"Bookish" Deadly Nitrate: Part 2

1 00:00:06,037 --> 00:00:08,157 You mean everything to me. 2 00:00:09,482 --> 00:00:11,061 What the hell was that? 3 00:00:11,161 --> 00:00:15,197 Lovelorn in London. Scene 28, take three. 4 00:00:15,221 --> 00:00:19,996 I hope we did the right thing letting those people into the lane. 5 00:00:20,020 --> 00:00:25,398 Film struck girl. Inspector dead. I've shut down filming for the time being. 6 00:00:25,422 --> 00:00:29,998 What do we know about this film? Stewart Howard. He and Sandra have bound 7 00:00:30,022 --> 00:00:33,598 their careers together, the nation's sweethearts. Then there's the Honourable 8 00:00:33,622 --> 00:00:36,078 Jesse Mckendrick. You're the director 9 00:00:36,102 --> 00:00:40,578 and the writer. What about Billy? Someone is trying to 10 00:00:40,602 --> 00:00:42,220 kill me. 11 00:00:42,501 --> 00:00:45,917 Strychnine. Drop it. It's poison. 12 00:00:45,941 --> 00:00:49,158 Can you think of anyone who might want to kill you? 13 00:00:49,182 --> 00:00:53,378 Take your ruddy pick. When are we going to tell him? 14 00:00:53,402 --> 00:00:55,020 Not yet. 15 00:00:55,781 --> 00:00:59,220 It's one of the extras. 16 00:00:59,700 --> 00:01:03,421 It's Narina Bean. 17 00:01:08,741 --> 00:01:12,557 You still rolling, Sandra? Yeah. 18 00:01:12,581 --> 00:01:16,701 And action. 19 00:01:20,821 --> 00:01:26,556 Oh no. God, I'm so sorry, Jesse. Um, can I beg 10 minutes? A ciggie will sort me 20 00:01:26,580 --> 00:01:31,437 out. Cut there. 21 00:01:31,461 --> 00:01:35,741 Scene 49. Take nine. 22 00:01:37,541 --> 00:01:42,556 Action. It was then I knew we had fallen in love. 23 00:01:42,580 --> 00:01:46,556 Kill the sound, please. Can we stop the film and take a proper 24 00:01:46,580 --> 00:01:49,837 look? No, we’d burn the projector. I think 25 00:01:49,861 --> 00:01:54,637 the difference is pretty obvious. You'll see in just a moment. 26 00:01:54,661 --> 00:01:58,781 Here comes the post. 27 00:01:59,701 --> 00:02:04,838 Oh gosh, I see what you mean. He's lost 6 inches just while Sandra Dare went off for a 28 00:02:04,862 --> 00:02:09,597 gasper. So between takes 8 and 9, Nerina Bean gets 29 00:02:09,621 --> 00:02:13,198 her screen break. An hour later, is that right? 30 00:02:13,222 --> 00:02:18,078 Well, certainly no more than two. She's on the cutting room floor. Well, 31 00:02:18,102 --> 00:02:23,756 the bottom of the basement steps. I know who he is, the postman. 32 00:02:23,780 --> 00:02:29,036 You do? He was down the lane yesterday. 33 00:02:29,060 --> 00:02:35,420 I seen him in the yard just now. Would you be so kind? 34 00:02:36,021 --> 00:02:39,021 Yep. 35 00:02:39,541 --> 00:02:43,357 Of course, she hit that step with tremendous force. 36 00:02:43,381 --> 00:02:48,396 Too hard for an accident, do you think? Did she fall 37 00:02:48,420 --> 00:02:52,060 or was she pushed? 38 00:02:54,000 --> 00:03:00,074 39 00:03:07,461 --> 00:03:10,541 40 00:03:14,101 --> 00:03:17,101 41 00:03:57,381 --> 00:04:03,517 I think John Mills has lovely hair and his nails always looks so neat. 42 00:04:03,541 --> 00:04:08,637 Riveting stuff this, Mrs. B. Well, Book thinks there's something here. 43 00:04:08,661 --> 00:04:13,437 A clue. We like those. Many names coming up a lot. Regular 44 00:04:13,461 --> 00:04:17,837 correspondents. Name and address supplied is a very 45 00:04:17,861 --> 00:04:21,501 reliable contributor. 46 00:04:21,541 --> 00:04:26,077 I tried to give myself a mole like Margaret Lockwood. And now mom says I 47 00:04:26,101 --> 00:04:29,821 look like a tart. 48 00:04:33,861 --> 00:04:39,436 Hang on. I've seen a letter from this one before. 49 00:04:39,460 --> 00:04:44,621 Signed Basilisk. 50 00:04:48,101 --> 00:04:52,477 If only we could step through the screen. 51 00:04:52,501 --> 00:04:56,238 Romance of the pictures is really getting to, isn't it? 52 00:04:56,262 --> 00:05:01,918 It's not that. Beyond a door, behind that set, there's a flight of stairs 53 00:05:01,942 --> 00:05:04,941 where I think Narina Bean is already dead. 54 00:05:07,701 --> 00:05:12,300 So you think this is linked to the poison girl? 55 00:05:12,421 --> 00:05:18,237 Special delivery. Your postman Bert Masterson. 56 00:05:18,261 --> 00:05:25,740 Kurt Masterson. Normally I, I do landlords. 57 00:05:26,181 --> 00:05:33,357 I seen a glass pushed in a bloke's face and I've laughed. See? 58 00:05:33,381 --> 00:05:39,558 Very good. Robert Newton should watch his back. But you're not auditioning 59 00:05:39,582 --> 00:05:45,118 now, Mr. Masterson. We're investigating the unfortunate death that took place 60 00:05:45,142 --> 00:05:51,118 here last night. The second one in this production, in fact, after Miss Barbara. 61 00:05:51,142 --> 00:05:55,078 Markham and two looks like carelessness. Whose though? Are you the police? 62 00:05:55,102 --> 00:05:58,318 Inspector Bliss is the police. Hello. 63 00:05:58,342 --> 00:06:03,118 I'm just helping them. With their inquiries? With the fiddly bits. Now, 64 00:06:03,142 --> 00:06:06,797 Kurt Masterson, not your real name. How did you know? 65 00:06:06,821 --> 00:06:10,438 You went home early last night, Mr. Masterson. Why? 66 00:06:10,462 --> 00:06:14,318 Well, I was made an offer I couldn't refuse, wasn't I? I knew the lady, 67 00:06:14,342 --> 00:06:19,038 Narina Bean. I read her column. I always do. She gave me a fiver just to borrow 68 00:06:19,062 --> 00:06:24,318 the uniform, mind. Said she would go on for me and no one would clock it. 69 00:06:24,342 --> 00:06:28,118 Now, why would she want to pose as you? She said she was writing a story. 