"Glow Up: Britain's Next Make-Up Star" Episode #6.6

1 00:00:02,000 --> 00:00:03,040 Over the past six weeks, 2 00:00:03,040 --> 00:00:05,240 eight MUAs have exploded onto the make-up scene... 3 00:00:05,240 --> 00:00:06,480 Going to be a journey. 4 00:00:06,480 --> 00:00:08,160 We have to go big or go home. 5 00:00:08,160 --> 00:00:10,320 ..taking on high-profile assignments... 6 00:00:10,320 --> 00:00:12,160 Hi, this is Lady Gaga. 7 00:00:12,160 --> 00:00:15,320 ..that have pushed them to their limit. 8 00:00:15,320 --> 00:00:18,440 You've only got five minutes. Yes, I'm aware, thank you. Sorry. 9 00:00:18,440 --> 00:00:20,320 From working with West End stars... 10 00:00:20,320 --> 00:00:22,720 We're going fierce and fabulous. 11 00:00:22,720 --> 00:00:25,600 ..to airbrushing avatars in the digital world. 12 00:00:25,600 --> 00:00:28,920 That's sick. I'm literally not breathing. 13 00:00:28,920 --> 00:00:32,320 They've had to impress icons of the industry... 14 00:00:32,320 --> 00:00:33,880 I'm back, darling! 15 00:00:33,880 --> 00:00:36,600 Alexis Stone! 16 00:00:36,600 --> 00:00:38,720 Mitchell! 17 00:00:39,960 --> 00:00:43,480 ..and they've delivered mind-blowing looks in the creative briefs. 18 00:00:43,480 --> 00:00:46,120 Wow! 19 00:00:46,120 --> 00:00:47,960 It's beautiful. 20 00:00:47,960 --> 00:00:49,880 I loved this look! 21 00:00:49,880 --> 00:00:52,920 This is everything! 22 00:00:52,920 --> 00:00:56,960 Now, just three remain on the brink of a life-changing opportunity - 23 00:00:56,960 --> 00:01:02,560 a contract to work alongside some of the best MUAs in the business. 24 00:01:02,560 --> 00:01:03,960 It's crazy. 25 00:01:03,960 --> 00:01:05,960 There's going to be blood, sweat and tears going into this. 26 00:01:05,960 --> 00:01:07,840 I really want to win. 27 00:01:07,840 --> 00:01:10,160 Who will come out on top? 28 00:01:10,160 --> 00:01:12,920 It's the final time to Glow Up. 29 00:01:14,000 --> 00:01:20,074 30 00:01:23,320 --> 00:01:28,080 We've got three incredible MUAs in the final. 31 00:01:28,080 --> 00:01:29,880 Finalists! Wow! 32 00:01:29,880 --> 00:01:31,040 Whoop-whoop! 33 00:01:31,040 --> 00:01:33,760 The competition is tighter than ever now. 34 00:01:33,760 --> 00:01:35,880 There is everything to play for. 35 00:01:35,880 --> 00:01:37,520 It is just mad. I can't quite comprehend 36 00:01:37,520 --> 00:01:39,600 that this is actually the final. I know! This is it! 37 00:01:39,600 --> 00:01:42,880 I am so gassed! 38 00:01:42,880 --> 00:01:45,040 A little bit apprehensive, as well, 39 00:01:45,040 --> 00:01:47,200 because obviously, I'm against two of the best. 40 00:01:47,200 --> 00:01:49,640 So, I'm going to have to put up one heck of a fight. 41 00:01:49,640 --> 00:01:50,720 But I'm ready for it. 42 00:01:50,720 --> 00:01:52,680 At the start, I was so, so nervous. 43 00:01:52,680 --> 00:01:55,400 And, like, being the youngest, I was like, 44 00:01:55,400 --> 00:01:58,120 "I don't know if I can actually get to the final." Yeah. 45 00:01:58,120 --> 00:01:59,560 But I'm here now! 46 00:01:59,560 --> 00:02:02,080 I literally can't believe that I'm here. 47 00:02:02,080 --> 00:02:03,920 The whole thing doesn't feel real. 48 00:02:03,920 --> 00:02:05,760 I really wanted to get to the final, 49 00:02:05,760 --> 00:02:07,240 but I was like, it's going to be 50 00:02:07,240 --> 00:02:09,760 such a tough, hard journey to get here. 51 00:02:09,760 --> 00:02:13,040 If I do well in the final, and I could potentially win, 52 00:02:13,040 --> 00:02:16,000 the opportunities after this, it could be endless. 53 00:02:16,000 --> 00:02:18,400 I could go on to do massive things. 54 00:02:18,400 --> 00:02:21,360 It's so close between these three finalists. 55 00:02:21,360 --> 00:02:23,920 Going into this final, it's anyone's game. 56 00:02:25,600 --> 00:02:28,280 With no red chairs or time penalties, 57 00:02:28,280 --> 00:02:30,600 our finalists all have the same chance 58 00:02:30,600 --> 00:02:34,320 to impress the judges in their last creative brief. 59 00:02:35,560 --> 00:02:37,760 Congratulations, MUAs! 60 00:02:37,760 --> 00:02:40,720 Over the last six weeks, we have been so impressed by 61 00:02:40,720 --> 00:02:43,600 the level of skill, imagination 62 00:02:43,600 --> 00:02:45,960 and originality that you've shown us. 63 00:02:45,960 --> 00:02:49,400 You know that we had to bring out the big guns 64 00:02:49,400 --> 00:02:52,600 when it came to the guest judges for this finale. 65 00:02:52,600 --> 00:02:56,640 Let me introduce you to Selena Gomez's personal MUA... 66 00:02:58,240 --> 00:03:00,080 ..Hung Vanngo. 67 00:03:00,080 --> 00:03:02,600 Whoo! 68 00:03:04,280 --> 00:03:07,880 I'm very excited to be here and I have high expectation. 69 00:03:07,880 --> 00:03:10,040 I hope you guys don't let me down. 70 00:03:12,320 --> 00:03:16,200 Responsible for some of Hollywood's most glamorous red carpet looks, 71 00:03:16,200 --> 00:03:21,240 Hung Vanngo is the MUA all the A-listers want in their glam squad. 72 00:03:21,240 --> 00:03:23,200 People I work with will be 73 00:03:23,200 --> 00:03:27,440 Julianne Moore, Jennifer Lawrence, Julia Garner, Selena Gomez. 74 00:03:27,440 --> 00:03:28,840 I mean, the list go on. 75 00:03:28,840 --> 00:03:32,840 I sound like bragging, but I was very fortunate. Yeah. 76 00:03:32,840 --> 00:03:35,720 Hung regularly shares his incredible talent 77 00:03:35,720 --> 00:03:39,800 and red-hot beauty tips online, creating millions of loyal fans, 78 00:03:39,800 --> 00:03:43,680 and making him one of the hottest MUAs of the moment. 79 00:03:43,680 --> 00:03:47,600 He's such a good make-up artist. Like, he does a lot of detail, 80 00:03:47,600 --> 00:03:49,520 and his finesse is so good. 81 00:03:49,520 --> 00:03:52,360 So, I really want to impress him today. 82 00:03:52,360 --> 00:03:55,600 Tomorrow, you will be presenting a masterclass 83 00:03:55,600 --> 00:03:59,960 to an audience of industry experts. 84 00:03:59,960 --> 00:04:02,400 Today is your last creative brief, 85 00:04:02,400 --> 00:04:06,120 and we expect it to be your biggest and boldest yet. 86 00:04:06,120 --> 00:04:09,200 And Hung is offering a prize that could massively boost 87 00:04:09,200 --> 00:04:11,760 one MUA's chances in the masterclass, 88 00:04:11,760 --> 00:04:14,520 and of winning the competition overall. 89 00:04:15,480 --> 00:04:18,960 The make-up artist that produce my favourite look of the day 90 00:04:18,960 --> 00:04:23,720 will have a session one-on-one with me ahead of your masterclass. 91 00:04:23,720 --> 00:04:25,040 Whoo! 92 00:04:26,800 --> 00:04:29,000 He is an unbelievable make-up artist 93 00:04:29,000 --> 00:04:30,960 and world-renowned for a good reason. 94 00:04:30,960 --> 00:04:33,640 So, the chance to win a one-on-one could just 95 00:04:33,640 --> 00:04:35,960 change the game completely. 96 00:04:35,960 --> 00:04:40,160 We want you to create a captivating make-up look 97 00:04:40,160 --> 00:04:45,320 that serves as a visual narrative of your personal journey. 98 00:04:45,320 --> 00:04:48,320 It should encapsulate your past, 99 00:04:48,320 --> 00:04:51,680 and reveal your hopes for the future. 100 00:04:51,680 --> 00:04:54,720 So, for the final time, if you'd like to go to your stations. 101 00:04:54,720 --> 00:04:57,200 Hoo! Let's go, let's go! Let's go! 102 00:05:00,400 --> 00:05:01,560 Are you ready? 103 00:05:01,560 --> 00:05:02,840 Yeah! 104 00:05:02,840 --> 00:05:04,480 Bring in the models! 105 00:05:07,480 --> 00:05:10,080 There you go. Take a seat. 106 00:05:10,080 --> 00:05:12,240 Hello, hello! 107 00:05:12,240 --> 00:05:14,800 Yeah, so this is what we're doing today. Awesome! 108 00:05:14,800 --> 00:05:17,040 You will all have two and a half hours 109 00:05:17,040 --> 00:05:19,120 to complete your final creative brief. 110 00:05:19,120 --> 00:05:21,240 It's truly been a pleasure, 111 00:05:21,240 --> 00:05:24,560 and your time starts now! 112 00:05:26,240 --> 00:05:30,520 The MUAs have prepared for their final creative brief. 113 00:05:30,520 --> 00:05:33,920 Just ask you to pop this on, and keep your hair back. 114 00:05:33,920 --> 00:05:37,400 Inspired by her childhood, Shania has created a look 115 00:05:37,400 --> 00:05:40,480 which reflects her journey in the competition. 116 00:05:40,480 --> 00:05:43,120 My look is inspired by koi fish, 117 00:05:43,120 --> 00:05:45,440 because we used to have them when I was younger, first of all, 118 00:05:45,440 --> 00:05:47,080 and I always loved them. 119 00:05:47,080 --> 00:05:48,760 It's also to do with what koi fish symbolise. 120 00:05:48,760 --> 00:05:51,960 So, they symbolise courage, perseverance and determination, 121 00:05:51,960 --> 00:05:53,960 which is something that I've had to stand by. 122 00:05:56,120 --> 00:06:00,560 Each of our MUAs is getting rid of the brows. Yeah. 123 00:06:00,560 --> 00:06:04,480 Yes, I mean, we go through glue sticks like you wouldn't believe! 124 00:06:04,480 --> 00:06:06,120 Good eyebrows, but very thick. 125 00:06:07,360 --> 00:06:10,600 Connor's look today takes his love of glam to the next level. 126 00:06:11,880 --> 00:06:13,680 With the look that I'm doing today, 127 00:06:13,680 --> 00:06:15,640 I want to showcase my strengths 128 00:06:15,640 --> 00:06:17,800 and who I am as an artist. 129 00:06:17,800 --> 00:06:20,000 I still want to just keep pushing myself, 130 00:06:20,000 --> 00:06:22,480 um, and just show that I've gone 131 00:06:22,480 --> 00:06:24,320 from being quite timid in myself 132 00:06:24,320 --> 00:06:26,600 to being really big and bold. 133 00:06:26,600 --> 00:06:29,600 I want to see who he is as a make-up artist, 134 00:06:29,600 --> 00:06:33,440 the true identity of what Connor does with make-up. 135 00:06:34,680 --> 00:06:35,720 Hey, Ella! 136 00:06:35,720 --> 00:06:37,080 Hello! 137 00:06:37,080 --> 00:06:39,080 Can you tell me a little bit about your look? 138 00:06:39,080 --> 00:06:42,600 So, I'm creating a Venetian mask today. 139 00:06:42,600 --> 00:06:44,840 They used to wear them to, like, 140 00:06:44,840 --> 00:06:46,960 escape the class hierarchy. 141 00:06:46,960 --> 00:06:50,600 Mm. And I feel like I had, like, used to wear a bit of a mask 142 00:06:50,600 --> 00:06:52,960 to escape getting critiqued, 143 00:06:52,960 --> 00:06:56,400 or, like, I just didn't want to talk about my looks as much. Mm. 144 00:06:56,400 --> 00:06:58,320 But now I feel so much more confident, 145 00:06:58,320 --> 00:07:01,320 and I feel like I've really come into who I am. 146 00:07:02,520 --> 00:07:06,640 20-year-old Ella is Glow Up's youngest ever finalist. 147 00:07:06,640 --> 00:07:08,320 At the start of the competition, 148 00:07:08,320 --> 00:07:11,280 I was unsure whether I was worthy of being here, 149 00:07:11,280 --> 00:07:14,400 cos my skills weren't up to par as everyone else. 150 00:07:14,400 --> 00:07:15,800 Oh, no, it's ripped! 151 00:07:15,800 --> 00:07:17,320 I was so nervous. 152 00:07:18,480 --> 00:07:22,320 Her love of big looks meant she sometimes lacked refinement. 153 00:07:22,320 --> 00:07:25,960 Finesse and technique can come with more time. 154 00:07:25,960 --> 00:07:28,360 It just feels a little bit flat. 155 00:07:29,520 --> 00:07:32,240 But once she began to show her amazing creativity... 156 00:07:32,240 --> 00:07:36,520 I'm literally making tiny little whiskers just out of normal paper. 157 00:07:36,520 --> 00:07:41,400 I count six prosthetic pieces. 