"Bookish" Deadly Nitrate: Part 2

1 00:00:00,037 --> 00:00:02,157 You mean everything to me. 2 00:00:03,482 --> 00:00:05,061 What the hell was that? 3 00:00:05,161 --> 00:00:09,197 Love Lord in London. Scene 28, take three. 4 00:00:09,221 --> 00:00:13,996 I hope we did the right thing letting those people into the lane. 5 00:00:14,020 --> 00:00:19,398 Film struck girl. Inspector dead. I've shut down filming for the time being. 6 00:00:19,422 --> 00:00:23,998 What do we know about this film? Stuart Howard. He and Sandra have bound 7 00:00:24,022 --> 00:00:27,598 their careers together, the nation's sweethearts. Then there's the Honorable 8 00:00:27,622 --> 00:00:30,078 Jesse Mckendendrick. You're the director 9 00:00:30,102 --> 00:00:34,578 and the writer. What about Billy? Someone is trying to 10 00:00:34,602 --> 00:00:36,220 kill me. 11 00:00:36,501 --> 00:00:39,917 Strictly. Drop it. It's poison. 12 00:00:39,941 --> 00:00:43,158 Can you think of anyone who might want to kill you? 13 00:00:43,182 --> 00:00:47,378 Take your ready pick. When are we going to tell him? 14 00:00:47,402 --> 00:00:49,020 Not yet. 15 00:00:49,781 --> 00:00:53,220 It's one of the extras. 16 00:00:53,700 --> 00:00:57,421 It's Narina Bean. 17 00:01:02,741 --> 00:01:06,557 You still rolling, Sandra? Yeah. 18 00:01:06,581 --> 00:01:10,701 And action. 19 00:01:14,821 --> 00:01:20,556 Oh no. God, I'm so sorry, Jesse. Um, can I beg 10 minutes? The sigy will sort me 20 00:01:20,580 --> 00:01:25,437 out. Cut there. 21 00:01:25,461 --> 00:01:29,741 Scene 49. Take nine. 22 00:01:31,541 --> 00:01:36,556 Action. It was then I knew we had fallen in love. 23 00:01:36,580 --> 00:01:40,556 Kill the sound, please. Can we stop the film and take a proper 24 00:01:40,580 --> 00:01:43,837 look? No, we burn in the projector. I think 25 00:01:43,861 --> 00:01:48,637 the difference is pretty obvious. You'll see in just a moment. 26 00:01:48,661 --> 00:01:52,781 Here comes the post. 27 00:01:53,701 --> 00:01:58,838 Oh gosh, I see what you mean. He's lost 6 in just while Sandra D went off for a 28 00:01:58,862 --> 00:02:03,597 gas per. So between takes 8 and 9, Nina Bean gets 29 00:02:03,621 --> 00:02:07,198 her screen break. An hour later, is that right? 30 00:02:07,222 --> 00:02:12,078 Well, certainly no more than two. She's on the cutting room floor. Well, 31 00:02:12,102 --> 00:02:17,756 the bottom of the basement steps. I know who he is, the postman. 32 00:02:17,780 --> 00:02:23,036 You do? He was down the line yesterday. 33 00:02:23,060 --> 00:02:29,420 I see him in the yard just now. Would you be so kind? 34 00:02:30,021 --> 00:02:33,021 Yep. 35 00:02:33,541 --> 00:02:37,357 Gosh, she hit that step with tremendous force. 36 00:02:37,381 --> 00:02:42,396 Too hard for an accident, do you think? Did she fall 37 00:02:42,420 --> 00:02:46,060 or was she pushed? 38 00:02:48,000 --> 00:02:54,074 Watch Online Movies and Series for FREE www.osdb.link/lm 39 00:03:01,461 --> 00:03:04,541 Heat. Heat. 40 00:03:08,101 --> 00:03:11,101 Heat. Heat. 41 00:03:51,381 --> 00:03:57,517 I think John Mills has lovely hair and his nails always looks so neat. 42 00:03:57,541 --> 00:04:02,637 Riveting stuff this, Mrs. B. Well, Book thinks there's something here. 43 00:04:02,661 --> 00:04:07,437 A clue. We like those. Many names coming up a lot. Regular 44 00:04:07,461 --> 00:04:11,837 correspondents. Name and address supplied is a very 45 00:04:11,861 --> 00:04:15,501 reliable contributor. 46 00:04:15,541 --> 00:04:20,077 I try to give myself a mole like Margaret Lockwood. And now mom says I 47 00:04:20,101 --> 00:04:23,821 look like a tart. 48 00:04:27,861 --> 00:04:33,436 Hang on. I've seen a letter from this one before. 49 00:04:33,460 --> 00:04:38,621 Signed Basilisk. 50 00:04:42,101 --> 00:04:46,477 If only we could step through the screen. 51 00:04:46,501 --> 00:04:50,238 Romance of the pictures is really getting to, isn't it? 52 00:04:50,262 --> 00:04:55,918 It's not that. Beyond a door, behind that set, there's a flight of stairs 53 00:04:55,942 --> 00:04:58,941 where I think Narina Bean is already dead. 54 00:05:01,701 --> 00:05:06,300 Do you think this is linked to the poison girl? 55 00:05:06,421 --> 00:05:12,237 Special delivery. Your postman Bart Masterson. 56 00:05:12,261 --> 00:05:19,740 Kurt Masterson. Normally I I do landlords. 57 00:05:20,181 --> 00:05:27,357 I seen a glass pushed in a bloke's face and I've laughed. See? 58 00:05:27,381 --> 00:05:33,558 Very good. Robert Newton should watch his back. But you're not auditioning 59 00:05:33,582 --> 00:05:39,118 now, Mr. Masterson. We're investigating the unfortunate death that took place 60 00:05:39,142 --> 00:05:45,118 here last night. The second one in this production, in fact, after Miss Barbara. 61 00:05:45,142 --> 00:05:49,078 Markham and two looks like carelessness. Who's though? Are you the police? 62 00:05:49,102 --> 00:05:52,318 Inspector Bliss is the police. Hello. 63 00:05:52,342 --> 00:05:57,118 I'm just helping them with their inquiries. With the fiddly bits. Now, 64 00:05:57,142 --> 00:06:00,797 Kurt Masterson, not your real name. How did you know? 65 00:06:00,821 --> 00:06:04,438 You went home early last night, Mr. Masterson. Why? 66 00:06:04,462 --> 00:06:08,318 Well, I was made an offer I couldn't refuse, wasn't I? I knew the lady, 67 00:06:08,342 --> 00:06:13,038 Narina Bean. I read a column. I always do. She gave me a fiverr just to borrow 68 00:06:13,062 --> 00:06:18,318 the uniform. Mine said she would go on for me and no one would clock it. 69 00:06:18,342 --> 00:06:22,118 Now, why would she want to pose as you? She said she was writing a story. 