"Glow Up: Britain's Next Make-Up Star" Episode #7.6

ID	13188100
Movie Name	"Glow Up: Britain's Next Make-Up Star" Episode #7.6
Release Name	Glow Up - Britain's Next Make-Up Star S07E06
Year	2025
Kind	tv
Language	English
IMDB ID	37027811
Format	srt

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1 00:00:05,760 --> 00:00:07,040 Last time... 2 00:00:07,040 --> 00:00:09,280 Nova Twins. Stop it! 3 00:00:09,280 --> 00:00:13,440 ..the MUAs delivered looks for alternative rock band Nova Twins... 4 00:00:13,440 --> 00:00:16,400 The one thing that wasn't quite sitting right is the brows. 5 00:00:16,400 --> 00:00:19,000 ..but Cherise and Jake missed the mark. 6 00:00:19,000 --> 00:00:21,400 We're just looking for more subtlety here. 7 00:00:21,400 --> 00:00:24,960 At Glow Up Studios, it was a different story... 8 00:00:24,960 --> 00:00:28,480 I've got to give you a Ding Dong, and I don't know why I'm crying! 9 00:00:28,480 --> 00:00:30,640 ..as both beat the seat... 10 00:00:30,640 --> 00:00:33,040 You did an excellent job. 11 00:00:33,040 --> 00:00:36,960 But what I'd love to see is something that's not a monster. 12 00:00:36,960 --> 00:00:40,200 ..before Jamie sent Josh home in the Face Off. 13 00:00:40,200 --> 00:00:42,520 Next week I'm definitely going to bring something big, 14 00:00:42,520 --> 00:00:44,600 bold, and the judges are going to love it. 15 00:00:46,240 --> 00:00:49,560 With just five MUAs fighting for their place in the competition, 16 00:00:49,560 --> 00:00:53,000 the stage is set for one of their toughest industry assignments yet. 17 00:00:54,800 --> 00:00:56,480 I can't believe it's week six. 18 00:00:56,480 --> 00:01:00,160 I just can't believe, like, how empty it feels now. 19 00:01:00,160 --> 00:01:02,960 There is literally only five people left. 20 00:01:02,960 --> 00:01:06,040 That's, like, actually half now, that's really scary. Yeah. 21 00:01:06,040 --> 00:01:10,640 And we've got two more weeks until the final, which is even crazier. 22 00:01:10,640 --> 00:01:14,120 I feel like this is a top five where everyone is, like, 23 00:01:14,120 --> 00:01:15,360 actually different. 24 00:01:15,360 --> 00:01:18,120 I'm definitely riding high from the little win 25 00:01:18,120 --> 00:01:20,160 and coming back from the Face Off. Yeah. 26 00:01:20,160 --> 00:01:23,560 But I do feel like I really need to bring it up. 27 00:01:23,560 --> 00:01:27,520 The MUAs' assignment this week has brought them to London's West End. 28 00:01:27,520 --> 00:01:29,600 Hi, guys! Hey! 29 00:01:29,600 --> 00:01:33,480 So do you know where we are today? Yes. Cabaret! Cabaret! 30 00:01:33,480 --> 00:01:34,800 Yeah! 31 00:01:34,800 --> 00:01:37,720 Let's go inside and find out what you're going to be doing! Let's go! 32 00:01:41,240 --> 00:01:43,120 For almost 60 years, 33 00:01:43,120 --> 00:01:46,640 risque musical Cabaret has been a favourite for theatre-goers, 34 00:01:46,640 --> 00:01:49,560 attracting big-name talent and bagging multiple awards. 35 00:01:51,120 --> 00:01:55,200 The latest version at London's Playhouse Theatre is no exception. 36 00:01:55,200 --> 00:01:58,400 Having won seven Oliviers, its current leads are global 37 00:01:58,400 --> 00:02:02,320 superstars Billy Porter and Marisha Wallace. 38 00:02:02,320 --> 00:02:05,480 I absolutely love Billy Porter. 39 00:02:05,480 --> 00:02:07,920 I feel like I could just jump up and down in excitement. 40 00:02:07,920 --> 00:02:11,440 Oh, my God! Oh, my God! This is so beautiful. Stunning! 41 00:02:11,440 --> 00:02:14,240 I've been praying for an industry assignment that's theatre-related 42 00:02:14,240 --> 00:02:16,200 for ages, I actually haven't done theatre 43 00:02:16,200 --> 00:02:18,840 since I was back in college, maybe, like, six, seven years ago. 44 00:02:18,840 --> 00:02:21,120 Mate, this is sick! 45 00:02:21,120 --> 00:02:24,840 Yeah, super excited to be at Cabaret. What a sick opportunity. 46 00:02:27,040 --> 00:02:30,240 MUAs, welcome to the Kit Kat Club. 47 00:02:30,240 --> 00:02:32,480 Let me introduce you to your guest judge for today, 48 00:02:32,480 --> 00:02:35,560 the super talented make-up designer behind the West End 49 00:02:35,560 --> 00:02:37,920 and Broadway revivals of Cabaret, 50 00:02:37,920 --> 00:02:39,880 the amazing Guy Common. 51 00:02:42,400 --> 00:02:45,080 Hi, MUAs. Or should I say Willkommen? 52 00:02:47,120 --> 00:02:51,240 Make-up powerhouse Guy is known for his theatrical looks. 53 00:02:51,240 --> 00:02:55,080 He's showcased his artistry in films such as Cruella, collaborated 54 00:02:55,080 --> 00:02:58,800 with Paloma Faith and Grace Jones, and designed the make-up 55 00:02:58,800 --> 00:03:02,080 for award-winning productions in the West End and on Broadway. 56 00:03:03,520 --> 00:03:06,800 So, Cabaret is set in pre-World War II Germany, 57 00:03:06,800 --> 00:03:08,760 during a time of rising fascism. 58 00:03:08,760 --> 00:03:10,840 The carefree world of the Kit Kat Club is 59 00:03:10,840 --> 00:03:14,280 an escape from the grim realities of what was going on outside. 60 00:03:14,280 --> 00:03:18,440 As our host, the Emcee, says, "In here, life is beautiful." 61 00:03:18,440 --> 00:03:21,240 And I want you to make up five of our Kit Kat girls. 62 00:03:22,680 --> 00:03:24,080 Oh, my God! 63 00:03:24,080 --> 00:03:27,920 Hello, darlings! Yeah! 64 00:03:27,920 --> 00:03:30,000 Cabaret takes place at an underground 65 00:03:30,000 --> 00:03:34,600 venue in 1930s Berlin, the Kit Kat Club. 66 00:03:34,600 --> 00:03:37,520 Central to the story are the club's dancers. 67 00:03:37,520 --> 00:03:40,680 These larger-than-life performers each have unique characters 68 00:03:40,680 --> 00:03:42,960 with make-up looks to match. 69 00:03:42,960 --> 00:03:47,840 Welcome to the Kit Kat Club! 70 00:03:47,840 --> 00:03:50,200 I've designed them to look like they're at the end 71 00:03:50,200 --> 00:03:53,080 of a long night out. It's all very dishevelled glamour. 72 00:03:53,080 --> 00:03:56,600 I want you to choose who you're going to do today. 73 00:03:56,600 --> 00:03:58,280 Right now. Oh, God. Oh! 74 00:03:58,280 --> 00:03:59,600 GUY LAUGHS 75 00:03:59,600 --> 00:04:00,800 So, ready? 76 00:04:00,800 --> 00:04:03,000 First up we have Frenchie. Oh, very cute! 77 00:04:03,000 --> 00:04:04,560 Who is confident with line work? 78 00:04:04,560 --> 00:04:06,400 I will give that to myself, yeah. 79 00:04:06,400 --> 00:04:08,080 That looks like a good fit. 80 00:04:08,080 --> 00:04:09,880 Next up we have Lulu. 81 00:04:09,880 --> 00:04:12,760 Who wants to have a go at Lulu's pinched Cupid's bow lip? 82 00:04:12,760 --> 00:04:16,040 You, you're great at lips. I'll take her. 83 00:04:16,040 --> 00:04:18,360 Thank you very much. 84 00:04:18,360 --> 00:04:20,720 Jamie chooses '90s club-look Helga. 85 00:04:22,080 --> 00:04:23,480 Yes. 86 00:04:23,480 --> 00:04:26,680 And Mia takes on neon beauty Rosie. 87 00:04:26,680 --> 00:04:28,280 Thank you. There you go. 88 00:04:28,280 --> 00:04:31,160 So, then, that leaves you with Texas. 89 00:04:31,160 --> 00:04:33,720 Ooh! I like this. Let me see. Let's have a look. 90 00:04:33,720 --> 00:04:34,960 So, is everyone happy? 91 00:04:34,960 --> 00:04:36,240 ALL: Yes. 92 00:04:36,240 --> 00:04:41,480 So remember, guys, your make-up has to look good on the front row, 93 00:04:41,480 --> 00:04:46,320 but it's also got to look amazing right up there in the gods. 94 00:04:46,320 --> 00:04:48,240 So you've got to bring it. 95 00:04:49,600 --> 00:04:52,240 Ooh. This is so exciting. 96 00:04:52,240 --> 00:04:56,000 By 7:30pm tonight, this theatre will be full of paying customers, 97 00:04:56,000 --> 00:04:58,160 so if I'm not happy with any of the looks today, 98 00:04:58,160 --> 00:05:00,880 I will have to step in and let you know. 99 00:05:00,880 --> 00:05:03,840 That being said, the make-up artist who does the best today will be 100 00:05:03,840 --> 00:05:07,680 invited back to attend our gala performance as a VIP guest... 101 00:05:07,680 --> 00:05:10,080 Oh, my God! ..starring our lead actors 102 00:05:10,080 --> 00:05:12,160 Billy Porter and Marisha Wallace. 103 00:05:12,160 --> 00:05:14,920 Oh, my God! Stop it! Oh, my God! 104 00:05:14,920 --> 00:05:16,360 I just want to start. 105 00:05:21,320 --> 00:05:23,480 I feel like this is definitely in my skillset. 106 00:05:23,480 --> 00:05:26,520 And, yeah, I would love to win this. 107 00:05:28,280 --> 00:05:30,640 OK, MUAs, you've each got a place, 108 00:05:30,640 --> 00:05:32,720 so if you look for your Kit Kat's name. 109 00:05:32,720 --> 00:05:35,080 As soon as they get in your chair, then this is your time to start. 110 00:05:35,080 --> 00:05:38,920 I need them in two hours for costume, so it's go, go, go. 111 00:05:38,920 --> 00:05:42,080 Each MUA is working with a performer from the show, 112 00:05:42,080 --> 00:05:44,400 who know the looks better than anyone. 113 00:05:44,400 --> 00:05:46,600 Hi. Take a seat? Yeah, sure. 114 00:05:46,600 --> 00:05:49,520 To make sure I win today, I'm literally copying 115 00:05:49,520 --> 00:05:52,240 and pasting that make-up on Rosie's face. 116 00:05:53,360 --> 00:05:57,680 I'm so excited to do this. Oh, me too! It's looking so cute. 117 00:05:57,680 --> 00:06:00,960 As soon as I saw that it was Cabaret, I was like, "Yes!" 118 00:06:00,960 --> 00:06:04,840 As industry assignments go, this is a big one. 119 00:06:04,840 --> 00:06:09,360 We're talking Cabaret, the West End. 120 00:06:09,360 --> 00:06:12,080 It's in a genre all of its own. 121 00:06:12,080 --> 00:06:16,040 It's got to be big, bold and tell a story. 122 00:06:16,040 --> 00:06:19,400 I mean, this is major. 123 00:06:19,400 --> 00:06:21,200 It's such an amazing show to be part of, 124 00:06:21,200 --> 00:06:24,080 like the stage, as well, is insane. 