158 00:07:41,400 --> 00:07:43,480 That is a lot. 159 00:07:43,480 --> 00:07:45,840 ..the judges were seriously impressed. 160 00:07:45,840 --> 00:07:49,240 Wow! This is a true transformation! 161 00:07:49,240 --> 00:07:52,080 I've definitely grown a lot during the competition. 162 00:07:52,080 --> 00:07:53,600 Love it. 163 00:07:53,600 --> 00:07:55,520 I think she's done a fantastic job. 164 00:07:55,520 --> 00:07:58,040 This is literal art. 165 00:07:58,040 --> 00:08:01,320 Ding-dong, darling! Hey! Ding-dong! 166 00:08:01,320 --> 00:08:03,760 I feel like I've gained so much confidence. 167 00:08:03,760 --> 00:08:07,560 I've made it, and I'm worthy of being here. 168 00:08:07,560 --> 00:08:12,120 So, do you think that you could win this competition? 169 00:08:12,120 --> 00:08:13,520 I mean, I'm so close now that 170 00:08:13,520 --> 00:08:16,080 I'm like, "Surely there's a chance." 171 00:08:16,080 --> 00:08:17,440 "Surely I can win?" 172 00:08:22,360 --> 00:08:26,520 Shania is applying her first prosthetic piece! Yes! 173 00:08:26,520 --> 00:08:28,560 Well done. This is what I wanted to see. 174 00:08:28,560 --> 00:08:31,080 And is my neck long enough? Yeah. Perfect. Honestly. 175 00:08:31,080 --> 00:08:33,440 Cos I wanted it to, like, curve into this part of the neck, 176 00:08:33,440 --> 00:08:35,440 so, literally perfect. 177 00:08:35,440 --> 00:08:37,960 Prosthetic number two. 178 00:08:37,960 --> 00:08:41,400 Oh, we are in a Formula 1 race at the minute, Val, 179 00:08:41,400 --> 00:08:42,720 and I'm excited. 180 00:08:42,720 --> 00:08:45,560 Right now I am applying the prosthetics onto the neck. 181 00:08:45,560 --> 00:08:47,800 Because it's a fish character, I really wanted to include the gills, 182 00:08:47,800 --> 00:08:50,320 and just give it that extra three-dimensional quality. 183 00:08:50,320 --> 00:08:51,480 So, I'm laying these down first, 184 00:08:51,480 --> 00:08:54,040 and then I can really start working with whacking on the colour. 185 00:08:54,040 --> 00:08:57,160 Connor is applying a lilac. 186 00:08:57,160 --> 00:08:58,720 He's getting it right in those ears. 187 00:08:58,720 --> 00:08:59,760 Good. 188 00:08:59,760 --> 00:09:01,840 I think the model's going to be cleaning them for days. 189 00:09:01,840 --> 00:09:03,920 If you get too cold, then let me know, 190 00:09:03,920 --> 00:09:06,440 cos we can get you a little blanket. I'll be all right. 191 00:09:06,440 --> 00:09:10,080 Connor has a plan and Connor has a focus. 192 00:09:10,080 --> 00:09:11,800 I'm liking this side of Connor. 193 00:09:11,800 --> 00:09:13,280 This is great. 194 00:09:14,640 --> 00:09:16,800 Oh! Oh, this is looking amazing. 195 00:09:17,880 --> 00:09:21,280 OK. I think... I think she's going to really play today. 196 00:09:21,280 --> 00:09:22,400 Perfect! 197 00:09:22,400 --> 00:09:24,640 Prosthetic look amazing. 198 00:09:24,640 --> 00:09:26,440 Going to be quite beautiful. 199 00:09:26,440 --> 00:09:29,040 Cos right now, you can see all the little detail on the side. 200 00:09:29,040 --> 00:09:31,120 Oh, yes! 201 00:09:31,120 --> 00:09:33,760 Oh! Three prosthetics on! 202 00:09:37,400 --> 00:09:39,240 Just keep your eyes open for a sec. 203 00:09:41,440 --> 00:09:43,200 I am quite focused today, to be honest. 204 00:09:43,200 --> 00:09:44,920 I really want this look to work, 205 00:09:44,920 --> 00:09:49,520 and I know I don't have loads of time. 206 00:09:49,520 --> 00:09:52,400 Two and a half hours feels like nothing. 207 00:09:52,400 --> 00:09:55,560 Connor and Shania have got a lot of colour on. 208 00:09:55,560 --> 00:09:56,600 Mm. 209 00:09:56,600 --> 00:09:59,200 Ella is still mapping out. 210 00:09:59,200 --> 00:10:00,480 Hmm. 211 00:10:00,480 --> 00:10:03,440 I think I want it less out. 212 00:10:03,440 --> 00:10:06,560 Sorry, I do have to proper get into your nostrils. 213 00:10:09,000 --> 00:10:10,680 Hi, Connor! Hello! 214 00:10:10,680 --> 00:10:13,360 Describe your journey throughout this competition. 215 00:10:13,360 --> 00:10:15,600 At the start of the competition, I was very overwhelmed 216 00:10:15,600 --> 00:10:17,080 with the other competitors. 217 00:10:17,080 --> 00:10:20,560 And then it wasn't until, like, week three I just... I sort of started 218 00:10:20,560 --> 00:10:23,520 to feel that, no, I am actually quite a good make-up artist. 219 00:10:23,520 --> 00:10:25,760 But it's also, like, to prove 220 00:10:25,760 --> 00:10:28,440 to not only myself but to other people 221 00:10:28,440 --> 00:10:30,280 that boys can do make-up as well. 222 00:10:30,280 --> 00:10:32,520 Talking about boys in make-up. Yeah. 223 00:10:32,520 --> 00:10:34,960 How do you feel about our guest judge for today? 224 00:10:34,960 --> 00:10:36,480 Amazing! 225 00:10:36,480 --> 00:10:38,600 Like, crazy! Crazy good. 226 00:10:38,600 --> 00:10:41,320 So, to potentially win, and then get a one-to-one 227 00:10:41,320 --> 00:10:44,120 right before the masterclass is crucial at this point. 228 00:10:44,120 --> 00:10:46,040 So, I think we're all really hungry for that. 229 00:10:46,040 --> 00:10:48,360 Just to get a bit of, like, tips and tricks 230 00:10:48,360 --> 00:10:51,080 and whatnot going into the masterclass. 231 00:10:51,080 --> 00:10:53,760 I'm just moving onto the other eye. 232 00:10:53,760 --> 00:10:56,240 And just keep them closed for a second. 233 00:10:57,200 --> 00:11:00,760 While Shania and Connor are already painting their models, 234 00:11:00,760 --> 00:11:02,480 Ella still has a way to go. 235 00:11:03,520 --> 00:11:07,840 I'm currently applying some prosthetics 236 00:11:07,840 --> 00:11:10,880 to the areas where the mask will be. 237 00:11:10,880 --> 00:11:14,240 Ella has applied three prosthetic pieces. 238 00:11:14,240 --> 00:11:16,240 Could these prosthetics be scars? 239 00:11:16,240 --> 00:11:18,200 Could they be rotting flesh? 240 00:11:18,200 --> 00:11:21,360 I think I'm working kind of slow, looking at everyone else. 241 00:11:23,640 --> 00:11:25,720 Hi, Shania! Hello, hello! 242 00:11:25,720 --> 00:11:28,360 Wow! You are really getting it on! 243 00:11:28,360 --> 00:11:29,800 Yes. Wow! 244 00:11:29,800 --> 00:11:33,320 Now, you have delivered some really big and bold looks. 245 00:11:33,320 --> 00:11:37,000 How is this one going to stand out and really wow the judges? 246 00:11:37,000 --> 00:11:39,360 I'm hoping that this look is... 247 00:11:39,360 --> 00:11:40,560 No, speak it into existence. 248 00:11:40,560 --> 00:11:41,600 I'm not hoping. 249 00:11:41,600 --> 00:11:43,280 This look definitely will wow the judges 250 00:11:43,280 --> 00:11:44,360 with my use of colour. 251 00:11:44,360 --> 00:11:46,120 And then a little trick up my sleeve 252 00:11:46,120 --> 00:11:48,280 to give a wet look at the end as well. 253 00:11:48,280 --> 00:11:51,480 Um, and it should be a complete showstopper. 254 00:11:51,480 --> 00:11:53,320 Ooh, I love this energy! 255 00:11:53,320 --> 00:11:55,320 I love this energy, Shania! 256 00:11:55,320 --> 00:11:56,640 Close. 257 00:12:02,480 --> 00:12:04,560 Prosthetics finally in place, 258 00:12:04,560 --> 00:12:06,840 Ella moves on to painting. 259 00:12:06,840 --> 00:12:09,600 She's just throwing that white on 260 00:12:09,600 --> 00:12:11,120 straight from the stick. 261 00:12:11,120 --> 00:12:12,400 Is she panicking? 262 00:12:12,400 --> 00:12:13,760 Ella's looking around the room 263 00:12:13,760 --> 00:12:17,120 and seeing what everyone else has done, 264 00:12:17,120 --> 00:12:19,600 and she thinks, "I need to get this colour on." 265 00:12:19,600 --> 00:12:21,840 I think I'm a little bit behind everyone, 266 00:12:21,840 --> 00:12:24,880 but I'm working on finesse on this look, 267 00:12:24,880 --> 00:12:28,440 just trying to get everything as seamless as it can be. 268 00:12:28,440 --> 00:12:32,760 MUAs, you've had one hour, and you have an hour and a half left. 269 00:12:32,760 --> 00:12:34,000 Come on, girls! 270 00:12:34,000 --> 00:12:36,280 Hell, yeah! Oh, my God! 271 00:12:42,680 --> 00:12:47,720 I like the blending that Connor's doing. 272 00:12:47,720 --> 00:12:49,280 If Connor can pull this off, 273 00:12:49,280 --> 00:12:50,920 this could be amazing. 274 00:12:50,920 --> 00:12:52,160 Good. 275 00:12:52,160 --> 00:12:53,200 Thanks. 276 00:12:53,200 --> 00:12:54,840 Just a soft glam! 277 00:12:56,400 --> 00:12:58,480 So, I'm placing the colour in areas 278 00:12:58,480 --> 00:12:59,680 that you would naturally contour, 279 00:12:59,680 --> 00:13:01,360 because the whole point of this is 280 00:13:01,360 --> 00:13:03,160 to actually follow the rules 281 00:13:03,160 --> 00:13:05,320 of beauty and editorial make-up. 282 00:13:05,320 --> 00:13:07,520 Do we think Shania is using the right brush? 283 00:13:07,520 --> 00:13:10,520 Or could she be creating these blobs 284 00:13:10,520 --> 00:13:12,560 by using actually just a big brush 285 00:13:12,560 --> 00:13:14,680 and just kind of going blob-blob-blob, 286 00:13:14,680 --> 00:13:16,400 blob-blob-blob, blob-blob-blob? 287 00:13:16,400 --> 00:13:18,520 What total rubbish! 288 00:13:18,520 --> 00:13:20,520 No. I will stick to that. 289 00:13:20,520 --> 00:13:26,800 What we're seeing here is absolute skill in motion. 290 00:13:28,280 --> 00:13:29,320 I still like a blob. 291 00:13:31,880 --> 00:13:33,920 For Masters student Shania, 292 00:13:33,920 --> 00:13:37,200 Glow Up has been a roller-coaster ride. 293 00:13:37,200 --> 00:13:40,280 I feel like I've taken risks within the competition, 294 00:13:40,280 --> 00:13:42,560 and maybe I've not been perfect all the way along, 295 00:13:42,560 --> 00:13:44,760 but that's because I'm trying to push myself. 296 00:13:44,760 --> 00:13:46,600 Oh, yi-yi-yi-yi! 297 00:13:46,600 --> 00:13:48,240 After a confident start... 298 00:13:48,240 --> 00:13:51,600 This assignment is just me in a nutshell. 299 00:13:51,600 --> 00:13:53,600 ..her failure to follow a brief... 300 00:13:53,600 --> 00:13:57,520 I was so disappointed she didn't take her make-up off! 301 00:13:57,520 --> 00:13:59,880 ..meant she sometimes missed the mark. 302 00:13:59,880 --> 00:14:03,320 What we needed was Shania at 11. 303 00:14:03,320 --> 00:14:06,880 This is my second time in this horrible red chair. 304 00:14:06,880 --> 00:14:09,960 But when she's taken the brief on board... 305 00:14:09,960 --> 00:14:13,560 There was one look that had the perfect pop of colour. 306 00:14:13,560 --> 00:14:16,040 Shania. Yay! 307 00:14:16,040 --> 00:14:17,240 Well done. 308 00:14:17,240 --> 00:14:20,640 ..her bold, original looks have wowed the judges. 309 00:14:20,640 --> 00:14:22,360 It's beautiful. 310 00:14:22,360 --> 00:14:26,440 This is impeccable make-up. She said, "I'm not playing games today." 311 00:14:26,440 --> 00:14:28,280 I have nothing but love for this look. 312 00:14:28,280 --> 00:14:30,360 To win is going to be difficult. 313 00:14:30,360 --> 00:14:31,720 So stressful. 314 00:14:32,800 --> 00:14:38,040 It's a big, bold, beautiful statement. 315 00:14:38,040 --> 00:14:39,200 I'm there for it. 316 00:14:39,200 --> 00:14:41,200 I just need to bring it that extra 10%. 317 00:14:41,200 --> 00:14:42,880 That was really, really, really damn good. 318 00:14:42,880 --> 00:14:44,480 That's really damn good. 319 00:14:44,480 --> 00:14:46,680 I'm not getting any negative feedback today. 320 00:14:46,680 --> 00:14:50,720 I'm working my little butt off to make sure everything 321 00:14:50,720 --> 00:14:53,600 is as perfect as I can possibly make it. 322 00:14:53,600 --> 00:14:55,440 Hi. Hello. You all right? 