Gilda
| ID | 13195464 |
|---|---|
| Movie Name | Gilda |
| Release Name | Gilda (1946).DVD.NonHI.pcc.en.SNY |
| Year | 1946 |
| Kind | movie |
| Language | English |
| IMDB ID | 38559 |
| Format | ssa |
[Script Info]
ScriptType: v4.00+
Collisions: Normal
PlayResX: 716
PlayResY: 480
Timer: 100.0
WrapStyle: 0
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Lucida Console,30,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:45.64,0:01:48.64,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}TO ME, A DOLLAR WAS A DOLLAR\NIN ANY LANGUAGE.
Dialogue: 0,0:01:50.64,0:01:52.64,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}IT WAS MY FIRST NIGHT\NIN THE ARGENTINE,
Dialogue: 0,0:01:52.65,0:01:56.66,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND I DIDN'T KNOW MUCH\NABOUT THE LOCAL CITIZENS.
Dialogue: 0,0:01:56.65,0:01:59.65,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT I KNEW ABOUT\NAMERICAN SAILORS,
Dialogue: 0,0:01:59.65,0:02:01.65,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND I KNEW I'D BETTER\NGET OUT OF THERE.
Dialogue: 0,0:02:21.67,0:02:24.18,Default,,0,0,0,,{\an1\pos(68,432)}PUT YOUR HANDS UP.
Dialogue: 0,0:02:24.18,0:02:26.18,Default,,0,0,0,,{\an1\pos(140,432)}UP !
Dialogue: 0,0:02:29.68,0:02:32.15,Default,,0,0,0,,{\an1\pos(140,432)}OW !
Dialogue: 0,0:02:46.17,0:02:48.18,Default,,0,0,0,,{\an1\pos(68,432)}GET GOING.
Dialogue: 0,0:02:56.18,0:02:58.69,Default,,0,0,0,,{\an1\pos(68,432)}A CANE LIKE THAT\NCAN COME IN HANDY.
Dialogue: 0,0:02:58.68,0:03:01.18,Default,,0,0,0,,{\an1\pos(212,432)}IT IS A MOST FAITHFUL\NAND OBEDIENT FRIEND.
Dialogue: 0,0:03:01.18,0:03:04.18,Default,,0,0,0,,{\an1\pos(140,432)}IT IS SILENT WHEN I WISH IT\NTO BE SILENT, IT TALKS\NWHEN I WISH IT TO TALK.
Dialogue: 0,0:03:04.18,0:03:07.69,Default,,0,0,0,,{\an1\pos(68,408)}THAT'S YOUR IDEA OF A FRIEND ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT IS MY IDEA\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOF A FRIEND.
Dialogue: 0,0:03:07.69,0:03:11.19,Default,,0,0,0,,{\an1\pos(68,408)}YOU MUST LEAD A GAY LIFE.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI LEAD THE LIFE\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI LIKE TO LEAD.
Dialogue: 0,0:03:11.19,0:03:14.69,Default,,0,0,0,,{\an1\pos(68,384)}YOU'RE A LUCKY MAN.\N\h\h\h\hI MAKE MY OWN LUCK.
Dialogue: 0,0:03:17.70,0:03:19.70,Default,,0,0,0,,{\an1\pos(68,432)}WHAT ARE YOU DOING\NIN A NEIGHBORHOOD LIKE THIS ?
Dialogue: 0,0:03:19.70,0:03:22.20,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hI CAME DOWN\N\h\h\h\h\h\h\h\h\h\h\h\hTO SAVE YOUR LIFE.\NDON'T OVERDO IT.
Dialogue: 0,0:03:22.20,0:03:24.20,Default,,0,0,0,,{\an1\pos(68,432)}HE WOULDN'T HAVE KILLED ME\NIF I HAD GIVEN HIM THE MONEY.
Dialogue: 0,0:03:24.20,0:03:26.20,Default,,0,0,0,,{\an1\pos(212,432)}BUT YOU WOULDN'T HAVE\NGIVEN HIM THE MONEY.
Dialogue: 0,0:03:26.21,0:03:29.22,Default,,0,0,0,,{\an1\pos(68,384)}MM, I DON'T THINK I WOULD.\N\h\h\h\h\h\h\h\h\h\h\h\hHOW DID YOU GET IT ?
Dialogue: 0,0:03:29.21,0:03:32.21,Default,,0,0,0,,{\an1\pos(68,408)}GET WHAT ?\N\h\h\h\h\h\h\h\h\h\h\h\hTHE MONEY YOU\N\h\h\h\h\h\h\h\h\h\h\h\hWOULD HAVE DIED FOR.
Dialogue: 0,0:03:32.71,0:03:35.21,Default,,0,0,0,,{\an1\pos(68,384)}GAMBLING.\N\h\h\h\h\h\h\h\h\h\h\h\hI'LL LEAVE YOU HERE.
Dialogue: 0,0:03:35.21,0:03:37.72,Default,,0,0,0,,{\an1\pos(68,384)}OH, THANKS.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hPLEASURE.
Dialogue: 0,0:03:37.72,0:03:40.72,Default,,0,0,0,,{\an1\pos(68,408)}I'LL DO THE SAME\NFOR YOU SOMETIME.\N\h\h\h\h\h\h\h\h\h\h\h\hSAVE MY LIFE ?
Dialogue: 0,0:03:40.72,0:03:42.72,Default,,0,0,0,,{\an1\pos(68,432)}GIVE YOU A CIGARETTE.
Dialogue: 0,0:03:44.72,0:03:47.73,Default,,0,0,0,,{\an1\pos(140,432)}WITH YOUR LUCK,\NWHY DON'T YOU GO WHERE\NTHERE'S SOME REAL GAMBLING ?
Dialogue: 0,0:03:47.73,0:03:50.73,Default,,0,0,0,,{\an1\pos(68,408)}OH, I THOUGHT IT WAS\NILLEGAL IN BUENOS AIRES.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, IT IS.
Dialogue: 0,0:03:50.73,0:03:53.23,Default,,0,0,0,,{\an1\pos(68,432)}I SEE.\NJUST LIKE HOME.
Dialogue: 0,0:03:53.23,0:03:56.73,Default,,0,0,0,,{\an1\pos(212,432)}THERE'S A CASINO\NABOUT A HALF-HOUR\NTHE OTHER SIDE OF TOWN.
Dialogue: 0,0:03:56.74,0:03:58.75,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHERE'S THE KEY.\NOH, THANKS.
Dialogue: 0,0:03:59.24,0:04:00.74,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBUT DON'T GO.\NWHY NOT ?
Dialogue: 0,0:04:00.74,0:04:03.24,Default,,0,0,0,,{\an1\pos(284,432)}THEY WON'T LET YOU\NUSE YOUR OWN DICE.
Dialogue: 0,0:04:03.24,0:04:05.74,Default,,0,0,0,,{\an1\pos(68,432)}WELL, I DIDN'T THINK\NIT SHOWED.
Dialogue: 0,0:04:05.75,0:04:10.21,Default,,0,0,0,,{\an1\pos(212,432)}A MAN WHO MAKES\NHIS OWN LUCK, AS I DO,\NRECOGNIZES ANOTHER'S.
Dialogue: 0,0:04:10.20,0:04:14.20,Default,,0,0,0,,{\an1\pos(68,432)}IN ANY EVENT, THEY WON'T\NLET YOU IN WITHOUT A TIE.
Dialogue: 0,0:04:30.22,0:04:32.72,Default,,0,0,0,,{\an1\pos(212,432)}THE SPOT IS NOT\NON YOUR NOSE, YET.
Dialogue: 0,0:04:35.73,0:04:39.24,Default,,0,0,0,,{\an1\pos(68,384)}WHO IS HE ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hA LOAFER.
Dialogue: 0,0:04:39.23,0:04:43.23,Default,,0,0,0,,{\an1\pos(212,432)}WOULD YOU LIKE\NA FINE PERFUME,\NSUITABLE FOR NOBILITY ?
Dialogue: 0,0:04:43.23,0:04:45.23,Default,,0,0,0,,{\an1\pos(68,432)}NO, THANKS.
Dialogue: 0,0:04:45.23,0:04:48.74,Default,,0,0,0,,{\an1\pos(212,432)}WE HAVE A TALCUM POWDER\NAS SOFT AS ROSE SILK.
Dialogue: 0,0:04:48.74,0:04:51.24,Default,,0,0,0,,{\an1\pos(68,432)}NO, THANKS.
Dialogue: 0,0:04:51.24,0:04:54.24,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTOWEL ?\NYEAH. THANK YOU.
Dialogue: 0,0:04:59.25,0:05:01.25,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH--\NMM-HMM ?
Dialogue: 0,0:05:03.25,0:05:06.75,Default,,0,0,0,,{\an1\pos(284,432)}HEY ! WHO'S SHE ?
Dialogue: 0,0:05:06.76,0:05:09.27,Default,,0,0,0,,{\an1\pos(140,432)}A HARPY.
Dialogue: 0,0:05:13.26,0:05:16.26,Default,,0,0,0,,{\an1\pos(68,432)}WELL, UM, HOW WOULD\NYOU CLASSIFY ME ?
Dialogue: 0,0:05:16.27,0:05:18.28,Default,,0,0,0,,{\an1\pos(356,432)}PEASANT.
Dialogue: 0,0:05:52.80,0:05:55.30,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}{\r}FAITES VOS JEUX, MESDAMES.\NFAITES VOS JEUX, MESSIEURS.
Dialogue: 0,0:05:55.30,0:05:57.31,Default,,0,0,0,,{\an1\pos(68,432)}FAITES VOS JEUX.
Dialogue: 0,0:06:22.33,0:06:25.83,Default,,0,0,0,,{\an1\pos(68,432)}PLACE YOUR BETS,\NLADIES AND GENTLEMEN.\NPLACE YOUR BETS.
Dialogue: 0,0:06:25.84,0:06:27.85,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}LADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:06:40.35,0:06:42.35,Default,,0,0,0,,{\an1\pos(68,432)}MESDAMES ET MESSIEURS,\NFAITES VOS JEUX.
Dialogue: 0,0:06:42.35,0:06:45.85,Default,,0,0,0,,{\an1\pos(68,432)}FAITES VOS JEUX,\NMESDAMES ET MESSIEURS.
Dialogue: 0,0:06:45.86,0:06:48.87,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:06:48.86,0:06:51.36,Default,,0,0,0,,{\an1\pos(212,432)}FAITES VOS JEUX,\NMESDAMES ET MESSIEURS,\NFAITES VOS JEUX.
Dialogue: 0,0:06:53.86,0:06:55.86,Default,,0,0,0,,{\an1\pos(212,432)}NUMBER TWO.\NA THOUSAND PESOS.
Dialogue: 0,0:06:55.87,0:06:58.88,Default,,0,0,0,,{\an1\pos(140,432)}- NO MORE BETS !
Dialogue: 0,0:07:00.87,0:07:04.34,Default,,0,0,0,,{\an1\pos(68,432)}NUMBER TWO ! BLACK !\NNUMERO DEUX ! NOIR !
Dialogue: 0,0:07:06.34,0:07:09.34,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}NUMBER TWO.
Dialogue: 0,0:07:09.35,0:07:12.36,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:07:24.86,0:07:28.36,Default,,0,0,0,,{\an1\pos(212,432)}TWO CHIPS.
Dialogue: 0,0:07:28.36,0:07:30.87,Default,,0,0,0,,{\an1\pos(428,432)}A THOUSAND\NPESOS, SIR.
Dialogue: 0,0:07:35.37,0:07:37.87,Default,,0,0,0,,{\an1\pos(284,432)}- CUT.\N- WHAT ?
Dialogue: 0,0:07:37.87,0:07:40.37,Default,,0,0,0,,{\an1\pos(140,432)}PLAYER'S ALLOWED TO CUT\NAT ANY TIME.
Dialogue: 0,0:07:40.38,0:07:42.89,Default,,0,0,0,,{\an1\pos(284,432)}OF COURSE.
Dialogue: 0,0:08:11.41,0:08:13.41,Default,,0,0,0,,{\an1\pos(212,432)}A THOUSAND PESOS.
Dialogue: 0,0:08:20.92,0:08:22.92,Default,,0,0,0,,{\an1\pos(140,432)}CUT.
Dialogue: 0,0:09:08.96,0:09:11.97,Default,,0,0,0,,{\an1\pos(68,432)}CUT.
Dialogue: 0,0:09:19.98,0:09:22.49,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AS USUAL, I MADE MY OWN LUCK.
Dialogue: 0,0:09:22.48,0:09:24.98,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND I KNEW JUST WHEN\NTO STOP LETTING IT RIDE.
Dialogue: 0,0:09:32.49,0:09:35.49,Default,,0,0,0,,{\an1\pos(68,432)}HEY, BUD.\NTHE DIRECTOR WANTS TO SEE YA.
Dialogue: 0,0:09:35.49,0:09:37.99,Default,,0,0,0,,{\an1\pos(212,432)}IS BROOKLYN ACROSS\NTHE RIVER HERE TOO ?
Dialogue: 0,0:09:41.50,0:09:43.50,Default,,0,0,0,,{\an1\pos(518,432)}{\i1}VAMOS.
Dialogue: 0,0:09:51.01,0:09:53.51,Default,,0,0,0,,{\an1\pos(68,408)}HEY.\N\h\h\h\h\h\h\h\h\h\h\h\hTHANKS, PEASANT.
Dialogue: 0,0:10:16.03,0:10:18.53,Default,,0,0,0,,{\an1\pos(212,432)}WHERE IS HE ?
Dialogue: 0,0:10:19.03,0:10:21.04,Default,,0,0,0,,{\an1\pos(284,432)}DON'T WORRY, BUB.\NHE'LL BE HERE.
Dialogue: 0,0:10:29.55,0:10:33.06,Default,,0,0,0,,{\an1\pos(140,432)}HOW'D YOU LIKE\NA THOUSAND PESOS APIECE ?
Dialogue: 0,0:10:33.05,0:10:35.05,Default,,0,0,0,,{\an1\pos(212,432)}YOU DON'T BUY YOUR WAY\NOUT OF THIS, BUB.
Dialogue: 0,0:10:35.05,0:10:37.05,Default,,0,0,0,,{\an1\pos(284,432)}YOU'RE IN TROUBLE.
Dialogue: 0,0:10:37.05,0:10:39.05,Default,,0,0,0,,{\an1\pos(140,432)}OH, NOW, WAIT A MINUTE--
Dialogue: 0,0:10:49.57,0:10:51.58,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}ALL RIGHT, CASEY, HUERTA.
Dialogue: 0,0:10:57.07,0:11:00.57,Default,,0,0,0,,{\an1\pos(68,432)}WELL, WELL.\NTHE LITTLE MAN\NWITH THE SHARP FRIEND.
Dialogue: 0,0:11:00.58,0:11:05.09,Default,,0,0,0,,{\an1\pos(140,432)}- I TOLD YOU NOT\N\h\hTO BRING YOUR OWN DICE.\N- WELL, WELL, AGAIN.
Dialogue: 0,0:11:05.08,0:11:07.08,Default,,0,0,0,,{\an1\pos(212,432)}YOU REALLY HAD ME\NFOOLED LAST NIGHT.
Dialogue: 0,0:11:07.08,0:11:09.08,Default,,0,0,0,,{\an1\pos(212,432)}I THOUGHT\NYOU WERE SOMEBODY.
Dialogue: 0,0:11:09.08,0:11:12.59,Default,,0,0,0,,{\an1\pos(212,432)}I DIDN'T THINK YOU'D\NJUST BE THE MANAGER\NOF A GAMBLING JOINT.
Dialogue: 0,0:11:12.59,0:11:14.59,Default,,0,0,0,,{\an1\pos(212,432)}MY NAME IS\NBALLIN MUNDSON.
Dialogue: 0,0:11:14.59,0:11:17.09,Default,,0,0,0,,{\an1\pos(140,432)}MINE'S JOHNNY FARRELL.
Dialogue: 0,0:11:17.09,0:11:20.59,Default,,0,0,0,,{\an1\pos(212,432)}AND I'M NOT THE MANAGER,\NI OWN THE JOINT.
Dialogue: 0,0:11:22.10,0:11:24.10,Default,,0,0,0,,{\an1\pos(68,432)}AND I DON'T LIKE\NTO BE CHEATED.
Dialogue: 0,0:11:24.10,0:11:26.10,Default,,0,0,0,,{\an1\pos(284,432)}AW, THERE ISN'T\NA DICE TABLE\NIN THE HOUSE--
Dialogue: 0,0:11:26.10,0:11:29.10,Default,,0,0,0,,{\an1\pos(68,408)}NOBODY WINS THAT MUCH\NMONEY AT "21" HONESTLY.\N\h\h\h\h\h\h\h\hI HAD A LUCKY STREAK.
Dialogue: 0,0:11:29.10,0:11:31.11,Default,,0,0,0,,{\an1\pos(68,432)}A VERY DEFT WAY\NOF CUTTING CARDS.
Dialogue: 0,0:11:31.11,0:11:33.61,Default,,0,0,0,,{\an1\pos(356,432)}TOOK ME YEARS\NTO LEARN.
Dialogue: 0,0:11:35.61,0:11:37.61,Default,,0,0,0,,{\an1\pos(212,432)}OF COURSE,\NYOU OUGHT TO BE IN JAIL.
Dialogue: 0,0:11:37.61,0:11:40.11,Default,,0,0,0,,{\an1\pos(68,432)}BUT I SUPPOSE I OWE YOU\NAN OBLIGATION,
Dialogue: 0,0:11:40.62,0:11:42.63,Default,,0,0,0,,{\an1\pos(68,432)}SINCE I SAVED YOUR LIFE.
Dialogue: 0,0:11:42.62,0:11:45.12,Default,,0,0,0,,{\an1\pos(284,432)}HEY, YOU OUGHT TO BE\NMORE CAREFUL\NABOUT THOSE THINGS.
Dialogue: 0,0:11:45.12,0:11:48.12,Default,,0,0,0,,{\an1\pos(68,432)}NOW, GET OUT OF HERE.\NDON'T COME BACK.
Dialogue: 0,0:11:48.62,0:11:52.13,Default,,0,0,0,,{\an1\pos(212,432)}MM.\NWELL, YOU KNOW YOU'RE\NBEING VERY STUPID ?
Dialogue: 0,0:11:54.63,0:11:58.13,Default,,0,0,0,,{\an1\pos(68,408)}PROBABLY.\N\h\h\h\hYOU SIMPLY HAD ME\N\h\h\h\hGAMBLING ON THE WRONG SIDE.
Dialogue: 0,0:11:58.13,0:12:00.13,Default,,0,0,0,,{\an1\pos(140,432)}I'LL BE BETTER\NIF YOU HAD ME ON YOUR SIDE.
Dialogue: 0,0:12:00.14,0:12:02.65,Default,,0,0,0,,{\an1\pos(68,432)}I DON'T LIKE\NMY PEOPLE TO CHEAT.
Dialogue: 0,0:12:02.64,0:12:05.14,Default,,0,0,0,,{\an1\pos(212,432)}I CHEAT WITH\NMY OWN MONEY, SURE.
Dialogue: 0,0:12:05.14,0:12:07.64,Default,,0,0,0,,{\an1\pos(140,432)}BUT WITH YOUR MONEY,\NI WOULDN'T HAVE TO CHEAT.
Dialogue: 0,0:12:09.14,0:12:11.65,Default,,0,0,0,,{\an1\pos(284,432)}THINK IT OVER.
Dialogue: 0,0:12:11.65,0:12:15.65,Default,,0,0,0,,{\an1\pos(68,432)}YOU KNOW, I THINK I WILL.\NHOW MUCH TIME DO YOU GIVE ME ?
Dialogue: 0,0:12:15.65,0:12:19.15,Default,,0,0,0,,{\an1\pos(68,432)}OH, THERE'S NO HURRY.\NYOU CAN TAKE A MINUTE OR TWO.
Dialogue: 0,0:12:19.15,0:12:21.66,Default,,0,0,0,,{\an1\pos(140,432)}EXCUSE ME, WHILE\NYOU'RE MAKING UP YOUR MIND.
Dialogue: 0,0:12:30.17,0:12:32.18,Default,,0,0,0,,{\an1\pos(212,432)}NOT YOU.
Dialogue: 0,0:12:36.67,0:12:40.17,Default,,0,0,0,,{\an1\pos(68,432)}YOU REALLY SHOULDN'T\NHIT A MAN WHEN HE HAS\NHIS HANDS BEHIND HIS BACK.
Dialogue: 0,0:12:44.68,0:12:47.68,Default,,0,0,0,,{\an1\pos(284,432)}YOU SEE ?\NTHIS WAY YOU'LL HAVE\NTWO FRIENDS.
Dialogue: 0,0:12:48.18,0:12:51.19,Default,,0,0,0,,{\an1\pos(140,432)}YOU'VE NO IDEA HOW FAITHFUL\NAND OBEDIENT I CAN BE.
Dialogue: 0,0:12:51.19,0:12:53.69,Default,,0,0,0,,{\an1\pos(284,432)}FOR A NICE SALARY.
Dialogue: 0,0:12:59.19,0:13:02.70,Default,,0,0,0,,{\an1\pos(68,432)}THAT THERE IS NO WOMAN ANYWHERE.
Dialogue: 0,0:13:02.70,0:13:05.70,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hTHERE'S NO WOMAN ANYWHERE.\NGAMBLING AND WOMEN\NDO NOT MIX.
Dialogue: 0,0:13:05.70,0:13:08.70,Default,,0,0,0,,{\an1\pos(212,432)}THOSE ARE THE VERY WORDS\NI USE MYSELF.
Dialogue: 0,0:13:08.70,0:13:12.21,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hNOW, SHALL WE QUIT\N\h\h\h\h\h\h\h\h\h\h\h\hTALKING ABOUT IT ?\NTHERE WAS ONE ONCE.
Dialogue: 0,0:13:12.21,0:13:16.71,Default,,0,0,0,,{\an1\pos(140,432)}GET THIS, MR. MUNDSON.\NI WAS BORN LAST NIGHT, WHEN\NYOU MET ME IN THAT ALLEY.
Dialogue: 0,0:13:17.21,0:13:20.71,Default,,0,0,0,,{\an1\pos(212,432)}THAT WAY, I'M NO PAST,\NAND ALL FUTURE, SEE ?\NAND I LIKE IT THAT WAY.
Dialogue: 0,0:13:22.72,0:13:25.22,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}HE LET ME EASE MYSELF\NRIGHT TO THE TOP.
Dialogue: 0,0:13:25.22,0:13:28.22,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AT FIRST, I JUST WATCHED\NTHE PLAY AND THE CHECKOFFS.
Dialogue: 0,0:13:30.73,0:13:32.74,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BY THE WAY, ABOUT THAT TIME,\NTHE WAR ENDED.
Dialogue: 0,0:14:32.29,0:14:35.29,Default,,0,0,0,,{\an1\pos(284,432)}GREAT NEWS.\NI THOUGHT WE OUGHT\NTO CELEBRATE TOO.
Dialogue: 0,0:14:36.79,0:14:38.79,Default,,0,0,0,,{\an1\pos(68,432)}OH YES, OF COURSE.
Dialogue: 0,0:14:40.30,0:14:42.31,Default,,0,0,0,,{\an1\pos(428,432)}WELL--
Dialogue: 0,0:14:49.81,0:14:51.82,Default,,0,0,0,,{\an1\pos(68,432)}I HAVE TO TAKE\NA TRIP, JOHNNY.
Dialogue: 0,0:14:51.81,0:14:55.31,Default,,0,0,0,,{\an1\pos(68,432)}I MAY BE GONE FOR A WHILE,\NAND YOU'RE IN CHARGE\NOF THE CASINO.
Dialogue: 0,0:14:55.31,0:14:58.31,Default,,0,0,0,,{\an1\pos(68,384)}YOU'VE BEEN PROMOTED.\N\h\h\h\h\h\h\h\h\h\h\h\hFAITHFUL SERVICE.
Dialogue: 0,0:14:58.31,0:15:00.31,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\hDO I GET A RAISE ?\NNO.
Dialogue: 0,0:15:00.32,0:15:02.33,Default,,0,0,0,,{\an1\pos(68,384)}FAIR ENOUGH ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hFAIR ENOUGH.
Dialogue: 0,0:15:02.32,0:15:05.32,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hBUT YOU DO GET\N\h\h\h\hFIVE PERCENT OF THE PROFITS.\NI'LL TAKE SEVEN AND A HALF.
Dialogue: 0,0:15:05.32,0:15:07.82,Default,,0,0,0,,{\an1\pos(212,432)}YOU'RE SHARP, JOHNNY.
Dialogue: 0,0:15:07.82,0:15:10.32,Default,,0,0,0,,{\an1\pos(140,432)}ALMOST AS SHARP\NAS MY OTHER LITTLE FRIEND.
Dialogue: 0,0:15:10.33,0:15:12.84,Default,,0,0,0,,{\an1\pos(140,408)}\h\h\h\h\h\h\h\h\h\h\h\hBUT NOT QUITE\N\h\h\h\h\h\h\h\h\h\h\h\hSO OBEDIENT.\NNO ?
Dialogue: 0,0:15:12.83,0:15:15.33,Default,,0,0,0,,{\an1\pos(140,432)}MY OTHER LITTLE FRIEND\NWOULD KILL FOR ME, JOHNNY.
Dialogue: 0,0:15:15.33,0:15:18.33,Default,,0,0,0,,{\an1\pos(68,408)}WELL, THAT'S WHAT FRIENDS ARE FOR.\N \h\h\h\h
Dialogue: 0,0:15:18.33,0:15:22.34,Default,,0,0,0,,{\an1\pos(284,432)}TO US, JOHNNY.\N\hTO THE THREE OF US.
Dialogue: 0,0:15:22.34,0:15:24.34,Default,,0,0,0,,{\an1\pos(68,432)}THE THREE OF US.
Dialogue: 0,0:15:24.34,0:15:26.34,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}MAKES ME LAUGH NOW,\NTO THINK BACK.
Dialogue: 0,0:15:26.34,0:15:28.84,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}ME, SO SURE IT WAS\NJUST THE THREE OF US.
Dialogue: 0,0:15:28.84,0:15:30.84,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I SOON FOUND OUT, ALL RIGHT.
Dialogue: 0,0:15:30.85,0:15:33.36,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I REMEMBER IT WAS LATE\NONE AFTERNOON.
Dialogue: 0,0:15:33.35,0:15:36.85,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I WAS GETTING READY\NFOR THE SATURDAY NIGHT CROWD.
Dialogue: 0,0:15:36.85,0:15:39.85,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}FUNNY I'D REMEMBER\NWHAT DAY IT WAS, ISN'T IT ?
Dialogue: 0,0:15:43.36,0:15:46.86,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hISN'T IT ENOUGH ?\NFOR A PEASANT ?\NPFFT !
Dialogue: 0,0:15:46.86,0:15:49.36,Default,,0,0,0,,{\an1\pos(284,432)}MR. FARRELL,\NMR. MUNDSON CALLED.\NJUST GOT BACK.
Dialogue: 0,0:15:49.36,0:15:51.37,Default,,0,0,0,,{\an1\pos(284,432)}HE'D LIKE YOU\NTO COME AROUND\NTO HIS HOUSE.
Dialogue: 0,0:15:51.37,0:15:55.37,Default,,0,0,0,,{\an1\pos(212,432)}THANK YOU.\NAFTER ALL,\NI-I RUN THE PLACE.
Dialogue: 0,0:15:55.87,0:15:58.87,Default,,0,0,0,,{\an1\pos(158,432)}{\i1}HE CALLS ME MR. FARRELL.\NISN'T THAT BETTER ?
Dialogue: 0,0:15:58.87,0:16:00.87,Default,,0,0,0,,{\an1\pos(140,432)}PFFT !
Dialogue: 0,0:16:05.88,0:16:07.88,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}YOU'D THINK A BELL WOULD HAVE\NRUNG, OR YOU'D THINK...
Dialogue: 0,0:16:07.88,0:16:10.38,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I'D HAVE HAD SOME INSTINCT\NOR WARNING.
Dialogue: 0,0:16:10.39,0:16:14.90,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT I DIDN'T.\NI JUST WALKED RIGHT INTO IT.
Dialogue: 0,0:16:23.40,0:16:27.90,Default,,0,0,0,,{\an1\pos(140,432)}BALLIN ?\N\hBALLIN ?
Dialogue: 0,0:16:27.90,0:16:31.41,Default,,0,0,0,,{\an1\pos(140,432)}SENOR MUNDSON WILL BE DOWN\NIN A MOMENT, SENOR FARRELL.
Dialogue: 0,0:16:31.41,0:16:34.41,Default,,0,0,0,,{\an1\pos(212,432)}THANKS. IT'S GREAT\NHAVING HIM BACK,\NISN'T IT, PETE ?
Dialogue: 0,0:16:34.41,0:16:36.41,Default,,0,0,0,,{\an1\pos(68,432)}I HOPE IT WILL BE\NTHE SAME, SENOR FARRELL.
Dialogue: 0,0:16:45.92,0:16:48.92,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}JOHNNY ! IS THAT YOU ?
Dialogue: 0,0:16:54.43,0:16:56.93,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hHELLO, BALLIN !\NCOME ON UP HERE.
Dialogue: 0,0:17:02.94,0:17:05.44,Default,,0,0,0,,{\an1\pos(68,432)}WELL, WHAT ARE YOU\NCRYIN' ABOUT ?
Dialogue: 0,0:17:05.44,0:17:07.44,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\hI FEEL GREAT, JOHNNY.\NYOU LOOK FOOLISH.
Dialogue: 0,0:17:07.44,0:17:10.94,Default,,0,0,0,,{\an1\pos(140,408)}\h\h\h\h\h\h\h\h\N\h\h\h\h\h\h\h\hI'LL SHOW YA WHY.\NWHERE'S THE CANARY ?
Dialogue: 0,0:17:10.95,0:17:13.46,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hHOW DID YOU KNOW ?\NHOW DID I KNOW WHAT ?
Dialogue: 0,0:17:13.45,0:17:15.95,Default,,0,0,0,,{\an1\pos(284,432)}SO YOU DON'T KNOW ?\NCOME.
Dialogue: 0,0:17:18.95,0:17:20.45,Default,,0,0,0,,{\an1\pos(212,432)}THIS IS WHERE\NTHE CANARY IS, JOHNNY.
Dialogue: 0,0:17:23.46,0:17:25.96,Default,,0,0,0,,{\an1\pos(140,432)}QUITE A SURPRISE\NTO HEAR A WOMAN SINGING\NIN MY HOUSE, EH, JOHNNY ?
Dialogue: 0,0:17:30.47,0:17:32.48,Default,,0,0,0,,{\an1\pos(140,432)}THAT'S QUITE A SU--
Dialogue: 0,0:17:32.47,0:17:35.97,Default,,0,0,0,,{\an1\pos(212,432)}A SURPRISE.
Dialogue: 0,0:17:47.98,0:17:50.48,Default,,0,0,0,,{\an1\pos(284,432)}GILDA,\NARE YOU DECENT ?
Dialogue: 0,0:17:50.49,0:17:53.50,Default,,0,0,0,,{\an1\pos(284,432)}ME ?
Dialogue: 0,0:18:01.00,0:18:04.01,Default,,0,0,0,,{\an1\pos(212,432)}SURE, I'M DECENT.
Dialogue: 0,0:18:06.00,0:18:09.00,Default,,0,0,0,,{\an1\pos(356,432)}GILDA, THIS IS\NJOHNNY FARRELL.