125 00:06:24,080 --> 00:06:26,120 It's such a special job. 126 00:06:26,120 --> 00:06:28,640 The golden rule when it comes to theatre make-up is 127 00:06:28,640 --> 00:06:31,640 remembering that you've got a front row, but you've got a back row, 128 00:06:31,640 --> 00:06:35,120 so you need to make it bold enough to be able to be seen at the back, 129 00:06:35,120 --> 00:06:37,880 but it has to be polished for those people at the front. 130 00:06:37,880 --> 00:06:40,320 This is gorg. Love, love, love. 131 00:06:41,720 --> 00:06:45,240 I've done theatre make-up before, but only for just, like, a little 132 00:06:45,240 --> 00:06:47,440 show, it wasn't, like, anything too big. 133 00:06:49,560 --> 00:06:53,960 A performer as a child, Mia is no stranger to stage make-up. 134 00:06:53,960 --> 00:06:57,200 It really reminds me of, like, the dance make-up I used to do 135 00:06:57,200 --> 00:07:00,440 when I was younger. So I'm kind of excited. 136 00:07:00,440 --> 00:07:03,400 The make-up reflects the individual characters themselves, 137 00:07:03,400 --> 00:07:06,680 and this is something that I work on with the costume designer 138 00:07:06,680 --> 00:07:08,320 and the hair stylist. 139 00:07:08,320 --> 00:07:12,480 For example, Rosie is very flirty, so we did her palette in pinks 140 00:07:12,480 --> 00:07:16,200 and oranges to kind of give that flushed look to her skin. 141 00:07:16,200 --> 00:07:19,560 So I have Rosie. She is cutesy, flamboyant, 142 00:07:19,560 --> 00:07:21,320 flirty but feisty. 143 00:07:21,320 --> 00:07:24,880 A neon shock of acid, a bit of punk girl in pink. 144 00:07:24,880 --> 00:07:29,840 So Frenchie, she is strong-willed, feisty, in control and alluring. 145 00:07:29,840 --> 00:07:32,720 Watch out for her magnetic allure with this old Hollywood look 146 00:07:32,720 --> 00:07:35,040 with pencil-thin eyebrows and a moustache to match. 147 00:07:35,040 --> 00:07:37,480 Love that. Are you nervous about the moustache? 148 00:07:37,480 --> 00:07:40,440 No. You know I'm a linework girlie, though. That's what I love. 149 00:07:40,440 --> 00:07:42,080 That's what I live, laugh, love. 150 00:07:43,080 --> 00:07:45,440 You have really good brows, by the way. Thanks! 151 00:07:47,400 --> 00:07:50,880 All of the looks require a blocked brow, which means making 152 00:07:50,880 --> 00:07:54,520 the brows invisible, blending seamlessly with the skin. 153 00:07:54,520 --> 00:07:56,800 I love glueing an eyebrow down. 154 00:07:56,800 --> 00:07:58,880 It's my favourite thing. 155 00:07:58,880 --> 00:08:02,440 Getting that flat, laminated, natural brow first 156 00:08:02,440 --> 00:08:04,920 before you start anything else is essential. 157 00:08:04,920 --> 00:08:07,960 I do not want to see any cornflake crunchy eyebrows. 158 00:08:07,960 --> 00:08:10,040 Ah, my brow covers are getting so good. 159 00:08:10,040 --> 00:08:12,640 If you saw the journey even when I first got here, 160 00:08:12,640 --> 00:08:14,160 it was looking like porridge. 161 00:08:14,160 --> 00:08:16,080 THEY LAUGH 162 00:08:16,080 --> 00:08:19,360 So, Jamie, Kit Kat Club, Cabaret! 163 00:08:19,360 --> 00:08:23,320 I am so happy to be here, like, I love theatre make-up. 164 00:08:23,320 --> 00:08:26,120 It's, like, big, bold, dramatic. 165 00:08:26,120 --> 00:08:29,120 How are we feeling about, you know, coming out of the Face Off 166 00:08:29,120 --> 00:08:30,560 on top and now we're here? 167 00:08:30,560 --> 00:08:32,720 I've literally not got a nervous bone in my body. 168 00:08:32,720 --> 00:08:34,880 I don't think you have any, to be honest with you. No. 169 00:08:34,880 --> 00:08:36,520 What's your character's name? 170 00:08:36,520 --> 00:08:41,320 I've got Helga, the clown, full throttle, a little unhinged. 171 00:08:41,320 --> 00:08:43,040 It's literally me. 172 00:08:43,040 --> 00:08:45,840 I feel like definitely the eyes are going to be like the main 173 00:08:45,840 --> 00:08:48,920 sort of focus. Mm. Like, make sure they're really pigmented, 174 00:08:48,920 --> 00:08:51,760 make sure that they can be seen from a mile away. 175 00:08:51,760 --> 00:08:54,200 Well, I'm very excited to see Helga come to life. 176 00:08:54,200 --> 00:08:55,440 Thank you. 177 00:08:55,440 --> 00:08:57,720 I'll see you later, my confidence queen. 178 00:08:57,720 --> 00:08:59,440 See you later! Bye! 179 00:09:00,800 --> 00:09:03,600 So I have Texas in my chair, hooting, hollering, 180 00:09:03,600 --> 00:09:05,200 Yankee Doodle, full of beans. 181 00:09:05,200 --> 00:09:07,760 And I feel like they've got a very, like, sort of glam 182 00:09:07,760 --> 00:09:10,200 but also grungy sort of look, which is really cool. 183 00:09:10,200 --> 00:09:13,560 I just want to ensure that I get all the main features down, 184 00:09:13,560 --> 00:09:16,600 like the beauty mark and the gap tooth. 185 00:09:18,520 --> 00:09:20,120 Are you excited to be here? 186 00:09:20,120 --> 00:09:23,080 Yeah, I am, honestly, cos I'm very proud of myself, 187 00:09:23,080 --> 00:09:26,360 cos I thought I was, like, giving first out so... No! 188 00:09:26,360 --> 00:09:29,440 I feel like the reason why you feel that way is literally your own 189 00:09:29,440 --> 00:09:31,600 self-doubt. Do you think? Because actually you've been 190 00:09:31,600 --> 00:09:33,720 impressing, like every single week. Aw. Yeah. 191 00:09:33,720 --> 00:09:36,520 So I need to get out of this negative mindset. 192 00:09:36,520 --> 00:09:39,440 Flip it on its head, mate. For sure, yeah. 193 00:09:41,120 --> 00:09:44,200 So I'm just doing the foundation at the moment 194 00:09:44,200 --> 00:09:46,800 and then just blending it out with a beauty blender. 195 00:09:48,280 --> 00:09:52,200 My character's Lulu - sultry, mysterious, seductive. 196 00:09:52,200 --> 00:09:55,520 It's more, like, reds, burgundies, gold on the eyes, 197 00:09:55,520 --> 00:09:58,560 and then a pinched, pursed look to the lips. 198 00:10:01,360 --> 00:10:03,480 Right, I feel like I need to move on now. 199 00:10:03,480 --> 00:10:04,640 Shut your eyes. 200 00:10:05,920 --> 00:10:09,080 I really like these colours. Very dramatic. Yeah. 201 00:10:12,080 --> 00:10:15,200 The part of the brief I'm excited about is the eye shadow. 202 00:10:15,200 --> 00:10:18,360 I love bright, colourful things, very bold. 203 00:10:19,480 --> 00:10:24,440 I used a lot of different textures, so metallic, shimmer, gloss, 204 00:10:24,440 --> 00:10:28,240 glitter, cos it's important that it can be seen from all angles. 205 00:10:28,240 --> 00:10:32,280 And also those textures read amazingly with the lighting. 206 00:10:32,280 --> 00:10:34,000 Wow. Bold. 207 00:10:39,000 --> 00:10:42,440 I'm a little bit of a perfectionist and do more beauty make-up, 208 00:10:42,440 --> 00:10:46,760 so I just need to remember that, just as much as it looks good up 209 00:10:46,760 --> 00:10:49,840 close, it also needs to look good from the back row. 210 00:10:51,320 --> 00:10:53,480 I feel like I might have gone too much with the blusher. 211 00:10:57,000 --> 00:11:00,160 The make-up definitely needs to read from the back and the front, 212 00:11:00,160 --> 00:11:03,920 so you need to make the shapes and the colours bolder and bigger. 213 00:11:03,920 --> 00:11:05,560 It needs to be high impact. 214 00:11:05,560 --> 00:11:06,960 Yeah, that's really bright. 215 00:11:08,680 --> 00:11:10,760 In theatre make-up, you never want to blend too much 216 00:11:10,760 --> 00:11:12,400 because we do want some sort of harsh lines, 217 00:11:12,400 --> 00:11:15,000 so that people all the way back over there can see it. 218 00:11:19,600 --> 00:11:21,800 I feel like we've defo got this in the bag. 219 00:11:21,800 --> 00:11:24,840 {\an8}AMERICAN ACCENT: She was already in my basket before I left the house. 220 00:11:24,840 --> 00:11:27,120 LAUGHTER 221 00:11:28,280 --> 00:11:29,800 I'm definitely in my element. 222 00:11:31,440 --> 00:11:34,160 With performers due onstage for tonight's show, 223 00:11:34,160 --> 00:11:36,640 Guy will step in if the looks aren't right. 224 00:11:38,640 --> 00:11:41,240 One thing I'm just noticing is that Jamie hasn't even 225 00:11:41,240 --> 00:11:43,080 opened his eye shadow palette. Oh. 226 00:11:43,080 --> 00:11:46,520 And I think he's been distracted by the pot of pigment, which is 227 00:11:46,520 --> 00:11:50,960 really meant to be used very sparingly cos it's UV reflective. 228 00:11:50,960 --> 00:11:53,640 Oh! Which, under the lighting design, 229 00:11:53,640 --> 00:11:56,240 I think that amount will just look crazy. 230 00:11:56,240 --> 00:11:57,520 Whoops. Yeah. 231 00:12:01,400 --> 00:12:04,160 One little thing that I'm a little concerned about is 232 00:12:04,160 --> 00:12:06,760 the amount of the neon pigment. 233 00:12:08,480 --> 00:12:11,080 I think if you can try and take a bit of this off... 234 00:12:11,080 --> 00:12:12,280 Just brush it? 235 00:12:12,280 --> 00:12:14,880 Give it a good brush, but try not to disturb your... 236 00:12:14,880 --> 00:12:16,080 The brow... ..brow blocking. 237 00:12:16,080 --> 00:12:18,120 And then go in with the matte shadow. Yeah. 238 00:12:18,120 --> 00:12:19,720 I think that will give you a bit of a better start. 239 00:12:19,720 --> 00:12:22,200 Is that OK? Perfect. Yeah, yeah, of course. Yeah? 240 00:12:30,160 --> 00:12:32,360 Yeah, I feel like that's definitely dulled it down. 241 00:12:40,360 --> 00:12:43,600 The Kit Kat girls, it's kind of like the end of the night, 242 00:12:43,600 --> 00:12:48,760 so we're looking for great make-up that's grubby. 243 00:12:48,760 --> 00:12:51,760 It's perfectly imperfect. 244 00:12:53,520 --> 00:12:56,200 Obviously, like, this look isn't supposed to be, like, as 245 00:12:56,200 --> 00:12:57,920 if they've just put on their make-up. 246 00:12:59,480 --> 00:13:02,120 We would never, on this show, have tape under the eye, 247 00:13:02,120 --> 00:13:04,200 cos that just implies that you're worried about fallout 248 00:13:04,200 --> 00:13:06,920 and everything. And in truth, we encourage that, 249 00:13:06,920 --> 00:13:09,920 so I'll be looking out for how she adjusts that later on. 250 00:13:12,080 --> 00:13:15,320 I do love blush, so this is like me being in a playground right now. 251 00:13:15,320 --> 00:13:18,480 And how do you think Jake's doing so far with the application? 