323 00:14:55,440 --> 00:14:57,480 Tell me about your look so far. 324 00:14:57,480 --> 00:15:01,600 I'm creating a Venetian mask, and I wanted to show prosthetics. 325 00:15:01,600 --> 00:15:05,080 And then, obviously, this is, like, seen in theatre as well. 326 00:15:05,080 --> 00:15:07,920 And they're my two areas that I really want to go into. 327 00:15:07,920 --> 00:15:10,560 Were you plan to do something with the eye as well? Yes. 328 00:15:10,560 --> 00:15:14,600 So, the eye is going to be all black and then it's going to have gold 329 00:15:14,600 --> 00:15:18,040 little pearls around the eye to frame it. 330 00:15:18,040 --> 00:15:20,360 I can't wait to see the finals. Thank you. 331 00:15:20,360 --> 00:15:21,600 Thank you. 332 00:15:27,440 --> 00:15:30,720 Ella, I think when you see close up, I like it. 333 00:15:30,720 --> 00:15:33,120 I like it, too. I like it. Do you? 334 00:15:33,120 --> 00:15:35,960 I'm laying down the colour that I want. 335 00:15:35,960 --> 00:15:38,000 Yeah, I just need to stay focused 336 00:15:38,000 --> 00:15:40,360 because I'm a little bit behind time. 337 00:15:40,360 --> 00:15:43,480 But I've never practised it before with prosthetics, 338 00:15:43,480 --> 00:15:47,160 so I was a bit unsure how much time I would need for it. 339 00:15:48,880 --> 00:15:52,560 I'm a little bit worried about Connor's purple that he's now 340 00:15:52,560 --> 00:15:57,480 applying because that magenta is looking very thin. 341 00:15:57,480 --> 00:16:01,160 He would have been better off putting a white base down first 342 00:16:01,160 --> 00:16:04,320 and then going in with the magenta, because that would have created 343 00:16:04,320 --> 00:16:05,920 a more denser colour. 344 00:16:05,920 --> 00:16:08,280 Then he could have gone in with a bit of powder, 345 00:16:08,280 --> 00:16:09,960 just to polish everything up. 346 00:16:09,960 --> 00:16:11,400 Just look up. 347 00:16:17,920 --> 00:16:20,840 I'm so sorry about all this pink. 348 00:16:20,840 --> 00:16:22,880 It's all right. I love a bit of pink. 349 00:16:22,880 --> 00:16:24,800 I feel like I'm going to sneeze. 350 00:16:24,800 --> 00:16:27,080 Oh, God. Look at the light. 351 00:16:28,600 --> 00:16:31,000 OK. You OK? It's gone. Yeah? Thank God. 352 00:16:31,000 --> 00:16:32,720 My MUAs, 353 00:16:32,720 --> 00:16:37,320 you have one hour left to complete your final creative brief. 354 00:16:37,320 --> 00:16:38,920 One hour! 355 00:16:38,920 --> 00:16:40,680 Dun-dun-dun! 356 00:16:40,680 --> 00:16:41,920 Dun-dun-dun! 357 00:16:45,320 --> 00:16:47,000 Close your eyes. 358 00:16:47,000 --> 00:16:48,800 Now the fun begins. 359 00:16:48,800 --> 00:16:50,200 I'm stressed. 360 00:16:53,440 --> 00:16:56,320 Connor loves a rhinestone. And so do I. 361 00:16:56,320 --> 00:16:58,360 I love this. 362 00:16:58,360 --> 00:17:01,920 This is looking so good. 363 00:17:01,920 --> 00:17:05,560 So with the rhinestones, on week three, I got some negative critiques 364 00:17:05,560 --> 00:17:09,040 about it, that you can't see the glam behind it. 365 00:17:09,040 --> 00:17:13,240 So I want to go back to that and to show the judges that I can do 366 00:17:13,240 --> 00:17:16,480 glam and that it's something that I'm passionate about. 367 00:17:21,440 --> 00:17:24,240 Yeah. It's to, like, make like a kind of rusty look. 368 00:17:24,240 --> 00:17:25,320 Yeah. 369 00:17:25,320 --> 00:17:27,840 Ella is getting there. Yes. 370 00:17:27,840 --> 00:17:32,800 If she can get to where she wants to go, it could be pretty impressive. 371 00:17:32,800 --> 00:17:35,280 I don't know whether to do it symmetrical. 372 00:17:35,280 --> 00:17:37,240 Shania? Yeah? Sorry. 373 00:17:37,240 --> 00:17:38,680 Do you think I should do it symmetrical 374 00:17:38,680 --> 00:17:40,760 with the rhinestones, or asymmetrical? 375 00:17:40,760 --> 00:17:42,800 I think symmetrical will be effective. 376 00:17:42,800 --> 00:17:44,720 But if you don't know that you've got time, then it's better 377 00:17:44,720 --> 00:17:46,880 to do asymmetry perfectly. 378 00:17:46,880 --> 00:17:48,320 OK. Thank you. 379 00:17:49,520 --> 00:17:50,880 Time is of the essence. 380 00:17:50,880 --> 00:17:53,360 I can't really afford to do that. 381 00:17:53,360 --> 00:17:54,440 Face me, please. 382 00:17:54,440 --> 00:17:56,520 And I'm going to go right into the inner corner. OK? 383 00:17:56,520 --> 00:17:58,840 So if you just look up with your eyes. 384 00:17:58,840 --> 00:18:02,400 Oh, Shania, Shania, Shania. 385 00:18:02,400 --> 00:18:05,480 That is looking so beautiful. 386 00:18:05,480 --> 00:18:08,840 I love the randomness of those patterns. 387 00:18:08,840 --> 00:18:09,960 OK. Thank you. 388 00:18:09,960 --> 00:18:12,440 And you can just look normal again. 389 00:18:12,440 --> 00:18:16,520 The delicacy of what Shania is doing is pure art. 390 00:18:16,520 --> 00:18:19,720 Mm. Yeah. If she stopped now, it almost looks finished. 391 00:18:19,720 --> 00:18:22,960 Oh, this is the stressful bit. 392 00:18:22,960 --> 00:18:24,520 WHIRRING 393 00:18:24,520 --> 00:18:26,880 What is Shania doing now? 394 00:18:26,880 --> 00:18:29,320 Gosh. I've been waiting to see this. 395 00:18:29,320 --> 00:18:31,520 How are you doing? What's going on? 396 00:18:31,520 --> 00:18:35,680 Talk to me. I am currently using an airbrush to apply a diluted 397 00:18:35,680 --> 00:18:38,360 mix of peel-off face mask and water. 398 00:18:38,360 --> 00:18:41,200 And this is basically going to... You can see the sheen that's 399 00:18:41,200 --> 00:18:42,920 starting to come up. Yeah, yeah. 400 00:18:42,920 --> 00:18:45,200 This is what's going to make this koi look like it's just come 401 00:18:45,200 --> 00:18:46,480 out of water. Is there anything 402 00:18:46,480 --> 00:18:48,840 that you're worried about, though, in regards to this technique? 403 00:18:48,840 --> 00:18:51,960 If I don't get the layers dried quick enough, 404 00:18:51,960 --> 00:18:54,360 they will start to drip, they will start to peel. 405 00:18:54,360 --> 00:18:56,840 You also have to make sure you don't go too far, because that's 406 00:18:56,840 --> 00:18:59,360 when you're then going to get that cakey feeling. 407 00:18:59,360 --> 00:19:02,320 And then if my model moves, it could stretch and pull off. 408 00:19:02,320 --> 00:19:05,480 So... Oh, wow. ..there's a really tight balance that you have to get 409 00:19:05,480 --> 00:19:06,800 with this. OK. 410 00:19:06,800 --> 00:19:10,480 If this goes wrong now, my whole look is ruined. 411 00:19:15,040 --> 00:19:17,840 Oh, my God, I don't look like myself now, This is amazing. 412 00:19:17,840 --> 00:19:19,160 Close. 413 00:19:22,000 --> 00:19:25,240 MUAs, you have just 30 minutes to complete your final looks. 414 00:19:25,240 --> 00:19:29,320 If there's anything that needs to be done, get it on now. 415 00:19:36,120 --> 00:19:38,080 If you can just hold your breath for three seconds, I'm going 416 00:19:38,080 --> 00:19:40,920 over the nose, in three, two, one. 417 00:19:40,920 --> 00:19:44,040 The only thing I'm concerned a little bit right now is, do you see 418 00:19:44,040 --> 00:19:46,400 that the colours slightly change a little bit? 419 00:19:46,400 --> 00:19:49,400 Yeah. But it's a little more like... Yellowy. Like, yellowy 420 00:19:49,400 --> 00:19:51,840 something that... It changed the colour. 421 00:19:51,840 --> 00:19:57,360 Is that because Shania has held the airbrush too close to the skin? 422 00:19:57,360 --> 00:20:01,120 You know, that she's actually blasted some of that colour away. 423 00:20:01,120 --> 00:20:03,320 This is not the time to be taking a risk. 424 00:20:03,320 --> 00:20:06,400 Yeah. I'm going to see what these look like. 425 00:20:06,400 --> 00:20:12,680 I'm just applying some gold little pearls around the eye to give 426 00:20:12,680 --> 00:20:14,360 the eyes some definition. 427 00:20:28,040 --> 00:20:30,760 MUAs, this is the last time I'm going to say this. 428 00:20:30,760 --> 00:20:34,280 You have two minutes left. 429 00:20:58,800 --> 00:21:00,880 MUAs, for the final time, 430 00:21:00,880 --> 00:21:02,840 brushes down. 431 00:21:02,840 --> 00:21:06,760 Please take your models next door to be photographed. 432 00:21:08,320 --> 00:21:10,600 I feel like I've given this look absolutely everything. 433 00:21:10,600 --> 00:21:14,040 I knew what I wanted to achieve, and I really hope that the judges 434 00:21:14,040 --> 00:21:17,120 can see the editorial touch that I've put into my look today. 435 00:21:18,880 --> 00:21:23,200 I was a bit worried when I started because Shania and Connor already 436 00:21:23,200 --> 00:21:27,000 had colour on, and I was still fiddling with the prosthetics, 437 00:21:27,000 --> 00:21:29,600 but I'm happy with the final result. 438 00:21:31,480 --> 00:21:35,240 I think with reflection and projection that I did 439 00:21:35,240 --> 00:21:36,480 hit the brief. 440 00:21:36,480 --> 00:21:39,400 I mean, if you want to go, like, on the nose, rhinestones 441 00:21:39,400 --> 00:21:42,640 are very reflective, and I feel like I really did achieve 442 00:21:42,640 --> 00:21:43,920 a good look. 443 00:21:45,600 --> 00:21:48,960 Time to hear what the judges think of the MUAs' final 444 00:21:48,960 --> 00:21:50,960 creative brief looks. 445 00:21:50,960 --> 00:21:54,920 At stake, a potentially game-changing lesson from Hung. 446 00:21:56,160 --> 00:21:58,320 Shania, please step forward. 447 00:21:59,920 --> 00:22:02,560 Shania, can you explain your look for me? 448 00:22:02,560 --> 00:22:07,160 My look today is the embodiment of a koi fish because it symbolises 449 00:22:07,160 --> 00:22:08,840 determination, courage and ambition, 450 00:22:08,840 --> 00:22:10,400 which is something that I believe I've shown 451 00:22:10,400 --> 00:22:11,800 within this whole process. 452 00:22:11,800 --> 00:22:14,120 I think this is outstanding. 453 00:22:14,120 --> 00:22:18,200 It's very brave because it's so simple. 454 00:22:18,200 --> 00:22:22,440 But with this satin finish, was it worth it? 455 00:22:22,440 --> 00:22:25,560 Because it was so beautiful already. 456 00:22:25,560 --> 00:22:31,800 But you are an incredible editorial beauty make-up artist. 457 00:22:31,800 --> 00:22:35,360 I love the intensity of the colour you choose and also 458 00:22:35,360 --> 00:22:36,440 the story behind it. 459 00:22:36,440 --> 00:22:39,080 I think you should have stopped at one and a half hour. 460 00:22:39,080 --> 00:22:42,440 I think the last part was what I don't really love, but I love 461 00:22:42,440 --> 00:22:44,640 how detailed you are with the make-up. 462 00:22:44,640 --> 00:22:45,840 Thank you. 463 00:22:45,840 --> 00:22:48,040 Oh, Shania. 464 00:22:48,040 --> 00:22:50,680 This is stunning. 465 00:22:50,680 --> 00:22:52,040 That's what it is. 466 00:22:52,040 --> 00:22:54,560 I just want to tell you about the lip. 467 00:22:54,560 --> 00:23:00,200 Honey, this is, "Oh! Mm! Oh!" It's gorgeous. 468 00:23:00,200 --> 00:23:02,960 And the reason why it's gorgeous is because it's just four blobs. 469 00:23:02,960 --> 00:23:05,480 This is the geniusness that you've got. 470 00:23:05,480 --> 00:23:10,480 Many people out there are make-up artists, and then there's other 471 00:23:10,480 --> 00:23:15,200 people like yourself that are artists and create art. 472 00:23:15,200 --> 00:23:17,240 And that is what this is. 473 00:23:17,240 --> 00:23:19,800 Well done. Thank you, guys, so much. 474 00:23:19,800 --> 00:23:21,800 APPLAUSE 475 00:23:21,800 --> 00:23:24,280 Connor, if you'd like to come forward. 