70 00:06:28,142 --> 00:06:32,557 The poisonous secret at the heart of Loveless in London. 71 00:06:32,581 --> 00:06:35,278 Lovelorn. Something like that. She wasn't 72 00:06:35,302 --> 00:06:39,358 specific, but she said she needed one last bit of proof. I didn't think 73 00:06:39,382 --> 00:06:44,638 nothing of it. I was barely in the shot. You sell a lot of stories to the press, 74 00:06:44,662 --> 00:06:47,358 do you, Mr. Masterson, about actors here? 75 00:06:47,382 --> 00:06:50,518 No. Well, nothing nasty. Just whether they 76 00:06:50,542 --> 00:06:52,878 like mink or or feathers or where they drink 77 00:06:52,902 --> 00:06:56,798 or how much. All right. Thank you. We'll come and get 78 00:06:56,822 --> 00:07:00,997 a statement from you. That's it. That's it. 79 00:07:01,021 --> 00:07:03,996 I was a red herring before. Once Arthur Wartner tapped his pipe and looked all 80 00:07:04,020 --> 00:07:07,837 Beady at me, but I never done it. I was just in the wrong place at the wrong 81 00:07:07,861 --> 00:07:11,116 time. Right. Thank you. 82 00:07:11,140 --> 00:07:15,997 Why was she here though, Narina? Why go to the trouble of bribing him and 83 00:07:16,021 --> 00:07:19,918 putting on his costume? The extra security. She couldn’t just hang 84 00:07:19,942 --> 00:07:24,478 around in the lane, could she? So, I suppose she needed a disguise. 85 00:07:24,502 --> 00:07:29,277 Title of that article, though, eh? Maybe she was on to the poisoner, 86 00:07:29,301 --> 00:07:32,278 so she had to go. What's that? 87 00:07:32,302 --> 00:07:36,998 Something I noticed. Backwards impression on Narina Bean's hand in ink 88 00:07:37,022 --> 00:07:41,918 was something she was holding. Evidently, she was sweating, whether 89 00:07:41,942 --> 00:07:47,117 from the exertion of going up the stairs or the heavy costume. 90 00:07:47,141 --> 00:07:49,276 And reversed it reads. 91 00:07:49,300 --> 00:07:52,477 Tywins. Tywin. 92 00:07:52,501 --> 00:07:58,477 Taiwins. Twins. Hardly. More likely the fragment of two 93 00:07:58,501 --> 00:08:04,157 words, wouldn't you say? I uh better get back to work. Work. 94 00:08:04,181 --> 00:08:08,957 I'm standing in for Stewart. It's not a profit trade, you know. 95 00:08:08,981 --> 00:08:14,541 Yeah. Like being a part-time detective. 96 00:08:16,821 --> 00:08:20,541 What's up with him? 97 00:08:24,261 --> 00:08:27,901 Me. 98 00:08:28,501 --> 00:08:34,316 She's dead. You saw her? She was at the bottom of the stairs like 99 00:08:34,340 --> 00:08:39,037 a broken doll. Oh god, how awful. I mean, she was 100 00:08:39,061 --> 00:08:44,780 awful, but still. How awful. 101 00:08:48,501 --> 00:08:53,196 If it was murder, there'll be a lot of suspects. 102 00:08:53,220 --> 00:08:57,598 Half the British film business. All of it. 103 00:08:57,622 --> 00:09:02,636 It's true. Everybody hated her. You hated her. 104 00:09:02,660 --> 00:09:10,076 What did you do last night? Had a drink with that boy. Nice kid. Went to bed 105 00:09:10,100 --> 00:09:13,597 early. Did some film star duties. No. 106 00:09:13,621 --> 00:09:19,437 Yes. You know, signing photos, answering questions from fans. What's your ideal 107 00:09:19,461 --> 00:09:25,037 night out? What d’you like for breakfast? You were just shooting here. 108 00:09:25,061 --> 00:09:32,541 Yes. Dude, take after take simple stuff, really. 109 00:09:36,421 --> 00:09:44,157 How many stars have sat here like me watching the creases grow? The hair 110 00:09:44,181 --> 00:09:50,461 thin, the flesh droop, the chins. 111 00:09:51,941 --> 00:09:58,797 I met a man once. He was an astronomer. Now, he knew about the stars, the real 112 00:09:58,821 --> 00:10:04,477 ones. I mean, did you know that the stars that we see in the sky aren't 113 00:10:04,501 --> 00:10:12,237 really there? Most of them anyway. It takes so long for the light to reach us 114 00:10:12,261 --> 00:10:16,636 that they're just echoes, ghosts, 115 00:10:16,660 --> 00:10:23,837 just a memory of what was once there. Christ, darling. But some of those stars 116 00:10:23,861 --> 00:10:29,997 don't go quietly, oh no, towards the end or later in life, shall we say, they get 117 00:10:30,021 --> 00:10:36,957 bigger bigger Stu. They give out more and more light and heat till nothing can 118 00:10:36,981 --> 00:10:43,837 eclipse them. Nothing. I don't want to go quietly. I want to 119 00:10:43,861 --> 00:10:49,517 burn light up the town like I used to explode. 120 00:10:49,541 --> 00:10:52,541 Boom! 121 00:10:54,021 --> 00:10:58,998 The chocolates were injected with one of these. So why have you got one? 122 00:10:59,022 --> 00:11:04,558 Well, it's hardly a secret, is it? Diabetic, aren't I? Everyone knows that. 123 00:11:04,582 --> 00:11:09,981 Interesting. So, anyone could have gained access to this, for instance. 124 00:11:10,741 --> 00:11:14,158 Well, you might have done it yourself. Why the hell would I have wanted to 125 00:11:14,182 --> 00:11:17,518 poison Miss Dare? Well, that's just the thing, Sunny Jim. 126 00:11:17,542 --> 00:11:19,718 Miss Dare wasn't the target. Then who was… 127 00:11:19,742 --> 00:11:23,037 her fiancé? Yes. Puts a rather different complexion 128 00:11:23,061 --> 00:11:26,518 on things, doesn't it? Mr. Howard fired you, didn't he? 129 00:11:26,542 --> 00:11:28,558 Yeah. Yeah, but not till after the chocolate. 