70 00:06:22,142 --> 00:06:26,557 The poisonous secret at the heart of Loveless in London. 71 00:06:26,581 --> 00:06:29,278 Love Lawn. Something like that. She wasn't 72 00:06:29,302 --> 00:06:33,358 specific, but she said she needed one last bit of proof. I didn't think 73 00:06:33,382 --> 00:06:38,638 nothing of it. I was barely in the shot. You sell a lot of stories to the press, 74 00:06:38,662 --> 00:06:41,358 do you, Mr. Masterson, about actors here? 75 00:06:41,382 --> 00:06:44,518 No. Well, nothing nasty. Just whether they 76 00:06:44,542 --> 00:06:46,878 like mink or or feathers or where they drink 77 00:06:46,902 --> 00:06:50,798 or how much. All right. Thank you. We'll come and get 78 00:06:50,822 --> 00:06:54,997 a statement from you. That's it. That's it. 79 00:06:55,021 --> 00:06:57,996 I was a red herring before. Once Arthur wantner tapped his pipe and looked all 80 00:06:58,020 --> 00:07:01,837 obedient at me, but I never done it. I was just in the wrong place at the wrong 81 00:07:01,861 --> 00:07:05,116 time. Right. Thank you. 82 00:07:05,140 --> 00:07:09,997 Why was she here though, Narina? Why go to the trouble of bribing him and 83 00:07:10,021 --> 00:07:13,918 putting on his costume? The extra security. She can just hang 84 00:07:13,942 --> 00:07:18,478 around in a lane, could she? So, I suppose she needed a disguise. 85 00:07:18,502 --> 00:07:23,277 Title of that article. Maybe she was on to the poisoner, 86 00:07:23,301 --> 00:07:26,278 so she had to go. What's that? 87 00:07:26,302 --> 00:07:30,998 Something I noticed. Backwards impression on Narina Bean's hand in ink 88 00:07:31,022 --> 00:07:35,918 was something she was holding. Evidently, she was sweating, whether 89 00:07:35,942 --> 00:07:41,117 from the exertion of going up the stairs or the heavy costume. 90 00:07:41,141 --> 00:07:43,276 And reversed it reads. 91 00:07:43,300 --> 00:07:46,477 Taiwins. Taiwin. 92 00:07:46,501 --> 00:07:52,477 Taiwins. Two twins. Hardly. More likely the fragment of two 93 00:07:52,501 --> 00:07:58,157 words, wouldn't you say? I uh better get back to work. Work. 94 00:07:58,181 --> 00:08:02,957 I'm standing in for Stuart. It's not a profit trade, you know. 95 00:08:02,981 --> 00:08:08,541 Yeah. Like being a part-time detective. 96 00:08:10,821 --> 00:08:14,541 What's up with him? 97 00:08:18,261 --> 00:08:21,901 H me. 98 00:08:22,501 --> 00:08:28,316 She's dead. You saw her? She was at the bottom of the stairs like 99 00:08:28,340 --> 00:08:33,037 a broken doll. Oh god, how awful. I mean, she was 100 00:08:33,061 --> 00:08:38,780 awful, but still. How awful. 101 00:08:42,501 --> 00:08:47,196 If it was murder, there'll be a lot of suspects. 102 00:08:47,220 --> 00:08:51,598 Half the British film business. All of it. 103 00:08:51,622 --> 00:08:56,636 It's true. Everybody hated her. You hated her. 104 00:08:56,660 --> 00:09:04,076 What did you do last night? Had a drink with that boy. Nice kid. Went to bed 105 00:09:04,100 --> 00:09:07,597 early. Did some film star duties. No. 106 00:09:07,621 --> 00:09:13,437 Yes. You know, signing photos, answering questions from fans. What's your ideal 107 00:09:13,461 --> 00:09:19,037 night out? What you like for breakfast? You were just shooting here. 108 00:09:19,061 --> 00:09:26,541 Yes. Dude, take off to take simple stuff, really. 109 00:09:30,421 --> 00:09:38,157 How many stars have sat here like me watching the creases grow? The hair 110 00:09:38,181 --> 00:09:44,461 thin, the flesh droop, the chins. 111 00:09:45,941 --> 00:09:52,797 I met a man once. He was an astronomer. Now, he knew about the stars, the real 112 00:09:52,821 --> 00:09:58,477 ones. I mean, did you know that the stars that we see in the sky aren't 113 00:09:58,501 --> 00:10:06,237 really there? Most of them anyway. It takes so long for the light to reach us 114 00:10:06,261 --> 00:10:10,636 that they're just echoes, ghosts, 115 00:10:10,660 --> 00:10:17,837 just a memory of what was once there. Christ, darling. But some of those stars 116 00:10:17,861 --> 00:10:23,997 don't go quietly or know towards the end or later in life shall we say they get 117 00:10:24,021 --> 00:10:30,957 bigger bigger stew. They give out more and more light and heat till nothing can 118 00:10:30,981 --> 00:10:37,837 eclipse them. Nothing. I don't want to go quietly. I want to 119 00:10:37,861 --> 00:10:43,517 burn light up the town like I used to explode. 120 00:10:43,541 --> 00:10:46,541 Boom. 121 00:10:48,021 --> 00:10:52,998 The chocolates were injected in one of these. So why have you got one? 122 00:10:53,022 --> 00:10:58,558 Well, it's hardly a secret, is it? Diabetic, aren't I? Everyone knows that. 123 00:10:58,582 --> 00:11:03,981 Interesting. So, anyone could have gained access to this, for instance. 124 00:11:04,741 --> 00:11:08,158 Well, you might have done it yourself. Why the hell would I have wanted to 125 00:11:08,182 --> 00:11:11,518 poison M? Well, that's just the thing, Sunny Jim. 126 00:11:11,542 --> 00:11:13,718 M wasn't the target. Then who was 127 00:11:13,742 --> 00:11:17,037 her fianceé? Yes. Puts a rather different complexion 128 00:11:17,061 --> 00:11:20,518 on things, doesn't it? Mr. Howard fired you, didn't he? 129 00:11:20,542 --> 00:11:22,558 Yeah. Yeah, but not till after the chocolate. 