252 00:13:18,480 --> 00:13:21,480 I actually think that he is really nailing the fact that it 253 00:13:21,480 --> 00:13:24,880 doesn't have the sort of super smooth blending everywhere, 254 00:13:24,880 --> 00:13:26,760 and I like that. OK. Yeah. 255 00:13:28,840 --> 00:13:32,760 OK, everyone, so that is your one hour call, you've had one hour. 256 00:13:32,760 --> 00:13:36,440 What? So I'm going to need my Kit Kats in costume and wigs 257 00:13:36,440 --> 00:13:38,760 in one hour. OK, I'm not speaking, I'm sorry. 258 00:13:38,760 --> 00:13:40,280 I can't speak. Brows. 259 00:13:40,280 --> 00:13:42,600 OK, now I'm going to go in with the brows. 260 00:13:42,600 --> 00:13:44,680 Having created a blank canvas, 261 00:13:44,680 --> 00:13:49,240 the MUAs now need to draw on a perfect 1930s brow. 262 00:13:49,240 --> 00:13:51,680 The thing is, like, when I do these brows, there's no going back. 263 00:13:52,880 --> 00:13:55,120 ♪ Going in for the kill! ♪ 264 00:13:55,120 --> 00:13:56,440 Right, let's go. 265 00:13:56,440 --> 00:14:00,520 MUSIC: Going In For The Kill by La Roux 266 00:14:07,480 --> 00:14:11,000 We usually say, like, the brows are sisters, not twins. 267 00:14:11,000 --> 00:14:14,400 No, but they need to be twins because this is my reputation! 268 00:14:19,120 --> 00:14:20,480 It's just perfectly curved. 269 00:14:20,480 --> 00:14:22,680 Yeah, that's defo... Yeah. 270 00:14:24,000 --> 00:14:30,074 Watch Online Movies and Series for FREE www.osdb.link/lm 271 00:14:32,760 --> 00:14:36,120 I think I'm doing stupidly well for time, which always makes me 272 00:14:36,120 --> 00:14:39,120 panic because I always, like, finish early 273 00:14:39,120 --> 00:14:41,560 and sometimes it really doesn't work out for me. 274 00:14:43,080 --> 00:14:45,160 The neon look is definitely coming together. 275 00:14:45,160 --> 00:14:47,680 Would doing theatre make-up be something that you'd want to go 276 00:14:47,680 --> 00:14:51,920 deeper into, maybe? 100%. I mean, like this especially. 277 00:14:51,920 --> 00:14:54,080 Bright, colourful, bold, like the eye shadow looks 278 00:14:54,080 --> 00:14:55,640 that I love doing. 279 00:14:55,640 --> 00:14:58,040 I would never say no to doing something like this again. 280 00:14:58,040 --> 00:14:59,200 Honestly. 281 00:14:59,200 --> 00:15:01,560 Say that louder, Guy is just over your shoulder! 282 00:15:06,200 --> 00:15:09,560 OK, MUAs, that's your 30-minute call. 283 00:15:09,560 --> 00:15:13,120 Oh, my Lord! 30 minutes. 284 00:15:13,120 --> 00:15:14,800 Thank you very much. 285 00:15:14,800 --> 00:15:17,400 Now the MUAs need to focus on the elements which 286 00:15:17,400 --> 00:15:19,040 make their looks unique. 287 00:15:20,720 --> 00:15:22,280 Painted-on gap tooth. 288 00:15:23,840 --> 00:15:26,680 Right. Pinched, pursed look to the lips. 289 00:15:29,880 --> 00:15:31,560 So cute, isn't it? 290 00:15:31,560 --> 00:15:34,080 {\an8}I'm obsessed with the little moustache. 291 00:15:34,080 --> 00:15:36,520 {\an8}That moustache, to me, I'm not reading it. 292 00:15:36,520 --> 00:15:38,280 It's definitely way too small. 293 00:15:38,280 --> 00:15:41,520 {\an8}The shape's good but it needs to be about five times bigger. 294 00:15:41,520 --> 00:15:43,080 So what's going on with Jade now? 295 00:15:43,080 --> 00:15:45,040 The lip, it needs a lot more definition, 296 00:15:45,040 --> 00:15:47,920 and I'd go in with the darker pencil, or even a dark shadow, 297 00:15:47,920 --> 00:15:49,240 to do that. 298 00:15:49,240 --> 00:15:50,560 Oh, perfect. 299 00:15:51,760 --> 00:15:53,920 I'm literally just doing the lips now, then it's going to be just, 300 00:15:53,920 --> 00:15:56,320 like, constantly staring at her to make sure, like, 301 00:15:56,320 --> 00:15:58,560 everything's perfect. 302 00:15:58,560 --> 00:15:59,960 How's Mia getting on? 303 00:15:59,960 --> 00:16:02,880 I think she really needs to make it look a lot more lived-in 304 00:16:02,880 --> 00:16:06,160 and get a bit more grunge going, cos Rosie is a bit of a punk. 305 00:16:06,160 --> 00:16:07,760 Right. Yeah. Right. 306 00:16:07,760 --> 00:16:11,760 I thought I'd quickly glue on the lashes, 307 00:16:11,760 --> 00:16:15,040 and then obviously do, like, the smaller details, like the dots. 308 00:16:17,480 --> 00:16:21,320 Most of the girls in the Kit Kat Club have got beauty spots. 309 00:16:21,320 --> 00:16:24,560 What is the, you know, story or the history behind the beauty marks? 310 00:16:24,560 --> 00:16:27,760 Well, they originally came from when people had diseases 311 00:16:27,760 --> 00:16:29,760 and they left scarring, so they would cover them 312 00:16:29,760 --> 00:16:32,560 up with a little black spot and then it became a fashion trend. 313 00:16:32,560 --> 00:16:33,760 Oh, wow. Mmm! 314 00:16:42,240 --> 00:16:46,520 Erm, I am finished. Erm... 315 00:16:46,520 --> 00:16:48,440 Are you done, Mia? Yeah. 316 00:16:48,440 --> 00:16:50,160 Are we shocked? No. 317 00:16:51,360 --> 00:16:53,480 I don't really think there's anything else I can do, 318 00:16:53,480 --> 00:16:54,760 to be honest. 319 00:16:56,880 --> 00:17:00,720 OK, MUAs, I've got two people who'd love to have a look at your make-up. 320 00:17:00,720 --> 00:17:03,600 Is it Billy Porter? No, well, no, it can't be. 321 00:17:03,600 --> 00:17:04,920 LAUGHTER 322 00:17:04,920 --> 00:17:07,520 MUAs! All right. 323 00:17:07,520 --> 00:17:09,480 Hi! Oh, my God! Oh, my God! 324 00:17:09,480 --> 00:17:11,520 Are they dressed up? Hi! 325 00:17:14,640 --> 00:17:16,800 Here to assist Guy in judging the looks 326 00:17:16,800 --> 00:17:18,640 are the leading actors themselves. 327 00:17:19,840 --> 00:17:23,480 Tony, Grammy and Emmy award-winning Billy Porter 328 00:17:23,480 --> 00:17:25,920 and double Olivier-nominated Marisha Wallace. 329 00:17:27,440 --> 00:17:30,400 How are you? Corset! I'm good. 330 00:17:30,400 --> 00:17:34,720 Oh, my gawd! Send me home. 331 00:17:34,720 --> 00:17:37,840 I don't care. I don't need to win. 332 00:17:37,840 --> 00:17:39,760 Look at this! Yes! 333 00:17:39,760 --> 00:17:41,520 It looks fantastic. Amazing. 334 00:17:41,520 --> 00:17:44,600 There's a tradition in musical theatre where 335 00:17:44,600 --> 00:17:47,640 {\an8}the ensemble are all alike. Mm. 336 00:17:47,640 --> 00:17:50,600 {\an8}This ensemble is not. 337 00:17:50,600 --> 00:17:56,440 Every single Kit Kat girl is specific in their own character. 338 00:17:56,440 --> 00:17:59,560 In this production, make-up is so important, 339 00:17:59,560 --> 00:18:03,920 it shows you how make-up does give people individualisation 340 00:18:03,920 --> 00:18:06,680 and it kind of shows you their personality. 341 00:18:07,960 --> 00:18:11,440 All right, MUAs, you've got 15 minutes. Oh! 342 00:18:11,440 --> 00:18:14,560 So snatch it up. Showtime, honey. Showtime. Let's go. 343 00:18:16,640 --> 00:18:19,200 With the Kit Kat girls' performance looming, 344 00:18:19,200 --> 00:18:23,320 Guy has one last chance to suggest any changes the MUAs need to make. 345 00:18:24,400 --> 00:18:26,320 Jamie, quick little bit of feedback. 346 00:18:26,320 --> 00:18:29,600 If you turn to the side, do you see this gap? Yeah. 347 00:18:29,600 --> 00:18:32,640 Just make sure that this connects to the eye, 348 00:18:32,640 --> 00:18:35,720 so that, you see, there's no space in-between. Yeah. 349 00:18:35,720 --> 00:18:39,800 And then I would say lip needs to be darker, a lot darker. 350 00:18:39,800 --> 00:18:41,320 Yeah? Thank you! 351 00:18:43,360 --> 00:18:46,720 I just want you to think about having the moustache bigger. 352 00:18:46,720 --> 00:18:48,440 OK. Thicker or longer? 353 00:18:48,440 --> 00:18:49,640 A bit of both. OK. 354 00:18:52,600 --> 00:18:54,680 I think that we need a lot more blush. 355 00:18:54,680 --> 00:18:57,400 Just get that colour a lot stronger. Perfect. 356 00:18:57,400 --> 00:18:59,160 And the same with the lip. 357 00:19:01,000 --> 00:19:04,640 I think we can have a little bit more of a sort of roughness to it. 358 00:19:04,640 --> 00:19:06,120 Cool. Yeah. Lovely. 359 00:19:06,120 --> 00:19:07,360 Thank you. Thank you. 360 00:19:16,840 --> 00:19:20,800 I've got my checklist done, I'm just trying to intensify this blue. 361 00:19:25,040 --> 00:19:26,120 Look at me from... 362 00:19:27,280 --> 00:19:29,400 Yeah. That's good advice from him. 363 00:19:31,120 --> 00:19:33,720 These are very minor changes. 364 00:19:33,720 --> 00:19:34,920 Easily done. 365 00:19:40,040 --> 00:19:42,320 OK, MUAs, that is brushes down. 366 00:19:42,320 --> 00:19:45,160 We need to get our Kit Kats into wigs and costume. 367 00:19:45,160 --> 00:19:46,240 Thank you very much. 368 00:19:47,560 --> 00:19:49,320 Hah! Ah! 369 00:19:49,320 --> 00:19:51,320 Thank you. Thank you. 370 00:19:51,320 --> 00:19:52,880 Thank you. Nice to meet you. 371 00:19:52,880 --> 00:19:56,920 I'm pretty sure I finished with, like, 30 minutes left. 372 00:19:56,920 --> 00:20:00,400 But I do feel like it looks like the photo. 373 00:20:01,440 --> 00:20:02,640 That was so much fun. 374 00:20:02,640 --> 00:20:04,680 My comfort zone is very much perfection, 375 00:20:04,680 --> 00:20:07,200 so just being able to actually just go a bit crazy 376 00:20:07,200 --> 00:20:10,680 and just make it look a bit, like, worse for wear was really fun. 377 00:20:10,680 --> 00:20:13,160 I feel very confident that I can win. 378 00:20:16,120 --> 00:20:20,080 Guy, Billy and Marisha will now assess the looks to see 379 00:20:20,080 --> 00:20:21,680 if they're ready for the stage. 380 00:20:23,120 --> 00:20:26,960 The MUA with the look closest to Guy's original will be invited 381 00:20:26,960 --> 00:20:31,280 back to the Kit Kat Club to see a gala performance as a VIP guest. 