"Glow Up: Britain's Next Make-Up Star" Episode #6.4

1 00:00:02,280 --> 00:00:03,680 MACHINE BEEPS 2 00:00:03,680 --> 00:00:05,360 VENTILATOR HISSES 3 00:00:05,360 --> 00:00:07,320 Brush. Brush. 4 00:00:10,440 --> 00:00:12,680 Sponge. Sponge. 5 00:00:15,800 --> 00:00:17,400 Lash curler. 6 00:00:17,400 --> 00:00:18,720 Lash curler. 7 00:00:21,520 --> 00:00:23,360 It's OK, it's OK. 8 00:00:23,360 --> 00:00:25,000 The patient is stable. 9 00:00:25,000 --> 00:00:28,160 Sometimes, make-up truly IS the best medicine. 10 00:00:34,120 --> 00:00:40,120 Last time, the MUAs took centre stage on Six The Musical. 11 00:00:40,120 --> 00:00:42,880 We're going to make her look fierce, strong, powerful. 12 00:00:42,880 --> 00:00:45,600 Shania and Rossi fell short. Where was the glitter? 13 00:00:45,600 --> 00:00:47,480 You're not really going to see it all the way up there. 14 00:00:47,480 --> 00:00:50,480 That's a bit of a no-no. At Glow Up Studios... 15 00:00:50,480 --> 00:00:52,280 One wobble and you're over. 16 00:00:52,280 --> 00:00:55,960 ..Ella excelled. Ding-dong, darling! 17 00:00:55,960 --> 00:00:57,360 In the face-off... 18 00:00:57,360 --> 00:01:00,960 it was heartbreak for Rossi as Jess survived for the second time. 19 00:01:00,960 --> 00:01:04,280 I've been called the face-off assassin, so everyone's got 20 00:01:04,280 --> 00:01:05,560 to watch out. 21 00:01:09,160 --> 00:01:11,440 Does anyone have any idea what you think this industry 22 00:01:11,440 --> 00:01:13,040 challenge will be? 23 00:01:13,040 --> 00:01:16,640 I feel like it's got to be something prosthetic-related. 24 00:01:16,640 --> 00:01:17,760 How do you feel, Jess, 25 00:01:17,760 --> 00:01:21,600 if it was prosthetics? I do feel like I've got the most to prove 26 00:01:21,600 --> 00:01:23,560 in this competition. 27 00:01:23,560 --> 00:01:24,680 But no-one's safe. 28 00:01:24,680 --> 00:01:29,040 You can win the industry, and then you can go out the next day. 29 00:01:29,040 --> 00:01:30,160 Yeah! 30 00:01:30,160 --> 00:01:32,720 Yeah, there is just no safety. There's no security. 31 00:01:32,720 --> 00:01:34,000 PHONE PINGS 32 00:01:34,000 --> 00:01:35,800 Message! Guys! 33 00:01:35,800 --> 00:01:37,880 All right, guys, come on over. 34 00:01:37,880 --> 00:01:41,760 CASUALTY THEME PLAYS 35 00:01:41,760 --> 00:01:43,800 AMBULANCE SIREN WAILS 36 00:01:43,800 --> 00:01:45,720 Val, I've brought you to A&E. 37 00:01:45,720 --> 00:01:47,360 Why are we here? 38 00:01:47,360 --> 00:01:49,280 Well, because you said you weren't feeling very well. 39 00:01:49,280 --> 00:01:52,960 No, darling, I said I look sick. 40 00:01:52,960 --> 00:01:55,000 LAUGHTER 41 00:01:55,000 --> 00:01:58,080 That's awkward because I've brought you to casualty. 42 00:01:58,080 --> 00:02:02,360 MUAs, pack your kits, your bandages and your prosthetics. 43 00:02:02,360 --> 00:02:05,760 We called it, we called it! Casualty! 44 00:02:05,760 --> 00:02:07,720 We're going to Wales! 45 00:02:07,720 --> 00:02:10,400 Don't we need a passport?No! 46 00:02:10,400 --> 00:02:12,080 That's Ireland. 47 00:02:12,080 --> 00:02:14,040 Oh, wow. 48 00:02:14,040 --> 00:02:16,680 Does that mean there's going to be blood? Yeah. 49 00:02:16,680 --> 00:02:18,800 Oh, my gosh, I wonder what we're going to be doing. 50 00:02:18,800 --> 00:02:22,040 Me and Shania both come from prosthetics backgrounds. 51 00:02:22,040 --> 00:02:23,760 Oh, my gosh. 52 00:02:23,760 --> 00:02:26,400 We're the prosthetics girls. 53 00:02:26,400 --> 00:02:30,360 Between me and you. Oh, excuse me?! 54 00:02:30,360 --> 00:02:31,760 Um... 55 00:02:31,760 --> 00:02:35,160 I have zero experience doing prosthetics. 56 00:02:35,160 --> 00:02:37,840 I don't want to now crash and burn. 57 00:02:37,840 --> 00:02:39,040 Road trip! 58 00:02:40,320 --> 00:02:44,080 Even though I don't have experience in prosthetics and blood might not 59 00:02:44,080 --> 00:02:45,400 be my favourite thing, 60 00:02:45,400 --> 00:02:48,560 I'm seeing the rest of this competition as my chance 61 00:02:48,560 --> 00:02:50,240 to absolutely smash it. 62 00:02:52,040 --> 00:02:54,680 Today, the MUAs are stepping into the high-pressure 63 00:02:54,680 --> 00:02:56,640 world of prosthetics. 64 00:02:56,640 --> 00:02:59,400 She's tachycardic. Get her to Resus now! 65 00:03:01,560 --> 00:03:05,320 They need the precision of a surgeon to avoid a make-up emergency 66 00:03:05,320 --> 00:03:07,840 on set of the longest-running medical drama 67 00:03:07,840 --> 00:03:10,680 in the world, Casualty. 68 00:03:10,680 --> 00:03:14,680 One of the UK's most vibrant cultural hubs, Cardiff is home 69 00:03:14,680 --> 00:03:19,120 to a host of legendary TV shows, from Doctor Who and Sherlock 70 00:03:19,120 --> 00:03:22,400 to His Dark Materials and, of course, Casualty, 71 00:03:22,400 --> 00:03:26,480 which has been entertaining audiences for almost 40 years. 72 00:03:26,480 --> 00:03:28,280 Make-up on set! 73 00:03:28,280 --> 00:03:31,440 From minor scrapes to life-threatening wounds, 74 00:03:31,440 --> 00:03:34,640 every injury tells a story, all brought to life by 75 00:03:34,640 --> 00:03:36,960 the Bafta award-winning make-up department. 76 00:03:38,320 --> 00:03:40,600 Hey, MUAs.Hey! 77 00:03:40,600 --> 00:03:42,840 Let me introduce you to your boss for today. 78 00:03:42,840 --> 00:03:45,400 She has been the head of hair and make-up design on Casualty 79 00:03:45,400 --> 00:03:47,800 for an incredible ten years. 80 00:03:47,800 --> 00:03:51,520 Mm-hm. Wow. Miss Kirstie Stanway. 81 00:03:51,520 --> 00:03:54,920 With 25 years' experience and a wealth of high-profile 82 00:03:54,920 --> 00:03:57,680 credits to her name, Kirstie is a leading expert 83 00:03:57,680 --> 00:04:00,280 in on-screen prosthetics. 84 00:04:00,280 --> 00:04:03,280 Today you'll be joining my team to create the looks on supporting 85 00:04:03,280 --> 00:04:07,160 artists that are filmed right here in reception at midday. 86 00:04:07,160 --> 00:04:10,000 The scene description reads - "Five characters waiting 87 00:04:10,000 --> 00:04:12,800 "to be seen in reception. There was a fight in the nightclub." 88 00:04:12,800 --> 00:04:15,640 Each supporting artist will have a specific story 89 00:04:15,640 --> 00:04:17,880 and injuries that you need to deliver. 90 00:04:17,880 --> 00:04:21,680 Impress me and I'll be inviting you back to assist me later on today. 91 00:04:21,680 --> 00:04:23,200 Wow. Wow. 92 00:04:23,200 --> 00:04:24,880 My heart just dropped. 93 00:04:24,880 --> 00:04:28,680 All right, MUAs, the clock's ticking, so let's go. 94 00:04:28,680 --> 00:04:33,040 It doesn't get much bigger than this in terms of TV make-up. 95 00:04:33,040 --> 00:04:34,840 This isn't a practice. 96 00:04:34,840 --> 00:04:37,040 This is an actual job. 97 00:04:37,040 --> 00:04:39,400 So you've got to get it right. 98 00:04:39,400 --> 00:04:41,320 Before the MUAs get started, 99 00:04:41,320 --> 00:04:46,000 a demo of the make-up techniques needed to create realistic injuries. 100 00:04:46,000 --> 00:04:48,440 You need to make sure wherever you're putting your prosthetics 101 00:04:48,440 --> 00:04:51,280 that the skin is clean so that everything sticks. 102 00:04:51,280 --> 00:04:54,680 Prosthetics won't stick if the skin is oily, or it's got moisturiser 103 00:04:54,680 --> 00:04:56,640 or any make-up underneath it. 104 00:04:56,640 --> 00:04:59,520 Today, the MUAs will be working with three different 105 00:04:59,520 --> 00:05:00,680 types of prosthetics. 106 00:05:00,680 --> 00:05:02,440 So this is a silicone prosthetic. 107 00:05:02,440 --> 00:05:05,560 So apply the glue to the back of the prosthetic where 108 00:05:05,560 --> 00:05:08,280 the silicone is. Do you go, like, a tiny bit on? 109 00:05:08,280 --> 00:05:09,800 A tiny bit. Less is more. 110 00:05:09,800 --> 00:05:12,560 So just a tiny amount will be enough, because it's very sticky. 111 00:05:12,560 --> 00:05:14,760 I'm worried that the prosthetics won't look realistic 112 00:05:14,760 --> 00:05:16,720 because I've not had as much experience as some 113 00:05:16,720 --> 00:05:18,080 of the other MUAs. I think the 114 00:05:18,080 --> 00:05:20,480 hardest part of applying a prosthetic is getting a nice, 115 00:05:20,480 --> 00:05:23,920 clean edge, so just bleed that away carefully with a bit of acetone. 116 00:05:23,920 --> 00:05:27,080 We've also got some bruise tattoos. So you just pop this on, 117 00:05:27,080 --> 00:05:28,560 water on the back. 118 00:05:32,640 --> 00:05:35,400 OK, so these are Probondo. 119 00:05:35,400 --> 00:05:37,960 They just stick on by themselves. 120 00:05:37,960 --> 00:05:40,440 Putting the bruise underneath, it really pushes it into the skin, 121 00:05:40,440 --> 00:05:44,200 so it looks really realistic and like it lives on the skin. 122 00:05:44,200 --> 00:05:45,840 OK. So now we're going to colour up. 123 00:05:45,840 --> 00:05:48,240 So you all have alcohol pellets in your kits. 124 00:05:48,240 --> 00:05:51,680 And we've matched them to your supporting artist's skin tones. 125 00:05:51,680 --> 00:05:55,320 To make them look real, the MUAs must paint the prosthetics. 126 00:05:55,320 --> 00:05:57,040 So you're going to flick it in to make it blend 127 00:05:57,040 --> 00:05:59,760 into the skin a bit more. Make sure their eyes are closed. 128 00:05:59,760 --> 00:06:02,160 And again, that pushes it all into the skin and makes it look 129 00:06:02,160 --> 00:06:04,640 like it lives on the skin. 130 00:06:04,640 --> 00:06:07,920 Because the characters were injured on a night out, the MUAs must add 131 00:06:07,920 --> 00:06:10,280 some glam to the gore. 132 00:06:10,280 --> 00:06:12,720 But just remember, it's got to be broken down, so you can 133 00:06:12,720 --> 00:06:15,520 have your mascara runs and your lipstick smudged. 134 00:06:15,520 --> 00:06:17,600 And sort of follow what they're wearing as well. 135 00:06:17,600 --> 00:06:20,320 Finally, the look is finished off with blood. 136 00:06:20,320 --> 00:06:21,920 So when you're applying the blood, you've got to think 137 00:06:21,920 --> 00:06:23,720 about where they fell or how they fell. 138 00:06:23,720 --> 00:06:25,600 If they've touched their faces and they've smudged 139 00:06:25,600 --> 00:06:27,200 it in or if it's run. 140 00:06:27,200 --> 00:06:30,440 So you've got to think of it as a whole look. Yeah. 141 00:06:30,440 --> 00:06:31,880 Demo done, 142 00:06:31,880 --> 00:06:35,440 time for the MUAs to put their new skills to the test. 143 00:06:35,440 --> 00:06:38,920 What's your name? Kata. I'm Ella. Hello. Finley. Laura. 144 00:06:38,920 --> 00:06:40,480 Nice to meet you. Laura, nice to meet you. 145 00:06:40,480 --> 00:06:44,200 I've consistently not done very well in the industry challenges, 146 00:06:44,200 --> 00:06:46,640 so I'm hoping that this one, I can turn it around. 147 00:06:46,640 --> 00:06:50,120 So, MUAs, you have 90 minutes to complete your assignment. 148 00:06:50,120 --> 00:06:51,920 You can't afford to be late. 149 00:06:51,920 --> 00:06:54,040 I feel like I'm about to give you a haircut. OK. 150 00:06:55,080 --> 00:06:56,840 Oh, they have armholes and everything. 