130 00:11:22,582 --> 00:11:25,477 Yeah, but he treated you badly. You were his whipping boy. 131 00:11:25,501 --> 00:11:29,078 You need to develop a fixed skin in this business. Inspector, I've dealt with 132 00:11:29,102 --> 00:11:33,118 bigger egos than Stuart Howard. Believe me, if I'd wanted to get my own back, 133 00:11:33,142 --> 00:11:37,438 I'd have pissed in his tea, not poisonous chocolates. 134 00:11:37,462 --> 00:11:39,878 And then there's the late Miss Narina Bean. 135 00:11:39,902 --> 00:11:44,557 Yeah, well, she was a right old man. Mustn't speak ill of the dead. 136 00:11:44,581 --> 00:11:47,437 She have anything on you? Like what? 137 00:11:47,461 --> 00:11:49,838 You can account for your movements last night, can you? 138 00:11:49,862 --> 00:11:51,598 Shot right through. Right. 139 00:11:51,622 --> 00:11:54,038 No coffee breaks. Yes, of course. Coffee breaks. 140 00:11:54,062 --> 00:11:58,157 So, theoretically, you could have pushed Narina Bean down the stairwell, couldn't you? 141 00:11:58,182 --> 00:12:01,919 Yeah. Well, theoretically, I could have won the pools and rung up Veronica Lake for a date, 142 00:12:01,944 --> 00:12:04,733 but I didn't. What's this? 143 00:12:04,758 --> 00:12:11,615 Tomorrow's pink page. Rewrite. Mr. The Mckendendrick's rewrite of scene 34. 144 00:12:11,640 --> 00:12:16,398 Just a little one, but in this business, the details matter, 145 00:12:16,422 --> 00:12:20,498 inspector. You don't want actors bumping into the furniture. 146 00:12:20,522 --> 00:12:22,541 I'm a details man myself. 147 00:12:23,941 --> 00:12:28,798 Yeah, I'm terrible at the pictures, isn't me? Yeah. I I I always know who 148 00:12:28,822 --> 00:12:33,998 done it straight off. Every takes the marrow out of Mrs. Bliss, but as I 149 00:12:34,022 --> 00:12:38,798 always say to her, the why is the thing. So why not take her to a western? 150 00:12:38,822 --> 00:12:43,278 Watch all those cowboys getting shot in the chest and falling forwards. 151 00:12:43,302 --> 00:12:48,478 Don't think so. You ever get home, Billy? If I try hard, 152 00:12:48,502 --> 00:12:54,758 Mr. Book, I can remember the daylight. Can I go now? Well, we'll need to get 153 00:12:54,782 --> 00:13:00,220 this tested for incident for strict mean 154 00:13:15,780 --> 00:13:21,756 basilisk. Hey, ring any bells. 155 00:13:21,780 --> 00:13:24,918 Baselisk. Norah and I have spent most of the 156 00:13:24,942 --> 00:13:27,838 morning dredging through your back issues. 157 00:13:27,862 --> 00:13:32,558 My head swimming and we'd finally found what we were 158 00:13:32,582 --> 00:13:37,678 looking for. A Sandra Dare fan who wrote to picture goer a lot. This one is from 159 00:13:37,702 --> 00:13:42,077 2 years ago. For looks, talent, and sheer screen charisma, no one can 160 00:13:42,101 --> 00:13:45,597 compete with the divine Miss Dare. There's loads like that. In her latest 161 00:13:45,621 --> 00:13:50,757 picture, the 43-year-old star elevates the art of acting to great heights. But 162 00:13:50,781 --> 00:13:56,638 why she's wasting her time sharing the screen with Stuart Howard, I will never 163 00:13:56,662 --> 00:14:02,398 know. A mumbling, sloppy eyed fop. Oh, and here's another. A year later, the 164 00:14:02,422 --> 00:14:06,838 public's infatuation with Darren Howard is beyond me. Miss Dare should be 165 00:14:06,862 --> 00:14:12,317 striking out alone, not saddling herself with this talent less whippers snapper. 166 00:14:12,341 --> 00:14:18,558 Of course, there is always difficulty when one reaches for the stars, but the 167 00:14:18,582 --> 00:14:25,918 difficulty as I see it is Stuart Howard, and there's a lot more like that in the 168 00:14:25,942 --> 00:14:29,678 same vein. An all signed basilisk. I see. 169 00:14:29,702 --> 00:14:34,637 Well, they obviously didn't like Stew. You think they might be the one who sent 170 00:14:34,661 --> 00:14:38,877 the chocolates? I don't know. Is it too much of a 171 00:14:38,901 --> 00:14:43,261 stretch to go from disliking a film star to sending them strictly? 172 00:14:46,020 --> 00:14:52,157 Sometimes the discussions can get very heated at the meet ups. 173 00:14:52,181 --> 00:14:57,196 Meetups? Oh yeah. We meet up and have chats and that. Sometimes the studio 174 00:14:57,220 --> 00:15:02,598 will send a star down to open a fate or something. That's how I first met 175 00:15:02,622 --> 00:15:06,636 Barbara. And you've never come across this basilisk? 176 00:15:06,660 --> 00:15:09,277 Now, how would I know if they never used 177 00:15:09,301 --> 00:15:12,701 their real name? 178 00:15:27,460 --> 00:15:32,636 Anything? Mr. Howard's room's as bare as George Zucko's paint. 179 00:15:32,660 --> 00:15:39,181 Oh, what about mist? Same 180 00:15:40,741 --> 00:15:43,741 probably. 181 00:15:44,181 --> 00:15:47,501 Who's next? 182 00:15:48,261 --> 00:15:53,517 Soundproofed naturally. Now, we know your movements last night, 183 00:15:53,541 --> 00:15:57,078 Mr. McKenzie. I should think so. Director never has a 184 00:15:57,102 --> 00:16:01,518 moment to themselves. In the tea break, I went to my office. Just a minor change 185 00:16:01,542 --> 00:16:04,118 for tomorrow. A pink page. Yes, 186 00:16:04,142 --> 00:16:09,198 you can check with my secretary. These stairs, where do they lead? Uh, 187 00:16:09,222 --> 00:16:13,558 prop store, offices. It's a warrant in this place. Film vault down there. Nice 188 00:16:13,582 --> 00:16:17,358 place. If you like asbestos, the treasures of British cinema. 