476 00:23:25,520 --> 00:23:29,240 I just wanted to present something that is me. 477 00:23:29,240 --> 00:23:32,960 But it shows you of where I want to go in the industry. 478 00:23:32,960 --> 00:23:36,800 I love the blending of this work. 479 00:23:36,800 --> 00:23:38,480 It is so beautiful. 480 00:23:38,480 --> 00:23:41,680 And it's interesting about the placement of the embellishments, 481 00:23:41,680 --> 00:23:44,520 because you had this idea of doing symmetry, but you were like, 482 00:23:44,520 --> 00:23:46,760 "No, don't have time for that. So I'm going to have to do this." 483 00:23:46,760 --> 00:23:51,240 And it works, because the creativity that you've got from believing 484 00:23:51,240 --> 00:23:54,440 in yourself has allowed you to really go asymmetrical 485 00:23:54,440 --> 00:23:56,600 and create something really beautiful. 486 00:23:56,600 --> 00:23:57,880 Thank you. 487 00:23:57,880 --> 00:24:03,160 The blend, the beauty, the colouration is everything. 488 00:24:03,160 --> 00:24:06,360 My concern is, why didn't you airbrush the chest? 489 00:24:06,360 --> 00:24:09,960 It was one of those things I did put on my station, but I completely 490 00:24:09,960 --> 00:24:11,280 forgot about it. 491 00:24:11,280 --> 00:24:14,200 Yeah. Because that would have made it a lot smoother. 492 00:24:14,200 --> 00:24:17,840 But on the whole, amazing. A great journey. 493 00:24:17,840 --> 00:24:22,000 We can see how far you have come in this competition. 494 00:24:22,000 --> 00:24:24,080 Thank you. I love the look. 495 00:24:24,080 --> 00:24:25,640 I love the blending. 496 00:24:25,640 --> 00:24:29,000 And, you know, I would have used airbrushing machine. 497 00:24:29,000 --> 00:24:32,720 But if you don't know how to use airbrushing, you can try to use 498 00:24:32,720 --> 00:24:36,760 a larger sponge, because that's going to help you a lot to blend. 499 00:24:36,760 --> 00:24:39,200 But overall, I think you did a beautiful job. 500 00:24:39,200 --> 00:24:40,720 Thank you. Thank you. 501 00:24:40,720 --> 00:24:42,360 APPLAUSE 502 00:24:43,840 --> 00:24:45,720 Ella, please come forward. 503 00:24:48,400 --> 00:24:51,320 My look is inspired by Venetian masks. 504 00:24:51,320 --> 00:24:55,160 They represent, like, freedom and being yourself, and I really feel 505 00:24:55,160 --> 00:24:57,840 like I've become myself now. 506 00:24:57,840 --> 00:25:02,560 We got a little worry when you walk in, and most of the other two was, 507 00:25:02,560 --> 00:25:06,320 like, one third of the work already and you still map out your make-up. 508 00:25:06,320 --> 00:25:08,760 But overall, I think the look is beautiful. 509 00:25:08,760 --> 00:25:10,040 Thank you. 510 00:25:10,040 --> 00:25:11,360 It's brilliant. 511 00:25:11,360 --> 00:25:12,920 Over the weeks, 512 00:25:12,920 --> 00:25:14,920 we've really sort of put it to you 513 00:25:14,920 --> 00:25:17,680 about refining your work. 514 00:25:17,680 --> 00:25:22,240 And for you to then bring this to the table in the final... 515 00:25:22,240 --> 00:25:23,480 Brilliant. 516 00:25:23,480 --> 00:25:25,320 Honestly, well done, 517 00:25:25,320 --> 00:25:29,640 because this is really detailed. I love it. Thank you. 518 00:25:29,640 --> 00:25:32,400 I see your journey through this competition. 519 00:25:32,400 --> 00:25:33,880 I love the prosthetics. 520 00:25:33,880 --> 00:25:39,000 I could see this mask in a theatre situation 521 00:25:39,000 --> 00:25:41,560 and also on a catwalk. 522 00:25:41,560 --> 00:25:45,800 I love everything about this make-up. It's ding-dong delicious! 523 00:25:45,800 --> 00:25:47,600 APPLAUSE 524 00:25:49,200 --> 00:25:51,080 I can't believe I got a ding-dong in the final. 525 00:25:51,080 --> 00:25:52,920 That's literally amazing. 526 00:25:52,920 --> 00:25:57,960 I was a bit uncertain about my look, but, yeah, I just can't believe it. 527 00:25:58,920 --> 00:26:03,520 So, Hung, have you chosen the person who was your favourite look, 528 00:26:03,520 --> 00:26:06,360 who will get that one-on-one session before their masterclass? 529 00:26:06,360 --> 00:26:09,840 I have. I think you all did a wonderful job. 530 00:26:09,840 --> 00:26:15,560 But the one person that impressed me the most and the story resonate me, 531 00:26:15,560 --> 00:26:17,080 that is... 532 00:26:18,680 --> 00:26:20,280 ..Shania. 533 00:26:20,280 --> 00:26:22,000 APPLAUSE 534 00:26:22,000 --> 00:26:24,240 Thank you so much. Thank you so much. 535 00:26:24,240 --> 00:26:26,400 I am on cloud nine right now, I can't lie. 536 00:26:26,400 --> 00:26:28,920 Congratulations, Shania. You're going to be able to 537 00:26:28,920 --> 00:26:31,520 pick Hung's brains before your masterclass. 538 00:26:31,520 --> 00:26:33,480 It's going to give me that little edge. 539 00:26:33,480 --> 00:26:36,440 It's going to give me a step forward in the masterclass. 540 00:26:36,440 --> 00:26:40,000 So I really think that this could just be immense for my chance 541 00:26:40,000 --> 00:26:41,680 of winning this. 542 00:26:46,000 --> 00:26:49,440 Back at the house, the MUAs get planning. 543 00:26:49,440 --> 00:26:52,480 They need to come up with an engaging masterclass to dazzle 544 00:26:52,480 --> 00:26:54,960 an audience of industry giants. 545 00:26:54,960 --> 00:26:57,320 So I'm going to start by laying the colour down first... 546 00:26:57,320 --> 00:27:00,320 Connor will be demonstrating how to take a make-up look from day 547 00:27:00,320 --> 00:27:03,400 to night without breaking the bank. 548 00:27:03,400 --> 00:27:06,600 I'm going to be showing everyone there how they can take 549 00:27:06,600 --> 00:27:09,520 their everyday make-up but use it in a different way. 550 00:27:09,520 --> 00:27:12,560 Um, yes, rhinestones will be included again. 551 00:27:12,560 --> 00:27:15,400 So it is very much me in a make-up. 552 00:27:15,400 --> 00:27:17,720 In masterclasses, it's not all about make-up, 553 00:27:17,720 --> 00:27:19,240 it's all about you as a person. 554 00:27:19,240 --> 00:27:23,440 So for me, it's just to show everyone who Connor is. 555 00:27:23,440 --> 00:27:27,520 Retail MUA Connor wants to prove he's got what it takes to step out 556 00:27:27,520 --> 00:27:30,440 from behind the make-up counter. 557 00:27:30,440 --> 00:27:34,640 Being proud of myself hasn't always been within me. 558 00:27:34,640 --> 00:27:37,560 This is where I just start to doubt myself. 559 00:27:37,560 --> 00:27:42,680 During the competition, he struggled with the unfamiliar techniques... 560 00:27:42,680 --> 00:27:45,920 This isn't looking the best. Looking very hodgepodge. 561 00:27:45,920 --> 00:27:47,440 You've got the ideas. 562 00:27:47,440 --> 00:27:50,560 We just need you to be a little bit more inventive. 563 00:27:50,560 --> 00:27:53,520 OK. ..but delivered on the industry assignments. 564 00:27:53,520 --> 00:27:55,080 Connor. 565 00:27:55,080 --> 00:27:56,480 CHEERING AND APPLAUSE 566 00:27:56,480 --> 00:27:58,160 Connor! Woo! 567 00:27:58,160 --> 00:28:00,320 You see the character. 568 00:28:00,320 --> 00:28:01,760 It's an incredible make-up. 569 00:28:01,760 --> 00:28:05,320 And Connor's willingness to learn has elevated his work. 570 00:28:05,320 --> 00:28:07,440 This is amazing. 571 00:28:07,440 --> 00:28:09,880 Oh, wow. This is my favourite look. 572 00:28:09,880 --> 00:28:11,600 You're more than a glam queen. 573 00:28:11,600 --> 00:28:13,000 You're an artist. 574 00:28:13,000 --> 00:28:14,280 Sorry. 575 00:28:14,280 --> 00:28:17,480 I feel like I'm the most confident I've ever been in my life. 576 00:28:17,480 --> 00:28:19,840 And I feel like that's who I've always wanted to be. 577 00:28:19,840 --> 00:28:22,520 It's just been a journey to get here. 578 00:28:25,040 --> 00:28:28,960 Ella plans to create a detailed third-eye design that showcases 579 00:28:28,960 --> 00:28:32,600 her passion for special effects make-up. 580 00:28:32,600 --> 00:28:35,720 It's a little bit niche, but throughout the competition, 581 00:28:35,720 --> 00:28:38,400 I've been known to do my little 3D animal eyes 582 00:28:38,400 --> 00:28:41,720 and it's always been picked up on that I'm good at it, so 583 00:28:41,720 --> 00:28:44,200 I feel like if I didn't include something weird, 584 00:28:44,200 --> 00:28:45,840 it just wouldn't be me. 585 00:28:45,840 --> 00:28:48,080 I've never actually been to a masterclass. 586 00:28:48,080 --> 00:28:50,760 I've only ever watched them on social media. 587 00:28:50,760 --> 00:28:53,240 So, yeah, it's very nerve-racking. 588 00:28:55,120 --> 00:28:58,280 As Shania won the creative brief, she'll do her prep with 589 00:28:58,280 --> 00:29:00,920 world-renowned make-up artist Hung. 590 00:29:00,920 --> 00:29:02,600 First of all, thank you so, so much for this. 591 00:29:02,600 --> 00:29:04,560 No, you're welcome. I really appreciate it. 592 00:29:04,560 --> 00:29:07,720 And if she can take his advice on board, she'll have a huge 593 00:29:07,720 --> 00:29:10,480 advantage over her fellow MUAs tomorrow. 594 00:29:10,480 --> 00:29:13,680 So my overall plan for my masterclass is to create an eye look 595 00:29:13,680 --> 00:29:15,000 in three stages. OK. 596 00:29:15,000 --> 00:29:18,200 You go from something quite subtle, adding a little bit more to a fully 597 00:29:18,200 --> 00:29:20,560 fledged eye shadow look. You tend to talk very fast. 598 00:29:20,560 --> 00:29:24,280 I do. When you do a masterclass, try to talk really slow. 599 00:29:24,280 --> 00:29:25,600 Yeah. And calm. 600 00:29:25,600 --> 00:29:28,880 OK. Because you want the audience to listen to you. OK. 601 00:29:28,880 --> 00:29:32,360 At the masterclass, the make-up, I mean, it's just really just 30% 602 00:29:32,360 --> 00:29:35,240 of the work. Everything else is the 70%. 603 00:29:35,240 --> 00:29:38,280 How you talk, how you engage with everyone. 604 00:29:38,280 --> 00:29:41,320 You have to have the package to become a successful make-up artist. 605 00:29:41,320 --> 00:29:43,080 So it will be going in three stages. 606 00:29:43,080 --> 00:29:45,840 So if you close your eyes, the first stage is going to be 607 00:29:45,840 --> 00:29:48,840 creating a shadow wing. Slow, OK? Yeah. 608 00:29:48,840 --> 00:29:52,600 I'm going to start the look, just creating a really soft wing. 609 00:29:52,600 --> 00:29:54,760 No, I think that's too much product you put on. 610 00:29:54,760 --> 00:29:57,920 OK. So it's easier, you use a little bit product. 611 00:29:57,920 --> 00:29:59,560 You need more, you add more. 612 00:29:59,560 --> 00:30:02,840 When you put so much product on the brush, it's going to take 613 00:30:02,840 --> 00:30:05,320 a lot more time to blend. So you're killing time there. 614 00:30:05,320 --> 00:30:09,920 I'm going to be keeping a lot of what I've been told today to myself. 615 00:30:09,920 --> 00:30:12,120 So that information is my information. 616 00:30:12,120 --> 00:30:15,080 That notebook is sacred and is being kept to myself. 617 00:30:15,080 --> 00:30:19,760 And keep my voice in your mind tomorrow. Calm and collected. 618 00:30:19,760 --> 00:30:21,680 The audience feel that they learn from you. 619 00:30:21,680 --> 00:30:23,400 They take something back from you, 620 00:30:23,400 --> 00:30:25,600 and you're going to win them from that. 621 00:30:25,600 --> 00:30:28,800 I feel like I just got ten steps closer to winning this competition. 