Punk in London

Name: Punk in London
Released: 1977

ID	13200395
Movie Name	Punk in London
Release Name	Punk in London (1977) [1080p] [WEBRip] [YTS.MX]
Year	1977
Kind	movie
Language	English
IMDB ID	79763
Format	srt

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1 00:00:03,041 --> 00:00:04,625 ♪ Take a look at the great ♪ 2 00:00:05,166 --> 00:00:07,291 ♪ Remember how great it should be ♪ 3 00:00:07,958 --> 00:00:10,500 ♪ Think what it was ♪ 4 00:00:10,583 --> 00:00:12,541 ♪ Shops are full of the fashion ♪ 5 00:00:13,708 --> 00:00:15,291 ♪ People told what they want ♪ 6 00:00:16,708 --> 00:00:21,125 ♪ The street that was a part Of the British Monarchy ♪ 7 00:00:22,416 --> 00:00:23,958 ♪ British Monarchy ♪ 8 00:00:25,666 --> 00:00:28,416 ♪ Who wants Afghans and all that ♪ 9 00:00:28,500 --> 00:00:29,833 ♪ We don't need them now ♪ 10 00:00:31,416 --> 00:00:33,250 ♪ Why should we accept the change ♪ 11 00:00:33,333 --> 00:00:35,875 ♪ And buy clothes of today ♪ 12 00:00:37,000 --> 00:00:39,166 ♪ Kids, kids, kids repel the change and ♪ 13 00:00:40,333 --> 00:00:41,708 ♪ Bring back the street ♪ 14 00:00:42,708 --> 00:00:45,166 ♪ Shops filled by whole nations ♪ 15 00:00:46,125 --> 00:00:47,458 ♪ Carnaby Street ♪ 16 00:00:48,958 --> 00:00:51,916 ♪ Carnaby Street, Carnaby Street ♪ 17 00:00:57,541 --> 00:00:59,208 ♪ The street is a mirror ♪ 18 00:01:00,291 --> 00:01:01,750 ♪ For our country ♪ 19 00:01:02,791 --> 00:01:04,625 ♪ Reflects the rise and fall ♪ 20 00:01:06,291 --> 00:01:08,416 ♪ Of our nation, nation ♪ 21 00:01:14,583 --> 00:01:17,250 ♪ The street that was a legend ♪ 22 00:01:17,333 --> 00:01:18,708 ♪ Is a mockery ♪ 23 00:01:20,333 --> 00:01:22,625 ♪ A part of the British tradition ♪ 24 00:01:23,416 --> 00:01:24,916 ♪ Gone down the drain ♪ 25 00:01:25,708 --> 00:01:27,916 ♪ You don't need no glass ball ♪ 26 00:01:29,041 --> 00:01:30,416 ♪ To see its faults ♪ 27 00:01:31,666 --> 00:01:33,833 ♪ Take a walk along that street ♪ 28 00:01:33,916 --> 00:01:36,166 ♪ And you'll see what I mean ♪ 29 00:01:37,833 --> 00:01:39,666 ♪ Carnaby Street ♪ 30 00:01:40,833 --> 00:01:42,333 ♪ Carnaby Street ♪ 31 00:01:44,041 --> 00:01:46,708 {\an8}♪ Carnaby Street Not what it used to be ♪ 32 00:01:46,791 --> 00:01:49,166 {\an8}♪ Carnaby Street Not what it used to be ♪ 33 00:01:49,750 --> 00:01:50,750 ♪ Carnaby Street ♪ 34 00:01:52,583 --> 00:01:53,583 ♪ Carnaby Street ♪ 35 00:01:55,541 --> 00:01:58,291 ♪ Carnaby Street ♪ 36 00:01:58,375 --> 00:02:01,000 ♪ Carnaby Street ♪ 37 00:02:03,000 --> 00:02:09,074 Watch Online Movies and Series for FREE www.osdb.link/lm 38 00:02:10,291 --> 00:02:13,125 {\an8}Thank you. Got you all sober now. 39 00:02:28,708 --> 00:02:31,666 Quite ironic, innit? I promised an Aerosmith. 40 00:02:39,250 --> 00:02:40,875 There's a tune you wanna know. 41 00:02:56,791 --> 00:03:00,000 ♪ In the city there's a thousand things I want to say to you ♪ 42 00:03:01,666 --> 00:03:04,875 ♪ But whenever I approach you You make me look a fool ♪ 43 00:03:06,833 --> 00:03:08,666 ♪ I wanna say ♪ 44 00:03:09,333 --> 00:03:10,875 ♪ I wanna tell you ♪ 45 00:03:10,958 --> 00:03:13,291 ♪ About the young ideas ♪ 46 00:03:13,375 --> 00:03:15,791 ♪ But you turn them into fears ♪ 47 00:03:17,541 --> 00:03:20,625 ♪ In the city there's a thousand faces All shining bright ♪ 48 00:03:22,458 --> 00:03:25,583 ♪ And those golden faces are under 25 ♪ 49 00:03:27,708 --> 00:03:29,250 ♪ They wanna say… ♪ 50 00:04:20,208 --> 00:04:22,208 Anyway, the beginnings of punk. 51 00:04:22,291 --> 00:04:23,333 Um… 52 00:04:25,541 --> 00:04:26,875 Why don't I let you talk, go on. 53 00:04:26,958 --> 00:04:29,000 Why don't you let me talk. What was the... 54 00:04:29,083 --> 00:04:30,083 Uh… 55 00:04:30,875 --> 00:04:36,083 Yeah, in London last year, right, there was a pub scene, 56 00:04:36,166 --> 00:04:38,541 and you had various bands playing a lot of, 57 00:04:38,625 --> 00:04:39,767 you know, the pubs in London. 