189 00:16:17,382 --> 00:16:19,817 Not really. No. What then? 190 00:16:19,841 --> 00:16:25,098 Well, a film opens in Leicester Square, then it goes out across the country, 191 00:16:25,122 --> 00:16:28,618 then to the second runous in the flea pits, and when it's so scratched that 192 00:16:28,642 --> 00:16:33,977 every scene looks like it's happening in Antarctica, it comes here. 193 00:16:34,001 --> 00:16:38,920 Back home. It's taken to the tank. The tank? What happens there? 194 00:16:43,601 --> 00:16:48,857 It's put out of its misery. It's dissolved in sodium hypocchlorite. 195 00:16:48,881 --> 00:16:52,776 Why back here are the fumes, Mr. Book? The fumes. 196 00:16:52,800 --> 00:16:58,057 In goes some old tat starring a terrible provincial comic. And out comes 197 00:16:58,081 --> 00:17:02,378 something useful. Waterproof paint and silver halite. What an odd little 198 00:17:02,402 --> 00:17:05,538 cottage industry. It's valuable. More valuable than what's 199 00:17:05,562 --> 00:17:08,638 on the films themselves. Seems a lot of effort to go to. 200 00:17:08,662 --> 00:17:11,538 No, it's a simple process. The chemical solution does the work. 201 00:17:11,562 --> 00:17:16,338 No, I mean making a motion picture, you know, stars and the lights, you know, 202 00:17:16,362 --> 00:17:20,398 and shooting all those scenes and then just to melt it all down for scrap. 203 00:17:20,422 --> 00:17:23,918 British cinema is mainly stupid. Inspector, it's never been about 204 00:17:23,942 --> 00:17:29,480 anything. That needs to change. When it does, I'll make movies that won't end up here. 205 00:17:40,021 --> 00:17:43,021 Standby. 206 00:17:49,141 --> 00:17:52,381 Bye, darling. 207 00:17:56,100 --> 00:17:58,076 Mr. Howard. Mr. Book. 208 00:17:58,100 --> 00:18:00,477 A moment. Of course. 209 00:18:00,501 --> 00:18:03,357 The horrible query. Who is. 210 00:18:03,381 --> 00:18:09,597 What were you doing last night? Well, after drinks with your Jack, I 211 00:18:09,621 --> 00:18:14,318 went to bed early, but I couldn't get off. I spent a lot of time staring at 212 00:18:14,342 --> 00:18:17,518 the ceiling, contemplating mortality, as you can imagine. 213 00:18:17,542 --> 00:18:19,838 Any witnesses? Sorry to sound so official. 214 00:18:19,862 --> 00:18:24,798 Of course not. Sandra and I are engaged, don't you know? I had heard something of 215 00:18:24,822 --> 00:18:27,277 the kind. And Lena Bean, 216 00:18:27,301 --> 00:18:32,157 was she blackmailing you about prison? 217 00:18:32,181 --> 00:18:38,238 I've been very careful. Incredibly, I don't think she ever got a 218 00:18:38,262 --> 00:18:43,638 sniff of it. Mustache. TFN. Right. There's been a smash and grab in. 219 00:18:43,662 --> 00:18:49,298 Crystal Palace, tray of missing wedding rings, and a cracked skull. 220 00:18:49,322 --> 00:18:54,378 Very much a be movie crime. Might you uh stick around here? 221 00:18:54,402 --> 00:18:58,298 Keep an eye on the beautiful people. They are beautiful. 222 00:18:58,322 --> 00:19:02,041 What can I get for you? What else are they? 223 00:19:04,721 --> 00:19:08,841 Come on, Sergeant. Let's go. 224 00:19:31,281 --> 00:19:34,681 Cheers, cock a. 225 00:19:50,240 --> 00:19:53,657 Clippings. We found your trail book. 226 00:19:53,681 --> 00:19:58,216 Oh, excellent work. Oh, this is book. Didn't expect to see 227 00:19:58,240 --> 00:20:01,858 you here. Mr. Howard said we should visit and I've 228 00:20:01,882 --> 00:20:06,218 bought something for my husband. Lunch. 229 00:20:06,242 --> 00:20:12,498 Clues. Huh? Very interesting trail here. And I thought I saw something earlier 230 00:20:12,522 --> 00:20:19,177 too in the note. Repeated phrase. And these are all signed basilisk. 231 00:20:19,201 --> 00:20:24,538 What? It's a mythological creature. Could kill you just by looking at you. 232 00:20:24,562 --> 00:20:29,717 Rather the way Miss Dare is looking at me now. Would you excuse me? Well done. 233 00:20:32,341 --> 00:20:38,221 Would you like a little look around, Mrs. Book? Oh, I'd be delighted. 234 00:20:39,761 --> 00:20:43,577 So, uh, wallpaper didn't suit your story then. 235 00:20:43,601 --> 00:20:48,856 Well, no, because the hero Tony, he desires pleasure, but he's afraid of it. 236 00:20:48,880 --> 00:20:53,897 He's repressed. That's Freud, you know. So, I understand. 237 00:20:53,921 --> 00:20:58,778 Wallpaper, it simply doesn't give us that. Wallpaper is about covering things 238 00:20:58,802 --> 00:21:03,336 up. I thought cakes. Cakes are the opposite of books. Really? 239 00:21:03,460 --> 00:21:06,397 I must have missed that bit in Freud. Huh? 240 00:21:06,421 --> 00:21:10,542 Yes. Break, please. 241 00:21:10,567 --> 00:21:16,556 Skirts gathered, ready for the pursuit of art. Uh, yes, I suppose. So, 242 00:21:16,580 --> 00:21:20,477 well, before you rush off, perhaps I could check some details. 243 00:21:20,501 --> 00:21:24,076 How do you help the police exactly, Mr. Book? 244 00:21:24,200 --> 00:21:27,972 I check details. You must be relieved to know the chocolates 245 00:21:27,997 --> 00:21:31,748 weren't intended for you. Naturally, but also terribly 246 00:21:31,773 --> 00:21:35,498 worried for Stu, of course. Now, I know where you were 247 00:21:35,522 --> 00:21:38,938 last night, Mr. De, because I've seen the rushes. You were doing that scene 248 00:21:38,962 --> 00:21:42,898 where you look through the window and think about the resilience of your love. 249 00:21:42,922 --> 00:21:46,018 Yes, with Narina Bean amongst the background 250 00:21:46,042 --> 00:21:50,416 artists. Narina, was she on the set in in the 251 00:21:50,440 --> 00:21:54,737 shot? Yes. Moments later, she was on the 252 00:21:54,761 --> 00:21:57,056 stairs. Yes. Yes. 253 00:21:57,080 --> 00:22:01,617 And then at the bottom of the stairs. Yes. Well, I know about that. 254 00:22:01,641 --> 00:22:07,761 Perhaps she was killed because she knew who'd sent the poison chocolates. 