622 00:30:33,080 --> 00:30:36,120 It's the final assignment and we're in Knightsbridge, 623 00:30:36,120 --> 00:30:39,960 known for its bustling beauty stores where customers expect the best. 624 00:30:39,960 --> 00:30:44,040 And one of the most iconic is world-famous department store 625 00:30:44,040 --> 00:30:48,680 Harvey Nichols. Known for its high-end beauty department, 626 00:30:48,680 --> 00:30:52,920 the store regularly plays host to sell-out masterclasses, 627 00:30:52,920 --> 00:30:55,760 welcoming make-up artists and brands from across the globe. 628 00:30:57,280 --> 00:31:01,440 We really work with an incredible edit of beauty brands. 629 00:31:01,440 --> 00:31:04,840 We're all about service and expertise, and those brand 630 00:31:04,840 --> 00:31:09,960 masterclass moments really help elevate our customer experience. 631 00:31:09,960 --> 00:31:14,160 And today, it's where our MUAs will face their final test... 632 00:31:14,160 --> 00:31:15,480 THEY GASP 633 00:31:15,480 --> 00:31:19,440 ..presenting themselves to an audience of industry heavyweights. 634 00:31:19,440 --> 00:31:22,520 A masterclass is a great way to end this competition, 635 00:31:22,520 --> 00:31:25,960 because it gives our MUAs an opportunity to really showcase 636 00:31:25,960 --> 00:31:28,560 everything they've learned over the last six weeks 637 00:31:28,560 --> 00:31:31,440 and present who they are as a make-up artist going forward. 638 00:31:31,440 --> 00:31:35,400 I want to see an accomplished performance. 639 00:31:35,400 --> 00:31:37,200 I want to learn something new. 640 00:31:37,200 --> 00:31:39,280 Show this old dog a new trick. 641 00:31:41,000 --> 00:31:44,520 This is a huge opportunity because we're putting our MUAs 642 00:31:44,520 --> 00:31:46,880 in front of industry experts. 643 00:31:46,880 --> 00:31:48,920 I'm so excited. A bit scary. 644 00:31:48,920 --> 00:31:50,640 I'm so excited. 645 00:31:50,640 --> 00:31:54,200 We have Bafta-nominated, 646 00:31:54,200 --> 00:31:58,080 even Oscar-nominated MUAs, beauty experts 647 00:31:58,080 --> 00:32:01,800 from some of Britain's leading publications. 648 00:32:01,800 --> 00:32:07,240 And we have senior representatives from some of the biggest 649 00:32:07,240 --> 00:32:09,360 beauty brands in the business. 650 00:32:09,360 --> 00:32:12,400 It's a high-profile audience. 651 00:32:12,400 --> 00:32:15,680 I have a little lowdown of who's going to be in the audience. 652 00:32:15,680 --> 00:32:18,280 So first up we have Diandra Ferreira, 653 00:32:18,280 --> 00:32:20,520 who is a film and TV make-up artist, 654 00:32:20,520 --> 00:32:23,280 and she has worked on hit shows such as Heartstopper 655 00:32:23,280 --> 00:32:25,200 on Netflix. Oh! 656 00:32:25,200 --> 00:32:26,760 Lizzie Yianni-Georgiou. 657 00:32:26,760 --> 00:32:29,080 She has worked on blockbuster movies, including 658 00:32:29,080 --> 00:32:31,400 a film that I know is a fan favourite here, 659 00:32:31,400 --> 00:32:33,400 Alice In Wonderland. 660 00:32:33,400 --> 00:32:35,600 Oh, guys. This is perfect for me. 661 00:32:35,600 --> 00:32:40,000 Mary Greenwell, who is a celebrity MUA, who has worked on huge shows 662 00:32:40,000 --> 00:32:43,880 such as Vivienne Westwood, Prada and Victoria's Secret. 663 00:32:45,440 --> 00:32:48,520 Also taking their place in the audience are the MUAs' 664 00:32:48,520 --> 00:32:49,840 friends and family. 665 00:32:51,520 --> 00:32:54,280 First up is...Shania! 666 00:32:54,280 --> 00:32:55,720 Good luck. 667 00:32:56,920 --> 00:33:00,240 I am keeping the idea of who could potentially be in that audience, 668 00:33:00,240 --> 00:33:03,320 watching me, literally completely out of my mind. 669 00:33:03,320 --> 00:33:05,120 I think if I focus on that, I'll panic, 670 00:33:05,120 --> 00:33:06,560 I'll psych myself out. 671 00:33:06,560 --> 00:33:09,280 So I just need to focus on what it is I'm there to achieve. 672 00:33:09,280 --> 00:33:10,720 Hello, everyone. 673 00:33:10,720 --> 00:33:13,320 Welcome to the Glow Up final. 674 00:33:13,320 --> 00:33:15,640 CHEERING AND APPLAUSE 675 00:33:15,640 --> 00:33:18,840 We have got three incredible finalists for you. 676 00:33:18,840 --> 00:33:21,680 And first up, we have Shania. 677 00:33:21,680 --> 00:33:24,320 CHEERING AND APPLAUSE 678 00:33:28,680 --> 00:33:30,000 Hello, everyone. 679 00:33:30,000 --> 00:33:31,760 So I'm going to be doing a masterclass today 680 00:33:31,760 --> 00:33:34,680 that is going to be sharing with you a three-step guide 681 00:33:34,680 --> 00:33:36,440 to a colourful eye shadow look. 682 00:33:36,440 --> 00:33:39,080 So as you can see on my eyes today, I love a bit of colour. 683 00:33:39,080 --> 00:33:41,560 I love a pop of colour. It's literally how I express myself. 684 00:33:41,560 --> 00:33:44,560 So after today, you're all going to be able to go home and feel 685 00:33:44,560 --> 00:33:47,200 a lot more confident in colour. Great. 686 00:33:47,200 --> 00:33:49,120 So we're going to start off with some tape. 687 00:33:49,120 --> 00:33:50,760 So taking that tape, 688 00:33:50,760 --> 00:33:53,480 you're going to follow up from that lower lash line 689 00:33:53,480 --> 00:33:56,080 and you're going to guide it down. 690 00:33:56,080 --> 00:33:57,840 That's a bit of an old hack, actually. 691 00:33:57,840 --> 00:33:59,040 It's not a new hack. 692 00:33:59,040 --> 00:34:01,960 So picking up a lighter shade of pink, you only need to do 693 00:34:01,960 --> 00:34:03,320 a couple of taps of this. 694 00:34:03,320 --> 00:34:05,200 Less is more with shadow. 695 00:34:05,200 --> 00:34:07,560 We're going to be working on this outer corner first, 696 00:34:07,560 --> 00:34:10,400 so just swiping that across. 697 00:34:10,400 --> 00:34:12,320 What do you think Shania's vibe's going to be? 698 00:34:12,320 --> 00:34:15,080 Do you think that she's going to give, like, a personal vibe? 699 00:34:15,080 --> 00:34:17,280 Do you think she's going to share her story? 700 00:34:17,280 --> 00:34:20,040 There's nothing really, like, personal in there. 701 00:34:20,040 --> 00:34:22,680 It's just, she wants to stay very professional. 702 00:34:22,680 --> 00:34:26,160 So for step one, that is absolutely everything. 703 00:34:26,160 --> 00:34:29,280 Might be too much of a lecture as opposed to a masterclass. 704 00:34:29,280 --> 00:34:32,040 And the room looks bored. 705 00:34:32,040 --> 00:34:34,160 You just peel that tape away 706 00:34:34,160 --> 00:34:37,200 and you get a really gorgeous, sharp shape. 707 00:34:37,200 --> 00:34:39,880 This is going to elongate and lift the eye. 708 00:34:39,880 --> 00:34:42,520 I mean, I would love to have a little, like, lift 709 00:34:42,520 --> 00:34:44,200 in the face, but I don't really like needles. 710 00:34:44,200 --> 00:34:45,560 I don't like the surgery. 711 00:34:45,560 --> 00:34:48,760 So this is perfect for that because it's going to give you the illusion 712 00:34:48,760 --> 00:34:52,080 of a lifted face without actually having to go under the knife. 713 00:34:52,080 --> 00:34:54,120 Nice. Audience engagement. 714 00:34:54,120 --> 00:34:56,840 Now, moving on to the second stage, 715 00:34:56,840 --> 00:34:59,440 we're going to pick up a little bit of that lighter shade 716 00:34:59,440 --> 00:35:00,920 on a smaller, fluffy brush. 717 00:35:00,920 --> 00:35:03,880 The reason for this is we're going in the inner part of the eye now, 718 00:35:03,880 --> 00:35:07,280 and it's going to always need that little bit less room, 719 00:35:07,280 --> 00:35:09,560 which means you want to be a bit more precise with this. 720 00:35:09,560 --> 00:35:12,200 Now, depending on your eye shape, the crease is going to be different. 721 00:35:12,200 --> 00:35:15,440 So another easy way to really work out where this should be placed 722 00:35:15,440 --> 00:35:17,760 is to look at the anatomy under the skin. 723 00:35:17,760 --> 00:35:19,880 So if you apply a little bit of pressure, 724 00:35:19,880 --> 00:35:21,680 where it naturally dips back 725 00:35:21,680 --> 00:35:23,800 is where the socket of the eye is underneath, 726 00:35:23,800 --> 00:35:26,160 and that is where a normal crease would land 727 00:35:26,160 --> 00:35:27,840 on the average person's eye. 728 00:35:27,840 --> 00:35:30,640 Obviously, it's dependent, so it's just a perfect way to 729 00:35:30,640 --> 00:35:32,400 give you that placement. 730 00:35:32,400 --> 00:35:35,600 Ding-dong, darling. You brought that home. Yeah. 731 00:35:35,600 --> 00:35:37,920 That's a technical tick. 732 00:35:37,920 --> 00:35:39,880 And we're going to start blending that out. 733 00:35:39,880 --> 00:35:42,160 This is a really nice, soft shape. 734 00:35:42,160 --> 00:35:44,120 We don't want it to be too harsh. 735 00:35:44,120 --> 00:35:46,840 I see a lot of nodding heads. A lot of nodding heads. 736 00:35:46,840 --> 00:35:48,520 So we're going to move on to the next step, 737 00:35:48,520 --> 00:35:51,520 one that you can see on my eyes today, which is the lower lash line. 738 00:35:51,520 --> 00:35:53,840 Everyone's listening. No-one's on their phone. 739 00:35:53,840 --> 00:35:56,800 Everyone is engaged. That's true. 740 00:35:56,800 --> 00:35:59,640 We're going to just stamp and wiggle. 741 00:35:59,640 --> 00:36:01,680 Stamp and wiggle. 742 00:36:01,680 --> 00:36:03,960 Stamp and wiggle. Stamp and wiggle. 743 00:36:03,960 --> 00:36:05,120 That's good. 744 00:36:05,120 --> 00:36:08,760 And what this does is really get in to each of those lashes, 745 00:36:08,760 --> 00:36:10,760 because we don't want to see any of that skin. 746 00:36:10,760 --> 00:36:13,680 Just to show you guys, I'm quite literally going to take this brush. 747 00:36:13,680 --> 00:36:16,640 One touch. That's all we need for this. Same method. 748 00:36:16,640 --> 00:36:18,040 Stamp and wiggle. 749 00:36:18,040 --> 00:36:20,080 Stamp...and wiggle! 750 00:36:20,080 --> 00:36:23,600 And what this is going to do is not only tie in the darkest shade 751 00:36:23,600 --> 00:36:26,560 that we've got on the lid above, but it's also going to give us 752 00:36:26,560 --> 00:36:29,640 that really sultry effect on the outer corner. 753 00:36:29,640 --> 00:36:31,520 It looks very delicate. 754 00:36:31,520 --> 00:36:34,480 You know, it looks like a professional hand. 755 00:36:34,480 --> 00:36:37,000 So this is the finished look. 756 00:36:37,000 --> 00:36:39,680 So I hope you guys have enjoyed my masterclass today. 757 00:36:39,680 --> 00:36:42,840 And if anybody has any questions, I would love to answer them. 758 00:36:42,840 --> 00:36:44,920 Hi, Shania. Congratulations. 759 00:36:44,920 --> 00:36:47,800 What a fantastic communicator you are. Thank you. 760 00:36:47,800 --> 00:36:51,240 Given the audience you've got here today, I just wanted to know 761 00:36:51,240 --> 00:36:54,080 what the future looks like for you. What's the dream? 762 00:36:54,080 --> 00:36:59,160 I want to really get myself out there within the editorial. 763 00:36:59,160 --> 00:37:01,800 And I love special effects industry. 764 00:37:01,800 --> 00:37:04,960 And if any of you guys do feel like the type of message 765 00:37:04,960 --> 00:37:08,080 that I shared today is something that suits your brand, 766 00:37:08,080 --> 00:37:12,080 I am here with open ears and open arms, honestly. 767 00:37:12,080 --> 00:37:14,280 Woo-woo! 768 00:37:14,280 --> 00:37:15,640 Yes! 769 00:37:17,640 --> 00:37:20,520 How to sell yourself. Ding-dong. 770 00:37:20,520 --> 00:37:23,040 Hi, Shania. Hello, hello. You were amazing. 