151 00:06:56,840 --> 00:07:01,360 "Small cut, eyebrow and chin..." 152 00:07:01,360 --> 00:07:05,720 Before the MUAs apply any make-up, they need to familiarise themselves 153 00:07:05,720 --> 00:07:07,480 with their character's story. 154 00:07:07,480 --> 00:07:10,320 "Ethel's been in a fight in a nightclub three hours ago. 155 00:07:10,320 --> 00:07:13,200 "She's been pushed over, hitting her forehead on a table. 156 00:07:13,200 --> 00:07:16,640 "As she fell on her knees, she used her hands to break her fall." 157 00:07:16,640 --> 00:07:19,080 So a prosthetic on her head. 158 00:07:19,080 --> 00:07:24,320 Bruise on knees and scabs on hands. 159 00:07:24,320 --> 00:07:27,360 OK. That's a lot to do. 160 00:07:27,360 --> 00:07:31,160 So it's mainly on her right side, where she's been punched. 161 00:07:31,160 --> 00:07:34,280 I'm just making sure that I remember everything that I learned 162 00:07:34,280 --> 00:07:35,640 in the demo. 163 00:07:35,640 --> 00:07:40,320 I'm not a prosthetics person, so, yeah, I've just got to make sure 164 00:07:40,320 --> 00:07:42,400 that I'm trying my best. 165 00:07:42,400 --> 00:07:45,680 We're combining glam and gore in one assignment. 166 00:07:45,680 --> 00:07:48,200 We've never done this before. It's going to be so much fun. 167 00:07:48,200 --> 00:07:52,160 My main worry is just looking at the moulds and working out 168 00:07:52,160 --> 00:07:53,640 what they're for. 169 00:07:53,640 --> 00:07:56,480 I don't want to see make-up. 170 00:07:56,480 --> 00:07:58,960 I don't want to see prosthetics. 171 00:07:58,960 --> 00:08:02,240 I'm going to go for, um, a cut here and then a couple 172 00:08:02,240 --> 00:08:05,120 of these smaller ones, I think by your nose. 173 00:08:05,120 --> 00:08:09,560 I want to see a real-life experience. 174 00:08:09,560 --> 00:08:11,120 Just quite new. 175 00:08:11,120 --> 00:08:14,000 So I'm not exactly sure how it's supposed to look. 176 00:08:14,000 --> 00:08:18,200 I just need to not get carried away with, like, how much blood 177 00:08:18,200 --> 00:08:20,400 and stuff I apply. 178 00:08:20,400 --> 00:08:22,840 Cos I want it to look realistic. 179 00:08:22,840 --> 00:08:24,920 Don't worry about, like, slamming it on. 180 00:08:24,920 --> 00:08:28,400 Are you sure? Yeah, yeah, yeah. Do what you got to do. 181 00:08:28,400 --> 00:08:32,720 I'm feeling pretty good about my first prosthetic going down well, 182 00:08:32,720 --> 00:08:35,000 so we'll see what the judges think. 183 00:08:35,000 --> 00:08:38,120 Hi, Ella. How are you feeling about today's assignment? 184 00:08:38,120 --> 00:08:44,000 I do prosthetics at uni, so hopefully I win this challenge. 185 00:08:44,000 --> 00:08:46,280 Do you feel a lot of pressure or...? 186 00:08:46,280 --> 00:08:47,960 Uh, I do feel quite a lot of pressure. 187 00:08:47,960 --> 00:08:49,920 Yeah. So, what's your story? 188 00:08:49,920 --> 00:08:52,640 Um, so she's been glassed in the face. 189 00:08:52,640 --> 00:08:53,960 Argh! Yeah. 190 00:08:53,960 --> 00:08:56,320 And has wiped it with her hands, 191 00:08:56,320 --> 00:08:58,760 so will have blood on her hands and stuff. 192 00:08:58,760 --> 00:09:01,640 Who do you think is your biggest competition in the room right now? 193 00:09:01,640 --> 00:09:05,960 I would say probably Shania because she also 194 00:09:05,960 --> 00:09:09,560 does prosthetics, so... Oh, OK. 195 00:09:09,560 --> 00:09:11,360 100% there's pressure. 196 00:09:11,360 --> 00:09:15,440 Um, being from a prosthetics background, obviously, um, there's 197 00:09:15,440 --> 00:09:18,320 the expectation that you're going to do well in it automatically. 198 00:09:18,320 --> 00:09:22,680 So I'm trying to live up to the expectations and make sure 199 00:09:22,680 --> 00:09:25,160 that I do the best job I possibly can. 200 00:09:25,160 --> 00:09:28,800 When I first started doing make-up, I was just 201 00:09:28,800 --> 00:09:31,920 in my teenage years, and I basically had 202 00:09:31,920 --> 00:09:33,600 really bad hyperpigmentation 203 00:09:33,600 --> 00:09:36,040 on this area, and I suffer with really dark circles 204 00:09:36,040 --> 00:09:37,200 underneath my eyes. 205 00:09:37,200 --> 00:09:38,760 And it was actually something that I 206 00:09:38,760 --> 00:09:40,520 was worried about being bullied for. 207 00:09:40,520 --> 00:09:43,520 It was definitely a matter of, OK, I need to get something 208 00:09:43,520 --> 00:09:46,480 that is going to cover this up so that people can't see it. 209 00:09:46,480 --> 00:09:47,600 That's how it began. 210 00:09:47,600 --> 00:09:50,120 But then it was actually quite a negative experience for me, 211 00:09:50,120 --> 00:09:53,320 because when I first started going into stores and shops to get 212 00:09:53,320 --> 00:09:56,480 make-up, nothing was my shade. 213 00:09:56,480 --> 00:09:59,840 Instead of deterring me, that actually made me even 214 00:09:59,840 --> 00:10:02,680 more passionate to get into make-up because I was like, "There needs 215 00:10:02,680 --> 00:10:07,080 "to be a space for people like me, people of different skin tones, 216 00:10:07,080 --> 00:10:10,320 "to be able to feel comfortable in this space." 217 00:10:11,440 --> 00:10:13,280 I just wondered whether or not I could ask you a question, 218 00:10:13,280 --> 00:10:15,760 whether you'd be comfortable with me using one...a double-up of one 219 00:10:15,760 --> 00:10:17,680 of the prosthetics to extend the greys a little bit? 220 00:10:17,680 --> 00:10:19,680 Yeah, of course you can. Yeah, yeah, it's up to you. 221 00:10:19,680 --> 00:10:21,120 You've got your spares. 222 00:10:21,120 --> 00:10:24,760 While some of the MUAs are in their element, others seem 223 00:10:24,760 --> 00:10:25,840 to be struggling. 224 00:10:25,840 --> 00:10:28,480 I don't want to put it too close to your eye. 225 00:10:28,480 --> 00:10:30,400 Connor, my love. Hello. 226 00:10:30,400 --> 00:10:31,720 How are you feeling? 227 00:10:31,720 --> 00:10:33,560 I mean, this isn't looking the best. 228 00:10:33,560 --> 00:10:36,240 I do think I need to start this prosthetic again. 229 00:10:36,240 --> 00:10:37,760 You think so? Yeah. 230 00:10:37,760 --> 00:10:39,960 OK, well, just do it now so you don't waste any time. 231 00:10:39,960 --> 00:10:41,600 Because time is of the essence. 232 00:10:41,600 --> 00:10:44,120 Yeah. Got another one, so I can. 233 00:10:44,120 --> 00:10:46,320 It was going so well. We got this. 234 00:10:46,320 --> 00:10:49,200 It's like the first pancake, right? Yeah. 235 00:10:49,200 --> 00:10:53,280 And Connor isn't the only one having problems with his prosthetics. 236 00:10:53,280 --> 00:10:57,320 Um, I've just decided that I think I put it in the wrong place, 237 00:10:57,320 --> 00:11:00,160 so I'm just redoing the first one I put down. 238 00:11:00,160 --> 00:11:03,400 I'm just very worried that I'm not going to give them 239 00:11:03,400 --> 00:11:04,480 what they asked for. 240 00:11:04,480 --> 00:11:06,800 How do you think Finley's doing so far? 241 00:11:06,800 --> 00:11:09,360 Oh, I think, um... He's supposed to have done a broken nose, 242 00:11:09,360 --> 00:11:10,920 but he's put it on the forehead. 243 00:11:10,920 --> 00:11:14,840 So I'm just sort of reassessing the situation. 244 00:11:14,840 --> 00:11:16,960 I mean, I'm glad that he's realised it's in the wrong place. 245 00:11:16,960 --> 00:11:19,720 That's good. So hopefully he'll get it done in time. 246 00:11:19,720 --> 00:11:22,280 Cool. This is totally fine. 247 00:11:22,280 --> 00:11:24,120 OK, MUAs, you're halfway through. 248 00:11:24,120 --> 00:11:26,320 You've got 45 minutes left. 249 00:11:26,320 --> 00:11:27,600 Pressure! 250 00:11:29,800 --> 00:11:31,560 Looking gorgeous. 251 00:11:31,560 --> 00:11:35,640 So much loose skin. Oh, my God, it actually worked! 252 00:11:35,640 --> 00:11:38,280 I think you've got it in the right place now. You've got this. 253 00:11:38,280 --> 00:11:39,800 Second time lucky. 254 00:11:39,800 --> 00:11:44,640 I'm looking for doing the best as humanly possible in this. 255 00:11:44,640 --> 00:11:46,240 Just going to do around the edges, because I think 256 00:11:46,240 --> 00:11:49,320 it hasn't blended perfectly in some places. 257 00:11:49,320 --> 00:11:51,880 Got the prosthetics on that I wanted to get on, 258 00:11:51,880 --> 00:11:54,520 so I'm just colouring now. 259 00:11:54,520 --> 00:11:57,920 Once the prosthetics have been blended onto the skin, the MUAs 260 00:11:57,920 --> 00:11:59,320 can move on to colour. 261 00:11:59,320 --> 00:12:01,640 The discolouration of the skin. 262 00:12:01,640 --> 00:12:06,680 Bruising has to really match what would really happen 263 00:12:06,680 --> 00:12:12,160 in real life. This is very technical, detailed make-up. 264 00:12:12,160 --> 00:12:15,880 Colouring differs depending on the skin tone, and as my actress 265 00:12:15,880 --> 00:12:19,960 has a darker skin tone, it stays more within the purples and blues 266 00:12:19,960 --> 00:12:22,600 and reds rather than going to the greens and yellows. 267 00:12:22,600 --> 00:12:26,280 So I'm just building up the purples and blues first, and then I can 268 00:12:26,280 --> 00:12:30,080 start to, um, work in the extra tones. 269 00:12:31,360 --> 00:12:33,840 Now we need bruises on your knees. 270 00:12:34,960 --> 00:12:36,200 Reveal the knees. 271 00:12:37,480 --> 00:12:42,040 While most of the MUAs focus on the face, Jess has moved 272 00:12:42,040 --> 00:12:43,840 on to other parts of the body. 273 00:12:43,840 --> 00:12:47,080 If make-up can be applied to the rest of the body, then that just 274 00:12:47,080 --> 00:12:49,680 gives you more room to play around with. 275 00:12:49,680 --> 00:12:52,720 OK, I'm a little bit concerned about Jess' time management. 276 00:12:52,720 --> 00:12:56,160 She really should have, like, focused on those facial injuries. 277 00:12:56,160 --> 00:12:57,720 She's already doing hands and knees. 278 00:12:57,720 --> 00:13:00,280 That really should be the last thing that you do, because you can 279 00:13:00,280 --> 00:13:02,680 just put a bit of blood in and it can look effective enough. 280 00:13:02,680 --> 00:13:04,200 I'm not doing too bad for time. 281 00:13:04,200 --> 00:13:05,600 It's just I need to... 282 00:13:06,960 --> 00:13:09,040 ..just keep going, going, going. 283 00:13:09,040 --> 00:13:11,160 With injuries taking shape... 284 00:13:11,160 --> 00:13:13,520 Just look up for me, please. 285 00:13:13,520 --> 00:13:16,200 OK. Wait. Let me see your outfit. Let's see what it's like. 286 00:13:16,200 --> 00:13:19,120 ..the MUAs shift their focus from gore to glam. 287 00:13:19,120 --> 00:13:22,040 Shiny, shimmery. Got it. Thank you. 288 00:13:22,040 --> 00:13:27,040 I'm just doing the glam and making it messed up. 289 00:13:27,040 --> 00:13:28,360 FINLEY LAUGHS 290 00:13:28,360 --> 00:13:32,200 So I've gone for this very vibrant colour on her eyes because it 291 00:13:32,200 --> 00:13:33,440 matches her top. 292 00:13:33,440 --> 00:13:37,960 And then I'm also going to add a bit of silver glitter on the eyes 293 00:13:37,960 --> 00:13:40,440 to tie in with the shoe. How's Connor doing now? 294 00:13:40,440 --> 00:13:42,320 I think he's really starting to catch up now. 295 00:13:42,320 --> 00:13:45,160 He started to do the breaking down make-up, but I think his make-up 296 00:13:45,160 --> 00:13:46,600 is quite loud. It's quite out there. 