130 00:11:28,582 --> 00:11:31,477 Yeah, but he treated you badly. You were his whipping boy. 131 00:11:31,501 --> 00:11:35,078 You need to develop a thick skin in this business. Inspector, I've dealt with 132 00:11:35,102 --> 00:11:39,118 bigger egos than Stewart Howard. Believe me, if I'd wanted to get my own back, 133 00:11:39,142 --> 00:11:43,438 I'd have pissed in his tea, not poisoned his chocolates. 134 00:11:43,462 --> 00:11:45,878 And then there's the late Miss Narina Bean. 135 00:11:45,902 --> 00:11:50,557 Yeah, well, she was a right old... Mustn't speak ill of the dead. 136 00:11:50,581 --> 00:11:53,437 She have anything on you? Like what? 137 00:11:53,461 --> 00:11:55,838 You can account for your movements last night, can you? 138 00:11:55,862 --> 00:11:57,598 Shot right through. Right. 139 00:11:57,622 --> 00:12:00,038 No coffee breaks. Yes, of course. Coffee breaks. 140 00:12:00,062 --> 00:12:04,157 So, theoretically, you could have pushed Narina Bean down the stairwell, couldn't you? 141 00:12:04,182 --> 00:12:07,919 Yeah. Well, theoretically, I could have won the pools and rung up Veronica Lake for a date, 142 00:12:07,944 --> 00:12:10,733 but I didn't. What's this? 143 00:12:10,758 --> 00:12:17,615 Tomorrow's pink page. Rewrite. Mr. Mckendrick's rewrite of scene 34. 144 00:12:17,640 --> 00:12:22,398 Just a little one, but in this business, the details matter, 145 00:12:22,422 --> 00:12:26,498 inspector. You don't want actors bumping into the furniture. 146 00:12:26,522 --> 00:12:28,541 I'm a details man myself. 147 00:12:29,941 --> 00:12:34,798 Yeah, I'm terrible at the pictures, me? Yeah. I I I always know who 148 00:12:34,822 --> 00:12:39,998 done it straight off. Every takes the marrow out of Mrs. Bliss, but as I 149 00:12:40,022 --> 00:12:44,798 always say to her, the why is the thing. So why not take her to a western? 150 00:12:44,822 --> 00:12:49,278 Watch all those cowboys getting shot in the chest and falling forwards. 151 00:12:49,302 --> 00:12:54,478 Don't think so. You ever get home, Billy? If I try hard, 152 00:12:54,502 --> 00:13:00,758 Mr. Book, I can remember the daylight. Can I go now? Well, we'll need to get 153 00:13:00,782 --> 00:13:06,220 this tested… for incident? for strychnine. 154 00:13:21,780 --> 00:13:27,756 Basilisk. Hey, ring any bells..? 155 00:13:27,780 --> 00:13:30,918 Basilisk. Norah and I have spent most of the 156 00:13:30,942 --> 00:13:33,838 morning dredging through your back issues. 157 00:13:33,862 --> 00:13:38,558 My head swimming and we'd finally found what we were 158 00:13:38,582 --> 00:13:43,678 looking for. A Sandra Dare fan who wrote to picturegoer a lot. This one is from 159 00:13:43,702 --> 00:13:48,077 2 years ago. For looks, talent, and sheer screen charisma, no one can 160 00:13:48,101 --> 00:13:51,597 compete with the divine Miss Dare. There's loads like that. In her latest 161 00:13:51,621 --> 00:13:56,757 picture, the 43-year-old star elevates the art of acting to great heights. But 162 00:13:56,781 --> 00:14:02,638 why she's wasting her time sharing the screen with Stewart Howard, I will never 163 00:14:02,662 --> 00:14:08,398 know. A mumbling, soppy-eyed fop. Oh, and here's another. A year later, the 164 00:14:08,422 --> 00:14:12,838 public's infatuation with Dare and Howard is beyond me. Miss Dare should be 165 00:14:12,862 --> 00:14:18,317 striking out alone, not saddling herself with this talent less whippersnapper. 166 00:14:18,341 --> 00:14:24,558 Of course, there is always difficulty when one reaches for the stars, but the 167 00:14:24,582 --> 00:14:31,918 difficulty as I see it is Stewart Howard, and there's a lot more like that in the 168 00:14:31,942 --> 00:14:35,678 same vein. An all signed basilisk. I see. 169 00:14:35,702 --> 00:14:40,637 Well, they obviously didn't like Stu. You think they might be the one who sent 170 00:14:40,661 --> 00:14:44,877 the chocolates? I don't know. Is it too much of a 171 00:14:44,901 --> 00:14:49,261 stretch to go from disliking a film star to sending them strychnine? 172 00:14:52,020 --> 00:14:58,157 Sometimes the discussions can get very heated at the meetups. 173 00:14:58,181 --> 00:15:03,196 Meetups? Oh yeah. We meet up and have chats and that. Sometimes the studio 174 00:15:03,220 --> 00:15:08,598 will send a star down to open a fete or something. That's how I first met 175 00:15:08,622 --> 00:15:12,636 Barbara. And you've never come across this basilisk? 176 00:15:12,660 --> 00:15:15,277 Now, how would I know if they never used 177 00:15:15,301 --> 00:15:18,701 their real name? 178 00:15:33,460 --> 00:15:38,636 Anything? Mr. Howard's room's as bare as George Zuckor's pate. 179 00:15:38,660 --> 00:15:45,181 Oh, what about Mis Dare’s? Same 180 00:15:46,741 --> 00:15:49,741 probably. 181 00:15:50,181 --> 00:15:53,501 Who's next? 182 00:15:54,261 --> 00:15:59,517 Soundproofed? naturally. Now, we know your movements last night, 183 00:15:59,541 --> 00:16:03,078 Mr. McKenzie. I should think so. Director never has a 184 00:16:03,102 --> 00:16:07,518 moment to themselves. In the tea break, I went to my office. Just a minor change 185 00:16:07,542 --> 00:16:10,118 for tomorrow. A pink page. Yes, 186 00:16:10,142 --> 00:16:15,198 you can check with my secretary. These stairs, where do they lead? Uh, 187 00:16:15,222 --> 00:16:19,558 prop store, offices. It's a warren in this place. Film vault down there. Nice 188 00:16:19,582 --> 00:16:23,358 place. If you like asbestos, the treasures of British cinema. 