771 00:37:23,040 --> 00:37:24,560 I really enjoyed that. Thank you so much. 772 00:37:24,560 --> 00:37:26,440 I'm not really a fan of make-up. I've never tried it. 773 00:37:26,440 --> 00:37:28,360 Oh, no, not at all. LAUGHTER 774 00:37:28,360 --> 00:37:30,680 What would be your advice for somebody that does want to 775 00:37:30,680 --> 00:37:32,160 start out in the make-up world? 776 00:37:32,160 --> 00:37:34,040 I think it's just about testing the waters, 777 00:37:34,040 --> 00:37:35,440 learning what works for you. 778 00:37:35,440 --> 00:37:37,720 We're all going to fail miserably so many times. 779 00:37:37,720 --> 00:37:41,040 But like I've shared today, there's so many ways to adjust that 780 00:37:41,040 --> 00:37:42,400 so that you can make it work 781 00:37:42,400 --> 00:37:44,800 for yourself and your individual features. 782 00:37:44,800 --> 00:37:46,160 APPLAUSE 783 00:37:46,160 --> 00:37:48,480 Woo-woo! Thank you, guys, so much. Thank you so much. 784 00:37:51,480 --> 00:37:52,840 Thank you. 785 00:37:53,880 --> 00:37:56,640 Oh, wow. 786 00:37:56,640 --> 00:37:58,200 Wow. 787 00:37:58,200 --> 00:37:59,560 That was unbelievable. 788 00:37:59,560 --> 00:38:02,320 Shania did an amazing, amazing job. 789 00:38:02,320 --> 00:38:05,280 Not only she's a great make-up artist, but she's also 790 00:38:05,280 --> 00:38:06,480 a great educator. 791 00:38:06,480 --> 00:38:09,520 I'm so proud of her. I think she did a great job. 792 00:38:09,520 --> 00:38:11,440 That was just amazing. 793 00:38:11,440 --> 00:38:13,320 Wow! 794 00:38:13,320 --> 00:38:14,840 Shania was really good. 795 00:38:14,840 --> 00:38:18,400 The way she explains herself down to every small detail, 796 00:38:18,400 --> 00:38:20,440 which I think some people can miss out 797 00:38:20,440 --> 00:38:22,840 when they're doing masterclasses. Incredible. 798 00:38:22,840 --> 00:38:25,520 I love the stamp and wiggle technique 799 00:38:25,520 --> 00:38:28,160 because that is so self-explanatory. 800 00:38:28,160 --> 00:38:30,800 Like, anyone can do that and it works. 801 00:38:30,800 --> 00:38:33,240 You can tell the more she was up there, the longer she was up there, 802 00:38:33,240 --> 00:38:35,360 the more she was enjoying herself and I was enjoying myself. 803 00:38:35,360 --> 00:38:36,520 Yeah, very true. 804 00:38:36,520 --> 00:38:39,840 Shania did amazing. I loved her personality. 805 00:38:39,840 --> 00:38:41,560 I would definitely see her 806 00:38:41,560 --> 00:38:43,840 in my team in the future. 807 00:38:43,840 --> 00:38:46,360 It was unbelievable. 808 00:38:46,360 --> 00:38:49,120 I can safely say, regardless of what happens after this, 809 00:38:49,120 --> 00:38:50,800 like, I gave it my absolute everything. 810 00:38:50,800 --> 00:38:52,960 Next up is... 811 00:38:52,960 --> 00:38:54,320 ..Connor. 812 00:38:54,320 --> 00:38:57,880 Good luck! Go and smash it. Good luck! 813 00:38:57,880 --> 00:39:00,360 I want everyone to walk out of that masterclass and say, 814 00:39:00,360 --> 00:39:02,000 "We really want to work with Connor." 815 00:39:02,000 --> 00:39:05,920 I really just want to showcase who I am as a person and an artist. 816 00:39:05,920 --> 00:39:08,240 So, Connor for the win. 817 00:39:08,240 --> 00:39:10,560 Everyone, please welcome Connor. 818 00:39:10,560 --> 00:39:12,840 Hello, hello, hello! 819 00:39:12,840 --> 00:39:15,600 CHEERING AND APPLAUSE 820 00:39:15,600 --> 00:39:17,240 That's an entrance. 821 00:39:17,240 --> 00:39:19,000 That is an entrance. 822 00:39:19,000 --> 00:39:20,400 Hello, everyone. 823 00:39:20,400 --> 00:39:22,160 Welcome to my masterclass. 824 00:39:22,160 --> 00:39:25,760 I'm going to show you how to turn your daytime make-up 825 00:39:25,760 --> 00:39:27,480 to a night-time slay. 826 00:39:27,480 --> 00:39:28,560 CHEERING 827 00:39:28,560 --> 00:39:30,520 Yes. Woo-woo! 828 00:39:30,520 --> 00:39:31,760 I feel like he'll smash it. 829 00:39:31,760 --> 00:39:34,360 Yeah. He knows how to, like, sell the make-up. 830 00:39:34,360 --> 00:39:36,680 And he's got a big enough personality that he's going to 831 00:39:36,680 --> 00:39:38,000 sell himself as well. 832 00:39:38,000 --> 00:39:40,360 So I think he's going to be tough competition because I really think 833 00:39:40,360 --> 00:39:41,880 he is going to smash it. 834 00:39:41,880 --> 00:39:43,080 We love a bit of bronzer. 835 00:39:43,080 --> 00:39:45,080 I'm not going to put my bronzer on the model today 836 00:39:45,080 --> 00:39:46,640 because she will be orange. 837 00:39:46,640 --> 00:39:51,040 So I'm just going to start working in some bronzer to the model. 838 00:39:51,040 --> 00:39:54,080 Nothing too dense, because if you're going with a too dense brush, 839 00:39:54,080 --> 00:39:56,840 you can't really blend it out. Nice take-home there. 840 00:39:56,840 --> 00:39:59,840 With bronzer, you can obviously use it on the cheeks, the bronzer, 841 00:39:59,840 --> 00:40:02,320 but you can also use it on your eyes 842 00:40:02,320 --> 00:40:05,360 just to really blend the bronzer and the eye shadow together. 843 00:40:05,360 --> 00:40:07,320 So now I'm just going to keep working that up. 844 00:40:07,320 --> 00:40:10,040 Give her that nice sun-kissed glow. 845 00:40:10,040 --> 00:40:13,080 Now that's done, we're going to be using... 846 00:40:13,080 --> 00:40:14,760 Sorry, I've not even done your other eye. 847 00:40:14,760 --> 00:40:16,120 Let me just quickly... 848 00:40:16,120 --> 00:40:17,960 LAUGHTER 849 00:40:17,960 --> 00:40:19,520 Love that humour. 850 00:40:19,520 --> 00:40:21,000 Just work that in. 851 00:40:21,000 --> 00:40:22,400 Now blush. 852 00:40:22,400 --> 00:40:26,240 We're going to be using a lipstick today as blush. 853 00:40:26,240 --> 00:40:28,800 You're just going to get a lipstick of your choice. 854 00:40:28,800 --> 00:40:32,680 Pop it along the sides of your hands like so. 855 00:40:32,680 --> 00:40:34,400 Bounce it together. 856 00:40:34,400 --> 00:40:36,920 Nice. And then on the tops of her cheeks, you're just going to 857 00:40:36,920 --> 00:40:38,320 really press that in. 858 00:40:38,320 --> 00:40:40,120 And what this is going to do is going to make it 859 00:40:40,120 --> 00:40:42,320 really quick and easy. 860 00:40:42,320 --> 00:40:44,720 Ding-dong. Like so. 861 00:40:44,720 --> 00:40:46,360 Woo-woo! 862 00:40:46,360 --> 00:40:48,200 Thank you! Thank you. 863 00:40:48,200 --> 00:40:49,800 LAUGHTER 864 00:40:49,800 --> 00:40:51,320 Let's turn to the eyes. 865 00:40:51,320 --> 00:40:54,000 So one thing I'm going to do is use a pink, 866 00:40:54,000 --> 00:40:55,520 but sort of like a babyish pink. 867 00:40:55,520 --> 00:40:58,480 So that's really going to open the inner corners of the eyes. 868 00:40:58,480 --> 00:41:01,160 We're just really stamping that colour in, 869 00:41:01,160 --> 00:41:04,160 because you don't want it to be too bold. 870 00:41:04,160 --> 00:41:08,080 For the sparkle, I love rhinestones, if you can't tell. 871 00:41:08,080 --> 00:41:11,240 So one thing that I particularly do 872 00:41:11,240 --> 00:41:14,320 is make sure you've got a lash glue. 873 00:41:14,320 --> 00:41:17,000 Pop that in the inner corner, and you want to let that glue 874 00:41:17,000 --> 00:41:18,760 go tacky for about 60 seconds. 875 00:41:18,760 --> 00:41:22,400 Now, rhinestones are an amazing investment. 876 00:41:22,400 --> 00:41:24,760 OK? You get this pack. 877 00:41:24,760 --> 00:41:29,480 You get about 4,000 to 5,000 in there. £7 on Amazon. 878 00:41:29,480 --> 00:41:33,240 They will last you a lifetime. For me, I incorporate rhinestones 879 00:41:33,240 --> 00:41:36,000 in everything I do, so this will last me about a month. 880 00:41:36,000 --> 00:41:37,880 LAUGHTER 881 00:41:37,880 --> 00:41:42,400 And another tip - if you don't have one of these pens, buy one. 882 00:41:42,400 --> 00:41:46,120 Um, no. But if you don't have one, 883 00:41:46,120 --> 00:41:49,640 grab a pencil, a pen or a thin brush 884 00:41:49,640 --> 00:41:51,480 and put a bit of Blu-Tack on the end. 885 00:41:51,480 --> 00:41:53,720 And that is going to really help you pick it up. 886 00:41:53,720 --> 00:41:56,560 Nice tip. So that should be set now. 887 00:41:56,560 --> 00:41:58,960 And it is as simple as that. 888 00:41:58,960 --> 00:42:02,760 So now I'm going to just go in with a hotter pink. 889 00:42:02,760 --> 00:42:04,560 And then, if you look up for me, 890 00:42:04,560 --> 00:42:06,920 we're going to work this on the lash line. 891 00:42:06,920 --> 00:42:08,280 One question. 892 00:42:08,280 --> 00:42:10,680 Is this make-up big enough? 893 00:42:10,680 --> 00:42:14,200 So, now, I'm going to add just two rhinestones 894 00:42:14,200 --> 00:42:16,400 on the bottom lashes. 895 00:42:16,400 --> 00:42:19,560 Two more rhinestones - will that save the day? 896 00:42:19,560 --> 00:42:22,840 Just to finish it off, if I can find a mascara... 897 00:42:22,840 --> 00:42:24,840 Bear with. 898 00:42:24,840 --> 00:42:27,200 I'm just going to quickly grab a mascara just to pop on 899 00:42:27,200 --> 00:42:28,840 the bottom lashes. 900 00:42:28,840 --> 00:42:31,560 If I can find... There's so much make-up in these kits. 901 00:42:34,880 --> 00:42:36,720 Sorry about this. 902 00:42:36,720 --> 00:42:40,480 I'm just going to add a tiny bit of mascara 903 00:42:40,480 --> 00:42:42,800 onto the bottom lashes, just to make that pop. 904 00:42:45,280 --> 00:42:48,480 One sec. That rhinestone's falling off. 905 00:42:48,480 --> 00:42:52,160 Oh, no, a rhinestone's fallen off. A rhinestone's fallen off. 906 00:42:53,680 --> 00:42:55,080 Don't panic. 907 00:42:55,080 --> 00:42:56,640 Let that dry again. 908 00:42:56,640 --> 00:42:58,600 You really just want to really fan that out. 909 00:42:58,600 --> 00:42:59,760 This is entertaining. 910 00:42:59,760 --> 00:43:01,880 It is entertaining, but is it chaotic? 911 00:43:01,880 --> 00:43:05,360 I'm going to finish off with the final rhinestone 912 00:43:05,360 --> 00:43:06,800 if I find my tool. 913 00:43:06,800 --> 00:43:08,080 It's OK. 914 00:43:08,080 --> 00:43:10,560 We've got the Blu-Tack and the pen, so... 915 00:43:10,560 --> 00:43:12,480 LAUGHTER ..let's go with that. 916 00:43:12,480 --> 00:43:15,960 One thing with me is I'm a really messy MUA. 917 00:43:15,960 --> 00:43:17,600 My station's always a wreck. 918 00:43:17,600 --> 00:43:20,720 Is he oversharing? May be oversharing, yeah. 919 00:43:20,720 --> 00:43:23,760 I am just going to go back in with a tiny bit more blush, 920 00:43:23,760 --> 00:43:25,640 really stamping a hot pink. 921 00:43:25,640 --> 00:43:28,680 Now, I have always been obsessed with pink. 922 00:43:28,680 --> 00:43:32,160 So, today, I just wanted to show you who I am as a person. 923 00:43:32,160 --> 00:43:35,520 I'm very sparkly, pretty in pink, 924 00:43:35,520 --> 00:43:36,840 and gay. 925 00:43:36,840 --> 00:43:39,000 LAUGHTER AND CHEERING 926 00:43:41,400 --> 00:43:45,600 So, if anyone has any questions, then I will happily answer them. 927 00:43:45,600 --> 00:43:47,360 Wow, that is a lot of hands! 928 00:43:48,680 --> 00:43:51,240 That's because they've fallen in love with him. Yes. 929 00:43:51,240 --> 00:43:52,960 Hi, Connor. Hello. Fellow gay here. 930 00:43:52,960 --> 00:43:54,960 Whoop-whoop! THEY LAUGH 931 00:43:54,960 --> 00:43:58,080 Um, what would you say to folk who wear glasses? 932 00:43:58,080 --> 00:43:59,880 How can we make our eyes pop? 933 00:43:59,880 --> 00:44:01,880 I mean, with glasses, you can still s... 934 00:44:01,880 --> 00:44:04,440 Val loves glasses, and she wears pops of colour. 