297 00:13:46,600 --> 00:13:48,960 But then that definitely reflects in the costume. 298 00:13:48,960 --> 00:13:53,120 I want it to be like she's going out for a good time, but she didn't 299 00:13:53,120 --> 00:13:55,960 have a good time. She got punched in the face. 300 00:13:57,320 --> 00:14:01,400 Having to do, like, the glam as well as the prosthetics, 301 00:14:01,400 --> 00:14:05,160 the make-up doesn't actually need to be, like, perfect. 302 00:14:05,160 --> 00:14:08,160 She has been glassed at the end of the day. 303 00:14:08,160 --> 00:14:10,480 It is quite edgy, isn't it? 304 00:14:10,480 --> 00:14:12,520 OK, MUAs, that's an hour gone. 305 00:14:12,520 --> 00:14:14,480 You have 30 minutes left. 306 00:14:14,480 --> 00:14:18,160 I just want to, like, get the blood on and then see what it looks 307 00:14:18,160 --> 00:14:21,400 like from far away and see if I need to change anything. 308 00:14:21,400 --> 00:14:26,360 With time running out, the MUAs get to grips with their gory details. 309 00:14:27,680 --> 00:14:29,400 Oh, you're going to love this. 310 00:14:29,400 --> 00:14:31,240 Is that OK to put on your nose? Yeah. 311 00:14:31,240 --> 00:14:34,040 We love blood on Casualty, but it's a fine line. 312 00:14:34,040 --> 00:14:35,360 It needs to look realistic. 313 00:14:35,360 --> 00:14:38,160 It needs to look like if it's dry, there's an injury that's, you know, 314 00:14:38,160 --> 00:14:41,160 three hours long, or if it's an injury that's fresh. 315 00:14:41,160 --> 00:14:43,880 So you need to get the blood accordingly. 316 00:14:43,880 --> 00:14:45,480 Yeah. OK. 317 00:14:45,480 --> 00:14:47,040 And then take it off. 318 00:14:48,560 --> 00:14:52,480 OK. Cool. Now, if you can just pop your head forward and just make sure 319 00:14:52,480 --> 00:14:54,880 this doesn't go in it and just stay there for a second. 320 00:14:54,880 --> 00:14:57,280 So if she's falling down this way and there's already blood coming 321 00:14:57,280 --> 00:15:01,160 from the face, because it's come after the fact, then it's likely 322 00:15:01,160 --> 00:15:02,880 that it's going to have moved down the face. 323 00:15:02,880 --> 00:15:05,280 Now, if you just sit back again for me. 324 00:15:05,280 --> 00:15:06,800 And then take it off. 325 00:15:06,800 --> 00:15:09,200 Yeah. Nice. Right. 326 00:15:09,200 --> 00:15:12,280 Um, yeah. I'm liking that. 327 00:15:12,280 --> 00:15:14,720 With Ella, I'm a bit worried that she rushed those prosthetics at the 328 00:15:14,720 --> 00:15:16,640 beginning. She got them on too fast. 329 00:15:16,640 --> 00:15:19,080 They're not looking that great. 330 00:15:19,080 --> 00:15:22,200 We might add a tiny, tiny little bit more. 331 00:15:24,040 --> 00:15:27,360 I think, unfortunately, she used the blood to hide a lot of it. 332 00:15:27,360 --> 00:15:31,960 I feel like this side's missing a little bit of, like, something. 333 00:15:33,560 --> 00:15:35,720 Right. Make it up for the lovely people. 334 00:15:35,720 --> 00:15:38,080 OK. Nice and quiet, please. And action. 335 00:15:41,160 --> 00:15:42,920 OK. You all have ten minutes left. 336 00:15:42,920 --> 00:15:45,360 We need your artists on set in ten minutes. 337 00:15:45,360 --> 00:15:48,040 The pressure's on for the MUAs to deliver. 338 00:15:48,040 --> 00:15:52,320 I'm pretty sure I can get glam and blood done in that time. 339 00:15:52,320 --> 00:15:55,000 If you're not ready, I will have to send in some of my team 340 00:15:55,000 --> 00:15:56,520 to finish your looks. 341 00:15:58,000 --> 00:16:04,074 Watch Online Movies and Series for FREE www.osdb.link/lm 342 00:16:08,240 --> 00:16:11,480 OK. Do you mind if I put my hands...? Yeah, go for it. 343 00:16:11,480 --> 00:16:13,760 What are we thinking of Finley? 344 00:16:13,760 --> 00:16:16,160 He has caught up, but the bruising is a little bit hard 345 00:16:16,160 --> 00:16:19,160 and doesn't look realistic, so he needs to blend it out a bit. 346 00:16:19,160 --> 00:16:21,720 I have to remember it's not supposed to look pretty. 347 00:16:21,720 --> 00:16:23,360 How's Jess doing now? 348 00:16:23,360 --> 00:16:25,640 She really hasn't focused enough on the facial injuries. 349 00:16:25,640 --> 00:16:27,920 She really should have been putting some more bruising in there. 350 00:16:27,920 --> 00:16:30,840 At the minute, it sort of sticks out a little bit like a sore thumb. 351 00:16:30,840 --> 00:16:33,440 OK, Jess, I think we need to work a bit more on the blending 352 00:16:33,440 --> 00:16:36,120 of the prosthetic so it looks like it lives on the skin a bit more. 353 00:16:36,120 --> 00:16:38,240 OK. So, with the colour. And I think Venice is going to help 354 00:16:38,240 --> 00:16:40,680 you with that a little bit, if that's OK. 355 00:16:40,680 --> 00:16:43,160 The most important thing on Casualty is that the special effects 356 00:16:43,160 --> 00:16:44,760 make-up looks realistic. 357 00:16:44,760 --> 00:16:47,560 And we'll start to mix some colours up. 358 00:16:47,560 --> 00:16:49,920 It's not the end of the world if my team have to step in and help 359 00:16:49,920 --> 00:16:51,840 them, but it's how they react. 360 00:16:51,840 --> 00:16:53,920 Finley, I think we just need to sort of blend this bruising out 361 00:16:53,920 --> 00:16:55,760 a little bit so it's not quite so hard. 362 00:16:55,760 --> 00:16:58,520 OK. And on the forehead as well. OK. Yeah? Cool. 363 00:16:58,520 --> 00:17:01,600 If we get a bit of IPA. Yeah. 364 00:17:01,600 --> 00:17:06,040 See, the most important thing is definitely to get the skin tone 365 00:17:06,040 --> 00:17:07,800 coloured in before the blood. 366 00:17:07,800 --> 00:17:11,800 And then we can add some dark blood in there as well. 367 00:17:11,800 --> 00:17:14,000 If you just break it up a little bit 368 00:17:14,000 --> 00:17:15,960 so it's not like a solid colour. 369 00:17:15,960 --> 00:17:18,240 OK. Is that looking better? 370 00:17:18,240 --> 00:17:21,800 Yeah. Take a bit of colour out of that middle bit as well. 371 00:17:21,800 --> 00:17:24,720 OK. Thank you. OK, you have two minutes left. 372 00:17:24,720 --> 00:17:27,920 So in two minutes your artist needs to be finished and on set. 373 00:17:27,920 --> 00:17:32,240 I'm going to put a bit more blood on the clothes, but I want to make 374 00:17:32,240 --> 00:17:35,720 sure that the body has got just like a few little speckles. 375 00:17:35,720 --> 00:17:38,240 Added the blood. I don't want to go too overboard with it. 376 00:17:38,240 --> 00:17:41,000 Obviously it's a lot cleaner on this side, so I'm just, in a second, 377 00:17:41,000 --> 00:17:42,600 going to put a little bit of blood on her hand 378 00:17:42,600 --> 00:17:44,800 and get her to very gently touch that side of the face, 379 00:17:44,800 --> 00:17:48,120 as you probably would if you're a little bit distraught. 380 00:17:50,000 --> 00:17:51,520 Just tilt your head back. That's it. 381 00:17:52,800 --> 00:17:57,040 Basically go like this, as if you're crying, and then touch your face. 382 00:17:57,040 --> 00:17:59,880 Yeah. I'm just going to make sure that all the blood work is finished 383 00:17:59,880 --> 00:18:04,200 in my last minute, and there's not much I can do after that. 384 00:18:05,680 --> 00:18:06,720 Perfect. 385 00:18:08,880 --> 00:18:10,280 Nice. 386 00:18:13,160 --> 00:18:14,840 I think I'm done. 387 00:18:14,840 --> 00:18:17,280 Sometimes if you roll it like this. Like that? 388 00:18:17,280 --> 00:18:19,960 Yeah. OK. That will blend it off then. 389 00:18:19,960 --> 00:18:21,360 Cool. Thank you very much. 390 00:18:21,360 --> 00:18:23,200 OK, MUAs, your time is up. 391 00:18:23,200 --> 00:18:25,160 We need to take your SAs to set now. 392 00:18:25,160 --> 00:18:26,560 Off you go. 393 00:18:26,560 --> 00:18:29,600 Thank you. Good luck. Take care. 394 00:18:29,600 --> 00:18:31,520 I just enjoyed it so much. 395 00:18:31,520 --> 00:18:32,800 I really liked it. 396 00:18:32,800 --> 00:18:35,920 I got a few tips at the end for how to kind of blend the edges 397 00:18:35,920 --> 00:18:38,120 of my prosthetic, which I found really helpful. 398 00:18:38,120 --> 00:18:41,480 I think I made a few mistakes, but, like, I'm glad we were able 399 00:18:41,480 --> 00:18:42,680 to ask questions. 400 00:18:42,680 --> 00:18:45,440 Yeah. It was something I've never tried before, 401 00:18:45,440 --> 00:18:48,320 so I really value that advice. 402 00:18:48,320 --> 00:18:51,880 They sent someone over before I was even done. Really?! 403 00:18:53,000 --> 00:18:55,520 I think I was going to work on it last because I knew it needed more 404 00:18:55,520 --> 00:18:57,480 work and they already sent someone over. 405 00:18:57,480 --> 00:19:01,480 I came into this wanting to just do a good job. 406 00:19:01,480 --> 00:19:02,720 Thank you. 407 00:19:02,720 --> 00:19:06,560 I just got really frustrated when I had to get assistance. 408 00:19:06,560 --> 00:19:09,040 I feel like that's another thing the judges can use to put me 409 00:19:09,040 --> 00:19:10,520 in the red chairs. 410 00:19:10,520 --> 00:19:13,000 OK, let's, uh... 411 00:19:13,000 --> 00:19:15,200 ..stand by for tape. Start over. 412 00:19:16,520 --> 00:19:19,160 With the actors on set, the judges will now inspect 413 00:19:19,160 --> 00:19:21,760 the MUAs' finished looks. 414 00:19:21,760 --> 00:19:25,480 Kirstie asked for flawless prosthetics, realistic colouring 415 00:19:25,480 --> 00:19:27,480 and broken-down glam. 416 00:19:27,480 --> 00:19:29,800 OK, so this is Shania's supporting artist. 417 00:19:29,800 --> 00:19:31,240 She was punched in the face. 418 00:19:31,240 --> 00:19:34,320 She had a cheek flap, split lip and a graze on her cheek. 419 00:19:34,320 --> 00:19:37,000 What I did like about it was that it was quite subtle, 420 00:19:37,000 --> 00:19:38,720 and I thought that her make-up, the breaking 421 00:19:38,720 --> 00:19:41,800 down of that and the amount of it, sort of mirrored 422 00:19:41,800 --> 00:19:43,080 her costume quite nicely. 423 00:19:43,080 --> 00:19:44,640 Also, she added an extra prosthetic as well, 424 00:19:44,640 --> 00:19:46,840 which she didn't have to do, which was a nice touch. 425 00:19:46,840 --> 00:19:49,280 It feels like it really happened. 426 00:19:49,280 --> 00:19:51,560 I'm not seeing make-up. Yeah. 427 00:19:51,560 --> 00:19:53,520 I like the smudging of the blood. 428 00:19:53,520 --> 00:19:56,760 It's got a drip, but it's also got a smudge, like it's been on there 429 00:19:56,760 --> 00:19:58,040 for a couple of hours. 430 00:19:58,040 --> 00:20:00,440 It suits her. It looks authentic. 431 00:20:00,440 --> 00:20:02,280 This is Jess's supporting artist. 432 00:20:02,280 --> 00:20:04,640 She'd fallen over. She's hit her head on the table. 