Dialogue: 0,0:18:09.00,0:18:11.51,Default,,0,0,0,,{\an1\pos(356,432)}JOHNNY,\NTHIS IS GILDA.
Dialogue: 0,0:18:17.51,0:18:21.01,Default,,0,0,0,,{\an1\pos(140,432)}SO THIS IS JOHNNY FARRELL.\NI'VE HEARD A LOT ABOUT YOU.
Dialogue: 0,0:18:21.02,0:18:25.03,Default,,0,0,0,,{\an1\pos(68,432)}REALLY ? NOW, I HAVEN'T\NHEARD A WORD ABOUT YOU.
Dialogue: 0,0:18:25.02,0:18:27.52,Default,,0,0,0,,{\an1\pos(284,432)}TSK, TSK, TSK, TSK.\NWHY, BALLIN--
Dialogue: 0,0:18:27.52,0:18:29.02,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I WANTED TO KEEP IT\NAS A SURPRISE.
Dialogue: 0,0:18:29.52,0:18:31.02,Default,,0,0,0,,{\an1\pos(284,432)}WAS IT A SURPRISE,\NMR. FARRELL ?
Dialogue: 0,0:18:31.53,0:18:33.53,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}IT CERTAINLY WAS.\NYOU SHOULD HAVE SEEN HIS FACE.
Dialogue: 0,0:18:33.53,0:18:35.53,Default,,0,0,0,,{\an1\pos(284,432)}DID YOU TELL HIM\NWHAT I'M DOING HERE,\NBALLIN ?
Dialogue: 0,0:18:35.53,0:18:38.53,Default,,0,0,0,,{\an1\pos(158,432)}{\i1}NO, I WANTED TO SAVE\NTHAT AS A SURPRISE, TOO.
Dialogue: 0,0:18:38.53,0:18:42.04,Default,,0,0,0,,{\an1\pos(158,408)}\h\h\h\h\h\h\hHANG ONTO YOUR HAT,\N\h\h\h\h\h\h\hMR. FARRELL.\NGILDA IS MY WIFE, JOHNNY.
Dialogue: 0,0:18:44.04,0:18:46.54,Default,,0,0,0,,{\an1\pos(284,432)}MRS. BALLIN MUNDSON,\NMR. FARRELL.
Dialogue: 0,0:18:47.04,0:18:51.04,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hIS THAT ALL RIGHT ?\NCONGRATULATIONS.
Dialogue: 0,0:18:51.05,0:18:55.06,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}OH, YOU DON'T CONGRATULATE\NTHE BRIDE, JOHNNY.\NYOU CONGRATULATE THE HUSBAND.
Dialogue: 0,0:18:55.05,0:18:58.05,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}REALLY ? WELL, WHAT ARE YOU\NSUPPOSED TO SAY TO THE BRIDE ?
Dialogue: 0,0:18:58.05,0:19:00.05,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}YOU WISH HER GOOD LUCK.
Dialogue: 0,0:19:00.06,0:19:04.57,Default,,0,0,0,,{\an1\pos(212,432)}HMM. GOOD LUCK.
Dialogue: 0,0:19:04.56,0:19:07.56,Default,,0,0,0,,{\an1\pos(140,432)}THANK YOU, MR. FARRELL.\NMY HUSBAND TELLS ME YOU'RE\NA GREAT BELIEVER IN LUCK.
Dialogue: 0,0:19:08.06,0:19:11.57,Default,,0,0,0,,{\an1\pos(68,408)}{\i1}WE MAKE OUR OWN LUCK,\NJOHNNY AND I.\NI'LL HAVE TO TRY THAT SOMETIME.
Dialogue: 0,0:19:11.57,0:19:14.02,Default,,0,0,0,,{\an1\pos(230,432)}{\i1}I'LL TRY IT RIGHT NOW.
Dialogue: 0,0:19:14.02,0:19:18.02,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hTELL HIM TO COME TO DINNER\N\h\h\h\hWITH US TONIGHT, BALLIN.\NIT'S AN ORDER.
Dialogue: 0,0:19:18.02,0:19:21.02,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}COME ALONG, JOHNNY.\NWE'LL LET GILDA GET DRESSED.
Dialogue: 0,0:19:21.03,0:19:24.54,Default,,0,0,0,,{\an1\pos(68,432)}LOOK YOUR BEST, MY BEAUTIFUL.\NTHIS WILL BE THE CASINO'S\NFIRST GLIMPSE OF YOU.
Dialogue: 0,0:19:24.53,0:19:27.53,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I'LL LOOK\NMY VERY BEST, BALLIN.
Dialogue: 0,0:19:27.53,0:19:30.53,Default,,0,0,0,,{\an1\pos(68,432)}I WANT ALL THE HIRED HELP\NTO APPROVE OF ME.
Dialogue: 0,0:19:32.04,0:19:34.54,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\hGLAD TO HAVE MET YOU,\N\h\h\h\h\h\h\h\h\hMR. FARRELL.\NHIS NAME IS JOHNNY, GILDA.
Dialogue: 0,0:19:34.54,0:19:39.04,Default,,0,0,0,,{\an1\pos(212,432)}OH, I'M SORRY.\NJOHNNY IS SUCH\NA HARD NAME TO REMEMBER,
Dialogue: 0,0:19:39.04,0:19:41.55,Default,,0,0,0,,{\an1\pos(212,432)}AND SO EASY TO FORGET.
Dialogue: 0,0:19:42.55,0:19:45.05,Default,,0,0,0,,{\an1\pos(356,432)}"JOHNNY."
Dialogue: 0,0:19:45.05,0:19:49.05,Default,,0,0,0,,{\an1\pos(356,432)}THERE.\NSEE YOU LATER,\NMR. FARRELL.
Dialogue: 0,0:19:49.05,0:19:51.56,Default,,0,0,0,,{\an1\pos(140,432)}THAT'S RIGHT,\NMRS. MUNDSON.
Dialogue: 0,0:19:55.06,0:19:57.03,Default,,0,0,0,,{\an1\pos(140,432)}I'LL SEE\NJOHNNY DOWNSTAIRS.
Dialogue: 0,0:19:57.03,0:19:59.53,Default,,0,0,0,,{\an1\pos(356,432)}I'LL SEE HIM\NAT THE CASINO.
Dialogue: 0,0:20:24.06,0:20:26.57,Default,,0,0,0,,{\an1\pos(284,432)}FOR SOME REASON,\NSHE DOESN'T\NLIKE YOU, JOHNNY.
Dialogue: 0,0:20:26.56,0:20:29.56,Default,,0,0,0,,{\an1\pos(68,432)}REALLY ?\NWHAT MAKES YOU THINK THAT ?
Dialogue: 0,0:20:29.56,0:20:32.56,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\h\h\h\h\hI KNOW MY WIFE.\NYOU DO ?
Dialogue: 0,0:20:32.56,0:20:35.57,Default,,0,0,0,,{\an1\pos(212,432)}WHY WOULD SHE FORM\NAN INSTANT ANTAGONISM\NLIKE THAT ?
Dialogue: 0,0:20:36.07,0:20:38.57,Default,,0,0,0,,{\an1\pos(68,384)}MAYBE IT'S CHEMICAL.\N\h\h\h\h\h\h\h\h\h\h\h\hSHE'LL GET OVER IT.
Dialogue: 0,0:20:38.57,0:20:42.07,Default,,0,0,0,,{\an1\pos(68,432)}SURE.\NWHEN DID YOU MEET HER ?
Dialogue: 0,0:20:43.58,0:20:45.59,Default,,0,0,0,,{\an1\pos(212,432)}THE DAY I LEFT\NFOR THE INTERIOR.
Dialogue: 0,0:20:47.03,0:20:49.53,Default,,0,0,0,,{\an1\pos(68,384)}WHEN DID YOU GET MARRIED ?\N\h\h\h\h\h\h\h\h\h\h\h\hTHE DAY AFTER THAT.
Dialogue: 0,0:20:49.53,0:20:52.03,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hQUICK.\NYOU SHOULD KNOW, JOHNNY,\NTHAT WHEN I WANT SOMETHING, I--
Dialogue: 0,0:20:52.03,0:20:54.03,Default,,0,0,0,,{\an1\pos(284,432)}YOU BUY IT QUICK.
Dialogue: 0,0:20:55.54,0:20:57.54,Default,,0,0,0,,{\an1\pos(284,432)}DO YOU KNOW ANYTHING\NABOUT HER AT ALL ?
Dialogue: 0,0:20:57.54,0:21:01.04,Default,,0,0,0,,{\an1\pos(68,432)}IT'S AN ODD COINCIDENCE,\NJOHNNY. LISTEN TO THIS.
Dialogue: 0,0:21:01.04,0:21:03.54,Default,,0,0,0,,{\an1\pos(68,432)}SHE TOLD ME SHE WAS BORN\NTHE NIGHT SHE MET ME.
Dialogue: 0,0:21:03.55,0:21:07.06,Default,,0,0,0,,{\an1\pos(68,432)}ALL THREE OF US\NWITH NO PASTS.\NJUST FUTURES.
Dialogue: 0,0:21:07.05,0:21:10.05,Default,,0,0,0,,{\an1\pos(68,384)}ISN'T THAT INTERESTING ?\N\h\h\h\hI THINK IT'S FASCINATING.
Dialogue: 0,0:21:10.05,0:21:12.05,Default,,0,0,0,,{\an1\pos(68,432)}WHAT'S THE MATTER\NWITH YOU ?
Dialogue: 0,0:21:12.55,0:21:15.06,Default,,0,0,0,,{\an1\pos(212,432)}I THOUGHT WE AGREED\NTHAT WOMEN AND GAMBLING\NDIDN'T MIX.
Dialogue: 0,0:21:15.06,0:21:18.56,Default,,0,0,0,,{\an1\pos(68,432)}MY WIFE DOES NOT COME\NUNDER THE CATEGORY\NOF "WOMEN," JOHNNY.
Dialogue: 0,0:21:18.56,0:21:22.56,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\N\h\h\h\hI COULD HAVE MADE A MISTAKE.\NYOU DID. DON'T MAKE IT AGAIN.
Dialogue: 0,0:21:26.57,0:21:28.57,Default,,0,0,0,,{\an1\pos(284,432)}IT STARTS ALREADY.
Dialogue: 0,0:21:31.07,0:21:33.07,Default,,0,0,0,,{\an1\pos(68,384)}WHAT'S THIS ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTACT.
Dialogue: 0,0:21:35.58,0:21:39.08,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BALLIN ?\N WOULD YOU COME UP AND HELP ME INTO THIS THING, LIKE A DARLING ?
Dialogue: 0,0:21:39.58,0:21:41.08,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSEE YOU\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAT THE CASINO.\NIN ABOUT AN HOUR.
Dialogue: 0,0:21:41.08,0:21:43.58,Default,,0,0,0,,{\an1\pos(230,432)}{\i1}BALLIN ?
Dialogue: 0,0:21:45.09,0:21:47.09,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}IT WAS ALL I COULD DO\NTO WALK AWAY.
Dialogue: 0,0:21:47.59,0:21:50.59,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I WANTED TO GO BACK UP\NIN THAT ROOM AND HIT HER.
Dialogue: 0,0:21:50.59,0:21:53.09,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WHAT SCARED ME WAS\NI-I WANTED TO HIT HIM TOO.
Dialogue: 0,0:21:53.09,0:21:57.10,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I WANTED TO GO BACK\NAND SEE THEM TOGETHER,\NWITH ME NOT WATCHING.
Dialogue: 0,0:21:57.10,0:21:59.10,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I WANTED TO KNOW.
Dialogue: 0,0:21:59.60,0:22:02.60,Default,,0,0,0,,{\an1\pos(140,432)}I CAN NEVER GET\NA ZIPPER TO CLOSE.
Dialogue: 0,0:22:02.60,0:22:04.60,Default,,0,0,0,,{\an1\pos(140,432)}MAYBE THAT STANDS\NFOR SOMETHING.\NWHAT DO YOU THINK ?
Dialogue: 0,0:22:04.61,0:22:07.62,Default,,0,0,0,,{\an1\pos(284,432)}I THINK YOU WERE\NVERY RUDE TO HIM.
Dialogue: 0,0:22:07.61,0:22:09.61,Default,,0,0,0,,{\an1\pos(140,384)}TO WHOM ?\N\h\h\h\h\h\h\h\h\h\h\h\hJOHNNY.
Dialogue: 0,0:22:09.61,0:22:12.61,Default,,0,0,0,,{\an1\pos(140,432)}WAS I ? OH, DEAR.
Dialogue: 0,0:22:12.61,0:22:17.12,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S ONE OF THE THINGS\NYOU'LL HAVE TO TEACH ME,\NBALLIN. GOOD MANNERS.
Dialogue: 0,0:22:17.12,0:22:19.12,Default,,0,0,0,,{\an1\pos(356,432)}I WANT YOU\NTO LIKE HIM.
Dialogue: 0,0:22:19.12,0:22:22.62,Default,,0,0,0,,{\an1\pos(68,408)}YOU'RE SURE\NABOUT THAT ?\N\h\h\h\h\h\h\h\h\h\h\h\hWHAT DO YOU MEAN ?
Dialogue: 0,0:22:22.62,0:22:24.62,Default,,0,0,0,,{\an1\pos(284,432)}HE'S A VERY\NATTRACTIVE MAN...
Dialogue: 0,0:22:24.63,0:22:26.64,Default,,0,0,0,,{\an1\pos(284,432)}IF YOU\NLIKE THE TYPE.
Dialogue: 0,0:22:26.63,0:22:28.63,Default,,0,0,0,,{\an1\pos(68,432)}HE'S A BOY.
Dialogue: 0,0:22:28.63,0:22:33.13,Default,,0,0,0,,{\an1\pos(68,432)}BOYS HAVE THE DARNEDEST WAY\NOF GROWING UP, BALLIN,\NALMOST WHEN YOU'RE NOT LOOKING.
Dialogue: 0,0:22:33.13,0:22:35.14,Default,,0,0,0,,{\an1\pos(284,432)}BUT I'LL BE LOOKING.
Dialogue: 0,0:22:35.14,0:22:37.64,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hYOUR SHOES.\NABOUT TIME.
Dialogue: 0,0:22:40.14,0:22:42.64,Default,,0,0,0,,{\an1\pos(140,432)}DO YOU WISH ME TO PUT THEM\NON YOUR FEET ?
Dialogue: 0,0:22:42.64,0:22:45.15,Default,,0,0,0,,{\an1\pos(68,384)}FOR HOW MUCH ?\N\h\h\h\h\h\h\h\hTHE CHARGE IS SLIGHT,
Dialogue: 0,0:22:45.15,0:22:50.15,Default,,0,0,0,,{\an1\pos(140,432)}BECAUSE I FIND THIS ALWAYS\NA REVEALING VANTAGE POINT.
Dialogue: 0,0:22:50.15,0:22:52.65,Default,,0,0,0,,{\an1\pos(212,432)}THE WORM'S-EYE VIEW...
Dialogue: 0,0:22:52.65,0:22:55.16,Default,,0,0,0,,{\an1\pos(212,432)}IS SO OFTEN\NTHE TRUE ONE.
Dialogue: 0,0:22:55.16,0:22:58.16,Default,,0,0,0,,{\an1\pos(140,432)}QUITE A PHILOSOPHER,\NAREN'T YOU ?
Dialogue: 0,0:22:58.16,0:23:00.66,Default,,0,0,0,,{\an1\pos(284,432)}ONE HEARS RUMORS.
Dialogue: 0,0:23:00.66,0:23:04.16,Default,,0,0,0,,{\an1\pos(140,408)}REALLY ?\N\h\h\h\hIN MY DEPARTMENT\N\h\h\h\hCOMES ALL THE GOSSIP.
Dialogue: 0,0:23:04.17,0:23:06.68,Default,,0,0,0,,{\an1\pos(140,432)}REALLY ?
Dialogue: 0,0:23:06.67,0:23:09.67,Default,,0,0,0,,{\an1\pos(356,432)}ONE HEARS SHE IS\NVERY BEAUTIFUL.
Dialogue: 0,0:23:11.67,0:23:14.67,Default,,0,0,0,,{\an1\pos(356,432)}AND VERY YOUNG.\N\hAND AMERICAN.
Dialogue: 0,0:23:15.18,0:23:18.18,Default,,0,0,0,,{\an1\pos(284,432)}YOU ARE ALSO YOUNG\NAND AMERICAN.
Dialogue: 0,0:23:18.18,0:23:21.18,Default,,0,0,0,,{\an1\pos(212,432)}IT WILL BE\NINTERESTING TO WATCH.
Dialogue: 0,0:23:21.18,0:23:24.18,Default,,0,0,0,,{\an1\pos(68,432)}MAYBE YOU SHOULD BE FIRED\NRIGHT OUT ON YOUR EAR.
Dialogue: 0,0:23:28.19,0:23:31.19,Default,,0,0,0,,{\an1\pos(68,384)}JOHNNY.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHMM ?
Dialogue: 0,0:23:31.19,0:23:33.69,Default,,0,0,0,,{\an1\pos(68,432)}MR. MUNDSON SAYS\NTO TELL YOU HE'S--\NTHEY'RE HERE !
Dialogue: 0,0:23:33.70,0:23:36.21,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHANKS.\NSAY, HAVE YOU\NSEEN HER ?
Dialogue: 0,0:23:36.20,0:23:38.20,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCUT THAT !
Dialogue: 0,0:23:43.20,0:23:47.21,Default,,0,0,0,,{\an1\pos(284,408)}WHAT'D I DO ?\N\h\h\h\hYOU WHISTLED.\N\h\h\h\hI HEARD YOU.
Dialogue: 0,0:23:47.21,0:23:49.71,Default,,0,0,0,,{\an1\pos(68,432)}AFTER ALL,\NSHE IS MRS. MUNDSON.
Dialogue: 0,0:23:49.71,0:23:51.71,Default,,0,0,0,,{\an1\pos(68,432)}SO, MIND\NYOUR MANNERS, SEE ?
Dialogue: 0,0:23:57.22,0:24:00.22,Default,,0,0,0,,{\an1\pos(212,432)}YES, IT WILL BE\NINTERESTING TO WATCH.
Dialogue: 0,0:24:18.74,0:24:20.74,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\hNUMBER EIGHT BLACK.\NNUMBER EIGHT BLACK.
Dialogue: 0,0:24:21.24,0:24:23.74,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:24:25.75,0:24:27.75,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:24:34.26,0:24:36.77,Default,,0,0,0,,{\an1\pos(212,432)}- NUMBER TWO.\N- NO MORE BETS.
Dialogue: 0,0:24:42.26,0:24:45.27,Default,,0,0,0,,{\an1\pos(68,432)}NUMBER TWO, BLACK.\NNUMERO DEUX, NOIR.
Dialogue: 0,0:24:45.27,0:24:47.77,Default,,0,0,0,,{\an1\pos(356,432)}TWO, BLACK,\NIS THE WINNER.
Dialogue: 0,0:24:47.77,0:24:49.77,Default,,0,0,0,,{\an1\pos(68,432)}NUMBER TWO, BLACK.
Dialogue: 0,0:24:49.77,0:24:52.77,Default,,0,0,0,,{\an1\pos(68,432)}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:24:53.78,0:24:55.79,Default,,0,0,0,,{\an1\pos(68,432)}TAKE OVER.
Dialogue: 0,0:24:55.78,0:24:58.28,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hFRIEND OF YOURS ?\NNO, MR. FARRELL.
Dialogue: 0,0:24:58.28,0:25:01.28,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hGOING INTO BUSINESS\N\h\h\h\h\h\h\h\h\h\h\h\hFOR YOURSELF ?\NORDERS, MR. FARRELL.
Dialogue: 0,0:25:01.28,0:25:03.78,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\hNOT MY ORDERS.\NNO.
Dialogue: 0,0:25:13.80,0:25:16.31,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}JOHNNY ! I'VE BEEN\NLOOKING FOR YOU.
Dialogue: 0,0:25:16.30,0:25:18.30,Default,,0,0,0,,{\an1\pos(68,432)}GAMBLING IS ILLEGAL\NIN ARGENTINA,\NIS THAT RIGHT ?
Dialogue: 0,0:25:18.30,0:25:20.80,Default,,0,0,0,,{\an1\pos(68,408)}IT ISN'T RIGHT, BUT IT'S TRUE.\NTHAT THE REASON\NFOR THE PAYOFF ?
Dialogue: 0,0:25:21.30,0:25:23.30,Default,,0,0,0,,{\an1\pos(356,432)}PAYOFF ?
Dialogue: 0,0:25:25.31,0:25:28.31,Default,,0,0,0,,{\an1\pos(68,408)}NATURALLY THAT'S THE REASON.\N\h\h\h\h\h\h\h\hTHEN, WHY DOESN'T IT\N\h\h\h\h\h\h\h\hSHOW ON THE BOOKS ?
Dialogue: 0,0:25:28.31,0:25:30.31,Default,,0,0,0,,{\an1\pos(212,432)}WHY DOESN'T IT\NCOME OUT OF MY CUT ?
Dialogue: 0,0:25:30.31,0:25:33.81,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE IN MY COMPLETE\NCONFIDENCE, JOHNNY. YOU MAY\NASK ANY QUESTIONS YOU WISH.
Dialogue: 0,0:25:33.82,0:25:36.33,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hI JUST ASKED ONE.\NNOW, LET'S HAVE DINNER,\NSHALL WE ?
Dialogue: 0,0:25:36.32,0:25:38.32,Default,,0,0,0,,{\an1\pos(68,432)}I WAS FORCED\NTO LEAVE GILDA ALONE\NWHEN I LOOKED FOR YOU,
Dialogue: 0,0:25:38.32,0:25:40.32,Default,,0,0,0,,{\an1\pos(68,432)}AND GILDA'S\NMUCH TOO BEAUTIFUL\NTO BE LEFT ALONE.
Dialogue: 0,0:25:40.32,0:25:42.32,Default,,0,0,0,,{\an1\pos(212,432)}IN OTHER WORDS, YOU'VE\NCHANGED THE SUBJECT.
Dialogue: 0,0:25:42.32,0:25:44.32,Default,,0,0,0,,{\an1\pos(68,432)}IN OTHER WORDS,\NI'VE CHANGED THE SUBJECT.
Dialogue: 0,0:25:49.38,0:25:51.88,Default,,0,0,0,,{\an1\pos(284,432)}I FOUND HIM, GILDA.\NVERY ELUSIVE CHAP,\NOUR JOHNNY.
Dialogue: 0,0:25:51.88,0:25:53.88,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\hSIT DOWN, JOHNNY.\NGOOD EVENING, MR. FARRELL.
Dialogue: 0,0:25:53.89,0:25:55.90,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE LOOKING VERY BEAUTIFUL.
Dialogue: 0,0:25:55.89,0:25:59.89,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hGOOD EVENING, MRS. MUNDSON.\NCAN'T YOU RETURN\NTHE COMPLIMENT, JOHNNY ?
Dialogue: 0,0:25:59.89,0:26:02.89,Default,,0,0,0,,{\an1\pos(140,408)}\h\h\h\h\h\h\h\h\h\h\h\hYOU'RE LOOKING\N\h\h\h\h\h\h\h\h\h\h\h\hVERY BEAUTIFUL.\NWHY, THANK YOU !
Dialogue: 0,0:26:02.89,0:26:06.90,Default,,0,0,0,,{\an1\pos(68,432)}IF THERE'S ANYTHING I LOVE,\NIT'S A SPONTANEOUS, IMPULSIVE\NCOMPLIMENT LIKE THAT.
Dialogue: 0,0:26:07.40,0:26:09.40,Default,,0,0,0,,{\an1\pos(68,432)}AND BECAUSE YOU'RE SO NICE,\NI'M GOING TO SHOW YOU SOMETHING.
Dialogue: 0,0:26:09.40,0:26:12.40,Default,,0,0,0,,{\an1\pos(68,432)}MY HUSBAND GAVE IT TO ME\NFOR A COMING-HOME PRESENT.
Dialogue: 0,0:26:12.40,0:26:15.41,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hISN'T IT CUTE ?\N50,000 PESOS,\NAND IT'S CUTE.
Dialogue: 0,0:26:15.91,0:26:17.41,Default,,0,0,0,,{\an1\pos(68,432)}ISN'T SHE\NFABULOUS, JOHNNY ?
Dialogue: 0,0:26:17.91,0:26:21.41,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hFABULOUS.\NWAIT, JOHNNY.\NLET'S DRINK TO US.
Dialogue: 0,0:26:21.41,0:26:24.41,Default,,0,0,0,,{\an1\pos(68,384)}TO THE THREE OF US.\N\h\h\h\hTO THE THREE OF US.
Dialogue: 0,0:26:24.42,0:26:27.43,Default,,0,0,0,,{\an1\pos(68,408)}WHAT'S THE MATTER,\NJOHNNY ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI GET CONFUSED.
Dialogue: 0,0:26:27.42,0:26:29.42,Default,,0,0,0,,{\an1\pos(68,432)}CONFUSED ? WHY ?
Dialogue: 0,0:26:29.42,0:26:32.92,Default,,0,0,0,,{\an1\pos(212,432)}WELL, JUST A FEW WEEKS\NAGO WE DRANK A TOAST\NTO THE THREE OF US.
Dialogue: 0,0:26:32.92,0:26:35.43,Default,,0,0,0,,{\an1\pos(140,432)}WELL, WHO WAS\NTHE THIRD ONE THEN ?
Dialogue: 0,0:26:35.43,0:26:38.43,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hSHOULD I BE JEALOUS ?\NHARDLY, DARLING.\NJUST A FRIEND OF MINE.
Dialogue: 0,0:26:38.43,0:26:41.43,Default,,0,0,0,,{\an1\pos(140,432)}- IS IT A HIM OR A HER ?\N- THAT'S A VERY\N\h\hINTERESTING QUESTION.
Dialogue: 0,0:26:41.43,0:26:43.43,Default,,0,0,0,,{\an1\pos(140,432)}WHAT DO YOU THINK,\NJOHNNY ?
Dialogue: 0,0:26:45.44,0:26:48.44,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hA HER.\NOH !
Dialogue: 0,0:26:48.44,0:26:51.44,Default,,0,0,0,,{\an1\pos(68,432)}WHY THAT CONCLUSION ?
Dialogue: 0,0:26:51.44,0:26:53.94,Default,,0,0,0,,{\an1\pos(212,432)}BECAUSE IT LOOKS\NLIKE ONE THING,
Dialogue: 0,0:26:53.95,0:26:56.96,Default,,0,0,0,,{\an1\pos(212,432)}AND RIGHT IN FRONT\NOF YOUR EYES, IT BECOMES\NANOTHER THING.
Dialogue: 0,0:26:58.95,0:27:02.45,Default,,0,0,0,,{\an1\pos(68,432)}WELL, YOU HAVEN'T MUCH FAITH\NIN THE STABILITY OF WOMEN,\NTHEN, HAVE YOU, JOHNNY ?
Dialogue: 0,0:27:02.45,0:27:04.95,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT'S RIGHT.\N ONE WONDERS WHO THE WOMAN WAS...
Dialogue: 0,0:27:04.96,0:27:07.47,Default,,0,0,0,,{\an1\pos(68,432)}WHO BROUGHT OUR JOHNNY\NTO THIS PRETTY PASS ?
Dialogue: 0,0:27:07.46,0:27:10.46,Default,,0,0,0,,{\an1\pos(140,432)}- DOESN'T ONE, GILDA ?\N- ONE DOES.
Dialogue: 0,0:27:12.46,0:27:14.96,Default,,0,0,0,,{\an1\pos(68,432)}LET'S HATE HER.\NSHALL WE, BALLIN ?
Dialogue: 0,0:27:15.47,0:27:17.97,Default,,0,0,0,,{\an1\pos(68,432)}LET'S.\NSHALL WE, JOHNNY ?
Dialogue: 0,0:27:17.97,0:27:20.97,Default,,0,0,0,,{\an1\pos(356,432)}LET'S. NOW THAT\NI'LL DRINK TO.
Dialogue: 0,0:27:37.99,0:27:40.99,Default,,0,0,0,,{\an1\pos(68,432)}PARDON ME FOR A MOMENT.
Dialogue: 0,0:27:40.99,0:27:44.49,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hANYTHING I CAN DO,\N\h\h\h\h\h\h\h\h\h\h\h\hBALLIN ?\NNO. I'LL BE RIGHT BACK.
Dialogue: 0,0:27:51.00,0:27:53.00,Default,,0,0,0,,{\an1\pos(68,432)}NOW, ISN'T\NTHIS SOMETHING ?
Dialogue: 0,0:27:53.00,0:27:55.51,Default,,0,0,0,,{\an1\pos(68,432)}IT'S A SMALL WORLD\NIN ARGENTINA, ISN'T IT ?
Dialogue: 0,0:27:55.51,0:27:58.51,Default,,0,0,0,,{\an1\pos(212,432)}ISN'T IT ?\NWHY DID YOU MARRY HIM ?
Dialogue: 0,0:27:59.01,0:28:01.01,Default,,0,0,0,,{\an1\pos(68,432)}MY HUSBAND'S\NA VERY ATTRACTIVE MAN.
Dialogue: 0,0:28:01.01,0:28:03.51,Default,,0,0,0,,{\an1\pos(284,432)}YOU DON'T LOVE HIM.
Dialogue: 0,0:28:03.51,0:28:05.52,Default,,0,0,0,,{\an1\pos(68,432)}WHAT WAS THAT WORD\NAGAIN, JOHNNY ?
Dialogue: 0,0:28:06.02,0:28:08.02,Default,,0,0,0,,{\an1\pos(356,432)}YOU MARRIED HIM\NFOR HIS MONEY.
Dialogue: 0,0:28:08.02,0:28:10.02,Default,,0,0,0,,{\an1\pos(68,432)}THAT HAPPENED\NTO COME WITH HIM.
Dialogue: 0,0:28:10.02,0:28:12.02,Default,,0,0,0,,{\an1\pos(212,432)}OH, THAT'S A GREAT WAY\NTO MAKE A LIVING.
Dialogue: 0,0:28:12.02,0:28:15.53,Default,,0,0,0,,{\an1\pos(68,432)}THAT WOULDN'T BE THE BIG POT\NCALLING THE LITTLE KETTLE\NBLACK, NOW, WOULD IT ?
Dialogue: 0,0:28:15.53,0:28:19.03,Default,,0,0,0,,{\an1\pos(284,432)}I WAS DOWN AND OUT.\NHE PICKED ME UP,\NPUT ME ON MY FEET.
Dialogue: 0,0:28:19.03,0:28:22.53,Default,,0,0,0,,{\an1\pos(68,432)}NOW, ISN'T THAT\NAN AMAZING COINCIDENCE,\NJOHNNY ?
Dialogue: 0,0:28:22.53,0:28:25.54,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S PRACTICALLY\NTHE STORY OF MY LIFE.
Dialogue: 0,0:28:25.54,0:28:28.04,Default,,0,0,0,,{\an1\pos(140,408)}HELLO.\N \h\h\h\h\hGOOD EVENING, \h\h\h\h\hSENORITA.
Dialogue: 0,0:28:28.04,0:28:30.04,Default,,0,0,0,,{\an1\pos(140,432)}SENOR,\NI AM CAPITAN DELGADO.
Dialogue: 0,0:28:30.04,0:28:32.04,Default,,0,0,0,,{\an1\pos(140,432)}I WOULD LIKE TO ASK\NPERMISSION TO DANCE\NWITH YOUR LADY.
Dialogue: 0,0:28:32.04,0:28:36.55,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hTHE ANSWER'S NO.\NTHE ANSWER'S YES.\NI'D LOVE IT.