382 00:20:34,560 --> 00:20:36,360 Over to Billy. 383 00:20:36,360 --> 00:20:39,320 Oh, Lulu! 384 00:20:39,320 --> 00:20:41,840 Does she make you a little lulu? 385 00:20:41,840 --> 00:20:45,360 Do I make you a little lulu? Ooh! 386 00:20:47,240 --> 00:20:50,560 Do you think that, because a lot of you guys do a lot more beauty, 387 00:20:50,560 --> 00:20:54,040 that you found it hard to get that theatre intensity? 388 00:20:54,040 --> 00:20:56,680 I did struggle, like, I am a perfectionist. 389 00:20:56,680 --> 00:20:59,040 It doesn't matter, like, my opinion. 390 00:20:59,040 --> 00:21:02,920 I needed to replicate what was on my reference picture. 391 00:21:05,120 --> 00:21:09,320 {\an8}So Jade's Kit Kat, she's definitely nailed the shapes. 392 00:21:09,320 --> 00:21:11,560 {\an8}I would like a little bit more contrast, 393 00:21:11,560 --> 00:21:14,160 {\an8}just so that we get that depth from far away. 394 00:21:14,160 --> 00:21:18,400 For me, if I was sat up in the gods, that's going to look very natural. 395 00:21:18,400 --> 00:21:22,160 Yeah. I think Jade has achieved a really beauty version 396 00:21:22,160 --> 00:21:23,880 of Lulu's look. 397 00:21:23,880 --> 00:21:25,480 She's going on a first date, 398 00:21:25,480 --> 00:21:29,000 and I want to see her four o'clock the morning after. 399 00:21:29,000 --> 00:21:30,480 Thank you, Lulu. 400 00:21:31,800 --> 00:21:33,680 OK, so next up, Billy? 401 00:21:33,680 --> 00:21:35,240 Rosie! 402 00:21:36,800 --> 00:21:41,080 Ooh, Rosie, she smells so sweet! 403 00:21:42,720 --> 00:21:46,720 Was there any obstacles that you guys faced doing your look at all? 404 00:21:46,720 --> 00:21:49,040 Yeah, cos obviously, like, they need to see it from the back, 405 00:21:49,040 --> 00:21:52,320 but it can't look crazy for the people in the front. 406 00:21:54,600 --> 00:21:57,480 {\an8}Rosie is Mia's Kit Kat. 407 00:21:57,480 --> 00:22:00,520 {\an8}I actually think it's executed beautifully, 408 00:22:00,520 --> 00:22:03,600 {\an8}but it is a little bit too well blended. 409 00:22:03,600 --> 00:22:05,720 Probably would have liked it a little bit rougher. 410 00:22:05,720 --> 00:22:08,920 Once again, for me, it's the Kit Kat Club on a TV. 411 00:22:08,920 --> 00:22:13,680 Yeah, yeah. This is Kit Kat Club on a nice day. 412 00:22:13,680 --> 00:22:16,800 Yeah. Yeah, yeah. Like if you want to recreate it on TikTok. 413 00:22:17,880 --> 00:22:20,040 She finished really early, 414 00:22:20,040 --> 00:22:22,840 and so I would have taken that time to just stand back, 415 00:22:22,840 --> 00:22:25,800 so you can see it as it would be onstage. 416 00:22:27,920 --> 00:22:31,800 Texas! Yeehaw! 417 00:22:31,800 --> 00:22:36,200 Wow! Texas is from America! 418 00:22:37,880 --> 00:22:38,920 Wow! 419 00:22:40,200 --> 00:22:42,520 Jake, how do you think it went for you? 420 00:22:42,520 --> 00:22:44,120 It's done. 421 00:22:44,120 --> 00:22:47,200 And you got no notes. That's a good sign, cos the rest of us did, 422 00:22:47,200 --> 00:22:48,560 so I'm worried now! 423 00:22:50,560 --> 00:22:52,520 {\an8}So Texas is Jake's Kit Kat. 424 00:22:53,720 --> 00:22:57,360 {\an8}I think that the skin was executed so well. 425 00:22:57,360 --> 00:22:59,920 {\an8}No brow hair, no pores, no nothing. 426 00:22:59,920 --> 00:23:03,000 He knew exactly how to apply the tooth gap, which is good, 427 00:23:03,000 --> 00:23:05,600 cos if you don't know what you're doing it just comes straight off. 428 00:23:05,600 --> 00:23:10,040 What I love so much about this one is that there is a roughness, 429 00:23:10,040 --> 00:23:12,400 a grittiness to it. 430 00:23:12,400 --> 00:23:16,120 I think it's an all-round fabulous make-up. 431 00:23:17,800 --> 00:23:20,080 So our next Kit Kat is Helga. 432 00:23:20,080 --> 00:23:21,120 Helga... 433 00:23:22,600 --> 00:23:24,720 ..is my baby! 434 00:23:24,720 --> 00:23:27,520 I loved sort of doing that outrageous, 435 00:23:27,520 --> 00:23:30,800 crazy, like, make-up. And it was very bold. 436 00:23:30,800 --> 00:23:33,920 And obviously I'm, like, very bold, I'm very out-there. You don't say. 437 00:23:33,920 --> 00:23:35,480 LAUGHTER 438 00:23:38,480 --> 00:23:40,320 {\an8}Helga is Jamie's Kit Kat. 439 00:23:41,320 --> 00:23:45,240 {\an8}Slight issue with the amount of the neon pigment 440 00:23:45,240 --> 00:23:49,080 {\an8}that he was using, so I had to just step in and make an adjustment. 441 00:23:49,080 --> 00:23:52,720 {\an8}And again, I did give a note to make sure that the blush would 442 00:23:52,720 --> 00:23:55,120 meet the eye, and he followed that note 443 00:23:55,120 --> 00:23:57,360 and has given a lovely job. 444 00:23:57,360 --> 00:24:00,240 For me, thus far, this is the closest 445 00:24:00,240 --> 00:24:02,160 to what it looks like in the show. 446 00:24:02,160 --> 00:24:04,280 This feels like Helga. Yeah. 447 00:24:04,280 --> 00:24:09,040 But would Jamie have got there, in the time, had you not jumped in? 448 00:24:09,040 --> 00:24:12,440 Because it sounds to me like the original make-up was never 449 00:24:12,440 --> 00:24:14,040 going to be seen onstage. 450 00:24:16,400 --> 00:24:18,160 Frenchie! 451 00:24:18,160 --> 00:24:20,000 Frenchie is like a croissant. 452 00:24:21,200 --> 00:24:27,000 Hard and crusty on ze outside but warm on ze inside! 453 00:24:27,000 --> 00:24:28,280 Ooh! 454 00:24:30,200 --> 00:24:32,640 Cherise, how did you find doing that? 455 00:24:32,640 --> 00:24:35,920 It was very liberating, honestly. Yeah, yeah, doing like 456 00:24:35,920 --> 00:24:37,920 a character-based look that was, I don't know, just a bit more 457 00:24:37,920 --> 00:24:40,040 messy and, like, forcing myself out my comfort zone 458 00:24:40,040 --> 00:24:41,440 was just so, so fun. 459 00:24:43,520 --> 00:24:45,840 {\an8}Frenchie is Cherise's Kit Kat. 460 00:24:45,840 --> 00:24:49,120 {\an8}Again, this make-up is beautifully blended. 461 00:24:49,120 --> 00:24:50,760 {\an8}I love the blush, 462 00:24:50,760 --> 00:24:54,680 but I would have just gone ten times stronger on the eye 463 00:24:54,680 --> 00:24:57,600 and the brows and the moustache could be thicker. 464 00:24:57,600 --> 00:24:59,320 Yeah, yeah. It's beautiful. 465 00:24:59,320 --> 00:25:02,480 Yeah, but we want fierce. But we want fierce. More make-up! Yeah. 466 00:25:02,480 --> 00:25:05,680 It just needs that extra bit of welly to get it seen 467 00:25:05,680 --> 00:25:07,600 right up there. Welly? What's welly? 468 00:25:07,600 --> 00:25:11,560 A bit of welly! Welly! A bit of welly! Got to get a bit of welly! 469 00:25:15,120 --> 00:25:19,120 Who here thinks that they have got this in the bag? 470 00:25:19,120 --> 00:25:22,720 Low-key, I... Why did no-one else put their hand up? 471 00:25:22,720 --> 00:25:25,200 I just... I don't know. I never know. 472 00:25:25,200 --> 00:25:28,400 I think it's time for us to see what the judges' verdict is. 473 00:25:28,400 --> 00:25:31,080 Let's exit stage right. Let's go! 474 00:25:39,320 --> 00:25:42,720 So, the make-up artist who is the winner today 475 00:25:42,720 --> 00:25:46,520 really impressed me, they delivered my design to a T. 476 00:25:46,520 --> 00:25:50,240 It was imperfectly perfect and I loved it. 477 00:25:50,240 --> 00:25:51,320 And the winner is... 478 00:25:53,280 --> 00:25:54,400 ..Jake. 479 00:25:54,400 --> 00:25:57,240 CHEERING 480 00:25:57,240 --> 00:26:02,000 Oh! Completely did not expect that, that's crazy. 481 00:26:02,000 --> 00:26:04,080 That's a huge honour, thank you. 482 00:26:04,080 --> 00:26:05,480 That's very surprising. 483 00:26:05,480 --> 00:26:08,600 Because of this win now, I do sort of feel seen 484 00:26:08,600 --> 00:26:10,800 and at this point in the competition, 485 00:26:10,800 --> 00:26:12,320 I do feel like that's important. 486 00:26:12,320 --> 00:26:14,560 You just knew exactly what you were doing the whole way through, 487 00:26:14,560 --> 00:26:16,760 it looked just incredible. I was just like, "Ah!" 488 00:26:16,760 --> 00:26:17,840 the whole way through. 489 00:26:19,440 --> 00:26:23,400 It was really, really beautifully done and I think the imperfectly 490 00:26:23,400 --> 00:26:27,800 perfect part was also really achieved beautifully. Thank you. 491 00:26:27,800 --> 00:26:31,280 We loved that you really made it look rough and tumble 492 00:26:31,280 --> 00:26:34,360 and, like, we've been in the Kit Kat Club dancing all night long, 493 00:26:34,360 --> 00:26:36,560 you know what I'm saying? You did a great job. 494 00:26:36,560 --> 00:26:38,600 Yeah, I feel like I'm on my way to, like, being more 495 00:26:38,600 --> 00:26:40,000 positive about things now. 496 00:26:46,120 --> 00:26:48,200 Who last used the oven? 497 00:26:48,200 --> 00:26:49,560 Oh, it's here. 498 00:26:49,560 --> 00:26:50,600 Never mind. 499 00:26:51,800 --> 00:26:53,840 Today was super fun, though, like it was definitely worth 500 00:26:53,840 --> 00:26:56,720 the early wake-up. 100%. Oh, yeah. Yeah. 501 00:26:56,720 --> 00:26:59,160 Like, Billy Porter. Mad. 502 00:26:59,160 --> 00:27:02,320 THE Billy Porter. THE Billy Porter. 503 00:27:02,320 --> 00:27:05,280 Mr Winner-Winner, can you please get out of your head now? 504 00:27:05,280 --> 00:27:06,840 I know, I need to. 505 00:27:06,840 --> 00:27:09,080 I said there's literally a 50-50 chance of being in the red 506 00:27:09,080 --> 00:27:10,400 chairs and that. 507 00:27:10,400 --> 00:27:14,800 I actually have no clue who's going to be where. 508 00:27:14,800 --> 00:27:17,760 Same. Apart from obviously Jake's safe. Mm-mm. 509 00:27:17,760 --> 00:27:19,880 Bring it on! Yeah. 510 00:27:27,160 --> 00:27:30,680 The next day at Glow Up Studios, the show must go on. 511 00:27:31,800 --> 00:27:35,240 But not before the MUAs find out who were the bottom two 512 00:27:35,240 --> 00:27:37,160 in yesterday's Cabaret assignment, 513 00:27:37,160 --> 00:27:39,280 and will start today in the red chairs. 