433 00:20:04,640 --> 00:20:07,160 She's grazed her cheek as she's fallen and also 434 00:20:07,160 --> 00:20:10,920 stopped her hands and her knees for breaking her fall. 435 00:20:10,920 --> 00:20:14,040 I think to begin with, she spent too much time dealing with the hands 436 00:20:14,040 --> 00:20:16,440 and the knees instead of concentrating on the face, 437 00:20:16,440 --> 00:20:18,800 which she didn't really need to do until the very end. 438 00:20:18,800 --> 00:20:20,840 So the prosthetic didn't go on very well. 439 00:20:20,840 --> 00:20:23,520 And also she didn't pigment it properly, so she didn't paint 440 00:20:23,520 --> 00:20:25,920 it in to match the skin tone, and we had to give her some 441 00:20:25,920 --> 00:20:27,040 help with that. 442 00:20:28,360 --> 00:20:30,200 Uh, this is Connor's supporting artist. 443 00:20:30,200 --> 00:20:32,960 She's been punched in the face by somebody wearing a large ring, 444 00:20:32,960 --> 00:20:35,560 which has caused the cut to the right cheek, 445 00:20:35,560 --> 00:20:38,040 and then, obviously, another little graze to the eyebrow. 446 00:20:38,040 --> 00:20:39,880 I think the green eye shadow is too much. 447 00:20:39,880 --> 00:20:41,680 I think he could have had a pop of green because that would 448 00:20:41,680 --> 00:20:44,720 have been nice with the top, but I just think it's too high. 449 00:20:44,720 --> 00:20:48,040 So where the black has smudged from the eyeliner and mascara 450 00:20:48,040 --> 00:20:51,280 running, it's picked up the edges of the prosthetic more. 451 00:20:51,280 --> 00:20:54,840 The wound itself looks really quite gory. 452 00:20:54,840 --> 00:20:58,720 Yeah, I... But I'm distracted by those prosthetic edges. 453 00:20:58,720 --> 00:21:02,600 The sides seem to be a bit, well, not done well. 454 00:21:02,600 --> 00:21:04,840 It's like shrink wrap, isn't it? Yeah. Yeah. 455 00:21:04,840 --> 00:21:09,040 Perhaps it would have been better if he'd concentrated 456 00:21:09,040 --> 00:21:11,400 outside of his comfort zone, 457 00:21:11,400 --> 00:21:15,480 knowing I can do that glam in three minutes. Yeah, seconds. 458 00:21:15,480 --> 00:21:19,720 Let's get the big effect sorted first. Yeah. 459 00:21:19,720 --> 00:21:21,360 This is Finley's supporting artist. 460 00:21:21,360 --> 00:21:22,880 So there's a graze to the forehead. 461 00:21:22,880 --> 00:21:25,200 They've been punched in the nose, which has given them a broken nose 462 00:21:25,200 --> 00:21:26,680 and obviously a split on the nose. 463 00:21:26,680 --> 00:21:29,200 And then a graze to the...to the jaw. 464 00:21:29,200 --> 00:21:30,640 He didn't follow the brief properly. 465 00:21:30,640 --> 00:21:32,640 So it was supposed to be a broken nose, but he actually put 466 00:21:32,640 --> 00:21:36,520 the prosthetic above the eyebrow, but then took it off and changed it. 467 00:21:36,520 --> 00:21:39,640 So in the end, the overall result is perfect. 468 00:21:39,640 --> 00:21:41,760 One of my team did come in and give Finley a bit of a hand, 469 00:21:41,760 --> 00:21:43,600 but it was only to do with the painting, really. 470 00:21:43,600 --> 00:21:46,640 It was just a little bit too dark, so we just helped blend out 471 00:21:46,640 --> 00:21:48,760 the edges a bit more, make it look a bit more realistic. 472 00:21:48,760 --> 00:21:50,560 I'm quite impressed, actually. 473 00:21:50,560 --> 00:21:53,760 This is not what I would have expected from Finley, but he's 474 00:21:53,760 --> 00:21:54,880 done a really great job. 475 00:21:54,880 --> 00:22:00,040 I mean, it's great that Finley was still prepared to work as a team. 476 00:22:00,040 --> 00:22:04,640 And you have to be like that, you know, because it's whatever 477 00:22:04,640 --> 00:22:07,440 it takes to get to the finish line. 478 00:22:07,440 --> 00:22:10,800 OK, so this is Ella's supporting artist. So she's been glassed 479 00:22:10,800 --> 00:22:12,080 in the face by a bottle. 480 00:22:12,080 --> 00:22:15,120 And also she's used her hands to stem the bleeding. 481 00:22:15,120 --> 00:22:17,200 I mean, that's mucky. 482 00:22:17,200 --> 00:22:21,280 Well... There's a lot of blood. Yeah. I think with the prosthetics, 483 00:22:21,280 --> 00:22:23,360 Ella got them on really quickly. 484 00:22:23,360 --> 00:22:24,800 I think she rushed through those. 485 00:22:24,800 --> 00:22:28,120 If she'd taken her time, she would have got better edges. 486 00:22:28,120 --> 00:22:30,720 And then I think because the edges weren't...weren't great, 487 00:22:30,720 --> 00:22:34,200 that's when she decided to put a lot of blood on to try and mask that. 488 00:22:34,200 --> 00:22:36,920 And, yeah, and it just all looks a bit too much. 489 00:22:36,920 --> 00:22:41,680 Maybe she was overly confident and rushed everything, 490 00:22:41,680 --> 00:22:44,480 because it doesn't look good. 491 00:22:44,480 --> 00:22:48,160 Now it's up to Kirstie to decide who had the strongest looks 492 00:22:48,160 --> 00:22:51,200 and will join her make-up team for the day. 493 00:22:52,440 --> 00:22:54,200 So, congratulations, MUAs. 494 00:22:54,200 --> 00:22:56,280 Thank you for all your lovely make-ups today. They were great. 495 00:22:56,280 --> 00:22:58,640 They were all on set and they're being filmed on right now. 496 00:22:58,640 --> 00:23:01,640 Two of you really impressed me today, one of which was Shania. 497 00:23:01,640 --> 00:23:04,000 Just because I think you went above and beyond and you added 498 00:23:04,000 --> 00:23:05,960 an extra prosthetic, which you didn't need to do. 499 00:23:05,960 --> 00:23:09,000 So if you'd like to join me on set today, that would be great. 500 00:23:09,000 --> 00:23:10,960 Well done! Oh. 501 00:23:10,960 --> 00:23:12,760 APPLAUSE 502 00:23:12,760 --> 00:23:14,480 My mum's going to be so proud! 503 00:23:14,480 --> 00:23:15,840 LAUGHTER 504 00:23:15,840 --> 00:23:18,320 And the second one was Finley. 505 00:23:18,320 --> 00:23:20,760 Yay! APPLAUSE 506 00:23:20,760 --> 00:23:22,960 And although we needed to give you a little bit of help at the end, 507 00:23:22,960 --> 00:23:24,800 you took it on board and handled it really well. 508 00:23:24,800 --> 00:23:27,160 Thank you very much. And it was all really realistic. It looked great. 509 00:23:27,160 --> 00:23:29,120 OK, so Shania and Finley, if you'd like to join me, 510 00:23:29,120 --> 00:23:30,680 we'll go to set. 511 00:23:30,680 --> 00:23:32,320 Well done! 512 00:23:33,640 --> 00:23:37,080 OK, let's stand by to rehearse. Here we go. 513 00:23:38,480 --> 00:23:41,120 Settle down, please. Thank you. 514 00:23:41,120 --> 00:23:42,880 Hello, hello. 515 00:23:42,880 --> 00:23:45,760 It's very exciting, but also feels a lot more high pressure. 516 00:23:45,760 --> 00:23:48,880 So if you can just give this a second. 517 00:23:48,880 --> 00:23:51,520 I think I'd like to do this every day. 518 00:23:51,520 --> 00:23:53,160 OK, all done, yeah? 519 00:23:53,160 --> 00:23:56,440 I would so love to be able to do that for a living and to wake 520 00:23:56,440 --> 00:23:58,280 up each day with that being my job. 521 00:23:58,280 --> 00:24:01,600 Like, it's honestly overwhelming, but in the best way possible. 522 00:24:01,600 --> 00:24:04,240 Just give that a little bit to dry and you'll be good. 523 00:24:04,240 --> 00:24:06,880 Cool. Thank you. Cool. Thank you very much. 524 00:24:06,880 --> 00:24:11,200 While Shania and Finley are busy on set, the judges must decide whose 525 00:24:11,200 --> 00:24:14,320 medical make-up looks didn't make the grade. 526 00:24:14,320 --> 00:24:17,800 So we need to discuss the MUAs 527 00:24:17,800 --> 00:24:20,720 who could be going into the red face-off chairs. 528 00:24:20,720 --> 00:24:21,880 Let's talk about Jess. 529 00:24:21,880 --> 00:24:23,920 So, unfortunately for Jess, she didn't deliver. 530 00:24:23,920 --> 00:24:26,480 She didn't follow the brief properly. She ran out of time. 531 00:24:26,480 --> 00:24:29,360 She focused on the wrong areas. So it just didn't go well. 532 00:24:29,360 --> 00:24:31,280 So, therefore, I had to bring in a member of my team 533 00:24:31,280 --> 00:24:32,960 to help her to finish on time. 534 00:24:32,960 --> 00:24:36,400 I came to this competition to win, and even if things haven't 535 00:24:36,400 --> 00:24:39,080 really gone in my favour, I'm still going to try my best. 536 00:24:39,080 --> 00:24:41,280 So, shall we look at Connor? 537 00:24:41,280 --> 00:24:44,760 So I think, yes, he needed to focus more on the prosthetics 538 00:24:44,760 --> 00:24:47,560 and the bruising and the painting rather than the glam. 539 00:24:47,560 --> 00:24:50,480 I knew that this would be the challenge I'd struggle with. 540 00:24:50,480 --> 00:24:52,480 Um, I had lots of fun. 541 00:24:52,480 --> 00:24:54,400 Um, but I know what's coming tomorrow. 542 00:24:54,400 --> 00:24:56,200 And let's talk about Ella. 543 00:24:56,200 --> 00:24:59,480 OK. Ella's look was a bit too much in the end, but she did do some 544 00:24:59,480 --> 00:25:00,800 parts of it that looked really nice. 545 00:25:00,800 --> 00:25:03,960 But she rushed through it, and I think in the end led 546 00:25:03,960 --> 00:25:06,760 to her putting on too much blood to probably hide some of those edges. 547 00:25:06,760 --> 00:25:09,800 I can't believe that my make-up's actually in Casualty. 548 00:25:09,800 --> 00:25:12,320 I mean, I would have loved to win, but I'm hoping I'm not 549 00:25:12,320 --> 00:25:13,960 going to be in the red chair tomorrow. 550 00:25:13,960 --> 00:25:17,960 We are going to have to think about this very carefully. 551 00:25:24,640 --> 00:25:26,880 The next day at Glow Up studios... 552 00:25:26,880 --> 00:25:29,560 How's everyone feeling today? How are you feeling, Shania? 553 00:25:29,560 --> 00:25:32,280 Good. I had so much fun yesterday. 554 00:25:32,280 --> 00:25:34,680 Like, I literally enjoyed every single second of it. 555 00:25:34,680 --> 00:25:37,320 Finley, congrats as well. Thank you. 556 00:25:37,320 --> 00:25:38,640 How did you find it? 557 00:25:38,640 --> 00:25:40,520 I was really happy that I did a good job. 558 00:25:40,520 --> 00:25:43,080 I think being on set was so cool as well. 559 00:25:43,080 --> 00:25:45,960 Oh, well, proud of you guys. 560 00:25:45,960 --> 00:25:48,120 OK. 561 00:25:48,120 --> 00:25:50,600 Do, do, do. Let's go. 562 00:25:50,600 --> 00:25:53,560 The MUAs are about to discover who has landed themselves 563 00:25:53,560 --> 00:25:54,800 in a red chair... 564 00:25:56,040 --> 00:25:57,240 Oh, God. 565 00:25:58,800 --> 00:26:00,680 Oh! 566 00:26:00,680 --> 00:26:03,280 ..putting them at risk of being in the face-off elimination 567 00:26:03,280 --> 00:26:04,880 at the end of the day. 568 00:26:11,280 --> 00:26:12,760 Jess... 569 00:26:12,760 --> 00:26:14,320 ..Connor... 570 00:26:14,320 --> 00:26:17,760 as you can see, you guys are in the red face-off chairs, meaning 571 00:26:17,760 --> 00:26:19,680 you will have 15 minutes less to complete 572 00:26:19,680 --> 00:26:21,680 today's creative brief. 573 00:26:21,680 --> 00:26:25,080 Connor, you focused on what you're good at - the glam - 574 00:26:25,080 --> 00:26:28,760 but that meant that you didn't spend your time focusing 575 00:26:28,760 --> 00:26:30,160 on the prosthetics. 