Dialogue: 0,0:28:36.55,0:28:39.05,Default,,0,0,0,,{\an1\pos(68,408)}BUT THE YOUNG MAN JUST SAID--\NTHE YOUNG MAN\NWOULD LOVE IT TOO.
Dialogue: 0,0:28:39.05,0:28:41.05,Default,,0,0,0,,{\an1\pos(140,432)}BUT HE CAN'T AFFORD IT.
Dialogue: 0,0:28:47.06,0:28:49.56,Default,,0,0,0,,{\an1\pos(284,432)}WOMEN CAN BE\NEXTREMELY ANNOYING.
Dialogue: 0,0:28:49.56,0:28:53.56,Default,,0,0,0,,{\an1\pos(68,408)}YOU'RE IN AGAIN.\N\h\h\h\h\h\h\h\hMAURICIO MIGUEL OBREGON.\N\h\h\h\h\h\h\h\hAT YOUR SERVICE.
Dialogue: 0,0:28:53.56,0:28:55.57,Default,,0,0,0,,{\an1\pos(68,432)}SO, THAT'S YOUR NAME.
Dialogue: 0,0:28:55.57,0:28:58.57,Default,,0,0,0,,{\an1\pos(68,408)}HEY, LOOK, I'VE BEEN\NWATCHING YOU FOR WEEKS NOW.\N\h\h\h\hTHEN, THAT MAKES US EVEN.
Dialogue: 0,0:28:58.57,0:29:01.57,Default,,0,0,0,,{\an1\pos(68,408)}YOU DON'T GAMBLE.\N\hYOU DON'T DRINK.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMM-MM. MM-MM.
Dialogue: 0,0:29:01.57,0:29:05.58,Default,,0,0,0,,{\an1\pos(68,408)}THEN WHAT DO YOU\NHANG AROUND HERE FOR ?\NTHE ATMOSPHERE INTERESTED ME.
Dialogue: 0,0:29:06.08,0:29:09.08,Default,,0,0,0,,{\an1\pos(284,432)}NOW IT POSITIVELY\NFASCINATES ME.
Dialogue: 0,0:29:23.09,0:29:25.09,Default,,0,0,0,,{\an1\pos(212,432)}YOU COULD BE\NA PROFESSIONAL DANCER.
Dialogue: 0,0:29:25.10,0:29:28.11,Default,,0,0,0,,{\an1\pos(140,432)}I AM.\N\hI MEAN, I WAS.
Dialogue: 0,0:29:30.60,0:29:34.10,Default,,0,0,0,,{\an1\pos(68,432)}UH, THAT'S AGAINST\NOUR UNION RULES.
Dialogue: 0,0:29:34.11,0:29:37.12,Default,,0,0,0,,{\an1\pos(284,432)}I ALWAYS OBSERVE\NTHE RULES\NAND REGULATIONS.
Dialogue: 0,0:29:46.12,0:29:48.62,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hHOW IS IT THAT\N\h\h\h\h\h\h\h\hI HAVE NEVER SEEN YOU ?\NI DIDN'T DANCE HERE.
Dialogue: 0,0:29:48.62,0:29:51.62,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\h\h\h\h\hOH. WHERE ?\NAMERICA.
Dialogue: 0,0:29:52.12,0:29:54.62,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hTHIS IS NOT AMERICA ?\NI MEAN NEW YORK.
Dialogue: 0,0:29:54.63,0:29:57.64,Default,,0,0,0,,{\an1\pos(356,432)}OH.\NYOUR YOUNG MAN,\NIS HE TOO A--
Dialogue: 0,0:29:57.63,0:30:00.13,Default,,0,0,0,,{\an1\pos(68,432)}HE'S NOT MY YOUNG MAN.
Dialogue: 0,0:30:00.13,0:30:03.63,Default,,0,0,0,,{\an1\pos(212,432)}YOU KNOW, THE EXPRESSION\NON HIS FACE SAYS THAT\NHE WISHES HE WERE.
Dialogue: 0,0:30:37.17,0:30:39.17,Default,,0,0,0,,{\an1\pos(68,432)}THE RULES AND\NREGULATIONS, REMEMBER ?
Dialogue: 0,0:30:39.17,0:30:42.67,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hTHE RULES ARE VERY\N\h\h\h\h\h\h\h\h\h\h\h\hCHANGEABLE, MY LADY.\NTHEY CHANGE WITH THE WEATHER.
Dialogue: 0,0:30:56.19,0:30:59.19,Default,,0,0,0,,{\an1\pos(68,384)}EVERYTHING ALL RIGHT ?\N\h\h\h\h\h\h\h\hQUITE ALL RIGHT.
Dialogue: 0,0:30:59.19,0:31:01.69,Default,,0,0,0,,{\an1\pos(68,432)}WHO ARE THE TWO KRAUTS ?\NI'VE SEEN THEM BEFORE.
Dialogue: 0,0:31:01.69,0:31:04.19,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\hMESSENGER BOYS.\NWHOSE ?
Dialogue: 0,0:31:04.20,0:31:06.21,Default,,0,0,0,,{\an1\pos(68,432)}I JUST WANTED TO KNOW\NIF YOU WERE IN TROUBLE.
Dialogue: 0,0:31:06.70,0:31:08.20,Default,,0,0,0,,{\an1\pos(212,432)}APPARENTLY, I'M\NIN SERIOUS TROUBLE.
Dialogue: 0,0:31:08.70,0:31:11.70,Default,,0,0,0,,{\an1\pos(68,408)}MY WIFE SEEMS\NTO BE MISSING.\N\h\h\h\h\h\h\h\h\h\h\h\hSHE'S DANCING.
Dialogue: 0,0:31:11.70,0:31:13.70,Default,,0,0,0,,{\an1\pos(68,432)}YOU SHOULDN'T HAVE\NALLOWED IT, JOHNNY.
Dialogue: 0,0:31:13.70,0:31:17.21,Default,,0,0,0,,{\an1\pos(140,432)}SHE WANTED TO DANCE WITH\NA GUY, WHAT DO YOU WANT ME\NTO DO ? SHE'S NOT MY--
Dialogue: 0,0:31:17.21,0:31:19.21,Default,,0,0,0,,{\an1\pos(284,432)}SHE'S YOUR WIFE.
Dialogue: 0,0:31:19.21,0:31:21.71,Default,,0,0,0,,{\an1\pos(212,432)}GO GET HER.
Dialogue: 0,0:31:21.71,0:31:24.71,Default,,0,0,0,,{\an1\pos(140,408)}\h\h\h\h\h\h\h\h\hNOW, WAIT A MINUTE.\N \h\h\h\h\h\h\h\h\hSHE'S YOUR-- THAT'S EXACTLY THE REASON.
Dialogue: 0,0:31:24.72,0:31:26.73,Default,,0,0,0,,{\an1\pos(140,432)}A HUSBAND ALWAYS LOOKS\NA BIT RIDICULOUS,\NDON'T YOU THINK ?
Dialogue: 0,0:31:26.72,0:31:29.72,Default,,0,0,0,,{\an1\pos(140,432)}DRAGGING HIS WIFE\NFROM ANOTHER MAN'S ARMS ?
Dialogue: 0,0:31:32.22,0:31:34.72,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\hI'LL GET HER, BALLIN.\NTHANK YOU, JOHNNY.
Dialogue: 0,0:31:40.23,0:31:42.23,Default,,0,0,0,,{\an1\pos(284,432)}PARDON ME, BUT YOUR\NHUSBAND IS SHOWING.
Dialogue: 0,0:31:42.23,0:31:44.73,Default,,0,0,0,,{\an1\pos(140,432)}OH. THANK YOU,\NPERHAPS AGAIN SOMETIME.
Dialogue: 0,0:31:44.74,0:31:48.75,Default,,0,0,0,,{\an1\pos(68,432)}UNTIL THAT SOMETIME,\NI SHALL ONLY MISERABLY\NEXIST, SENORA.
Dialogue: 0,0:31:48.74,0:31:50.74,Default,,0,0,0,,{\an1\pos(140,432)}I ALWAYS SAY THERE'S\NSOMETHING ABOUT LATIN MEN.
Dialogue: 0,0:31:50.74,0:31:54.24,Default,,0,0,0,,{\an1\pos(140,432)}FOR ONE THING,\NTHEY CAN DANCE.\NFOR ANOTHER THING--
Dialogue: 0,0:31:54.25,0:31:56.26,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\hWHAT'S YOUR\N\h\h\h\hTELEPHONE NUMBER ?\NHMM ? OH, IT IS--
Dialogue: 0,0:31:56.25,0:31:58.75,Default,,0,0,0,,{\an1\pos(140,432)}- OH, NEVER MIND.\N- CUJO 3-0-1-7.
Dialogue: 0,0:31:58.75,0:32:02.25,Default,,0,0,0,,{\an1\pos(68,384)}- CUJO 3-0-1-7.\N- \h\h\h\h
Dialogue: 0,0:32:09.76,0:32:11.76,Default,,0,0,0,,{\an1\pos(68,432)}WHAT DID YOU SAY\NTO HIM ?
Dialogue: 0,0:32:11.76,0:32:16.27,Default,,0,0,0,,{\an1\pos(140,432)}I JUST TOLD HIM,\N"IF A MAN ANSWERS, HANG UP."\NWASN'T THAT ALL RIGHT ?
Dialogue: 0,0:32:16.27,0:32:19.27,Default,,0,0,0,,{\an1\pos(68,432)}YOU CAN'T TALK TO MEN DOWN HERE\NTHE WAY YOU WOULD AT HOME.\NTHEY DON'T UNDERSTAND IT.
Dialogue: 0,0:32:19.27,0:32:21.27,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hUNDERSTAND WHAT ?\NTHEY THINK\NYOU MEAN IT.
Dialogue: 0,0:32:21.27,0:32:23.27,Default,,0,0,0,,{\an1\pos(284,432)}MEAN WHAT ?
Dialogue: 0,0:32:23.27,0:32:25.78,Default,,0,0,0,,{\an1\pos(68,432)}DOESN'T IT BOTHER YOU\NAT ALL THAT YOU'RE MARRIED ?
Dialogue: 0,0:32:25.78,0:32:29.28,Default,,0,0,0,,{\an1\pos(212,432)}WHAT I WANT TO KNOW IS,\NDOES IT BOTHER YOU ?
Dialogue: 0,0:32:34.79,0:32:37.30,Default,,0,0,0,,{\an1\pos(212,432)}I'M BEGINNING TO THINK\NI'VE MISJUDGED\NYOUR JOHNNY, BALLIN.
Dialogue: 0,0:32:37.29,0:32:39.79,Default,,0,0,0,,{\an1\pos(140,408)}OH ?\N\h\h\h\hHE CAN BE QUITE SWEET.\N\h\h\h\hSO PROTECTIVE.
Dialogue: 0,0:32:39.79,0:32:42.29,Default,,0,0,0,,{\an1\pos(68,432)}JOHNNY TAKES CARE\NOF ALL THE THINGS\NTHAT BELONG TO ME.
Dialogue: 0,0:32:42.29,0:32:44.79,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hHE RUNS THE JOINT.\NHE RUNS THE JOINT.
Dialogue: 0,0:32:44.80,0:32:47.81,Default,,0,0,0,,{\an1\pos(140,432)}HEAR THAT, JOHNNY ? YOU'RE\NTO TAKE CARE OF ME BECAUSE\NI BELONG TO THE BOSS.
Dialogue: 0,0:32:47.80,0:32:49.80,Default,,0,0,0,,{\an1\pos(140,432)}HOW WILL YOU LIKE THAT ?
Dialogue: 0,0:32:49.80,0:32:52.80,Default,,0,0,0,,{\an1\pos(284,432)}WELL, I DO ALL KIND\NOF ODD JOBS.
Dialogue: 0,0:32:52.80,0:32:55.81,Default,,0,0,0,,{\an1\pos(68,432)}I'LL BET THIS IS\NTHE ODDEST JOB YOU EVER HAD.
Dialogue: 0,0:32:57.31,0:32:59.81,Default,,0,0,0,,{\an1\pos(140,432)}NOW THEN, BEFORE\NWE WERE INTERRUPTED,
Dialogue: 0,0:32:59.81,0:33:02.31,Default,,0,0,0,,{\an1\pos(140,432)}I BELIEVE WE WERE\NABOUT TO DRINK\NA TOAST, SO,
Dialogue: 0,0:33:02.31,0:33:05.82,Default,,0,0,0,,{\an1\pos(68,432)}"DISASTER TO THE WENCH\N\hWHO DID WRONG BY OUR JOHNNY."
Dialogue: 0,0:33:06.82,0:33:09.32,Default,,0,0,0,,{\an1\pos(68,432)}NO, GILDA ?\NYOU WON'T DRINK TO THAT ?
Dialogue: 0,0:33:09.32,0:33:12.82,Default,,0,0,0,,{\an1\pos(140,432)}WHY NOT ?\N"DISASTER TO THE WENCH."
Dialogue: 0,0:33:23.83,0:33:26.34,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE HAD WHAT IT TOOK TO SAY IT,
Dialogue: 0,0:33:26.34,0:33:28.34,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT I KNEW IT SCARED HER.
Dialogue: 0,0:33:28.34,0:33:30.34,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I KNEW IT WOULD HAUNT HER.
Dialogue: 0,0:33:30.34,0:33:34.84,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}ANYONE AS SUPERSTITIOUS\NAS GILDA, OUT LOUD,\NASKING FOR DISASTER.
Dialogue: 0,0:33:40.85,0:33:43.35,Default,,0,0,0,,{\an1\pos(140,432)}- HI.\N- YOU'RE STILL DRESSED.
Dialogue: 0,0:33:43.35,0:33:46.86,Default,,0,0,0,,{\an1\pos(374,432)}{\i1}YES.
Dialogue: 0,0:33:46.86,0:33:50.36,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hANYTHING WRONG ?\NEVERYTHING'S WONDERFUL.\NBUT I TOLD YOU ZIPPERS THROW ME.
Dialogue: 0,0:33:50.86,0:33:52.86,Default,,0,0,0,,{\an1\pos(212,384)}\h\h\h\h\h\h\h\hMAY I HELP ?\NTHANK YOU.
Dialogue: 0,0:33:55.87,0:33:57.87,Default,,0,0,0,,{\an1\pos(284,432)}YOU'LL HAVE A MAID\NIN THE MORNING.
Dialogue: 0,0:33:57.87,0:34:00.87,Default,,0,0,0,,{\an1\pos(140,408)}WILL SHE BE OLD AND UGLY ?\NIF THOSE ARE YOUR ORDERS.
Dialogue: 0,0:34:00.87,0:34:03.37,Default,,0,0,0,,{\an1\pos(68,432)}I THINK THAT'S GOOD BUSINESS,\NTO SURROUND YOURSELF...
Dialogue: 0,0:34:03.37,0:34:04.87,Default,,0,0,0,,{\an1\pos(140,432)}WITH UGLY WOMEN\NAND BEAUTIFUL MEN.
Dialogue: 0,0:34:05.38,0:34:08.39,Default,,0,0,0,,{\an1\pos(212,432)}YES.
Dialogue: 0,0:34:08.38,0:34:13.38,Default,,0,0,0,,{\an1\pos(140,432)}- YOU KNEW HIM BEFORE.\N- WHO ?
Dialogue: 0,0:34:13.38,0:34:16.39,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hJOHNNY.\NJOHNNY FARRELL ?
Dialogue: 0,0:34:16.39,0:34:20.89,Default,,0,0,0,,{\an1\pos(230,432)}{\i1}JOHNNY FARRELL.\NYOU KNEW HIM BEFORE.
Dialogue: 0,0:34:20.89,0:34:23.89,Default,,0,0,0,,{\an1\pos(140,432)}- NO.\N- DON'T LIE TO ME, GILDA.\N\h\hDON'T EVER LIE TO ME.
Dialogue: 0,0:34:23.89,0:34:25.90,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I'M TELLING YOU THE TRUTH.\NI DIDN'T KNOW HIM.
Dialogue: 0,0:34:27.90,0:34:30.40,Default,,0,0,0,,{\an1\pos(140,432)}I DON'T THINK I'VE\NEVER KNOWN HIM, BALLIN.
Dialogue: 0,0:34:32.90,0:34:36.41,Default,,0,0,0,,{\an1\pos(140,432)}I SEE.\NYOU'RE A CHILD, GILDA.
Dialogue: 0,0:34:36.91,0:34:38.41,Default,,0,0,0,,{\an1\pos(140,432)}A BEAUTIFUL, GREEDY CHILD.
Dialogue: 0,0:34:38.91,0:34:40.41,Default,,0,0,0,,{\an1\pos(140,432)}AND IT AMUSES ME TO FEED YOU\NBEAUTIFUL THINGS,
Dialogue: 0,0:34:40.91,0:34:42.91,Default,,0,0,0,,{\an1\pos(140,432)}BECAUSE YOU EAT\NWITH SUCH A GOOD APPETITE.
Dialogue: 0,0:34:45.92,0:34:47.85,Default,,0,0,0,,{\an1\pos(140,432)}BUT I SHOULDN'T\NMAKE ANY MISTAKES.
Dialogue: 0,0:34:47.85,0:34:49.84,Default,,0,0,0,,{\an1\pos(284,432)}NO, YOU SHOULDN'T.
Dialogue: 0,0:34:49.84,0:34:53.84,Default,,0,0,0,,{\an1\pos(140,432)}IF YOU'RE WORRIED\NABOUT JOHNNY FARRELL,
Dialogue: 0,0:34:53.84,0:34:55.84,Default,,0,0,0,,{\an1\pos(212,432)}DON'T BE.
Dialogue: 0,0:34:55.84,0:35:00.35,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI HATE HIM.\NAND HE HATES YOU.\NTHAT'S VERY APPARENT.
Dialogue: 0,0:35:00.85,0:35:05.85,Default,,0,0,0,,{\an1\pos(68,432)}BUT HATE CAN BE\NA VERY EXCITING EMOTION.\NVERY EXCITING.
Dialogue: 0,0:35:05.85,0:35:08.86,Default,,0,0,0,,{\an1\pos(68,408)}HAVEN'T YOU NOTICED THAT ?\N\h\h\h\h\h\h\h\h\h\h\h\hYOU MAKE IT SOUND--
Dialogue: 0,0:35:08.86,0:35:11.86,Default,,0,0,0,,{\an1\pos(68,432)}THERE IS A HEAT IN IT\NTHAT ONE CAN FEEL.
Dialogue: 0,0:35:11.86,0:35:14.36,Default,,0,0,0,,{\an1\pos(68,432)}DIDN'T YOU FEEL IT\NTONIGHT ?
Dialogue: 0,0:35:14.36,0:35:19.87,Default,,0,0,0,,{\an1\pos(140,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO.\NI DID.\NIT WARMED ME.
Dialogue: 0,0:35:19.87,0:35:23.37,Default,,0,0,0,,{\an1\pos(212,432)}HATE IS THE ONLY THING\NTHAT HAS EVER WARMED ME.
Dialogue: 0,0:35:25.87,0:35:28.88,Default,,0,0,0,,{\an1\pos(212,432)}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:35:33.38,0:35:35.88,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO MORE BETS.
Dialogue: 0,0:35:35.88,0:35:38.38,Default,,0,0,0,,{\an1\pos(212,384)}\h\h\h\hNUMBER 13, BLACK.\NTHAT'S ME !
Dialogue: 0,0:35:42.89,0:35:45.89,Default,,0,0,0,,{\an1\pos(140,432)}YOU MEAN, THIS HAS BEEN\NGOING ON FOR YEARS,\NAND I DIDN'T KNOW ABOUT IT ?
Dialogue: 0,0:35:47.90,0:35:50.91,Default,,0,0,0,,{\an1\pos(140,408)}ONE IS NOT\NALWAYS SO LUCKY.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI AM.
Dialogue: 0,0:35:50.90,0:35:53.90,Default,,0,0,0,,{\an1\pos(68,432)}YOU SHOULD WATCH OUT.\NTHE SUPERSTITIOUS\NHAVE AN OLD SAYING.
Dialogue: 0,0:35:53.90,0:35:55.90,Default,,0,0,0,,{\an1\pos(284,432)}"LUCKY AT CARDS,\N\hUNLUCKY AT LOVE."
Dialogue: 0,0:35:55.90,0:35:58.40,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hIT'S A GOOD THING\N\h\h\h\h\h\h\h\h\h\h\h\hI'M NOT, ISN'T IT ?\NNOT WHAT ?
Dialogue: 0,0:35:58.41,0:36:00.92,Default,,0,0,0,,{\an1\pos(284,432)}SUPERSTITIOUS.
Dialogue: 0,0:36:09.92,0:36:11.92,Default,,0,0,0,,{\an1\pos(284,408)}KEEP IT FOR ME.\N\h\h\h\hYES,\N\h\h\h\hMRS. MUNDSON.
Dialogue: 0,0:36:35.44,0:36:37.94,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:36:40.45,0:36:43.45,Default,,0,0,0,,{\an1\pos(68,384)}NUMBER TWO.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO MORE BETS.
Dialogue: 0,0:36:51.46,0:36:54.46,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}PLACE YOUR BETS,\NLADIES AND GENTLEMEN,\NPLACE YOUR BETS.
Dialogue: 0,0:37:03.97,0:37:06.97,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGOT A LIGHT ?\NYES, MRS. MUNDSON.
Dialogue: 0,0:37:06.97,0:37:10.48,Default,,0,0,0,,{\an1\pos(68,432)}IT IS SO CROWDED\NAND YET SO LONELY.
Dialogue: 0,0:37:10.48,0:37:12.48,Default,,0,0,0,,{\an1\pos(68,384)}ISN'T IT ?\N\h\h\h\h\h\h\h\h\h\h\h\hHOW DID YOU KNOW ?
Dialogue: 0,0:37:12.48,0:37:14.98,Default,,0,0,0,,{\an1\pos(68,432)}YOU SMOKE TOO MUCH.\NI'VE NOTICED.
Dialogue: 0,0:37:14.98,0:37:18.48,Default,,0,0,0,,{\an1\pos(68,432)}ONLY FRUSTRATED PEOPLE\NSMOKE TOO MUCH, AND...
Dialogue: 0,0:37:18.49,0:37:21.00,Default,,0,0,0,,{\an1\pos(68,432)}ONLY LONELY PEOPLE\NARE FRUSTRATED.
Dialogue: 0,0:37:20.99,0:37:22.99,Default,,0,0,0,,{\an1\pos(212,432)}WELL, AREN'T YOU CUTE !
Dialogue: 0,0:37:22.99,0:37:24.99,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}CUTE ? ME ?
Dialogue: 0,0:37:24.99,0:37:27.49,Default,,0,0,0,,{\an1\pos(284,432)}AWFULLY CUTE.\NI THINK I'M GONNA\NLIKE YOU.
Dialogue: 0,0:37:45.51,0:37:48.01,Default,,0,0,0,,{\an1\pos(140,408)}OH, I'M SORRY.\N\h\h\h\hNOTHING PERSONAL,\N\h\h\h\hI HOPE.
Dialogue: 0,0:37:48.02,0:37:52.03,Default,,0,0,0,,{\an1\pos(68,432)}NO. I WAS JUST\NTOSSING AWAY MY FRUSTRATION.
Dialogue: 0,0:37:52.02,0:37:54.02,Default,,0,0,0,,{\an1\pos(212,432)}AND IT LANDED\NRIGHT ON ME.
Dialogue: 0,0:37:54.02,0:37:56.52,Default,,0,0,0,,{\an1\pos(68,408)}MAYBE THAT\NMEANS SOMETHING ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, IT DOES.
Dialogue: 0,0:37:56.52,0:37:58.52,Default,,0,0,0,,{\an1\pos(212,432)}IT MEANS WE'RE GONNA\NHAVE A DRINK TOGETHER.
Dialogue: 0,0:37:58.53,0:38:00.54,Default,,0,0,0,,{\an1\pos(68,432)}NO, I--
Dialogue: 0,0:38:00.53,0:38:03.03,Default,,0,0,0,,{\an1\pos(68,432)}ON THE OTHER HAND,\NI'D LOVE TO.
Dialogue: 0,0:38:08.54,0:38:11.55,Default,,0,0,0,,{\an1\pos(356,432)}NOW WE'LL SEE.
Dialogue: 0,0:38:13.54,0:38:16.04,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSEE WHAT ?\NWHETHER YOU ARE\NA GENTLEMAN, AS YOU SAY,
Dialogue: 0,0:38:16.04,0:38:18.54,Default,,0,0,0,,{\an1\pos(68,432)}OR A PEASANT,\NAS I SAY.
Dialogue: 0,0:38:18.55,0:38:21.06,Default,,0,0,0,,{\an1\pos(140,408)}OH.\N\h\h\h\h\h\h\h\hTHE BEAUTIFUL ONE\N\h\h\h\h\h\h\h\hIS AT THE BAR.
Dialogue: 0,0:38:21.05,0:38:24.05,Default,,0,0,0,,{\an1\pos(284,432)}SHE'LL PROBABLY\NHAVE TROUBLE.
Dialogue: 0,0:38:24.05,0:38:27.05,Default,,0,0,0,,{\an1\pos(68,432)}REALLY ?\NWHAT KIND OF TROUBLE ?
Dialogue: 0,0:38:27.05,0:38:31.06,Default,,0,0,0,,{\an1\pos(212,432)}A MAN.\NHE'S VERY GOOD-LOOKING.
Dialogue: 0,0:38:31.06,0:38:33.56,Default,,0,0,0,,{\an1\pos(212,432)}YOUR SOURCE OF INCOME\NIS IN HIS OFFICE.
Dialogue: 0,0:38:33.56,0:38:36.06,Default,,0,0,0,,{\an1\pos(284,432)}HE WILL PROBABLY\NHAVE TROUBLE.
Dialogue: 0,0:38:36.06,0:38:41.07,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hWHAT KIND OF TROUBLE ?\NALSO A MAN.\NNOT SO GOOD-LOOKING.
Dialogue: 0,0:38:43.57,0:38:46.07,Default,,0,0,0,,{\an1\pos(284,432)}NOW WE KNOW.
Dialogue: 0,0:38:46.07,0:38:48.57,Default,,0,0,0,,{\an1\pos(284,432)}YOU ARE WHAT I SAID.
Dialogue: 0,0:38:52.58,0:38:56.58,Default,,0,0,0,,{\an1\pos(68,432)}ANY LOSSES THAT YOU INCURRED\NIN BUSINESS WERE REIMBURSED\NTO YOU ACROSS THE CASINO TABLES.
Dialogue: 0,0:38:56.58,0:38:58.58,Default,,0,0,0,,{\an1\pos(212,432)}REGULARLY,\NAND VERY GENEROUSLY.
Dialogue: 0,0:38:58.59,0:39:00.60,Default,,0,0,0,,{\an1\pos(212,432)}BUT IN SPITE OF ORDERS,\NYOU CONTINUE TO SELL...
Dialogue: 0,0:39:00.59,0:39:02.59,Default,,0,0,0,,{\an1\pos(212,432)}TUNGSTEN WIRE TO\NTHE BENDOLAN COMPANY.
Dialogue: 0,0:39:02.59,0:39:05.09,Default,,0,0,0,,{\an1\pos(68,432)}BUT MR. BENDOLAN\NCAN'T MANUFACTURE\NELECTRIC LIGHT GLOBES...
Dialogue: 0,0:39:05.09,0:39:08.09,Default,,0,0,0,,{\an1\pos(68,432)}WITHOUT TUNGSTEN WIRE\NFOR FILAMENTS, MR. MUNDSON.
Dialogue: 0,0:39:08.10,0:39:11.11,Default,,0,0,0,,{\an1\pos(68,408)}HE CAN'T CONTINUE IN BUSINESS--\N\h\h\h\hWE DON'T WISH MR. BENDOLAN\N\h\h\h\hTO CONTINUE IN BUSINESS.
Dialogue: 0,0:39:11.10,0:39:13.10,Default,,0,0,0,,{\an1\pos(284,432)}ISN'T THAT\NCLEAR TO YOU ?
Dialogue: 0,0:39:13.10,0:39:17.60,Default,,0,0,0,,{\an1\pos(68,144)}BUT HE'S THE ONLY OUTLET\NFOR MY PRODUCT IN THIS\NTERRITORY, MR. MUNDSON.
Dialogue: 0,0:39:17.61,0:39:21.12,Default,,0,0,0,,{\an1\pos(68,120)}IF I DON'T SELL TO HIM,\NI CAN'T CONTINUE IN BUSINESS.
Dialogue: 0,0:39:21.11,0:39:24.61,Default,,0,0,0,,{\an1\pos(68,120)}DON'T YOU UNDERSTAND THAT ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hPERFECTLY.
Dialogue: 0,0:39:24.61,0:39:28.11,Default,,0,0,0,,{\an1\pos(68,120)}AND THAT DOESN'T MATTER TO YOU,\NDOES IT, MR. MUNDSON ?
Dialogue: 0,0:39:28.12,0:39:31.13,Default,,0,0,0,,{\an1\pos(284,432)}ON THE CONTRARY,\NI SYMPATHIZE\NWITH YOU DEEPLY.
Dialogue: 0,0:39:31.12,0:39:34.12,Default,,0,0,0,,{\an1\pos(212,432)}LIFE IS VERY DIFFICULT\NFOR THE DEFENSELESS ONES\NOF THE WORLD.
Dialogue: 0,0:39:35.62,0:39:38.12,Default,,0,0,0,,{\an1\pos(356,432)}YES.
Dialogue: 0,0:39:38.13,0:39:40.14,Default,,0,0,0,,{\an1\pos(356,432)}AS YOU SAY.
Dialogue: 0,0:39:40.13,0:39:42.13,Default,,0,0,0,,{\an1\pos(356,432)}THANK YOU,\NMR. MUNDSON.
Dialogue: 0,0:39:49.14,0:39:52.64,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hI THOUGHT WE WERE IN\N\h\h\h\h\h\h\h\hTHE GAMBLING BUSINESS.\NLEAVE ME ALONE.
Dialogue: 0,0:39:52.64,0:39:55.14,Default,,0,0,0,,{\an1\pos(68,432)}I NEVER HEARD OF A GAME PLAYED\NWITH ELECTRIC LIGHT GLOBES.
Dialogue: 0,0:39:55.14,0:39:57.14,Default,,0,0,0,,{\an1\pos(284,432)}LET'S JOIN GILDA\NFOR A DRINK,\NSHALL WE, JOHNNY ?
Dialogue: 0,0:39:57.14,0:39:59.15,Default,,0,0,0,,{\an1\pos(212,432)}SURE.
Dialogue: 0,0:40:01.15,0:40:04.15,Default,,0,0,0,,{\an1\pos(68,432)}HEY, UH, BETTER LET ME\NCASE THE JOINT FIRST.
Dialogue: 0,0:40:04.15,0:40:07.65,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCASE THE JOINT ?\NYEAH, SEE IF\NTHE COAST IS CLEAR.
Dialogue: 0,0:40:08.16,0:40:11.17,Default,,0,0,0,,{\an1\pos(68,432)}I DIDN'T LIKE THE LOOK ON\NTHE "DEFENSELESS" ONE'S FACE.
Dialogue: 0,0:40:11.66,0:40:15.16,Default,,0,0,0,,{\an1\pos(68,432)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT MOUSE.\NI DIDN'T LIKE\NTHE LOOK ON HIS FACE.
Dialogue: 0,0:40:15.16,0:40:17.16,Default,,0,0,0,,{\an1\pos(284,432)}ALL RIGHT, JOHNNY.\NGILDA WAS RIGHT.
Dialogue: 0,0:40:17.16,0:40:19.67,Default,,0,0,0,,{\an1\pos(284,432)}YOU ARE PROTECTIVE.
