 00:50:11,320 To be fair, I understood what they were saying. 1010 00:50:11,320 --> 00:50:12,760 Like, I get their critiques. 1011 00:50:12,760 --> 00:50:16,600 They didn't see a toy, and I also didn't see a toy, 1012 00:50:16,600 --> 00:50:17,640 so I also agree. 1013 00:50:18,840 --> 00:50:20,440 Let's talk about Mia. 1014 00:50:20,440 --> 00:50:22,760 Mia's delivered a really gorgeous make-up, 1015 00:50:22,760 --> 00:50:26,400 and there are some beautiful elements within it, 1016 00:50:26,400 --> 00:50:29,120 but there is issues with her prosthetic symmetry. 1017 00:50:29,120 --> 00:50:31,240 Obviously, like, I got the symmetry thing, 1018 00:50:31,240 --> 00:50:33,920 which I thought it was symmetry, and it clearly wasn't. 1019 00:50:33,920 --> 00:50:36,160 And I feel like I could be towards the bottom. 1020 00:50:37,320 --> 00:50:40,440 So, I think we know who's going into the Face Off. 1021 00:50:40,440 --> 00:50:41,600 I think so. 1022 00:50:47,040 --> 00:50:50,840 Cherise, Jake, after yesterday's industry assignment, 1023 00:50:50,840 --> 00:50:54,080 you both found yourselves in the red Face Off chairs. 1024 00:50:54,080 --> 00:50:56,960 Cherise, we loved your work. 1025 00:50:56,960 --> 00:51:00,800 What you're able to do with just paint is incredible. 1026 00:51:00,800 --> 00:51:03,040 The execution, the precision, 1027 00:51:03,040 --> 00:51:04,960 and the storytelling was all on point. 1028 00:51:04,960 --> 00:51:06,560 Congratulations, you beat the seat. 1029 00:51:06,560 --> 00:51:07,880 Thank you. 1030 00:51:11,760 --> 00:51:16,640 Jake, once again you've given us a big, bold, creative, 1031 00:51:16,640 --> 00:51:18,800 transformative character. 1032 00:51:18,800 --> 00:51:21,440 Your artistic hand is so confident. 1033 00:51:21,440 --> 00:51:23,200 Congratulations. 1034 00:51:23,200 --> 00:51:25,560 You've made your way out of those red chairs. 1035 00:51:29,800 --> 00:51:31,560 Thank you. 1036 00:51:31,560 --> 00:51:34,720 So, this means that we have two seats to fill. 1037 00:51:36,080 --> 00:51:39,520 Now, the first MUA going into the Face Off elimination, 1038 00:51:39,520 --> 00:51:43,720 they took a risk, but it didn't pay off. 1039 00:51:43,720 --> 00:51:48,280 They concentrated too much on the small details, 1040 00:51:48,280 --> 00:51:49,920 that when they stood back, 1041 00:51:49,920 --> 00:51:53,520 they couldn't see the complete story. 1042 00:51:53,520 --> 00:51:56,000 So, the first MUA is Jamie. 1043 00:51:58,200 --> 00:52:01,800 That's fine. You've got this. I've got this. 1044 00:52:01,800 --> 00:52:06,200 Now, the second MUA delivered a good make-up. 1045 00:52:08,240 --> 00:52:10,760 But it didn't hit the brief. 1046 00:52:10,760 --> 00:52:12,840 We couldn't see their toy. 1047 00:52:12,840 --> 00:52:16,400 So, the second MUA is Josh. 1048 00:52:18,280 --> 00:52:20,000 I already knew it. 1049 00:52:20,000 --> 00:52:21,160 You've got this. 1050 00:52:21,160 --> 00:52:22,640 Thank you, judges. 1051 00:52:22,640 --> 00:52:24,000 All right, guys. 1052 00:52:24,000 --> 00:52:26,440 It's time to say goodbye, 1053 00:52:26,440 --> 00:52:29,200 because, as you know, one of you will not be joining us. 1054 00:52:30,240 --> 00:52:33,000 I'm feeling a little bit deflated, I can't lie. 1055 00:52:33,000 --> 00:52:36,200 I just want to show that I can fight through this, 1056 00:52:36,200 --> 00:52:38,560 even though it's a bit of a tough situation to be in 1057 00:52:38,560 --> 00:52:39,680 for the second time. 1058 00:52:39,680 --> 00:52:42,480 I'm going to keep my calm, and I'm just going to focus on delivering 1059 00:52:42,480 --> 00:52:44,880 exactly what they need and want from me. 1060 00:52:44,880 --> 00:52:47,200 Me and Josh have both been in the Face Off before, 1061 00:52:47,200 --> 00:52:49,560 and we also have a similar skillset, so, yeah, it is 1062 00:52:49,560 --> 00:52:53,280 going to be quite difficult, but I'm not going home yet. 1063 00:52:53,280 --> 00:52:55,240 To create a level playing field, 1064 00:52:55,240 --> 00:52:58,520 the MUAs will face off over a set of identical twins. 