255 00:22:08,361 --> 00:22:12,977 So, how would you think? It's a working hypothesis. 256 00:22:13,001 --> 00:22:19,217 Wait a minute. Um, you don't think that I. 257 00:22:19,241 --> 00:22:24,577 No, I love Stuart. We're everything to each other. 258 00:22:24,601 --> 00:22:27,910 Everything to the box office at any rate. 259 00:22:27,935 --> 00:22:33,898 Oh, and someone's been telling tales. Well, if that were the case, I'd have 260 00:22:33,922 --> 00:22:38,977 even less motive for killing Stuart, wouldn't I? We joined at the hip. 261 00:22:39,001 --> 00:22:43,858 When you finished filming, he went back to your dressing room, I imagine. 262 00:22:43,882 --> 00:22:46,898 Yes. Oh, Billy. Darling, you wouldn't get me 263 00:22:46,922 --> 00:22:49,618 a a coffee, would you, please? Of course, mister. 264 00:22:49,642 --> 00:22:53,618 Dash of milk. Me, too, Billy. Good, strong one. Sure 265 00:22:53,642 --> 00:22:57,217 thing, sir. You all work such long hours. We like to 266 00:22:57,241 --> 00:23:02,497 turn the sign at 5:30. Oh, my dear. Well, in the quote of Quaky days, there 267 00:23:02,521 --> 00:23:08,498 was one picture shooting here during the day and one at night. When that door 268 00:23:08,522 --> 00:23:14,578 opened with a 10:00 turnaround, no idea. Stale beer, orange field gas. Thank you, 269 00:23:14,602 --> 00:23:19,841 darling. Oh, the 1930s. Those were the days. 270 00:23:20,680 --> 00:23:27,937 Sugar, sir. What? Tastes horrible. So bitter. 271 00:23:27,961 --> 00:23:34,817 Would you like some milk, sir? No. Billy, get me some water. 272 00:23:34,841 --> 00:23:41,521 Oh my lord, Jesse. Same sentence. 273 00:23:48,601 --> 00:23:51,857 Eden swallow again. 274 00:23:51,881 --> 00:23:56,818 What are you doing, Tim? Trying to save his life, I think. But perhaps someone 275 00:23:56,842 --> 00:24:00,198 should call an ambulance in case I've got it wrong. 276 00:24:00,222 --> 00:24:02,721 Ambulance quickly. What's up, Mr. 277 00:24:03,961 --> 00:24:08,721 Look at me. Look at me. 278 00:24:19,001 --> 00:24:22,058 We didn't even get to the top of the hill. 279 00:24:22,082 --> 00:24:25,378 Is he hurt? It's largely cosmetic. Also that stuff 280 00:24:25,402 --> 00:24:28,498 around his mouth. It's largely cosmetic. 281 00:24:28,522 --> 00:24:30,977 Mascara. Oh, charcoal. 282 00:24:31,001 --> 00:24:34,738 I believe that's what mascara is. Oh, and petroleum jelly. 283 00:24:34,762 --> 00:24:38,417 A bit of a risk there, Mrs. Book. Charcoal's good for strickening, but I'm 284 00:24:38,441 --> 00:24:41,738 still waiting for the report on what was in Barbara Valham's chocolate. Could 285 00:24:41,762 --> 00:24:44,258 have been anything. Mr. Beckendri, Twitch, though. 286 00:24:44,282 --> 00:24:49,057 Strickling gives you the twitches. That's right. Great presence of mind is 287 00:24:49,081 --> 00:24:51,937 my wife. All my thoughts, dear Jessie. 288 00:24:51,961 --> 00:24:58,401 Oh, wait. My my bag. I need my things. Oh, allow me. 289 00:25:00,601 --> 00:25:05,841 Oh, silly me. 290 00:25:11,641 --> 00:25:15,041 Thank you, Mr. 291 00:25:35,161 --> 00:25:42,881 Oh, it's in the coffee. Everyone else has drunk it. They seem to be fine. 292 00:25:46,601 --> 00:25:52,656 Not entirely awful. Oh, so it's a cup added afterwards. 293 00:25:52,680 --> 00:25:58,401 You'd think so, wouldn't you? So indiscriminate. 294 00:25:59,241 --> 00:26:06,097 I just heard Jesse poisoned. God, is it meant for me? 295 00:26:06,121 --> 00:26:09,617 I don't know. The new schedule, Mr. Howard. 296 00:26:09,641 --> 00:26:13,857 Mr. You can go, Jack. That'll be the end of 297 00:26:13,881 --> 00:26:19,800 shooting for the day. Okay. 298 00:26:21,001 --> 00:26:27,281 Quiet. Let's call it a day. Shall we trot in? 299 00:26:32,761 --> 00:26:37,137 What's the matter with him? I don't know. 300 00:26:37,161 --> 00:26:41,921 He's been rather off with me all day. 301 00:26:54,680 --> 00:27:01,440 Nora, are we diversifying? Just catching up on my reading. 302 00:27:02,281 --> 00:27:08,416 He is mudding your eyeh. I'm still a child. Your uncle had my 303 00:27:08,440 --> 00:27:11,857 guts for his. I'll go to bed. Oh, 304 00:27:11,881 --> 00:27:15,137 you all right? Long day. 305 00:27:15,161 --> 00:27:18,737 What's wrong with your usual diet of blood and guts? 306 00:27:18,761 --> 00:27:24,957 Got a bit bored. They're starving a woman to death in pen. 307 00:27:24,982 --> 00:27:28,737 Nora, a favor. Where are those film 308 00:27:28,761 --> 00:27:32,017 almanacs? You mean the magazines that girl bought? 309 00:27:32,041 --> 00:27:37,378 No, no, we have a stack of almanacs. Early films from when they still called 310 00:27:37,402 --> 00:27:41,777 them flickers, if memory serves, between William Freeze Green and How Green Was. 311 00:27:41,801 --> 00:27:45,200 My Valley. Right. Oh, 312 00:27:54,761 --> 00:28:02,761 there she is. Cristiana Edmunds at Astra Asper. 313 00:28:09,241 --> 00:28:13,680 What? Nothing. 314 00:28:27,001 --> 00:28:29,978 And the staircase doesn't go anywhere. Oh, 315 00:28:30,002 --> 00:28:33,018 it's all right. These people never go upstairs. 