Dialogue: 0,0:40:19.67,0:40:22.17,Default,,0,0,0,,{\an1\pos(68,432)}SURE.\NTHAT'S ME ALL OVER.
Dialogue: 0,0:40:22.17,0:40:24.17,Default,,0,0,0,,{\an1\pos(68,432)}GIVE ME FIVE MINUTES.
Dialogue: 0,0:40:39.19,0:40:42.19,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGILDA.\NMAYBE YOU DIDN'T NOTICE.\NI'M DANCING.
Dialogue: 0,0:40:42.19,0:40:44.69,Default,,0,0,0,,{\an1\pos(68,408)}YOU WERE DANCING.\N\h\h\h\h\h\h\h\hHEY, WHAT'S\N\h\h\h\h\h\h\h\hTHE IDEA ?
Dialogue: 0,0:40:44.69,0:40:48.19,Default,,0,0,0,,{\an1\pos(140,432)}OH, YOU'LL GET USED TO IT.\NI'VE NEVER BEEN ABLE TO\NFINISH A DANCE IN HERE YET.
Dialogue: 0,0:40:48.20,0:40:51.21,Default,,0,0,0,,{\an1\pos(68,432)}WHEN BALLIN COMES DOWN,\NI WANT YOU SITTING\NIN A BOOTH ALONE.
Dialogue: 0,0:40:52.70,0:40:55.20,Default,,0,0,0,,{\an1\pos(212,432)}YOU'RE SURE IT'S\NBALLIN WHO OBJECTS\NTO MY HAVING FRIENDS ?
Dialogue: 0,0:40:55.20,0:40:57.20,Default,,0,0,0,,{\an1\pos(140,432)}WHAT I WANT TO KNOW IS,\NWHO IS THIS GUY ?
Dialogue: 0,0:40:57.20,0:40:59.71,Default,,0,0,0,,{\an1\pos(284,432)}JOHNNY FARRELL.\NHE RUNS THE JOINT.
Dialogue: 0,0:40:59.71,0:41:02.21,Default,,0,0,0,,{\an1\pos(212,432)}THIS IS GABE EVANS,\NJOHNNY FARRELL-- ALL\NTHE WAY FROM NEW YORK.
Dialogue: 0,0:41:02.21,0:41:06.21,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hISN'T HE PRETTY ?\NJUST DARLING.\NNOW GET HIM OUT OF HERE.
Dialogue: 0,0:41:06.21,0:41:11.22,Default,,0,0,0,,{\an1\pos(140,432)}BUT I LIKE HIM.\NIF HE LEAVES, I GO WITH HIM.
Dialogue: 0,0:41:11.22,0:41:14.22,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S ALL RIGHT\NWITH ME, TOO.
Dialogue: 0,0:41:14.72,0:41:16.72,Default,,0,0,0,,{\an1\pos(68,432)}WELL, WHAT'S KEEPIN' YA ?
Dialogue: 0,0:41:17.22,0:41:19.23,Default,,0,0,0,,{\an1\pos(212,432)}NOT A THING.
Dialogue: 0,0:41:19.23,0:41:21.23,Default,,0,0,0,,{\an1\pos(140,408)}LET'S GO WHERE WE CAN\NHAVE SOME FUN.\N\h\h\h\h\h\h\h\h\h\h\h\hLIKE I SAID ?
Dialogue: 0,0:41:21.23,0:41:24.73,Default,,0,0,0,,{\an1\pos(140,432)}EXACTLY LIKE YOU SAID.\NDIDN'T YOU HEAR\NABOUT ME, GABE ?
Dialogue: 0,0:41:24.73,0:41:28.23,Default,,0,0,0,,{\an1\pos(140,432)}IF I'D BEEN A RANCH,\NTHEY WOULD HAVE NAMED ME\NTHE "BAR NOTHING."
Dialogue: 0,0:41:43.25,0:41:45.25,Default,,0,0,0,,{\an1\pos(140,408)}\h\h\h\hTHE COAST IS CLEAR,\N\h\h\h\hI TAKE IT.\NVERY CLEAR.
Dialogue: 0,0:41:58.27,0:42:01.78,Default,,0,0,0,,{\an1\pos(212,432)}LOOK, BALLIN,\NI'M A BIG BOY NOW.\NYOU CAN TELL ME THINGS.
Dialogue: 0,0:42:01.77,0:42:04.77,Default,,0,0,0,,{\an1\pos(68,432)}GILDA WARNED ME\NTHAT YOU'D GROW UP.\NBY THE WAY, WHERE IS SHE ?
Dialogue: 0,0:42:04.77,0:42:07.77,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGILDA ?\NYES, GILDA.
Dialogue: 0,0:42:07.78,0:42:10.29,Default,,0,0,0,,{\an1\pos(284,432)}SHE WAS BORED.\NTHERE'S AN AMERICAN\NPICTURE IN TOWN.
Dialogue: 0,0:42:10.78,0:42:13.28,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hSHE WENT TO SEE IT.\NALONE ?
Dialogue: 0,0:42:13.28,0:42:16.28,Default,,0,0,0,,{\an1\pos(212,432)}WHO WOULD SHE GO WITH ?\NSHE DOESN'T KNOW\NANYBODY DOWN HERE.
Dialogue: 0,0:42:16.28,0:42:18.78,Default,,0,0,0,,{\an1\pos(68,432)}YOU'D KNOW MORE\NABOUT THAT THAN I WOULD,\NWOULDN'T YOU, JOHNNY ?
Dialogue: 0,0:42:20.79,0:42:22.79,Default,,0,0,0,,{\an1\pos(212,432)}NO !
Dialogue: 0,0:42:55.82,0:42:57.82,Default,,0,0,0,,{\an1\pos(230,432)}{\i1}ESTA MUERTO.
Dialogue: 0,0:43:00.83,0:43:02.83,Default,,0,0,0,,{\an1\pos(68,432)}BAD FORM, ISN'T IT ?\NTO MAKE A SCENE IN PUBLIC.
Dialogue: 0,0:43:02.83,0:43:04.83,Default,,0,0,0,,{\an1\pos(68,432)}THE OCEAN\NWOULD HAVE BEEN QUIETER.
Dialogue: 0,0:43:04.83,0:43:07.33,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hONLY FOOLS RUIN\N\h\h\h\h\h\h\h\h\h\h\h\hTHEMSELVES GAMBLING.\NGAMBLING ?
Dialogue: 0,0:43:07.33,0:43:09.34,Default,,0,0,0,,{\an1\pos(356,432)}WHAT ELSE ?
Dialogue: 0,0:43:15.34,0:43:17.84,Default,,0,0,0,,{\an1\pos(140,432)}PFFT !
Dialogue: 0,0:43:21.85,0:43:23.85,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\hCOME ON HOME, BALLIN.\NWHAT HAPPENED TO HIM ?
Dialogue: 0,0:43:23.85,0:43:25.85,Default,,0,0,0,,{\an1\pos(68,432)}COME ON.
Dialogue: 0,0:43:32.36,0:43:35.36,Default,,0,0,0,,{\an1\pos(212,408)}\h\h\h\hDID HE KILL\N\h\h\h\hHIMSELF, JOHNNY ?\NYES.
Dialogue: 0,0:43:41.87,0:43:43.37,Default,,0,0,0,,{\an1\pos(284,432)}WHEN A MAN BECOMES\NWEAK ENOUGH\NTO ACCEPT A BRIBE,
Dialogue: 0,0:43:43.87,0:43:45.87,Default,,0,0,0,,{\an1\pos(356,432)}HE'S ALREADY\NA DYING MAN.
Dialogue: 0,0:43:47.37,0:43:50.38,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hDIDN'T BOTHER YOU,\N\h\h\h\h\h\h\h\h\h\h\h\hDID IT ?\NTHAT HE KILLED HIMSELF ? NO.
Dialogue: 0,0:43:52.38,0:43:54.88,Default,,0,0,0,,{\an1\pos(284,432)}BUT IT DID BOTHER ME\NTHAT BACK THERE,\NYOU WERE AFRAID.
Dialogue: 0,0:43:54.88,0:43:59.39,Default,,0,0,0,,{\an1\pos(68,432)}OH, NO, I WAS AMAZED.\NI REALIZED THAT SOMETHING\NCOULD HAPPEN TO ME.
Dialogue: 0,0:43:59.39,0:44:01.89,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S WHY I'M GOING\NTO TELL YOU SOMETHING.\NCOME IN.
Dialogue: 0,0:44:08.40,0:44:10.41,Default,,0,0,0,,{\an1\pos(68,432)}OVER HERE, JOHNNY.
Dialogue: 0,0:44:18.41,0:44:20.42,Default,,0,0,0,,{\an1\pos(68,432)}REMEMBER THIS, JOHNNY.
Dialogue: 0,0:44:24.91,0:44:27.36,Default,,0,0,0,,{\an1\pos(68,432)}REMEMBER THIS, TOO.
Dialogue: 0,0:44:41.88,0:44:43.88,Default,,0,0,0,,{\an1\pos(68,432)}COULD YOU DO IT NOW\NBY YOURSELF ?
Dialogue: 0,0:44:43.88,0:44:46.38,Default,,0,0,0,,{\an1\pos(428,432)}YES.
Dialogue: 0,0:44:46.38,0:44:48.88,Default,,0,0,0,,{\an1\pos(284,432)}EIGHT LEFT,\NTWENTY-FOUR RIGHT,
Dialogue: 0,0:44:48.89,0:44:50.90,Default,,0,0,0,,{\an1\pos(356,432)}TWO LEFT,
Dialogue: 0,0:44:50.89,0:44:52.89,Default,,0,0,0,,{\an1\pos(284,432)}SEVENTEEN RIGHT.
Dialogue: 0,0:44:55.89,0:44:58.39,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE THE ONLY ONE\NWHO KNOWS THE COMBINATION,\NJOHNNY.
Dialogue: 0,0:44:58.40,0:45:01.91,Default,,0,0,0,,{\an1\pos(68,432)}IF ANYTHING SHOULD\NEVER HAPPEN TO ME,\NTHERE ARE PAPERS IN THERE.
Dialogue: 0,0:45:01.90,0:45:04.40,Default,,0,0,0,,{\an1\pos(68,432)}SIGNATURES AND INSTRUCTIONS\NHOW TO CARRY ON.
Dialogue: 0,0:45:04.40,0:45:07.90,Default,,0,0,0,,{\an1\pos(356,432)}THANKS FOR NOT\NLETTING ME DOWN.
Dialogue: 0,0:45:07.91,0:45:10.42,Default,,0,0,0,,{\an1\pos(140,432)}YOU'RE NOT JUST THE OWNER\NOF A GAMBLING JOINT, HUH ?
Dialogue: 0,0:45:11.91,0:45:14.41,Default,,0,0,0,,{\an1\pos(68,432)}YOU KNOW WHAT\NA CARTEL IS, JOHNNY ?
Dialogue: 0,0:45:14.41,0:45:19.42,Default,,0,0,0,,{\an1\pos(212,432)}I THINK SO. A TRUST.\NA MONOPOLY OF SOME KIND,\NISN'T IT ?
Dialogue: 0,0:45:19.42,0:45:22.42,Default,,0,0,0,,{\an1\pos(68,384)}AN INTERNATIONAL MONOPOLY.\N\h\h\h\h\h\h\h\h\h\h\h\hBIG BUSINESS, HUH ?
Dialogue: 0,0:45:22.42,0:45:25.42,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hMONOPOLY IN WHAT ?\NTUNGSTEN.
Dialogue: 0,0:45:25.42,0:45:27.42,Default,,0,0,0,,{\an1\pos(68,432)}THAT DOESN'T IMPRESS YOU.
Dialogue: 0,0:45:27.42,0:45:29.43,Default,,0,0,0,,{\an1\pos(212,432)}WELL, I DON'T KNOW\NMUCH ABOUT IT.\NI MEAN, I DON'T KNOW...
Dialogue: 0,0:45:29.43,0:45:33.43,Default,,0,0,0,,{\an1\pos(212,432)}IF IT'S WORTH GETTING\NSHOT AT FOR THE PLEASURE\NOF MONOPOLIZING IT.
Dialogue: 0,0:45:34.93,0:45:37.43,Default,,0,0,0,,{\an1\pos(68,432)}A MAN WHO CONTROLS\N\hA STRATEGIC MATERIAL...
Dialogue: 0,0:45:37.94,0:45:39.95,Default,,0,0,0,,{\an1\pos(68,432)}CAN CONTROL THE WORLD,\NJOHNNY.
Dialogue: 0,0:45:41.44,0:45:43.94,Default,,0,0,0,,{\an1\pos(284,432)}WHOA, NOW.\NTHE WORLD'S\NA PRETTY BIG PLACE.
Dialogue: 0,0:45:44.44,0:45:46.44,Default,,0,0,0,,{\an1\pos(68,432)}MADE UP OF\NSTUPID LITTLE PEOPLE.
Dialogue: 0,0:45:46.44,0:45:49.45,Default,,0,0,0,,{\an1\pos(212,432)}WELL,\NIF ANYBODY CAN DO IT,\NI'D LAY EIGHT TO FIVE...
Dialogue: 0,0:45:49.45,0:45:51.45,Default,,0,0,0,,{\an1\pos(212,432)}YOU'RE THE BABY WHO CAN.
Dialogue: 0,0:45:51.45,0:45:53.45,Default,,0,0,0,,{\an1\pos(68,432)}AND YOU'D WIN.
Dialogue: 0,0:45:53.45,0:45:55.95,Default,,0,0,0,,{\an1\pos(68,432)}NOW, LET'S GO DOWNSTAIRS\NAND HAVE A DRINK.
Dialogue: 0,0:45:55.95,0:45:59.96,Default,,0,0,0,,{\an1\pos(68,432)}WITH YOU AND GILDA ON MY SIDE--\NYOU ARE ON MY SIDE, JOHNNY ?
Dialogue: 0,0:45:59.96,0:46:02.96,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI TOLD YOU THAT.\NAND GILDA ?
Dialogue: 0,0:46:02.96,0:46:06.46,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hWHAT DO YOU MEAN ?\NWOMEN ARE FUNNY\NLITTLE CREATURES, JOHNNY.
Dialogue: 0,0:46:06.46,0:46:08.46,Default,,0,0,0,,{\an1\pos(284,432)}WELL, I DON'T KNOW\NMUCH ABOUT 'EM.
Dialogue: 0,0:46:08.47,0:46:12.98,Default,,0,0,0,,{\an1\pos(68,408)}ODD THINGS ARE\NIMPORTANT TO THEM.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hREALLY ?
Dialogue: 0,0:46:12.97,0:46:14.97,Default,,0,0,0,,{\an1\pos(68,432)}I BOUGHT HER, JOHNNY.
Dialogue: 0,0:46:14.97,0:46:17.97,Default,,0,0,0,,{\an1\pos(68,408)}JUST AS I BOUGHT YOU.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSHE KNOWS THAT,\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDOESN'T SHE ?
Dialogue: 0,0:46:19.48,0:46:21.48,Default,,0,0,0,,{\an1\pos(284,432)}THAT'S JUST IT.
Dialogue: 0,0:46:21.48,0:46:23.98,Default,,0,0,0,,{\an1\pos(284,432)}MONEY DOESN'T MEAN\NVERY MUCH TO GILDA.
Dialogue: 0,0:46:23.98,0:46:26.48,Default,,0,0,0,,{\an1\pos(284,432)}IF SHE SHOULD\NBECOME RESTLESS--
Dialogue: 0,0:46:27.99,0:46:31.00,Default,,0,0,0,,{\an1\pos(284,432)}I'M MAD ABOUT HER,\NJOHNNY.
Dialogue: 0,0:46:30.99,0:46:32.99,Default,,0,0,0,,{\an1\pos(446,432)}{\i1}MAD.
Dialogue: 0,0:46:38.00,0:46:42.01,Default,,0,0,0,,{\an1\pos(68,408)}WHAT DO YOU THINK OF THAT ?\N\h\h\h\h\h\h\h\hWELL,\N\h\h\h\h\h\h\h\hI THINK IT'S GREAT.
Dialogue: 0,0:46:42.00,0:46:44.50,Default,,0,0,0,,{\an1\pos(212,432)}BECAUSE SHE IS\NON YOUR SIDE, BALLIN.
Dialogue: 0,0:46:44.50,0:46:47.50,Default,,0,0,0,,{\an1\pos(212,432)}I'D LAY EIGHT TO FIVE\NON THAT TOO.
Dialogue: 0,0:46:47.50,0:46:49.51,Default,,0,0,0,,{\an1\pos(284,432)}AND I'D WIN.
Dialogue: 0,0:46:54.51,0:46:56.51,Default,,0,0,0,,{\an1\pos(284,432)}WELL, I'D BETTER\NBE GETTING BACK\NTO THE JOINT.
Dialogue: 0,0:47:42.56,0:47:46.56,Default,,0,0,0,,{\an1\pos(284,432)}KNOW WHAT ? I HAVE\NTHE FUNNIEST FEELING\NWE'RE NOT ALONE.
Dialogue: 0,0:47:47.06,0:47:48.56,Default,,0,0,0,,{\an1\pos(140,432)}MAYBE WE'RE HAUNTED.
Dialogue: 0,0:47:49.07,0:47:51.58,Default,,0,0,0,,{\an1\pos(140,432)}MAYBE IF WE GO INSIDE,\NIT'LL GO AWAY.
Dialogue: 0,0:47:51.57,0:47:54.57,Default,,0,0,0,,{\an1\pos(212,432)}BESIDES BEING PRETTY,\NYOU'RE POSITIVELY\NINTELLIGENT.
Dialogue: 0,0:47:54.57,0:47:56.07,Default,,0,0,0,,{\an1\pos(356,432)}COME ON.
Dialogue: 0,0:47:56.07,0:47:58.07,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}NO.
Dialogue: 0,0:47:58.58,0:48:01.59,Default,,0,0,0,,{\an1\pos(140,432)}YOU KNOW, I HAVE\NTHE FUNNIEST FEELING\NSOMEBODY SAID SOMETHING.
Dialogue: 0,0:48:03.08,0:48:07.58,Default,,0,0,0,,{\an1\pos(68,432)}MAYBE THE LADY\NHER HUSBAND LIVES HERE.
Dialogue: 0,0:48:07.58,0:48:12.59,Default,,0,0,0,,{\an1\pos(140,432)}FOR A LONG, LONG TIME,\NI'VE TAKEN HUSBANDS LITTLE\NBY LITTLE, IN SMALL DOSES.
Dialogue: 0,0:48:12.59,0:48:15.59,Default,,0,0,0,,{\an1\pos(140,432)}SO THAT NOW, I'VE DEVELOPED\NA COMPLETE IMMUNITY TO THEM.
Dialogue: 0,0:48:15.59,0:48:19.09,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE THROUGH\NFOR THE EVENING, SON.\NSCRAM.
Dialogue: 0,0:48:20.60,0:48:22.60,Default,,0,0,0,,{\an1\pos(140,432)}WELL, SO HE RUNS\NTHIS JOINT TOO, DOES HE ?
Dialogue: 0,0:48:22.60,0:48:25.10,Default,,0,0,0,,{\an1\pos(68,384)}I SAID SCRAM.\N\h\h\h\hFOR TWO CENTS I'D--
Dialogue: 0,0:48:25.10,0:48:27.10,Default,,0,0,0,,{\an1\pos(68,432)}YOU'D WHAT ?
Dialogue: 0,0:48:38.12,0:48:41.13,Default,,0,0,0,,{\an1\pos(356,432)}THAT'S GREAT,\NHITTING A MAN\NWHEN HE'S DRUNK.
Dialogue: 0,0:48:41.12,0:48:43.12,Default,,0,0,0,,{\an1\pos(68,432)}HE SHOULDN'T GET DRUNK\NON MY TIME.
Dialogue: 0,0:48:43.12,0:48:46.12,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hON YOUR TIME ?\NI THOUGHT THAT\NWAS SETTLED.
Dialogue: 0,0:48:46.12,0:48:49.12,Default,,0,0,0,,{\an1\pos(68,432)}I TAKE CARE OF EVERYTHING\NTHAT BELONGS TO THE BOSS.
Dialogue: 0,0:48:49.13,0:48:51.64,Default,,0,0,0,,{\an1\pos(356,432)}WHAT'S HIS\NIS... YOURS ?
Dialogue: 0,0:48:51.63,0:48:54.63,Default,,0,0,0,,{\an1\pos(68,432)}YOU WENT TO A PICTURE SHOW\NTONIGHT. ALONE.
Dialogue: 0,0:48:54.63,0:48:56.63,Default,,0,0,0,,{\an1\pos(356,432)}REALLY ?
Dialogue: 0,0:48:56.63,0:48:59.64,Default,,0,0,0,,{\an1\pos(212,432)}WOULD YOU LIKE TO KNOW\NWHETHER I ENJOYED IT ?
Dialogue: 0,0:49:00.14,0:49:03.14,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S YOUR STORY. THAT'S\NWHAT I TOLD BALLIN. THAT'S\NWHAT YOU'RE GOING TO TELL HIM.
Dialogue: 0,0:49:03.14,0:49:05.64,Default,,0,0,0,,{\an1\pos(284,432)}MAKING ME DECEIVE\NMY HUSBAND.
Dialogue: 0,0:49:05.64,0:49:10.15,Default,,0,0,0,,{\an1\pos(68,432)}I GOT SOME NEWS FOR YOU, GILDA.\NHE DIDN'T JUST BUY SOMETHING.
Dialogue: 0,0:49:10.15,0:49:12.65,Default,,0,0,0,,{\an1\pos(68,408)}HE'S IN LOVE WITH YOU.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hIS THAT SO HARD\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTO UNDERSTAND ?
Dialogue: 0,0:49:12.65,0:49:15.65,Default,,0,0,0,,{\an1\pos(68,408)}AND YOU'RE NOT GONNA DO--\N\h\h\h\h\h\h\h\h\h\h\h\hI'VE GOT SOME NEWS\N\h\h\h\h\h\h\h\h\h\h\h\hFOR YOU, JOHNNY.
Dialogue: 0,0:49:15.65,0:49:19.15,Default,,0,0,0,,{\an1\pos(212,432)}I'M GOING TO DO\NEXACTLY WHAT I PLEASE,\NWHEN I PLEASE.
Dialogue: 0,0:49:19.16,0:49:23.17,Default,,0,0,0,,{\an1\pos(140,432)}I WAS TRUE TO ONE MAN, ONCE,\NAND LOOK WHAT HAPPENED.
Dialogue: 0,0:49:23.16,0:49:26.16,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hI MADE UP MY MIND THEN--\NTHIS ISN'T ABOUT US.\NIT'S ABOUT HIM.
Dialogue: 0,0:49:28.17,0:49:30.68,Default,,0,0,0,,{\an1\pos(284,432)}REALLY ?\NYOU DON'T SAY SO.
Dialogue: 0,0:49:30.67,0:49:34.17,Default,,0,0,0,,{\an1\pos(68,432)}I DON'T CARE WHAT YOU DO,
Dialogue: 0,0:49:34.17,0:49:37.67,Default,,0,0,0,,{\an1\pos(68,432)}BUT I'M GOING TO SEE\NTO IT THAT IT LOOKS\NALL RIGHT TO HIM.
Dialogue: 0,0:49:37.67,0:49:39.68,Default,,0,0,0,,{\an1\pos(68,432)}FROM NOW ON, YOU GO\NANYWHERE YOU PLEASE,\NWITH ANYONE YOU PLEASE,
Dialogue: 0,0:49:39.68,0:49:43.68,Default,,0,0,0,,{\an1\pos(68,432)}BUT I'M GONNA TAKE\NYOU THERE AND PICK YOU UP\NAND BRING YOU HOME.
Dialogue: 0,0:49:43.68,0:49:49.18,Default,,0,0,0,,{\an1\pos(68,432)}GET THAT ?\NEXACTLY THE WAY I'D TAKE\NAND PICK UP HIS LAUNDRY.
Dialogue: 0,0:49:50.69,0:49:53.19,Default,,0,0,0,,{\an1\pos(212,432)}SHAME ON YOU, JOHNNY.
Dialogue: 0,0:49:53.69,0:49:57.19,Default,,0,0,0,,{\an1\pos(68,432)}ANY PSYCHIATRIST WOULD TELL YOU\NTHAT YOUR THOUGHT ASSOCIATIONS\NARE VERY REVEALING.
Dialogue: 0,0:49:57.19,0:49:59.19,Default,,0,0,0,,{\an1\pos(68,432)}WHAT ARE YOU TALKING ABOUT ?
Dialogue: 0,0:49:59.70,0:50:02.70,Default,,0,0,0,,{\an1\pos(68,408)}ANY PSYCHIATRIST WOULD TELL YOU\NTHAT MEANS SOMETHING, JOHNNY.\NDID YOU HEAR WHAT I SAID ?
Dialogue: 0,0:50:02.70,0:50:05.70,Default,,0,0,0,,{\an1\pos(140,432)}SURE, I HEARD WHAT YOU SAID.\NYOU'RE GOING TO TAKE\NME THERE, AND PICK ME UP.
Dialogue: 0,0:50:07.70,0:50:10.21,Default,,0,0,0,,{\an1\pos(212,432)}ALL TO PROTECT BALLIN.
Dialogue: 0,0:50:14.71,0:50:16.71,Default,,0,0,0,,{\an1\pos(212,432)}WHO DO YOU THINK\NYOU'RE KIDDING, JOHNNY ?
Dialogue: 0,0:50:27.02,0:50:31.53,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I HATED HER, SO I COULDN'T GET\NHER OUT OF MY MIND FOR A MINUTE.
Dialogue: 0,0:50:31.53,0:50:33.53,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE WAS IN THE AIR\NI BREATHED,
Dialogue: 0,0:50:33.53,0:50:35.53,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND THE FOOD I ATE.
Dialogue: 0,0:50:47.54,0:50:50.05,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AT FIRST, I THOUGHT\NI WAS JUST DREAMING IT.
Dialogue: 0,0:50:50.05,0:50:54.05,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I'D BEEN HEARING HER VOICE\NIN MY SLEEP FOR NIGHTS ANYWAY.
Dialogue: 0,0:50:54.05,0:50:56.05,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THEN I REALIZED--
Dialogue: 0,0:50:57.55,0:51:02.06,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}♪ WHEN MRS. O'LEARY'S COW\N\h\hKICKED THE LANTERN ♪
Dialogue: 0,0:51:03.06,0:51:07.06,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}♪ IN CHICAGO TOWN ♪
Dialogue: 0,0:51:07.06,0:51:11.07,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}♪ THEY SAY\N\h\hTHAT STARTED THE FIRE ♪
Dialogue: 0,0:51:11.07,0:51:14.07,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}♪ THAT BURNED CHICAGO DOWN ♪
Dialogue: 0,0:51:16.57,0:51:20.08,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}♪ THAT'S THE STORY\N\h\hTHAT WENT AROUND ♪
Dialogue: 0,0:51:21.08,0:51:24.58,Default,,0,0,0,,{\an1\pos(68,432)}♪ BUT HERE'S\N\h\hTHE REAL LOWDOWN ♪
Dialogue: 0,0:51:26.58,0:51:30.59,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,0:51:30.59,0:51:34.09,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME ♪
Dialogue: 0,0:51:35.09,0:51:39.09,Default,,0,0,0,,{\an1\pos(140,432)}♪ MAME KISSED A BUYER\N\h\hFROM OUT OF TOWN ♪
Dialogue: 0,0:51:39.60,0:51:43.11,Default,,0,0,0,,{\an1\pos(140,432)}♪ THAT KISS BURNED\N\h\hCHICAGO DOWN ♪
Dialogue: 0,0:51:43.10,0:51:48.60,Default,,0,0,0,,{\an1\pos(68,432)}♪ SO YOU CAN\N\h\hPUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,0:51:48.61,0:51:52.12,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME ♪
Dialogue: 0,0:51:54.11,0:51:58.06,Default,,0,0,0,,{\an1\pos(68,432)}♪ REMEMBER THE BLIZZARD\N\h\hBACK IN MANHATTAN ♪
Dialogue: 0,0:51:58.06,0:52:01.07,Default,,0,0,0,,{\an1\pos(212,432)}♪ IN 1886 ♪
Dialogue: 0,0:52:02.57,0:52:06.07,Default,,0,0,0,,{\an1\pos(140,432)}♪ THEY SAY THE TRAFFIC\N\h\hWAS TIED UP ♪
Dialogue: 0,0:52:06.07,0:52:10.08,Default,,0,0,0,,{\an1\pos(140,432)}♪ AND FOLKS WERE IN A FIX ♪
Dialogue: 0,0:52:12.08,0:52:16.08,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}♪ THAT'S THE STORY\N\h\hTHAT WENT AROUND ♪
Dialogue: 0,0:52:16.08,0:52:20.05,Default,,0,0,0,,{\an1\pos(68,432)}♪ BUT HERE'S THE REAL LOWDOWN ♪
Dialogue: 0,0:52:22.06,0:52:26.07,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,0:52:26.06,0:52:30.06,Default,,0,0,0,,{\an1\pos(140,432)}♪ PUT THE BLAME ON MAME ♪
Dialogue: 0,0:52:30.06,0:52:34.57,Default,,0,0,0,,{\an1\pos(212,432)}♪ MAME GAVE A CHUMP\N\h\hSUCH AN ICE-COLD NO ♪
Dialogue: 0,0:52:34.57,0:52:38.57,Default,,0,0,0,,{\an1\pos(212,432)}♪ FOR SEVEN DAYS\N\h\hTHEY SHOVELED SNOW ♪
Dialogue: 0,0:52:38.57,0:52:44.08,Default,,0,0,0,,{\an1\pos(68,432)}♪ SO YOU CAN\N\h\hPUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,0:52:44.08,0:52:46.58,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h♪ PUT THE-- ♪
Dialogue: 0,0:52:50.58,0:52:53.59,Default,,0,0,0,,{\an1\pos(68,432)}OH ! GOOD MORNING.
Dialogue: 0,0:52:53.59,0:52:55.59,Default,,0,0,0,,{\an1\pos(68,432)}HOW VERY PRETTY YOU LOOK\NIN YOUR NIGHTGOWN.
Dialogue: 0,0:53:00.59,0:53:03.60,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT ARE YOU\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDOING HERE ?\NSINGING TO MY FRIEND.
Dialogue: 0,0:53:04.10,0:53:06.10,Default,,0,0,0,,{\an1\pos(68,408)}ISN'T THAT ALL RIGHT ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHOW LONG HAVE\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU BEEN HERE ?
Dialogue: 0,0:53:08.60,0:53:11.60,Default,,0,0,0,,{\an1\pos(140,384)}HOW LONG ?\N\h\h\h\h\h\h\h\hFIVE VERSES.
Dialogue: 0,0:53:11.60,0:53:15.11,Default,,0,0,0,,{\an1\pos(140,408)}WHAT ARE YOU DOING HERE ?\NLISTENING. I JUST\NFINISHED MY WORK, AND--
Dialogue: 0,0:53:15.11,0:53:18.61,Default,,0,0,0,,{\an1\pos(212,432)}DID YOU HEAR ABOUT\NTHAT POOR LITTLE COW\NGOT BLAMED FOR--
Dialogue: 0,0:53:18.61,0:53:21.61,Default,,0,0,0,,{\an1\pos(140,432)}GET OUT OF HERE.\NGET BACK TO YOUR WASHROOM,\NWHERE YOU BELONG.
Dialogue: 0,0:53:21.61,0:53:25.62,Default,,0,0,0,,{\an1\pos(68,432)}PUT A BEGGAR ON HORSEBACK,\NHUH, UNCLE PIO ?
