"Glow Up: Britain's Next Make-Up Star" Episode #6.3

1 00:00:05,800 --> 00:00:07,080 Contoured. 2 00:00:08,240 --> 00:00:09,920 Embellished. 3 00:00:09,920 --> 00:00:11,240 Lined. 4 00:00:13,200 --> 00:00:14,360 Glossed. 5 00:00:15,360 --> 00:00:16,520 Blended. 6 00:00:17,560 --> 00:00:19,080 Defined. 7 00:00:19,080 --> 00:00:21,640 And just for you tonight... 8 00:00:21,640 --> 00:00:26,440 ..Glow Up has arrived! 9 00:00:26,440 --> 00:00:28,040 CHEERING AND APPLAUSE 10 00:00:33,720 --> 00:00:35,840 Last time... Wow! 11 00:00:35,840 --> 00:00:37,440 ..there was fierce competition... 12 00:00:37,440 --> 00:00:40,240 Putting up a fight with your counter work, I am. 13 00:00:40,240 --> 00:00:44,240 ..as Shania beat Connor to the industry win. Yay! 14 00:00:44,240 --> 00:00:45,840 At Glow Up Studios... 15 00:00:45,840 --> 00:00:47,800 Wow! 16 00:00:47,800 --> 00:00:49,680 ..Rossi struck again... 17 00:00:49,680 --> 00:00:51,400 It is crazy good. 18 00:00:51,400 --> 00:00:52,960 This is a ding dong, darling. 19 00:00:52,960 --> 00:00:54,840 Oh, my God! This is a ding dong! 20 00:00:54,840 --> 00:00:58,600 ..and Finley saw off George in the Face Off. 21 00:00:58,600 --> 00:01:00,400 The other MUAs better watch out 22 00:01:00,400 --> 00:01:02,400 because I'm not giving up easy. 23 00:01:06,440 --> 00:01:09,040 The six remaining MUAs are on their way to meet me 24 00:01:09,040 --> 00:01:12,720 at the iconic Vaudeville Theatre in London's West End. 25 00:01:12,720 --> 00:01:15,240 They will be transforming their performers 26 00:01:15,240 --> 00:01:17,720 into the legendary wives of Henry VIII 27 00:01:17,720 --> 00:01:19,200 for hit musical Six. 28 00:01:20,360 --> 00:01:21,640 I can't wait! 29 00:01:21,640 --> 00:01:23,320 Look out, Henry VIII! 30 00:01:24,840 --> 00:01:26,200 Drum roll! 31 00:01:26,200 --> 00:01:27,720 Oooh! 32 00:01:27,720 --> 00:01:29,840 Woo! Woo! 33 00:01:31,320 --> 00:01:33,320 Hi, guys! Hi! 34 00:01:33,320 --> 00:01:35,640 What's going on? 35 00:01:35,640 --> 00:01:39,000 Today's assignment is all about theatrical make-up. 36 00:01:39,000 --> 00:01:43,320 You'll have the pleasure of working on multi-award-winning musical Six, 37 00:01:43,320 --> 00:01:46,800 which is a pop-tastic retelling of the lives and wives 38 00:01:46,800 --> 00:01:48,680 of Henry VIII, OK? 39 00:01:50,240 --> 00:01:53,000 Blending sassy songs and girl power vibes, 40 00:01:53,000 --> 00:01:54,920 Six The Musical is a modern take 41 00:01:54,920 --> 00:01:57,920 on the lives of the women who married Henry VIII. 42 00:01:57,920 --> 00:02:02,280 Having won over 35 international awards, including two Tonys, 43 00:02:02,280 --> 00:02:05,960 this historical remix is famed for its dazzling costume design 44 00:02:05,960 --> 00:02:07,840 and glitter-tastic make-up. 45 00:02:12,320 --> 00:02:14,720 To tell you a little bit more about your royal assignment 46 00:02:14,720 --> 00:02:18,800 is one of the writers and co-creators, Toby Marlow, 47 00:02:18,800 --> 00:02:22,040 alongside a very special guest judge, 48 00:02:22,040 --> 00:02:25,240 one of the original cast members, Aimie Atkinson. 49 00:02:25,240 --> 00:02:27,240 Oh, my gosh! Woo! 50 00:02:28,320 --> 00:02:31,680 While still at university, Toby co-created a musical 51 00:02:31,680 --> 00:02:34,720 which would become an international stage phenomenon - 52 00:02:34,720 --> 00:02:37,960 proof you can start young and dream big. 53 00:02:37,960 --> 00:02:41,040 Picking up an Olivier Award nomination for her role 54 00:02:41,040 --> 00:02:44,640 as Katherine Howard in the original cast of Six The Musical, 55 00:02:44,640 --> 00:02:47,920 Aimie Atkinson is one of the leading ladies of the West End. 56 00:02:49,040 --> 00:02:50,480 Hi! Hi! 57 00:02:50,480 --> 00:02:52,120 So, at 8pm this evening, 58 00:02:52,120 --> 00:02:55,800 we have a full house in this very auditorium, 59 00:02:55,800 --> 00:02:58,120 and your job is to make sure our six queens 60 00:02:58,120 --> 00:03:00,720 are made up and ready to perform. 61 00:03:00,720 --> 00:03:03,000 Six is super high energy. 62 00:03:03,000 --> 00:03:04,600 It is super intense. 63 00:03:04,600 --> 00:03:08,240 Those queens are singing. They are dancing. Let me tell you, 64 00:03:08,240 --> 00:03:11,160 they are sweating like you wouldn't believe. 65 00:03:11,160 --> 00:03:13,880 It's basically a 75-minute workout, 66 00:03:13,880 --> 00:03:16,080 and there is no time for touch-ups. 67 00:03:16,080 --> 00:03:18,440 The most important thing is that your cast member 68 00:03:18,440 --> 00:03:21,120 needs to feel comfortable and confident in their look. 69 00:03:21,120 --> 00:03:23,800 But, listen, if the looks aren't up to standard tonight, 70 00:03:23,800 --> 00:03:27,160 the queens will be doing touch-ups for this evening's performance. 71 00:03:27,160 --> 00:03:28,800 Cooee! Up here! 72 00:03:28,800 --> 00:03:30,720 Oh, wow. Hello! Hello! Hi! 73 00:03:30,720 --> 00:03:32,040 LAUGHTER 74 00:03:32,040 --> 00:03:36,520 Remember, theatre make-up needs to be impactful. 75 00:03:36,520 --> 00:03:40,920 We need to be able to see your work from the front row, 76 00:03:40,920 --> 00:03:42,800 the royal box, 77 00:03:42,800 --> 00:03:46,280 and even way up in the gods. 78 00:03:46,280 --> 00:03:49,360 Whoever impresses me the most today 79 00:03:49,360 --> 00:03:52,240 will get the opportunity to do my make-up 80 00:03:52,240 --> 00:03:55,880 at the official premiere of the film version of Six. 81 00:03:55,880 --> 00:03:57,320 Oh! Wow! 82 00:03:57,320 --> 00:04:00,800 And you'll also get to attend as a VIP guest. 83 00:04:00,800 --> 00:04:02,680 THEY CHEER 84 00:04:04,360 --> 00:04:06,240 It's mind-boggling to be here. 85 00:04:06,240 --> 00:04:08,800 I'm thirsty and I really want that win. 86 00:04:08,800 --> 00:04:10,280 I'm going to do everything I can 87 00:04:10,280 --> 00:04:12,800 to make sure that I stand out from the rest. 88 00:04:12,800 --> 00:04:14,400 Hello! 89 00:04:14,400 --> 00:04:15,920 Hi! 90 00:04:15,920 --> 00:04:18,960 Six is a message of female empowerment, and 91 00:04:18,960 --> 00:04:21,600 for the MUAs doing the performers' make-up, 92 00:04:21,600 --> 00:04:23,040 I think it's a really cool opportunity. 93 00:04:23,040 --> 00:04:24,880 I love your energy. Thank you! 94 00:04:24,880 --> 00:04:26,120 I'm super psyched. 95 00:04:26,120 --> 00:04:28,680 It is combining a Tudor aesthetic 96 00:04:28,680 --> 00:04:31,080 with, like, a contemporary pop aesthetic. 97 00:04:31,080 --> 00:04:33,000 It's a really high-pressure thing to do. 98 00:04:33,000 --> 00:04:35,240 So, let's start. Mm-hm. 99 00:04:36,880 --> 00:04:40,320 With just 90 minutes to transform their performers, 100 00:04:40,320 --> 00:04:43,600 the MUAs must each get to grips with their queen's bespoke look. 101 00:04:43,600 --> 00:04:46,520 "Your cast member, Inez, plays Katherine Howard." 102 00:04:46,520 --> 00:04:50,360 The make-up on Six is a hugely important part of the production. 103 00:04:50,360 --> 00:04:52,440 Each queen has their own colour, 104 00:04:52,440 --> 00:04:56,000 and people dress up in the colours of their favourite queens. 105 00:04:56,000 --> 00:04:59,040 I'm playing Anne Boleyn, she's green, and... 106 00:04:59,040 --> 00:05:00,920 Each queen has a queen-spiration - 107 00:05:00,920 --> 00:05:03,880 a pop icon that they are inspired by. 108 00:05:03,880 --> 00:05:07,000 Alicia Keys, and who was it? 109 00:05:07,000 --> 00:05:08,200 Emeli Sande. 110 00:05:08,200 --> 00:05:11,360 And then they're all about pushing boundaries and being cool, 111 00:05:11,360 --> 00:05:12,640 and I love that. 112 00:05:12,640 --> 00:05:15,760 "Your queen-spiration is Rihanna and Nicki Minaj." 113 00:05:15,760 --> 00:05:18,320 They like very big, sculpted eyes, 114 00:05:18,320 --> 00:05:19,920 so I'm going to use a lot of colour. 115 00:05:19,920 --> 00:05:21,880 I'm going to use a lot of glitter. 116 00:05:21,880 --> 00:05:23,360 We're going to make her look 117 00:05:23,360 --> 00:05:25,120 fierce, strong, powerful. 118 00:05:26,200 --> 00:05:29,400 It's really important that the MUAs talk to their performers. 119 00:05:29,400 --> 00:05:31,840 This show is about empowerment 120 00:05:31,840 --> 00:05:34,520 and about feeling amazing in your skin. 121 00:05:34,520 --> 00:05:36,680 What's your usual vibe with the make-up? 122 00:05:36,680 --> 00:05:37,840 Jane Seymour. 123 00:05:37,840 --> 00:05:40,960 She's modelled on pop stars like Adele, Kelly Clarkson. OK. 124 00:05:40,960 --> 00:05:43,480 Loads of sparkle, like, loads of glitter. OK. 125 00:05:43,480 --> 00:05:46,160 Is there anything that you need from me? I love a bold eye. 126 00:05:46,160 --> 00:05:47,840 OK, we will go bold. Um... 127 00:05:47,840 --> 00:05:49,720 It's all about you. 128 00:05:49,720 --> 00:05:51,400 We're in this together. 129 00:05:52,600 --> 00:05:54,440 I want the performers to go out there tonight 130 00:05:54,440 --> 00:05:56,400 and feel their best and feel confident. 131 00:05:56,400 --> 00:06:00,320 So I really want to see the MUAs having that dialogue. 132 00:06:00,320 --> 00:06:02,960 Is there certain areas that you have, like, a really specific...? 133 00:06:02,960 --> 00:06:05,120 I mean, I'm looking at your eyes now and your big lashes, 134 00:06:05,120 --> 00:06:07,680 I'm like, yes. OK. Like, I love, like, a big lash. 135 00:06:07,680 --> 00:06:10,600 Love, like, a nice, strong brow. They just... Yeah. 136 00:06:10,600 --> 00:06:12,520 I don't think we need to do too much to your brows, 137 00:06:12,520 --> 00:06:14,840 to be completely honest. Again, love how yours look like. 138 00:06:14,840 --> 00:06:19,160 Oh, thank you. So, yeah, just to kind of carry everything. Perfect. 139 00:06:19,160 --> 00:06:21,000 I'm feeling so good. 140 00:06:21,000 --> 00:06:22,520 And I think I've got a lot to show. 141 00:06:22,520 --> 00:06:25,400 So this is hopefully just going to be like another notch in my belt! 142 00:06:26,960 --> 00:06:30,320 Katherine Howard's signature colour is pink. 143 00:06:30,320 --> 00:06:33,080 It's feminine. It's flirty. It's fun. 144 00:06:33,080 --> 00:06:34,680 We're going to start with eyes 145 00:06:34,680 --> 00:06:36,360 because I'm going to play with a lot of glitter, 146 00:06:36,360 --> 00:06:38,120 and I don't want that to affect the base. 147 00:06:38,120 --> 00:06:41,240 Bold eyes will be key to the queens' looks, 148 00:06:41,240 --> 00:06:45,920 so the MUAs must think carefully about product choice and design. 