935 00:44:04,440 --> 00:44:06,960 And with rhinestones, if you don't want them in here 936 00:44:06,960 --> 00:44:09,640 cos they might reflect, you can pop 'em on the cheeks, 937 00:44:09,640 --> 00:44:11,120 you can pop 'em above the eyebrow. 938 00:44:11,120 --> 00:44:13,640 There... You can pop them anywhere. But there is no rules. 939 00:44:13,640 --> 00:44:16,200 If you want to add colour with glasses, you can do that. 940 00:44:16,200 --> 00:44:17,880 Hi, I'm gay, too. 941 00:44:17,880 --> 00:44:20,080 CHEERING AND LAUGHTER Whoop-whoop! 942 00:44:20,080 --> 00:44:22,120 You've got some crowded up. 943 00:44:22,120 --> 00:44:24,520 Um, I have a very blokey skincare and make-up routine. 944 00:44:24,520 --> 00:44:26,680 So, I just needed some advice on how to elevate 945 00:44:26,680 --> 00:44:28,320 in front of the cameras and the lights and, 946 00:44:28,320 --> 00:44:30,200 and stuff like that basically. So, with make-up, 947 00:44:30,200 --> 00:44:32,480 sometimes your best brushes are your hands. 948 00:44:32,480 --> 00:44:33,760 OK. So really warm that up. 949 00:44:33,760 --> 00:44:37,520 Cos with men that don't want to look like they're wearing make-up, 950 00:44:37,520 --> 00:44:39,360 if you're using brushes and sponges, 951 00:44:39,360 --> 00:44:41,400 you're still going to get a lot of coverage. 952 00:44:41,400 --> 00:44:43,720 Use your fingers just to really push it into the skin. 953 00:44:43,720 --> 00:44:46,080 And any blemishes, just use the same thing - 954 00:44:46,080 --> 00:44:47,600 a concealer and your fingers. 955 00:44:47,600 --> 00:44:50,600 Your fingers are your best tools. Amazing. Thank you so much. 956 00:44:50,600 --> 00:44:53,640 Thank you. CHEERING AND APPLAUSE 957 00:44:53,640 --> 00:44:55,480 Thank you. Thank you, thank you. 958 00:44:56,880 --> 00:44:58,360 HE BREATHES DEEPLY 959 00:44:58,360 --> 00:44:59,920 That was so fun! 960 00:44:59,920 --> 00:45:02,240 That was one of the best performances we've ever had 961 00:45:02,240 --> 00:45:04,840 in any masterclass. Yeah. 962 00:45:04,840 --> 00:45:06,840 I'm obsessed with Connor. 963 00:45:06,840 --> 00:45:09,040 Honest to God, the energy was just so good. 964 00:45:09,040 --> 00:45:11,240 He seemed so knowledgeable about what he's doing, 965 00:45:11,240 --> 00:45:14,640 and the minute he walked out, I was just...I was there. 966 00:45:14,640 --> 00:45:17,880 I just watched Connor apply make-up with rhinestones. 967 00:45:17,880 --> 00:45:20,200 It was the bravest thing I've ever seen in my life, 968 00:45:20,200 --> 00:45:22,200 and his performance was brilliant. 969 00:45:22,200 --> 00:45:24,840 I am most definitely going to be taking home this, like, 970 00:45:24,840 --> 00:45:26,400 lipstick, rub, pat, 971 00:45:26,400 --> 00:45:28,280 and, like, whack it on my cheeks moment. 972 00:45:28,280 --> 00:45:30,720 We are definitely going to be hitting Connor up after this, 973 00:45:30,720 --> 00:45:33,760 finding his Instagram... Yeah. ..Twitter, TikTok, whatever it is. 974 00:45:33,760 --> 00:45:35,840 100% getting him to do our make-up. 975 00:45:35,840 --> 00:45:37,800 Yes! Yay! 976 00:45:37,800 --> 00:45:40,960 Oh, my God, that was so much fun. 977 00:45:40,960 --> 00:45:43,160 Honestly. Oh, my God, yes! 978 00:45:43,160 --> 00:45:45,400 Everyone was just howling. They were con... All the time! 979 00:45:45,400 --> 00:45:47,480 Honestly, it was incredible. 980 00:45:47,480 --> 00:45:49,800 So, next up is Ella. 981 00:45:49,800 --> 00:45:53,400 Yes! Good luck, Ella. Good luck! 982 00:45:53,400 --> 00:45:57,640 I am quite nervous to be talking in front of a live audience. 983 00:45:57,640 --> 00:46:00,000 But I just need to show them what I can do 984 00:46:00,000 --> 00:46:04,920 because it's, like, half an hour that could literally change my life. 985 00:46:04,920 --> 00:46:07,200 Next up, we have Ella. 986 00:46:07,200 --> 00:46:09,120 CHEERING AND APPLAUSE 987 00:46:09,120 --> 00:46:10,160 Ooh. 988 00:46:11,280 --> 00:46:12,840 SHE LAUGHS 989 00:46:12,840 --> 00:46:13,880 Hi. 990 00:46:15,200 --> 00:46:16,520 Oh, God. 991 00:46:16,520 --> 00:46:18,760 LAUGHTER Not the best start. 992 00:46:18,760 --> 00:46:21,120 So, um, I... 993 00:46:22,560 --> 00:46:24,160 ..need to remember to breathe. 994 00:46:27,280 --> 00:46:30,320 I think that if she finds herself nervous at the start, 995 00:46:30,320 --> 00:46:32,800 I think she's going to really struggle to shake that off. 996 00:46:32,800 --> 00:46:35,120 I think because she gets scared public speaking. Yeah. 997 00:46:35,120 --> 00:46:38,240 Whereas if she just goes in there, like she can in any of, like, 998 00:46:38,240 --> 00:46:40,320 the briefs or industry challenges we've done, 999 00:46:40,320 --> 00:46:42,760 and just focus, I think she'll smash it out the water. 1000 00:46:42,760 --> 00:46:46,320 So, I'm Ella, and for today's masterclass, I'm going to be 1001 00:46:46,320 --> 00:46:49,920 demonstrating how to create a 3D eye 1002 00:46:49,920 --> 00:46:51,440 in the centre of the face, 1003 00:46:51,440 --> 00:46:54,440 with a bit of glam make-up around it, as well. 1004 00:46:54,440 --> 00:46:56,840 Third eye? Yep. Are you mad? 1005 00:46:56,840 --> 00:47:00,200 So, I've just got a little black liner pencil, 1006 00:47:00,200 --> 00:47:03,600 and I'm basically going to be creating, like, a rugby-ball shape 1007 00:47:03,600 --> 00:47:05,040 in the centre. 1008 00:47:05,040 --> 00:47:08,360 So, I'm just going to sketch out 1009 00:47:08,360 --> 00:47:10,680 a little line, 1010 00:47:10,680 --> 00:47:15,680 and then, in the centre, I'm going to be creating a pupil. 1011 00:47:15,680 --> 00:47:18,120 Two minutes in, she's already got it on. 1012 00:47:18,120 --> 00:47:21,360 I'm going to start off by just using small swiping motions 1013 00:47:21,360 --> 00:47:23,680 underneath the eye area 1014 00:47:23,680 --> 00:47:28,280 to really start off the definition in the eye. 1015 00:47:28,280 --> 00:47:30,480 She's not messing about. No. 1016 00:47:30,480 --> 00:47:32,320 Well, she's got a lot to do. 1017 00:47:32,320 --> 00:47:35,920 And I'm going to bring this all across the lower lash line, 1018 00:47:35,920 --> 00:47:38,080 and then on the top of it, as well. 1019 00:47:38,080 --> 00:47:42,360 That's great. Yeah. I like the way she's using the shadow. 1020 00:47:42,360 --> 00:47:44,640 I'm glad I didn't wear a coat. It's really hot up here. 1021 00:47:44,640 --> 00:47:47,160 LAUGHTER And she's made the audience laugh. 1022 00:47:47,160 --> 00:47:48,200 Nice. 1023 00:47:48,200 --> 00:47:51,520 So, now I'm going to move on to the actual eye shape, which is 1024 00:47:51,520 --> 00:47:53,440 the bit that I'm very excited about. 1025 00:47:53,440 --> 00:47:57,240 Um, my background is, like, uh, in special-effects make-up, 1026 00:47:57,240 --> 00:48:02,200 and I am really interested in getting into that field, 1027 00:48:02,200 --> 00:48:06,200 into TV and film and, yeah, creating these weird and wonderful looks 1028 00:48:06,200 --> 00:48:07,760 for you all. 1029 00:48:07,760 --> 00:48:10,440 So, I'm literally taking a black liner pen. 1030 00:48:10,440 --> 00:48:14,520 So, I am going to create a small 1031 00:48:14,520 --> 00:48:18,160 circle in the centre of this circle that I've already made, 1032 00:48:18,160 --> 00:48:20,680 and that's going to act as the pupil. 1033 00:48:20,680 --> 00:48:23,960 What we've seen before from Ella, it can be a little bit chaotic. 1034 00:48:23,960 --> 00:48:26,560 She seems to be having a very steady process. 1035 00:48:26,560 --> 00:48:28,560 She knows what she's doing, she's planned. 1036 00:48:28,560 --> 00:48:31,640 I'm just going to go in with a dark blue colour 1037 00:48:31,640 --> 00:48:34,880 on a little, thin brush 1038 00:48:34,880 --> 00:48:40,200 just by adding tiny, tiny little lines into the eye 1039 00:48:40,200 --> 00:48:42,320 to create a little bit more depth. 1040 00:48:42,320 --> 00:48:44,160 The eye is slightly on the wonk, isn't it? 1041 00:48:44,160 --> 00:48:47,000 This is the part where your hand really needs to not be that shaky, 1042 00:48:47,000 --> 00:48:49,240 but I am quite nervous up here, so... 1043 00:48:49,240 --> 00:48:53,400 I'm just worried about the symmetry a bit because... 1044 00:48:53,400 --> 00:48:57,040 And that, she could easily rectify that, just by looking 1045 00:48:57,040 --> 00:49:00,800 at the screen and seeing where 1046 00:49:00,800 --> 00:49:05,080 the balance of the product is. 1047 00:49:05,080 --> 00:49:07,840 And then, I'm going to move on to filling the eye, 1048 00:49:07,840 --> 00:49:10,040 the actual white area, in. 1049 00:49:10,040 --> 00:49:12,800 Audience is enraptured. 1050 00:49:12,800 --> 00:49:16,560 So, it's really not that hard to create something like this. 1051 00:49:16,560 --> 00:49:20,040 Like, I have only done it in a few easy steps, 1052 00:49:20,040 --> 00:49:23,160 and I'm hoping it'll be quite easy to follow, so people can stop 1053 00:49:23,160 --> 00:49:25,280 asking me at Halloween to do their make-up 1054 00:49:25,280 --> 00:49:27,560 and try and do something like this. LAUGHTER 1055 00:49:27,560 --> 00:49:31,640 And then, to add a little bit more definition into the bottom, 1056 00:49:31,640 --> 00:49:36,040 with the same pen, I'm going to create small lashes 1057 00:49:36,040 --> 00:49:39,160 and these want to be not straight. 1058 00:49:39,160 --> 00:49:41,880 They kind of have a bit of a curve to them. 1059 00:49:41,880 --> 00:49:44,080 It does look quite real, though, doesn't it? 1060 00:49:44,080 --> 00:49:45,920 It's a bit weird, isn't it? 1061 00:49:45,920 --> 00:49:48,160 Weirdly cool. Weirdly real. 1062 00:49:48,160 --> 00:49:52,640 The final touch to really elevate this look to another level 1063 00:49:52,640 --> 00:49:55,320 is to add eyelashes. 1064 00:49:55,320 --> 00:49:57,720 So, on the fake eye that I've created, 1065 00:49:57,720 --> 00:50:00,960 I'm going to apply it all across the top. 1066 00:50:02,160 --> 00:50:05,120 And then, on her real eyes, 1067 00:50:05,120 --> 00:50:08,400 I'm going to apply a tiny bit on the inner corners. 1068 00:50:09,840 --> 00:50:13,640 And that will give it a good place to grip to, and you won't have... 1069 00:50:13,640 --> 00:50:16,560 ..be having to fiddle around with where you're going to put it. 1070 00:50:16,560 --> 00:50:21,080 So, this will be easy to apply where you've put that glue, 1071 00:50:21,080 --> 00:50:23,200 just on the edge. 1072 00:50:23,200 --> 00:50:26,920 And it will just sit in the correct place that you wanted it to. 1073 00:50:28,200 --> 00:50:31,000 And then, just push those up. 1074 00:50:31,000 --> 00:50:33,400 Look at me. 1075 00:50:33,400 --> 00:50:37,240 Who knew that, once upon a time, this was shy Ella? I know. 1076 00:50:37,240 --> 00:50:40,120 I mean, like, she's really...she's really come out of her skin. 1077 00:50:40,120 --> 00:50:42,160 She's gone from shy Ella to Beyonce. 1078 00:50:42,160 --> 00:50:43,400 I think I'm happy with that. 1079 00:50:43,400 --> 00:50:47,120 If anyone has any questions, I would be willing to answer. 1080 00:50:47,120 --> 00:50:48,680 Hi there, I'm Sian Miller. 1081 00:50:48,680 --> 00:50:51,680 I do hair and make-up design, prosthetics for film and, uh, 1082 00:50:51,680 --> 00:50:53,880 yeah, just thinking, drawing from what you've said 1083 00:50:53,880 --> 00:50:55,880 about your interest in going into prosthetics, 1084 00:50:55,880 --> 00:50:57,720 and how do you see that working? 