1065 00:53:04,120 --> 00:53:09,480 So, for today's Face Off we want to see a foil lip. 1066 00:53:09,480 --> 00:53:12,160 You must create a perfectly balanced, 1067 00:53:12,160 --> 00:53:13,920 symmetrical lip shape, 1068 00:53:13,920 --> 00:53:17,160 with clean, crisp edges, and no fallout. 1069 00:53:17,160 --> 00:53:21,120 Your finished look should have an even distribution of foil, 1070 00:53:21,120 --> 00:53:22,920 with a bold reflective finish. 1071 00:53:24,440 --> 00:53:26,640 For a perfect foil lip, 1072 00:53:26,640 --> 00:53:31,640 apply loose powder all around the outside of the lip. 1073 00:53:31,640 --> 00:53:37,240 Take your lipstick colour, and apply that all over the lip, 1074 00:53:37,240 --> 00:53:43,040 then take a sharp lip pencil to create a perfect lip shape. 1075 00:53:43,040 --> 00:53:44,840 Prepare to be dazzled. 1076 00:53:44,840 --> 00:53:49,680 Dip your lip brush into the foil pigment, 1077 00:53:49,680 --> 00:53:55,160 and then just gently push it into the lip shape. 1078 00:53:55,160 --> 00:53:58,880 And lastly brush away all the powder on the outside 1079 00:53:58,880 --> 00:54:02,960 of the lip shape, to get rid of any dancing foil. 1080 00:54:02,960 --> 00:54:04,520 And there you have it. 1081 00:54:04,520 --> 00:54:06,920 A reflective foil lip. 1082 00:54:08,800 --> 00:54:11,320 Jamie, Josh, you're going to have ten minutes 1083 00:54:11,320 --> 00:54:13,080 to complete this foil lip. 1084 00:54:13,080 --> 00:54:17,560 Good luck, you guys, and your time starts now. 1085 00:54:48,240 --> 00:54:50,800 MUAs, you are halfway through. 1086 00:54:53,120 --> 00:54:55,840 WHISPERING: Well, that's interesting. 1087 00:54:55,840 --> 00:54:57,200 Tortoise and the hare. 1088 00:54:57,200 --> 00:55:00,720 Jamie's been racing forward. 1089 00:55:00,720 --> 00:55:02,920 He's already on the foil. 1090 00:55:04,120 --> 00:55:06,200 Josh has been really methodical, 1091 00:55:06,200 --> 00:55:09,040 working on that lip shape more than anything. 1092 00:55:09,040 --> 00:55:11,480 Now, that's a good thing, because he's going to get a good shape, 1093 00:55:11,480 --> 00:55:13,040 and he's going to get crisp edges, 1094 00:55:13,040 --> 00:55:16,080 but he's using so much time to get there 1095 00:55:16,080 --> 00:55:18,960 that he's going to run the risk of not having enough time 1096 00:55:18,960 --> 00:55:20,320 to clean up any of the foil. 1097 00:55:22,600 --> 00:55:25,000 MUAs, you have one minute left. 1098 00:55:34,280 --> 00:55:38,040 Ten, nine, eight, 1099 00:55:38,040 --> 00:55:42,040 seven, six, five, 1100 00:55:42,040 --> 00:55:44,560 four, three, 1101 00:55:44,560 --> 00:55:47,160 two, one. 1102 00:55:47,160 --> 00:55:48,640 Brushes down, MUAs. 1103 00:56:09,160 --> 00:56:10,920 Conflab? I think so. 1104 00:56:16,120 --> 00:56:18,640 So, two very different lips. 1105 00:56:18,640 --> 00:56:20,240 Two very different approaches. 1106 00:56:20,240 --> 00:56:23,800 Jamie had a good, solid outline. 1107 00:56:23,800 --> 00:56:26,480 {\an8}And his intensity of the colour. 