149 00:06:45,920 --> 00:06:47,640 For theatre make-up to be seen, 150 00:06:47,640 --> 00:06:51,000 there needs to be some exaggeration. 151 00:06:51,000 --> 00:06:52,240 More? Done. 152 00:06:52,240 --> 00:06:54,200 You've got to give the make-up dimension. 153 00:06:54,200 --> 00:06:57,920 So that might mean that you're using two or three colours. 154 00:06:59,480 --> 00:07:03,640 What I'm thinking is a wing, silver on the inner corner, 155 00:07:03,640 --> 00:07:05,440 and then this bit with silver as well. 156 00:07:05,440 --> 00:07:06,680 Yeah. Lovely. Yeah? 157 00:07:06,680 --> 00:07:11,360 You might be working with mattes, metallics, highlighters and glitters 158 00:07:11,360 --> 00:07:14,960 to really bring that make-up out and push it forward. 159 00:07:14,960 --> 00:07:17,360 I'm doing a really blown-out 160 00:07:17,360 --> 00:07:19,880 but strong blue smoky eye. 161 00:07:19,880 --> 00:07:22,440 Right now it looks a bit like hot garbage, 162 00:07:22,440 --> 00:07:25,960 but we're going to go in with some silvers. 163 00:07:25,960 --> 00:07:28,640 I'm excited about that bit. 164 00:07:28,640 --> 00:07:31,040 Make-up changed the trajectory of my life. 165 00:07:31,040 --> 00:07:33,080 When I found make-up, I was like, 166 00:07:33,080 --> 00:07:35,840 "This is where I'm meant to be." 167 00:07:35,840 --> 00:07:39,280 Recently, I've been teaching people with FASD how to do make-up. 168 00:07:39,280 --> 00:07:41,120 I've created a course 169 00:07:41,120 --> 00:07:44,840 and I teach people the basics in SFX, 170 00:07:44,840 --> 00:07:47,640 beauty, theatre make-up. 171 00:07:47,640 --> 00:07:50,160 It's so rewarding because you can see 172 00:07:50,160 --> 00:07:52,840 the difference make-up makes in one person's life. 173 00:07:52,840 --> 00:07:54,400 It gives them confidence, 174 00:07:54,400 --> 00:07:57,360 and hearing the feedback about how it changed their life, 175 00:07:57,360 --> 00:07:58,760 it makes me proud. 176 00:08:03,640 --> 00:08:04,960 I love Catherine Parr 177 00:08:04,960 --> 00:08:07,880 because she's, like, a strong female character. 178 00:08:07,880 --> 00:08:09,600 She survived. 179 00:08:09,600 --> 00:08:11,480 She don't need no man, period. 180 00:08:11,480 --> 00:08:12,920 SHE LAUGHS 181 00:08:12,920 --> 00:08:15,840 I'm going to add some dimension into the different shades. 182 00:08:15,840 --> 00:08:18,120 And we'll also have some black liner 183 00:08:18,120 --> 00:08:20,440 and add a bit more shimmer in the inner corners 184 00:08:20,440 --> 00:08:22,520 so that we've got that light reflecting. 185 00:08:22,520 --> 00:08:24,040 Welcome to open your eyes now. 186 00:08:24,040 --> 00:08:25,280 Oh, wow. 187 00:08:26,720 --> 00:08:28,040 Do you like the glitter? 188 00:08:28,040 --> 00:08:29,280 Yeah, I feel like... 189 00:08:29,280 --> 00:08:30,760 More of it? I don't know. Do you want more? 190 00:08:30,760 --> 00:08:32,000 Yeah, I think so. 191 00:08:33,400 --> 00:08:36,560 Are you liking that shape? Yeah. Yeah? You sure? Cool. 192 00:08:36,560 --> 00:08:38,040 For make-up student Ella, 193 00:08:38,040 --> 00:08:41,880 this assignment could be a crucial step in achieving a lifelong dream. 194 00:08:41,880 --> 00:08:44,520 Have you had any experience doing theatre make-up before? 195 00:08:44,520 --> 00:08:47,320 Yeah, I've done about five shows in the past. 196 00:08:47,320 --> 00:08:49,560 OK. Talk to me, girl. Yeah! 197 00:08:49,560 --> 00:08:51,360 I mean, nothing really like this, 198 00:08:51,360 --> 00:08:54,120 but I know about stage make-up and stuff. Yeah. 199 00:08:54,120 --> 00:08:56,360 So, yeah, hopefully it all goes well for me. 200 00:08:56,360 --> 00:08:57,800 I want to win! 201 00:09:01,560 --> 00:09:04,520 When I was at high school, I was way too scared to wear make-up 202 00:09:04,520 --> 00:09:07,080 because I wore mascara once, 203 00:09:07,080 --> 00:09:11,880 and it was like I'd come in in some ridiculous outfit or something! 204 00:09:11,880 --> 00:09:13,920 From there on, I didn't wear it. 205 00:09:13,920 --> 00:09:16,760 I never used to post my looks on social media 206 00:09:16,760 --> 00:09:19,440 because I was scared of what people would think of me. 207 00:09:19,440 --> 00:09:21,120 I went to art college. 208 00:09:21,120 --> 00:09:22,960 They didn't bully me for my appearance. 209 00:09:22,960 --> 00:09:24,520 They were all wearing make-up. 210 00:09:24,520 --> 00:09:27,760 So I started wearing make-up more and I just was happier. 211 00:09:27,760 --> 00:09:31,840 I was like, yeah, these people don't care. It's fine. 212 00:09:31,840 --> 00:09:34,160 I post a bit on social media now. 213 00:09:34,160 --> 00:09:36,160 I don't really care what people think of me any more. 214 00:09:36,160 --> 00:09:39,040 Like, I want to show the world what I can do 215 00:09:39,040 --> 00:09:40,920 and that I'm actually good at make-up. 216 00:09:44,320 --> 00:09:46,120 Fingers crossed, but somehow 217 00:09:46,120 --> 00:09:49,240 I think you've got this in the...bag! 218 00:09:52,960 --> 00:09:54,840 If you can just look up for me. 219 00:09:54,840 --> 00:09:58,520 I was in the last Face Off, which was a very stressful process. 220 00:09:58,520 --> 00:10:01,160 So I'm hoping today to really impress. 221 00:10:01,160 --> 00:10:02,920 This is going up higher than this. 222 00:10:02,920 --> 00:10:04,280 Which one did you want? 223 00:10:04,280 --> 00:10:06,280 Is it easier to make this one more like that? 224 00:10:06,280 --> 00:10:07,800 Yeah, but it's what you want. 225 00:10:07,800 --> 00:10:09,840 So if you want this, I can do it. 226 00:10:11,680 --> 00:10:14,040 Yeah, I think I do prefer this one. 227 00:10:15,720 --> 00:10:18,880 What are we thinking about Connor's start so far? 228 00:10:18,880 --> 00:10:21,480 He's been really, really good talking to the performer 229 00:10:21,480 --> 00:10:23,800 and just asking her what she feels comfortable with 230 00:10:23,800 --> 00:10:26,720 and if she feels confident, so I think it's a strong start. 231 00:10:26,720 --> 00:10:28,680 Naomi preferred the one on the right, 232 00:10:28,680 --> 00:10:30,520 so we're just going to go with that. 233 00:10:30,520 --> 00:10:32,000 This is probably going to set me back, 234 00:10:32,000 --> 00:10:34,240 but it's all about the performer. 235 00:10:34,240 --> 00:10:35,640 MUAs, 236 00:10:35,640 --> 00:10:37,800 you have had 45 minutes 237 00:10:37,800 --> 00:10:41,320 and you have another 45 minutes to go. 238 00:10:41,320 --> 00:10:42,920 We got this! Yeah. 239 00:10:42,920 --> 00:10:45,200 45 minutes. Easy! 240 00:10:47,840 --> 00:10:49,800 With eye looks mapped out, 241 00:10:49,800 --> 00:10:51,160 next for the MUAs - 242 00:10:51,160 --> 00:10:53,800 giving their queens flawless skin. 243 00:10:53,800 --> 00:10:56,440 I'm just colour correcting some pigmentation, 244 00:10:56,440 --> 00:10:58,400 just so that when I put the foundation on, 245 00:10:58,400 --> 00:10:59,960 it'll be, like, even. 246 00:10:59,960 --> 00:11:02,520 I really want to get the skin match perfect. 247 00:11:02,520 --> 00:11:06,800 Under those lights, if a tone is wrong, it can go ashy so quick. 248 00:11:06,800 --> 00:11:08,320 We want it to be like 249 00:11:08,320 --> 00:11:11,200 smooth, buttery, chocolaty, melanin gorgeousness. 250 00:11:12,600 --> 00:11:15,480 Skin tone in particular is something to be careful of 251 00:11:15,480 --> 00:11:16,960 when working in theatre. 252 00:11:16,960 --> 00:11:19,160 You've got to understand colour theory 253 00:11:19,160 --> 00:11:21,360 because the lighting can wash it out a lot. 254 00:11:24,200 --> 00:11:26,960 Look towards the side for me. 255 00:11:26,960 --> 00:11:28,680 No, that's too ashy. 256 00:11:31,640 --> 00:11:33,200 I'm going to lay it down and then just 257 00:11:33,200 --> 00:11:36,320 make sure I use the sponge to get it even. OK. 258 00:11:36,320 --> 00:11:38,400 Don't let me forget. 259 00:11:38,400 --> 00:11:40,240 Let's see. What do we think? 260 00:11:42,080 --> 00:11:43,760 I think it's just a little... 261 00:11:43,760 --> 00:11:45,120 ..a little bit dark. 262 00:11:45,120 --> 00:11:47,200 Dark? Yeah. OK. 263 00:11:47,200 --> 00:11:48,520 I can adjust it. 264 00:11:50,040 --> 00:11:52,680 Do you usually contour? 265 00:11:52,680 --> 00:11:55,400 Yeah, yeah. Otherwise I just look like a moon. 266 00:11:55,400 --> 00:11:56,760 Like a little moon! 267 00:11:59,720 --> 00:12:03,200 My queen's inspiration is Beyonce and Shakira! 268 00:12:03,200 --> 00:12:06,080 So we're going fierce and fabulous. 269 00:12:06,080 --> 00:12:09,000 You probably want to go a little bit bolder with the contour... OK. 270 00:12:09,000 --> 00:12:12,040 ..than maybe you would normally. 271 00:12:12,040 --> 00:12:14,760 With most of the make-up looks well under way, 272 00:12:14,760 --> 00:12:18,480 Rossi is still working on matching his performer's skin tone. 273 00:12:18,480 --> 00:12:21,400 I really wanted to try and get it as close as possible 274 00:12:21,400 --> 00:12:23,720 so she feels as comfortable as possible. 275 00:12:23,720 --> 00:12:25,520 So I tried mixing one. 276 00:12:25,520 --> 00:12:27,640 We both thought it was a shade too dark, 277 00:12:27,640 --> 00:12:30,880 so we've settled on using a cream colour 278 00:12:30,880 --> 00:12:32,960 that's in the concealer palette. 279 00:12:34,240 --> 00:12:36,000 Well, Rossi started off strong, 280 00:12:36,000 --> 00:12:39,080 but I feel like he might be doubting himself here. 281 00:12:39,080 --> 00:12:41,840 Do you normally blend it into your neck as well? 282 00:12:41,840 --> 00:12:43,360 Um, you could do. 283 00:12:44,440 --> 00:12:48,080 We haven't got that much time, so he needs to get a move on. 284 00:12:48,080 --> 00:12:51,080 I need to keep trucking and whatever happens, happens. 