189 00:16:23,382 --> 00:16:25,817 Not really. No. What then? 190 00:16:25,841 --> 00:16:31,098 Well, a film opens in Leicester Square, then it goes out across the country, 191 00:16:31,122 --> 00:16:34,618 then to the second-run houses and the flea pits, and when it's so scratched that 192 00:16:34,642 --> 00:16:39,977 every scene looks like it's happening in Antarctica, it comes here. 193 00:16:40,001 --> 00:16:44,920 Back home. It's taken to the tank. The tank? What happens there? 194 00:16:49,601 --> 00:16:54,857 It's put out of its misery. It's dissolved in sodium hypochlorite. 195 00:16:54,881 --> 00:16:58,776 Why back here are the fumes, Mr. Book? The fumes. 196 00:16:58,800 --> 00:17:04,057 In goes some old tat starring a terrible provincial comic. And out comes 197 00:17:04,081 --> 00:17:08,378 something useful. Waterproof paint and silver halide. What an odd little 198 00:17:08,402 --> 00:17:11,538 cottage industry. It's valuable. More valuable than what's 199 00:17:11,562 --> 00:17:14,638 on the films themselves. Seems a lot of effort to go to. 200 00:17:14,662 --> 00:17:17,538 No, it's a simple process. The chemical solution does the work. 201 00:17:17,562 --> 00:17:22,338 No, I mean making a motion picture, you know, stars and the lights, you know, 202 00:17:22,362 --> 00:17:26,398 and shooting all those scenes and then just to melt it all down for scrap. 203 00:17:26,422 --> 00:17:29,918 British cinema is mainly stupid. Inspector, it's never been about 204 00:17:29,942 --> 00:17:35,480 anything. That needs to change. When it does, I'll make movies that won't end up here. 205 00:17:46,021 --> 00:17:49,021 Standby. 206 00:17:55,141 --> 00:17:58,381 Bye, darling. 207 00:18:02,100 --> 00:18:04,076 Mr. Howard. Mr. Book. 208 00:18:04,100 --> 00:18:06,477 A moment. Of course. 209 00:18:06,501 --> 00:18:09,357 A hoary old query. Who is. 210 00:18:09,381 --> 00:18:15,597 What were you doing last night? Well, after drinks with your Jack, I 211 00:18:15,621 --> 00:18:20,318 went to bed early, but I couldn't get off. I spent a lot of time staring at 212 00:18:20,342 --> 00:18:23,518 the ceiling, contemplating mortality, as you can imagine. 213 00:18:23,542 --> 00:18:25,838 Any witnesses? Sorry to sound so official. 214 00:18:25,862 --> 00:18:30,798 Of course not. Sandra and I are engaged, don't you know? I had heard something of 215 00:18:30,822 --> 00:18:33,277 the kind. And Nerina Bean, 216 00:18:33,301 --> 00:18:38,157 was she blackmailing you about prison? 217 00:18:38,181 --> 00:18:44,238 I've been very careful. Incredibly, I don't think she ever got a 218 00:18:44,262 --> 00:18:49,638 sniff of it. Must dash. TTFN. Right. There's been a smash and grab in. 219 00:18:49,662 --> 00:18:55,298 Crystal Palace, tray of missing wedding rings, and a cracked skull. 220 00:18:55,322 --> 00:19:00,378 Very much a be movie crime. Might you uh stick around here? 221 00:19:00,402 --> 00:19:04,298 Keep an eye on the beautiful people. They are beautiful. 222 00:19:04,322 --> 00:19:08,041 What can I get for you? But what else are they? 223 00:19:10,721 --> 00:19:14,841 Come on, Sergeant. Let's go. 224 00:19:37,281 --> 00:19:40,681 Cheers, cock. 225 00:19:56,240 --> 00:19:59,657 Clippings. We found your trail book. 226 00:19:59,681 --> 00:20:04,216 Oh, excellent work. Oh, Mrs Book. Didn't expect to see 227 00:20:04,240 --> 00:20:07,858 you here. Mr. Howard said we should visit and I've 228 00:20:07,882 --> 00:20:12,218 brought something for my husband. Lunch. 229 00:20:12,242 --> 00:20:18,498 Clues. Huh? Very interesting trail here. And I thought I saw something earlier 230 00:20:18,522 --> 00:20:25,177 too in the note. Repeated phrase. And these are all signed Basilisk. 231 00:20:25,201 --> 00:20:30,538 What? It's a mythological creature. Could kill you just by looking at you. 232 00:20:30,562 --> 00:20:35,717 Rather the way Miss Dare is looking at me now. Would you excuse me? Well done. 233 00:20:38,341 --> 00:20:44,221 Would you like a little look around, Mrs. Book? Oh, I'd be delighted. 234 00:20:45,761 --> 00:20:49,577 So, uh, wallpaper didn't suit your story then. 235 00:20:49,601 --> 00:20:54,856 Well, no, because the hero Tony, he desires pleasure, but he's afraid of it. 236 00:20:54,880 --> 00:20:59,897 He's repressed. That's Freud, you know. So, I understand. 237 00:20:59,921 --> 00:21:04,778 Wallpaper, it simply doesn't give us that. Wallpaper is about covering things 238 00:21:04,802 --> 00:21:09,336 up. I thought cakes. Cakes are the opposite of books. Really? 239 00:21:09,460 --> 00:21:12,397 I must have missed that bit in Freud. Huh? 240 00:21:12,421 --> 00:21:16,542 Yes. Break, please. 241 00:21:16,567 --> 00:21:22,556 Skirts gathered, ready for the pursuit of art. Uh, yes, I suppose so, 242 00:21:22,580 --> 00:21:26,477 well, before you rush off, perhaps I could check some details. 243 00:21:26,501 --> 00:21:30,076 How do you help the police exactly, Mr. Book? 244 00:21:30,200 --> 00:21:33,972 I check details. You must be relieved to know the chocolates 245 00:21:33,997 --> 00:21:37,748 weren't intended for you. Naturally, but also terribly 246 00:21:37,773 --> 00:21:41,498 worried for Stu, of course. Now, I know where you were 247 00:21:41,522 --> 00:21:44,938 last night, Miss Dare, because I've seen the rushes. You were doing that scene 248 00:21:44,962 --> 00:21:48,898 where you look through the window and think about the resilience of your love. 249 00:21:48,922 --> 00:21:52,018 Yes, with Nerina Bean amongst the background 250 00:21:52,042 --> 00:21:56,416 artists. Narina, was she on the set in in the 251 00:21:56,440 --> 00:22:00,737 shot? Yes. Moments later, she was on the 252 00:22:00,761 --> 00:22:03,056 stairs. Yes. Yes. 253 00:22:03,080 --> 00:22:07,617 And then at the bottom of the stairs. Yes. Well, I know about that. 254 00:22:07,641 --> 00:22:13,761 Perhaps she was killed because she knew who'd sent the poison chocolates. 