Dialogue: 0,0:53:25.62,0:53:27.62,Default,,0,0,0,,{\an1\pos(284,432)}PFFT !
Dialogue: 0,0:53:32.13,0:53:36.14,Default,,0,0,0,,{\an1\pos(68,432)}WELL, HERE'S THE LAUNDRY,\NWAITING TO BE PICKED UP.
Dialogue: 0,0:53:36.13,0:53:40.63,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\hWHERE HAVE YOU BEEN ?\NSWIMMING.
Dialogue: 0,0:53:40.63,0:53:44.14,Default,,0,0,0,,{\an1\pos(68,432)}I BET YOU DON'T BELIEVE ME.
Dialogue: 0,0:53:44.14,0:53:47.14,Default,,0,0,0,,{\an1\pos(68,432)}I BET BALLIN WON'T, EITHER,\NUNLESS YOU'RE THERE\NTO BACK ME UP.
Dialogue: 0,0:53:48.14,0:53:50.14,Default,,0,0,0,,{\an1\pos(68,432)}YOU WENT SWIMMING WITH ME.
Dialogue: 0,0:53:50.14,0:53:52.14,Default,,0,0,0,,{\an1\pos(68,432)}DIDN'T WE HAVE A GOOD TIME ?
Dialogue: 0,0:53:52.15,0:53:55.16,Default,,0,0,0,,{\an1\pos(356,432)}SWIMMING.
Dialogue: 0,0:53:55.15,0:53:57.65,Default,,0,0,0,,{\an1\pos(68,384)}THAT'S WHAT IT SAYS HERE.\N\h\h\h\hWHERE'S YOUR BATHING SUIT ?
Dialogue: 0,0:53:59.65,0:54:02.15,Default,,0,0,0,,{\an1\pos(68,432)}UNDER THIS.
Dialogue: 0,0:54:02.16,0:54:04.17,Default,,0,0,0,,{\an1\pos(140,384)}WANNA SEE ?\N\h\h\h\h\h\h\h\hI'LL GET DRESSED.
Dialogue: 0,0:54:04.16,0:54:07.66,Default,,0,0,0,,{\an1\pos(68,432)}I HATE TO DRAG YOU OUT\NTHIS TIME OF THE MORNING,\NBUT...
Dialogue: 0,0:54:07.66,0:54:11.66,Default,,0,0,0,,{\an1\pos(68,432)}IT'S YOUR IDEA, YOU KNOW.
Dialogue: 0,0:54:11.66,0:54:15.17,Default,,0,0,0,,{\an1\pos(68,432)}WHY DON'T YOU MAKE IT\NEASY ON YOURSELF AND...
Dialogue: 0,0:54:15.17,0:54:17.67,Default,,0,0,0,,{\an1\pos(68,432)}LET HIM FIND OUT ABOUT ME ?
Dialogue: 0,0:54:17.67,0:54:20.67,Default,,0,0,0,,{\an1\pos(68,432)}OR ARE YOU AFRAID OF\NWHAT HE MIGHT DO TO ME ?
Dialogue: 0,0:54:23.18,0:54:25.19,Default,,0,0,0,,{\an1\pos(212,432)}JOHNNY--
Dialogue: 0,0:54:28.18,0:54:31.18,Default,,0,0,0,,{\an1\pos(284,384)}I AM.\N\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT ?
Dialogue: 0,0:54:31.18,0:54:35.19,Default,,0,0,0,,{\an1\pos(212,384)}AFRAID.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU ?
Dialogue: 0,0:54:35.69,0:54:38.69,Default,,0,0,0,,{\an1\pos(140,432)}OH, JOHNNY,\NI WISH I'D NEVER--
Dialogue: 0,0:54:38.69,0:54:42.69,Default,,0,0,0,,{\an1\pos(374,432)}{\i1}NEVER WHAT ?
Dialogue: 0,0:54:42.70,0:54:45.21,Default,,0,0,0,,{\an1\pos(140,432)}GETTING MARRIED\NON THE REBOUND IS SO STUPID.
Dialogue: 0,0:54:45.70,0:54:48.20,Default,,0,0,0,,{\an1\pos(302,432)}{\i1}REBOUND FROM WHAT ?
Dialogue: 0,0:54:48.20,0:54:50.70,Default,,0,0,0,,{\an1\pos(284,432)}YOU.
Dialogue: 0,0:54:55.71,0:54:58.21,Default,,0,0,0,,{\an1\pos(212,432)}BECAUSE YOU--
Dialogue: 0,0:54:58.21,0:55:02.21,Default,,0,0,0,,{\an1\pos(140,432)}YOU DON'T KNOW A MAN\NYOU'VE ONLY KNOWN ONE DAY.
Dialogue: 0,0:55:02.22,0:55:05.73,Default,,0,0,0,,{\an1\pos(140,432)}HE DOESN'T KNOW YOU,\NEITHER.
Dialogue: 0,0:55:05.72,0:55:09.22,Default,,0,0,0,,{\an1\pos(140,432)}THAT WAY, YOU START EVEN.\NALL FAIR AND EVEN.
Dialogue: 0,0:55:14.73,0:55:18.73,Default,,0,0,0,,{\an1\pos(140,432)}WOULD IT INTEREST YOU\NTO KNOW HOW MUCH\NI HATE YOU, JOHNNY ?
Dialogue: 0,0:55:18.73,0:55:20.73,Default,,0,0,0,,{\an1\pos(446,432)}{\i1}VERY MUCH.
Dialogue: 0,0:55:20.73,0:55:24.24,Default,,0,0,0,,{\an1\pos(68,432)}I HATE YOU SO MUCH THAT...
Dialogue: 0,0:55:24.24,0:55:28.74,Default,,0,0,0,,{\an1\pos(68,432)}I WOULD DESTROY MYSELF\NTO TAKE YOU DOWN WITH ME.
Dialogue: 0,0:55:28.74,0:55:31.74,Default,,0,0,0,,{\an1\pos(140,432)}NOW I'VE WARNED YOU.
Dialogue: 0,0:55:32.25,0:55:33.76,Default,,0,0,0,,{\an1\pos(140,432)}NOW, THAT'S ALL\NFAIR AND EVEN.
Dialogue: 0,0:55:34.25,0:55:36.75,Default,,0,0,0,,{\an1\pos(212,432)}ALL FAIR AND EVEN.
Dialogue: 0,0:55:40.25,0:55:42.25,Default,,0,0,0,,{\an1\pos(140,432)}NOW, WOULD IT INTEREST YOU\NTO KNOW THAT I KNOW WHY...
Dialogue: 0,0:55:42.26,0:55:44.27,Default,,0,0,0,,{\an1\pos(140,432)}YOU'RE HANGIN' AROUND HERE\NAT 5:00 IN THE MORNING ?
Dialogue: 0,0:55:44.26,0:55:48.76,Default,,0,0,0,,{\an1\pos(68,432)}I TOLD YOU, I'M THE LAUNDRY.\NI'M SIMPLY OBEYING INSTRUCTIONS.
Dialogue: 0,0:55:51.76,0:55:54.27,Default,,0,0,0,,{\an1\pos(212,432)}NOW WHO'S KIDDING WHO,\NGILDA ?
Dialogue: 0,0:56:40.81,0:56:42.81,Default,,0,0,0,,{\an1\pos(68,432)}NOW THAT YOU'VE\NDELIVERED ME,
Dialogue: 0,0:56:42.82,0:56:45.33,Default,,0,0,0,,{\an1\pos(68,432)}DON'T YOU WANT TO\NWAIT AND GET A RECEIPT\NFROM THE MAN ?
Dialogue: 0,0:56:47.82,0:56:49.82,Default,,0,0,0,,{\an1\pos(68,432)}BALLIN !
Dialogue: 0,0:56:51.32,0:56:53.32,Default,,0,0,0,,{\an1\pos(68,384)}YOU'RE UP.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES.
Dialogue: 0,0:56:53.83,0:56:55.33,Default,,0,0,0,,{\an1\pos(212,432)}LATE TO BED,\NEARLY TO RISE,\NMAKES A MAN--
Dialogue: 0,0:56:55.83,0:56:57.83,Default,,0,0,0,,{\an1\pos(356,432)}LET GILDA TALK,\NJOHNNY.
Dialogue: 0,0:56:57.83,0:57:00.83,Default,,0,0,0,,{\an1\pos(68,432)}I THOUGHT I COULD\NSNEAK OUT AND GET BACK\NWITHOUT WAKING YOU.
Dialogue: 0,0:57:00.83,0:57:04.34,Default,,0,0,0,,{\an1\pos(212,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO.\NWE WENT SWIMMING.\NYOU WERE ASLEEP.
Dialogue: 0,0:57:04.34,0:57:08.84,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES.\NALL OF A SUDDEN,\NI JUST HAD TO GO SWIMMING.
Dialogue: 0,0:57:08.84,0:57:10.84,Default,,0,0,0,,{\an1\pos(68,432)}IT WAS SO HOT.
Dialogue: 0,0:57:10.84,0:57:14.85,Default,,0,0,0,,{\an1\pos(68,408)}YOU WEREN'T WORRIED,\NWERE YOU ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES.
Dialogue: 0,0:57:14.85,0:57:18.85,Default,,0,0,0,,{\an1\pos(68,408)}I'M-I'M TERRIBLY SORRY.\N\h\h\h\h\h\h\h\hIS THAT WHAT'S\N\h\h\h\h\h\h\h\hMAKING YOU SO NERVOUS ?
Dialogue: 0,0:57:18.85,0:57:22.35,Default,,0,0,0,,{\an1\pos(284,432)}NERVOUS ? NO, I--
Dialogue: 0,0:57:22.36,0:57:24.37,Default,,0,0,0,,{\an1\pos(356,432)}I--
Dialogue: 0,0:57:24.36,0:57:27.36,Default,,0,0,0,,{\an1\pos(212,432)}WELL, A TERRIBLE THING\NHAPPENED TO ME.\NNO WONDER I'M NERVOUS.
Dialogue: 0,0:57:27.36,0:57:29.36,Default,,0,0,0,,{\an1\pos(68,432)}WHAT HAPPENED TO YOU ?
Dialogue: 0,0:57:29.36,0:57:31.86,Default,,0,0,0,,{\an1\pos(140,432)}I LOST THAT BEAUTIFUL CLIP\NYOU GAVE ME. THE ONE\NTHAT COST SO MUCH.
Dialogue: 0,0:57:31.86,0:57:34.37,Default,,0,0,0,,{\an1\pos(68,432)}IS THAT ALL ?
Dialogue: 0,0:57:34.37,0:57:36.87,Default,,0,0,0,,{\an1\pos(140,432)}WELL, ISN'T THAT ENOUGH\NTO MAKE A PERSON NERVOUS ?
Dialogue: 0,0:57:36.87,0:57:39.37,Default,,0,0,0,,{\an1\pos(68,432)}A CLIP CAN BE REPLACED.
Dialogue: 0,0:57:39.37,0:57:42.87,Default,,0,0,0,,{\an1\pos(212,432)}THANKS FOR BEING\NSO NICE ABOUT IT.
Dialogue: 0,0:57:42.88,0:57:44.89,Default,,0,0,0,,{\an1\pos(140,432)}I'M-I'M TERRIBLY SORRY.
Dialogue: 0,0:57:45.38,0:57:49.38,Default,,0,0,0,,{\an1\pos(140,432)}A CLIP CAN BE REPLACED.\NYOU SEE, I THOUGHT\NI HAD LOST YOU.
Dialogue: 0,0:57:49.88,0:57:52.88,Default,,0,0,0,,{\an1\pos(284,432)}ME ?
Dialogue: 0,0:57:52.89,0:57:55.90,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hNOT A CHANCE.\NAND THAT COULDN'T\NBE REPLACED.
Dialogue: 0,0:57:55.89,0:57:58.89,Default,,0,0,0,,{\an1\pos(356,432)}SHALL WE HAVE\NA DRINK BEFORE\NI START TO CRY ?
Dialogue: 0,0:57:58.89,0:58:03.90,Default,,0,0,0,,{\an1\pos(140,432)}YOU SEE, JOHNNY\NDOESN'T THINK THAT WOULD BE\NA TRAGEDY, IF YOU LOST ME.
Dialogue: 0,0:58:03.90,0:58:08.40,Default,,0,0,0,,{\an1\pos(140,432)}STATISTICS SHOW THAT THERE\NARE MORE WOMEN IN THE WORLD\NTHAN ANYTHING ELSE.
Dialogue: 0,0:58:08.40,0:58:10.40,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hEXCEPT INSECTS.\NJOHNNY !
Dialogue: 0,0:58:11.90,0:58:14.41,Default,,0,0,0,,{\an1\pos(68,432)}ON THAT CHARMING OBSERVATION,\NI SHALL WALK OUT.
Dialogue: 0,0:58:14.91,0:58:16.91,Default,,0,0,0,,{\an1\pos(140,432)}JUST TO CHANGE\NMY CLOTHES. I WANT\NTO HAVE BREAKFAST WITH YOU.
Dialogue: 0,0:58:19.91,0:58:23.92,Default,,0,0,0,,{\an1\pos(68,432)}OH, BY THE WAY,\NI WANT TO MENTION THAT\NJOHNNY IS A TERRIFIC SWIMMER.
Dialogue: 0,0:58:23.92,0:58:26.42,Default,,0,0,0,,{\an1\pos(68,432)}THIS MORNING,\NHE OUTDISTANCED ME\NBEAUTIFULLY.
Dialogue: 0,0:58:26.42,0:58:28.92,Default,,0,0,0,,{\an1\pos(68,432)}BUT SOMEDAY,\NTHERE'LL BE A RETURN MATCH.
Dialogue: 0,0:58:28.92,0:58:31.42,Default,,0,0,0,,{\an1\pos(68,432)}AND THEN, LOOK OUT,\NJOHNNY FARRELL.
Dialogue: 0,0:58:41.43,0:58:44.44,Default,,0,0,0,,{\an1\pos(140,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hJOHNNY.\NYEAH ?
Dialogue: 0,0:58:44.44,0:58:46.44,Default,,0,0,0,,{\an1\pos(356,432)}YOU'LL HAVE TO\NTEACH ME HOW.
Dialogue: 0,0:58:46.44,0:58:48.94,Default,,0,0,0,,{\an1\pos(68,384)}HOW TO WHAT ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSWIM.
Dialogue: 0,0:58:48.94,0:58:50.94,Default,,0,0,0,,{\an1\pos(428,432)}WHAT ELSE ?
Dialogue: 0,0:58:50.94,0:58:53.95,Default,,0,0,0,,{\an1\pos(68,432)}SURE.\NANYTIME.
Dialogue: 0,0:58:53.95,0:58:56.95,Default,,0,0,0,,{\an1\pos(284,432)}APPARENTLY, YOU'RE\NVERY GOOD AT IT.
Dialogue: 0,0:58:56.95,0:58:58.95,Default,,0,0,0,,{\an1\pos(68,432)}PRETTY GOOD.
Dialogue: 0,0:58:58.95,0:59:01.95,Default,,0,0,0,,{\an1\pos(212,432)}DID YOU TEACH GILDA\NHOW TO SWIM, JOHNNY ?
Dialogue: 0,0:59:04.46,0:59:07.46,Default,,0,0,0,,{\an1\pos(68,432)}I TAUGHT HER EVERYTHING\NSHE KNOWS, BALLIN.
Dialogue: 0,0:59:07.96,0:59:09.96,Default,,0,0,0,,{\an1\pos(68,432)}DOES THAT SATISFY YOU ?
Dialogue: 0,0:59:29.98,0:59:32.48,Default,,0,0,0,,{\an1\pos(68,432)}WAIT A MINUTE, FELLAS.\NLET'S TAKE THAT\NTROMBONE PART OVER...
Dialogue: 0,0:59:32.49,0:59:35.00,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}ONCE AGAIN, AND MAKE IT\NA LITTLE CLEANER.
Dialogue: 0,0:59:38.49,0:59:41.99,Default,,0,0,0,,{\an1\pos(68,432)}JULIO ! JULIO !
Dialogue: 0,0:59:45.50,0:59:48.50,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hYOU CAN'T TELL ME\N\h\h\h\h\h\h\h\hWHERE TO PUT NOTHING.
Dialogue: 0,1:00:04.52,1:00:08.52,Default,,0,0,0,,{\an1\pos(68,432)}THESE ARE THINGS WHICH\NTHE MERRYMAKERS\NADD TO THEIR COSTUMES.
Dialogue: 0,1:00:08.52,1:00:11.02,Default,,0,0,0,,{\an1\pos(68,432)}I WONDER IF YOU\NCARE TO MAKE A CHOICE.
Dialogue: 0,1:00:11.02,1:00:13.52,Default,,0,0,0,,{\an1\pos(212,432)}YOU HAVE A GREAT SENSE\NOF HUMOR, HAVEN'T YOU ?
Dialogue: 0,1:00:17.03,1:00:18.53,Default,,0,0,0,,{\an1\pos(68,432)}WHICH ONE\NWOULD YOU SUGGEST ?
Dialogue: 0,1:00:19.03,1:00:21.53,Default,,0,0,0,,{\an1\pos(212,432)}I WOULD SUGGEST,\NWHATEVER YOU WEAR...
Dialogue: 0,1:00:21.53,1:00:26.54,Default,,0,0,0,,{\an1\pos(212,432)}YOU START OUT AS THIS\NAND END UP AS THIS.
Dialogue: 0,1:00:26.54,1:00:28.54,Default,,0,0,0,,{\an1\pos(68,432)}REALLY.
Dialogue: 0,1:00:28.54,1:00:30.54,Default,,0,0,0,,{\an1\pos(284,432)}HOW DID YOU\NFIGURE THAT OUT ?
Dialogue: 0,1:00:30.54,1:00:34.55,Default,,0,0,0,,{\an1\pos(68,432)}TONIGHT IT IS\NTHE BEAUTIFUL ONE'S PARTY\NALL THE WAY.
Dialogue: 0,1:00:34.55,1:00:37.05,Default,,0,0,0,,{\an1\pos(68,432)}SHE HAS CHANGED\NTHE DECORATIONS,
Dialogue: 0,1:00:37.05,1:00:39.05,Default,,0,0,0,,{\an1\pos(68,432)}SHE HAS CHANGED\NTHE ORCHESTRA.
Dialogue: 0,1:00:39.05,1:00:42.05,Default,,0,0,0,,{\an1\pos(68,432)}IT ISN'T TOO MUCH TO THINK\NTHAT SHE WILL CHANGE--
Dialogue: 0,1:00:43.56,1:00:47.07,Default,,0,0,0,,{\an1\pos(284,432)}I WARNED YOU ONCE.\NYOU DIDN'T SEEM\NTO HEAR ME.
Dialogue: 0,1:00:47.06,1:00:50.06,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hNOW YOU'RE THROUGH.\NTHROUGH ? WITH WHAT ?
Dialogue: 0,1:00:50.06,1:00:52.56,Default,,0,0,0,,{\an1\pos(212,432)}THE CASINO. YOUR JOB.
Dialogue: 0,1:00:52.57,1:00:54.58,Default,,0,0,0,,{\an1\pos(284,432)}YOU'RE FIRED.
Dialogue: 0,1:00:56.07,1:01:00.57,Default,,0,0,0,,{\an1\pos(212,432)}YOU ARE MISTAKEN.\NI WILL BE HERE\NAFTER YOU ARE GONE,
Dialogue: 0,1:01:00.57,1:01:03.07,Default,,0,0,0,,{\an1\pos(284,432)}MR. PEASANT.
Dialogue: 0,1:01:04.58,1:01:07.08,Default,,0,0,0,,{\an1\pos(212,432)}YOU ASKED ME ONE TIME...
Dialogue: 0,1:01:07.08,1:01:10.58,Default,,0,0,0,,{\an1\pos(68,432)}WHAT A GREAT PHILOSOPHER LIKE ME\NIS DOING IN THE WASHROOM.
Dialogue: 0,1:01:10.58,1:01:13.58,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hNOW I WILL TELL YOU.\NGO ON.
Dialogue: 0,1:01:13.59,1:01:18.10,Default,,0,0,0,,{\an1\pos(212,432)}BECAUSE TO MY DEPARTMENT\NCOMES ALL THE GOSSIP,\NAND THAT WAY--
Dialogue: 0,1:01:23.10,1:01:26.11,Default,,0,0,0,,{\an1\pos(68,432)}HE'S NOT HERE.\NNO ONE IS HERE, YOU SEE.
Dialogue: 0,1:01:30.60,1:01:34.61,Default,,0,0,0,,{\an1\pos(68,432)}MAYBE WE SHOULD HAVE HAD\NTHAT "PRIVATE" SIGN PRINTED\NIN GERMAN TOO.
Dialogue: 0,1:01:34.61,1:01:38.11,Default,,0,0,0,,{\an1\pos(68,432)}MAYBE YOU CAN'T SPEAK SPANISH,\NBUT I ASSURE YOU,\NIT DOES SAY "PRIVATE."
Dialogue: 0,1:01:38.11,1:01:40.11,Default,,0,0,0,,{\an1\pos(356,432)}THAT'S RIGHT.
Dialogue: 0,1:01:40.11,1:01:43.11,Default,,0,0,0,,{\an1\pos(356,432)}WE INTEND TO SEE\NMR. MUNDSON.
Dialogue: 0,1:01:43.12,1:01:45.13,Default,,0,0,0,,{\an1\pos(212,432)}HE'S BEEN AVOIDING US.
Dialogue: 0,1:01:45.12,1:01:49.12,Default,,0,0,0,,{\an1\pos(68,432)}DIDN'T YOU HEAR ?\NMR. MUNDSON IS ALLERGIC\NTO MESSENGER BOYS.
Dialogue: 0,1:01:49.12,1:01:51.12,Default,,0,0,0,,{\an1\pos(212,432)}THE AMERICAN INDIAN,\NAS ALWAYS,
Dialogue: 0,1:01:51.12,1:01:53.62,Default,,0,0,0,,{\an1\pos(140,432)}WALKS INTO SOMETHING\NTHAT DOES NOT CONCERN HIM.
Dialogue: 0,1:01:53.63,1:01:55.64,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S AN OLD\NAMERICAN CUSTOM.
Dialogue: 0,1:01:55.63,1:02:00.13,Default,,0,0,0,,{\an1\pos(140,432)}MR. MUNDSON IS HAVING\NAN INVITED PARTY TONIGHT.\NYOU ARE UNINVITED.
Dialogue: 0,1:02:00.13,1:02:02.63,Default,,0,0,0,,{\an1\pos(356,432)}TELL THE OLD MAN\NTO GO AWAY.
Dialogue: 0,1:02:02.64,1:02:04.65,Default,,0,0,0,,{\an1\pos(68,432)}NO. YOU GO AWAY.
Dialogue: 0,1:02:04.64,1:02:06.64,Default,,0,0,0,,{\an1\pos(284,432)}WE INTEND TO SEE\NMR. MUNDSON.
Dialogue: 0,1:02:06.64,1:02:09.14,Default,,0,0,0,,{\an1\pos(68,432)}YOU SAID THAT BEFORE.\NI SAID--
Dialogue: 0,1:02:10.64,1:02:13.64,Default,,0,0,0,,{\an1\pos(140,432)}GET HIM ON THE TELEPHONE.\NPLEASE.
Dialogue: 0,1:02:16.65,1:02:19.15,Default,,0,0,0,,{\an1\pos(140,432)}WHY DIDN'T YOU SAY\NWHAT YOU WANTED ?
Dialogue: 0,1:02:24.66,1:02:27.66,Default,,0,0,0,,{\an1\pos(212,432)}MR. MUNDSON.\NTHIS IS MR. FARRELL.
Dialogue: 0,1:02:27.66,1:02:31.66,Default,,0,0,0,,{\an1\pos(68,432)}SOME PEOPLE WISH\NTO ADD THESE\NTO THEIR COSTUMES.
Dialogue: 0,1:02:31.66,1:02:35.67,Default,,0,0,0,,{\an1\pos(68,432)}IN MY COLLECTION\NI HAVE TWO LOVELY HEADS\NOF PIGS, IF YOU--
Dialogue: 0,1:02:36.67,1:02:39.67,Default,,0,0,0,,{\an1\pos(140,432)}NO SALE, UNCLE PIO.\NTHEY'LL JUST USE...
Dialogue: 0,1:02:39.67,1:02:42.17,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THEIR OWN FACES.
Dialogue: 0,1:02:42.17,1:02:45.18,Default,,0,0,0,,{\an1\pos(68,432)}OH, BALLIN ?
Dialogue: 0,1:02:45.18,1:02:48.18,Default,,0,0,0,,{\an1\pos(68,432)}THERE'RE A COUPLE\NOF NICE KIDS HERE\NWITH GERMAN ACCENTS.
Dialogue: 0,1:02:48.18,1:02:51.18,Default,,0,0,0,,{\an1\pos(68,432)}I THINK THEY'D LIKE TO MAKE\NAN APPOINTMENT WITH YOU.
Dialogue: 0,1:02:52.18,1:02:55.69,Default,,0,0,0,,{\an1\pos(68,432)}BY THE WAY, ONE OF THEM\NHAS A GUN IN MY BACK.
Dialogue: 0,1:02:56.69,1:02:59.19,Default,,0,0,0,,{\an1\pos(212,432)}TELL THEM--
Dialogue: 0,1:02:59.19,1:03:02.19,Default,,0,0,0,,{\an1\pos(140,432)}TELL THEM TO COME HERE\NIN AN HOUR.
Dialogue: 0,1:03:02.19,1:03:04.70,Default,,0,0,0,,{\an1\pos(212,432)}AND JOHNNY,
Dialogue: 0,1:03:04.70,1:03:06.70,Default,,0,0,0,,{\an1\pos(140,432)}YOU COME NOW, WILL YOU ?
Dialogue: 0,1:03:06.70,1:03:08.70,Default,,0,0,0,,{\an1\pos(212,432)}IMMEDIATELY.
Dialogue: 0,1:03:29.72,1:03:32.22,Default,,0,0,0,,{\an1\pos(68,432)}LISTEN, MARIA.\NCARNIVAL.
Dialogue: 0,1:03:33.23,1:03:35.74,Default,,0,0,0,,{\an1\pos(140,432)}YES, LITTLE ONE.\NCARNIVAL.
Dialogue: 0,1:03:35.73,1:03:38.23,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WHAT DOES IT MEAN,\NMARIA, EXACTLY ?
Dialogue: 0,1:03:38.23,1:03:41.73,Default,,0,0,0,,{\an1\pos(68,432)}CARNIVAL IS THE LAST THREE DAYS\NPRECEDING THE LENT,
Dialogue: 0,1:03:41.73,1:03:44.24,Default,,0,0,0,,{\an1\pos(140,432)}WHICH IN ROMAN CATHOLIC\NCOUNTRIES...
Dialogue: 0,1:03:44.24,1:03:47.24,Default,,0,0,0,,{\an1\pos(140,432)}IS GIVEN UP TO FEASTING\NAND MERRYMAKING.
Dialogue: 0,1:03:47.24,1:03:50.24,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THEN COME THE FASTING\NAND THE PENANCE.
Dialogue: 0,1:03:50.74,1:03:53.74,Default,,0,0,0,,{\an1\pos(68,432)}IN OTHER WORDS,\NMAKE HAY WHILE THE SUN SHINES.
Dialogue: 0,1:03:53.75,1:03:57.26,Default,,0,0,0,,{\an1\pos(68,432)}YOU HAVE A STRANGE LANGUAGE,\NLITTLE ONE.
Dialogue: 0,1:03:59.75,1:04:01.75,Default,,0,0,0,,{\an1\pos(212,432)}OH, I MEAN...
Dialogue: 0,1:04:01.75,1:04:04.26,Default,,0,0,0,,{\an1\pos(212,432)}THREE DAYS OF\NSOWING WILD OATS,
Dialogue: 0,1:04:05.76,1:04:07.76,Default,,0,0,0,,{\an1\pos(140,432)}AND THEN COMES THE HARVEST.
Dialogue: 0,1:04:16.77,1:04:19.27,Default,,0,0,0,,{\an1\pos(68,432)}YOU KNOW, MARIA,
Dialogue: 0,1:04:19.77,1:04:21.77,Default,,0,0,0,,{\an1\pos(68,432)}I HAVE THE FUNNIEST FEELING.
Dialogue: 0,1:04:24.28,1:04:27.28,Default,,0,0,0,,{\an1\pos(68,432)}DON'T TELL ANYBODY, BUT...
Dialogue: 0,1:04:27.28,1:04:29.78,Default,,0,0,0,,{\an1\pos(68,432)}I'M MOST AWFULLY SUPERSTITIOUS.
Dialogue: 0,1:04:31.28,1:04:32.78,Default,,0,0,0,,{\an1\pos(68,384)}DON'T TELL ANYBODY.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO.
Dialogue: 0,1:04:35.79,1:04:38.79,Default,,0,0,0,,{\an1\pos(68,432)}I HAVE THE FUNNIEST\NFEELING THAT...
Dialogue: 0,1:04:38.79,1:04:42.29,Default,,0,0,0,,{\an1\pos(68,384)}THIS IS IT.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hIT ?
Dialogue: 0,1:04:42.29,1:04:44.30,Default,,0,0,0,,{\an1\pos(68,432)}I MEAN...
Dialogue: 0,1:04:44.30,1:04:48.30,Default,,0,0,0,,{\an1\pos(68,432)}THAT FOR ME TOO\NIT'S CARNIVAL, MARIA.
Dialogue: 0,1:04:48.30,1:04:51.30,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}GILDA.
Dialogue: 0,1:04:52.81,1:04:54.32,Default,,0,0,0,,{\an1\pos(68,384)}YES, BALLIN ?\NMAY I COME IN ?
Dialogue: 0,1:04:54.81,1:04:56.81,Default,,0,0,0,,{\an1\pos(68,432)}OF COURSE.
Dialogue: 0,1:04:59.81,1:05:03.31,Default,,0,0,0,,{\an1\pos(68,432)}I'M GOING TO BE DELAYED.\NJOHNNY WILL TAKE YOU\NTO THE PARTY.
Dialogue: 0,1:05:06.82,1:05:09.32,Default,,0,0,0,,{\an1\pos(68,408)}{\i1}WHAT'S THE MATTER ?\N\h\h\h\h\h\h\h\h\h\h\h\hWITH ME ?
Dialogue: 0,1:05:09.32,1:05:13.32,Default,,0,0,0,,{\an1\pos(140,432)}YOU'RE VERY EXCITED\NABOUT SOMETHING TONIGHT,\NMY BEAUTIFUL.
Dialogue: 0,1:05:13.83,1:05:15.84,Default,,0,0,0,,{\an1\pos(140,432)}PERHAPS IT'S IN THE AIR.
Dialogue: 0,1:05:15.83,1:05:18.83,Default,,0,0,0,,{\an1\pos(140,432)}PERHAPS YOU SHOULDN'T HAVE\NOPENED THE WINDOW.
Dialogue: 0,1:05:18.83,1:05:20.83,Default,,0,0,0,,{\an1\pos(284,432)}CLOSE IT.
Dialogue: 0,1:05:35.85,1:05:39.85,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THERE.\NSEE HOW QUIET IT IS NOW ?
Dialogue: 0,1:05:39.85,1:05:43.35,Default,,0,0,0,,{\an1\pos(140,432)}SEE HOW EASILY ONE\NCAN SHUT AWAY EXCITEMENT ?
Dialogue: 0,1:05:43.36,1:05:45.37,Default,,0,0,0,,{\an1\pos(140,432)}JUST BY CLOSING A WINDOW.