58 00:04:39,791 --> 00:04:42,375 A lot of people were having music in pubs, you know. 59 00:04:42,458 --> 00:04:48,041 Hope & Anchor, the Keni... Kensington, The Nashville. 60 00:04:57,541 --> 00:04:58,833 Jim, in or out. 61 00:05:01,416 --> 00:05:02,791 Go on, then. 62 00:05:02,875 --> 00:05:05,458 Go on, tell them about punk rock. 63 00:05:05,541 --> 00:05:08,291 The identification with, with… 64 00:05:08,375 --> 00:05:10,666 To identify with something of their own. 65 00:05:10,750 --> 00:05:13,125 They have nothing of their own. 66 00:05:13,208 --> 00:05:15,500 Everybody would say how great the '50s were, 67 00:05:15,583 --> 00:05:17,476 how great the '60s were, you know, and that we were 68 00:05:17,500 --> 00:05:19,809 - all living off the '60s, you know. - Not even related to the '60s. 69 00:05:19,833 --> 00:05:23,000 Put down all that old crap that was going down, you know, 70 00:05:23,083 --> 00:05:26,833 like, you know, we needed an identity of our own. 71 00:05:26,916 --> 00:05:29,375 - You know, 1977. - No. This political angle ain't new. 72 00:05:29,458 --> 00:05:30,517 They've all done it all before 73 00:05:30,541 --> 00:05:32,500 in that movie The Privilege with Paul Jones. 74 00:05:32,583 --> 00:05:34,791 "Street Fighting Man" by The Stones, you know. 75 00:05:34,875 --> 00:05:37,791 I mean, that was political, you know. 76 00:05:37,875 --> 00:05:40,625 But the point is, we just, you know, talking about youth 77 00:05:40,708 --> 00:05:43,458 and singing songs about problems of everyday life. 78 00:05:43,541 --> 00:05:45,083 People have just been singing songs 79 00:05:45,166 --> 00:05:47,086 about science fiction fantasy and shit like that. 80 00:05:47,166 --> 00:05:49,666 You know, I mean, what relevance is, like, 81 00:05:49,750 --> 00:05:53,291 I love my baby, you know, and I've shagged my bird 82 00:05:53,375 --> 00:05:56,625 'round the back street, you know, what relevance is that today? 83 00:05:56,708 --> 00:05:58,309 There are problems, you know, which have been 84 00:05:58,333 --> 00:05:59,958 pushed underground for too long, 85 00:06:00,041 --> 00:06:02,333 which today have to be brought up to light. 86 00:06:02,416 --> 00:06:04,256 People ain't got time to think about the cosmos 87 00:06:04,333 --> 00:06:05,434 - and the universe, you know. - Yeah. 88 00:06:05,458 --> 00:06:07,416 When they ain't got any money to live on. 89 00:06:07,500 --> 00:06:08,500 Yeah. 90 00:06:09,083 --> 00:06:10,750 The whole Western world's a big joke. 91 00:06:10,833 --> 00:06:13,166 You go around, you know, you got 50 pence, you know. 92 00:06:13,250 --> 00:06:16,416 You used to get a meal or something. Go to the movies. 93 00:06:16,500 --> 00:06:19,958 It's totally boring, you know, after the, like, 94 00:06:20,041 --> 00:06:23,833 the hippie era, you know, where like, everything is free, man. 95 00:06:23,916 --> 00:06:27,250 You know, it was, like, you could live off that, you know. 96 00:06:27,333 --> 00:06:29,083 It was great. It was great to live off that. 97 00:06:29,166 --> 00:06:31,708 I used to live off that, personally. 