255 00:22:14,361 --> 00:22:18,977 So, is that what you think? It's a working hypothesis. 256 00:22:19,001 --> 00:22:25,217 Wait a minute. Um, you don't think that I. 257 00:22:25,241 --> 00:22:30,577 No, I love Stewart. We're everything to each other. 258 00:22:30,601 --> 00:22:33,910 Everything to the box office at any rate. 259 00:22:33,935 --> 00:22:39,898 Oh, and someone's been telling tales. Well, if that were the case, I'd have 260 00:22:39,922 --> 00:22:44,977 even less motive for killing Stewart, wouldn't I? We’re joined at the hip. 261 00:22:45,001 --> 00:22:49,858 When you finished filming, he went back to your dressing room, I imagine. 262 00:22:49,882 --> 00:22:52,898 Yes. Oh, Billy. Darling, you wouldn't get me 263 00:22:52,922 --> 00:22:55,618 a, a coffee, would you, please? Of course, Miss Dare. 264 00:22:55,642 --> 00:22:59,618 Dash of milk. Me, too, Billy. Good, strong one. Sure 265 00:22:59,642 --> 00:23:03,217 thing, sir. You all work such long hours. We like to 266 00:23:03,241 --> 00:23:08,497 turn the sign at 5:30. Oh, my dear. Well, in the quota-quickie days, there 267 00:23:08,521 --> 00:23:14,498 was one picture shooting here during the day and one at night. When that door 268 00:23:14,522 --> 00:23:20,578 opened with a 10:00 turnaround, no idea. Stale beer, orange field gas. Thank you, 269 00:23:20,602 --> 00:23:25,841 darling. Oh, the 1930s. Those were the days. 270 00:23:26,680 --> 00:23:33,937 Sugar, sir. What? Tastes horrible. So bitter. 271 00:23:33,961 --> 00:23:40,817 Would you like some milk, sir? No. Billy, get me some water. 272 00:23:40,841 --> 00:23:47,521 Oh my lord, Jesse. Same sentence. 273 00:23:54,601 --> 00:23:57,857 . 274 00:23:57,881 --> 00:24:02,818 What are you doing to him? Trying to save his life, I think. But perhaps someone 275 00:24:02,842 --> 00:24:06,198 should call an ambulance in case I've got it wrong. 276 00:24:06,222 --> 00:24:08,721 Ambulance quickly. What's up, Mr. 277 00:24:09,961 --> 00:24:14,721 Look at me. Look at me. 278 00:24:25,001 --> 00:24:28,058 We didn't even get to the top of the hill. 279 00:24:28,082 --> 00:24:31,378 Is he hurt? It's largely cosmetic. Also that stuff 280 00:24:31,402 --> 00:24:34,498 around his mouth. It's largely cosmetic. 281 00:24:34,522 --> 00:24:36,977 Mascara. Oh, charcoal. 282 00:24:37,001 --> 00:24:40,738 I believe that's what mascara is. Oh, and petroleum jelly. 283 00:24:40,762 --> 00:24:44,417 A bit of a risk there, Mrs. Book. Charcoal's good for strychnine, but I'm 284 00:24:44,441 --> 00:24:47,738 still waiting for the report on what was in Barbara Markham’s chocolate. Could 285 00:24:47,762 --> 00:24:50,258 have been anything. Mr. McKendrick twitched, though. 286 00:24:50,282 --> 00:24:55,057 Strychnine gives you the twitches. That's right. Great presence of mind is 287 00:24:55,081 --> 00:24:57,937 my wife. All my thoughts, dear Jessie. 288 00:24:57,961 --> 00:25:04,401 Oh, wait. My my bag. I need my things. Oh, allow me. 289 00:25:06,601 --> 00:25:11,841 Oh, silly me. 290 00:25:17,641 --> 00:25:21,041 Thank you, Mr Book. 291 00:25:41,161 --> 00:25:48,881 Oh, it's in the coffee. Everyone else has drunk it. They seem to be fine. 292 00:25:52,601 --> 00:25:58,656 Not entirely awful. Oh, so it's in the cup, added afterwards. 293 00:25:58,680 --> 00:26:04,401 You'd think so, wouldn't you? So indiscriminate. 294 00:26:05,241 --> 00:26:12,097 I just heard Jesse was poisoned. God, is it meant for me? 295 00:26:12,121 --> 00:26:15,617 I don't know. The new schedule, Mr. Howard. 296 00:26:15,641 --> 00:26:19,857 Mr. You can go, Jack. That'll be the end of 297 00:26:19,881 --> 00:26:25,800 shooting for the day. Okay. 298 00:26:27,001 --> 00:26:33,281 Quite. Let's call it a day. Shall we, Trottie? 299 00:26:38,761 --> 00:26:43,137 What's the matter with him? I don't know. 300 00:26:43,161 --> 00:26:47,921 He's been rather off with me all day. 301 00:27:00,680 --> 00:27:07,440 Nora, are we diversifying? Just catching up on my reading. 302 00:27:08,281 --> 00:27:14,416 Here’s mud in your eye. You’re still a child. Your uncle’ll have my 303 00:27:14,440 --> 00:27:17,857 guts for garters. I'll go to bed. Oh, 304 00:27:17,881 --> 00:27:21,137 you all right? Long day. 305 00:27:21,161 --> 00:27:24,737 What's wrong with your usual diet of blood and guts? 306 00:27:24,761 --> 00:27:30,957 Got a bit bored. They're starving a woman to death in Penge. 307 00:27:30,982 --> 00:27:34,737 Nora, a favour. Where are those film 308 00:27:34,761 --> 00:27:38,017 almanacs? You mean the magazines that girl bought? 309 00:27:38,041 --> 00:27:43,378 No, no, we have a stack of almanacs. Early films from when they still called 310 00:27:43,402 --> 00:27:47,777 them flickers, if memory serves, between William Freeze Green and How Green Was. 311 00:27:47,801 --> 00:27:51,200 My Valley. Right. Oh, 312 00:28:00,761 --> 00:28:15,217 there she is. Cristiana Edmunds ad Astra ad Aspera. 313 00:28:15,241 --> 00:28:19,680 What? Nothing. 314 00:28:33,001 --> 00:28:35,978 And the staircase doesn't go anywhere. Oh, 315 00:28:36,002 --> 00:28:39,018 it's all right. These people never go upstairs. 