Dialogue: 0,1:05:46.36,1:05:48.36,Default,,0,0,0,,{\an1\pos(68,432)}REMEMBER THAT, GILDA.
Dialogue: 0,1:05:48.36,1:05:50.36,Default,,0,0,0,,{\an1\pos(68,432)}OH, I WANT TO HAVE\NA LOOK AT YOU...
Dialogue: 0,1:05:50.36,1:05:52.36,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}IN YOUR COSTUME\NBEFORE YOU GO.
Dialogue: 0,1:05:52.36,1:05:54.87,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I SEE YOU'RE GOING\NTO CARRY A WHIP.
Dialogue: 0,1:05:54.87,1:05:58.87,Default,,0,0,0,,{\an1\pos(140,432)}HAVE YOU WARNED JOHNNY,\NSO HE CAN ALSO ARM HIMSELF ?
Dialogue: 0,1:06:23.40,1:06:25.91,Default,,0,0,0,,{\an1\pos(68,432)}NOBODY COULD EVER\NDANCE LIKE YOU, JOHNNY.
Dialogue: 0,1:06:28.40,1:06:30.90,Default,,0,0,0,,{\an1\pos(140,432)}WHEN A PERSON\NDANCES WITH YOU,
Dialogue: 0,1:06:30.90,1:06:33.40,Default,,0,0,0,,{\an1\pos(68,432)}IT'S LIKE THEY'RE\NA PART OF YOU, JOHNNY.
Dialogue: 0,1:06:33.41,1:06:35.92,Default,,0,0,0,,{\an1\pos(68,408)}IT'S LIKE--\N\h\h\h\hYOU HAVEN'T IMPROVED ANY,\N\h\h\h\hHAVE YOU ?
Dialogue: 0,1:06:35.91,1:06:38.91,Default,,0,0,0,,{\an1\pos(68,432)}YOU ALWAYS DID\NTALK YOUR HEAD OFF\NALL THE TIME YOU WERE DANCING.
Dialogue: 0,1:06:40.41,1:06:44.42,Default,,0,0,0,,{\an1\pos(68,432)}YOU USED TO SAY,\N"FOR PETE'S SAKE, GILDA.\N\hONE THING AT A TIME."
Dialogue: 0,1:06:44.42,1:06:47.92,Default,,0,0,0,,{\an1\pos(68,432)}THEN YOU USED TO SAY,\N"TALK OR DANCE,
Dialogue: 0,1:06:47.92,1:06:50.42,Default,,0,0,0,,{\an1\pos(68,432)}BUT DON'T DO BOTH THINGS\NAT THE SAME TIME."
Dialogue: 0,1:06:51.42,1:06:53.42,Default,,0,0,0,,{\an1\pos(68,384)}YOU USED TO SAY--\N\h\h\h\h\h\h\h\hI STILL SAY IT.
Dialogue: 0,1:06:58.43,1:07:00.93,Default,,0,0,0,,{\an1\pos(140,432)}I HAVE TO KEEP\NTALKING, JOHNNY.
Dialogue: 0,1:07:00.93,1:07:05.44,Default,,0,0,0,,{\an1\pos(68,432)}AS LONG AS I HAVE\NMY ARMS AROUND YOU\NI HAVE TO KEEP TALKING, OR...
Dialogue: 0,1:07:05.44,1:07:07.44,Default,,0,0,0,,{\an1\pos(68,432)}I MIGHT FORGET\NTO DANCE, JOHNNY.
Dialogue: 0,1:07:07.44,1:07:09.94,Default,,0,0,0,,{\an1\pos(212,432)}WHAT DO YOU THINK\NYOU'RE TRYING TO DO ?
Dialogue: 0,1:07:11.44,1:07:15.45,Default,,0,0,0,,{\an1\pos(68,432)}I'M NOT EVEN TRYING\NVERY HARD, BUT...
Dialogue: 0,1:07:15.45,1:07:17.45,Default,,0,0,0,,{\an1\pos(68,432)}I'M DOING IT.
Dialogue: 0,1:07:17.45,1:07:19.45,Default,,0,0,0,,{\an1\pos(356,432)}DOING WHAT ?
Dialogue: 0,1:07:22.45,1:07:25.46,Default,,0,0,0,,{\an1\pos(68,384)}PUSH MY HAT BACK, JOHNNY.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hIT'S ALL RIGHT.
Dialogue: 0,1:07:26.96,1:07:28.96,Default,,0,0,0,,{\an1\pos(68,432)}PUSH IT BACK.
Dialogue: 0,1:07:40.97,1:07:44.48,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE OUT OF PRACTICE,\NAREN'T YOU ?\NDANCING, I MEAN.
Dialogue: 0,1:07:47.98,1:07:51.48,Default,,0,0,0,,{\an1\pos(68,432)}I COULD HELP YOU\NGET IN PRACTICE AGAIN, JOHNNY.
Dialogue: 0,1:07:51.98,1:07:54.49,Default,,0,0,0,,{\an1\pos(68,432)}DANCING, I MEAN.
Dialogue: 0,1:07:54.49,1:07:56.49,Default,,0,0,0,,{\an1\pos(356,432)}SORRY.
Dialogue: 0,1:08:11.50,1:08:13.50,Default,,0,0,0,,{\an1\pos(356,432)}GOOD EVENING,\NMR. FARRELL.
Dialogue: 0,1:08:13.51,1:08:16.02,Default,,0,0,0,,{\an1\pos(140,384)}THANK YOU.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOBREGON.
Dialogue: 0,1:08:16.51,1:08:19.01,Default,,0,0,0,,{\an1\pos(68,408)}I'M IN AGAIN,\NAS YOU PUT IT.\N\h\h\h\h\h\h\h\h\h\h\h\hOH, YEAH.
Dialogue: 0,1:08:19.01,1:08:21.51,Default,,0,0,0,,{\an1\pos(140,432)}PRACTICALLY OLD HOME WEEK.\NWE'RE ALL HERE.
Dialogue: 0,1:08:21.51,1:08:23.51,Default,,0,0,0,,{\an1\pos(68,432)}YES, WE ARE ALL HERE,\NMR. FARRELL.
Dialogue: 0,1:08:23.52,1:08:26.03,Default,,0,0,0,,{\an1\pos(68,432)}I WOULD SUGGEST THAT YOU SEE\NTHAT MRS. MUNDSON GOES HOME.
Dialogue: 0,1:08:26.02,1:08:29.02,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hYOU WOULD SUGGEST ?\NTHERE'S GONNA BE TROUBLE.
Dialogue: 0,1:08:29.02,1:08:33.52,Default,,0,0,0,,{\an1\pos(68,432)}I WOULD SUGGEST THAT YOU\NSEE THAT SHE'S OUT OF HERE\NBEFORE THE UNMASKING AT 12:00.
Dialogue: 0,1:08:33.53,1:08:37.54,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\hYOU KNOW, YOU SOUND LIKE\N\h\h\h\h\h\h\h\hA VERY BAD MELODRAMA.\NEXCUSE ME.
Dialogue: 0,1:08:40.03,1:08:42.53,Default,,0,0,0,,{\an1\pos(68,432)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT ARE YOU\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTRYING TO DO ?\NOH, JOHNNY.
Dialogue: 0,1:08:42.53,1:08:46.04,Default,,0,0,0,,{\an1\pos(68,432)}AND HERE'S THE COMEDY RELIEF.\NNOW THE DRAMA IS COMPLETE.
Dialogue: 0,1:08:46.54,1:08:48.54,Default,,0,0,0,,{\an1\pos(68,384)}IS THAT A CRACK ?\N\h\h\h\h\h\h\h\h\h\h\h\hWHAT DO YOU WANT ?
Dialogue: 0,1:08:48.54,1:08:50.54,Default,,0,0,0,,{\an1\pos(68,432)}I GOT A LETTER FOR YOU.
Dialogue: 0,1:08:50.54,1:08:54.04,Default,,0,0,0,,{\an1\pos(68,432)}SHE SAID SHE WAS SORRY\NSHE DIDN'T GET\NTO SAY GOOD-BYE.
Dialogue: 0,1:09:00.05,1:09:02.55,Default,,0,0,0,,{\an1\pos(158,432)}{\i1}NO BAD NEWS, I HOPE.
Dialogue: 0,1:09:04.56,1:09:06.56,Default,,0,0,0,,{\an1\pos(68,384)}JOHNNY, SHE LEFT--\N\h\h\h\h\h\h\h\h\h\h\h\hWHAT'S THAT TO YOU ?
Dialogue: 0,1:09:06.56,1:09:08.56,Default,,0,0,0,,{\an1\pos(68,432)}NOTHING, BELIEVE ME.
Dialogue: 0,1:09:08.56,1:09:11.56,Default,,0,0,0,,{\an1\pos(68,432)}BUT YOU SURE ACT SORE ABOUT IT.\NYOU'D THINK THAT--
Dialogue: 0,1:09:11.56,1:09:14.06,Default,,0,0,0,,{\an1\pos(68,432)}GET BACK ON THE DOOR,\NAND FROM NOW ON, CHECK\NEVERYBODY THAT COMES IN HERE.
Dialogue: 0,1:09:14.57,1:09:16.07,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGET THAT ?\NOKAY, OKAY.
Dialogue: 0,1:09:16.57,1:09:18.57,Default,,0,0,0,,{\an1\pos(68,432)}BUT SHE DIDN'T COME IN.\NSHE WENT OUT.
Dialogue: 0,1:09:22.07,1:09:24.07,Default,,0,0,0,,{\an1\pos(68,432)}LOSE SOMETHING,\NMR. FARRELL?
Dialogue: 0,1:09:34.59,1:09:36.59,Default,,0,0,0,,{\an1\pos(284,432)}HELLO, BALLIN.\NI DIDN'T EVEN KNOW\NYOU'D ARRIVED.
Dialogue: 0,1:09:36.59,1:09:40.09,Default,,0,0,0,,{\an1\pos(68,384)}BUT OBVIOUSLY I DID ARRIVE.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOBVIOUSLY.
Dialogue: 0,1:09:40.09,1:09:42.09,Default,,0,0,0,,{\an1\pos(68,432)}WHERE'S GILDA, JOHNNY ?
Dialogue: 0,1:09:42.09,1:09:45.10,Default,,0,0,0,,{\an1\pos(212,432)}SHE'S AROUND SOMEWHERE.\NIT'S HARD TO KEEP TRACK\NOF ANYONE IN THIS MOB.
Dialogue: 0,1:09:45.10,1:09:47.10,Default,,0,0,0,,{\an1\pos(68,432)}FIND HER FOR ME, JOHNNY.
Dialogue: 0,1:09:49.10,1:09:52.60,Default,,0,0,0,,{\an1\pos(140,432)}SURE. I WON'T GUARANTEE\NHOW LONG IT'S GONNA TAKE.
Dialogue: 0,1:09:52.60,1:09:54.61,Default,,0,0,0,,{\an1\pos(68,432)}I'LL WAIT.
Dialogue: 0,1:09:54.61,1:09:56.61,Default,,0,0,0,,{\an1\pos(68,432)}I'M A GREAT ONE\NFOR WAITING, JOHNNY.
Dialogue: 0,1:10:46.16,1:10:49.66,Default,,0,0,0,,{\an1\pos(140,432)}TAKE YOUR MASK OFF.\NIT'S TIME TO UNMASK.
Dialogue: 0,1:11:34.71,1:11:37.21,Default,,0,0,0,,{\an1\pos(68,432)}IT MIGHT BE A GOOD IDEA\NFOR US TO GO HOME, BALLIN.
Dialogue: 0,1:11:37.21,1:11:40.21,Default,,0,0,0,,{\an1\pos(284,432)}WHY ? BECAUSE A MAN\NDRANK TOO MUCH ?
Dialogue: 0,1:11:40.21,1:11:43.71,Default,,0,0,0,,{\an1\pos(68,432)}IT WAS ONE OF\NTHE MESSENGER BOYS, AND HE\NDIDN'T DRINK TOO MUCH, BALLIN.
Dialogue: 0,1:11:43.72,1:11:45.73,Default,,0,0,0,,{\an1\pos(68,432)}HE WAS MURDERED.
Dialogue: 0,1:11:45.72,1:11:48.22,Default,,0,0,0,,{\an1\pos(212,432)}GOOD.\NSAVES US THE TROUBLE.
Dialogue: 0,1:11:48.22,1:11:50.72,Default,,0,0,0,,{\an1\pos(68,432)}DID YOU KEEP YOUR\NAPPOINTMENT WITH THEM ?
Dialogue: 0,1:11:50.72,1:11:52.72,Default,,0,0,0,,{\an1\pos(284,432)}NO, I--\NI MISSED THEM.
Dialogue: 0,1:11:52.72,1:11:55.23,Default,,0,0,0,,{\an1\pos(284,432)}DID YOU FIND GILDA ?
Dialogue: 0,1:11:55.23,1:11:59.23,Default,,0,0,0,,{\an1\pos(68,408)}NO.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hFIND HER.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTAKE HER HOME.
Dialogue: 0,1:11:59.23,1:12:01.73,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\hNO, I'LL STICK WITH YOU.\NNO.
Dialogue: 0,1:12:01.73,1:12:03.73,Default,,0,0,0,,{\an1\pos(68,432)}THERE'S AN OLD RULE\NIN CHEMIN DE FER.
Dialogue: 0,1:12:03.74,1:12:07.25,Default,,0,0,0,,{\an1\pos(68,432)}YOU PLAY FOR THE FULL STAKE,\NOR YOU PASS THE SHOE.
Dialogue: 0,1:12:07.24,1:12:10.24,Default,,0,0,0,,{\an1\pos(68,432)}YOU CAN'T RULE THE WORLD\NBY PASSING THE SHOE, JOHNNY.
Dialogue: 0,1:12:10.24,1:12:12.24,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hI STILL THINK\N\h\h\h\h\h\h\h\h\h\h\h\hWE OUGHTA GO HOME.\NDO AS I TELL YOU.
Dialogue: 0,1:12:12.74,1:12:17.25,Default,,0,0,0,,{\an1\pos(68,432)}TAKE GILDA HOME. I TOLD YOU,\NI EXPECT MY LITTLE FRIENDS\NTO BE OBEDIENT, JOHNNY.
Dialogue: 0,1:12:17.25,1:12:19.75,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\hSPEAKING OF LITTLE FRIENDS--\NDON'T.
Dialogue: 0,1:12:21.25,1:12:23.25,Default,,0,0,0,,{\an1\pos(68,432)}WAIT FOR ME AT HOME, JOHNNY.
Dialogue: 0,1:12:23.26,1:12:25.77,Default,,0,0,0,,{\an1\pos(68,432)}I MAY NEED BOTH\NOF MY LITTLE FRIENDS TONIGHT.
Dialogue: 0,1:12:27.76,1:12:30.26,Default,,0,0,0,,{\an1\pos(356,432)}OKAY, BALLIN.
Dialogue: 0,1:12:42.77,1:12:44.78,Default,,0,0,0,,{\an1\pos(68,432)}THIS IS MR. MUNDSON SPEAKING.
Dialogue: 0,1:12:44.78,1:12:48.28,Default,,0,0,0,,{\an1\pos(140,432)}CALL THE FLYING FIELD.\NTELL THEM TO PROCEED\NAS INSTRUCTED.
Dialogue: 0,1:12:48.28,1:12:51.78,Default,,0,0,0,,{\an1\pos(140,432)}IS THAT CLEAR ?\NPROCEED AS INSTRUCTED.
Dialogue: 0,1:13:55.85,1:13:58.85,Default,,0,0,0,,{\an1\pos(68,432)}BALLIN WAS WRONG,\NWASN'T HE ?
Dialogue: 0,1:13:58.85,1:14:01.35,Default,,0,0,0,,{\an1\pos(428,432)}ABOUT WHAT ?
Dialogue: 0,1:14:01.35,1:14:05.36,Default,,0,0,0,,{\an1\pos(68,432)}HE SAID YOU CAN\NSHUT OUT EXCITEMENT\NBY JUST CLOSING A DOOR.
Dialogue: 0,1:14:15.87,1:14:17.87,Default,,0,0,0,,{\an1\pos(68,432)}YOU CAN'T, CAN YOU ?
Dialogue: 0,1:14:20.37,1:14:23.37,Default,,0,0,0,,{\an1\pos(212,432)}I DON'T KNOW WHAT\NYOU'RE TALKING ABOUT.
Dialogue: 0,1:14:23.38,1:14:26.89,Default,,0,0,0,,{\an1\pos(68,432)}I WAS JUST MENTIONING\NHOW...
Dialogue: 0,1:14:26.88,1:14:29.38,Default,,0,0,0,,{\an1\pos(68,432)}QUIET IT WAS IN THE HOUSE.
Dialogue: 0,1:14:30.88,1:14:33.38,Default,,0,0,0,,{\an1\pos(68,432)}THERE ISN'T ANYBODY HERE\NBUT US, YOU KNOW.
Dialogue: 0,1:14:34.39,1:14:36.90,Default,,0,0,0,,{\an1\pos(68,432)}EVERYBODY'S\NCELEBRATING CARNIVAL.
Dialogue: 0,1:14:38.39,1:14:40.39,Default,,0,0,0,,{\an1\pos(356,432)}WHAT ABOUT IT ?
Dialogue: 0,1:14:42.39,1:14:44.39,Default,,0,0,0,,{\an1\pos(68,432)}I WAS JUST MENTIONING IT.
Dialogue: 0,1:14:48.40,1:14:50.40,Default,,0,0,0,,{\an1\pos(68,432)}GOOD NIGHT, JOHNNY.
Dialogue: 0,1:15:07.92,1:15:10.42,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I COULDN'T GET IT\NOUT OF MY HEAD,
Dialogue: 0,1:15:10.42,1:15:13.92,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WHAT SHE SAID ABOUT\NNOBODY BEING IN THE HOUSE\NBUT US.
Dialogue: 0,1:15:19.43,1:15:22.93,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I THOUGHT OF BALLIN\NBACK IN THE CASINO,\NFIGHTING FOR HIS LIFE,
Dialogue: 0,1:15:23.44,1:15:24.95,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND THIS LITTLE--
Dialogue: 0,1:15:27.94,1:15:31.44,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I KNEW THAT ALL HIS PLANS,\NALL HIS DREAMS OF GREATNESS...
Dialogue: 0,1:15:31.44,1:15:34.95,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WOULD BE WRECKED BECAUSE\NOF WHAT SHE WAS DOING TO HIM.
Dialogue: 0,1:15:34.95,1:15:37.45,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I KNEW HE WASN'T STRONG ENOUGH\NTO THROW HER OUT.
Dialogue: 0,1:15:37.45,1:15:41.45,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I KNEW IT WAS UP TO ME.\NI HAD TO GET\NRID OF HER FOR HIM.
Dialogue: 0,1:15:42.95,1:15:44.96,Default,,0,0,0,,{\an1\pos(68,432)}GILDA.
Dialogue: 0,1:16:02.97,1:16:05.48,Default,,0,0,0,,{\an1\pos(68,432)}GET YOUR CLOTHES ON.\NYOU'RE GETTING OUT OF HERE.
Dialogue: 0,1:16:08.48,1:16:10.48,Default,,0,0,0,,{\an1\pos(356,432)}ARE WE, JOHNNY ?
Dialogue: 0,1:16:11.48,1:16:13.98,Default,,0,0,0,,{\an1\pos(428,432)}ARE WE ?
Dialogue: 0,1:16:14.49,1:16:17.50,Default,,0,0,0,,{\an1\pos(140,432)}NOT "WE."\NYOU !
Dialogue: 0,1:16:21.99,1:16:25.00,Default,,0,0,0,,{\an1\pos(284,432)}YOU DO HATE ME,\NDON'T YOU, JOHNNY ?
Dialogue: 0,1:16:25.00,1:16:28.00,Default,,0,0,0,,{\an1\pos(68,432)}I DON'T THINK YOU HAVE\NANY IDEA HOW MUCH.
Dialogue: 0,1:16:32.00,1:16:34.50,Default,,0,0,0,,{\an1\pos(284,432)}HATE IS A VERY\NEXCITING EMOTION.
Dialogue: 0,1:16:36.51,1:16:38.51,Default,,0,0,0,,{\an1\pos(212,432)}HAVEN'T YOU NOTICED ?
Dialogue: 0,1:16:39.51,1:16:41.51,Default,,0,0,0,,{\an1\pos(356,432)}VERY EXCITING.
Dialogue: 0,1:16:46.02,1:16:48.02,Default,,0,0,0,,{\an1\pos(212,432)}I HATE YOU TOO, JOHNNY.
Dialogue: 0,1:16:50.52,1:16:53.52,Default,,0,0,0,,{\an1\pos(140,432)}I HATE YOU SO MUCH THAT...
Dialogue: 0,1:16:53.53,1:16:56.54,Default,,0,0,0,,{\an1\pos(284,432)}I THINK I'M GOING\NTO DIE FROM IT.
Dialogue: 0,1:16:58.03,1:17:00.03,Default,,0,0,0,,{\an1\pos(68,432)}DARLING.
Dialogue: 0,1:17:07.04,1:17:09.04,Default,,0,0,0,,{\an1\pos(284,432)}I THINK I'M GOING\NTO DIE FROM IT.
Dialogue: 0,1:17:15.55,1:17:18.55,Default,,0,0,0,,{\an1\pos(284,432)}YOU LEFT IT OPEN\NWHEN YOU CAME IN.
Dialogue: 0,1:17:31.56,1:17:33.56,Default,,0,0,0,,{\an1\pos(284,432)}BALLIN !
Dialogue: 0,1:18:42.13,1:18:45.14,Default,,0,0,0,,{\an1\pos(284,432)}AFRICA'S MORE THAN\N2,000 MILES AWAY.
Dialogue: 0,1:18:45.14,1:18:48.14,Default,,0,0,0,,{\an1\pos(356,432)}I DON'T THINK\NHE'LL MAKE IT.
Dialogue: 0,1:18:48.14,1:18:50.64,Default,,0,0,0,,{\an1\pos(68,432)}I DON'T THINK\NHE INTENDS TO TRY.
Dialogue: 0,1:19:44.70,1:19:47.21,Default,,0,0,0,,{\an1\pos(68,384)}YOU MANAGED IT.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNATURALLY.
Dialogue: 0,1:19:47.20,1:19:50.20,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\hTHE SEAPLANE IS WAITING ?\NYES, SIR.
Dialogue: 0,1:19:50.20,1:19:52.20,Default,,0,0,0,,{\an1\pos(68,432)}YOU RUN INTO\NSOME TROUBLE, BOSS ?
Dialogue: 0,1:19:52.20,1:19:54.20,Default,,0,0,0,,{\an1\pos(212,432)}AN UNFORTUNATE MURDER.
Dialogue: 0,1:19:54.21,1:19:57.72,Default,,0,0,0,,{\an1\pos(212,432)}THE DETECTIVE, OBREGON,\NKNOWS THAT I DID IT.
Dialogue: 0,1:19:57.71,1:20:01.21,Default,,0,0,0,,{\an1\pos(212,432)}I'LL STAY AWAY\NAS LONG AS NECESSARY,\NAND THEN I'LL GO BACK...
Dialogue: 0,1:20:02.21,1:20:04.21,Default,,0,0,0,,{\an1\pos(212,432)}AND ATTEND TO SOMETHING.
Dialogue: 0,1:20:05.82,1:20:07.72,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}IN THE WILL WE FOUND,
Dialogue: 0,1:20:07.72,1:20:10.22,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BALLIN HAD LEFT\NEVERYTHING TO GILDA...
Dialogue: 0,1:20:10.22,1:20:12.72,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WITH ME AS SOLE EXECUTOR.
Dialogue: 0,1:20:14.23,1:20:16.74,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I FINALLY HAD THEM\NIN MY HANDS,
Dialogue: 0,1:20:16.73,1:20:21.23,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THE LITTLE PIECES OF PAPER\NTHAT BALLIN SAID WOULD\NLET A MAN RULE THE WORLD.
Dialogue: 0,1:20:21.23,1:20:24.73,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AT FIRST I WAS PUZZLED,\NBECAUSE IT DIDN'T SEEM\NLIKE MUCH.
Dialogue: 0,1:20:24.74,1:20:27.25,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}A TUNGSTEN MINE,\N\hA FEW PATENTS,
Dialogue: 0,1:20:27.24,1:20:31.74,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}A DOZEN OR SO SMALL\NCORPORATIONS JOINED TOGETHER\NTO FORM ONE ORGANIZATION...
Dialogue: 0,1:20:31.74,1:20:33.74,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WITH MUNDSON AT THE HEAD.
Dialogue: 0,1:20:33.75,1:20:37.26,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT THEN I SAW THE POTENTIAL\NPOWER OF SUCH A GROUP,
Dialogue: 0,1:20:37.25,1:20:39.75,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SAW HOW IT COULD\NGROW AND SPREAD...
Dialogue: 0,1:20:39.75,1:20:42.25,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND GOBBLE UP ANYONE WHO\NDARED STAND ALONE AGAINST IT.
Dialogue: 0,1:20:42.25,1:20:47.26,Default,,0,0,0,,{\an1\pos(68,432)}YOU HAVE ALL COME A LONG WAY\NTO FIND OUT WHAT IS GONNA\NHAPPEN TO YOUR ASSOCIATION.
Dialogue: 0,1:20:47.26,1:20:49.26,Default,,0,0,0,,{\an1\pos(212,432)}I'VE TOLD YOU.
Dialogue: 0,1:20:49.26,1:20:53.26,Default,,0,0,0,,{\an1\pos(68,432)}NOW YOU CAN RETURN,\NHAVING FOUND OUT THAT\NNOTHING HAS CHANGED. NOTHING.
Dialogue: 0,1:20:53.26,1:20:56.27,Default,,0,0,0,,{\an1\pos(68,432)}I'LL CARRY ON WHERE\NMR. MUNDSON LEFT OFF.
Dialogue: 0,1:20:59.77,1:21:02.27,Default,,0,0,0,,{\an1\pos(68,432)}- ANYTHING ELSE, GENTLEMEN ?\N- JUST ONE THING.
Dialogue: 0,1:21:02.27,1:21:05.78,Default,,0,0,0,,{\an1\pos(68,432)}IT SEEMS TO ME THAT\NNO ONE MAN SHOULD BE AT\NTHE HEAD OF OUR ORGANIZATION.
Dialogue: 0,1:21:05.78,1:21:08.28,Default,,0,0,0,,{\an1\pos(68,432)}- I THINK IT WOULD BE BETTER--\N- YOU HEARD THE WILL.
Dialogue: 0,1:21:08.28,1:21:11.78,Default,,0,0,0,,{\an1\pos(68,432)}I'M THE SOLE EXECUTOR.\NIT'S GONNA BE BUSINESS AS USUAL.
Dialogue: 0,1:21:11.78,1:21:13.78,Default,,0,0,0,,{\an1\pos(212,432)}BUT MRS. MUNDSON\NIS THE SOLE LEGATEE.
Dialogue: 0,1:21:14.29,1:21:17.80,Default,,0,0,0,,{\an1\pos(68,432)}MRS. MUNDSON IS IN NO CONDITION\NRIGHT NOW TO SEE ANYONE.
Dialogue: 0,1:21:17.79,1:21:20.29,Default,,0,0,0,,{\an1\pos(140,432)}HER HUSBAND'S DEATH\NHAS HIT HER VERY HARD.
Dialogue: 0,1:21:20.29,1:21:22.29,Default,,0,0,0,,{\an1\pos(68,432)}SHE'S ASKED ME TO REPRESENT HER\NWITH THE STOCKHOLDERS.
Dialogue: 0,1:21:22.29,1:21:25.30,Default,,0,0,0,,{\an1\pos(212,432)}HOWEVER, WE NEED BE\NIN NO HURRY TO LEAVE.
Dialogue: 0,1:21:25.30,1:21:27.30,Default,,0,0,0,,{\an1\pos(212,432)}THERE'S A CHANCE\NTHAT SHE MAY RECOVER.
Dialogue: 0,1:21:27.30,1:21:29.30,Default,,0,0,0,,{\an1\pos(68,432)}NOT A CHANCE IN THE WORLD.
Dialogue: 0,1:21:29.30,1:21:32.30,Default,,0,0,0,,{\an1\pos(68,432)}YOU SEE, MRS. MUNDSON\NIS MARRYING ME THIS AFTERNOON.
Dialogue: 0,1:22:04.84,1:22:08.35,Default,,0,0,0,,{\an1\pos(140,432)}LOOK, JOHNNY.\NIT'S STOPPED RAINING.\NMAYBE THAT MEANS SOMETHING.
Dialogue: 0,1:22:08.34,1:22:10.84,Default,,0,0,0,,{\an1\pos(68,408)}YOU HAVEN'T GOTTEN\NOVER IT, HAVE YOU ?\N\h\h\h\h\h\h\h\h\h\h\h\hGOTTEN OVER WHAT ?
Dialogue: 0,1:22:10.84,1:22:13.84,Default,,0,0,0,,{\an1\pos(68,432)}BEING SUPERSTITIOUS.\NCOME ON.
Dialogue: 0,1:22:13.85,1:22:16.36,Default,,0,0,0,,{\an1\pos(212,432)}WHERE, JOHNNY ?\NNOT BACK TO THE HOUSE.
Dialogue: 0,1:22:16.35,1:22:19.35,Default,,0,0,0,,{\an1\pos(68,432)}WHAT KIND OF A GUY\NDO YOU THINK I AM ?
Dialogue: 0,1:22:19.35,1:22:22.35,Default,,0,0,0,,{\an1\pos(212,432)}I DON'T THINK ANYBODY\NREALLY KNOWS THAT\NBUT ME, JOHNNY.
Dialogue: 0,1:22:22.35,1:22:24.35,Default,,0,0,0,,{\an1\pos(356,432)}NOT EVEN YOU.
Dialogue: 0,1:22:53.38,1:22:55.39,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}ALL OF MY CLOTHES\NARE HERE.
Dialogue: 0,1:22:59.39,1:23:01.39,Default,,0,0,0,,{\an1\pos(68,432)}EVEN MY PERFUME.
Dialogue: 0,1:23:02.89,1:23:06.40,Default,,0,0,0,,{\an1\pos(68,408)}YOU THINK OF EVERYTHING,\NDON'T YOU, JOHNNY ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hEVERYTHING.
Dialogue: 0,1:23:06.40,1:23:09.90,Default,,0,0,0,,{\an1\pos(68,432)}WE'RE RIGHT BACK\NWHERE WE STARTED,\NAREN'T WE, DARLING ?
Dialogue: 0,1:23:11.40,1:23:13.40,Default,,0,0,0,,{\an1\pos(68,432)}RIGHT BACK WHERE--
Dialogue: 0,1:23:17.41,1:23:19.41,Default,,0,0,0,,{\an1\pos(284,432)}RIGHT BACK\NWHERE WE STARTED.
Dialogue: 0,1:23:22.41,1:23:26.92,Default,,0,0,0,,{\an1\pos(68,432)}JOHNNY. JOHNNY,\NTHAT ISN'T EVEN DECENT.
Dialogue: 0,1:23:26.92,1:23:28.92,Default,,0,0,0,,{\an1\pos(284,432)}WHAT WAS THAT\NWORD AGAIN, GILDA ?
Dialogue: 0,1:23:30.92,1:23:32.92,Default,,0,0,0,,{\an1\pos(212,432)}DECENT.
Dialogue: 0,1:23:34.43,1:23:36.44,Default,,0,0,0,,{\an1\pos(68,432)}I SAID, DECENT.