1085 00:50:57,720 --> 00:51:00,280 You know, are you interested in more the sculpting side, 1086 00:51:00,280 --> 00:51:02,520 in workshops or in application, or what are you... 1087 00:51:02,520 --> 00:51:04,080 Um, so... ..interested in? 1088 00:51:04,080 --> 00:51:08,400 ..at uni, I've learned how to do the sculpting and the moulding 1089 00:51:08,400 --> 00:51:09,960 and all of that, and I do love that, 1090 00:51:09,960 --> 00:51:12,880 but I think more the application process and the colouring. 1091 00:51:12,880 --> 00:51:15,120 Uh, I really...I love that. 1092 00:51:15,120 --> 00:51:18,000 So, yeah, going into something like that, I think. Yeah. 1093 00:51:18,000 --> 00:51:19,360 Well, well done. 1094 00:51:19,360 --> 00:51:21,640 It's very, very difficult to do in front of... 1095 00:51:21,640 --> 00:51:24,600 ..and talk at the same time, so congratulations. Thank you. 1096 00:51:24,600 --> 00:51:28,360 I wouldn't be surprised if she doesn't ask for her number. 1097 00:51:28,360 --> 00:51:30,600 Yeah, I would. Lots of raw talent. 1098 00:51:30,600 --> 00:51:32,400 Hi, uh, I'm Guy Common. 1099 00:51:32,400 --> 00:51:34,680 I'm a theatre make-up designer. 1100 00:51:34,680 --> 00:51:37,680 What are some challenges that you find with make-up 1101 00:51:37,680 --> 00:51:39,240 and how do you address those? 1102 00:51:39,240 --> 00:51:42,720 The technique of make-up, because I've not been doing make-up 1103 00:51:42,720 --> 00:51:44,240 for that long. 1104 00:51:44,240 --> 00:51:45,720 I am only 20 years old. 1105 00:51:45,720 --> 00:51:49,400 So, I think I find the actual technique of it a little bit harder. 1106 00:51:49,400 --> 00:51:52,360 But throughout the competition, I've really tried to listen 1107 00:51:52,360 --> 00:51:54,160 to what Val and Dom have said, 1108 00:51:54,160 --> 00:51:57,040 and really tried to take on their feedback 1109 00:51:57,040 --> 00:51:58,400 and improve my technique. Great. 1110 00:51:58,400 --> 00:52:00,520 Well, your make-up looks amazing, by the way. 1111 00:52:00,520 --> 00:52:02,080 Thank you. Beautiful. 1112 00:52:02,080 --> 00:52:04,040 CHEERING AND APPLAUSE 1113 00:52:04,040 --> 00:52:05,920 The audience loves her. 1114 00:52:08,040 --> 00:52:11,120 I wish I did have a little bit more time to perfect it, 1115 00:52:11,120 --> 00:52:14,720 but I just wanted to show what I'm about and what I do 1116 00:52:14,720 --> 00:52:16,080 as a make-up artist. 1117 00:52:16,080 --> 00:52:17,880 So, I'm really happy with what I did. 1118 00:52:17,880 --> 00:52:21,040 I thought she was really brave to sort of go that far so quickly, 1119 00:52:21,040 --> 00:52:22,800 um, because, obviously, 1120 00:52:22,800 --> 00:52:26,200 she's got limited time, and Ella did really well. 1121 00:52:26,200 --> 00:52:30,000 Her look is really applicable to theatre because it's bold 1122 00:52:30,000 --> 00:52:32,600 and cos you'll be able to see that from the back of the house, 1123 00:52:32,600 --> 00:52:34,280 just as much as you would in the front row. 1124 00:52:34,280 --> 00:52:37,080 So, I think that she's definitely got, you know, what we would need 1125 00:52:37,080 --> 00:52:38,560 in theatre, for sure. 1126 00:52:38,560 --> 00:52:41,880 I spy, with my third eye, Ella is coming back. 1127 00:52:41,880 --> 00:52:44,080 Yay! How was that? 1128 00:52:44,080 --> 00:52:45,960 It went so well. 1129 00:52:45,960 --> 00:52:47,360 Yes! Yeah! 1130 00:52:48,520 --> 00:52:51,800 I literally enjoyed it so much. Yeah. Oh, my God, yes. 1131 00:52:51,800 --> 00:52:55,320 Yeah. I was really nervous before I went in, and then, I did trip over 1132 00:52:55,320 --> 00:52:58,000 the bar at the front and then also the table. 1133 00:52:58,000 --> 00:53:00,600 But, yeah, I had loads of fun. 1134 00:53:00,600 --> 00:53:03,160 Well, guys, we're going to be finding out very soon 1135 00:53:03,160 --> 00:53:07,600 who the winner of Glow Up is going to be. 1136 00:53:07,600 --> 00:53:10,400 What an exciting end to this competition. 1137 00:53:10,400 --> 00:53:14,840 They were all amazing in their own individual ways. 1138 00:53:16,160 --> 00:53:19,240 To help choose their winner, the judges will go over 1139 00:53:19,240 --> 00:53:22,640 some of their favourite looks created by the finalists. 1140 00:53:22,640 --> 00:53:25,040 Connor came to the competition 1141 00:53:25,040 --> 00:53:29,160 with great skills in glam and drag. 1142 00:53:29,160 --> 00:53:31,840 That grey scale is beautiful. It is seamless. 1143 00:53:31,840 --> 00:53:34,360 And then, the drapes of colour. 1144 00:53:34,360 --> 00:53:38,040 He's taken glamour to a raw new edge. 1145 00:53:38,040 --> 00:53:40,000 And then we come to week two. 1146 00:53:40,000 --> 00:53:41,760 The line work was incredible. 1147 00:53:41,760 --> 00:53:43,160 Gorgeous blend. 1148 00:53:43,160 --> 00:53:46,080 The attention to detail, spot-on. 1149 00:53:46,080 --> 00:53:49,760 This make-up felt complete, 1150 00:53:49,760 --> 00:53:51,600 in the 360. 1151 00:53:51,600 --> 00:53:53,640 It felt flawless, professional. 1152 00:53:53,640 --> 00:53:55,280 He wants to challenge himself, 1153 00:53:55,280 --> 00:53:56,800 he wants to learn new skills, 1154 00:53:56,800 --> 00:53:59,960 and then he wants to bring it to what he knows best, which is beauty. 1155 00:53:59,960 --> 00:54:02,000 Do you think Ella likes eyes? 1156 00:54:03,680 --> 00:54:06,120 I think this is a great characterisation. 1157 00:54:06,120 --> 00:54:08,000 She's giving me cartoon. 1158 00:54:08,000 --> 00:54:09,760 And then, we come to week two, 1159 00:54:09,760 --> 00:54:12,280 when she delivered this incredible 1160 00:54:12,280 --> 00:54:14,240 zebra-lion make-up. 1161 00:54:14,240 --> 00:54:16,800 Those eyes, faultless. 1162 00:54:16,800 --> 00:54:19,760 There is so much detail in this make-up. 1163 00:54:19,760 --> 00:54:22,520 It ended up looking like an illustration. 1164 00:54:22,520 --> 00:54:23,840 Ding-dong. 1165 00:54:23,840 --> 00:54:26,000 It was my favourite look of the competition. 1166 00:54:26,000 --> 00:54:28,640 The thing is, you can teach technique, 1167 00:54:28,640 --> 00:54:31,120 but you can't teach creativity. 1168 00:54:31,120 --> 00:54:34,600 I mean, this was gobsmackingly amazing. 1169 00:54:34,600 --> 00:54:36,760 It was a face full of prosthetics, 1170 00:54:36,760 --> 00:54:40,240 and then all this interesting colour work. 1171 00:54:40,240 --> 00:54:43,840 It was elaborate, it was creative, and I loved it. 1172 00:54:43,840 --> 00:54:45,800 Shania entered the competition 1173 00:54:45,800 --> 00:54:47,840 very confident of her abilities. 1174 00:54:47,840 --> 00:54:53,040 The line work on the eye was just so dreamy. 1175 00:54:53,040 --> 00:54:56,240 This really was so beautiful. 1176 00:54:56,240 --> 00:54:59,040 And this was striking, sharp, 1177 00:54:59,040 --> 00:55:01,280 and graphic on every level. 1178 00:55:01,280 --> 00:55:03,680 The symmetry was faultless. 1179 00:55:03,680 --> 00:55:05,960 I just fell in love with it. 1180 00:55:05,960 --> 00:55:07,600 Then we come to week four. 1181 00:55:07,600 --> 00:55:09,920 Is that a bunny, honey? 1182 00:55:11,840 --> 00:55:13,960 It looks like real fur, 1183 00:55:13,960 --> 00:55:15,800 but it's all done with paint. 1184 00:55:15,800 --> 00:55:17,800 This is an incredible make-up. 1185 00:55:17,800 --> 00:55:19,960 It's editorial, it's art. 1186 00:55:19,960 --> 00:55:23,520 This, for me, was my favourite look of the entire competition. 1187 00:55:23,520 --> 00:55:26,600 I don't think we've ever had a final this close. 1188 00:55:28,880 --> 00:55:31,800 So, I think it's time for us to find out 1189 00:55:31,800 --> 00:55:35,040 who the winner of this year's Glow Up is going to be. 1190 00:55:35,040 --> 00:55:36,400 Mm-hm. Let's go. 1191 00:55:37,920 --> 00:55:39,440 Oh... 1192 00:55:39,440 --> 00:55:44,480 Six weeks of intense competition has led to this moment - 1193 00:55:44,480 --> 00:55:48,720 the crowning of Britain's Next Make-Up Star. 1194 00:55:48,720 --> 00:55:52,600 Everyone, will you please welcome the three finalists? 1195 00:55:52,600 --> 00:55:55,280 CHEERING AND APPLAUSE 1196 00:56:08,120 --> 00:56:10,040 Give me your hand. 1197 00:56:10,040 --> 00:56:11,800 Thank you, MUAs. 1198 00:56:11,800 --> 00:56:15,800 These have been the strongest masterclasses we have ever seen. 1199 00:56:15,800 --> 00:56:18,520 You have made this so hard for us. 1200 00:56:18,520 --> 00:56:21,200 You've all shown incredible individuality throughout this 1201 00:56:21,200 --> 00:56:24,000 process, highlighting your skill, 1202 00:56:24,000 --> 00:56:27,120 your creativity, and your personality. 1203 00:56:27,120 --> 00:56:31,040 The winner of Glow Up is... 1204 00:56:38,840 --> 00:56:40,400 ..Shania. 1205 00:56:40,400 --> 00:56:43,280 CHEERING AND APPLAUSE Oh! 1206 00:56:49,160 --> 00:56:52,920 I just won season six of Glow Up! 1207 00:56:52,920 --> 00:56:54,840 What the hell?! 1208 00:56:54,840 --> 00:56:56,560 You're shaking. I know! 1209 00:56:57,800 --> 00:57:01,360 I have been working so hard for this, even before coming here, 1210 00:57:01,360 --> 00:57:04,560 so to win this is just unbelievable. SHE LAUGHS 1211 00:57:04,560 --> 00:57:06,920 Oh, my God. You little star! 1212 00:57:06,920 --> 00:57:09,040 Thank you. You star, both of you. 1213 00:57:09,040 --> 00:57:10,520 Thank you. 1214 00:57:10,520 --> 00:57:12,560 This competition has taught me a lot. 1215 00:57:12,560 --> 00:57:15,120 I literally feel like I've been in uni for three years, 1216 00:57:15,120 --> 00:57:18,640 being here for six weeks. Like, it's insane, I've learned so much. 1217 00:57:18,640 --> 00:57:21,200 Your masterclass was amazing. Oh, thank you. 1218 00:57:21,200 --> 00:57:22,800 Amazing. 1219 00:57:22,800 --> 00:57:24,960 I feel like when I came to the competition, 1220 00:57:24,960 --> 00:57:26,880 I put myself in a box of just doing glam. 1221 00:57:26,880 --> 00:57:28,440 But I'm so much more than that now. 1222 00:57:28,440 --> 00:57:31,520 And now it's all ended, I feel like me and my rhinestones 1223 00:57:31,520 --> 00:57:33,160 can take over the world. 1224 00:57:33,160 --> 00:57:35,400 Oh, my God! I'm so proud of you. 1225 00:57:35,400 --> 00:57:37,480 What I love so much about Shania 1226 00:57:37,480 --> 00:57:39,680 is her determination. 1227 00:57:39,680 --> 00:57:42,480 She has powered through highs 1228 00:57:42,480 --> 00:57:44,440 and some really deep lows. 1229 00:57:44,440 --> 00:57:46,720 She has delivered incredible make-up. 1230 00:57:46,720 --> 00:57:48,920 She has listened to the feedback. 1231 00:57:48,920 --> 00:57:50,480 She has grown as an artist, 1232 00:57:50,480 --> 00:57:52,120 and she's grown with skill. 1233 00:57:52,120 --> 00:57:54,480 She is a true all-rounder. 1234 00:57:54,480 --> 00:57:56,040 She is a fighter. 1235 00:57:56,040 --> 00:57:57,640 You did it, babe! I know. 1236 00:57:57,640 --> 00:57:59,520 What the hell?! 1237 00:57:59,520 --> 00:58:02,840 Winning this 100% proves that having a positive mental attitude 1238 00:58:02,840 --> 00:58:04,280 will get you so far. 1239 00:58:04,280 --> 00:58:06,960 It's a sign to everybody to just really keep a positive 1240 00:58:06,960 --> 00:58:09,520 mental attitude, no matter what life throws at you. 1241 00:58:09,520 --> 00:58:11,600 CHEERING AND APPLAUSE 1242 00:58:11,600 --> 00:58:13,080 Come on! 1243 00:58:13,080 --> 00:58:15,920 THEY CHEER 1244 00:58:16,305 --> 00:59:16,439