514 00:27:50,720 --> 00:27:52,960 Stun. Slay. 515 00:28:03,760 --> 00:28:08,360 Cherise, Jamie, sadly you guys are in the red Face Off chairs, 516 00:28:08,360 --> 00:28:12,720 meaning you'll have 15 minutes less to complete today's creative brief. 517 00:28:12,720 --> 00:28:15,200 Jamie, onstage your look was so strong, 518 00:28:15,200 --> 00:28:17,640 but you did use too much of the wrong product on the eye 519 00:28:17,640 --> 00:28:19,880 and I did have to step in for the blush placement, 520 00:28:19,880 --> 00:28:22,800 so unfortunately I wouldn't have put that look onstage. 521 00:28:22,800 --> 00:28:27,520 Cherise, it was a softer version of my look and I did ask to make 522 00:28:27,520 --> 00:28:30,920 those brows and moustache a bit thicker, but it wasn't enough. 523 00:28:34,120 --> 00:28:37,720 Yesterday your looks took us to an edgy, 524 00:28:37,720 --> 00:28:42,680 outrageous, 1930s cabaret club. 525 00:28:42,680 --> 00:28:47,080 And outrageous is exactly what you have to bring today to 526 00:28:47,080 --> 00:28:49,880 smash your look. 527 00:28:49,880 --> 00:28:53,680 Today's creative brief is decadence. 528 00:28:53,680 --> 00:28:56,800 We don't mind how or what you interpret as decadent, as long 529 00:28:56,800 --> 00:28:58,720 as it's extra! 530 00:28:58,720 --> 00:29:00,600 So are we ready? 531 00:29:00,600 --> 00:29:01,920 Yes! Yes! 532 00:29:01,920 --> 00:29:03,560 Well, then, bring in the models! 533 00:29:12,760 --> 00:29:16,120 You have two and a half hours to complete your creative brief. 534 00:29:16,120 --> 00:29:18,520 Cherise, Jamie, I'll let you know when you can start, 535 00:29:18,520 --> 00:29:22,320 but the rest of you, your time starts now. 536 00:29:26,520 --> 00:29:28,040 It's just a 15-minute wait now. 537 00:29:29,600 --> 00:29:33,040 Yeah. You OK? Yeah, yeah. Promise? I will be fine. 538 00:29:38,280 --> 00:29:42,480 The MUAs today have to go above and beyond, because let's face it, 539 00:29:42,480 --> 00:29:45,120 they're all fighting for a place in the final four. 540 00:29:45,120 --> 00:29:47,800 All of them are so good, so, you know, 541 00:29:47,800 --> 00:29:50,040 it's going to be a hair's breadth. 542 00:29:50,040 --> 00:29:53,160 Erm, and I'm going to block out your eyebrows. 543 00:29:53,160 --> 00:29:55,560 Gorgeous canvas. 544 00:29:55,560 --> 00:29:58,120 Hey, girl. I've been itching to come and talk to you. 545 00:29:58,120 --> 00:30:01,560 How are you feeling right now? Erm, I'm not going to cry again. 546 00:30:01,560 --> 00:30:03,080 No. Erm... I know. 547 00:30:03,080 --> 00:30:05,520 Don't be upset because there's literally nothing wrong with 548 00:30:05,520 --> 00:30:09,000 what you did. Yeah. It's just the tiniest splitting hairs. 549 00:30:09,000 --> 00:30:11,400 So I just wanted to... I was trying communicate with my eyes, 550 00:30:11,400 --> 00:30:13,600 I tried to use the South London telepathy there, 551 00:30:13,600 --> 00:30:15,560 I was like, "Please, don't cry." 552 00:30:15,560 --> 00:30:18,720 I think it almost feels like the moment I feel confident, 553 00:30:18,720 --> 00:30:21,800 that's when I do the worst, and it's frustrating. 554 00:30:21,800 --> 00:30:24,440 But what you do know is that you can get out of this. 555 00:30:24,440 --> 00:30:26,520 I hope so. I hope so. 556 00:30:33,680 --> 00:30:36,160 Hello, Jamie. Hi. How are you? 557 00:30:36,160 --> 00:30:37,680 I'm good. 558 00:30:37,680 --> 00:30:40,960 How are we feeling right now being in the red chair? 559 00:30:40,960 --> 00:30:42,400 Weirdly I feel fine. 560 00:30:42,400 --> 00:30:44,400 That's not weird, that's just always you. 561 00:30:44,400 --> 00:30:46,920 You can definitely, like, beat the seat. 562 00:30:46,920 --> 00:30:49,200 Are you sure you're not about to be the Face Off assassin, babe? 563 00:30:49,200 --> 00:30:51,080 I feel like I already am. Ooh. 564 00:30:51,080 --> 00:30:53,640 I've already done two, so... Slay the day. Yeah. 565 00:30:57,200 --> 00:31:00,040 Today's brief is decadence. 566 00:31:00,040 --> 00:31:02,240 So what sort of looks do you think we're going to get today? 567 00:31:02,240 --> 00:31:05,280 We're going to be looking for indulgent, 568 00:31:05,280 --> 00:31:08,640 rich, luxurious make-up. 569 00:31:14,560 --> 00:31:17,360 I feel like this is a chance to show the judges that there is, like, 570 00:31:17,360 --> 00:31:18,720 another side of me. 571 00:31:18,720 --> 00:31:21,960 Going to be applying prosthetics. 572 00:31:21,960 --> 00:31:24,560 As someone who loves a bit of maximalist, 573 00:31:24,560 --> 00:31:27,240 I don't want to even see a millimetre of skin. 574 00:31:27,240 --> 00:31:29,240 I don't really see myself as a very decadent person, 575 00:31:29,240 --> 00:31:32,280 so I'm not feeling good about this brief. 576 00:31:32,280 --> 00:31:35,760 I want stick-ons, I want big pieces. 577 00:31:35,760 --> 00:31:38,960 Think of like a high-end charity shop. 578 00:31:38,960 --> 00:31:41,360 That is what I think of when I see you. Is it? 579 00:31:41,360 --> 00:31:43,560 LAUGHTER 580 00:31:43,560 --> 00:31:45,400 It's funny cos it's true. 581 00:31:46,480 --> 00:31:50,400 I just need to make sure that my look is enough. 582 00:31:50,400 --> 00:31:55,000 I think I would go down metals, precious gems. 583 00:31:55,000 --> 00:31:57,440 Yes. Costume jewellery. Costume jewellery, there you go. Yeah. 584 00:31:59,280 --> 00:32:04,120 I'm Indian, so I grew up going to a lot of Indian weddings. 585 00:32:04,120 --> 00:32:07,120 So as soon as we got the brief for decadence, 586 00:32:07,120 --> 00:32:10,240 I immediately thought of Indian jewellery, 587 00:32:10,240 --> 00:32:13,800 but as I researched a little bit more into decadence, obviously, 588 00:32:13,800 --> 00:32:16,360 it's not necessarily a positive thing. 589 00:32:16,360 --> 00:32:18,840 I mean, if you go by the actual definition, 590 00:32:18,840 --> 00:32:22,640 it's kind of the downfall of society. 591 00:32:22,640 --> 00:32:28,040 So I have researched into what jewels were stolen 592 00:32:28,040 --> 00:32:30,800 in the colonial loot from India, 593 00:32:30,800 --> 00:32:33,680 so I've gone with the Timur Ruby. 594 00:32:33,680 --> 00:32:38,200 So I'm just blocking my model's brows out. 595 00:32:38,200 --> 00:32:40,680 Rubies don't have brows. 596 00:32:42,000 --> 00:32:45,040 When they say, "Go", I'm like... I'm taking the shelf with me. 597 00:32:45,040 --> 00:32:46,480 LAUGHTER 598 00:32:46,480 --> 00:32:49,920 Cherise, Jamie, your time starts now. 599 00:32:49,920 --> 00:32:50,960 Ooh! 600 00:32:52,080 --> 00:32:54,800 Move out of my way! 601 00:32:52,080 --> 00:32:54,800 LAUGHTER 602 00:32:55,920 --> 00:32:56,960 Cotton pads. 603 00:33:03,040 --> 00:33:06,800 I'm taking decadence in a completely different mindset. 604 00:33:06,800 --> 00:33:11,720 Mia is also exploring the negative effects of decadence. 605 00:33:11,720 --> 00:33:13,880 Rather than, like, big, bold glamour, 606 00:33:13,880 --> 00:33:16,880 I'm kind of doing it in, like, the overindulging in something 607 00:33:16,880 --> 00:33:18,560 and it going wrong. 608 00:33:18,560 --> 00:33:22,400 My look is based on the overconsumption of technology, 609 00:33:22,400 --> 00:33:25,760 also mixing the characters from the Capitol in The Hunger Games. 610 00:33:25,760 --> 00:33:27,840 They're overindulgent in technology, 611 00:33:27,840 --> 00:33:31,520 they're getting these procedures to make themselves half-robot. 612 00:33:31,520 --> 00:33:33,960 And then this one's gone really wrong. 613 00:33:33,960 --> 00:33:36,880 All of these prosthetics are completely different-shaped. 614 00:33:36,880 --> 00:33:40,840 There's no need for symmetry because they're all completely different. 615 00:33:43,840 --> 00:33:46,520 This is going to actually kill me, cutting a bald cap. 616 00:33:47,760 --> 00:33:52,960 What is this? It looks like a strip of a bald cap. 617 00:33:52,960 --> 00:33:56,000 Oh, so what I've done here, at the moment, is I've slicked 618 00:33:56,000 --> 00:34:00,120 back the hair and placed a bald cap over the top, 619 00:34:00,120 --> 00:34:02,680 and then I'm just sort of blending it out. 620 00:34:02,680 --> 00:34:05,400 Talk to me about your idea of decadence. 621 00:34:05,400 --> 00:34:08,720 I am doing, like, the overindulgence of wealth 622 00:34:08,720 --> 00:34:11,680 in the music industry. They sort of have all this money and then they're 623 00:34:11,680 --> 00:34:14,760 like, "Oh, I'm going to buy a new jet, a new car, another mansion." 624 00:34:14,760 --> 00:34:17,920 So what exactly are you going to be doing with the make-up, then? 625 00:34:17,920 --> 00:34:21,440 So I'm basically going to make it look like luxury 626 00:34:21,440 --> 00:34:22,800 has branded the skin. 627 00:34:22,800 --> 00:34:27,000 So she's going to have, like, burns coming up into the hairline 628 00:34:27,000 --> 00:34:28,240 and then covering the eye. 629 00:34:28,240 --> 00:34:30,800 Oh, I'm excited to see this. Thank you! 630 00:34:39,480 --> 00:34:42,320 Decadence can be... You know, it can be positive 631 00:34:42,320 --> 00:34:43,880 but sometimes it can be negative. 632 00:34:43,880 --> 00:34:45,120 Deca-dance 633 00:34:45,120 --> 00:34:47,120 or deca-oh-I've-sprained-my-ankle? 634 00:34:53,080 --> 00:34:57,440 I wanted to lean sort of more into the consequences of decadence 635 00:34:57,440 --> 00:34:59,320 and overindulgence. 636 00:34:59,320 --> 00:35:03,320 My overall intention with this look is, like, just because things 637 00:35:03,320 --> 00:35:05,600 sort of may look pretty or expensive, 638 00:35:05,600 --> 00:35:07,960 it can also be toxic and harmful to you. 639 00:35:09,480 --> 00:35:13,080 I've made some, like, mushroom, like, 3D bits 640 00:35:13,080 --> 00:35:16,360 I'm going to put on to kind of represent the decay. 641 00:35:16,360 --> 00:35:18,120 ♪ Five, six 642 00:35:18,120 --> 00:35:19,760 ♪ Five, six, seven, eight! ♪ 643 00:35:25,480 --> 00:35:27,560 O-M-G. 644 00:35:27,560 --> 00:35:29,400 Look at the amount of paintwork. 