285 00:12:55,640 --> 00:12:56,920 What do you think about, 286 00:12:56,920 --> 00:12:59,760 you know, when you start from, like, the nose...? 287 00:12:59,760 --> 00:13:02,640 Because of you having slightly hooded eyes, 288 00:13:02,640 --> 00:13:04,400 it can actually close it up. 289 00:13:04,400 --> 00:13:06,400 OK, how are we doing? 290 00:13:06,400 --> 00:13:09,040 How are we feeling about the boldness of the look? 291 00:13:09,040 --> 00:13:11,120 I'd like to speak for you in the sense of, 292 00:13:11,120 --> 00:13:13,880 I hope you're feeling sassy as hell. 293 00:13:13,880 --> 00:13:16,360 We're getting that really nice, sharp look to the eyes. 294 00:13:16,360 --> 00:13:18,600 So she's going to be... People are going to be looking at her, 295 00:13:18,600 --> 00:13:21,200 being like, that's who I want to be. 296 00:13:21,200 --> 00:13:22,880 What are we thinking of Shania's look? 297 00:13:22,880 --> 00:13:25,080 I feel like they can be a bit bolder, 298 00:13:25,080 --> 00:13:27,760 just to have a bit more drama to the look. 299 00:13:27,760 --> 00:13:30,440 Shania has got amazing bold make-up, 300 00:13:30,440 --> 00:13:33,800 so I'd love to see more of that in the performer. 301 00:13:37,920 --> 00:13:42,240 MUAs, you have 30 minutes left. 302 00:13:42,240 --> 00:13:44,080 OK, let's get going. Thank you. 303 00:13:45,520 --> 00:13:47,880 OK? Yeah. Love it. 304 00:13:47,880 --> 00:13:49,840 If the queens aren't completely happy, 305 00:13:49,840 --> 00:13:52,080 they'll touch up their looks before tonight's show, 306 00:13:52,080 --> 00:13:54,720 so guest judge Aimie is checking in. 307 00:13:54,720 --> 00:13:56,280 Is there anything you would like to change? 308 00:13:56,280 --> 00:13:59,360 The base is definitely there. I love the contouring. Uh-huh. 309 00:13:59,360 --> 00:14:01,600 But it's just the finish of it. Yeah. 310 00:14:02,840 --> 00:14:04,600 Do you feel confident? Is there anything you need? 311 00:14:04,600 --> 00:14:06,560 To be comfortable to go onstage, 312 00:14:06,560 --> 00:14:10,160 probably want a bit more of an angle to the eye. 313 00:14:10,160 --> 00:14:14,360 OK. There's not long left, so let's get this look finished. 314 00:14:14,360 --> 00:14:15,720 Yeah. 315 00:14:17,120 --> 00:14:18,960 It's not what I wanted. 316 00:14:18,960 --> 00:14:22,360 And I feel like I've done a bit of a disservice to my queen. 317 00:14:22,360 --> 00:14:24,840 I think she deserves much better. 318 00:14:24,840 --> 00:14:26,320 Not my best work. 319 00:14:28,480 --> 00:14:29,880 He sort of said to the performer 320 00:14:29,880 --> 00:14:31,840 that he's not feeling too good about it, 321 00:14:31,840 --> 00:14:34,200 which, obviously, as a performer, you don't want to hear that. 322 00:14:34,200 --> 00:14:36,240 I don't want to hear that! You want to feel fabulous. 323 00:14:36,240 --> 00:14:38,280 I would prefer it if he keeps it to himself, you know, 324 00:14:38,280 --> 00:14:39,720 that he's feeling that way. 325 00:14:42,520 --> 00:14:43,960 Oh, God! 326 00:14:46,120 --> 00:14:48,000 Um, I'm just checking on all the areas 327 00:14:48,000 --> 00:14:50,640 and making sure everything is blended and neat. 328 00:14:52,400 --> 00:14:55,760 I'm going to go in with a deeper colour. 329 00:14:57,480 --> 00:14:59,320 I'm a little bit nervous right now. 330 00:15:02,480 --> 00:15:04,160 I need to do your lips. 331 00:15:11,560 --> 00:15:14,640 You have ten minutes left. 332 00:15:14,640 --> 00:15:15,840 Oh! 333 00:15:15,840 --> 00:15:16,920 If you look up... 334 00:15:16,920 --> 00:15:19,240 I need to finish the eyes, need to do the lashes, 335 00:15:19,240 --> 00:15:21,360 underneath, need to smoke out. I need to blend. 336 00:15:21,360 --> 00:15:22,920 It's just... 337 00:15:22,920 --> 00:15:24,080 ..a lot. 338 00:15:30,640 --> 00:15:31,960 Any other areas at all, 339 00:15:31,960 --> 00:15:34,000 whilst we've still got a couple of minutes left? 340 00:15:34,000 --> 00:15:36,000 A little bit more... 341 00:15:36,000 --> 00:15:37,200 ..brow. 342 00:15:37,200 --> 00:15:38,640 A little bit more brow? OK. Yeah. 343 00:15:38,640 --> 00:15:41,160 You know how yours are, like, really strong? 344 00:15:41,160 --> 00:15:42,680 Yeah. Like that. 345 00:15:43,880 --> 00:15:46,720 I could even go, like, more like...like... 346 00:15:46,720 --> 00:15:48,920 On the top end. Yeah? Yeah. Let's add some more. 347 00:15:48,920 --> 00:15:50,240 Close your eyes. Yeah. Thank you. 348 00:15:50,240 --> 00:15:51,560 Yes. 349 00:15:51,560 --> 00:15:53,960 More wing. Wing. Yeah. More wing. 350 00:15:53,960 --> 00:15:56,280 Going to do the eyeliner as well, right? 351 00:15:56,280 --> 00:15:57,480 Yes. 352 00:15:57,480 --> 00:15:59,120 Last bit of setting spray. Yep. 353 00:15:59,120 --> 00:16:00,840 Ready? Mm-hm. 354 00:16:00,840 --> 00:16:03,720 One, two, three... 355 00:16:05,600 --> 00:16:07,320 ..four, five. 356 00:16:07,320 --> 00:16:08,880 Time is up. 357 00:16:08,880 --> 00:16:11,520 The queens need to get into their costumes, 358 00:16:11,520 --> 00:16:13,080 into their wigs. 359 00:16:13,080 --> 00:16:14,440 Well done, everyone. 360 00:16:17,720 --> 00:16:19,080 Not my best work, 361 00:16:19,080 --> 00:16:22,720 um, and I apologise for you. 362 00:16:22,720 --> 00:16:24,360 Follow me, everyone. 363 00:16:24,360 --> 00:16:26,000 Thank you. See you later. 364 00:16:26,000 --> 00:16:28,520 Bye. Good luck. Thanks. See you later. Bye. 365 00:16:28,520 --> 00:16:30,880 Thank you. It's been a pleasure. 366 00:16:33,040 --> 00:16:34,960 You did amazing. You did so good. 367 00:16:34,960 --> 00:16:36,600 Thank you! 368 00:16:36,600 --> 00:16:38,520 We did it! Yes! 369 00:16:38,520 --> 00:16:40,040 Mine was terrible. 370 00:16:40,040 --> 00:16:41,720 Don't, you always say that, Rossi. 371 00:16:41,720 --> 00:16:43,480 No, no, this time I'm being deadly serious. 372 00:16:43,480 --> 00:16:45,520 Deadly, deadly serious? What do you think went wrong? 373 00:16:45,520 --> 00:16:47,360 We still have the creative brief. Yeah. 374 00:16:47,360 --> 00:16:49,120 The war is not over yet. 375 00:16:51,800 --> 00:16:53,600 Costumes and wigs on, 376 00:16:53,600 --> 00:16:57,320 the judges must now decide which looks are royalty ready 377 00:16:57,320 --> 00:17:00,160 and which wives need more work. 378 00:17:00,160 --> 00:17:03,120 I feel that I have hit all of the judging criteria. 379 00:17:03,120 --> 00:17:06,800 I wouldn't redo any of the make-up that I completed, 380 00:17:06,800 --> 00:17:09,960 so I'm hoping, fingers crossed, it's worked out perfectly. 381 00:17:12,640 --> 00:17:13,880 How are you feeling? 382 00:17:13,880 --> 00:17:15,800 I love the smoky eye look. 383 00:17:15,800 --> 00:17:18,200 I think I would have just added a little bit more gold 384 00:17:18,200 --> 00:17:20,720 so you can see it from far away. Yeah. 385 00:17:20,720 --> 00:17:22,440 Up in the gods... Yeah. 386 00:17:22,440 --> 00:17:24,440 ..there's not going to be the drama there. 387 00:17:24,440 --> 00:17:27,760 I would have actually put the gold up to the brow bone. Yes. 388 00:17:27,760 --> 00:17:29,560 I looked at Shania's make-up and I thought, 389 00:17:29,560 --> 00:17:31,840 "Oh, my God, just do your make-up in gold." Yes. 390 00:17:31,840 --> 00:17:36,080 And so I do feel that that wasn't quite done. 391 00:17:36,080 --> 00:17:38,360 What we needed was Shania, 392 00:17:38,360 --> 00:17:40,520 but at 11. Yeah. 393 00:17:40,520 --> 00:17:42,080 Like, turn that volume right up. Yeah. 394 00:17:42,080 --> 00:17:44,560 Yeah, I think she played it a little safe. Mm. Yeah. 395 00:17:44,560 --> 00:17:48,200 So will you be doing any touch-ups for the performance this evening? 396 00:17:48,200 --> 00:17:50,280 Yes. I will be adding more glitter, 397 00:17:50,280 --> 00:17:53,400 because we just need it for this show. And definitely for me, 398 00:17:53,400 --> 00:17:55,560 we'll be adding some eyeliner for sure. 399 00:17:59,400 --> 00:18:01,600 I'm not really used to doing theatre make-up, 400 00:18:01,600 --> 00:18:03,640 but I think my actress liked it. 401 00:18:03,640 --> 00:18:04,800 I hope she did. 402 00:18:04,800 --> 00:18:06,120 So how do you feel? 403 00:18:06,120 --> 00:18:07,920 I love how bold everything is. 404 00:18:07,920 --> 00:18:11,640 Up in the gods, what you're going to see is a big old green eye, 405 00:18:11,640 --> 00:18:14,160 and I tell you, that is a big old green eye. 406 00:18:14,160 --> 00:18:16,680 Like, I want to see a bolder line on those lips, 407 00:18:16,680 --> 00:18:18,760 cos she's got a line in the show, which is, 408 00:18:18,760 --> 00:18:20,840 "Your lipstick's red." Red. Yes. 409 00:18:20,840 --> 00:18:24,000 Finlay needed a bit more finesse. 410 00:18:24,000 --> 00:18:26,000 I will be doing some touch-ups. 411 00:18:26,000 --> 00:18:28,840 I think I would go more with the contour 412 00:18:28,840 --> 00:18:30,880 and blend out all the edges. 413 00:18:34,800 --> 00:18:36,080 It is my week. 414 00:18:36,080 --> 00:18:37,640 I am hoping that I win, 415 00:18:37,640 --> 00:18:40,280 but I just feel a bit, like, 416 00:18:40,280 --> 00:18:42,600 unsure now I've seen other people's looks. 417 00:18:42,600 --> 00:18:44,720 Are you happy with your overall look? 418 00:18:44,720 --> 00:18:46,240 I love the amount of glitter. 419 00:18:46,240 --> 00:18:48,600 I mean, I am a literal walking disco ball 420 00:18:48,600 --> 00:18:50,880 so I wanted the make-up to match. Yeah. 421 00:18:50,880 --> 00:18:53,400 And I think she's done a fantastic job. 422 00:18:53,400 --> 00:18:56,400 I'm liking this strong eye look. Yeah. 423 00:18:56,400 --> 00:18:59,280 You can definitely see that glitter from up there. Yeah. 424 00:18:59,280 --> 00:19:01,800 This is the one that's really going to sparkle, 425 00:19:01,800 --> 00:19:03,520 all the way up into the gods. Yeah. 426 00:19:03,520 --> 00:19:05,880 No touch-ups for me. I'm really, really happy. 427 00:19:11,000 --> 00:19:12,880 It was nice to put a bit of me into it. 428 00:19:12,880 --> 00:19:14,600 Bit of colour, bit of glitter, 429 00:19:14,600 --> 00:19:15,840 more glam. 430 00:19:15,840 --> 00:19:17,480 I loved my final look. 431 00:19:17,480 --> 00:19:18,880 How are you feeling? 