316 00:28:39,042 --> 00:28:42,896 Sounds like home. No ceiling, though. The rooms in films 317 00:28:42,920 --> 00:28:48,417 never have ceilings. Why is that, eh? It’s to stop the light getting in. 318 00:28:48,441 --> 00:28:50,497 Continuity, Mr. Book. Oh, 319 00:28:50,521 --> 00:28:54,817 sorry. How is the life of a stand in? 320 00:28:54,841 --> 00:28:59,761 Static. Jack, a word in your shell-like, 321 00:29:01,641 --> 00:29:08,176 Jack. Jack, back into light, please. Ah, Mr. Mckendrick, glad to see you 322 00:29:08,200 --> 00:29:11,218 looking hale and hearty. Fully recovered, I hope. 323 00:29:11,242 --> 00:29:13,738 Yes. Thanks to Mrs. Book. When I went into 324 00:29:13,762 --> 00:29:16,858 the picture business, I never thought it would be so bad for my nerves. It's 325 00:29:16,882 --> 00:29:18,858 exhausting. More exhausting than running. 326 00:29:18,882 --> 00:29:21,058 So much more. Near the end, though, now, aren't we? 327 00:29:21,082 --> 00:29:24,018 Yes. I'm so sorry, Mr. Book. Would you excuse me? I'm rather busy. 328 00:29:24,042 --> 00:29:27,498 Of course. Oh, what is the, uh, story so far, Mr. 329 00:29:27,522 --> 00:29:31,058 Howard? We've been having a passionate affair of 330 00:29:31,082 --> 00:29:35,658 the intellect, Madame and I. But then this telegram comes. Telegram of doom. 331 00:29:35,682 --> 00:29:39,218 And what do you know? The husband's been found in a Japanese PoW camp. 332 00:29:39,242 --> 00:29:41,738 Oh, bad luck. Yes. And he's on his way back to Blighty 333 00:29:41,762 --> 00:29:45,178 with his ribs sticking out, but still very much a going concern love wise. And 334 00:29:45,202 --> 00:29:47,938 so she tells me she has to leave me. What do you say? 335 00:29:47,962 --> 00:29:52,498 Nothing. Of course. Writers never want to write those bits. They like a nice 336 00:29:52,522 --> 00:29:57,057 clean reaction shot. Something's swelling on the soundtrack. 337 00:29:57,081 --> 00:30:00,455 Positions, please. But credit due, Jesse listened. So instead of 338 00:30:00,480 --> 00:30:03,417 standing there catching flies, I gird my loins 339 00:30:03,442 --> 00:30:06,416 and go stoically back to work. Like Uncle Vanya. 340 00:30:06,440 --> 00:30:10,896 I'm sure that's what Jesse had in mind. Ask him. 341 00:30:10,920 --> 00:30:17,296 I might at that. What to do today? What to do today? 342 00:30:17,320 --> 00:30:23,784 What it really minute? What to do? What did you do today? 343 00:30:23,809 --> 00:30:28,824 Today. What to do today? Scene 34. Take one. 344 00:30:29,481 --> 00:30:34,977 Action. Now the telegram is here. One I think we knew would always come. 345 00:30:35,001 --> 00:30:39,296 Is this the end of the affair? Don't say that word, Stewart. You know 346 00:30:39,320 --> 00:30:42,097 that it hurts me. I shall think of us. 347 00:30:42,121 --> 00:30:43,938 Stewart together. You said Stewart. 348 00:30:43,962 --> 00:30:45,838 What? You Said Stewart. 349 00:30:45,862 --> 00:30:48,718 Cut. Let's go again. Close positions, please. 350 00:30:48,742 --> 00:30:53,938 Close positions. Billy. Yes. Mr. Mckendrick. Run this one. 351 00:30:53,962 --> 00:30:56,061 Would you call it in? 352 00:30:56,661 --> 00:31:02,700 Ready. What? Please. 353 00:31:05,621 --> 00:31:08,637 And action. 354 00:31:08,661 --> 00:31:12,637 Don't say that, Tony. You know that it hurts me. 355 00:31:12,661 --> 00:31:17,357 There's still time, you know. Time for what? 356 00:31:17,381 --> 00:31:22,556 To do the right thing. Stop the filming. I've been aware for a while about a 357 00:31:22,580 --> 00:31:25,517 certain secret relationship in your life. 358 00:31:25,541 --> 00:31:29,917 Oh, we are not. She isn't. Not with Sandra, 359 00:31:29,941 --> 00:31:34,076 with Strychnine. I've read those grave little paragraphs 360 00:31:34,100 --> 00:31:38,717 in the Varsity Sporting Review. How you took it as a stimulant to get you 361 00:31:38,741 --> 00:31:43,916 through those last agonising yards of the race. Rather reckless, really. My 362 00:31:43,940 --> 00:31:46,637 father wasn't very pleased, was he? No. 363 00:31:46,661 --> 00:31:52,157 So, I got into trouble. So what? And then there's Cristiana Edmunds, 364 00:31:52,181 --> 00:31:57,357 the heroine of your new film script, household name, once. Fell in love with a 365 00:31:57,381 --> 00:32:02,877 doctor, and believed that he was in love with her pure fantasy. And she thought 366 00:32:02,901 --> 00:32:08,078 she could help him escape from his wife by bringing her a box of poison 367 00:32:08,102 --> 00:32:13,916 chocolate creams which the wife spat out just in time. And her poison of choice, 368 00:32:13,940 --> 00:32:18,796 Strychnine, of course. Bit of a leitmotif, isn't it? 369 00:32:18,820 --> 00:32:24,237 I've had a lot of time to think. Too much, I dare say. And I think we've been 370 00:32:24,261 --> 00:32:30,877 living in a kind of a dream. It's time for that dream to end. You You 371 00:32:30,901 --> 00:32:36,237 must stay here with your folks. I 372 00:32:36,261 --> 00:32:43,580 I must go back to my husband. I simply must. 373 00:32:57,541 --> 00:33:01,357 You didn't mean to kill poor Barbara Markham. 374 00:33:01,381 --> 00:33:04,556 And that might save you from the gallows, 375 00:33:04,580 --> 00:33:11,418 but you couldn't make the same argument about what's happening here, could you? 376 00:33:11,442 --> 00:33:13,980 This is your very last chance, Jesse. 377 00:33:18,021 --> 00:33:25,837 Oh, damn, damn, damn you, Book. 378 00:33:25,861 --> 00:33:31,597 Oh well. Too late now. 379 00:33:31,621 --> 00:33:35,638 You're all right, Stu. It was on the cash register. It went 380 00:33:35,662 --> 00:33:39,820 right into me when I when I pressed the button. 