Dialogue: 0,1:23:36.43,1:23:38.93,Default,,0,0,0,,{\an1\pos(212,432)}THAT'S WHAT I THOUGHT\NYOU SAID.
Dialogue: 0,1:23:38.93,1:23:41.43,Default,,0,0,0,,{\an1\pos(140,432)}THAT SOUNDED FUNNY\NCOMING OUT OF YOU, GILDA.
Dialogue: 0,1:23:45.44,1:23:48.44,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE DIDN'T KNOW THEN\NWHAT WAS HAPPENING TO HER.
Dialogue: 0,1:23:48.44,1:23:50.94,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE DIDN'T KNOW THEN\NTHAT WHAT SHE HEARD...
Dialogue: 0,1:23:50.94,1:23:53.44,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WAS THE DOOR CLOSING\NON HER OWN CAGE.
Dialogue: 0,1:23:53.44,1:23:55.95,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE HADN'T BEEN FAITHFUL TO HIM\NWHEN HE WAS ALIVE,
Dialogue: 0,1:23:55.95,1:23:58.95,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT SHE WAS GONNA\NBE FAITHFUL TO HIM\NNOW THAT HE WAS DEAD.
Dialogue: 0,1:24:01.45,1:24:04.95,Default,,0,0,0,,{\an1\pos(140,432)}HEY.\NWHAT ARE YOU DOING,\NCOMING TO WORK TONIGHT ?
Dialogue: 0,1:24:04.96,1:24:07.47,Default,,0,0,0,,{\an1\pos(284,432)}I BELIEVE IN\NMY DUTY TO MY JOB\NAND ALL THAT--
Dialogue: 0,1:24:07.46,1:24:11.46,Default,,0,0,0,,{\an1\pos(68,432)}GOOD, BECAUSE\NYOU GOT ONE, A NEW ONE.
Dialogue: 0,1:24:11.46,1:24:13.96,Default,,0,0,0,,{\an1\pos(68,432)}FROM NOW ON,\NYOU'RE TO STICK\NWITH MRS. MUNDSON.
Dialogue: 0,1:24:14.47,1:24:17.98,Default,,0,0,0,,{\an1\pos(68,432)}MRS.-- MRS. FARRELL.
Dialogue: 0,1:24:17.97,1:24:19.97,Default,,0,0,0,,{\an1\pos(68,432)}WHATEVER SHE DOES,\NWHEREVER SHE GOES,\NYOU'RE TO BE THERE.
Dialogue: 0,1:24:19.97,1:24:23.97,Default,,0,0,0,,{\an1\pos(68,432)}SHE'S NOT TO TALK TO ANYONE,\NAND NO ONE'S TO TALK TO HER.\NGET THAT ?
Dialogue: 0,1:24:23.98,1:24:26.49,Default,,0,0,0,,{\an1\pos(284,432)}GEE, JOHNNY.\NIS SHE IN DANGER\NOR SOMETHING ?
Dialogue: 0,1:24:26.48,1:24:29.48,Default,,0,0,0,,{\an1\pos(68,432)}YOU WILL BE, I GUARANTEE,\NIF YOU DON'T DO\NEXACTLY AS I TOLD YOU.
Dialogue: 0,1:24:29.48,1:24:31.48,Default,,0,0,0,,{\an1\pos(356,432)}OH, SURE, SURE.
Dialogue: 0,1:24:43.49,1:24:46.00,Default,,0,0,0,,{\an1\pos(68,432)}YOU WERE INTERESTINGLY QUIET\NTHIS AFTERNOON.
Dialogue: 0,1:24:46.50,1:24:49.50,Default,,0,0,0,,{\an1\pos(284,432)}WHAT I HAVE TO SAY,\NI HAVE TO SAY TO YOU\NAND NOT THE OTHERS.
Dialogue: 0,1:24:49.50,1:24:52.00,Default,,0,0,0,,{\an1\pos(68,432)}I'M FLATTERED.
Dialogue: 0,1:24:52.00,1:24:55.00,Default,,0,0,0,,{\an1\pos(212,432)}WOULD YOU LIKE TO KNOW\NHOW MUNDSON CAME TO BE\NTHE HEAD OF THE CARTEL ?
Dialogue: 0,1:24:55.01,1:24:57.02,Default,,0,0,0,,{\an1\pos(140,432)}NO.
Dialogue: 0,1:24:57.01,1:24:59.01,Default,,0,0,0,,{\an1\pos(68,432)}YOU'VE SEEN THAT THE PATENTS\NARE GERMAN, HAVEN'T YOU ?
Dialogue: 0,1:24:59.01,1:25:01.51,Default,,0,0,0,,{\an1\pos(68,384)}THEY WERE ORIGINALLY.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hEXACTLY.
Dialogue: 0,1:25:02.01,1:25:05.01,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hTHEY BELONG\N\h\h\h\h\h\h\h\h\h\h\h\hTO MY PRINCIPALS.\NNOT ANYMORE.
Dialogue: 0,1:25:07.02,1:25:10.02,Default,,0,0,0,,{\an1\pos(212,432)}THREE YEARS AGO,\NWHEN IT BEGAN TO SEEM...
Dialogue: 0,1:25:10.02,1:25:14.02,Default,,0,0,0,,{\an1\pos(140,432)}THAT ARGENTINA MIGHT\NFIND IT NECESSARY\NTO DECLARE WAR AGAINST US,
Dialogue: 0,1:25:14.03,1:25:16.54,Default,,0,0,0,,{\an1\pos(212,432)}WE MADE AN ARRANGEMENT\NWITH MUNDSON.
Dialogue: 0,1:25:16.53,1:25:18.53,Default,,0,0,0,,{\an1\pos(284,432)}WE ALLOWED HIM\NTO BUY OUR PATENTS.
Dialogue: 0,1:25:18.53,1:25:21.03,Default,,0,0,0,,{\an1\pos(68,432)}GOOD IDEA.\NTHE CASINO MAKES A NICE FRONT.
Dialogue: 0,1:25:21.03,1:25:23.53,Default,,0,0,0,,{\an1\pos(68,432)}WE EVEN ADVANCED HIM THE MONEY\NWITH WHICH TO BUY THEM FROM US.
Dialogue: 0,1:25:23.53,1:25:26.54,Default,,0,0,0,,{\an1\pos(68,432)}WELL, YOU COULDN'T\NHAVE PICKED A NICER MAN.
Dialogue: 0,1:25:32.54,1:25:34.54,Default,,0,0,0,,{\an1\pos(284,432)}WE HAD AN AGREEMENT\NWITH MUNDSON...
Dialogue: 0,1:25:34.55,1:25:37.56,Default,,0,0,0,,{\an1\pos(140,432)}THAT AT THE END OF THE WAR\NHE WOULD TURN OUR PROPERTY\NBACK TO US.
Dialogue: 0,1:25:37.55,1:25:40.55,Default,,0,0,0,,{\an1\pos(68,408)}I DIDN'T FIND ANY AGREEMENT.\N\h\h\h\hIT WAS\N\h\h\h\hA GENTLEMAN'S AGREEMENT.
Dialogue: 0,1:25:40.55,1:25:43.55,Default,,0,0,0,,{\an1\pos(68,432)}I SEE. AND MR. MUNDSON\NWASN'T A GENTLEMAN.
Dialogue: 0,1:25:44.06,1:25:46.07,Default,,0,0,0,,{\an1\pos(356,432)}HE WAS A MADMAN,\NMR. FARRELL.
Dialogue: 0,1:25:46.06,1:25:49.56,Default,,0,0,0,,{\an1\pos(212,432)}HE THOUGHT HE COULD\NRULE THE WORLD, ALONE.
Dialogue: 0,1:25:49.56,1:25:52.56,Default,,0,0,0,,{\an1\pos(68,432)}I KNOW. WE HAD QUITE\NA DISCUSSION ABOUT IT.
Dialogue: 0,1:25:54.93,1:25:57.40,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE STILL DIDN'T BELIEVE\NI WASN'T COMING BACK.
Dialogue: 0,1:26:01.91,1:26:04.41,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}EVERY NIGHT\NSHE GOT ALL DRESSED UP...
Dialogue: 0,1:26:04.41,1:26:07.91,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}AND WAITED.
Dialogue: 0,1:26:07.91,1:26:11.41,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT A GIRL LIKE GILDA\NCOULDN'T STAND NOT KNOWING\NTHE WHY OF THINGS.
Dialogue: 0,1:26:12.92,1:26:16.92,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SO SHE DECIDED\NTO SWALLOW HER PRIDE\NAND COME TO SEE ME.
Dialogue: 0,1:26:18.42,1:26:20.92,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THAT WAS WONDERFUL.
Dialogue: 0,1:26:23.93,1:26:25.93,Default,,0,0,0,,{\an1\pos(356,432)}YES ?
Dialogue: 0,1:26:35.94,1:26:38.44,Default,,0,0,0,,{\an1\pos(212,432)}HELLO.
Dialogue: 0,1:26:38.94,1:26:40.44,Default,,0,0,0,,{\an1\pos(140,432)}REMEMBER ME ?
Dialogue: 0,1:26:40.95,1:26:43.46,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I'M GILDA, YOUR WIFE.
Dialogue: 0,1:26:44.45,1:26:46.45,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}REMEMBER ?
Dialogue: 0,1:26:52.46,1:26:55.46,Default,,0,0,0,,{\an1\pos(140,432)}YOU HAVEN'T BEEN\NAROUND LATELY.
Dialogue: 0,1:26:55.46,1:26:58.46,Default,,0,0,0,,{\an1\pos(68,432)}I THOUGHT MAYBE YOU WERE\NAN AMNESIA VICTIM OR SOMETHING.
Dialogue: 0,1:27:02.47,1:27:04.47,Default,,0,0,0,,{\an1\pos(140,432)}GOT A LIGHT ?
Dialogue: 0,1:27:21.99,1:27:25.49,Default,,0,0,0,,{\an1\pos(212,432)}YOU DON'T LOOK SO HOT.\NDO YOU KNOW THAT ?
Dialogue: 0,1:27:25.49,1:27:27.99,Default,,0,0,0,,{\an1\pos(212,432)}YOU'RE LOSING WEIGHT.
Dialogue: 0,1:27:29.99,1:27:32.50,Default,,0,0,0,,{\an1\pos(140,432)}THIS VACUUM I'M LIVING IN.
Dialogue: 0,1:27:36.00,1:27:39.50,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\hMIND GIVING ME A REASON ?\NNOT AT ALL.
Dialogue: 0,1:27:39.50,1:27:42.01,Default,,0,0,0,,{\an1\pos(68,432)}YOU'VE HAD SUCH\NA FULL LIFE UP TO NOW...
Dialogue: 0,1:27:42.01,1:27:44.51,Default,,0,0,0,,{\an1\pos(68,432)}I THOUGHT A LITTLE\NPEACE AND QUIET\NWOULD DO YOU GOOD.
Dialogue: 0,1:27:44.51,1:27:48.51,Default,,0,0,0,,{\an1\pos(68,384)}GIVE YOU TIME TO THINK.\N\h\h\h\h\h\h\h\h\h\h\h\hTHINK ABOUT WHAT ?
Dialogue: 0,1:27:48.51,1:27:51.51,Default,,0,0,0,,{\an1\pos(68,432)}WOULD IT BE TOO CORNY\NTO SAY YOUR SINS ?
Dialogue: 0,1:27:51.52,1:27:54.03,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES, IT WOULD.\NWELL, I SAID IT.
Dialogue: 0,1:27:57.52,1:28:00.02,Default,,0,0,0,,{\an1\pos(212,432)}YOU'RE COCKEYED, JOHNNY,\NALL COCKEYED.
Dialogue: 0,1:28:01.53,1:28:03.54,Default,,0,0,0,,{\an1\pos(284,432)}I FIGURED THAT'S\NWHAT THE DEAL WAS.
Dialogue: 0,1:28:03.53,1:28:06.03,Default,,0,0,0,,{\an1\pos(212,432)}YOU'RE GETTING EVEN\NWITH ME FOR SOMETHING.
Dialogue: 0,1:28:08.03,1:28:10.53,Default,,0,0,0,,{\an1\pos(284,432)}WE'RE GREAT PEOPLE\NFOR GETTING EVEN,\NAREN'T WE, JOHNNY ?
Dialogue: 0,1:28:10.54,1:28:13.55,Default,,0,0,0,,{\an1\pos(68,384)}ARE WE ?\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAREN'T WE ?
Dialogue: 0,1:28:13.54,1:28:17.04,Default,,0,0,0,,{\an1\pos(140,432)}DIDN'T I GET EVEN WITH YOU\NFOR WALKING OUT ON ME\NBY MARRYING BALLIN ?
Dialogue: 0,1:28:17.04,1:28:19.04,Default,,0,0,0,,{\an1\pos(68,432)}GREAT.\NTHAT'S JUST GREAT.\NTHE MAN'S DEAD AND--
Dialogue: 0,1:28:19.54,1:28:21.54,Default,,0,0,0,,{\an1\pos(140,432)}AND I'M GLAD.\NWHAT DO YOU THINK OF THAT ?
Dialogue: 0,1:28:21.55,1:28:24.06,Default,,0,0,0,,{\an1\pos(212,432)}HE WAS INSANE, JOHNNY.
Dialogue: 0,1:28:24.05,1:28:27.05,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\hI WAS AFRAID ALL THE TIME.\NYOU ACTED LIKE IT.
Dialogue: 0,1:28:30.05,1:28:34.06,Default,,0,0,0,,{\an1\pos(140,432)}JOHNNY, THERE'S NEVER BEEN\NANYBODY BUT YOU AND ME.
Dialogue: 0,1:28:35.06,1:28:37.56,Default,,0,0,0,,{\an1\pos(356,432)}ALL THOSE THINGS\NI DID WERE...
Dialogue: 0,1:28:37.56,1:28:40.06,Default,,0,0,0,,{\an1\pos(284,432)}JUST TO MAKE YOU\NJEALOUS, JOHNNY.
Dialogue: 0,1:28:41.07,1:28:43.58,Default,,0,0,0,,{\an1\pos(212,432)}THERE'S NEVER BEEN\NANYBODY BUT YOU AND ME.
Dialogue: 0,1:28:43.57,1:28:45.57,Default,,0,0,0,,{\an1\pos(68,432)}NOT ANYBODY ?
Dialogue: 0,1:28:48.57,1:28:50.57,Default,,0,0,0,,{\an1\pos(356,432)}NOT ANYBODY.
Dialogue: 0,1:28:52.08,1:28:54.58,Default,,0,0,0,,{\an1\pos(68,432)}WHAT ABOUT YOUR HUSBAND ?
Dialogue: 0,1:28:54.58,1:28:58.08,Default,,0,0,0,,{\an1\pos(68,432)}IF YOU CAN FORGET HIM SO EASILY,\NYOU COULD FORGET THE OTHERS TOO.
Dialogue: 0,1:28:58.08,1:29:00.58,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hBUT THERE WEREN'T\N\h\h\h\h\h\h\h\h\h\h\h\hANY OTHERS !\NWHEN YOU ADMIT THEM.
Dialogue: 0,1:29:00.59,1:29:03.10,Default,,0,0,0,,{\an1\pos(68,432)}WHEN YOU ADMIT THEM\NAND TELL ME WHO THEY WERE.
Dialogue: 0,1:29:07.09,1:29:12.10,Default,,0,0,0,,{\an1\pos(140,432)}YOU WOULDN'T THINK ONE WOMAN\NCOULD MARRY TWO INSANE MEN\NIN ONE LIFETIME,
Dialogue: 0,1:29:12.10,1:29:14.10,Default,,0,0,0,,{\an1\pos(356,432)}NOW WOULD YOU ?
Dialogue: 0,1:29:25.11,1:29:27.61,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE WASN'T SCARED YET...
Dialogue: 0,1:29:27.61,1:29:30.11,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BECAUSE SHE DIDN'T\NQUITE REALIZE YET.
Dialogue: 0,1:29:30.11,1:29:34.12,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}RIGHT NOW,\NSHE WAS JUST PLAIN MAD,\NAND SHE WAS HITTING BACK.
Dialogue: 0,1:29:34.62,1:29:38.12,Default,,0,0,0,,{\an1\pos(68,432)}I WANT YOU TO TRY AND LOCATE\NA MR. GABE EVANS FOR ME.
Dialogue: 0,1:29:38.12,1:29:42.13,Default,,0,0,0,,{\an1\pos(68,432)}TRY ALL THE HOTELS IN THE CITY,\NBUT LOCATE HIM.
Dialogue: 0,1:29:42.13,1:29:44.13,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE COULDN'T FIND HIM,
Dialogue: 0,1:29:44.13,1:29:48.13,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SO SHE JUST\NREACHED OUT FOR ANYONE.
Dialogue: 0,1:29:48.13,1:29:50.63,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THEY WEREN'T HARD TO FIND\NFOR A GIRL LIKE GILDA.
Dialogue: 0,1:29:52.14,1:29:55.64,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THE WAITER TOLD HIM\NHE HAD A TELEPHONE CALL.
Dialogue: 0,1:29:55.64,1:29:59.14,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}ONE OF MY MEN\NGRABBED HIM OUTSIDE.
Dialogue: 0,1:29:59.14,1:30:01.14,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}HE NEVER CAME BACK.
Dialogue: 0,1:30:03.65,1:30:06.15,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE FOUND SOMEBODY ELSE,\NOF COURSE.
Dialogue: 0,1:30:11.16,1:30:14.17,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT WHEREVER SHE WENT,\NWHATEVER SHE DID--
Dialogue: 0,1:30:18.66,1:30:23.17,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}IT FINALLY GOT TO HER\NTHAT BUENOS AIRES\NWAS HER OWN PRIVATE PRISON.
Dialogue: 0,1:30:23.17,1:30:25.67,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}THAT'S WHEN\NSHE DECIDED TO RUN AWAY.
Dialogue: 0,1:30:25.67,1:30:29.67,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SHE WENT TO MONTEVIDEO,\NGOT A JOB SINGING\NIN A NIGHTCLUB,
Dialogue: 0,1:30:29.67,1:30:34.18,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}STARTED DIVORCE PROCEEDINGS\NAND MET A MAN.
Dialogue: 0,1:30:34.18,1:30:39.18,Default,,0,0,0,,{\an1\pos(230,432)}{\i1}♪ AMADO MIO ♪
Dialogue: 0,1:30:39.18,1:30:43.19,Default,,0,0,0,,{\an1\pos(140,432)}♪ LOVE ME FOREVER ♪
Dialogue: 0,1:30:43.69,1:30:47.19,Default,,0,0,0,,{\an1\pos(212,432)}♪ AND LET FOREVER ♪
Dialogue: 0,1:30:47.19,1:30:51.19,Default,,0,0,0,,{\an1\pos(212,432)}♪ BEGIN TONIGHT ♪
Dialogue: 0,1:30:51.20,1:30:55.21,Default,,0,0,0,,{\an1\pos(212,432)}♪ {\i1}AMADO MIO ♪
Dialogue: 0,1:30:55.70,1:30:59.20,Default,,0,0,0,,{\an1\pos(140,432)}♪ WHEN WE'RE TOGETHER ♪
Dialogue: 0,1:30:59.70,1:31:03.71,Default,,0,0,0,,{\an1\pos(140,432)}♪ I'M IN A DREAM WORLD ♪
Dialogue: 0,1:31:03.71,1:31:06.71,Default,,0,0,0,,{\an1\pos(140,432)}♪ OF SWEET DELIGHT ♪
Dialogue: 0,1:31:09.21,1:31:14.22,Default,,0,0,0,,{\an1\pos(68,432)}♪ MANY TIMES I'VE WHISPERED ♪
Dialogue: 0,1:31:14.22,1:31:19.22,Default,,0,0,0,,{\an1\pos(212,432)}♪ {\i1}AMADO MIO ♪
Dialogue: 0,1:31:19.22,1:31:23.23,Default,,0,0,0,,{\an1\pos(140,432)}♪ IT WAS JUST A PHRASE\N\h\hTHAT I HEARD IN PLAYS ♪
Dialogue: 0,1:31:23.23,1:31:26.23,Default,,0,0,0,,{\an1\pos(140,432)}♪ I WAS ACTING A PART ♪
Dialogue: 0,1:31:26.23,1:31:30.73,Default,,0,0,0,,{\an1\pos(140,432)}♪ BUT NOW WHEN I WHISPER ♪
Dialogue: 0,1:31:32.24,1:31:38.24,Default,,0,0,0,,{\an1\pos(212,432)}♪ {\i1}AMADO MIO ♪
Dialogue: 0,1:31:39.74,1:31:42.75,Default,,0,0,0,,{\an1\pos(140,432)}♪ CAN'T YOU TELL I CARE\N\h\hBY THE FEELING THERE ♪
Dialogue: 0,1:31:43.25,1:31:45.25,Default,,0,0,0,,{\an1\pos(212,432)}♪ FOR IT COMES\N\h\hFROM MY HEART ♪
Dialogue: 0,1:31:45.75,1:31:51.25,Default,,0,0,0,,{\an1\pos(140,432)}♪ MY ONE ENDEAVOR ♪
Dialogue: 0,1:31:51.26,1:31:55.27,Default,,0,0,0,,{\an1\pos(140,432)}♪ MY LOVE, MY DARLING ♪
Dialogue: 0,1:31:55.26,1:31:59.26,Default,,0,0,0,,{\an1\pos(140,432)}♪ WILL BE TO HOLD YOU ♪
Dialogue: 0,1:31:59.26,1:32:03.27,Default,,0,0,0,,{\an1\pos(140,432)}♪ AND HOLD YOU TIGHT ♪
Dialogue: 0,1:32:03.27,1:32:07.27,Default,,0,0,0,,{\an1\pos(212,432)}♪ {\i1}AMADO MIO ♪
Dialogue: 0,1:32:07.27,1:32:11.27,Default,,0,0,0,,{\an1\pos(212,432)}♪ LOVE ME FOREVER ♪
Dialogue: 0,1:32:11.28,1:32:15.29,Default,,0,0,0,,{\an1\pos(212,432)}♪ AND LET FOREVER ♪
Dialogue: 0,1:32:15.28,1:32:18.78,Default,,0,0,0,,{\an1\pos(212,432)}♪ BEGIN ♪
Dialogue: 0,1:32:19.28,1:32:24.29,Default,,0,0,0,,{\an1\pos(212,432)}♪ TONIGHT ♪
Dialogue: 0,1:32:59.82,1:33:05.83,Default,,0,0,0,,{\an1\pos(212,432)}♪ {\i1}AMADO MIO ♪
Dialogue: 0,1:33:06.33,1:33:10.33,Default,,0,0,0,,{\an1\pos(212,432)}♪ LOVE ME FOREVER ♪
Dialogue: 0,1:33:10.33,1:33:14.34,Default,,0,0,0,,{\an1\pos(212,432)}♪ AND LET FOREVER ♪
Dialogue: 0,1:33:14.34,1:33:18.84,Default,,0,0,0,,{\an1\pos(284,432)}♪ BEGIN ♪
Dialogue: 0,1:33:18.84,1:33:27.35,Default,,0,0,0,,{\an1\pos(284,432)}♪ TONIGHT ♪
Dialogue: 0,1:33:47.37,1:33:50.37,Default,,0,0,0,,{\an1\pos(140,432)}"LET FOREVER BE TONIGHT."\NIS THAT A DATE, GILDA ?
Dialogue: 0,1:33:50.37,1:33:53.88,Default,,0,0,0,,{\an1\pos(68,432)}I CAN'T MAKE ANY FOREVER\NDATES, TOM. I HAVEN'T\NEVEN GOT MY DIVORCE YET.
Dialogue: 0,1:33:53.88,1:33:56.38,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\hI HAVEN'T ANY RIGHT TO.\NI DON'T WANT YOU TO.
Dialogue: 0,1:33:56.38,1:33:59.38,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\hWANT ME TO WHAT ?\NGET A DIVORCE.
Dialogue: 0,1:33:59.38,1:34:01.38,Default,,0,0,0,,{\an1\pos(356,432)}YOU DON'T ?
Dialogue: 0,1:34:01.39,1:34:03.90,Default,,0,0,0,,{\an1\pos(68,432)}A DIVORCE YOU GET\NIN MONTEVIDEO, WITHOUT\NYOUR HUSBAND'S CONSENT,
Dialogue: 0,1:34:03.89,1:34:07.39,Default,,0,0,0,,{\an1\pos(68,432)}WILL NEVER STAND UP\NIN ARGENTINA.
Dialogue: 0,1:34:07.39,1:34:09.89,Default,,0,0,0,,{\an1\pos(212,432)}I DON'T WANT TO GO BACK\NTO ARGENTINA EVER.
Dialogue: 0,1:34:09.89,1:34:11.89,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\hSO WHAT DIFFERENCE\N\h\h\h\h\h\h\h\h\h\h\h\hDOES IT--\NOR AT HOME.
Dialogue: 0,1:34:11.90,1:34:14.41,Default,,0,0,0,,{\an1\pos(68,432)}YOU MAY WANT TO GO HOME\NSOMETIME, DARLING.
Dialogue: 0,1:34:14.40,1:34:16.90,Default,,0,0,0,,{\an1\pos(68,432)}WHEREVER YOU GO FOR\NTHE REST OF YOUR LIFE,\NYOU'LL BE TIED TO HIM.
Dialogue: 0,1:34:16.90,1:34:18.90,Default,,0,0,0,,{\an1\pos(68,432)}YOU'LL NEVER BE FREE.
Dialogue: 0,1:34:21.41,1:34:25.42,Default,,0,0,0,,{\an1\pos(212,432)}THEN IT DIDN'T DO\NANY GOOD TO RUN AWAY.\NNO GOOD AT ALL.
Dialogue: 0,1:34:25.41,1:34:28.41,Default,,0,0,0,,{\an1\pos(68,432)}NEVER DOES ANY GOOD\NTO RUN AWAY, GILDA.
Dialogue: 0,1:34:28.41,1:34:31.91,Default,,0,0,0,,{\an1\pos(68,384)}GO BACK TO BUENOS AIRES.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO.
Dialogue: 0,1:34:31.92,1:34:33.93,Default,,0,0,0,,{\an1\pos(68,432)}AND GET AN ANNULMENT.
Dialogue: 0,1:34:35.42,1:34:38.42,Default,,0,0,0,,{\an1\pos(68,432)}YOU TOLD ME YOUR HUSBAND\NLEFT YOU IMMEDIATELY\NAFTER THE CEREMONY.
Dialogue: 0,1:34:38.42,1:34:40.42,Default,,0,0,0,,{\an1\pos(68,432)}THERE'S NOTHING TO IT.
Dialogue: 0,1:34:40.42,1:34:43.43,Default,,0,0,0,,{\an1\pos(68,432)}AND I'LL BE WITH YOU, DARLING,\NRIGHT BY YOUR SIDE EVERY MINUTE.
Dialogue: 0,1:34:43.43,1:34:45.43,Default,,0,0,0,,{\an1\pos(68,432)}I'M A VERY GOOD LAWYER,\NYOU KNOW.
Dialogue: 0,1:34:45.43,1:34:48.43,Default,,0,0,0,,{\an1\pos(68,432)}I'VE MORE MONEY\NTHAN I KNOW WHAT TO DO WITH.
Dialogue: 0,1:34:48.43,1:34:50.93,Default,,0,0,0,,{\an1\pos(68,432)}I'M VERY MUCH\NIN LOVE WITH YOU.
Dialogue: 0,1:34:51.44,1:34:53.95,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S KIND OF A TERRIFIC\NCOMBINATION, DON'T YOU THINK ?
Dialogue: 0,1:34:54.44,1:34:56.44,Default,,0,0,0,,{\an1\pos(212,432)}THAT'S KIND OF\NA TERRIFIC COMBINATION.
Dialogue: 0,1:34:56.44,1:35:00.44,Default,,0,0,0,,{\an1\pos(68,432)}THE PLANE LEAVES AT 2:00.\NAT 2:00 THE NEXT DAY\NYOU'LL BE FREE.
Dialogue: 0,1:35:00.44,1:35:02.95,Default,,0,0,0,,{\an1\pos(68,432)}DARLING, UTTERLY FREE.
Dialogue: 0,1:35:07.95,1:35:10.95,Default,,0,0,0,,{\an1\pos(140,432)}I DIDN'T THINK\NI'D EVER TRUST A MAN AGAIN\NAS LONG AS I LIVED,
Dialogue: 0,1:35:11.46,1:35:13.97,Default,,0,0,0,,{\an1\pos(284,432)}BUT HERE I GO AGAIN.
Dialogue: 0,1:35:13.96,1:35:16.46,Default,,0,0,0,,{\an1\pos(428,432)}THANKS, TOM.\N\hTHANKS.
Dialogue: 0,1:35:31.48,1:35:33.99,Default,,0,0,0,,{\an1\pos(212,432)}TOM, THIS IS\NTHE HOTEL CENTENARIO.
Dialogue: 0,1:35:33.98,1:35:36.98,Default,,0,0,0,,{\an1\pos(68,432)}ISN'T IT ALL RIGHT ?\NI WAS TOLD IT'S A GOOD HOTEL.
Dialogue: 0,1:35:37.98,1:35:41.98,Default,,0,0,0,,{\an1\pos(140,432)}WHY, I THINK IT'S WONDERFUL.\NJUST WONDERFUL.
Dialogue: 0,1:35:48.99,1:35:51.99,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI'LL DO IT.\NYOUR BAGS WILL BE UP\NIN A MINUTE, SIR.
Dialogue: 0,1:35:52.50,1:35:54.50,Default,,0,0,0,,{\an1\pos(68,432)}THANK YOU, SIR.
Dialogue: 0,1:35:57.50,1:36:02.00,Default,,0,0,0,,{\an1\pos(68,432)}THE LIGHT SWITCH\NIS RIGHT HERE SOMEWHERE,\NIF MY MEMORY DOESN'T FAIL ME.
Dialogue: 0,1:36:12.02,1:36:14.03,Default,,0,0,0,,{\an1\pos(374,432)}{\i1}OKAY, LANGFORD.
Dialogue: 0,1:36:22.03,1:36:24.04,Default,,0,0,0,,{\an1\pos(68,432)}I'LL DO IT ANYWAY.
Dialogue: 0,1:36:24.03,1:36:26.03,Default,,0,0,0,,{\an1\pos(68,432)}I'LL GET AN ANNULMENT.\NI DON'T NEED ANYBODY'S--
Dialogue: 0,1:36:26.53,1:36:30.03,Default,,0,0,0,,{\an1\pos(140,432)}DIDN'T LANGFORD TELL YOU ?\NTHERE'S NO SUCH THING\NAS ANNULMENT IN ARGENTINA.
Dialogue: 0,1:36:30.03,1:36:33.04,Default,,0,0,0,,{\an1\pos(68,432)}I'LL GET IT ANYWAY ! I WILL !\N\hI'LL GET AN ANNULMENT !
Dialogue: 0,1:36:33.04,1:36:36.04,Default,,0,0,0,,{\an1\pos(68,432)}I WILL ! I WILL !\NI'LL GET IT ! I'LL GET IT !
Dialogue: 0,1:36:36.04,1:36:39.04,Default,,0,0,0,,{\an1\pos(68,432)}I'LL GET IT ! I'LL GET IT !
Dialogue: 0,1:36:46.55,1:36:50.55,Default,,0,0,0,,{\an1\pos(140,432)}OH, JOHNNY,\NPLEASE LET ME GO.
Dialogue: 0,1:36:51.06,1:36:52.57,Default,,0,0,0,,{\an1\pos(212,432)}PLEASE LET ME GO.