432 00:19:18,880 --> 00:19:20,880 Yeah, I think Connor did a really, really great job. 433 00:19:20,880 --> 00:19:22,640 I'm in love with the eye. 434 00:19:22,640 --> 00:19:24,240 I think the skin is also flawless. 435 00:19:24,240 --> 00:19:25,840 The eyes are absolutely stunning. Yeah. 436 00:19:25,840 --> 00:19:28,600 It's amazing, with the silver in the corners and then the red. 437 00:19:28,600 --> 00:19:30,160 It's just really opening them up. 438 00:19:30,160 --> 00:19:32,160 The dominating colour is the red. 439 00:19:32,160 --> 00:19:35,000 It really harmonises with the costume perfectly. 440 00:19:35,000 --> 00:19:36,760 You see the character. 441 00:19:36,760 --> 00:19:38,600 It's an incredible make-up. 442 00:19:38,600 --> 00:19:40,520 So stage ready, then? Yeah. 443 00:19:45,320 --> 00:19:48,480 I tried to be more decisive with the make-up. 444 00:19:48,480 --> 00:19:52,240 Val and Dom did critique me on my previous assignment 445 00:19:52,240 --> 00:19:54,520 about not being decisive with my look. 446 00:19:54,520 --> 00:19:56,880 Katherine Howard, everyone! 447 00:19:56,880 --> 00:19:58,520 This is very close to my heart, 448 00:19:58,520 --> 00:20:00,040 but are you overall happy with everything? 449 00:20:00,040 --> 00:20:02,000 I'm happy with it, yeah. 450 00:20:02,000 --> 00:20:04,720 I have to say, out of all the eye looks, 451 00:20:04,720 --> 00:20:09,520 this is the boldest in terms of shape and placement. 452 00:20:09,520 --> 00:20:11,040 And actually it really works. 453 00:20:11,040 --> 00:20:12,920 I'm going to hazard a guess. 454 00:20:12,920 --> 00:20:15,400 Is it Ariana Grande? Woohoo! 455 00:20:15,400 --> 00:20:17,520 How could you tell?! Oh, my God! 456 00:20:17,520 --> 00:20:22,800 I think the eyes really sing out about your queen-spiration. 457 00:20:22,800 --> 00:20:25,040 I think Jess has done a treat. 458 00:20:25,040 --> 00:20:29,000 So, the big question is, will you be doing any touch-ups this evening? 459 00:20:29,000 --> 00:20:32,280 Only a slight little contour on the nose. 460 00:20:32,280 --> 00:20:33,640 That's about it. 461 00:20:39,120 --> 00:20:40,640 I'm really unhappy with my look. 462 00:20:40,640 --> 00:20:42,720 I think I put way too much pressure on myself. 463 00:20:42,720 --> 00:20:44,160 It wasn't my day today. 464 00:20:44,160 --> 00:20:47,280 It's such a shame because this is what I love. 465 00:20:47,280 --> 00:20:48,640 How do you feel? Do you feel good? 466 00:20:48,640 --> 00:20:51,400 Where we kind of run into a little bit of a snag 467 00:20:51,400 --> 00:20:53,880 was the foundation matching. 468 00:20:53,880 --> 00:20:58,800 With the lips, normally I do, like, the darker colour on the outside. 469 00:20:58,800 --> 00:21:04,080 I would have liked to have seen some more contour and highlight. 470 00:21:04,080 --> 00:21:11,160 For me, although I feel like this is a perfect execution of make-up, 471 00:21:11,160 --> 00:21:13,360 we've lost the structure. 472 00:21:13,360 --> 00:21:16,200 There was no execution, because this is the wife that survived. 473 00:21:16,200 --> 00:21:17,440 LAUGHTER 474 00:21:17,440 --> 00:21:18,960 Oh, see what you did there! 475 00:21:20,000 --> 00:21:22,680 There was a moment where Rossi sort of divulged to us 476 00:21:22,680 --> 00:21:24,280 that he wasn't happy with the look. 477 00:21:24,280 --> 00:21:25,880 The most important thing here 478 00:21:25,880 --> 00:21:29,560 is that you feel comfortable and confident. 479 00:21:29,560 --> 00:21:33,680 So, that's a bit of a no-no, to do that to your client. 480 00:21:33,680 --> 00:21:36,240 Will you be doing any touch-ups this evening? 481 00:21:36,240 --> 00:21:37,840 Just with the lips. 482 00:21:39,000 --> 00:21:42,280 As the audience starts arriving for tonight's performance, 483 00:21:42,280 --> 00:21:47,040 it's time for our MUAs to find out if their looks are West End worthy. 484 00:21:49,640 --> 00:21:53,560 There were two performers who were super happy with their looks, 485 00:21:53,560 --> 00:21:57,560 and those two performers, their MUAs are... 486 00:21:57,560 --> 00:21:59,840 ..Ella and Connor. 487 00:22:01,080 --> 00:22:02,360 Well done. 488 00:22:03,640 --> 00:22:06,120 The winning MUA delivered a flawless look, 489 00:22:06,120 --> 00:22:08,880 adding their own creative flair, 490 00:22:08,880 --> 00:22:12,240 and, actually, the performer said that they will be using this design 491 00:22:12,240 --> 00:22:13,800 in future shows. 492 00:22:13,800 --> 00:22:17,240 So, the winning MUA is... 493 00:22:18,640 --> 00:22:20,000 ..Connor! 494 00:22:20,000 --> 00:22:21,840 Whoo! Yay! 495 00:22:21,840 --> 00:22:24,120 ALL CHEER 496 00:22:25,280 --> 00:22:27,760 I'm really excited that it's my first big win. 497 00:22:27,760 --> 00:22:31,200 My performer, Naomi, has said that she'd use it in future shows. 498 00:22:31,200 --> 00:22:32,480 It's just amazing. 499 00:22:32,480 --> 00:22:35,080 I owned it, so I'm just really proud of myself. 500 00:22:36,480 --> 00:22:38,720 Before the queens take to the stage, 501 00:22:38,720 --> 00:22:42,240 the judges must agree which MUAs will start tomorrow 502 00:22:42,240 --> 00:22:44,040 in the red Face Off chairs. 503 00:22:44,040 --> 00:22:48,400 So we have four queens who are doing retouches for the show tonight. 504 00:22:48,400 --> 00:22:52,080 We have Rossi, Jess, Shania and Finley. 505 00:22:52,080 --> 00:22:57,080 I hope that I did a good enough job to not be in danger tomorrow. 506 00:22:57,080 --> 00:22:59,920 Finley's make-up just needed more finesse. 507 00:22:59,920 --> 00:23:03,200 Yeah. That extra contour and blending, 508 00:23:03,200 --> 00:23:07,040 and it would have just given a bit more power to the look. 509 00:23:07,040 --> 00:23:09,640 Mm-hm. Shania's performer was great, but where was the glitter? 510 00:23:09,640 --> 00:23:11,880 Without that, you're not really going to see it 511 00:23:11,880 --> 00:23:13,080 all the way up there. No. 512 00:23:13,080 --> 00:23:15,800 I have never done stage make-up before, so this was new to me, 513 00:23:15,800 --> 00:23:17,960 but I'd like to think that it's enough 514 00:23:17,960 --> 00:23:19,360 to not be in that chair. 515 00:23:19,360 --> 00:23:21,360 I mean, Jess did really well. 516 00:23:21,360 --> 00:23:25,080 Her performer just wanted to make a couple of little adjustments. 517 00:23:25,080 --> 00:23:27,240 I mean, that's really good. 518 00:23:27,240 --> 00:23:30,920 Rossi's performer just didn't quite, you know, feel confident enough 519 00:23:30,920 --> 00:23:32,360 with her make-up. 520 00:23:32,360 --> 00:23:34,920 If the make-up's not quite on point, you're not feeling your best. 521 00:23:34,920 --> 00:23:36,800 You're not going to do your best job. 522 00:23:36,800 --> 00:23:39,240 It really did not go in my favour today - 523 00:23:39,240 --> 00:23:41,240 but if I am in the red chair, 524 00:23:41,240 --> 00:23:44,240 then I'm going to try my hardest to get out of them. 525 00:23:44,240 --> 00:23:47,720 So I think we know which two will end up in the red Face Off chairs. 526 00:23:47,720 --> 00:23:48,920 Yeah. 527 00:23:48,920 --> 00:23:49,960 Yeah. 528 00:23:56,680 --> 00:23:58,800 Good morning, guys. 529 00:23:58,800 --> 00:24:00,000 Look at you! 530 00:24:00,000 --> 00:24:01,160 Something new. 531 00:24:01,160 --> 00:24:03,600 This is a whole moment. 532 00:24:03,600 --> 00:24:06,080 So, how is everyone feeling after yesterday? 533 00:24:06,080 --> 00:24:07,680 Feeling very nervous about today. 534 00:24:07,680 --> 00:24:10,400 Mm. Why? Because I don't know if I'm in the red chair. 535 00:24:10,400 --> 00:24:12,040 I can do my look in the red chair, 536 00:24:12,040 --> 00:24:14,200 but it's still that, like, nerves of it. 537 00:24:14,200 --> 00:24:17,520 My look was not up to par with everyone else's yesterday, 538 00:24:17,520 --> 00:24:20,760 but I just have to stay focused and confident. 539 00:24:20,760 --> 00:24:22,040 And Jess? 540 00:24:22,040 --> 00:24:24,560 If I am in the red chairs, I've come out of them before, 541 00:24:24,560 --> 00:24:26,160 I'll do it again, and it's fine. 542 00:24:29,360 --> 00:24:33,080 If an MUA finds their name on one of the two red chairs, 543 00:24:33,080 --> 00:24:35,760 then they are heading for the Face Off elimination 544 00:24:35,760 --> 00:24:36,920 at the end of the day. 545 00:24:36,920 --> 00:24:38,200 Oh, my God! 546 00:24:39,200 --> 00:24:40,400 Oh, yeah! 547 00:24:46,760 --> 00:24:49,040 It's OK. You've got it, honestly. 548 00:24:56,280 --> 00:24:58,000 Rossi, Shania, 549 00:24:58,000 --> 00:25:00,760 as you can see, you guys are in the red Face Off chairs, 550 00:25:00,760 --> 00:25:02,640 meaning you'll have 15 minutes less 551 00:25:02,640 --> 00:25:05,040 to complete today's creative brief. 552 00:25:05,040 --> 00:25:08,720 Shania, your look lacked boldness and drama. 553 00:25:08,720 --> 00:25:11,600 It needed eyeliner and a lot more glitter. 554 00:25:11,600 --> 00:25:14,880 Your queen wanted to see your look on her. 555 00:25:14,880 --> 00:25:17,640 Rossi, your look fell flat. 556 00:25:17,640 --> 00:25:21,880 Plus, in front of your queen, you said it was not your best work. 557 00:25:21,880 --> 00:25:23,360 Your job as an MUA 558 00:25:23,360 --> 00:25:27,800 is to make your client feel confident and amazing. 559 00:25:30,080 --> 00:25:32,200 Yesterday we went from the Queens of England. 560 00:25:32,200 --> 00:25:35,520 Today we're going to the queen of make-up. 561 00:25:35,520 --> 00:25:39,800 Without further ado, let me introduce you to your guest judge... 562 00:25:39,800 --> 00:25:43,840 ..NikkieTutorials! 563 00:25:45,600 --> 00:25:48,000 Hello, darlings. I'm back! 564 00:25:50,680 --> 00:25:53,360 Nikkie is an icon of the beauty community... 