Sous le vent
ID | 13197986 |
---|---|
Movie Name | Sous le vent |
Release Name | Robert Kramer - (1991) Leeward.mkv |
Year | 1991 |
Kind | movie |
Language | English |
IMDB ID | 7001654 |
Format | srt |
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Here's how it started.
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When I got back from Vietnam,
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I was a good soldier.
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I'd never said a word.
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Travel is useful, it
exercises the imagination
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All the rest is
disappointment and fatigue.
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Our journey is
entirely imaginary.
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That is its strength.
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It goes from life to death.
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People, animals,
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cities, things, all are imagined.
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It's a novel, just a
fictitious narrative.
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Littré says so, and
he's never wrong.
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And besides, in the first
place, anyone can do as much.
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You just have to close your eyes.
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It's on the other side of life.
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There's a moment between
two brands of humanity
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when you find yourself
thrashing around in a vacuum.
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That's what exile, a foreign country
is, inexorable perception of existence
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as it really is, during
those long lucid hours,
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exceptional in the
flux of human time,
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when the ways of the
old country abandon you,
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but the new ways haven't
sufficiently stupefied you as yet.
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The loneliness in Vietnam
had been pretty rough,
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but my isolation in
this American anthill
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was even more crushing.
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From that moment on we
saw, rising to the surface,
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the terrifying nature of
white men, exasperated,
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freed from constraint, absolutely
unbuttoned, their true nature,
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same as in the war.
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That tropical steam
bath called forth
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instincts as August
breeds toads and snakes
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on the fissured walls of prisons.
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00:04:47,211 --> 00:04:50,309
In the European cold, under
gray, puritanical northern skies,
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we seldom get to see our
brothers' festering cruelty
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except in times of carnage,
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but when roused by the
foul fevers of the tropics,
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their rottenness
rises to the surface.
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That's when the frantic unbuttoning
sets in, when filth triumphs.
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It's a biological confession
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Once work and cold
weather cease to constrain us,
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once they relax their grip,
the white man shows you
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the same spectacle
as a beautiful beach [...]
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when the tide goes out:
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the truth, fetid pools,
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crabs, carrion, and turds.
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As long as we're young,
we manage to find excuses
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for the stoniest indifference,
the most blatant caddishness,
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00:06:02,887 --> 00:06:06,056
we put them down to
emotional eccentricity
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00:06:06,572 --> 00:06:09,742
or some sort of
romantic inexperience.
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But later on, when life
shows us how much cunning
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cruelty, and malice are
required just to keep the body
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at ninety-eight point
six, we catch on,
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we know the score, we
begin to understand how much
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swinishness it takes
to make up a past
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Just take a close
look at yourself
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and the degree of
rottenness you've come to.
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There's no mystery about it,
no more room for fairy tales;
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if you've lived this
long, it's because
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you've squashed any
poetry you had in you.
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Life's become a lot
of pork and beans.
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The biggest defeat in every
department of life is to forget
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especially the things
that have done you in,
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and to die without realizing
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how far people can go
in the way of crumminess.
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When the grave lies open
before us, let's not try to be witty,
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but on the other hand, let's not
forget, but make it our business
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to record the worst of
the human viciousness
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we've seen without
changing one word.
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When that's done, we can curl
up our toes and sink into the pit.
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That's work
enough for a lifetime.
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Far in the distance
the tugboat whistled;
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its call passed the
bridge, one more arch,
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then another, the lock, another
bridge, farther and farther...
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It was summoning all
the barges on the river,
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every last one, and the whole
city and the sky and the countryside,
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and ourselves, to
carry us all away,
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the Seine too, and that
would be the end of us.
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