Dialogue: 0,1:36:53.06,1:36:55.06,Default,,0,0,0,,{\an1\pos(68,432)}I CAN'T STAND IT ANYMORE.
Dialogue: 0,1:36:56.06,1:36:58.56,Default,,0,0,0,,{\an1\pos(68,432)}I DON'T WANT ANYTHING FROM YOU.
Dialogue: 0,1:36:58.56,1:37:00.56,Default,,0,0,0,,{\an1\pos(212,432)}BUT PLEASE...
Dialogue: 0,1:37:00.56,1:37:03.07,Default,,0,0,0,,{\an1\pos(230,432)}{\i1}JUST LET ME GO.
Dialogue: 0,1:37:03.07,1:37:05.07,Default,,0,0,0,,{\an1\pos(68,432)}I THOUGHT IT WAS A NICE TOUCH,\NBRINGING YOU BACK HERE.
Dialogue: 0,1:37:05.07,1:37:07.57,Default,,0,0,0,,{\an1\pos(68,432)}JOHNNY, LET ME TELL YOU\NABOUT THAT NIGHT.
Dialogue: 0,1:37:07.57,1:37:09.57,Default,,0,0,0,,{\an1\pos(212,432)}I DON'T WANT TO HEAR\NABOUT THAT NIGHT.
Dialogue: 0,1:37:09.57,1:37:13.08,Default,,0,0,0,,{\an1\pos(212,432)}CAN'T YOU UNDERSTAND ?\NI DON'T WANT TO HEAR\NABOUT THAT NIGHT.
Dialogue: 0,1:37:30.09,1:37:34.10,Default,,0,0,0,,{\an1\pos(68,432)}- I WAS WAITING FOR YOU,\N\h\hMR. FARRELL.\N- FIND ANYTHING INTERESTING ?
Dialogue: 0,1:37:34.10,1:37:36.10,Default,,0,0,0,,{\an1\pos(212,432)}WHAT ARE YOU\NSTALLING FOR ANYWAY ?
Dialogue: 0,1:37:36.10,1:37:38.60,Default,,0,0,0,,{\an1\pos(68,432)}WHY DON'T YOU CLOSE THE JOINT UP\NIF IT BOTHERS YOU SO MUCH ?
Dialogue: 0,1:37:38.60,1:37:42.10,Default,,0,0,0,,{\an1\pos(68,432)}WHY DO YOU THINK WE'VE ALLOWED\NTHE CASINO TO STAY OPEN ?
Dialogue: 0,1:37:42.11,1:37:45.12,Default,,0,0,0,,{\an1\pos(140,432)}BECAUSE A SMART COP DOESN'T\NARREST A PURSE SNATCHER...
Dialogue: 0,1:37:45.11,1:37:47.11,Default,,0,0,0,,{\an1\pos(284,432)}IF THE LITTLE THIEF\NWILL LEAD HIM TO\NTHE BIGGER CRIME.
Dialogue: 0,1:37:47.11,1:37:49.11,Default,,0,0,0,,{\an1\pos(68,432)}I DON'T KNOW WHAT\NYOU'RE TALKING ABOUT.
Dialogue: 0,1:37:49.11,1:37:52.11,Default,,0,0,0,,{\an1\pos(212,432)}WE KNOW YOU'RE THE HEAD\NOF A TUNGSTEN MONOPOLY,\NMR. FARRELL.
Dialogue: 0,1:37:52.62,1:37:55.12,Default,,0,0,0,,{\an1\pos(284,432)}WHAT WE WANT TO KNOW\NIS THE NAMES\NOF THE PARTICIPANTS.
Dialogue: 0,1:37:55.12,1:37:57.62,Default,,0,0,0,,{\an1\pos(68,432)}I STILL DON'T KNOW WHAT--\NWHAT YOU'RE TALKING ABOUT.
Dialogue: 0,1:37:57.62,1:38:01.12,Default,,0,0,0,,{\an1\pos(428,432)}I'LL WAIT.
Dialogue: 0,1:38:01.13,1:38:04.64,Default,,0,0,0,,{\an1\pos(140,432)}YOU'RE BREAKING UP IN\NLITTLE PIECES RIGHT IN FRONT\NOF MY EYES, YOU KNOW.
Dialogue: 0,1:38:05.63,1:38:08.63,Default,,0,0,0,,{\an1\pos(212,432)}AM I WEARING YOU DOWN,\NI HOPE ?
Dialogue: 0,1:38:08.63,1:38:11.13,Default,,0,0,0,,{\an1\pos(140,384)}YOU.\N\h\h\h\h\h\h\h\h\h\h\h\hSOMETHING IS.
Dialogue: 0,1:38:11.14,1:38:13.15,Default,,0,0,0,,{\an1\pos(140,432)}REALLY ?
Dialogue: 0,1:38:13.14,1:38:15.64,Default,,0,0,0,,{\an1\pos(68,432)}WELL, I'LL HAVE TO\NTAKE A LOOK SOMETIME.
Dialogue: 0,1:38:15.64,1:38:18.64,Default,,0,0,0,,{\an1\pos(68,384)}I HADN'T NOT--\N\h\h\h\h\h\h\h\h\h\h\h\h\h♪
Dialogue: 0,1:38:31.66,1:38:36.67,Default,,0,0,0,,{\an1\pos(68,432)}♪ WHEN THEY HAD THE EARTHQUAKE\N\h\hIN SAN FRANCISCO ♪
Dialogue: 0,1:38:36.66,1:38:39.66,Default,,0,0,0,,{\an1\pos(212,432)}♪ BACK IN 1906 ♪
Dialogue: 0,1:38:41.17,1:38:45.18,Default,,0,0,0,,{\an1\pos(140,432)}♪ THEY SAID THAT\N\h\hOLD MOTHER NATURE ♪
Dialogue: 0,1:38:45.17,1:38:48.17,Default,,0,0,0,,{\an1\pos(140,432)}♪ WAS UP TO HER OLD TRICKS ♪
Dialogue: 0,1:38:50.17,1:38:53.68,Default,,0,0,0,,{\an1\pos(212,432)}♪ THAT'S THE STORY\N\h\hTHAT WENT AROUND ♪
Dialogue: 0,1:38:53.68,1:38:56.68,Default,,0,0,0,,{\an1\pos(68,432)}♪ BUT HERE'S THE REAL LOWDOWN ♪
Dialogue: 0,1:38:58.68,1:39:02.69,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,1:39:03.19,1:39:05.19,Default,,0,0,0,,{\an1\pos(140,432)}♪ PUT THE BLAME ON MAME ♪
Dialogue: 0,1:39:06.69,1:39:10.69,Default,,0,0,0,,{\an1\pos(140,432)}♪ ONE NIGHT SHE STARTED\N\h\hTO SHIM AND SHAKE ♪
Dialogue: 0,1:39:10.69,1:39:14.70,Default,,0,0,0,,{\an1\pos(140,432)}♪ THAT BROUGHT ON\N\h\hTHE FRISCO QUAKE ♪
Dialogue: 0,1:39:14.70,1:39:20.20,Default,,0,0,0,,{\an1\pos(140,432)}♪ SO YOU CAN PUT THE BLAME\N\h\hON MAME, BOYS ♪
Dialogue: 0,1:39:20.20,1:39:22.71,Default,,0,0,0,,{\an1\pos(140,432)}♪ PUT THE BLAME ON MAME ♪
Dialogue: 0,1:39:25.71,1:39:30.21,Default,,0,0,0,,{\an1\pos(140,432)}♪ THEY ONCE HAD A SHOOTIN'\N\h\hUP IN THE KLONDIKE ♪
Dialogue: 0,1:39:30.21,1:39:33.22,Default,,0,0,0,,{\an1\pos(68,432)}♪ WHEN THEY GOT DAN McGREW ♪
Dialogue: 0,1:39:34.22,1:39:38.72,Default,,0,0,0,,{\an1\pos(212,432)}♪ FOLKS WERE PUTTIN'\N\h\hTHE BLAME ON ♪
Dialogue: 0,1:39:38.72,1:39:42.22,Default,,0,0,0,,{\an1\pos(140,432)}♪ THE LADY KNOWN AS LOU ♪
Dialogue: 0,1:39:43.73,1:39:47.23,Default,,0,0,0,,{\an1\pos(212,432)}♪ THAT'S THE STORY\N\h\hTHAT WENT AROUND ♪
Dialogue: 0,1:39:47.23,1:39:50.22,Default,,0,0,0,,{\an1\pos(68,432)}♪ BUT HERE'S THE REAL LOWDOWN ♪
Dialogue: 0,1:39:52.19,1:39:56.20,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,1:39:56.19,1:39:59.19,Default,,0,0,0,,{\an1\pos(140,432)}♪ PUT THE BLAME ON MAME ♪
Dialogue: 0,1:40:00.19,1:40:04.70,Default,,0,0,0,,{\an1\pos(68,432)}♪ MAME DID A DANCE\N\h\hCALLED THE HOOTCHIE-COO ♪
Dialogue: 0,1:40:05.20,1:40:07.70,Default,,0,0,0,,{\an1\pos(140,432)}♪ THAT'S THE THING\N\h\hTHAT SLEW McGREW ♪
Dialogue: 0,1:40:09.20,1:40:13.21,Default,,0,0,0,,{\an1\pos(68,432)}♪ PUT THE BLAME ON MAME, BOYS ♪
Dialogue: 0,1:40:13.21,1:40:16.71,Default,,0,0,0,,{\an1\pos(212,432)}♪ PUT THE BLAME ♪
Dialogue: 0,1:40:16.71,1:40:22.72,Default,,0,0,0,,{\an1\pos(212,432)}♪ ON MAME ♪
Dialogue: 0,1:40:22.72,1:40:25.72,Default,,0,0,0,,{\an1\pos(212,432)}BRAVO ! BRAVO !
Dialogue: 0,1:40:36.23,1:40:38.23,Default,,0,0,0,,{\an1\pos(140,432)}MORE ! MORE ! MORE !
Dialogue: 0,1:40:46.74,1:40:50.24,Default,,0,0,0,,{\an1\pos(68,432)}I'M NOT VERY GOOD AT ZIPPERS.
Dialogue: 0,1:40:50.24,1:40:52.21,Default,,0,0,0,,{\an1\pos(68,432)}BUT MAYBE IF I HAD SOME HELP.
Dialogue: 0,1:40:52.21,1:40:55.21,Default,,0,0,0,,{\an1\pos(140,432)}- I'LL HELP YOU.\N- I AM AN EXPERT.
Dialogue: 0,1:41:04.73,1:41:08.24,Default,,0,0,0,,{\an1\pos(212,432)}BLOW, YOU GUYS.\NI HATE TO DO THIS,\NBUT YOU KNOW, JOHNNY.
Dialogue: 0,1:41:08.23,1:41:10.23,Default,,0,0,0,,{\an1\pos(68,384)}LEAVE ME ALONE.\N\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCOME ON.
Dialogue: 0,1:41:26.25,1:41:28.25,Default,,0,0,0,,{\an1\pos(212,432)}WHAT DO YOU MEAN BY--
Dialogue: 0,1:41:28.25,1:41:32.25,Default,,0,0,0,,{\an1\pos(68,432)}NOW THEY ALL KNOW WHAT I AM,\NAND THAT SHOULD MAKE\NYOU HAPPY, JOHNNY.
Dialogue: 0,1:41:32.25,1:41:34.25,Default,,0,0,0,,{\an1\pos(68,432)}IT'S NO USE JUST\NYOU KNOWING IT, JOHNNY.
Dialogue: 0,1:41:34.76,1:41:37.77,Default,,0,0,0,,{\an1\pos(68,432)}NOW THEY ALL KNOW THAT\NTHE MIGHTY JOHNNY FARRELL\NGOT TAKEN...
Dialogue: 0,1:41:37.76,1:41:40.26,Default,,0,0,0,,{\an1\pos(68,432)}AND THAT HE MARRIED A--
Dialogue: 0,1:41:56.78,1:42:00.78,Default,,0,0,0,,{\an1\pos(68,432)}THE GERMAN HAS BEEN ARRESTED.\NHE WILL GIVE US\NTHE INFORMATION WE WANT.
Dialogue: 0,1:42:00.78,1:42:04.78,Default,,0,0,0,,{\an1\pos(68,432)}NOW ALL WE WANT FROM YOU ARE\NTHE PATENTS AND THE AGREEMENTS\NBEARING THE SIGNATURES.
Dialogue: 0,1:42:07.29,1:42:09.29,Default,,0,0,0,,{\an1\pos(68,432)}LET ME TELL YOU WHY\NWE MUST KNOW...
Dialogue: 0,1:42:09.29,1:42:11.79,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}WHO THESE SIGNERS ARE,\NMR. FARRELL.
Dialogue: 0,1:42:11.79,1:42:15.79,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}SO THEY CAN BE\NPROSECUTED LEGALLY FOR\NBREAKING THE ANTITRUST LAWS.
Dialogue: 0,1:42:23.30,1:42:26.31,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}YOU DIDN'T HEAR\NA WORD OF IT, DID YOU ?
Dialogue: 0,1:42:26.31,1:42:30.31,Default,,0,0,0,,{\an1\pos(68,432)}ALL YOU CAN THINK OF\NIS THE WAY GILDA LOOKED AT YOU\NWHEN YOU STRUCK HER, ISN'T IT ?
Dialogue: 0,1:42:31.31,1:42:34.31,Default,,0,0,0,,{\an1\pos(68,432)}YOU TWO KIDS LOVE EACH OTHER\NPRETTY TERRIBLY, DON'T YOU ?
Dialogue: 0,1:42:34.31,1:42:36.82,Default,,0,0,0,,{\an1\pos(356,432)}I HATE HER.
Dialogue: 0,1:42:38.32,1:42:40.32,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S WHAT I MEAN.
Dialogue: 0,1:42:40.32,1:42:42.82,Default,,0,0,0,,{\an1\pos(68,432)}IT'S THE MOST CURIOUS\NLOVE-HATE PATTERN...
Dialogue: 0,1:42:42.82,1:42:45.82,Default,,0,0,0,,{\an1\pos(68,432)}I'VE EVER HAD\NTHE PRIVILEGE OF WITNESSING.
Dialogue: 0,1:42:45.83,1:42:48.84,Default,,0,0,0,,{\an1\pos(68,432)}AND AS LONG AS\NYOU'RE AS SICK IN THE HEAD\NAS YOU ARE ABOUT HER,
Dialogue: 0,1:42:48.83,1:42:51.83,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE NOT ABLE TO THINK\NABOUT ANYTHING CLEARLY.
Dialogue: 0,1:42:53.33,1:42:55.33,Default,,0,0,0,,{\an1\pos(68,432)}ALL RIGHT, MR. FARRELL.
Dialogue: 0,1:42:55.84,1:43:00.35,Default,,0,0,0,,{\an1\pos(68,432)}YOU'RE UNDER ARREST\NFOR ILLEGALLY OPERATING\NA GAMBLING CASINO.
Dialogue: 0,1:43:00.84,1:43:04.34,Default,,0,0,0,,{\an1\pos(68,432)}I'M GONNA LET YOU STAY HERE\NUNDER PROTECTIVE CUSTODY.
Dialogue: 0,1:43:04.34,1:43:07.35,Default,,0,0,0,,{\an1\pos(68,432)}SEND FOR ME WHEN YOU\NCAN'T STAND IT ANYMORE.
Dialogue: 0,1:43:08.35,1:43:10.85,Default,,0,0,0,,{\an1\pos(68,432)}I INTEND TO HAVE\NTHOSE SIGNATURES.
Dialogue: 0,1:43:12.35,1:43:14.35,Default,,0,0,0,,{\an1\pos(284,432)}I CAN OUT-WAIT YOU,\NMR. FARRELL.
Dialogue: 0,1:43:14.35,1:43:16.86,Default,,0,0,0,,{\an1\pos(284,432)}YOU SEE, I HAVE\NTHE LAW ON MY SIDE.
Dialogue: 0,1:43:16.86,1:43:19.36,Default,,0,0,0,,{\an1\pos(284,432)}IT'S A VERY\NCOMFORTABLE FEELING.
Dialogue: 0,1:43:19.36,1:43:21.86,Default,,0,0,0,,{\an1\pos(212,432)}IT'S SOMETHING YOU\NOUGHT TO TRY SOMETIME.
Dialogue: 0,1:43:31.35,1:43:35.32,Default,,0,0,0,,{\an1\pos(68,432)}EIGHT LEFT, TWENTY-FOUR RIGHT,\NTWO LEFT, SEVENTEEN RIGHT.
Dialogue: 0,1:43:36.33,1:43:38.83,Default,,0,0,0,,{\an1\pos(68,384)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU GOT THAT ?\NI'VE GOT IT.
Dialogue: 0,1:43:39.83,1:43:42.33,Default,,0,0,0,,{\an1\pos(68,432)}THAT'S THE COMBINATION\NTO THE SAFE.
Dialogue: 0,1:43:42.33,1:43:45.83,Default,,0,0,0,,{\an1\pos(68,432)}THERE'S EVERYTHING IN THERE\NYOU WANT, AND NOTHING\NIN THERE THAT I WANT.
Dialogue: 0,1:43:45.84,1:43:49.35,Default,,0,0,0,,{\an1\pos(212,432)}NO. THAT'S AT\NTHE CASINO, WAITING.
Dialogue: 0,1:43:53.31,1:43:56.81,Default,,0,0,0,,{\an1\pos(68,432)}WHEN YOU FINALLY SENT FOR ME,\NI SENT FOR GILDA.
Dialogue: 0,1:43:56.81,1:43:58.81,Default,,0,0,0,,{\an1\pos(68,432)}SHE'S GOING HOME, YOU KNOW.
Dialogue: 0,1:43:58.82,1:44:01.83,Default,,0,0,0,,{\an1\pos(284,432)}HOME ? CLEAR HOME ?
Dialogue: 0,1:44:01.82,1:44:05.82,Default,,0,0,0,,{\an1\pos(68,432)}THE LEAST YOU COULD DO\NIS SAY GOOD-BYE\NAND WISH HER LUCK.
Dialogue: 0,1:44:05.82,1:44:07.82,Default,,0,0,0,,{\an1\pos(212,432)}SHE MAKES HER OWN LUCK.
Dialogue: 0,1:44:09.83,1:44:12.83,Default,,0,0,0,,{\an1\pos(68,432)}HOW DUMB CAN A MAN BE ?
Dialogue: 0,1:44:12.83,1:44:17.83,Default,,0,0,0,,{\an1\pos(68,432)}DO ME A FAVOR\NAND GET OUT OF HERE BEFORE YOU\NREALIZE WHAT A HEEL YOU'VE BEEN.
Dialogue: 0,1:44:17.83,1:44:21.34,Default,,0,0,0,,{\an1\pos(68,432)}I COULDN'T BEAR IT\NTO SEE YOU BREAK DOWN\NAND FEEL LIKE A HUMAN BEING.
Dialogue: 0,1:44:21.84,1:44:25.34,Default,,0,0,0,,{\an1\pos(68,432)}I'M A VERY SENSITIVE MAN,\NFOR A COP.
Dialogue: 0,1:44:25.34,1:44:28.84,Default,,0,0,0,,{\an1\pos(68,432)}GILDA DIDN'T DO\NANY OF THOSE THINGS\NYOU'VE BEEN LOSING SLEEP OVER.
Dialogue: 0,1:44:28.85,1:44:30.86,Default,,0,0,0,,{\an1\pos(68,432)}NOT ANY OF THEM.
Dialogue: 0,1:44:30.85,1:44:34.85,Default,,0,0,0,,{\an1\pos(68,432)}IT WAS JUST AN ACT,\NEVERY BIT OF IT.
Dialogue: 0,1:44:34.85,1:44:38.85,Default,,0,0,0,,{\an1\pos(68,432)}AND I'LL GIVE YOU CREDIT.\NYOU WERE A GREAT AUDIENCE,\NMR. FARRELL.
Dialogue: 0,1:44:57.87,1:45:00.88,Default,,0,0,0,,{\an1\pos(140,432)}WOULD YOU LIKE, PERHAPS,\NA TINY DRINK OF AMBROSIA,
Dialogue: 0,1:45:01.38,1:45:04.38,Default,,0,0,0,,{\an1\pos(356,432)}SUITABLE ONLY\NFOR A GODDESS ?
Dialogue: 0,1:45:04.38,1:45:06.38,Default,,0,0,0,,{\an1\pos(68,432)}NO, THANK YOU.
Dialogue: 0,1:45:08.89,1:45:12.90,Default,,0,0,0,,{\an1\pos(68,432)}MR. OBREGON TOLD ME THAT\NTHE PLACE HAS BEEN\NTAKEN OVER BY THE GOVERNMENT.
Dialogue: 0,1:45:13.39,1:45:15.89,Default,,0,0,0,,{\an1\pos(140,432)}DON'T THINK ABOUT IT.
Dialogue: 0,1:45:16.89,1:45:19.90,Default,,0,0,0,,{\an1\pos(140,432)}A CIGARETTE, PERHAPS ?
Dialogue: 0,1:45:19.90,1:45:21.90,Default,,0,0,0,,{\an1\pos(212,432)}BLENDED OF\NTHE FINEST TOBACCOS...
Dialogue: 0,1:45:21.90,1:45:24.90,Default,,0,0,0,,{\an1\pos(212,432)}FROM THE MOST ROMANTIC\NPLACES OF THE WORLD.
Dialogue: 0,1:45:26.40,1:45:28.40,Default,,0,0,0,,{\an1\pos(140,432)}NO, THANK YOU.
Dialogue: 0,1:45:34.41,1:45:36.91,Default,,0,0,0,,{\an1\pos(68,432)}IT ALL LOOKS LONELY,\NDOESN'T IT ?
Dialogue: 0,1:45:36.91,1:45:41.42,Default,,0,0,0,,{\an1\pos(140,432)}ALL BAD THINGS\NEND UP LONELY, LITTLE ONE.
Dialogue: 0,1:45:42.92,1:45:45.92,Default,,0,0,0,,{\an1\pos(140,432)}I KNOW THAT, DON'T I ?
Dialogue: 0,1:45:45.92,1:45:48.92,Default,,0,0,0,,{\an1\pos(68,432)}YOU CAN KEEP YOUR SILLY EPIGRAMS\NTO YOURSELF, CAN'T YOU ?
Dialogue: 0,1:46:09.95,1:46:11.95,Default,,0,0,0,,{\an1\pos(212,432)}UNCLE PIO.
Dialogue: 0,1:46:15.45,1:46:17.95,Default,,0,0,0,,{\an1\pos(212,432)}I HEAR\NYOU'RE GOING HOME.
Dialogue: 0,1:46:19.96,1:46:21.46,Default,,0,0,0,,{\an1\pos(212,432)}I CAME TO SAY\NGOOD-BYE.
Dialogue: 0,1:46:31.47,1:46:33.97,Default,,0,0,0,,{\an1\pos(68,432)}I WANT TO GO\NWITH YOU, GILDA.
Dialogue: 0,1:46:35.97,1:46:37.97,Default,,0,0,0,,{\an1\pos(68,432)}PLEASE TAKE ME.
Dialogue: 0,1:46:40.48,1:46:43.48,Default,,0,0,0,,{\an1\pos(68,432)}I KNOW I DID\NEVERYTHING WRONG.
Dialogue: 0,1:46:43.48,1:46:45.48,Default,,0,0,0,,{\an1\pos(284,432)}ISN'T IT WONDERFUL ?
Dialogue: 0,1:46:45.48,1:46:48.48,Default,,0,0,0,,{\an1\pos(140,432)}NOBODY HAS TO APOLOGIZE...
Dialogue: 0,1:46:48.49,1:46:50.50,Default,,0,0,0,,{\an1\pos(356,432)}BECAUSE...
Dialogue: 0,1:46:50.49,1:46:52.99,Default,,0,0,0,,{\an1\pos(140,432)}WE WERE BOTH SUCH STINKERS,\NWEREN'T WE ?
Dialogue: 0,1:46:54.99,1:46:56.99,Default,,0,0,0,,{\an1\pos(284,432)}ISN'T IT WONDERFUL ?
Dialogue: 0,1:46:58.50,1:47:00.51,Default,,0,0,0,,{\an1\pos(68,432)}WONDERFUL.
Dialogue: 0,1:47:15.01,1:47:19.51,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I DIDN'T INTEND\NTO COME BACK SO SOON,\NBUT I WANT MY WIFE.
Dialogue: 0,1:47:19.52,1:47:21.53,Default,,0,0,0,,{\an1\pos(428,432)}JOHNNY.
Dialogue: 0,1:47:21.52,1:47:24.52,Default,,0,0,0,,{\an1\pos(212,432)}YOU THOUGHT I DIED\NTHAT NIGHT, DIDN'T YOU ?
Dialogue: 0,1:47:24.52,1:47:26.52,Default,,0,0,0,,{\an1\pos(212,432)}I'D MURDERED A MAN...
Dialogue: 0,1:47:26.52,1:47:29.52,Default,,0,0,0,,{\an1\pos(140,432)}AND THOUGHT IT SIMPLER\NTO DISAPPEAR FOR A WHILE,\NTHAT'S ALL.
Dialogue: 0,1:47:29.53,1:47:33.54,Default,,0,0,0,,{\an1\pos(212,432)}I CAME TO THE HOUSE\NTHAT NIGHT TO GET GILDA,\NTO TAKE HER WITH ME.
Dialogue: 0,1:47:33.53,1:47:36.03,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}BUT I FOUND HER OCCUPIED...
Dialogue: 0,1:47:36.03,1:47:38.03,Default,,0,0,0,,{\an1\pos(68,432)}WITH YOU, JOHNNY.
Dialogue: 0,1:47:38.03,1:47:41.54,Default,,0,0,0,,{\an1\pos(68,432)}I HAD NEITHER THE TIME\NNOR THE INCLINATION FOR AN\NEMOTIONAL SCENE AT THE MOMENT.
Dialogue: 0,1:47:41.54,1:47:43.54,Default,,0,0,0,,{\an1\pos(68,432)}BY THE TIME THE HARBOR POLICE\NREACHED THE PLANE WRECKAGE...
Dialogue: 0,1:47:43.54,1:47:46.04,Default,,0,0,0,,{\an1\pos(68,432)}I WAS GONE, OF COURSE,\NIN THE LAUNCH I HAD WAITING.
Dialogue: 0,1:47:46.04,1:47:48.04,Default,,0,0,0,,{\an1\pos(68,432)}YOU DIDN'T SEE ME\NPARACHUTE OUT, DID YOU ?
Dialogue: 0,1:47:48.04,1:47:51.05,Default,,0,0,0,,{\an1\pos(68,432)}YOU WEREN'T SEEING VERY CLEARLY\NTHAT NIGHT ANYWAY, WERE YOU ?
Dialogue: 0,1:47:51.05,1:47:54.55,Default,,0,0,0,,{\an1\pos(68,432)}EMOTION IS SO APT\NTO CLOUD THE BRAIN, ISN'T IT ?
Dialogue: 0,1:47:54.55,1:47:57.05,Default,,0,0,0,,{\an1\pos(140,432)}I INTENDED TO KILL YOU\NWITH THIS, JOHNNY.
Dialogue: 0,1:47:57.05,1:48:01.56,Default,,0,0,0,,{\an1\pos(68,432)}{\i1}I THOUGHT IT AMUSING\NTO HAVE ONE OF MY\NLITTLE FRIENDS KILL THE OTHER.
Dialogue: 0,1:48:03.06,1:48:05.56,Default,,0,0,0,,{\an1\pos(140,432)}BUT NOW IT WON'T DO...
Dialogue: 0,1:48:07.56,1:48:09.56,Default,,0,0,0,,{\an1\pos(140,432)}BECAUSE I HAVE\NTO KILL GILDA TOO.
Dialogue: 0,1:48:12.07,1:48:14.07,Default,,0,0,0,,{\an1\pos(140,432)}I TOLD YOU\NI'D BE LOOKING--
Dialogue: 0,1:48:28.08,1:48:30.09,Default,,0,0,0,,{\an1\pos(356,432)}GILDA.
Dialogue: 0,1:48:30.09,1:48:32.59,Default,,0,0,0,,{\an1\pos(140,432)}BETTER GET OUT OF HERE,\NUNCLE PIO, QUICK !
Dialogue: 0,1:48:52.11,1:48:54.11,Default,,0,0,0,,{\an1\pos(68,432)}YOU KNOW, I'M A GREAT COP,\NMR. FARRELL.
Dialogue: 0,1:48:54.61,1:48:56.61,Default,,0,0,0,,{\an1\pos(68,432)}I'M CERTAINLY A PUSHOVER\NFOR A LOVE STORY.
Dialogue: 0,1:48:57.11,1:49:00.62,Default,,0,0,0,,{\an1\pos(68,432)}I KNOW THE COMBINATION\NOF THE SAFE, AND I DON'T\NKNOW WHERE THE SAFE IS.
Dialogue: 0,1:49:00.62,1:49:04.12,Default,,0,0,0,,{\an1\pos(68,408)}\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHUH ?\NTHE SAFE.\NWHERE IS IT ?
Dialogue: 0,1:49:04.12,1:49:07.12,Default,,0,0,0,,{\an1\pos(212,432)}IT'S IN HIS ROOM\NON THE WALL,\NBACK OF THE DESK.
Dialogue: 0,1:49:07.62,1:49:10.63,Default,,0,0,0,,{\an1\pos(68,432)}THANKS. SAY, HAVEN'T I SEEN\NTHAT CANE SOMEWHERE BEFORE ?
Dialogue: 0,1:49:12.13,1:49:14.13,Default,,0,0,0,,{\an1\pos(284,432)}YOU HAVE.
Dialogue: 0,1:49:14.13,1:49:16.63,Default,,0,0,0,,{\an1\pos(68,432)}YOU SHOULDN'T LEAVE THINGS\NLIKE THAT LAYING AROUND WHERE\NI CAN GET MY HANDS ON THEM.
Dialogue: 0,1:49:17.13,1:49:20.64,Default,,0,0,0,,{\an1\pos(140,432)}HE'S LYING,\NLIKE THE GENTLEMAN\NI ALWAYS SAID HE WAS.
Dialogue: 0,1:49:20.64,1:49:23.64,Default,,0,0,0,,{\an1\pos(140,408)}MR. POLICEMAN,\NIT WAS I--\N\h\h\h\hKEEP YOUR MOUTH SHUT.
Dialogue: 0,1:49:23.64,1:49:26.64,Default,,0,0,0,,{\an1\pos(68,432)}YOU TWO CAN QUIT BEING NOBLE\NANYTIME YOU LIKE, YOU KNOW,
Dialogue: 0,1:49:26.64,1:49:31.15,Default,,0,0,0,,{\an1\pos(68,432)}BECAUSE A MAN CAN ONLY DIE\NONCE, AND MUNDSON COMMITTED\NSUICIDE THREE MONTHS AGO.
Dialogue: 0,1:49:31.15,1:49:35.65,Default,,0,0,0,,{\an1\pos(68,432)}BESIDES, DIDN'T YOU EVER\NHEAR OF A THING CALLED\NJUSTIFIABLE HOMICIDE ?
Dialogue: 0,1:49:38.66,1:49:41.67,Default,,0,0,0,,{\an1\pos(212,432)}JOHNNY, LET'S GO HOME.
Dialogue: 0,1:49:42.66,1:49:44.66,Default,,0,0,0,,{\an1\pos(356,432)}LET'S GO HOME.
Dialogue: 0,1:49:56.67,1:50:00.63,Default,,0,0,0,,{\an1\pos(122,120)}\h\h\h\hCLOSED-CAPTIONED BY\NCAPTIONS, INC. LOS ANGELES