576 00:26:30,160 --> 00:26:32,280 The edges weren't blended. 577 00:26:32,280 --> 00:26:35,160 They sort of looked stuck on, and your wounds 578 00:26:35,160 --> 00:26:37,160 did not look realistic. 579 00:26:37,160 --> 00:26:41,480 Jess, your additional injuries on your hands and your knees looked 580 00:26:41,480 --> 00:26:45,720 great, but you spent too long on them, not prioritising the focus, 581 00:26:45,720 --> 00:26:47,360 which was on the artist's face. 582 00:26:47,360 --> 00:26:49,800 The colour matching on your prosthetic didn't work, 583 00:26:49,800 --> 00:26:51,320 and your edges were messy. 584 00:26:51,320 --> 00:26:55,880 Today, you both have less time than the other MUAs, so prioritise 585 00:26:55,880 --> 00:26:58,360 what's important and focus. 586 00:26:58,360 --> 00:27:02,600 Today, we want you to create a total transformation. 587 00:27:02,600 --> 00:27:05,360 We don't want to recognise the person underneath. 588 00:27:05,360 --> 00:27:09,640 Now, this is your chance to earn a spot in the semifinal. 589 00:27:11,040 --> 00:27:15,760 And today, to help judge is someone who has made waves in both 590 00:27:15,760 --> 00:27:18,920 the fashion and social media world. 591 00:27:18,920 --> 00:27:24,240 Please welcome master chameleon... 592 00:27:24,240 --> 00:27:27,080 ..Alexis Stone! I knew it. 593 00:27:28,440 --> 00:27:29,800 Oh, my God. 594 00:27:29,800 --> 00:27:31,400 CHEERING 595 00:27:31,400 --> 00:27:34,280 Hi. Wow. Thanks. 596 00:27:34,280 --> 00:27:36,360 Thanks so much. 597 00:27:36,360 --> 00:27:40,640 Transformative make-up artist Alexis Stone has taken the fashion 598 00:27:40,640 --> 00:27:42,640 and online worlds by storm. 599 00:27:42,640 --> 00:27:46,040 I'm Alexis Stone, and I am a prosthetic make-up artist. 600 00:27:47,160 --> 00:27:50,360 I have transformed myself into the likes of Mrs Doubtfire, 601 00:27:50,360 --> 00:27:54,600 Jennifer Coolidge, and then recently, Lana Del Rey. 602 00:27:54,600 --> 00:27:57,800 The thing I love the most about what I do is making people 603 00:27:57,800 --> 00:27:59,840 doubt what they're seeing, and blurring those lines 604 00:27:59,840 --> 00:28:01,880 between reality and fantasy. 605 00:28:03,080 --> 00:28:05,200 So be big and be bold with this challenge. 606 00:28:05,200 --> 00:28:08,280 And remember, the devil is in the details. And I can't wait 607 00:28:08,280 --> 00:28:11,480 to see which disguise make-up looks you will come up with. 608 00:28:11,480 --> 00:28:13,640 So, are you ready?Yes. 609 00:28:13,640 --> 00:28:15,600 Bring in the models! 610 00:28:19,120 --> 00:28:20,680 Hello, hello. 611 00:28:20,680 --> 00:28:22,240 Take a seat. 612 00:28:22,240 --> 00:28:23,840 What's your name? I'm Darcy. 613 00:28:23,840 --> 00:28:26,960 Darcy. I'm Connor. Nice to meet you. And you. 614 00:28:26,960 --> 00:28:29,760 How are you feeling today? Good. Excited? Yeah, really. 615 00:28:29,760 --> 00:28:32,720 We've got 15 minutes left today, so we're going to be chilling for a 616 00:28:32,720 --> 00:28:34,960 hot minute before we start. 617 00:28:34,960 --> 00:28:38,240 MUAs, you'll have 2.5 hours to transform your models. 618 00:28:38,240 --> 00:28:41,080 Jess, Connor, I'll let you know when to start, but the rest 619 00:28:41,080 --> 00:28:44,280 of you, your time starts now. 620 00:28:47,080 --> 00:28:48,760 I'll pop you in a gown. 621 00:28:50,600 --> 00:28:53,400 First up, we're going to get your hair slicked back. Yeah. 622 00:28:56,600 --> 00:29:00,880 So, brief today is master of disguise. 623 00:29:00,880 --> 00:29:03,040 I mean, this is not a moment to be ordinary. 624 00:29:03,040 --> 00:29:04,960 This is where you've got to be extraordinary. 625 00:29:04,960 --> 00:29:08,000 We don't want to see any original features. 626 00:29:08,000 --> 00:29:11,440 We are looking for a lot of prosthetic work. 627 00:29:12,440 --> 00:29:16,120 This is all about distorting the features, taking 628 00:29:16,120 --> 00:29:18,720 it somewhere else. That's crazy. 629 00:29:18,720 --> 00:29:20,560 Literally is a blank canvas. Yeah. 630 00:29:20,560 --> 00:29:22,480 The plan today is 631 00:29:22,480 --> 00:29:24,760 to stick to the timings that I've set myself 632 00:29:24,760 --> 00:29:26,600 and smash it out. 633 00:29:27,720 --> 00:29:29,800 I feel like I'm, like, giving you evils, but I'm really just 634 00:29:29,800 --> 00:29:31,840 assessing your face. Just sussing me out. Yeah. 635 00:29:32,960 --> 00:29:35,960 Hey, Jess. How are you feeling about being in the red chairs today? 636 00:29:35,960 --> 00:29:40,000 I've been in the face-off and in the red chairs so often 637 00:29:40,000 --> 00:29:43,640 that I just feel like it's part of my trajectory here. 638 00:29:43,640 --> 00:29:46,000 I can't wait to see this look. Do you want to talk me through 639 00:29:46,000 --> 00:29:47,680 what is the inspiration behind it? 640 00:29:47,680 --> 00:29:51,000 So the inspiration behind this look is the Blue Caterpillar 641 00:29:51,000 --> 00:29:52,360 from Alice In Wonderland. 642 00:29:52,360 --> 00:29:55,240 Caterpillar is very symbolic of transformation. 643 00:29:55,240 --> 00:29:58,480 So it falls into the brief very well. Amazing. 644 00:29:58,480 --> 00:30:00,280 There's a reason why the judges want to see you here. 645 00:30:00,280 --> 00:30:03,400 So you just make sure you show that today, Jess. Thank you. 646 00:30:03,400 --> 00:30:06,880 I trust Jess in what she does, 647 00:30:06,880 --> 00:30:08,800 if she just does it. 648 00:30:08,800 --> 00:30:10,600 I just... I want to get to the final. 649 00:30:10,600 --> 00:30:12,400 That's what I want to do. You're talented. 650 00:30:12,400 --> 00:30:14,280 So there's no reason that you shouldn't. 651 00:30:14,280 --> 00:30:16,000 Just let that dry. 652 00:30:17,200 --> 00:30:21,000 Also inspired by the world of Alice In Wonderland is Shania. 653 00:30:21,000 --> 00:30:25,440 So I am turning my lovely model into the White Rabbit. 654 00:30:25,440 --> 00:30:27,520 So why did you pick this particular character? 655 00:30:27,520 --> 00:30:29,120 Like, what was the inspiration behind it? 656 00:30:29,120 --> 00:30:31,520 It's always there, sort of trying to guide you on your way. 657 00:30:31,520 --> 00:30:34,080 And I just think that's a really nice way to implement 658 00:30:34,080 --> 00:30:36,280 that into my story as well, because I feel like I've always got 659 00:30:36,280 --> 00:30:37,960 people around me that are sort of trying to guide me 660 00:30:37,960 --> 00:30:39,600 in the right direction. OK. 661 00:30:39,600 --> 00:30:43,520 Who would you say is the White Rabbit, then, in your life? 662 00:30:43,520 --> 00:30:46,600 My girlfriend is honestly, literally like my White Rabbit. 663 00:30:46,600 --> 00:30:49,640 She honestly just helps me in everything that I do. 664 00:30:49,640 --> 00:30:52,200 She's always there for me and always willing to sort of, like, push me 665 00:30:52,200 --> 00:30:53,880 in the right direction and support me. 666 00:30:53,880 --> 00:30:55,520 So definitely her. 667 00:30:58,960 --> 00:31:00,720 If you let go of your hands. 668 00:31:00,720 --> 00:31:02,040 THEY LAUGH 669 00:31:02,040 --> 00:31:04,560 I look like a condom. 670 00:31:04,560 --> 00:31:09,560 Ella is going bold with colour for a tropical transformation. 671 00:31:09,560 --> 00:31:12,800 Basically chosen to do a parrot because I've always been obsessed 672 00:31:12,800 --> 00:31:15,600 with all the colours and stuff. 673 00:31:15,600 --> 00:31:19,000 And, obviously, parrots can talk, and I feel like I can talk 674 00:31:19,000 --> 00:31:21,520 a little bit better now about like my work. 675 00:31:21,520 --> 00:31:24,720 And I feel a lot more confident about what I do now. 676 00:31:24,720 --> 00:31:29,200 Jess, Connor, your time starts now. 677 00:31:29,200 --> 00:31:31,080 Good luck. Thank you. 678 00:31:33,200 --> 00:31:35,840 Oh, wow, this is going to be massive. 679 00:31:35,840 --> 00:31:37,640 Yeah! OK. 680 00:31:37,640 --> 00:31:41,720 Inspired by a cult classic, Finley is using multiple prosthetics 681 00:31:41,720 --> 00:31:45,200 and just two colours to create his look. 682 00:31:45,200 --> 00:31:49,640 The plan is to transform my model into a black-and-white Frankenstein, 683 00:31:49,640 --> 00:31:52,120 based on the 1931 film. 684 00:31:52,120 --> 00:31:54,520 Probably the most challenging part of this is going to be 685 00:31:54,520 --> 00:31:57,640 not just recreating some different features on the face, 686 00:31:57,640 --> 00:32:01,600 but also shading them as if there's different lighting. 687 00:32:01,600 --> 00:32:04,080 We have a Frankenstein. Fabulous. 688 00:32:04,080 --> 00:32:07,800 Yeah, that sounds amazing, if Finley can pull it off in time. 689 00:32:07,800 --> 00:32:10,800 So I'm hoping to have two bolts either side, 690 00:32:10,800 --> 00:32:14,200 a brow piece to kind of get that strong brow, 691 00:32:14,200 --> 00:32:17,000 and then a scar here, erm, and a scar here. 692 00:32:17,000 --> 00:32:20,320 But I'm still not very confident with these things. 693 00:32:20,320 --> 00:32:21,640 It's a bit of a challenge. 694 00:32:21,640 --> 00:32:23,200 I'm just trying to get them laid down quickly 695 00:32:23,200 --> 00:32:25,840 so I can move on to shading. 696 00:32:25,840 --> 00:32:28,600 We need to get all the prep done 697 00:32:28,600 --> 00:32:31,840 so then I can start working on the prosthetics. 698 00:32:31,840 --> 00:32:35,320 Yesterday, Connor's edges were very messy, 699 00:32:35,320 --> 00:32:38,760 so Connor needs to get this right. 700 00:32:38,760 --> 00:32:42,040 So we're going to see a green witch, a full transformation. 701 00:32:42,040 --> 00:32:45,240 I'm using three prosthetics and, if I've got time, I'm going to use 702 00:32:45,240 --> 00:32:46,480 an additional two. 703 00:32:46,480 --> 00:32:49,160 I think we have to go big or go home. 704 00:32:51,840 --> 00:32:53,560 To create their transformations, 705 00:32:53,560 --> 00:32:57,520 a number of the MUAs are using large prosthetic pieces. 706 00:32:57,520 --> 00:33:00,280 I like covering up the nose and the mouth. 707 00:33:00,280 --> 00:33:01,640 Is that on your mouth? 708 00:33:01,640 --> 00:33:03,080 What's Ella doing? 709 00:33:03,080 --> 00:33:04,440 No, that's on my nose. 710 00:33:04,440 --> 00:33:06,160 Is it hello, Ducky? 711 00:33:07,600 --> 00:33:10,280 You just look up with your eyes. 712 00:33:10,280 --> 00:33:11,800 It shouldn't feel as... 713 00:33:13,600 --> 00:33:14,920 ..as uncomfortable. 714 00:33:14,920 --> 00:33:16,560 Oh! 715 00:33:18,960 --> 00:33:22,040 That is a big old piece. Yeah. Yeah. 716 00:33:22,040 --> 00:33:23,760 It's placed how I wanted it to place. 717 00:33:23,760 --> 00:33:25,840 That was like a moment of literally feeling like 718 00:33:25,840 --> 00:33:27,960 I did not breathe at all. 719 00:33:27,960 --> 00:33:31,400 I think the left cheek is slightly higher than the right cheek, 720 00:33:31,400 --> 00:33:33,760 so it's kind of tilted. Yes! 721 00:33:37,400 --> 00:33:39,880 At the moment, it's giving me sombrero. 