645 00:35:29,400 --> 00:35:31,960 Can we just go to Jake? 646 00:35:31,960 --> 00:35:33,640 ALL: Wow. 647 00:35:33,640 --> 00:35:35,800 He is not afraid of colour. 648 00:35:37,280 --> 00:35:38,560 Hi, Jake. 649 00:35:38,560 --> 00:35:41,360 Are you feeling good today? I mean, congratulations on yesterday. 650 00:35:41,360 --> 00:35:43,480 Thank you. Winning yesterday was quite important. 651 00:35:43,480 --> 00:35:45,240 I feel like it's given me some confidence. 652 00:35:45,240 --> 00:35:47,280 Once you prepare for, like, disappointment, it's such 653 00:35:47,280 --> 00:35:48,640 a nice relief to be like, "Oh!" 654 00:35:48,640 --> 00:35:51,160 Yeah. "OK!" So it's like trick yourself? 655 00:35:51,160 --> 00:35:54,160 Yeah. "I did bad. Actually I win!" Yeah. 656 00:35:54,160 --> 00:35:56,840 So what is the inspiration behind this look? 657 00:35:56,840 --> 00:35:59,040 This is the sort of, like, character that I'm imagining 658 00:35:59,040 --> 00:36:02,360 called, like, Sweet Tooth, who's like all my childhood 659 00:36:02,360 --> 00:36:06,200 sweets all together, like rock from the seaside, ice cream, 660 00:36:06,200 --> 00:36:08,480 chewed-up chewing gum, Nerds. 661 00:36:08,480 --> 00:36:13,400 My nan used to just make the most decadent display of, like, sweets 662 00:36:13,400 --> 00:36:16,960 and treats. Mm! Is it going to be a monster style or...? 663 00:36:16,960 --> 00:36:19,000 It's not going to be monster this time... Ooh! 664 00:36:19,000 --> 00:36:21,480 Because obviously I got the critique of like, you know, 665 00:36:21,480 --> 00:36:23,960 "We've seen you do a monster. Can you show us pretty?" 666 00:36:23,960 --> 00:36:26,400 Like, I just want to show that I can step out of the darkness 667 00:36:26,400 --> 00:36:28,600 and do something a bit more light. 668 00:36:28,600 --> 00:36:31,040 Well, Grandma, this look's for you. 669 00:36:31,040 --> 00:36:33,320 It is, yeah. I feel like almost every look 670 00:36:33,320 --> 00:36:36,320 is, like, inspired by her at this rate. Aw, I love that. Yeah. 671 00:36:43,400 --> 00:36:44,640 Close your eyes for me. 672 00:36:45,840 --> 00:36:47,440 VAL: It could be an eye-opener. 673 00:36:48,440 --> 00:36:49,800 What do you think, Val? 674 00:36:49,800 --> 00:36:51,680 I think she's got her eye on the prize. 675 00:36:51,680 --> 00:36:53,200 GIGGLING 676 00:36:59,040 --> 00:37:00,240 Yeah. 677 00:37:03,640 --> 00:37:08,040 This is basically to make it look like the face is burnt. 678 00:37:08,040 --> 00:37:10,520 I am very determined to get out of this red chair. 679 00:37:12,720 --> 00:37:16,200 It's very non-creepy, it's very outside my comfort 680 00:37:16,200 --> 00:37:18,520 zone in that respect, for sure, 100%. 681 00:37:22,680 --> 00:37:24,800 That's really funny. Jake over there, 682 00:37:24,800 --> 00:37:27,320 he, like, usually does, like, cool, monster things, 683 00:37:27,320 --> 00:37:29,640 but, like, he's never done pretty. 684 00:37:29,640 --> 00:37:31,640 And I usually do, like, pretty things, 685 00:37:31,640 --> 00:37:34,000 so we basically, like, did like a switcheroo. 686 00:37:36,000 --> 00:37:38,720 MUAs, you have just one hour left. 687 00:37:38,720 --> 00:37:40,360 I need to get my move on. 688 00:37:44,960 --> 00:37:47,800 So decadent. So decadent. 689 00:37:47,800 --> 00:37:50,480 I feel like the most decadent people in the room are definitely Val 690 00:37:50,480 --> 00:37:54,080 and Dom, they give off very decadent vibes. 691 00:37:54,080 --> 00:37:56,000 How's your orange? 692 00:37:56,000 --> 00:37:58,280 Is it oranges? It's all right, but I prefer a satsuma. 693 00:37:58,280 --> 00:37:59,760 A satsuma, I know. 694 00:38:06,920 --> 00:38:11,680 What are you up to? I have made these little mushrooms. 695 00:38:11,680 --> 00:38:14,440 I made these completely by hand using foam clay, 696 00:38:14,440 --> 00:38:16,120 just sort of layering and moulding. 697 00:38:16,120 --> 00:38:21,320 Right. I've never sort of made my own, like, 3D elements before. Yeah. 698 00:38:21,320 --> 00:38:24,080 From a theatre perspective, this would read amazing! 699 00:38:24,080 --> 00:38:26,840 Thank you, that's good to know. Yeah, this would literally pop. 700 00:38:26,840 --> 00:38:29,400 Wish I knew that yesterday. I'm joking! 701 00:38:29,400 --> 00:38:31,480 Listen, I literally can't wait to see those mushrooms 702 00:38:31,480 --> 00:38:32,680 stuck on as well. Thank you. 703 00:38:32,680 --> 00:38:35,040 It's going to look sick. They'll be on shortly. 704 00:38:41,960 --> 00:38:46,320 I'm trying to work out how I want this to look sort of glossy. 705 00:38:46,320 --> 00:38:48,480 Like a hard-boiled sweet. 706 00:38:48,480 --> 00:38:51,680 You'll probably want to keep your mouth and eyes closed for this. 707 00:38:51,680 --> 00:38:53,840 Like, you don't want to breathe this in. 708 00:38:53,840 --> 00:38:55,960 Like, you won't die but it's not pleasant. 709 00:39:00,640 --> 00:39:03,480 Hi, Jake. Hi. Congratulations for yesterday. 710 00:39:03,480 --> 00:39:05,600 Thank you very much. Now, tell me about this. 711 00:39:05,600 --> 00:39:07,720 So I'm trying to do something a little bit more beautiful 712 00:39:07,720 --> 00:39:10,440 this week. Yeah, well, it definitely is. 713 00:39:10,440 --> 00:39:12,800 I love your use of the white highlighters to get that 714 00:39:12,800 --> 00:39:14,920 shiny texture going, it's really cool. 715 00:39:14,920 --> 00:39:18,360 So tell me a little bit about what you kind of aspire to do in make-up. 716 00:39:18,360 --> 00:39:20,000 I just want to get back into the industry, 717 00:39:20,000 --> 00:39:22,520 cos I've had to take, like, two years off to look after 718 00:39:22,520 --> 00:39:24,520 family members, like care responsibility-wise. Yeah. 719 00:39:24,520 --> 00:39:27,240 What sort of realm of make-up, then? Like special effects is my dream. 720 00:39:27,240 --> 00:39:30,040 Like, I want to watch a horror film with a really cool monster in it 721 00:39:30,040 --> 00:39:32,480 and say, "Jake made that." I love that! Yeah. 722 00:39:32,480 --> 00:39:36,720 MUAs, you have just 30 minutes left. 723 00:39:36,720 --> 00:39:37,760 Ooh! 724 00:39:42,200 --> 00:39:44,720 So, timewise, how are you doing? I need to do the sort of 725 00:39:44,720 --> 00:39:46,040 beauty element. OK. 726 00:39:46,040 --> 00:39:48,720 I think I'm going to do more of a dark, smoky eye. OK. 727 00:39:48,720 --> 00:39:51,240 Erm, and then I'm going to have some gold dripping down as well. 728 00:39:51,240 --> 00:39:52,560 Ooh. Love it. 729 00:39:55,920 --> 00:40:00,000 I am applying my 3D mushrooms currently. 730 00:40:01,280 --> 00:40:04,840 I have some feather lashes here. 731 00:40:04,840 --> 00:40:08,240 Oh, my days, we've got a feather lash. 732 00:40:09,760 --> 00:40:11,040 DOM GAGS 733 00:40:11,040 --> 00:40:13,520 I despise feather lashes. 734 00:40:13,520 --> 00:40:17,320 A feather lash as a feather lash is just quite predictable. 735 00:40:17,320 --> 00:40:22,480 I am yet to see a make-up look where a feather lash 736 00:40:22,480 --> 00:40:24,080 has looked good. 737 00:40:24,080 --> 00:40:26,680 MUAs, you have ten minutes left. 738 00:40:26,680 --> 00:40:29,480 It's only the lash we've got left, babe. We are good in the hood. 739 00:40:37,400 --> 00:40:42,400 I'm just going to make it really look like it's on fire. 740 00:40:45,240 --> 00:40:47,480 Who do I think I am? I'm usually finished by now. 741 00:40:47,480 --> 00:40:48,520 God. 742 00:40:52,240 --> 00:40:54,200 I've got so many sprinkles in my belly button. 743 00:40:54,200 --> 00:40:55,440 Oh, my God, I'm so sorry. 744 00:40:59,520 --> 00:41:02,720 MUAs, your time is up. 745 00:41:02,720 --> 00:41:08,080 Brushes down, please take your models next door to be photographed. 746 00:41:08,080 --> 00:41:10,440 Just, like, shake all the sprinkles off. 747 00:41:10,440 --> 00:41:11,480 Yeah. 748 00:41:16,320 --> 00:41:18,600 I think the prosthetics went really well today. 749 00:41:18,600 --> 00:41:20,880 I mean, I am personally, like, proud of it, 750 00:41:20,880 --> 00:41:23,880 but I feel like it is a very complicated story. 751 00:41:26,400 --> 00:41:28,760 I hope I've done enough to beat the seat. 752 00:41:28,760 --> 00:41:31,920 There's not as many of us, so it just feels like the odds of being 753 00:41:31,920 --> 00:41:33,760 in the bottom are so much higher. 754 00:41:37,560 --> 00:41:40,560 I'm definitely fighting to keep my place here. 755 00:41:40,560 --> 00:41:43,360 There is no way I want to be in that Face Off chair again. 756 00:41:49,440 --> 00:41:51,560 Cherise, please step forward. 757 00:41:56,000 --> 00:41:57,880 Please tell me your story. 758 00:41:57,880 --> 00:42:01,720 I wanted to lean more into the decay element of decadence. 759 00:42:01,720 --> 00:42:05,600 I kind of wanted to make, erm, decay look beautiful. 760 00:42:05,600 --> 00:42:09,600 I think this is a beautiful make-up. 761 00:42:09,600 --> 00:42:12,240 The way you've laid down colour onto the face, I mean, 762 00:42:12,240 --> 00:42:14,960 this is a master painter. 763 00:42:14,960 --> 00:42:18,000 For me, did you need the lash? 764 00:42:18,000 --> 00:42:21,240 I felt like it looked really imbalanced without it, honestly. 765 00:42:21,240 --> 00:42:23,720 What I would say is the real lash, 766 00:42:23,720 --> 00:42:27,000 curl it. That was very Bristolian, wasn't it? Coorl it! 767 00:42:27,000 --> 00:42:28,680 Why didn't you curl it? 768 00:42:28,680 --> 00:42:32,240 Curl the lash, so that when you put the fake lash on, 769 00:42:32,240 --> 00:42:34,520 they blend together more, 770 00:42:34,520 --> 00:42:37,320 but I think it's a superb make-up. 771 00:42:37,320 --> 00:42:38,960 Thank you so much. Thank you. 772 00:42:38,960 --> 00:42:40,480 Yes, I agree. 