565 00:25:53,360 --> 00:25:54,560 Watch me do it. 566 00:25:54,560 --> 00:25:56,560 Oh, my God. What?! 567 00:25:56,560 --> 00:25:59,640 ..working with high-profile celebs such as Megan Thee Stallion 568 00:25:59,640 --> 00:26:02,320 and Kim Kardashian, to name just a few. 569 00:26:02,320 --> 00:26:04,080 Guess who I'm here with, guys. 570 00:26:04,080 --> 00:26:06,760 Nikkie's personal story, warm personality 571 00:26:06,760 --> 00:26:08,200 and eye for transformations 572 00:26:08,200 --> 00:26:10,720 have captured the hearts and inspired the careers 573 00:26:10,720 --> 00:26:13,440 of wannabe MUAs across the globe. 574 00:26:13,440 --> 00:26:14,960 Oh, my God! 575 00:26:14,960 --> 00:26:16,160 My mind is just...! 576 00:26:17,440 --> 00:26:19,040 I'm so excited to meet you 577 00:26:19,040 --> 00:26:23,200 and I can't wait to see what you do in today's creative brief. 578 00:26:23,200 --> 00:26:26,680 Today's creative brief is all about reinvention and renewal. 579 00:26:26,680 --> 00:26:29,200 We want you to create a transformative look 580 00:26:29,200 --> 00:26:32,880 that utilises an element of re-using and recycling. 581 00:26:32,880 --> 00:26:35,560 Turn your trash into treasure. 582 00:26:35,560 --> 00:26:38,640 MUAs, you'll have two and a half hours to reinvent yourself. 583 00:26:38,640 --> 00:26:42,160 Rossi, Shania, I'll let you know when you guys can start, 584 00:26:42,160 --> 00:26:45,600 but the rest of you, your time starts...now. 585 00:26:51,760 --> 00:26:54,760 I'm completely amazed that I'm not in the red chairs, 586 00:26:54,760 --> 00:26:56,600 and now I just don't want to muck it up. 587 00:26:57,800 --> 00:27:03,840 My look today is re-using parts of a cosplay I wore last year. 588 00:27:03,840 --> 00:27:08,240 The character is this punk singer in my favourite anime. 589 00:27:08,240 --> 00:27:11,480 I want to implement leather and piercings 590 00:27:11,480 --> 00:27:14,120 in a new and inventive way. 591 00:27:14,120 --> 00:27:15,160 Welcome back. 592 00:27:15,160 --> 00:27:16,960 Thanks for having me. Little cheers, Val. 593 00:27:16,960 --> 00:27:19,920 Welcome back to the studio. I am so... Oh, ding dong, darling. 594 00:27:19,920 --> 00:27:21,040 Hoo...! 595 00:27:21,040 --> 00:27:23,560 The only way for Rossi and Shania to beat the seat 596 00:27:23,560 --> 00:27:26,760 is to wow the judges with their upcycled look. 597 00:27:26,760 --> 00:27:28,640 What's going on, Rossi? 598 00:27:28,640 --> 00:27:32,000 I'm feeling a bit deflated, 599 00:27:32,000 --> 00:27:35,440 but I will not let my confidence be blown. 600 00:27:35,440 --> 00:27:37,520 What is your reinvention look? 601 00:27:37,520 --> 00:27:39,640 So, as a child, I used to play with hot glue 602 00:27:39,640 --> 00:27:42,400 on my bedroom floor carpet. 603 00:27:42,400 --> 00:27:43,680 I'm sure your parents loved that. 604 00:27:43,680 --> 00:27:45,200 Yeah, my mother loved it! 605 00:27:45,200 --> 00:27:49,800 So I wanted to take that kind of idea of hot glue, craftiness, DIY, 606 00:27:49,800 --> 00:27:52,800 and bring it into a more fashion forward look. 607 00:27:52,800 --> 00:27:55,400 OK, Rossi. Well, let's see if you can beat the seat. 608 00:27:55,400 --> 00:27:57,320 Yeah. You got this. 609 00:27:58,360 --> 00:27:59,640 Oh... 610 00:28:03,280 --> 00:28:04,320 OK. I love it. 611 00:28:04,320 --> 00:28:05,440 You're writing down... 612 00:28:05,440 --> 00:28:07,920 ..writing down all the things like you're Miss Marple. 613 00:28:07,920 --> 00:28:09,200 It's like... What? 614 00:28:09,200 --> 00:28:13,760 By the end of this episode, I'll know who the murderer is. 615 00:28:13,760 --> 00:28:15,520 Yeah. I'll give you a hint. 616 00:28:15,520 --> 00:28:17,760 Plot twist! It's always Val. Yeah! 617 00:28:19,400 --> 00:28:22,640 Connor's look reflects on his time as a dance student. 618 00:28:22,640 --> 00:28:25,960 My look is inspired by a robot. 619 00:28:25,960 --> 00:28:28,080 Like a dance robot. 620 00:28:28,080 --> 00:28:31,240 Cos in dance training, you are all told to be the same way 621 00:28:31,240 --> 00:28:32,480 and act the same way. 622 00:28:32,480 --> 00:28:35,440 So I'm sort of renewing that stereotype. 623 00:28:35,440 --> 00:28:37,640 So my first step is to block out the brows 624 00:28:37,640 --> 00:28:39,600 just because I want a blank canvas. 625 00:28:41,000 --> 00:28:42,960 So, everyone's blocking brows, huh? 626 00:28:42,960 --> 00:28:46,440 One, two, three, four blocked brows. TING! TING! TING! TING! 627 00:28:46,440 --> 00:28:49,280 I'm a little afraid that we're going to have... 628 00:28:49,280 --> 00:28:51,400 ..a lot of similar looks today. 629 00:28:51,400 --> 00:28:55,360 For Finley, using recycled materials to save money on his looks 630 00:28:55,360 --> 00:28:57,960 is something of a speciality. 631 00:28:57,960 --> 00:29:00,200 I'm a uni student. Because of limited funds, 632 00:29:00,200 --> 00:29:02,640 I end up just seeing what I have around the house, 633 00:29:02,640 --> 00:29:05,360 so this isn't too out of the ordinary for me. 634 00:29:05,360 --> 00:29:08,480 I'm using small pill caps 635 00:29:08,480 --> 00:29:12,480 from some acne medication that I was on for a while. 636 00:29:12,480 --> 00:29:15,200 It was... It was a bit upsetting and quite painful, 637 00:29:15,200 --> 00:29:18,440 and so I feel like part of me is, like, happy 638 00:29:18,440 --> 00:29:20,640 that I've had that transformation, as well. 639 00:29:23,200 --> 00:29:25,480 Ella whacking on that colour! 640 00:29:25,480 --> 00:29:26,720 Very white. 641 00:29:26,720 --> 00:29:29,000 Oh, God. This - this 15 minutes feels longer 642 00:29:29,000 --> 00:29:30,560 than when we were first in it. 643 00:29:35,920 --> 00:29:37,000 Oh... 644 00:29:37,000 --> 00:29:38,920 Rossi. Shania. 645 00:29:38,920 --> 00:29:40,760 Your time starts now. 646 00:29:40,760 --> 00:29:43,080 Reduce, re-use, recycle! 647 00:29:46,320 --> 00:29:47,880 Let's do this. 648 00:29:47,880 --> 00:29:51,640 This is my second time in this horrible red chair, 649 00:29:51,640 --> 00:29:53,160 but it matches my look today. 650 00:29:53,160 --> 00:29:54,560 So maybe it's a sign. 651 00:29:54,560 --> 00:29:56,120 Maybe it's good vibes. 652 00:29:56,120 --> 00:29:57,560 Optimistic. 653 00:29:57,560 --> 00:29:59,720 I want this look to do well. 654 00:29:59,720 --> 00:30:02,200 I just need to be confident within myself. 655 00:30:03,960 --> 00:30:05,400 Do I look beautiful?! 656 00:30:06,840 --> 00:30:09,360 Jess has gone with a punk-inspired look. 657 00:30:10,600 --> 00:30:15,640 So I'm currently using scar wax to extend my brow bone 658 00:30:15,640 --> 00:30:19,760 where I'm going to pierce through my leather fabric 659 00:30:19,760 --> 00:30:25,440 and my gold studs that are going to give this leather jacket vibe. 660 00:30:30,440 --> 00:30:31,480 Ella. Whoa! 661 00:30:31,480 --> 00:30:33,800 Oh, my gosh, you have so much on already. 662 00:30:33,800 --> 00:30:35,680 You went straight in. 663 00:30:35,680 --> 00:30:37,520 Yeah, I was not messing about. 664 00:30:37,520 --> 00:30:39,160 So, talk to me about your look. 665 00:30:39,160 --> 00:30:41,120 It's inspired by my grandad. 666 00:30:41,120 --> 00:30:42,920 He passed away a few years ago 667 00:30:42,920 --> 00:30:45,520 and I've still not really got over it. 668 00:30:45,520 --> 00:30:47,400 Yeah. He was a photographer, 669 00:30:47,400 --> 00:30:50,760 so I'm creating little film photo bits over my face. 670 00:30:50,760 --> 00:30:52,680 And he taught me how to draw, 671 00:30:52,680 --> 00:30:56,520 so I'm recreating, like, a drawing on my face 672 00:30:56,520 --> 00:30:59,440 and using pieces of his shirts, as well, 673 00:30:59,440 --> 00:31:01,360 so I can have him with me whilst I'm doing it. Yeah! 674 00:31:01,360 --> 00:31:03,080 I think he'd be very, very proud. 675 00:31:03,080 --> 00:31:04,280 Yeah, hopefully. 676 00:31:07,880 --> 00:31:10,640 Wait, did you just see what I saw? 677 00:31:10,640 --> 00:31:13,640 Finley picking up the glue stick... 678 00:31:15,840 --> 00:31:18,600 Oh, yes. ..lick it... No! 679 00:31:18,600 --> 00:31:20,720 ..and then apply it to his brow. 680 00:31:20,720 --> 00:31:21,800 Filth. 681 00:31:21,800 --> 00:31:22,880 No, it's not filth. 682 00:31:22,880 --> 00:31:24,360 It's actually really good. 683 00:31:24,360 --> 00:31:27,840 If you do a first couple of layers, you really get the hairs down. 684 00:31:27,840 --> 00:31:30,960 But then because you want that top layer to be smooth, like skin, 685 00:31:30,960 --> 00:31:32,960 that's when you wet it, or you lick it, 686 00:31:32,960 --> 00:31:36,480 and then you go over top and then it's just ultra smooth. 687 00:31:37,720 --> 00:31:39,360 I don't want to lick it. 688 00:31:40,640 --> 00:31:42,200 I'm going to have to. 689 00:31:44,320 --> 00:31:49,160 I'm going to go in with, um, my brow colour. 690 00:31:49,160 --> 00:31:51,880 I need them flat for the look 691 00:31:51,880 --> 00:31:55,040 because, like, I don't have brows, I have hot glue. 692 00:31:55,040 --> 00:31:57,960 I am worried about Rossi, 693 00:31:57,960 --> 00:32:02,360 because so far we've got some black hair and a blocked brow. 694 00:32:02,360 --> 00:32:04,920 I really want the brow cover to be perfect. 695 00:32:04,920 --> 00:32:07,440 We're in our third creative brief. 696 00:32:07,440 --> 00:32:10,200 They know the standard within the room, 697 00:32:10,200 --> 00:32:13,120 so I'm hoping that they're actually thinking, 698 00:32:13,120 --> 00:32:16,600 "I need to pull it out of the bag to get on top." 699 00:32:19,000 --> 00:32:20,920 When I was in school, I was heavily bullied. 700 00:32:20,920 --> 00:32:23,240 I was wearing a mask to try and hide who I was. 701 00:32:23,240 --> 00:32:25,960 So, I'm actually going to be wearing the fabric from my prom dress 702 00:32:25,960 --> 00:32:28,880 and creating a warrior from it. 703 00:32:28,880 --> 00:32:31,160 The warrior that I'm depicting today 704 00:32:31,160 --> 00:32:33,840 is sort of how I attack everything in my life, 705 00:32:33,840 --> 00:32:35,520 because if I'm not confident in myself, 706 00:32:35,520 --> 00:32:37,160 who else is going to be confident in me? 707 00:32:43,400 --> 00:32:45,720 We have another white make-up going on in the room. 708 00:32:47,000 --> 00:32:49,440 Fin - my war paint. 