316 00:28:33,042 --> 00:28:36,896 Sounds like home. No ceiling, though. The rooms in films 317 00:28:36,920 --> 00:28:42,417 never have ceilings. Why is that? E, didn't stop the light getting in. 318 00:28:42,441 --> 00:28:44,497 Continuity, Mr. Book. Oh, 319 00:28:44,521 --> 00:28:48,817 sorry. How is the life of a stand in? 320 00:28:48,841 --> 00:28:53,761 Static. Jack, a word in your show like, 321 00:28:55,641 --> 00:29:02,176 Jack. Jack, back into light, please. Ah, Mr. Mckendendrick, glad to see you 322 00:29:02,200 --> 00:29:05,218 looking hail and hearty. Fully recovered, I hope. 323 00:29:05,242 --> 00:29:07,738 Yes. Thanks to Mrs. Book. When I went into 324 00:29:07,762 --> 00:29:10,858 the picture business, I never thought it would be so bad for my nerves. It's 325 00:29:10,882 --> 00:29:12,858 exhausting. More exhausting than running. 326 00:29:12,882 --> 00:29:15,058 So much more. Near the end, though, now, aren't we? 327 00:29:15,082 --> 00:29:18,018 Yes. I'm so sorry, Mr. Book. Would you excuse me? I'm rather busy. 328 00:29:18,042 --> 00:29:21,498 Of course. Oh, what is the uh story so far, Mr. 329 00:29:21,522 --> 00:29:25,058 Howard? We've been having a passionate affair of 330 00:29:25,082 --> 00:29:29,658 the intellect, Meline and I. But then this telegram comes. Telegram of doom. 331 00:29:29,682 --> 00:29:33,218 And what do you know? The husband's been found in a Japanese P camp. 332 00:29:33,242 --> 00:29:35,738 Oh, bad luck. Yes. And he's on his way back to Blighty 333 00:29:35,762 --> 00:29:39,178 with his ribs sticking out, but still very much a going concern love wise. And 334 00:29:39,202 --> 00:29:41,938 so she tells me she has to leave me. What do you say? 335 00:29:41,962 --> 00:29:46,498 Nothing. Of course. Writers never want to write those bits. They like a nice 336 00:29:46,522 --> 00:29:51,057 clean reaction shot. Something's swelling on the soundtrack. 337 00:29:51,081 --> 00:29:54,455 Positions, please. But credit due, Jesse listened. So instead of 338 00:29:54,480 --> 00:29:57,417 standing there catching flies, I gird my loins 339 00:29:57,442 --> 00:30:00,416 and go stoically back to work. Like Uncle Vana. 340 00:30:00,440 --> 00:30:04,896 I'm sure that's what Jesse had in mind. Ask him. 341 00:30:04,920 --> 00:30:11,296 Am I at that? What to do today? What to do today? 342 00:30:11,320 --> 00:30:17,784 What it really minute? What to do? What did you do today? 343 00:30:17,809 --> 00:30:22,824 Today. What to do today? Scene 34. Take one. 344 00:30:23,481 --> 00:30:28,977 Action. Now the telegram is here. One I think we knew would always come. 345 00:30:29,001 --> 00:30:33,296 Is this the end of the affair? Don't say that word, Stuart. You know 346 00:30:33,320 --> 00:30:36,097 that it doubts me. I shall think of us. 347 00:30:36,121 --> 00:30:37,938 Stuart together. You said Stuart. 348 00:30:37,962 --> 00:30:39,838 What? Said Stuart. 349 00:30:39,862 --> 00:30:42,718 Cut. Let's go again. Close positions, please. 350 00:30:42,742 --> 00:30:47,938 Close positions. Billy. Yes. Mr. Mckendry. Run this one. 351 00:30:47,962 --> 00:30:50,061 Would you call it N? 352 00:30:50,661 --> 00:30:56,700 Ready. What? Please. 353 00:30:59,621 --> 00:31:02,637 And action. 354 00:31:02,661 --> 00:31:06,637 Don't say that, Tony. You know that it hurts me. 355 00:31:06,661 --> 00:31:11,357 There's still time, you know. Time for what? 356 00:31:11,381 --> 00:31:16,556 To do the right thing. Stop the filming. I've been aware for a while about a 357 00:31:16,580 --> 00:31:19,517 certain secret relationship in your life. 358 00:31:19,541 --> 00:31:23,917 Oh, we are not. She isn't. Not with Sandra, 359 00:31:23,941 --> 00:31:28,076 with Shiknne. I've read those grave little paragraphs 360 00:31:28,100 --> 00:31:32,717 in the Farsity Sporting Review. How you took it as a stimulant to get you 361 00:31:32,741 --> 00:31:37,916 through those last agonizing yards of the race. Rather reckless, really. My 362 00:31:37,940 --> 00:31:40,637 father wasn't very pleased, was he? No. 363 00:31:40,661 --> 00:31:46,157 So, I got into trouble. So what? And then there's Cristiana Edmunds, 364 00:31:46,181 --> 00:31:51,357 the heroine of your new film script, household name once. Fell in love with a 365 00:31:51,381 --> 00:31:56,877 doctor, and believed that he was in love with her pure fantasy. And she thought 366 00:31:56,901 --> 00:32:02,078 she could help him escape from his wife by bringing her a box of poison 367 00:32:02,102 --> 00:32:07,916 chocolate creams which the wife spat out just in time. And her poison of choice, 368 00:32:07,940 --> 00:32:12,796 stricken, of course. Bit of a light motif, isn't it? 369 00:32:12,820 --> 00:32:18,237 I've had a lot of time to think. Too much, I dare say. And I think we've been 370 00:32:18,261 --> 00:32:24,877 living in a kind of a dream. It's time for that dream to end. You You 371 00:32:24,901 --> 00:32:30,237 must stay here with your folks. I 372 00:32:30,261 --> 00:32:37,580 I must go back to my husband. I simply must. 373 00:32:51,541 --> 00:32:55,357 You didn't mean to kill poor Barbara Markham. 374 00:32:55,381 --> 00:32:58,556 And that might save you from the gallows, 375 00:32:58,580 --> 00:33:05,418 but you couldn't make the same argument about what's happening here, could you? 376 00:33:05,442 --> 00:33:07,980 This is your very last chance, Jesse. 377 00:33:12,021 --> 00:33:19,837 Oh, damn. Damn. Dan you book. Ow. Hell was that bloody tast? 378 00:33:19,861 --> 00:33:25,597 Oh well. Too late now. 379 00:33:25,621 --> 00:33:29,638 You're all right, Stu. It was on the cash register. It went 380 00:33:29,662 --> 00:33:33,820 right into me when I when I pressed the button. 