773 00:42:40,480 --> 00:42:43,960 I think you've adhered the mushrooms perfectly, I think 774 00:42:43,960 --> 00:42:47,800 it's beautifully executed. Thank you so much. Thank you. 775 00:42:47,800 --> 00:42:50,200 You've taken this concept of decadence, you've moved it 776 00:42:50,200 --> 00:42:53,840 into the realm of decay, but you've taken it so far over. 777 00:42:53,840 --> 00:42:56,680 I wonder whether you've taken it too far, 778 00:42:56,680 --> 00:43:00,040 so, without the story, we wouldn't really know what we're looking at. 779 00:43:00,040 --> 00:43:03,760 Fair enough. Jade, would you like to come up? Yeah. 780 00:43:06,400 --> 00:43:09,400 As I researched the actual meaning of decadence, 781 00:43:09,400 --> 00:43:13,960 it's kind of the moral decline due to the excess of luxury. 782 00:43:13,960 --> 00:43:19,400 I came across the Timur Ruby, stolen from India during the colonial loot. 783 00:43:19,400 --> 00:43:23,400 What I love is the overembellishment of this, 784 00:43:23,400 --> 00:43:26,760 the use of those chains and the studs, 785 00:43:26,760 --> 00:43:29,960 it creates a real opulence. 786 00:43:29,960 --> 00:43:32,280 It screams regal to me. 787 00:43:32,280 --> 00:43:35,400 If I'm going to be really picky, I look at this 788 00:43:35,400 --> 00:43:39,320 and I don't necessarily see the facets of the ruby around the edge. 789 00:43:39,320 --> 00:43:40,640 Yeah. 790 00:43:40,640 --> 00:43:43,000 I don't get the ruby. 791 00:43:43,000 --> 00:43:45,920 I get a red shape on the face. Yeah. 792 00:43:45,920 --> 00:43:49,520 I think if you're going to do a big sort of graphic shape, 793 00:43:49,520 --> 00:43:53,720 make sure your edges are kind of like they're cut sharp. Yeah. 794 00:43:53,720 --> 00:43:58,360 You know, like a ruby, lots of sharp edges. 795 00:43:58,360 --> 00:44:03,000 But, overall, it's decadent, it's opulent. 796 00:44:03,000 --> 00:44:05,440 You're a queen, thank you! 797 00:44:05,440 --> 00:44:07,680 Thank you so much. 798 00:44:05,440 --> 00:44:07,680 APPLAUSE 799 00:44:07,680 --> 00:44:09,480 Mia, please step forward. 800 00:44:14,640 --> 00:44:18,440 {\an8}So my look is based on my love of, like, dystopian movies, 801 00:44:18,440 --> 00:44:19,960 of, like, The Hunger Games 802 00:44:19,960 --> 00:44:24,080 and the overindulgence of technology and almost like the theory 803 00:44:24,080 --> 00:44:26,680 that robots are going to take over the world. 804 00:44:26,680 --> 00:44:31,080 So I've kind of made a look based on that, and it's gone wrong. 805 00:44:31,080 --> 00:44:34,560 There's so much going on in this make-up. Yeah. 806 00:44:34,560 --> 00:44:38,440 {\an8}But we know that you're the prosthetics queen, right? Mm. 807 00:44:38,440 --> 00:44:41,000 {\an8}They're just so well done. 808 00:44:41,000 --> 00:44:45,400 {\an8}That veining under the eyes - so real. 809 00:44:45,400 --> 00:44:49,240 But your prosthetics are so far back on the face... 810 00:44:49,240 --> 00:44:51,360 Yeah, you can't see it. 811 00:44:51,360 --> 00:44:52,840 I agree with Val. 812 00:44:52,840 --> 00:44:57,320 There are so many elements that it becomes confusing, 813 00:44:57,320 --> 00:45:02,960 and I've never hidden from my hatred of a feather lash. 814 00:45:02,960 --> 00:45:05,040 I have to thank you because you've given me 815 00:45:05,040 --> 00:45:10,560 proof as to why feather lashes are the devil's work. 816 00:45:10,560 --> 00:45:14,520 It is chaotic, it is misplaced, they are too heavy 817 00:45:14,520 --> 00:45:17,680 so they droop down, they give the model a bit of a sad eye. 818 00:45:17,680 --> 00:45:21,600 So knowing how to work around what you're trying to do, 819 00:45:21,600 --> 00:45:23,920 I think that's the next step for you. Yeah. 820 00:45:23,920 --> 00:45:26,680 When I would have been planning your look and I would have 821 00:45:26,680 --> 00:45:29,320 thought, "I'm good at prosthetics," I would have leant into that. 822 00:45:29,320 --> 00:45:31,240 So you think decadent, I would have been... 823 00:45:31,240 --> 00:45:34,400 I would have covered the whole face in prosthetics if I could. 824 00:45:34,400 --> 00:45:37,600 So I think when you come to create another look, just think, 825 00:45:37,600 --> 00:45:41,320 "What am I best at?" Yeah. And then lean into that, make your job easier 826 00:45:41,320 --> 00:45:44,400 by doing something that you love and that you know you're good at. 827 00:45:44,400 --> 00:45:48,240 Thank you. Thank you so much. Thank you, Mia. Thank you, Mia. 828 00:45:48,240 --> 00:45:51,040 Come on up, Jamie, and tell us your story. 829 00:45:55,040 --> 00:45:57,720 So my make-up look is based on the overconsumption 830 00:45:57,720 --> 00:46:01,000 and overindulgence of wealth in the music industry. 831 00:46:01,000 --> 00:46:03,840 The application of the bald cap, cutting it up, 832 00:46:03,840 --> 00:46:05,400 I thought was really clever. 833 00:46:05,400 --> 00:46:10,240 The layering of the silicone to create this sort of mottling, 834 00:46:10,240 --> 00:46:11,800 she looks tarnished. 835 00:46:11,800 --> 00:46:13,560 That is really good. 836 00:46:13,560 --> 00:46:17,560 My worry is that you concentrated so much on the illusion aspect 837 00:46:17,560 --> 00:46:21,720 that the actual beauty make-up that's applied lacked. 838 00:46:21,720 --> 00:46:25,560 When we look at this eye - is it meant to be pretty? 839 00:46:25,560 --> 00:46:28,080 Is it meant to just look dusty and burnt? 840 00:46:28,080 --> 00:46:31,120 And the lip, I don't feel the wealth. 841 00:46:31,120 --> 00:46:34,160 I don't feel the luxury, I don't feel the decadence. 842 00:46:36,160 --> 00:46:41,720 I can see the decay, but I can't see the overindulgence. 843 00:46:41,720 --> 00:46:45,640 Right. Is the glam big enough? Does she look rich? 844 00:46:45,640 --> 00:46:48,480 No. I didn't want to go too extreme. 845 00:46:48,480 --> 00:46:51,120 You didn't want to go too extreme?! 846 00:46:51,120 --> 00:46:54,400 The brief was maximalism. 847 00:46:54,400 --> 00:46:57,360 But I loved the sort of luxury of the gold that 848 00:46:57,360 --> 00:47:01,400 you've created and I think that that technique is really amazing. 849 00:47:01,400 --> 00:47:03,240 Thank you so much. Thank you. Thanks, Jamie. 850 00:47:03,240 --> 00:47:06,040 Thank you, Jamie. Thank you. 851 00:47:03,240 --> 00:47:06,040 APPLAUSE 852 00:47:06,040 --> 00:47:07,720 Jake, please come forward. 853 00:47:11,640 --> 00:47:14,520 The idea of this is this is a character called Sweet Tooth 854 00:47:14,520 --> 00:47:18,600 which is all of my childhood sweets as one thing 855 00:47:18,600 --> 00:47:21,560 and it's all dripping and it's all together. 856 00:47:21,560 --> 00:47:24,080 Thank you for your story. Erm... 857 00:47:24,080 --> 00:47:26,160 Oh, my God, I love it! Oh! 858 00:47:26,160 --> 00:47:28,800 Ah! This is everything. 859 00:47:28,800 --> 00:47:31,840 It's stunning. Thank you. 860 00:47:31,840 --> 00:47:36,240 I am obsessed with you, and your use of colour. 861 00:47:36,240 --> 00:47:40,600 You start with a wide wash and then you get closer 862 00:47:40,600 --> 00:47:44,560 and then you get closer, just giving more nuggets of, "Mm-mm-mm!" 863 00:47:44,560 --> 00:47:46,920 It's just everything. 864 00:47:46,920 --> 00:47:51,360 The overall effect is just one of beautiful light play. 865 00:47:51,360 --> 00:47:53,840 I just thought this is trompe-l'oeil, which is 866 00:47:53,840 --> 00:47:56,360 the French for "trick the eye". 867 00:47:56,360 --> 00:48:00,240 Chef's kiss, j'adore. Thank you. Thank you so much. 868 00:48:00,240 --> 00:48:04,640 I think that I see you as a painter, 869 00:48:04,640 --> 00:48:07,360 that's why you do the canvas first. 870 00:48:07,360 --> 00:48:11,280 This is the best painting that I have seen in this room. 871 00:48:11,280 --> 00:48:14,240 Thank you. You know, you've got your monsters 872 00:48:14,240 --> 00:48:19,080 and you love your monsters, but you have created a hero. 873 00:48:19,080 --> 00:48:24,040 This is original, maximal, and unique. 874 00:48:24,040 --> 00:48:27,920 This is such a major Ding Dong. 875 00:48:30,960 --> 00:48:34,960 Unbelievable! Thank you so much. Woo! 876 00:48:34,960 --> 00:48:37,400 I guess I've just had the perfect week, I just... 877 00:48:37,400 --> 00:48:40,480 I won the industry assignment and now I've just got a Ding Dong, 878 00:48:40,480 --> 00:48:44,600 so I'm starting to, like, believe in myself a bit more. 879 00:48:44,600 --> 00:48:48,040 MUAs, if you'd like to go next door, myself, Val and Guy 880 00:48:48,040 --> 00:48:50,040 will be having a chat to work out which two of you 881 00:48:50,040 --> 00:48:52,040 will end up in the Face Off elimination. 882 00:48:57,720 --> 00:49:01,240 Let's start by talking about the two artists in the Face Off chairs. 883 00:49:01,240 --> 00:49:03,640 Shall we start with...? Cherise. OK. 884 00:49:05,480 --> 00:49:07,040 I think we've seen people in the past, 885 00:49:07,040 --> 00:49:08,600 like they've done incredible make-up looks, 886 00:49:08,600 --> 00:49:10,680 but they're not thinking it's read the brief and that's sort of had 887 00:49:10,680 --> 00:49:12,920 them in the red chair, so I don't feel safe. 888 00:49:12,920 --> 00:49:16,040 I mean, Cherise did a number on us 889 00:49:16,040 --> 00:49:18,040 because it's so beautiful. 890 00:49:18,040 --> 00:49:21,600 It feels like something you'd see in the National Portrait Gallery. 891 00:49:21,600 --> 00:49:24,960 I mean, I think it's a work of art. 892 00:49:24,960 --> 00:49:27,080 Glamour in decay, isn't it? 893 00:49:27,080 --> 00:49:28,360 Jamie. 894 00:49:28,360 --> 00:49:34,240 It is a shame. Jamie has talent, but he gets caught up in one part 895 00:49:34,240 --> 00:49:38,360 of the make-up and doesn't really look at the bigger picture. 896 00:49:38,360 --> 00:49:39,840 I don't think I've beat the seat 897 00:49:39,840 --> 00:49:42,240 because of how strong everyone else's looks were. 898 00:49:42,240 --> 00:49:44,440 They really liked the mottling over the eye. 899 00:49:44,440 --> 00:49:47,840 What you did with the bald cap as well was crazy. Crazy! 