722 00:33:39,880 --> 00:33:41,440 Yeah. It's almost alien-like. 723 00:33:41,440 --> 00:33:43,760 It's like the Sorting Hat. 724 00:33:43,760 --> 00:33:46,640 With 15 minutes less than the other MUAs, 725 00:33:46,640 --> 00:33:50,760 Jess has decided to pare back her prosthetics. 726 00:33:50,760 --> 00:33:54,240 Erm, initially, I had planned to do a bald cap, but I knew 727 00:33:54,240 --> 00:33:55,760 that if I was in the red chairs, 728 00:33:55,760 --> 00:33:58,000 that it would be a step that I would skip. 729 00:33:58,000 --> 00:34:00,920 I do feel like I have a slight advantage when it comes 730 00:34:00,920 --> 00:34:03,280 to this brief, because I am used to transforming myself 731 00:34:03,280 --> 00:34:04,960 into different characters. 732 00:34:04,960 --> 00:34:07,960 I may not have the edge when it comes to prosthetics, 733 00:34:07,960 --> 00:34:10,440 but I do know how to tell a story. 734 00:34:11,560 --> 00:34:14,200 Growing up, I really loved escaping 735 00:34:14,200 --> 00:34:18,160 into the world of superheroes and comic books. 736 00:34:18,160 --> 00:34:21,440 It was an escape mechanism, a way to transform myself 737 00:34:21,440 --> 00:34:25,920 into a different world that didn't resemble my own. 738 00:34:25,920 --> 00:34:29,040 Me and my mother were made homeless when I was four years old. 739 00:34:29,040 --> 00:34:33,200 Until I was 11, we were sofa surfing with different family friends, 740 00:34:33,200 --> 00:34:36,160 living in women's refuge shelters. 741 00:34:37,400 --> 00:34:42,760 I think those experiences have made me very humble as an adult. 742 00:34:42,760 --> 00:34:46,920 So many things that I think are normal for others 743 00:34:46,920 --> 00:34:51,280 are such a precious opportunity for me. 744 00:34:51,280 --> 00:34:54,320 So it's not just a case of, I want to win this for me. 745 00:34:54,320 --> 00:34:57,440 I also want to win this for my mum as well. 746 00:34:59,600 --> 00:35:01,000 This is so sticky. 747 00:35:03,720 --> 00:35:07,280 These prosthetics are very temperamental to work with, 748 00:35:07,280 --> 00:35:10,520 and you have to be really, really gentle and delicate. 749 00:35:10,520 --> 00:35:14,040 So looking at Finley's, I think it's a great concept but, gosh, 750 00:35:14,040 --> 00:35:15,120 it looks messy. 751 00:35:15,120 --> 00:35:17,240 Next I'm going to put the chin on and the neck one. 752 00:35:17,240 --> 00:35:19,920 So now it's just the smaller elements. 753 00:35:19,920 --> 00:35:22,440 I really want to move on to shading. 754 00:35:22,440 --> 00:35:24,880 Erm, I don't want her to finish it and it look 755 00:35:24,880 --> 00:35:27,600 kind of like half complete. 756 00:35:27,600 --> 00:35:30,920 I really want to know how much time we've had. 757 00:35:36,680 --> 00:35:39,840 MUAs, you had an hour gone, 758 00:35:39,840 --> 00:35:42,440 and you have an hour and a half left. 759 00:35:42,440 --> 00:35:47,600 We need balance, symmetry, and ooey, gooey gooeyness. 760 00:35:47,600 --> 00:35:50,240 Why is Dom doing the time calls? 761 00:35:50,240 --> 00:35:52,200 Shania, it's me. 762 00:35:53,760 --> 00:35:55,120 Oh, my God. 763 00:35:55,120 --> 00:35:57,680 I wanted to be further along at this point. 764 00:35:57,680 --> 00:35:59,680 I do you feel a little bit stressed, 765 00:35:59,680 --> 00:36:02,720 but it'll be fine. 766 00:36:02,720 --> 00:36:06,400 Ella's really got the placement right. 767 00:36:06,400 --> 00:36:10,400 But the blending of those edges are rough as. 768 00:36:10,400 --> 00:36:12,800 I mean, it could be a Beaky Blinder. 769 00:36:12,800 --> 00:36:16,200 If I stick that better... 770 00:36:16,200 --> 00:36:20,280 Let's start with this colour, and then we'll build it up. 771 00:36:20,280 --> 00:36:24,080 We're making you blue. Here we go. It's happening. 772 00:36:24,080 --> 00:36:26,320 To help create their transformations, 773 00:36:26,320 --> 00:36:28,920 the MUAs are using full-coverage paints. 774 00:36:28,920 --> 00:36:32,240 OK, close your eyes. 775 00:36:32,240 --> 00:36:36,840 I just really don't want to be in the face-off. 776 00:36:36,840 --> 00:36:39,360 I don't know if changing the skin colour's enough. 777 00:36:39,360 --> 00:36:41,760 Well, she hasn't eliminated any features. No. 778 00:36:41,760 --> 00:36:44,480 She's stuck on two extra features. 779 00:36:44,480 --> 00:36:48,520 This is the brush that allows the fur effect. 780 00:36:48,520 --> 00:36:50,600 So you kind of just brush it on like that and it will just 781 00:36:50,600 --> 00:36:52,560 give you little, tiny strokes. 782 00:36:59,320 --> 00:37:02,240 Where is your nose? About there's good. 783 00:37:02,240 --> 00:37:05,760 After struggling on yesterday's assignment, Connor is aiming 784 00:37:05,760 --> 00:37:07,760 to perfect his application. 785 00:37:07,760 --> 00:37:13,040 Erm, so I've done the forehead prosthetic and the nose. 786 00:37:13,040 --> 00:37:14,680 I'm quite good at, like, colouring, 787 00:37:14,680 --> 00:37:16,360 so I know that I can do that quite fast. 788 00:37:16,360 --> 00:37:19,640 So I really want to spend time in blending these prosthetics. 789 00:37:19,640 --> 00:37:21,920 But time is of the essence. 790 00:37:21,920 --> 00:37:24,920 Connor still hasn't got any colour on. 791 00:37:24,920 --> 00:37:29,120 I really, really just want to get this done and prove to the judges 792 00:37:29,120 --> 00:37:32,120 that I can do glam, but I can do more than that. 793 00:37:32,120 --> 00:37:33,320 That's so scary. 794 00:37:34,440 --> 00:37:39,080 Yeah, it's giving Blue Devil. With the teeniest little horns. 795 00:37:39,080 --> 00:37:40,400 SHE LAUGHS 796 00:37:41,960 --> 00:37:45,040 If she did that on me, that would still look like me. 797 00:37:45,040 --> 00:37:47,520 It really would. Complete with the horns. Yeah. 798 00:37:47,520 --> 00:37:49,480 I need more blue. More blue. 799 00:37:49,480 --> 00:37:52,840 Where's the transformation? There's no transformation. 800 00:37:53,920 --> 00:37:55,280 OK, lovely. 801 00:37:55,280 --> 00:37:57,560 Tiny bit of glue at the end. 802 00:37:57,560 --> 00:37:59,240 Hi, Finley. How are you doing? Hello. 803 00:37:59,240 --> 00:38:00,680 Am I right in saying 804 00:38:00,680 --> 00:38:02,960 there's a little bit of Frankenstein in this, right? Yes. 805 00:38:02,960 --> 00:38:04,520 Frankenstein's monster, exactly. 806 00:38:04,520 --> 00:38:06,760 I just had the idea that Frankenstein itself 807 00:38:06,760 --> 00:38:09,920 was kind of a transformation into the monster. 808 00:38:09,920 --> 00:38:12,480 And so I thought it was kind of interesting to emulate 809 00:38:12,480 --> 00:38:14,240 a transformation within a transformation. 810 00:38:14,240 --> 00:38:16,520 One of my favourite characters. Oh, perfect. 811 00:38:16,520 --> 00:38:18,080 Very excited to see the finished result. 812 00:38:18,080 --> 00:38:20,280 I'm very excited to see the black-and-white make-up as well. 813 00:38:20,280 --> 00:38:22,000 Yeah, I just thought it would add a little bit 814 00:38:22,000 --> 00:38:23,520 of an interesting element. Great. 815 00:38:23,520 --> 00:38:25,880 So we won't be seeing green skin? No green. 816 00:38:25,880 --> 00:38:28,360 Black-and-white, black-and-white. HE LAUGHS 817 00:38:29,960 --> 00:38:32,080 Oh, ya, ya, ya, yai! 818 00:38:36,760 --> 00:38:40,600 OK, MUAs, you have 45 minutes left. 819 00:38:40,600 --> 00:38:42,040 I believe in you. 820 00:38:42,040 --> 00:38:43,520 I believe in you. 821 00:38:43,520 --> 00:38:45,080 Time goes by so fast. 822 00:38:46,360 --> 00:38:49,120 Sorry, I'm glueing your ear. It's fine. 823 00:38:51,360 --> 00:38:53,640 Yes, this witch is going green. 824 00:38:53,640 --> 00:38:54,880 I'm on the colouring stage. 825 00:38:54,880 --> 00:38:57,240 I'm just making sure the detail's in the eyes at the moment, 826 00:38:57,240 --> 00:38:59,160 because it's going to be such a focal point 827 00:38:59,160 --> 00:39:01,080 when the photo's taken. 828 00:39:01,080 --> 00:39:03,240 I think it does look like a parrot. 829 00:39:03,240 --> 00:39:05,160 HE IMITATES A PARROT 830 00:39:05,160 --> 00:39:08,160 Oh, that is such a good colour. Isn't it? 831 00:39:08,160 --> 00:39:10,680 That is transformative. 832 00:39:10,680 --> 00:39:12,240 Stunning. 833 00:39:12,240 --> 00:39:13,320 Yeah. 834 00:39:13,320 --> 00:39:16,640 Look straight ahead and then look up. Like this? 835 00:39:16,640 --> 00:39:18,400 Yeah. Yeah, if you look up towards the ceiling, 836 00:39:18,400 --> 00:39:19,920 that's what we're going to do. 837 00:39:21,960 --> 00:39:24,840 I mean, if I look straight ahead at what Jess is doing, 838 00:39:24,840 --> 00:39:27,000 it is very beautiful. 839 00:39:27,000 --> 00:39:29,120 Does it fit the brief? 840 00:39:29,120 --> 00:39:31,320 Let's do the nose. 841 00:39:31,320 --> 00:39:35,760 Because she's old, you can add shadows in certain places 842 00:39:35,760 --> 00:39:37,880 to cover up some mistakes. 843 00:39:37,880 --> 00:39:40,680 I think what I like about Connor's make-up is that 844 00:39:40,680 --> 00:39:42,880 it's such an obvious thing to do, 845 00:39:42,880 --> 00:39:45,640 but, actually, he's done it really well. 846 00:39:45,640 --> 00:39:48,520 Tick, tick, tick. Agreed. 847 00:39:48,520 --> 00:39:51,920 How are you doing? I'm happy with how everything's going. 848 00:39:51,920 --> 00:39:54,400 I just wish it was going faster. 849 00:39:54,400 --> 00:39:59,360 I am going to focus on the blocking of the colours before the detail, 850 00:39:59,360 --> 00:40:01,000 and then build it up from there. 851 00:40:01,000 --> 00:40:02,840 I want to have at least the base down. 852 00:40:02,840 --> 00:40:05,880 Eyes are kind of done, basically. 853 00:40:05,880 --> 00:40:08,480 Let's just add some orange. 854 00:40:12,720 --> 00:40:15,280 I bet you can't wait to get this off, can you? I love it. 855 00:40:15,280 --> 00:40:17,080 THEY LAUGH 856 00:40:17,080 --> 00:40:19,920 Like, it feels a bit weird, but it just looks so sick. 857 00:40:19,920 --> 00:40:22,320 Thanks. That's OK. You've done a really good job. 858 00:40:22,320 --> 00:40:25,040 Oh, wow! Look at what Ella's doing. 859 00:40:27,080 --> 00:40:28,560 I don't know this woman. 860 00:40:28,560 --> 00:40:29,920 ELLA LAUGHS 861 00:40:29,920 --> 00:40:31,960 Don't you mean parrot? Yeah. 862 00:40:31,960 --> 00:40:33,280 It's the lady parrot. 863 00:40:33,280 --> 00:40:37,040 Like this is proper bird lady. Yeah. 864 00:40:37,040 --> 00:40:38,960 Erm, the prosthetics aren't the best. 865 00:40:38,960 --> 00:40:40,720 They're not very blended. 866 00:40:40,720 --> 00:40:44,560 I really tried. I just need to keep going and going 867 00:40:44,560 --> 00:40:47,200 because there's still quite a lot that I need to do. 868 00:40:47,200 --> 00:40:49,160 Well, that's fun, isn't it? 869 00:40:56,160 --> 00:40:59,520 MUAs, you have ten minutes left. 870 00:40:59,520 --> 00:41:01,840 So, the effect I'm going for is kind of like as if there's an overhead 871 00:41:01,840 --> 00:41:04,000 light that's kind of bringing all his features down. 872 00:41:04,000 --> 00:41:07,840 It's making him look really sort of drooped and...and sad. 873 00:41:07,840 --> 00:41:14,400 Finley is doing a shadowed make-up with a really specific light source. 