381 00:33:40,980 --> 00:33:44,877 Oh my god. Oh my god. You 382 00:33:44,901 --> 00:33:51,757 I have a name, Mr. Howard. Is this what happened to that girl? 383 00:33:51,781 --> 00:33:57,277 No. Barbara Markham swallowed strychnine. This time the poison was on a pin in the 384 00:33:57,301 --> 00:34:01,117 cash register so it would go straight into the bloodstream. 385 00:34:01,141 --> 00:34:07,158 If Jack and Billy hadn't followed my instructions perfectly and swapped it 386 00:34:07,182 --> 00:34:12,318 with a clean one. The pink page told me where to look. It was Billy who found 387 00:34:12,342 --> 00:34:18,237 it. You should be grateful he's so diligent, Mr. Howard, considering how 388 00:34:18,261 --> 00:34:22,518 bloody rude you are to him. You should thank him too, Jesse. 389 00:34:22,542 --> 00:34:27,741 One less name on the charge sheet next to little Barbara Markham. 390 00:34:28,421 --> 00:34:32,717 It was for you, my love. All for you. What? 391 00:34:32,741 --> 00:34:37,917 So we could be together and I could make you a bigger star than ever. Not in 392 00:34:37,941 --> 00:34:41,998 cheap trash like this, but in a real film, a masterpiece. 393 00:34:42,022 --> 00:34:48,158 What the hell are you talking about? He's been obsessed with you for years. 394 00:34:48,182 --> 00:34:52,917 Miss Dare. used to write letters to picturegoer, under a pseudonym, of course, 395 00:34:52,941 --> 00:34:58,078 Basilisk, his family crest all those books he read in the shop last year 396 00:34:58,102 --> 00:35:01,358 that's how he came up with his magnum opus 397 00:35:01,382 --> 00:35:06,157 unfortunately he left a little trace behind 398 00:35:06,181 --> 00:35:11,198 He saw that we were getting a little too close to the truth and that's why he 399 00:35:11,222 --> 00:35:17,118 suddenly tasted something strange in his coffee, faked the poisoning. 400 00:35:17,142 --> 00:35:21,357 You could have said bitter almonds like people do in the films, 401 00:35:21,381 --> 00:35:27,598 but you chose to twitch because you knew that Barbara Markham had been killed by 402 00:35:27,622 --> 00:35:31,038 strychnine. You were familiar with the effects. They're pretty ugly, aren't 403 00:35:31,062 --> 00:35:34,478 they, Trottie? Yes, spasms, a sort of breathless 404 00:35:34,502 --> 00:35:39,758 agitation. I'll never forget it. You put in a good performance, Jesse. 405 00:35:39,782 --> 00:35:43,238 But let me give you a note, Mr. Director. 406 00:35:43,262 --> 00:35:48,957 It takes a few minutes for the spasms to start. Your timing was out 407 00:35:48,981 --> 00:35:56,317 ad Astra Per Aspera through hardship to the stars. Your family motto. You got to 408 00:35:56,341 --> 00:36:02,236 the stars, didn't you, Jesse? Not to the only star that mattered to you. 409 00:36:02,260 --> 00:36:08,158 Sandra Dare. My family has money. So much money. That's how I bought my way 410 00:36:08,182 --> 00:36:11,997 into this filthy industry. I could have financed our picture, 411 00:36:12,021 --> 00:36:14,877 Sandra. But he was spoiling it. 412 00:36:14,901 --> 00:36:19,437 Him. And what better publicity, a tragic 413 00:36:19,461 --> 00:36:24,957 widow overcoming her grief, tackling the part of a lifetime alongside the 414 00:36:24,981 --> 00:36:29,038 brilliant young writer. Writer-director. 415 00:36:29,062 --> 00:36:32,637 Writer, director, who consoled her. It's obscene. 416 00:36:32,661 --> 00:36:37,197 Deranged. Oh, you poor fool. It would be a whole new Sandra Dare, my 417 00:36:37,221 --> 00:36:42,558 darling. Of playing your own age. No makeup. A true character part to show 418 00:36:42,582 --> 00:36:46,397 your real range. No makeup. Are you mad? I'm Sandra. 419 00:36:46,421 --> 00:36:51,357 Dare. So was him. He killed that poor girl. 420 00:36:51,381 --> 00:36:55,597 Yes. And Nerina Bean. No, not Nerina Bean. 421 00:36:55,621 --> 00:36:59,117 What? Not Nerina Bean. The girl with the 422 00:36:59,141 --> 00:37:04,397 poison pen. Jesse has a cast iron alibi. He was in his office. The secretary by 423 00:37:04,421 --> 00:37:09,118 his side, passing him the carbon paper, typing out a way to murder you, Mr. 424 00:37:09,142 --> 00:37:10,957 Howard. Then who did do it? 425 00:37:10,981 --> 00:37:14,157 Where did we find her? Bottom of the stairs. 426 00:37:14,181 --> 00:37:20,957 Which lead where? The prop store, offices, the vault. 427 00:37:20,981 --> 00:37:25,516 The vault? Yes. Wherein lie some of the forgotten 428 00:37:25,540 --> 00:37:31,718 remnants of British cinema and one film in particular. I found the reference in 429 00:37:31,742 --> 00:37:35,358 an old movie almanac back in Archangel Lane. 430 00:37:35,382 --> 00:37:38,236 What film? Kitty wins the Calcutta sweep. 431 00:37:38,260 --> 00:37:44,797 What the hell is that? It’s the film I found in your room, 432 00:37:44,821 --> 00:37:47,821 Sandra? 433 00:37:55,780 --> 00:38:02,381 Billy, call Bow Street. Get Bliss here. Yes, Mr. B. 434 00:38:11,540 --> 00:38:16,877 You never loved her, Stewart. Not like I did. It's a long time since I've done 435 00:38:16,901 --> 00:38:20,301 this for real. 436 00:38:58,581 --> 00:39:01,581 Sandra. 437 00:39:03,061 --> 00:39:10,141 Sandra, it's all over. Why don't you come out and explain? 438 00:39:16,901 --> 00:39:23,500 I wasn't Sandra Dare back then. 439 00:39:25,301 --> 00:39:31,260 I was Deirdre Piddock. 440 00:39:35,941 --> 00:39:43,941 It was so long ago the film was lost and then Nerina 441 00:39:46,341 --> 00:39:49,981 discovered it 442 00:39:52,181 --> 00:39:56,621 and then I discovered her. 443 00:40:05,381 --> 00:40:09,260 It was pure chance. 