709 00:32:49,440 --> 00:32:51,360 Wow, you are really going to war! 710 00:32:51,360 --> 00:32:54,880 Right now I've got the cream base on, and it looks white, 711 00:32:54,880 --> 00:32:57,760 but you don't realise how much it's not opaque 712 00:32:57,760 --> 00:33:00,200 until you apply that water base on top, 713 00:33:00,200 --> 00:33:03,480 and it just gives you that really flawless white base. 714 00:33:03,480 --> 00:33:06,280 OK. Dry, dry, dry. 715 00:33:06,280 --> 00:33:10,480 So that's, what, four white faces, six blocked brows 716 00:33:10,480 --> 00:33:12,880 and a partridge in a pear tree. 717 00:33:14,800 --> 00:33:17,680 I'm creating an area of yellow 718 00:33:17,680 --> 00:33:21,120 and I'm lid searching for different sizes. 719 00:33:21,120 --> 00:33:24,400 I hold it there and then I'm going to put shadow around the edge. 720 00:33:25,680 --> 00:33:27,080 Oh, robot! 721 00:33:27,080 --> 00:33:28,560 Yes. Yes. 722 00:33:28,560 --> 00:33:30,080 It's mind-boggling you're here. 723 00:33:30,080 --> 00:33:31,800 And without filters. 724 00:33:31,800 --> 00:33:33,320 You look the same! 725 00:33:33,320 --> 00:33:35,880 Oh, say it again! You look stunning. 726 00:33:35,880 --> 00:33:37,280 Ooh! 727 00:33:37,280 --> 00:33:38,920 We're using a lot of rhinestones. 728 00:33:38,920 --> 00:33:40,680 Oh! Yes, it's going to be... 729 00:33:40,680 --> 00:33:42,440 It's like you felt that I was coming. I know! 730 00:33:42,440 --> 00:33:45,040 My reinvent is hot pants - 731 00:33:45,040 --> 00:33:48,200 so, I used to study dance, and they was trousers, 732 00:33:48,200 --> 00:33:49,480 then I turned them into hot pants 733 00:33:49,480 --> 00:33:51,080 because I wanted to be more feminine. 734 00:33:51,080 --> 00:33:53,640 So, I've rhinestoned these, like, pieces... 735 00:33:53,640 --> 00:33:56,080 Stop it! ..and they're going to be, like, stuck on. 736 00:33:56,080 --> 00:33:57,320 Good luck, honey. 737 00:34:03,680 --> 00:34:07,240 MUAs, you have an hour and 15 minutes left 738 00:34:07,240 --> 00:34:11,440 to re-use and recycle your pieces to finish your look. 739 00:34:13,000 --> 00:34:19,074 Do you want subtitles for any video? -=[ ai.OpenSubtitles.com ]=- 740 00:34:22,680 --> 00:34:23,720 This is artsy. 741 00:34:23,720 --> 00:34:25,080 Oh, what is going on with the brows? 742 00:34:25,080 --> 00:34:28,920 I'm going to be "piercing" my eyebrows soon... 743 00:34:28,920 --> 00:34:33,480 Oh! ..with not only gold studded piercings, 744 00:34:33,480 --> 00:34:37,200 but with eyelashes made out of leather fabric. 745 00:34:37,200 --> 00:34:40,920 So, I've extended my eyebrows with the little ridge 746 00:34:40,920 --> 00:34:43,520 so that it will look like it's coming through my skin. 747 00:34:43,520 --> 00:34:45,040 How do you even come up with that? 748 00:34:46,200 --> 00:34:50,560 It's all very Arts and Crafts here at the Rossi table. 749 00:34:50,560 --> 00:34:52,400 Look, look, look. Here we go. 750 00:34:52,400 --> 00:34:55,080 So, I'm currently making the eyebrows. 751 00:34:56,280 --> 00:34:59,240 The lashes are made out of hot glue... 752 00:34:59,240 --> 00:35:01,240 ..and the lipstick as well. 753 00:35:01,240 --> 00:35:03,680 Rossi has made this brow. 754 00:35:05,360 --> 00:35:06,760 Out of glue stick. 755 00:35:06,760 --> 00:35:09,520 Yeah. That's really cool. 756 00:35:12,320 --> 00:35:14,080 That looks like it's going to be a bit low, though. 757 00:35:14,080 --> 00:35:15,680 You know, you've blocked the brows - 758 00:35:15,680 --> 00:35:17,680 why have you now gone under the brow? 759 00:35:17,680 --> 00:35:19,520 Yeah. There was no need to block them. 760 00:35:19,520 --> 00:35:20,560 No. 761 00:35:22,120 --> 00:35:23,560 Hello! Hello! 762 00:35:23,560 --> 00:35:25,200 That is a bright mood board, honey. 763 00:35:25,200 --> 00:35:27,280 It's the rosy maple moth, which is that one. 764 00:35:27,280 --> 00:35:28,520 Yeah. Oh, it's a moth? 765 00:35:28,520 --> 00:35:31,800 So I thought that the moth reinvents itself completely, you know? 766 00:35:31,800 --> 00:35:34,400 Have you undergone a transformation yourself? 767 00:35:34,400 --> 00:35:36,640 I think I've had a lot of different transformation 768 00:35:36,640 --> 00:35:38,560 in terms of character, 769 00:35:38,560 --> 00:35:40,520 just knowing who you are. 770 00:35:40,520 --> 00:35:44,080 I mean, being trans, as well, there's definitely...! 771 00:35:44,080 --> 00:35:46,440 There's definitely an element of that. Mm-hm. 772 00:35:47,600 --> 00:35:52,240 Make-up has definitely played a role in exploring gender. 773 00:35:52,240 --> 00:35:54,360 I'm quite masculine day to day, 774 00:35:54,360 --> 00:35:57,040 but a lot of my looks are very feminine. 775 00:35:57,040 --> 00:36:00,560 Being a trans guy and then kind of opting to do drag, 776 00:36:00,560 --> 00:36:04,200 some people find it quite confusing. 777 00:36:04,200 --> 00:36:07,640 Gender feels quite constricting sometimes. 778 00:36:07,640 --> 00:36:11,880 Being able to express many facets of it in different ways 779 00:36:11,880 --> 00:36:13,880 and combining things 780 00:36:13,880 --> 00:36:17,760 is really important, just to kind of disrupt those social rules 781 00:36:17,760 --> 00:36:20,440 of gender that I find quite annoying. 782 00:36:22,880 --> 00:36:25,440 I remember watching that video that you did about... 783 00:36:25,440 --> 00:36:26,800 You were like, "What?!" ..coming out. 784 00:36:26,800 --> 00:36:29,880 It's just lovely to see trans joy in the world. Mm-hm. 785 00:36:29,880 --> 00:36:31,840 And it's great to have role models 786 00:36:31,840 --> 00:36:34,360 that tell you that it isn't a negative. 787 00:36:34,360 --> 00:36:35,400 Exactly. 788 00:36:35,400 --> 00:36:37,480 So, it's just... It's lovely to meet you in person! 789 00:36:37,480 --> 00:36:38,840 Oh, likewise! 790 00:36:44,360 --> 00:36:48,280 Oh, it's the Tin Man from The Wizard Of Oz. 791 00:36:48,280 --> 00:36:51,640 It's the Tin Man and Dorothy in one look. 792 00:36:55,560 --> 00:36:57,680 Oh, my hand won't stop shaking. 793 00:36:57,680 --> 00:36:58,840 That's brave. 794 00:36:58,840 --> 00:37:01,800 You run the risk of them not being the same 795 00:37:01,800 --> 00:37:04,480 if she's going to go for symmetry. And that's the problem. 796 00:37:04,480 --> 00:37:07,880 Which would be a scary thing to do. 797 00:37:14,560 --> 00:37:17,320 Hey! You kind of look like a mime right now. 798 00:37:20,840 --> 00:37:23,920 And with that, an hour and a half has gone, MUAs, 799 00:37:23,920 --> 00:37:28,200 and you have one hour left - and there is no room for error. 800 00:37:29,360 --> 00:37:30,720 Oh, damn. 801 00:37:30,720 --> 00:37:31,920 Oh, damn! 802 00:37:37,560 --> 00:37:40,280 Rossi needs to get a move on, 803 00:37:40,280 --> 00:37:44,720 because so far it's a headband and some glue gun. 804 00:37:44,720 --> 00:37:47,120 Rossi, are you finished? 805 00:37:47,120 --> 00:37:48,720 Almost. 806 00:37:48,720 --> 00:37:50,040 With an hour left? 807 00:37:50,040 --> 00:37:51,600 And I'm doing the lips. 808 00:37:51,600 --> 00:37:54,440 Oh, yeah, the lips. So, I've got stuff to do. It's just... 809 00:37:55,480 --> 00:37:56,880 You know. 810 00:37:56,880 --> 00:38:00,160 Is there any actual make-up that will be going on? 811 00:38:00,160 --> 00:38:04,280 I think it's all going to happen very last minute. 812 00:38:12,480 --> 00:38:13,720 Oh, actually... 813 00:38:15,640 --> 00:38:17,080 I kind of like that. 814 00:38:18,640 --> 00:38:21,800 OK, so, Jess, I would want to see more piercings. 815 00:38:21,800 --> 00:38:26,040 I mean, these two little gold studs, 816 00:38:26,040 --> 00:38:29,040 I think I'd want to feel more of that. 817 00:38:31,680 --> 00:38:33,240 What is happening? 818 00:38:33,240 --> 00:38:35,600 I'm doing this graphic eye at the moment. 819 00:38:35,600 --> 00:38:36,640 I can tell! 820 00:38:36,640 --> 00:38:42,160 You've chosen a concept with very, very sharp and crisp lines. 821 00:38:42,160 --> 00:38:44,360 Yeah. I mean, one wobble and you're over! 822 00:38:44,360 --> 00:38:50,040 It is just taking each individual element at a time. 823 00:38:50,040 --> 00:38:52,080 One line at a time. One line at a time. 824 00:38:52,080 --> 00:38:54,480 I'll leave you to your lines. Thank you so much! 825 00:39:00,480 --> 00:39:01,600 Oh, no! 826 00:39:04,400 --> 00:39:07,920 It feels a bit strange to cut my grandad's shirts. 827 00:39:07,920 --> 00:39:11,160 It's quite sad, but I'm never going to wear them, 828 00:39:11,160 --> 00:39:13,680 and I'm glad that I can use them in my make-up look. 829 00:39:15,160 --> 00:39:16,880 There are a lot of rhinestones. 830 00:39:16,880 --> 00:39:18,880 I would say about 500. 831 00:39:19,920 --> 00:39:22,280 So, I'm up against time. 832 00:39:33,000 --> 00:39:34,520 I'm adding, like, the 3D elements, 833 00:39:34,520 --> 00:39:37,320 and I'm going to start trying to add the wings as well. 834 00:39:53,480 --> 00:39:54,960 Excuse the mess! 835 00:40:06,200 --> 00:40:08,200 You just spilt your glue. 836 00:40:08,200 --> 00:40:11,880 Oh! Look, he's watching me this whole time 837 00:40:11,880 --> 00:40:12,920 do that. 838 00:40:24,600 --> 00:40:26,440 I'm trying to not psych myself out. 839 00:40:26,440 --> 00:40:27,920 OK, why is that happening? 840 00:40:27,920 --> 00:40:31,640 Because you look around the room and you see all these extreme 841 00:40:31,640 --> 00:40:32,960 looks, and mine's... 842 00:40:32,960 --> 00:40:36,520 Realistically, it's a bit of slap on the face. 843 00:40:36,520 --> 00:40:39,760 MUAs, you have two minutes left. 844 00:40:39,760 --> 00:40:43,560 Which means you've got no time to waste. 845 00:40:49,400 --> 00:40:51,400 Ella, are you done? I think so. 846 00:40:51,400 --> 00:40:52,680 That's a good place to be. 847 00:41:00,400 --> 00:41:02,160 I think I'm done. 848 00:41:04,080 --> 00:41:05,320 I'm proud of it. 849 00:41:05,320 --> 00:41:09,120 I'm just hoping it gets me the heck out of this seat. 850 00:41:09,120 --> 00:41:10,960 MUAs, brushes down, 851 00:41:10,960 --> 00:41:14,680 and please take yourselves next door to be photographed. 