874 00:41:14,400 --> 00:41:15,840 It's technical. 875 00:41:15,840 --> 00:41:18,120 It's such a big paint job still to come. 876 00:41:18,120 --> 00:41:20,200 I don't think Finley is going to get there. 877 00:41:20,200 --> 00:41:23,560 I haven't been that kind to myself with my timings. 878 00:41:32,680 --> 00:41:34,880 Oh! Oh, no. 879 00:41:34,880 --> 00:41:36,080 Where did it go? 880 00:41:38,800 --> 00:41:40,680 And so close your eyes for me. 881 00:41:40,680 --> 00:41:46,120 I have gone for more of an illusion look than using prosthetics 882 00:41:46,120 --> 00:41:48,640 to change the model's features. 883 00:41:48,640 --> 00:41:52,080 But I hope that when she closes her eyes, 884 00:41:52,080 --> 00:41:55,880 it still gives the illusion of a different character. 885 00:41:55,880 --> 00:41:59,280 MUAs, you have just two minutes left. 886 00:42:02,600 --> 00:42:04,560 Oh, God, that is freaky. 887 00:42:04,560 --> 00:42:06,680 Wow. That's creepy. 888 00:42:06,680 --> 00:42:08,560 I love it. 889 00:42:08,560 --> 00:42:10,840 Feeling very stressed. 890 00:42:10,840 --> 00:42:12,520 Make sure everything matches. 891 00:42:12,520 --> 00:42:14,440 That's my main worry. 892 00:42:16,480 --> 00:42:17,840 Right, ears, hate them, 893 00:42:17,840 --> 00:42:20,400 but then without them, I don't think you can tell it's a rabbit. 894 00:42:20,400 --> 00:42:22,800 Could be a rat. Could be a mouse. Who knows? 895 00:42:22,800 --> 00:42:24,400 I think keep them on. 896 00:42:24,400 --> 00:42:25,440 OK. 897 00:42:26,920 --> 00:42:30,640 At the very least, I think all of the elements will be on. 898 00:42:32,280 --> 00:42:34,120 So this is going to add depth 899 00:42:34,120 --> 00:42:36,560 so that it's going to push the nose out even more. 900 00:42:38,000 --> 00:42:39,960 I'm really happy with that. 901 00:42:43,560 --> 00:42:47,080 MUAs, brushes down. Your time is up. 902 00:42:47,080 --> 00:42:49,880 Please take your models next door to be photographed. 903 00:42:49,880 --> 00:42:51,720 We're done. 904 00:42:51,720 --> 00:42:52,920 Come on then. 905 00:42:52,920 --> 00:42:55,000 Thanks for being my little parrot. 906 00:42:55,000 --> 00:42:58,320 No, don't you worry, I wouldn't want to be a parrot for anyone else. 907 00:42:58,320 --> 00:42:59,960 THEY LAUGH 908 00:43:02,600 --> 00:43:05,120 I don't think being in the red chair set me back. 909 00:43:05,120 --> 00:43:07,480 It just made me want to do it even better. 910 00:43:09,200 --> 00:43:12,280 I am not that proud of my final look. 911 00:43:12,280 --> 00:43:16,600 I think I felt like my colouring at the end was very rushed. 912 00:43:18,520 --> 00:43:20,920 I think, overall, maybe the prosthetics weren't applied 913 00:43:20,920 --> 00:43:23,800 as clean as they were yesterday, but luckily because of the fur 914 00:43:23,800 --> 00:43:26,760 and the texture that's been added, it hides all of the sins. 915 00:43:31,600 --> 00:43:33,440 Ella, please come up. 916 00:43:36,160 --> 00:43:38,800 So if you wouldn't mind telling us a little bit about your story. 917 00:43:38,800 --> 00:43:43,440 My look today is a full transformation into a parrot, 918 00:43:43,440 --> 00:43:45,840 because I've always been obsessed with the colours 919 00:43:45,840 --> 00:43:47,440 and the patterns in them. 920 00:43:47,440 --> 00:43:50,920 Five large prosthetics applied by yourself 921 00:43:50,920 --> 00:43:53,560 in 2.5 hours is really impressive. 922 00:43:53,560 --> 00:43:55,160 You should be very happy with this. 923 00:43:55,160 --> 00:43:56,360 Thank you. 924 00:43:56,360 --> 00:44:00,520 This is gobsmackingly amazing. 925 00:44:00,520 --> 00:44:05,840 Everything that you've brought to this make-up is so 3D, 926 00:44:05,840 --> 00:44:08,880 colourful and thought out. 927 00:44:08,880 --> 00:44:12,080 I absolutely adore it. 928 00:44:12,080 --> 00:44:16,400 I think you've done an incredible job putting all of this on the face 929 00:44:16,400 --> 00:44:20,720 in 2.5 hours. That is a huge ask and you delivered. 930 00:44:20,720 --> 00:44:22,480 Well done. Thanks. 931 00:44:22,480 --> 00:44:24,320 APPLAUSE 932 00:44:24,320 --> 00:44:26,360 Finley, please come forward. 933 00:44:30,400 --> 00:44:33,360 I wanted to recreate Frankenstein's monster. 934 00:44:33,360 --> 00:44:35,760 I wanted to incorporate the elements of black and white 935 00:44:35,760 --> 00:44:39,880 and create this kind of, like, scary, yet pitiful monster. 936 00:44:39,880 --> 00:44:43,240 Well, firstly. It's nice to see a cult classic character. 937 00:44:43,240 --> 00:44:46,320 Really impressive the number of prosthetics you use. 938 00:44:46,320 --> 00:44:52,040 I think when it sometimes leans more towards quantity, 939 00:44:52,040 --> 00:44:55,440 sometimes you do just sacrifice the quality of things. Mm-hm. 940 00:44:55,440 --> 00:44:58,360 For each prosthetic, you have to blend each edge 941 00:44:58,360 --> 00:45:01,200 and it's just a huge amount of work. 942 00:45:01,200 --> 00:45:05,560 If you'd had more time, I think you could have concentrated 943 00:45:05,560 --> 00:45:09,840 more on the highlight and the contour. 944 00:45:09,840 --> 00:45:12,400 That would have been much more of a transformation, 945 00:45:12,400 --> 00:45:17,480 because your model would have gone from being a human to a character. 946 00:45:17,480 --> 00:45:19,480 If you squint, you get it. 947 00:45:19,480 --> 00:45:22,120 And the reason why you have to kind of squint is because 948 00:45:22,120 --> 00:45:24,320 the black is just not black enough. 949 00:45:24,320 --> 00:45:27,840 So there's elements in there that just needed working. 950 00:45:27,840 --> 00:45:30,480 And that's really going to help you with the contrast 951 00:45:30,480 --> 00:45:33,440 of creating that shadow effect. But well done. 952 00:45:34,760 --> 00:45:36,680 Shania, please come forward. 953 00:45:40,160 --> 00:45:42,000 For my Master of Disguise look today 954 00:45:42,000 --> 00:45:44,960 I wanted to create a full transformation where the model 955 00:45:44,960 --> 00:45:47,400 herself actually looked like the bunny rabbit inspired by 956 00:45:47,400 --> 00:45:49,720 the White Rabbit from Alice in Wonderland. 957 00:45:49,720 --> 00:45:52,240 I sort of, like, resonate with the character. 958 00:45:52,240 --> 00:45:55,520 It's the helper in the film, almost that little guiding light. 959 00:45:55,520 --> 00:46:00,520 It's so bold of you to just go for one big old piece of prosthetics 960 00:46:00,520 --> 00:46:04,720 to completely disguise the model's features. 961 00:46:04,720 --> 00:46:12,560 If you had spent 30 seconds more on getting your prosthetic straight 962 00:46:12,560 --> 00:46:17,000 on the face, it might have worked more in your favour. 963 00:46:17,000 --> 00:46:19,320 He's just slightly on the wobble. 964 00:46:19,320 --> 00:46:23,000 What I also really love is the way you've utilised those different 965 00:46:23,000 --> 00:46:29,400 shades of grey, light grey, white to create fur effect, 966 00:46:29,400 --> 00:46:33,520 because that really also helps to disguise those edges... 967 00:46:33,520 --> 00:46:34,840 Yeah. ..in the prosthetics. 968 00:46:34,840 --> 00:46:38,720 I mean, it's a...it's a clever little thing you did there. 969 00:46:38,720 --> 00:46:42,320 It literally is such a beautiful illusion and slightly demonic. 970 00:46:42,320 --> 00:46:44,000 I kind of love it. 971 00:46:44,000 --> 00:46:45,920 Um, should be really happy. 972 00:46:45,920 --> 00:46:48,080 Thank you, guys, so much. 973 00:46:48,080 --> 00:46:50,120 Connor, please step forward. 974 00:46:52,560 --> 00:46:55,600 So my look is a green witch. 975 00:46:55,600 --> 00:46:59,080 I wanted to show that I'm a bit more than just glam. 976 00:46:59,080 --> 00:47:01,600 I wanted to do three prosthetics, 977 00:47:01,600 --> 00:47:04,360 so I did the forehead, the nose and the chin. 978 00:47:04,360 --> 00:47:07,520 The brief was to disguise the model. 979 00:47:07,520 --> 00:47:10,160 If I hadn't of seen what she looked like when she walked in, 980 00:47:10,160 --> 00:47:12,680 I really would have no idea what she looks like underneath. 981 00:47:12,680 --> 00:47:14,000 So a success. 982 00:47:15,280 --> 00:47:17,760 This is, for me, amazing. 983 00:47:19,320 --> 00:47:20,880 Oh, wow. 984 00:47:20,880 --> 00:47:23,760 I love the way you've laid down the colour. 985 00:47:23,760 --> 00:47:27,240 It all really sings to me. 986 00:47:27,240 --> 00:47:31,040 You utilised your skill set and your knowledge of contour 987 00:47:31,040 --> 00:47:34,760 and highlight so that nose is not that deep, but by putting 988 00:47:34,760 --> 00:47:39,440 that shadow around the nostril looks slightly haggard and slightly pulled 989 00:47:39,440 --> 00:47:40,560 to one side. 990 00:47:40,560 --> 00:47:43,320 Just be really careful because I'm going to zoom 991 00:47:43,320 --> 00:47:46,000 in to this little thing here called... Ears. 992 00:47:46,000 --> 00:47:47,680 ..called an ear. Oh, no. 993 00:47:47,680 --> 00:47:53,240 And I say, I see skin, I do, so don't give us those faults. 994 00:47:53,240 --> 00:47:54,960 Yes. 995 00:47:54,960 --> 00:47:56,000 Jess. 996 00:47:58,680 --> 00:48:01,320 So I was inspired by Alice in Wonderland. 997 00:48:01,320 --> 00:48:03,080 I went with the caterpillar 998 00:48:03,080 --> 00:48:06,600 just because caterpillars are this transformative insect, 999 00:48:06,600 --> 00:48:10,200 bug-like quality, and they also don't really have faces, 1000 00:48:10,200 --> 00:48:14,480 so there's room to explore of how you see this creature. 1001 00:48:14,480 --> 00:48:17,440 The prosthetics have been applied so beautifully. 1002 00:48:17,440 --> 00:48:21,680 As small as they are, applying any prosthetic and blending 1003 00:48:21,680 --> 00:48:24,080 those into the skin is not a simple task. 1004 00:48:24,080 --> 00:48:26,720 Is it the biggest transformation in the room? 1005 00:48:26,720 --> 00:48:30,680 I don't necessarily think so, in terms of prosthetics. 1006 00:48:30,680 --> 00:48:34,480 The lay-down of the colour is impeccable, 1007 00:48:34,480 --> 00:48:37,720 but is it a model in disguise? 1008 00:48:39,480 --> 00:48:41,440 I don't think so. 1009 00:48:41,440 --> 00:48:44,200 It is the most gorgeous turquoise. 1010 00:48:44,200 --> 00:48:51,440 What I think is missing is shape and contour to reshape the face, 1011 00:48:51,440 --> 00:48:52,920 hollow out those cheeks, 1012 00:48:52,920 --> 00:48:55,680 all these things you can do with just make-up. 1013 00:48:55,680 --> 00:48:57,840 And we would have gone, "Yes." 1014 00:48:57,840 --> 00:49:02,040 I just don't think you hit what we needed with this make-up, 1015 00:49:02,040 --> 00:49:04,120 but well done. 1016 00:49:05,360 --> 00:49:06,440 Thank you, MUAs, 1017 00:49:06,440 --> 00:49:08,280 if you'd like to go next door, 1018 00:49:08,280 --> 00:49:10,520 myself, Val and Alexis will be discussing 1019 00:49:10,520 --> 00:49:13,440 which two will be going into the Face-Off elimination. 