444 00:40:10,101 --> 00:40:17,741 I was going back to my dressing room and I saw this person, an extra, 445 00:40:18,661 --> 00:40:26,661 and then I recognised her and I saw what she had in her sweaty 446 00:40:27,141 --> 00:40:33,837 hands. I had never been so angry, not in all my 447 00:40:33,861 --> 00:40:40,637 life. No, you give it to me, 448 00:40:40,661 --> 00:40:47,421 No. Damn it. No. 449 00:40:52,741 --> 00:40:59,260 She hit that step like a fairground coconut. She died instantly. 450 00:41:00,341 --> 00:41:05,996 But it was an accident. I swear 451 00:41:06,020 --> 00:41:09,821 it was an accident. 452 00:41:10,421 --> 00:41:17,740 But there it was. The master print. 453 00:41:28,500 --> 00:41:33,917 This business will forgive you a lot of things, but 454 00:41:33,941 --> 00:41:40,621 not getting old. Are you smoking, Sandra? 455 00:41:42,421 --> 00:41:49,500 When nitrate film burns, Sandra, it makes its own oxygen. 456 00:41:50,181 --> 00:41:58,181 You think I don't know that, Mr. Book? I'm a veteran of the silver screen. 457 00:41:58,821 --> 00:42:03,437 That's why they keep it in an asbestos vault. 458 00:42:03,461 --> 00:42:07,837 You drop that cigarette, Sandra, you'll go up like a torch. 459 00:42:07,861 --> 00:42:12,540 And Trottie and I won't escape unscathed. 460 00:42:13,621 --> 00:42:20,317 And neither will Stewart. Stewart? 461 00:42:20,341 --> 00:42:26,716 Darling, it doesn't have to be like this. 462 00:42:26,740 --> 00:42:32,701 But she would have told them all my secret 463 00:42:34,020 --> 00:42:40,157 that I was making films when Lenin was in office. 464 00:42:40,181 --> 00:42:44,157 That would have made me box office poison. 465 00:42:44,181 --> 00:42:50,397 And I've told you I want to go on and on and light up the 466 00:42:50,421 --> 00:42:53,981 town. Explode. 467 00:43:01,941 --> 00:43:06,957 Sandra, that script that Jesse wrote, I read it. 468 00:43:06,981 --> 00:43:13,837 It's about a woman who makes a terrible moral mistake, 469 00:43:13,861 --> 00:43:18,461 but she faces her fate with dignity. 470 00:43:18,661 --> 00:43:25,117 Inspector Bliss will be here soon, and you'll be under arrest. 471 00:43:25,141 --> 00:43:29,516 But before he arrives, I could save you a little bit of 472 00:43:29,540 --> 00:43:35,581 humiliation. What do you say? 473 00:43:36,260 --> 00:43:42,157 Let's go out to the tank. Bring that film. The one with you as a 474 00:43:42,181 --> 00:43:46,476 17-year-old with your whole life ahead of you. 475 00:43:46,500 --> 00:43:51,581 Before this business made you what you've become. 476 00:43:52,661 --> 00:43:58,637 Oh no, Mr. Book. Ah, 477 00:43:58,661 --> 00:44:05,117 I've always had it in me. I've always been a star. 478 00:44:05,141 --> 00:44:13,141 I think that's what the camera saw and why they've always loved me. 479 00:44:14,581 --> 00:44:19,101 Just give me a moment, will you? 480 00:44:28,341 --> 00:44:32,141 Not bad. 481 00:44:46,500 --> 00:44:52,221 That's long enough. Kick the bloody door in. 482 00:45:28,341 --> 00:45:32,141 That one. Come on. 483 00:45:58,581 --> 00:46:01,581 Boom. 484 00:46:34,981 --> 00:46:39,037 It's a tragedy really. Will they 485 00:46:39,061 --> 00:46:44,157 will they hang? Jesse Mckendrick undoubtedly, 486 00:46:44,181 --> 00:46:48,077 but I'm sure the jury will be kind to Miss Dare 487 00:46:48,101 --> 00:46:52,861 It was an accident after all. 488 00:46:53,540 --> 00:46:58,957 Now you're a free man, Mr. Howard. Just what I wanted. 489 00:46:58,981 --> 00:47:03,197 What a cost, mind you. 490 00:47:03,221 --> 00:47:07,277 Tragic ex-fiancé, brokenhearted leading man, 491 00:47:07,301 --> 00:47:10,701 suddenly single. 492 00:47:15,621 --> 00:47:21,677 What is it? It was an accident, wasn't it? 493 00:47:21,701 --> 00:47:27,996 Nerina Bean's death. Well, you shall never know, Inspector. 494 00:47:28,020 --> 00:47:34,780 After all, Sandra Dare is a terribly good actress. 495 00:48:09,701 --> 00:48:14,557 Hello, Jack. What's up? 496 00:48:14,581 --> 00:48:20,318 Jack? We need to tell you something. I'm sorry we didn't say it before, but we 497 00:48:20,342 --> 00:48:25,018 wanted to let you settle in and it's a delicate matter. 498 00:48:25,042 --> 00:48:27,661 It's about our relationship. 499 00:48:27,780 --> 00:48:33,756 Oh, I think I've guessed it. 500 00:48:33,780 --> 00:48:38,637 Is it that obvious? Well, it wasn't at first, but 501 00:48:38,661 --> 00:48:41,661 yeah, 502 00:48:42,341 --> 00:48:46,797 I found a photograph. Photograph? 503 00:48:46,821 --> 00:48:50,061 my dad. 504 00:48:52,181 --> 00:48:58,701 You have a photo of my dad. It's just like the one that I have. 505 00:49:00,901 --> 00:49:04,956 And this… I know I shouldn't have taken it. I'm 506 00:49:04,980 --> 00:49:12,980 sorry. But with the picture, Eric Percival Banks, your first husband. 507 00:49:17,221 --> 00:49:20,621 Is this him? 508 00:49:31,780 --> 00:49:34,780 509 00:49:52,901 --> 00:49:55,901 510 00:49:57,221 --> 00:50:00,222 511 00:50:15,780 --> 00:50:18,780 512 00:50:49,461 --> 00:50:52,461 Trottie… 513 00:50:54,500 --> 00:50:58,061 Are you my mother? 514 00:51:00,581 --> 00:51:05,437 No, dear. Not at all. 515 00:51:05,461 --> 00:51:08,941 I'm so sorry. 516 00:51:17,621 --> 00:51:22,262 But what's all this about? 517 00:51:22,287 --> 00:51:29,605 Jack, we have rather a lot to tell you. 518 00:51:44,020 --> 00:51:47,020 519 00:52:10,740 --> 00:52:13,740 520 00:52:17,061 --> 00:52:20,061 521 00:52:21,305 --> 00:53:21,471 Watch Online Movies and Series for FREE www.osdb.link/lm