381 00:33:34,980 --> 00:33:38,877 Oh my god. Oh my god. You 382 00:33:38,901 --> 00:33:45,757 I have a name, Mr. Howard. This is what happened to that girl. 383 00:33:45,781 --> 00:33:51,277 No. Barbara Markham swallowed stricken. This time the poison was on a pin in the 384 00:33:51,301 --> 00:33:55,117 cash register so we go straight into the bloodstream. 385 00:33:55,141 --> 00:34:01,158 If Jack and Billy hadn't followed my instructions perfectly and swapped it 386 00:34:01,182 --> 00:34:06,318 with a clean one. The pink page told me where to look. It was Billy who found 387 00:34:06,342 --> 00:34:12,237 it. You should be grateful he's so diligent, Mr. Howard, considering how 388 00:34:12,261 --> 00:34:16,518 bloody rude you are to him. You should thank him too, Jesse. 389 00:34:16,542 --> 00:34:21,741 One less name on the chance sheet next to little Barbara Markham. 390 00:34:22,421 --> 00:34:26,717 It was for you, my love. All for you. What? 391 00:34:26,741 --> 00:34:31,917 So we could be together and I could make you a bigger star than ever. Not in 392 00:34:31,941 --> 00:34:35,998 cheap trash like this, but in a real film, a masterpiece. 393 00:34:36,022 --> 00:34:42,158 What the hell are you talking about? He's been obsessed with you for years. 394 00:34:42,182 --> 00:34:46,917 Mister used to write letters to picture girl under a pseudonym of course 395 00:34:46,941 --> 00:34:52,078 basilisk his family crest all those books he read in the shop last year 396 00:34:52,102 --> 00:34:55,358 that's how he came up with his magnum opus 397 00:34:55,382 --> 00:35:00,157 unfortunately he left a little trace behind 398 00:35:00,181 --> 00:35:05,198 saw that we were getting a little too close to the truth and that's why he 399 00:35:05,222 --> 00:35:11,118 suddenly tasted something strange in his coffee faked the poisoning. 400 00:35:11,142 --> 00:35:15,357 You could have said bitter almonds like people do in the films, 401 00:35:15,381 --> 00:35:21,598 but you chose to twitch because you knew that Barbara Markham had been killed by 402 00:35:21,622 --> 00:35:25,038 stricken. You were familiar with the effects. They're pretty ugly, aren't 403 00:35:25,062 --> 00:35:28,478 they, Troy? Yes, spasms, a sort of breathless 404 00:35:28,502 --> 00:35:33,758 agitation. I'll never forget it. You put in a good performance, Jesse. 405 00:35:33,782 --> 00:35:37,238 But let me give you a note, Mr. Director. 406 00:35:37,262 --> 00:35:42,957 It takes a few minutes for the spasms to start. Your timing was out 407 00:35:42,981 --> 00:35:50,317 at Astra Pear Asper through hardship to the stars. Your family motto. You got to 408 00:35:50,341 --> 00:35:56,236 the stars, didn't you, Jesse? Not to the only star that mattered to you. 409 00:35:56,260 --> 00:36:02,158 Sandra Dare. My family has money. So much money. That's how I bought my way 410 00:36:02,182 --> 00:36:05,997 into this filthy industry. I could have financed our picture, 411 00:36:06,021 --> 00:36:08,877 Sandra. But he was spoiling it. 412 00:36:08,901 --> 00:36:13,437 Him. And what better publicity, a tragic 413 00:36:13,461 --> 00:36:18,957 widow overcoming her grief, tackling the part of a lifetime alongside the 414 00:36:18,981 --> 00:36:23,038 brilliant young writer. Writer, director. 415 00:36:23,062 --> 00:36:26,637 Writer, director, who consoled her. It's obscene. 416 00:36:26,661 --> 00:36:31,197 Deranged. Oh, you poor fool. It would be a whole new Sandra Dare, my 417 00:36:31,221 --> 00:36:36,558 darling. Of playing your own age. No makeup. A true character part to show 418 00:36:36,582 --> 00:36:40,397 your real range. No makeup. Are you mad? I'm Sandra. 419 00:36:40,421 --> 00:36:45,357 Deair. So was him. He killed that poor girl. 420 00:36:45,381 --> 00:36:49,597 Yes. And Narina Bean. No, not Narina Bean. 421 00:36:49,621 --> 00:36:53,117 What? Not Narina Bean. The girl with the 422 00:36:53,141 --> 00:36:58,397 poison pen. Jesse has a cast iron alibi. He was in his office. The secretary by 423 00:36:58,421 --> 00:37:03,118 his side, passing him the carbon paper, typing out a way to murder you, Mr. 424 00:37:03,142 --> 00:37:04,957 Howard. Then who did do it? 425 00:37:04,981 --> 00:37:08,157 Where did we find her? Bottom of the stairs. 426 00:37:08,181 --> 00:37:14,957 Which lead where? The prop store, offices, the vault. 427 00:37:14,981 --> 00:37:19,516 The vault? Yes. Wherein lie some of the forgotten 428 00:37:19,540 --> 00:37:25,718 remnants of British cinema and one film in particular. I found the reference in 429 00:37:25,742 --> 00:37:29,358 an old movie almanac back in Archangel Lane. 430 00:37:29,382 --> 00:37:32,236 What film? Kitty wins the Kolkata sweep. 431 00:37:32,260 --> 00:37:38,797 The hell is that? Is the film I found in your room, 432 00:37:38,821 --> 00:37:41,821 Sandra? 433 00:37:49,780 --> 00:37:56,381 Billy, call Bow Street. Get bliss here. Yes, Mr. B. 434 00:38:05,540 --> 00:38:10,877 You never loved her, Stewart. Not like I did. It's a long time since I've done 435 00:38:10,901 --> 00:38:14,301 this for real. 436 00:38:52,581 --> 00:38:55,581 Sandra. 437 00:38:57,061 --> 00:39:04,141 Sandra, it's all over. Why don't you come out and explain? 438 00:39:10,901 --> 00:39:17,500 I wasn't Sandra Dare back then. 439 00:39:19,301 --> 00:39:25,260 I was The Pedock. 440 00:39:29,941 --> 00:39:37,941 It was so long ago the film was lost and then Narina 441 00:39:40,341 --> 00:39:43,981 discovered it 442 00:39:46,181 --> 00:39:50,621 and then I discovered her. 443 00:39:59,381 --> 00:40:03,260 It was pure chance. 