852 00:41:14,680 --> 00:41:16,480 Boop, boop, boop, boop! 853 00:41:19,400 --> 00:41:22,000 I'm happy and proud of my look. 854 00:41:22,000 --> 00:41:24,160 The judges are going to have something to say about me finishing 855 00:41:24,160 --> 00:41:27,120 so fast, but I don't think there's anything else 856 00:41:27,120 --> 00:41:29,320 that I would have wanted to add to this look. 857 00:41:32,960 --> 00:41:34,720 I am feeling good. 858 00:41:34,720 --> 00:41:37,000 I'm hoping that the judges look at it and see 859 00:41:37,000 --> 00:41:40,560 that, although it's, like, simple in design, it's really striking. 860 00:41:45,680 --> 00:41:47,320 Please come forward, Finley. 861 00:41:50,600 --> 00:41:54,240 My look is inspired by the rosy maple moth. 862 00:41:54,240 --> 00:41:57,680 I love that you're being resourceful, but I find it a bit sad 863 00:41:57,680 --> 00:42:00,120 that you're hiding so much of all that hard work 864 00:42:00,120 --> 00:42:01,240 that you put in. 865 00:42:01,240 --> 00:42:04,120 You were blending away those colours, and they kind of get 866 00:42:04,120 --> 00:42:06,840 covered by these wings and the wig. 867 00:42:06,840 --> 00:42:11,920 You were doing symmetry on sight, and you got it right 868 00:42:11,920 --> 00:42:14,320 every single time. Thank you. 869 00:42:14,320 --> 00:42:16,000 It took my breath away. 870 00:42:16,000 --> 00:42:20,600 This is the Finley I've been waiting for, so just keep bringing it. 871 00:42:20,600 --> 00:42:22,200 Thank you very much. 872 00:42:22,200 --> 00:42:26,680 Connor, please tell me your story. 873 00:42:28,200 --> 00:42:32,080 My cherished item was a pair of chrome trousers that I turned 874 00:42:32,080 --> 00:42:33,120 into hot pants. 875 00:42:33,120 --> 00:42:36,440 I loved the way you laid down that silver. 876 00:42:36,440 --> 00:42:40,000 And you got your contour in there and your shadows. 877 00:42:40,000 --> 00:42:43,400 But when I look at the eyes, it would have been easy 878 00:42:43,400 --> 00:42:45,560 to make those even. 879 00:42:45,560 --> 00:42:51,320 Or, if you were going for asymmetry, be more asymmetrical. 880 00:42:51,320 --> 00:42:54,200 This was so much stronger before you glued 881 00:42:54,200 --> 00:42:56,080 all that hot pant down. 882 00:42:56,080 --> 00:43:00,640 The cheeks are not for me, babes, but it doesn't feel right 883 00:43:00,640 --> 00:43:03,160 with this beautiful eye and that stunning lip. 884 00:43:03,160 --> 00:43:05,560 OK. You've got the ideas. 885 00:43:05,560 --> 00:43:08,920 We just need you to be a little bit more inventive 886 00:43:08,920 --> 00:43:11,440 with how you deliver that story. 887 00:43:11,440 --> 00:43:13,400 Thank you. 888 00:43:13,400 --> 00:43:14,440 Jess. 889 00:43:18,600 --> 00:43:23,520 The materials that I used are for a costume about a character 890 00:43:23,520 --> 00:43:25,280 in an anime. 891 00:43:25,280 --> 00:43:28,480 I absolutely adore the tartan lip. 892 00:43:28,480 --> 00:43:29,760 That's genius. 893 00:43:29,760 --> 00:43:35,200 But you've placed one piece of leather right on the lash line, 894 00:43:35,200 --> 00:43:38,920 and what that has done is weighed down the eye. 895 00:43:38,920 --> 00:43:43,680 If you'd painted the actual lid black, 896 00:43:43,680 --> 00:43:45,360 you'd have got a bigger, better, 897 00:43:45,360 --> 00:43:47,160 more open shape. 898 00:43:47,160 --> 00:43:51,000 At this point in the competition, it's about thinking, 899 00:43:51,000 --> 00:43:53,440 "Is this good enough?" 900 00:43:55,040 --> 00:43:58,920 This feels edgy and creative. 901 00:43:58,920 --> 00:44:04,880 There's so much talent raging within your veins, but it needs time 902 00:44:04,880 --> 00:44:07,520 to sort of, like, finesse. 903 00:44:07,520 --> 00:44:10,680 You're focusing so much on the tiny details that you're not looking 904 00:44:10,680 --> 00:44:11,840 at the bigger picture. 905 00:44:13,320 --> 00:44:15,400 Rossi, please step forward. 906 00:44:18,760 --> 00:44:23,520 I thought I'd take my 3D item and have my own spin 907 00:44:23,520 --> 00:44:27,480 on what creativity and fashion make-up is now. 908 00:44:27,480 --> 00:44:31,160 But when I zoom out and really look at it, it feels like a very, 909 00:44:31,160 --> 00:44:33,480 very clean look with appliques. 910 00:44:33,480 --> 00:44:36,680 Yeah. Which it is, essentially. 911 00:44:36,680 --> 00:44:39,720 But I would have loved to see more make-up. 912 00:44:39,720 --> 00:44:41,120 Mm. 913 00:44:41,120 --> 00:44:43,920 Look, it's a really clever use of unconventional materials, 914 00:44:43,920 --> 00:44:45,560 which is what we asked for. 915 00:44:45,560 --> 00:44:51,160 What I'm struggling with is, if we were to remove those elements, 916 00:44:51,160 --> 00:44:53,200 what are we left with? 917 00:44:53,200 --> 00:44:54,680 Thank you. Ella. 918 00:44:58,160 --> 00:45:02,080 My story is inspired by my grandad and our shared love 919 00:45:02,080 --> 00:45:04,480 of drawing and creating. 920 00:45:04,480 --> 00:45:09,520 There's so much detail going on in here that, if I would look back 921 00:45:09,520 --> 00:45:14,080 at this in two days, I would find something new to, like, drool over. 922 00:45:14,080 --> 00:45:18,640 This is literal art, and if there's one thing I'm sure 923 00:45:18,640 --> 00:45:21,440 of, it is that Grandad is so proud of you. 924 00:45:22,440 --> 00:45:24,160 This is outstanding. 925 00:45:24,160 --> 00:45:25,680 It's just outstanding. 926 00:45:25,680 --> 00:45:27,320 This white is so flawless. 927 00:45:27,320 --> 00:45:28,840 You then go in with a black pen. 928 00:45:28,840 --> 00:45:32,200 You cannot make a mistake because, if you make a mistake, 929 00:45:32,200 --> 00:45:33,680 you can't fix it. 930 00:45:33,680 --> 00:45:38,040 And you didn't. When you were applying those little brow hairs, 931 00:45:38,040 --> 00:45:40,560 it was just dreamy. 932 00:45:40,560 --> 00:45:44,080 We asked you last week to be more creative with make-up, and... 933 00:45:44,080 --> 00:45:49,360 ..and you have delivered that so perfectly. 934 00:45:49,360 --> 00:45:53,040 What I love about this make-up, it's not pedestrian. No. 935 00:45:53,040 --> 00:45:58,160 What you've done is given us an illustration, a sketch. 936 00:45:58,160 --> 00:45:59,920 Good golly! 937 00:45:59,920 --> 00:46:01,440 Ding dong, darling! 938 00:46:01,440 --> 00:46:03,000 Hey! Ding dong! 939 00:46:05,240 --> 00:46:06,400 Amazing. Thank you. 940 00:46:06,400 --> 00:46:08,440 Oh, I get chills hearing it again. 941 00:46:08,440 --> 00:46:10,520 You just deserve it, girl! 942 00:46:16,280 --> 00:46:18,080 I'm so happy. 943 00:46:18,080 --> 00:46:20,120 Shania, please come forward. 944 00:46:23,360 --> 00:46:26,360 I have utilised my prom dress in this because that's the day 945 00:46:26,360 --> 00:46:28,160 where you're supposed to just feel amazing. 946 00:46:28,160 --> 00:46:29,560 And it was kind of the opposite for me. 947 00:46:29,560 --> 00:46:33,680 And that is a reinvention not only of the fabric, but also of me. 948 00:46:33,680 --> 00:46:35,560 Thank you for sharing. 949 00:46:35,560 --> 00:46:40,440 You've taken something so delicate and light, like a dress, 950 00:46:40,440 --> 00:46:47,160 and you've reinvented it into something strong and defensive. 951 00:46:47,160 --> 00:46:52,160 How you've placed those shapes, it's really beautiful. 952 00:46:53,640 --> 00:46:56,720 The symmetry - I've got goose bumps! 953 00:46:56,720 --> 00:46:59,680 This is exceptional. Well done. Thank you. 954 00:46:59,680 --> 00:47:04,920 The fact that you did THIS with less time than the others... 955 00:47:04,920 --> 00:47:06,760 Oh, OK! 956 00:47:06,760 --> 00:47:09,240 She said, "I'm not playing games today." 957 00:47:09,240 --> 00:47:12,320 I have nothing but love for this look. 958 00:47:12,320 --> 00:47:17,120 It's striking, it's sharp, it's graphic. 959 00:47:17,120 --> 00:47:19,320 It's on-point colouration. 960 00:47:19,320 --> 00:47:21,280 Absolutely brilliant. 961 00:47:21,280 --> 00:47:24,000 Thank you. Thank you all so much. 962 00:47:24,000 --> 00:47:25,040 Yay! 963 00:47:29,960 --> 00:47:31,000 Thank you, MUAs. 964 00:47:31,000 --> 00:47:33,680 If you want to go next door, myself, Val and Nikkie 965 00:47:33,680 --> 00:47:37,040 need to have a chat to decide which two of you will be going 966 00:47:37,040 --> 00:47:38,720 into the Face Off elimination. 967 00:47:49,040 --> 00:47:51,200 Winning the industry assignment was amazing. 968 00:47:51,200 --> 00:47:56,960 It's just...it's not a nice feeling that I could win and go home 969 00:47:56,960 --> 00:47:59,840 in the same week, which I don't want to happen. 970 00:47:59,840 --> 00:48:04,080 I'm 98% sure that I'm in the Face Off, but I've come out of it 971 00:48:04,080 --> 00:48:06,400 before and I'll do it again. 972 00:48:06,400 --> 00:48:09,000 Let's look at our artists that were in the red Face Off chairs. 973 00:48:09,000 --> 00:48:11,240 Shall we look at Rossi? 974 00:48:11,240 --> 00:48:13,280 It's very editorial. 975 00:48:13,280 --> 00:48:15,680 Yeah. Which is a great thing. 976 00:48:15,680 --> 00:48:21,400 However, you take those elements away, you're not left with a lot. 977 00:48:21,400 --> 00:48:25,760 Has Rossi done enough to get himself out of the red chair? 978 00:48:25,760 --> 00:48:29,800 If I go into the Face Off, I completely understand why. 979 00:48:29,800 --> 00:48:33,840 Because those critiques I will take with me, and it will change the way 980 00:48:33,840 --> 00:48:35,360 I do make-up. 981 00:48:35,360 --> 00:48:36,960 Let's talk about Shania. 982 00:48:36,960 --> 00:48:38,320 Yes. Mm. 983 00:48:38,320 --> 00:48:41,080 I mean, this is a big make-up. 984 00:48:41,080 --> 00:48:42,520 This is art to me. 985 00:48:42,520 --> 00:48:47,600 This is exactly what you need to do when in a red chair. 986 00:48:47,600 --> 00:48:49,600 I'm hoping it's got me out of the Face Off. 987 00:48:49,600 --> 00:48:53,000 But it was just a really nice opportunity to share that story. 