900 00:49:47,840 --> 00:49:51,280 VAL: What Jamie has done is good. 901 00:49:51,280 --> 00:49:53,560 Does it tell the story? 902 00:49:53,560 --> 00:49:54,720 No. 903 00:49:54,720 --> 00:49:57,760 And I don't think it's successful in meeting the brief. 904 00:49:57,760 --> 00:50:00,800 No. So let's talk about Mia. 905 00:50:00,800 --> 00:50:04,560 There's like five different ideas in there. 906 00:50:04,560 --> 00:50:06,840 And they don't fit together. Yeah. 907 00:50:06,840 --> 00:50:09,720 But her vein work, I really bought into that. 908 00:50:09,720 --> 00:50:12,040 But, see, that's where her heart is. 909 00:50:12,040 --> 00:50:14,600 Maybe she just wants to work on a film. Yeah. 910 00:50:14,600 --> 00:50:18,080 Well, is that good enough to become Britain's next make-up star? 911 00:50:18,080 --> 00:50:21,160 Maybe not. Obviously, they didn't really get the look. 912 00:50:21,160 --> 00:50:23,000 I feel like I could be in the chair. 913 00:50:23,000 --> 00:50:25,400 But I just kind of hope my comments on the prosthetics 914 00:50:25,400 --> 00:50:26,600 keep me out of it. 915 00:50:26,600 --> 00:50:31,520 I think we all agree who's going into the Face Off elimination. 916 00:50:31,520 --> 00:50:33,480 Yeah, I think so. I think so, too. 917 00:50:34,920 --> 00:50:39,080 So, guys, who here thinks that they could be in the Face Off today? 918 00:50:47,720 --> 00:50:51,440 Well, guys, this has been tough. 919 00:50:51,440 --> 00:50:52,960 Cherise, Jamie, 920 00:50:52,960 --> 00:50:56,240 you both started today in the red Face Off chairs. 921 00:50:56,240 --> 00:51:00,600 Cherise, your story wasn't completely clear, 922 00:51:00,600 --> 00:51:04,480 but you gave us an absolutely beautiful make-up look. 923 00:51:04,480 --> 00:51:08,080 Your use of colours, shades and textures was sublime. 924 00:51:09,200 --> 00:51:11,000 Once again, you beat the seat. 925 00:51:11,000 --> 00:51:14,120 Oh, my God. Oh, my heart. Thank you. 926 00:51:14,120 --> 00:51:17,520 Thank you. Yes, I'm so proud! Well done. 927 00:51:17,520 --> 00:51:19,160 QUIETLY: Oh, my God. 928 00:51:19,160 --> 00:51:22,520 Jamie, we couldn't see your story. 929 00:51:22,520 --> 00:51:25,160 You spent so long with your prosthetics that it 930 00:51:25,160 --> 00:51:27,280 meant that the beauty was lacking. 931 00:51:28,320 --> 00:51:30,280 Unfortunately you will be the first MUA 932 00:51:30,280 --> 00:51:32,160 going into the Face Off elimination. 933 00:51:34,280 --> 00:51:36,800 Which means we have another seat to fill. 934 00:51:39,560 --> 00:51:41,280 Mia... Mm-mm. 935 00:51:41,280 --> 00:51:44,560 Your prosthetics were amazing. 936 00:51:46,760 --> 00:51:51,080 But your look was overcomplicated, 937 00:51:51,080 --> 00:51:54,200 so we couldn't see your decadence. 938 00:51:55,680 --> 00:52:00,000 So, Mia, you'll be the second MUA going into the Face Off elimination. 939 00:52:02,440 --> 00:52:03,800 Thank you, judges. 940 00:52:05,080 --> 00:52:08,200 All right, guys. Get ready and say goodbye. 941 00:52:08,200 --> 00:52:10,920 Staying here is helping me grow as an artist and, like, 942 00:52:10,920 --> 00:52:12,600 really pushing my creativity, 943 00:52:12,600 --> 00:52:15,600 so I am definitely going to fight for this. 944 00:52:15,600 --> 00:52:16,960 Third time's the charm, I guess. 945 00:52:16,960 --> 00:52:19,360 I was sort of expecting it, but, yeah, 946 00:52:19,360 --> 00:52:21,600 I am definitely not going home today. 947 00:52:21,600 --> 00:52:22,960 I'm going to fight till the death. 948 00:52:25,040 --> 00:52:28,680 To create a level playing field, the MUAs will face off 949 00:52:28,680 --> 00:52:30,960 over a set of identical twins. 950 00:52:33,400 --> 00:52:35,600 For today's Face Off, we're going to be putting 951 00:52:35,600 --> 00:52:37,760 your linework to the test. 952 00:52:37,760 --> 00:52:40,920 We want you to create a striking doll eye. 953 00:52:40,920 --> 00:52:45,920 You must create a liner underneath the lower lash line 954 00:52:45,920 --> 00:52:51,920 with seven bold, sharp, under-eye lashes. 955 00:52:51,920 --> 00:52:56,560 These must be evenly spaced to create a balanced, 956 00:52:56,560 --> 00:52:58,640 symmetrical shape. 957 00:52:58,640 --> 00:53:01,200 To create the illusion of a doll eye, 958 00:53:01,200 --> 00:53:03,880 big, bold lashes are key. 959 00:53:03,880 --> 00:53:07,920 Firstly, leaving a small gap, draw a line under the lash line to 960 00:53:07,920 --> 00:53:09,840 make the eye look bigger. 961 00:53:09,840 --> 00:53:13,320 Then draw a lash either end of this line and one in the middle. 962 00:53:14,320 --> 00:53:16,800 Now you can add your remaining lashes. 963 00:53:16,800 --> 00:53:20,280 A top tip - use a cotton bud to help with the equal spacing 964 00:53:20,280 --> 00:53:21,520 of those lashes. 965 00:53:22,520 --> 00:53:24,920 Finally, use some concealer on a cotton bud 966 00:53:24,920 --> 00:53:26,560 to clean up any rough edges. 967 00:53:27,760 --> 00:53:30,720 And that is how you create a pretty, cutesy doll eye. 968 00:53:32,680 --> 00:53:36,800 Mia and Jamie, you will have ten minutes to complete this Face Off. 969 00:53:37,800 --> 00:53:41,760 Good luck, and your time starts now. 970 00:54:02,200 --> 00:54:05,120 Well, so far it's neck and neck. 971 00:54:05,120 --> 00:54:07,840 Jamie was confident with his application, 972 00:54:07,840 --> 00:54:11,200 but he's spending longer to make sure that that bottom lash 973 00:54:11,200 --> 00:54:13,720 line is symmetrical. 974 00:54:13,720 --> 00:54:17,120 But, Mia, it was very timid and I think when you're 975 00:54:17,120 --> 00:54:23,120 doing a liner like that with a pen, you've just got to go bold. 976 00:54:23,120 --> 00:54:24,760 You do. You've just got to go... 977 00:54:30,360 --> 00:54:35,080 They both started by putting the first lash in the middle. 978 00:54:35,080 --> 00:54:38,560 What I would have done was go to either end 979 00:54:38,560 --> 00:54:41,240 and work my way with the distance in-between. 980 00:54:41,240 --> 00:54:44,920 MUAs, you have just two minutes left. 981 00:55:04,040 --> 00:55:08,720 Ten, nine, eight, seven, 982 00:55:08,720 --> 00:55:12,280 six, five, four, 983 00:55:12,280 --> 00:55:15,680 three, two, one. 984 00:55:15,680 --> 00:55:17,320 Brushes down, MUAs. 985 00:55:18,800 --> 00:55:19,960 Ah! 986 00:55:42,600 --> 00:55:44,520 Conflab? I think so. 987 00:55:50,040 --> 00:55:55,320 {\an8}They both delivered on a smooth, sharp liner. 988 00:55:55,320 --> 00:55:58,600 {\an8}Yeah, Jamie delivered really great 989 00:55:58,600 --> 00:56:01,160 {\an8}precision and symmetry, 990 00:56:01,160 --> 00:56:05,480 {\an8}but what Jamie lacked was the sharpness 991 00:56:05,480 --> 00:56:07,520 {\an8}and the cleanness of those lies. 992 00:56:07,520 --> 00:56:09,080 {\an8}Definition. 993 00:56:09,080 --> 00:56:14,480 {\an8}Mia has delivered lashes that are unevenly spaced 994 00:56:14,480 --> 00:56:19,480 {\an8}because there's seven lashes on one side and six on the other. 995 00:56:19,480 --> 00:56:21,880 Oh, my God, I didn't get that! Yeah. 996 00:56:21,880 --> 00:56:26,960 {\an8}It all comes down to one absent lash. 997 00:56:32,000 --> 00:56:36,560 MUAs, we both want to say just how incredible it is 998 00:56:36,560 --> 00:56:40,360 that you both have done so well in this competition to get here. 999 00:56:40,360 --> 00:56:41,920 It's amazing. 1000 00:56:43,080 --> 00:56:48,120 Jamie, you delivered seven lashes 1001 00:56:48,120 --> 00:56:50,560 on either eye 1002 00:56:50,560 --> 00:56:53,200 that were beautifully balanced 1003 00:56:53,200 --> 00:56:55,040 and evenly spaced. 1004 00:56:56,840 --> 00:57:01,760 Mia, you had an absent lash on one side. 1005 00:57:01,760 --> 00:57:05,120 And for that reason, please pack your kit, you'll be going home. 1006 00:57:07,600 --> 00:57:08,640 Oh! 1007 00:57:09,640 --> 00:57:11,200 The competition has been hard. 1008 00:57:11,200 --> 00:57:15,160 I'm still proud of everything I have achieved here. 1009 00:57:15,160 --> 00:57:17,560 Everything happens for a reason. Yeah. 1010 00:57:17,560 --> 00:57:20,720 Very true, very wise. And, you know, it starts now. 1011 00:57:20,720 --> 00:57:23,960 You've got a future in prosthetics, you really do. 1012 00:57:23,960 --> 00:57:27,320 Being here has very much changed my make-up career, 1013 00:57:27,320 --> 00:57:28,760 and I really love it. 1014 00:57:28,760 --> 00:57:31,520 GASPING 1015 00:57:28,760 --> 00:57:31,520 She's back! Oh, my God! 1016 00:57:33,440 --> 00:57:34,480 Yes! 1017 00:57:35,800 --> 00:57:38,880 I'm now in the semifinals, which is amazing. 1018 00:57:38,880 --> 00:57:42,280 I am bringing out every single thing that I have in my book. 1019 00:57:42,280 --> 00:57:45,520 You are literally the cat with nine lives, babes. Yeah. 1020 00:57:45,520 --> 00:57:48,120 I can smell the final. 1021 00:57:48,120 --> 00:57:50,840 Someone has to go home, someone has to go in the Face Off, 1022 00:57:50,840 --> 00:57:53,760 and it will not - definitely not - be me. 1023 00:57:55,840 --> 00:57:59,000 {\an8}It's awards! ..the red carpet beckons... 1024 00:57:59,000 --> 00:58:00,800 {\an8}Mwah! Yes, honey. 1025 00:58:00,800 --> 00:58:04,000 {\an8}..in a high stakes celebrity semifinal. 1026 00:58:04,000 --> 00:58:05,920 {\an8}Think Hailey Bieber. 1027 00:58:05,920 --> 00:58:07,640 {\an8}And at Glow Up Studios... 1028 00:58:07,640 --> 00:58:09,600 {\an8}I gots to go! I'm running! 1029 00:58:09,600 --> 00:58:11,040 {\an8}..the race is on... 1030 00:58:11,040 --> 00:58:12,160 {\an8}Go, go, go! 1031 00:58:12,160 --> 00:58:13,960 {\an8}..to make it to the final. 1032 00:58:13,960 --> 00:58:15,640 {\an8}A lot is at stake right now. 1033 00:58:15,640 --> 00:58:17,280 {\an8}This is it, like this is it. 1034 00:58:18,305 --> 00:59:18,474 Watch Online Movies and Series for FREE www.osdb.link/lm