444 00:40:04,101 --> 00:40:11,741 I was going back to my dressing room and I saw this person an extra 445 00:40:12,661 --> 00:40:20,661 and then I recognized her and I saw what she had in her sweaty 446 00:40:21,141 --> 00:40:27,837 hands. I had never been so angry, not in all my 447 00:40:27,861 --> 00:40:34,637 life. No, you give it to them, 448 00:40:34,661 --> 00:40:41,421 demon. No. Damn it. No. 449 00:40:46,741 --> 00:40:53,260 She hit that step like a fairground coconut. She died instantly. 450 00:40:54,341 --> 00:40:59,996 But it was an accident. I swear 451 00:41:00,020 --> 00:41:03,821 it was an accident. 452 00:41:04,421 --> 00:41:11,740 But there it was. The master bread. 453 00:41:22,500 --> 00:41:27,917 This business will forgive you a lot of things, but 454 00:41:27,941 --> 00:41:34,621 not getting old. Are you smoking, Sandra? 455 00:41:36,421 --> 00:41:43,500 When nitrate film burns, Sandra, it makes its own oxygen. 456 00:41:44,181 --> 00:41:52,181 You think I don't know that, Mr. Book? I'm a veteran of the silver screen. 457 00:41:52,821 --> 00:41:57,437 That's why they keep it in an asbestos spa. 458 00:41:57,461 --> 00:42:01,837 You drop that cigarette, Sandra, you'll go up like a torch. 459 00:42:01,861 --> 00:42:06,540 And Troty and I won't escape unscathed. 460 00:42:07,621 --> 00:42:14,317 And neither will Stewart. Stewart. 461 00:42:14,341 --> 00:42:20,716 Darling, it doesn't have to be like this. 462 00:42:20,740 --> 00:42:26,701 But she would have told them all my secret 463 00:42:28,020 --> 00:42:34,157 that I was making films when Lenin was in office. 464 00:42:34,181 --> 00:42:38,157 That would have made me box office poison. 465 00:42:38,181 --> 00:42:44,397 And I've told you I want to go on and on and light up the 466 00:42:44,421 --> 00:42:47,981 town. Explode. 467 00:42:55,941 --> 00:43:00,957 Sandra, that script that Jesse wrote, I read it. 468 00:43:00,981 --> 00:43:07,837 It's about a woman who makes a terrible moral mistake, 469 00:43:07,861 --> 00:43:12,461 but she faces her fate with dignity. 470 00:43:12,661 --> 00:43:19,117 Inspector Bliss will be here soon, and you'll be under arrest. 471 00:43:19,141 --> 00:43:23,516 But before he arrives, I could save you a little bit of 472 00:43:23,540 --> 00:43:29,581 humiliation. What do you say? 473 00:43:30,260 --> 00:43:36,157 Let's go out to the tank. Bring that film. The one with you as a 474 00:43:36,181 --> 00:43:40,476 17-year-old with your whole life ahead of you. 475 00:43:40,500 --> 00:43:45,581 Before this business made you what you've become. 476 00:43:46,661 --> 00:43:52,637 Oh no, Mr. Book. Ah, 477 00:43:52,661 --> 00:43:59,117 I've always had it in me. I've always been a star. 478 00:43:59,141 --> 00:44:07,141 I think that's what the camera saw and why they've always loved me. 479 00:44:08,581 --> 00:44:13,101 Just give me a moment, will you? 480 00:44:22,341 --> 00:44:26,141 Not bad. 481 00:44:40,500 --> 00:44:46,221 That's long enough. Keep the bloody door in. 482 00:45:22,341 --> 00:45:26,141 That one. Come on. 483 00:45:52,581 --> 00:45:55,581 Who? 484 00:46:28,981 --> 00:46:33,037 It's a tragedy really. Will they 485 00:46:33,061 --> 00:46:38,157 will they hang? Jesse Mckendendrick undoubtedly, 486 00:46:38,181 --> 00:46:42,077 but I'm sure the jury will be kind to Miss Dare 487 00:46:42,101 --> 00:46:46,861 was an accident after all. 488 00:46:47,540 --> 00:46:52,957 Now you're a free man, Mr. Howard. Just what I wanted. 489 00:46:52,981 --> 00:46:57,197 What a cost, mind you. 490 00:46:57,221 --> 00:47:01,277 Tragic ex-fiancé, brokenhearted leading man, 491 00:47:01,301 --> 00:47:04,701 suddenly single. 492 00:47:09,621 --> 00:47:15,677 What is it? It was an accident, wasn't it? 493 00:47:15,701 --> 00:47:21,996 Narina Bean's death. Well, you shall never know, Inspector. 494 00:47:22,020 --> 00:47:28,780 After all, Sandra Dear is a terribly good actress. 495 00:48:03,701 --> 00:48:08,557 Hello, Jack. What's up, 496 00:48:08,581 --> 00:48:14,318 Jack? We need to tell you something. I'm sorry we didn't say it before, but we 497 00:48:14,342 --> 00:48:19,018 wanted to let you settle in and it's a delicate matter. 498 00:48:19,042 --> 00:48:21,661 It's about our relationship. 499 00:48:21,780 --> 00:48:27,756 Oh, I think I've guessed it. 500 00:48:27,780 --> 00:48:32,637 Is it that obvious? Well, it wasn't at first, but 501 00:48:32,661 --> 00:48:35,661 yeah, 502 00:48:36,341 --> 00:48:40,797 I found a photograph. Photograph 503 00:48:40,821 --> 00:48:44,061 my dad. 504 00:48:46,181 --> 00:48:52,701 You have a photo of my dad. It's just like the one that I have. 505 00:48:54,901 --> 00:48:58,956 And this I know I shouldn't have taken it. I'm 506 00:48:58,980 --> 00:49:06,980 sorry. But with the picture, Eric Peral Banks, your first husband. 507 00:49:11,221 --> 00:49:14,621 Is this him? 508 00:49:25,780 --> 00:49:28,780 Heat. 509 00:49:46,901 --> 00:49:49,901 Heat. 510 00:49:51,221 --> 00:49:54,221 Heat. 511 00:50:09,780 --> 00:50:12,780 Heat. 512 00:50:43,461 --> 00:50:46,461 Try. 513 00:50:48,500 --> 00:50:52,061 Are you my mother? 514 00:50:54,581 --> 00:50:59,437 Oh, my dear. Not at all. 515 00:50:59,461 --> 00:51:02,941 I'm so sorry. 516 00:51:11,621 --> 00:51:16,262 But what's all this about? 517 00:51:16,287 --> 00:51:23,605 Jack, we have rather a lot to tell you. 518 00:51:38,020 --> 00:51:41,020 Heat. Heat. 519 00:52:04,740 --> 00:52:07,740 Yeah. 520 00:52:11,061 --> 00:52:14,061 Yeah. 520 00:52:15,305 --> 00:53:15,221