1108 00:56:26,480 --> 00:56:31,320 {\an8}The distribution of the foil was full, and it was even. 1109 00:56:31,320 --> 00:56:35,800 {\an8}Whereas Josh, his application of the lipstick was great. 1110 00:56:35,800 --> 00:56:38,920 {\an8}Yes. But the application of the foil over the top, 1111 00:56:38,920 --> 00:56:40,680 {\an8}it's too transparent, 1112 00:56:40,680 --> 00:56:42,240 {\an8}and it went patchy. 1113 00:56:42,240 --> 00:56:45,280 {\an8}It just wasn't even across the whole lip. 1114 00:56:45,280 --> 00:56:47,720 We have a clear winner. We do have a clear winner. 1115 00:56:51,360 --> 00:56:54,920 Jamie, you were quick off the mark, which made us nervous. 1116 00:56:54,920 --> 00:56:57,440 But you delivered a balanced, symmetrical lip, 1117 00:56:57,440 --> 00:57:01,800 with crisp edges and a beautiful, even, reflective finish. 1118 00:57:03,040 --> 00:57:05,680 Josh, you were slow and steady. 1119 00:57:05,680 --> 00:57:10,880 You gave us a beautiful seamless lipstick, 1120 00:57:10,880 --> 00:57:15,080 but your distribution of your foil, that let you down. 1121 00:57:15,080 --> 00:57:16,640 Please pack up your kit. 1122 00:57:16,640 --> 00:57:17,880 You'll be going home. 1123 00:57:23,600 --> 00:57:27,160 It feels difficult to be leaving the competition at this stage. 1124 00:57:27,160 --> 00:57:30,280 I think I've kind of slowly gained a bit of momentum 1125 00:57:30,280 --> 00:57:31,960 the past couple of weeks. 1126 00:57:31,960 --> 00:57:35,200 I can't believe it! I can't believe it. 1127 00:57:35,200 --> 00:57:37,280 Give us a hug. Come on. 1128 00:57:37,280 --> 00:57:40,680 Coming into this competition, I kind of saw myself 1129 00:57:40,680 --> 00:57:43,880 as a drag queen, and then it kind of got to a point where I was like, 1130 00:57:43,880 --> 00:57:48,000 "Actually, no, I am Josh, the make-up artist." 1131 00:57:48,000 --> 00:57:49,200 This competition's proved to me 1132 00:57:49,200 --> 00:57:51,440 that I've got what it takes to work in the industry. 1133 00:57:51,440 --> 00:57:53,440 I'm excited to see what the future holds. 1134 00:57:53,440 --> 00:57:57,320 Don't forget to raise your yah-yah-yahs! 1135 00:57:57,320 --> 00:57:59,760 I feel like I added so much foil onto that lip. 1136 00:57:59,760 --> 00:58:02,360 I got stressed out at one point, cos, like, the foil was everywhere, 1137 00:58:02,360 --> 00:58:06,040 but once I sort of brushed it off, yeah, it looked perfect. 1138 00:58:06,040 --> 00:58:07,560 Yay, well done! 1139 00:58:07,560 --> 00:58:10,840 I do feel really bad sending Josh home, cos we are really close, 1140 00:58:10,840 --> 00:58:13,280 but I feel like at the end of the day, it is a competition. 1141 00:58:13,280 --> 00:58:15,880 Next week, I'm definitely going to bring something big, bold, 1142 00:58:15,880 --> 00:58:17,480 and the judges are going to love it. 1143 00:58:17,480 --> 00:58:18,520 {\an8}Next time... 1144 00:58:18,520 --> 00:58:20,960 {\an8}LAUGHTER 1145 00:58:18,520 --> 00:58:20,960 {\an8}MUAs! 1146 00:58:20,960 --> 00:58:23,440 {\an8}..the stars are out in London's West End. 1147 00:58:23,440 --> 00:58:24,720 {\an8}Is it Billy Porter? 1148 00:58:24,720 --> 00:58:27,440 {\an8}Showtime, honey. Showtime. Let's go! 1149 00:58:27,440 --> 00:58:29,400 {\an8}This is major. 1150 00:58:30,480 --> 00:58:32,480 {\an8}And the decadent creative brief... 1151 00:58:32,480 --> 00:58:34,520 {\an8}Oh, my God, I love it! 1152 00:58:34,520 --> 00:58:36,120 {\an8}..proves too much for some. 1153 00:58:37,400 --> 00:58:39,920 {\an8}There's like five different ideas in there. 1154 00:58:39,920 --> 00:58:42,200 And they don't fit together. 1155 00:58:43,305 --> 00:59:43,344