988 00:48:53,000 --> 00:48:56,200 Has Shania done enough to beat the seat? 989 00:48:56,200 --> 00:48:58,400 Yes. Yes, yes... 990 00:48:58,400 --> 00:48:59,720 What's that? 991 00:48:59,720 --> 00:49:01,560 Yes! 992 00:49:01,560 --> 00:49:06,320 Which means we have a seat to fill. 993 00:49:06,320 --> 00:49:09,320 Shall we look at Jess? 994 00:49:09,320 --> 00:49:13,960 This was almost like a greatest hits of ideas. 995 00:49:13,960 --> 00:49:17,640 I feel like she was trying to persuade us that she had an idea 996 00:49:17,640 --> 00:49:20,840 of what she wanted to do but, actually, she didn't. 997 00:49:20,840 --> 00:49:23,000 I really liked the concept, and I liked the look. 998 00:49:23,000 --> 00:49:27,360 I just... I don't think I was able to execute it the way I wanted to. 999 00:49:27,360 --> 00:49:30,400 I think we need to talk about Connor. 1000 00:49:30,400 --> 00:49:34,040 Connor has the know-how but just doesn't have the ideas. 1001 00:49:34,040 --> 00:49:36,560 It's not what I expected from Connor. 1002 00:49:36,560 --> 00:49:38,080 I loved the look. 1003 00:49:38,080 --> 00:49:39,480 It's just... 1004 00:49:39,480 --> 00:49:41,280 It didn't hit the... 1005 00:49:41,280 --> 00:49:42,840 ..hit the mark, unfortunately. 1006 00:49:42,840 --> 00:49:47,640 If he really reaches that sort of, like, freedom, creative freedom, 1007 00:49:47,640 --> 00:49:49,080 he'll be unstoppable. 1008 00:49:49,080 --> 00:49:50,360 But he's not there yet. 1009 00:49:57,560 --> 00:49:59,120 Shania, Rossi. 1010 00:49:59,120 --> 00:50:02,640 You found yourselves in the red Face Off chairs today. 1011 00:50:04,360 --> 00:50:09,080 Rossi, your look had so much potential. 1012 00:50:10,360 --> 00:50:15,040 But you relied heavily on your materials. 1013 00:50:15,040 --> 00:50:18,960 We would have liked to have seen more make-up. 1014 00:50:18,960 --> 00:50:21,560 So, unfortunately, Rossi, you're the first MUA 1015 00:50:21,560 --> 00:50:22,960 going into the Face Off. 1016 00:50:25,320 --> 00:50:26,520 Shania. 1017 00:50:26,520 --> 00:50:32,720 Your look was striking, graphic and your symmetry was everything. 1018 00:50:32,720 --> 00:50:35,960 You took a risk and it paid off. 1019 00:50:35,960 --> 00:50:37,840 Congratulations. You beat the seat. 1020 00:50:40,400 --> 00:50:42,760 But this means we've got one seat to fill. 1021 00:50:44,320 --> 00:50:50,440 This MUA has ideas, but today their look lacked finesse 1022 00:50:50,440 --> 00:50:52,240 and they got lost in the details. 1023 00:50:54,320 --> 00:50:58,520 Jess, you will be the second MUA going into the Face Off elimination. 1024 00:51:02,200 --> 00:51:03,360 Thank you, judges. 1025 00:51:05,760 --> 00:51:08,640 All right, guys, get ready and say your goodbyes because one 1026 00:51:08,640 --> 00:51:10,200 of you will not be returning. 1027 00:51:11,880 --> 00:51:13,680 Come on, guys. Come here. 1028 00:51:15,760 --> 00:51:18,320 I'm not going to get emotional about it. 1029 00:51:18,320 --> 00:51:20,480 I have to still be professional. 1030 00:51:20,480 --> 00:51:23,320 I'm going to try and give it my all and really, like, push 1031 00:51:23,320 --> 00:51:26,160 myself to stay in this competition. 1032 00:51:26,160 --> 00:51:28,880 Don't cry, OK? You've done it before. 1033 00:51:28,880 --> 00:51:32,840 I'm just trying to stay in the same mindset that I was before, 1034 00:51:32,840 --> 00:51:34,880 when I was last in the Face Off. 1035 00:51:34,880 --> 00:51:38,800 As long as I tell myself that I'm going to win, then I know 1036 00:51:38,800 --> 00:51:39,840 I'll win it. 1037 00:51:39,840 --> 00:51:41,280 Whoo! 1038 00:51:43,120 --> 00:51:46,840 To level the playing field, the MUAs will face off over a pair 1039 00:51:46,840 --> 00:51:48,320 of identical twins. 1040 00:51:50,640 --> 00:51:54,800 For this week's Face Off, we want to see a lip that resembles 1041 00:51:54,800 --> 00:52:01,640 a red glazed apple, creating depth using a colour blend. 1042 00:52:01,640 --> 00:52:07,000 Start by applying lip pencil around your model's mouth 1043 00:52:07,000 --> 00:52:08,880 to frame the lips. 1044 00:52:08,880 --> 00:52:14,160 Next, apply the lipstick colour to create a deep blend. 1045 00:52:14,160 --> 00:52:18,760 Lastly, use a gloss all over your lips and layer 1046 00:52:18,760 --> 00:52:25,480 it as many times as you want to achieve that high shine glaze. 1047 00:52:25,480 --> 00:52:28,440 And that's how you create a juicy apple glazed lip. 1048 00:52:30,760 --> 00:52:36,120 We want to see clean, sharp edges and a symmetrical, balanced shape. 1049 00:52:36,120 --> 00:52:39,240 The completed look should have a high gloss finish 1050 00:52:39,240 --> 00:52:40,480 with no drips. 1051 00:52:41,480 --> 00:52:46,600 MUAs, you'll have 15 minutes, and your time starts now. 1052 00:53:13,840 --> 00:53:17,240 MUAs, you have ten minutes left. 1053 00:53:25,240 --> 00:53:26,360 Well! 1054 00:53:26,360 --> 00:53:31,080 It's the classic tale of the tortoise and the hare. 1055 00:53:31,080 --> 00:53:33,040 That's what I was going to say. 1056 00:53:33,040 --> 00:53:38,840 Jess has spent lots of time mapping out her edge. 1057 00:53:38,840 --> 00:53:42,800 I think that outline looks balanced. Yeah. 1058 00:53:42,800 --> 00:53:46,440 Rossi basically had the lip done within three minutes. 1059 00:53:46,440 --> 00:53:50,440 He may not have the right symmetry now, but he's got the time 1060 00:53:50,440 --> 00:53:55,120 to perfect it and to lift it and to make sure that it's right. 1061 00:53:55,120 --> 00:53:56,880 There's a lot to play for. There is. 1062 00:54:07,040 --> 00:54:10,560 MUAs, you have two minutes left. 1063 00:54:20,520 --> 00:54:24,120 Five, four, three, 1064 00:54:24,120 --> 00:54:26,520 two, one. 1065 00:54:26,520 --> 00:54:27,680 Brushes down. 1066 00:54:27,680 --> 00:54:28,800 Well done, guys. 1067 00:54:55,600 --> 00:54:58,200 Conflab? I think so. 1068 00:55:03,160 --> 00:55:05,120 You can tell they both want it. 1069 00:55:05,120 --> 00:55:07,000 They both worked so hard. 1070 00:55:07,000 --> 00:55:09,280 Yes. Is there dripping? 1071 00:55:09,280 --> 00:55:11,560 No. Is there high shine? 1072 00:55:11,560 --> 00:55:12,920 Yes. 1073 00:55:12,920 --> 00:55:16,960 Then we come down to the criteria of clean lines and sharp edges. 1074 00:55:16,960 --> 00:55:20,080 Jess has delivered on clean lines. 1075 00:55:20,080 --> 00:55:24,480 Those are knife-edge sharp. 1076 00:55:24,480 --> 00:55:26,880 Rossi's definitely has more depth of colour. 1077 00:55:26,880 --> 00:55:28,880 It's rich. It's juicy. 1078 00:55:28,880 --> 00:55:30,440 It's apple-like. 1079 00:55:30,440 --> 00:55:34,160 Opposed to Jess, which looks like a glossy red lip. 1080 00:55:34,160 --> 00:55:39,240 And then we come down to the final one, which is balance and symmetry. 1081 00:55:40,680 --> 00:55:43,360 When I look at Rossi's lip, 1082 00:55:43,360 --> 00:55:46,480 there is a very definite misshape. 1083 00:55:46,480 --> 00:55:52,000 There's just a wobble on the bottom lip line, and the colour, the gloss 1084 00:55:52,000 --> 00:55:55,360 doesn't go quite to the edge on the left-hand side. 1085 00:55:55,360 --> 00:55:58,200 It's come down to the line. 1086 00:55:58,200 --> 00:56:00,120 And what a sharp line it is. 1087 00:56:08,720 --> 00:56:09,960 You OK? 1088 00:56:09,960 --> 00:56:11,120 You OK? Yeah. 1089 00:56:11,120 --> 00:56:12,600 Just... Yeah. Just breathe. 1090 00:56:18,440 --> 00:56:26,320 Jess, you gave us knife-edge sharp lines. 1091 00:56:27,400 --> 00:56:31,280 Your lip was balanced and you had symmetry. 1092 00:56:33,520 --> 00:56:34,680 Rossi, 1093 00:56:34,680 --> 00:56:36,160 you had depth of colour. 1094 00:56:37,680 --> 00:56:42,720 But you had uneven lines which didn't deliver the clean, 1095 00:56:42,720 --> 00:56:44,960 sharp, symmetrical look we were after. 1096 00:56:47,360 --> 00:56:49,360 Rossi, please pack up your kit. 1097 00:56:49,360 --> 00:56:50,480 You'll be going home. 1098 00:56:55,800 --> 00:56:58,160 JESS SOBS 1099 00:57:01,600 --> 00:57:02,920 I thought I had it in the bag. 1100 00:57:02,920 --> 00:57:04,160 It was a good lip. 1101 00:57:04,160 --> 00:57:07,800 It's just it wasn't perfectly even. 1102 00:57:09,160 --> 00:57:13,720 I'm really proud that I was able to show my life with FASD 1103 00:57:13,720 --> 00:57:18,280 and how I incorporate it into my art, and I was able to show other 1104 00:57:18,280 --> 00:57:21,360 people with FASD that they can do what they put their minds to. 1105 00:57:22,800 --> 00:57:25,680 You worked so hard. 1106 00:57:25,680 --> 00:57:29,880 You really did. You did yourself so proud. 1107 00:57:29,880 --> 00:57:33,880 I hope people have learned that I'm fun, creative, 1108 00:57:33,880 --> 00:57:36,080 I think outside the box. 1109 00:57:36,080 --> 00:57:40,080 I like to push boundaries and I'll spend 20 minutes 1110 00:57:40,080 --> 00:57:41,480 on a colour match. 1111 00:57:47,360 --> 00:57:51,880 I've been called the Face Off assassin, so I hope that means 1112 00:57:51,880 --> 00:57:53,760 people see me as a competitor. 1113 00:57:57,800 --> 00:58:01,880 I want to win this competition so bad, more than anyone else. 1114 00:58:01,880 --> 00:58:05,160 So, you know, everyone's got to watch out. 1115 00:58:05,160 --> 00:58:07,720 Well, guys, head on home, get some rest, and I'll be seeing 1116 00:58:07,720 --> 00:58:09,720 you very soon. Thank you! 1117 00:58:09,720 --> 00:58:11,240 Get out of here right now! 1118 00:58:13,080 --> 00:58:14,120 Wow! 1119 00:58:15,120 --> 00:58:17,240 You did it again! 1120 00:58:17,240 --> 00:58:21,360 Next time, the MUAs hit the set of multi-award-winning 1121 00:58:21,360 --> 00:58:23,320 TV drama Casualty. 1122 00:58:23,320 --> 00:58:25,480 Does that mean there's going to be blood? Yeah. 1123 00:58:25,480 --> 00:58:28,000 If you're not ready, I will have to send in some of my team 1124 00:58:28,000 --> 00:58:29,960 to finish your looks. 1125 00:58:29,960 --> 00:58:33,480 And at Glow Up Studios... We need balance, symmetry 1126 00:58:33,480 --> 00:58:35,480 and ooey gooey gooeyness! 1127 00:58:35,480 --> 00:58:38,840 ..they battle with prosthetics for a place in the semifinal. 1128 00:58:38,840 --> 00:58:42,240 This is gobsmackingly amazing! 1129 00:58:43,305 --> 00:59:43,344 Watch Online Movies and Series for FREE www.osdb.link/lm