1020 00:49:19,800 --> 00:49:23,640 I'm 99% sure that I'll end up in the Face-Off. 1021 00:49:23,640 --> 00:49:28,640 To have Alexis Jones say that I did loads of prosthetics 1022 00:49:28,640 --> 00:49:31,080 in 2.5 hours makes me feel really good. 1023 00:49:31,080 --> 00:49:35,000 So let's talk about our two MUAs that are in the red Face-Off chairs. 1024 00:49:35,000 --> 00:49:36,080 I liked my look. 1025 00:49:36,080 --> 00:49:37,800 I knew that prosthetics wouldn't be my thing, 1026 00:49:37,800 --> 00:49:39,320 so I tried to work around it. 1027 00:49:39,320 --> 00:49:41,840 Prosthetics applied beautifully, but it was a challenge 1028 00:49:41,840 --> 00:49:44,120 about disguise, not application. 1029 00:49:44,120 --> 00:49:49,200 There is no doubt she is an outstanding make-up artist, 1030 00:49:49,200 --> 00:49:52,320 but it's not a transformative look. 1031 00:49:52,320 --> 00:49:57,960 What she didn't do was use paint to reshape and reform that face. 1032 00:49:57,960 --> 00:49:59,480 Shall we talk about Connor? 1033 00:49:59,480 --> 00:50:01,720 I really do hope that I beat the seat, 1034 00:50:01,720 --> 00:50:04,240 but it comes down to small details. 1035 00:50:04,240 --> 00:50:06,520 If I had seen this without seeing the model, 1036 00:50:06,520 --> 00:50:08,320 I'd have no idea what she looked like underneath. 1037 00:50:08,320 --> 00:50:10,760 So in essence, a real transformation. 1038 00:50:10,760 --> 00:50:13,360 And that's what we asked for, and that's what he's delivered. 1039 00:50:13,360 --> 00:50:17,080 He also had very little experience with prosthetics, 1040 00:50:17,080 --> 00:50:18,640 only learning them yesterday. 1041 00:50:18,640 --> 00:50:21,160 But he didn't let that hold him back. 1042 00:50:21,160 --> 00:50:23,640 Has Connor beat the seat? 1043 00:50:23,640 --> 00:50:25,160 I don't know. 1044 00:50:25,160 --> 00:50:27,040 I think we need to talk about Finley. 1045 00:50:27,040 --> 00:50:30,160 I appreciated that they liked it and they thought it was ambitious. 1046 00:50:30,160 --> 00:50:32,360 But I think the idea and then what I did 1047 00:50:32,360 --> 00:50:34,120 just didn't really match up. 1048 00:50:34,120 --> 00:50:38,360 In the final picture, the prosthetics are completely lost. 1049 00:50:38,360 --> 00:50:41,800 I don't necessarily think that the prosthetics are the hero, 1050 00:50:41,800 --> 00:50:44,680 in comparison to the concept itself. 1051 00:50:44,680 --> 00:50:49,200 The difficulty is I can still see the model through the make-up. Yes! 1052 00:50:53,560 --> 00:50:55,400 I think we've made a decision. 1053 00:50:55,400 --> 00:50:56,760 I think so. 1054 00:51:06,520 --> 00:51:10,320 So, judges, have you made your decision? 1055 00:51:10,320 --> 00:51:12,840 Yes, we have. Yes. 1056 00:51:12,840 --> 00:51:16,520 Connor, Jess, you started today in the red face-off chairs. 1057 00:51:16,520 --> 00:51:18,800 Jess, you gave us a big look, 1058 00:51:18,800 --> 00:51:22,520 and your prosthetic application was great, 1059 00:51:22,520 --> 00:51:25,120 but your look didn't disguise your model, 1060 00:51:25,120 --> 00:51:29,040 and you didn't show us the technical skills that we're looking for 1061 00:51:29,040 --> 00:51:31,360 at this stage of the competition. 1062 00:51:31,360 --> 00:51:35,480 So, you will be the first MUA going into the face-off elimination. 1063 00:51:35,480 --> 00:51:40,440 Connor, you delivered a great big character. 1064 00:51:40,440 --> 00:51:43,560 Your prosthetics were amazing. 1065 00:51:43,560 --> 00:51:46,480 Therefore, you've beat the seat. 1066 00:51:46,480 --> 00:51:48,160 Yeah! 1067 00:51:48,160 --> 00:51:49,600 Thank you. 1068 00:51:51,200 --> 00:51:55,480 Which means that we have one seat to fill. 1069 00:51:57,000 --> 00:52:00,040 Now, this MUA was ambitious with their concept, 1070 00:52:00,040 --> 00:52:05,040 but their prosthetics got lost and their look fell flat. 1071 00:52:06,920 --> 00:52:11,400 The second MUA that will be going into the face-off... 1072 00:52:11,400 --> 00:52:12,680 ..is Finley. 1073 00:52:14,320 --> 00:52:18,800 I'm not particularly surprised that I'm in the face-off this week. 1074 00:52:18,800 --> 00:52:20,920 It doesn't get easier. 1075 00:52:20,920 --> 00:52:23,600 I just didn't kind of execute the idea that I had well enough. 1076 00:52:23,600 --> 00:52:25,280 Same as always - you'll smash it. OK. 1077 00:52:25,280 --> 00:52:29,000 Obviously I'm not too happy about not having beat the seat. 1078 00:52:29,000 --> 00:52:32,840 I just need to get my head in the game, erm, I've done it before. 1079 00:52:32,840 --> 00:52:34,880 Good luck, guys! Good luck. 1080 00:52:34,880 --> 00:52:38,160 Jess has earned herself a little nickname of face-off assassin, but, 1081 00:52:38,160 --> 00:52:42,960 you know, that's against everyone else, it's not against me, so... 1082 00:52:42,960 --> 00:52:46,320 To decide who goes home, Jess and Finley will face off 1083 00:52:46,320 --> 00:52:48,360 over a set of identical twins. 1084 00:52:53,200 --> 00:52:54,880 Good luck, guys. 1085 00:52:56,200 --> 00:52:58,880 For this week's face-off, we want to see you perfect 1086 00:52:58,880 --> 00:53:04,080 a high fashion '90s skinny brow look straight off a runway. 1087 00:53:04,080 --> 00:53:08,080 We want you to create a perfect thin arch 1088 00:53:08,080 --> 00:53:11,280 above where the natural brow sits. 1089 00:53:11,280 --> 00:53:15,480 It has a precise clean shape 1090 00:53:15,480 --> 00:53:18,520 and a smooth and even consistency. 1091 00:53:19,600 --> 00:53:24,080 We're looking for a balanced and symmetrical look. 1092 00:53:24,080 --> 00:53:29,360 It's important that you also keep the block brow intact. 1093 00:53:29,360 --> 00:53:31,480 To create a '90s skinny brow, 1094 00:53:31,480 --> 00:53:35,600 I would grab a water-based brow product and a long, thin brush. 1095 00:53:36,640 --> 00:53:40,360 Use the side of the nose to mark out the start, the peak, 1096 00:53:40,360 --> 00:53:42,120 and the tip of your brow. 1097 00:53:43,280 --> 00:53:45,720 Next, paint that brow on. 1098 00:53:46,720 --> 00:53:48,320 With a really steady hand. 1099 00:53:48,320 --> 00:53:50,680 Just go for it. 1100 00:53:50,680 --> 00:53:52,280 And there you have it. 1101 00:53:54,120 --> 00:53:55,680 Jess, Finley, 1102 00:53:55,680 --> 00:53:59,080 you will have ten minutes to complete this look 1103 00:53:59,080 --> 00:54:02,280 and your time starts now. 1104 00:54:31,000 --> 00:54:33,920 MUAs, you have five minutes left. 1105 00:54:37,760 --> 00:54:39,680 God. I mean... 1106 00:54:39,680 --> 00:54:41,880 ..this is excruciating to watch. 1107 00:54:41,880 --> 00:54:44,800 Jess has gone in with one stroke, 1108 00:54:44,800 --> 00:54:48,040 and it's relatively even and nice and concise. 1109 00:54:48,040 --> 00:54:51,120 Finley went in with a wobble. It's wrong. 1110 00:54:51,120 --> 00:54:53,440 Finley picked up the wrong brush. 1111 00:54:53,440 --> 00:54:56,240 That's it. Finley's going to have to work hard to pull this back. 1112 00:54:56,240 --> 00:54:58,280 So, let's go and have a look. Yeah. 1113 00:54:59,640 --> 00:55:01,800 You have one minute left. 1114 00:55:16,800 --> 00:55:19,320 Five, four, 1115 00:55:19,320 --> 00:55:22,360 three, two, one. 1116 00:55:22,360 --> 00:55:25,680 Brushes down. Your time is up. 1117 00:55:25,680 --> 00:55:29,200 Judges, I think it's time you take a closer look. 1118 00:55:49,080 --> 00:55:50,720 Conflab? 1119 00:55:50,720 --> 00:55:52,200 I think so. 1120 00:55:56,040 --> 00:55:59,880 Gosh, I mean, that was so nerve-racking. 1121 00:55:59,880 --> 00:56:04,080 Oh, my God, I just could feel the tension over a line. 1122 00:56:04,080 --> 00:56:05,280 I know. 1123 00:56:05,280 --> 00:56:06,880 Jess's brow just curves 1124 00:56:06,880 --> 00:56:08,600 around the natural brow, 1125 00:56:08,600 --> 00:56:10,560 whereas Finley's doesn't feel 1126 00:56:10,560 --> 00:56:12,480 like a sharp, clean arch. 1127 00:56:12,480 --> 00:56:16,160 Finley has used a shorter, thicker brush. 1128 00:56:16,160 --> 00:56:21,400 He has less control over his line. 1129 00:56:21,400 --> 00:56:24,040 Whereas Jess has used a longer, thinner brush. 1130 00:56:24,040 --> 00:56:25,680 So, she's got more control. 1131 00:56:25,680 --> 00:56:29,760 So, there's more consistency in the application of the product. 1132 00:56:29,760 --> 00:56:31,760 Right. Shall we let the winner know? 1133 00:56:31,760 --> 00:56:33,240 Let's go. 1134 00:56:39,440 --> 00:56:42,680 So, judges, have you come to a decision? 1135 00:56:42,680 --> 00:56:44,400 We have. We have. 1136 00:56:45,720 --> 00:56:48,360 This was a tricky face-off. 1137 00:56:48,360 --> 00:56:51,600 You both struggled with symmetry. 1138 00:56:51,600 --> 00:56:55,680 Finley, you used a thicker brush, which meant your brow was thicker, 1139 00:56:55,680 --> 00:56:58,200 shorter, and not consistent. 1140 00:56:59,200 --> 00:57:03,760 Jess, you used a long haired, 1141 00:57:03,760 --> 00:57:07,520 thin brush, which meant you created 1142 00:57:07,520 --> 00:57:11,080 a thin, sharp arch. 1143 00:57:11,080 --> 00:57:15,600 Your look was precise, balanced, and consistent. 1144 00:57:17,880 --> 00:57:20,520 Finley, pack your bag. You're going home. 1145 00:57:22,080 --> 00:57:24,880 There's obviously a sense of disappointment that I'm not 1146 00:57:24,880 --> 00:57:29,600 carrying on, but the sense of happiness that I've even done this 1147 00:57:29,600 --> 00:57:30,840 far outweighs it. 1148 00:57:30,840 --> 00:57:34,000 Oh, my God, I am so sorry to see you go. 1149 00:57:34,000 --> 00:57:37,600 On this competition, I think I've gained a lot of confidence. 1150 00:57:37,600 --> 00:57:40,000 You were brilliant. 1151 00:57:40,000 --> 00:57:43,960 It's just encouraging me to not give up and to keep going. 1152 00:57:43,960 --> 00:57:45,680 Oh, my God! So good! 1153 00:57:47,080 --> 00:57:49,480 Well done! Oh, my God! 1154 00:57:51,480 --> 00:57:54,040 Oh, my God - the face-off assassin! 1155 00:57:54,040 --> 00:57:56,680 I'm ecstatic to be staying. 1156 00:57:56,680 --> 00:58:00,640 I'm going to fight tooth and nail to get to the final. 1157 00:58:00,640 --> 00:58:02,520 Yeah. I know! 1158 00:58:02,520 --> 00:58:04,320 The Final Four. Fantastic. 1159 00:58:05,560 --> 00:58:08,440 Making it to the semifinal is absolutely mad, 1160 00:58:08,440 --> 00:58:10,320 so I'm really proud of myself. 1161 00:58:10,320 --> 00:58:12,280 SHE SIGHS I'll see you soon, guys. 1162 00:58:12,280 --> 00:58:13,920 Bye! 1163 00:58:13,920 --> 00:58:16,720 Let's go, let's go, let's go! I need some sleep. 1164 00:58:16,720 --> 00:58:18,680 Oh, yeah. 1165 00:58:19,920 --> 00:58:22,160 Your assignment is to design an avatar... 1166 00:58:22,160 --> 00:58:24,160 ..for Roblox! 1167 00:58:24,160 --> 00:58:25,720 The MUAs go digital. 1168 00:58:27,280 --> 00:58:30,480 The competition starts now, huh? 1169 00:58:30,480 --> 00:58:32,120 And at Glow Up Studios... 1170 00:58:32,120 --> 00:58:34,000 All right, it's do or die. 1171 00:58:34,000 --> 00:58:37,040 ..the battle for the final is on. 1172 00:58:37,040 --> 00:58:40,240 It's ambition like this that I want to see. 1173 00:58:41,305 --> 00:59:41,685 Do you want subtitles for any video? -=[ ai.OpenSubtitles.com ]=-