98 00:06:32,625 --> 00:06:35,083 That scene, you know, that era, you know? 99 00:06:36,875 --> 00:06:37,958 But, uh… 100 00:06:39,416 --> 00:06:40,333 This is it, you know. 101 00:06:40,416 --> 00:06:41,791 And I just thought, well, 102 00:06:41,875 --> 00:06:44,250 with the crap that was going down then, you know. 103 00:06:45,583 --> 00:06:46,958 One second. 104 00:06:47,041 --> 00:06:49,750 The crap that was going down then, you know, 105 00:06:49,833 --> 00:06:54,083 it was, like, not relevant to me at all, you know. 106 00:06:54,166 --> 00:06:56,875 It was nothing to do with the way I felt, you know. 107 00:06:56,958 --> 00:07:01,208 So I thought, well, I'll do it myself, you know. 108 00:07:01,291 --> 00:07:03,958 Come spring, and then the band got together, you know. 109 00:07:05,375 --> 00:07:09,000 James Stevenson on guitar, Carey Fortune on drums, 110 00:07:09,083 --> 00:07:10,791 and Andy Czezowski, our manager. 111 00:07:10,875 --> 00:07:13,583 - Hello. - You know, Simon Vitesse on bass. 112 00:07:13,666 --> 00:07:15,434 You know, we just got together and we thought, 113 00:07:15,458 --> 00:07:18,458 "Right, let's change it. Let's do something." 114 00:07:37,583 --> 00:07:39,166 Sound out of tune, actually. 115 00:07:43,083 --> 00:07:44,458 Play the right key, there. 116 00:07:45,541 --> 00:07:46,708 Tune to a chord. 117 00:07:50,166 --> 00:07:51,250 Take five. 118 00:07:52,375 --> 00:07:54,041 - You're not filming this. - Yeah, yeah. 119 00:07:55,416 --> 00:07:57,541 One, two, three, four. 120 00:08:02,416 --> 00:08:03,416 Yeah! 121 00:08:15,000 --> 00:08:17,291 ♪ Standing around just ♪ 122 00:08:17,375 --> 00:08:19,583 ♪ For seven days a week ♪ 123 00:08:21,333 --> 00:08:25,291 ♪ I won't even get no singing on fee ♪ 124 00:08:27,250 --> 00:08:29,416 ♪ I feel ripped off, yeah ♪ 125 00:08:29,500 --> 00:08:31,541 ♪ Hey, what about you ♪ 126 00:08:33,333 --> 00:08:34,833 ♪ Where was I born ♪ 127 00:08:35,375 --> 00:08:36,958 ♪ What are we gonna do ♪ 128 00:08:37,541 --> 00:08:38,791 ♪ But this I say ♪ 129 00:08:38,875 --> 00:08:41,000 ♪ We have the right to work ♪ 130 00:08:42,000 --> 00:08:44,083 ♪ We have the right to work ♪ 131 00:08:45,083 --> 00:08:47,125 ♪ We have the right to work ♪ 132 00:08:48,041 --> 00:08:49,583 ♪ We have the right to work ♪ 133 00:08:49,666 --> 00:08:51,291 ♪ Hey, yes we do ♪ 134 00:09:03,250 --> 00:09:07,500 ♪ I don't even know what tomorrow will bring ♪ 135 00:09:07,583 --> 00:09:13,000 ♪ But let me tell you, having no future is a terrible thing ♪ 136 00:09:15,333 --> 00:09:19,041 ♪ Standing around just waiting for a career ♪ 137 00:09:19,708 --> 00:09:20,750 ♪ Listen ♪ 138 00:09:21,458 --> 00:09:24,958 ♪ We don't take drugs and we don't drink beer ♪ 139 00:09:25,041 --> 00:09:26,458 ♪ We're not dead weight ♪ 140 00:09:26,541 --> 00:09:28,875 ♪ We have the right to work ♪ 141 00:09:29,750 --> 00:09:31,750 ♪ We have the right to work ♪ 142 00:09:32,708 --> 00:09:34,833 ♪ We have the right to work ♪ 143 00:09:35,625 --> 00:09:37,208 ♪ We have the right to work ♪ 144 00:09:37,291 --> 00:09:39,208 ♪ Hey, yes we do ♪ 145 00:09:43,541 --> 00:09:45,666 Chelsea was like, um… 146 00:09:46,541 --> 00:09:48,375 One of the first bands ever 147 00:09:48,458 --> 00:09:52,000 to play the Roxy, you know, with other bands, you know? 148 00:09:52,708 --> 00:09:54,125 Um… 149 00:09:54,208 --> 00:09:57,916 I think it's very, very important to the music that's going down now. 150 00:09:58,000 --> 00:10:00,416 It's very hardcore, very political. 151 00:10:00,500 --> 00:10:03,750 As you guys know, we have this single out "Right to Work". 152 00:10:03,833 --> 00:10:05,000 - Yeah. - Um… 153 00:10:05,083 --> 00:10:07,958 Which is about, you know, the millions of kids 154 00:10:08,041 --> 00:10:10,541 that leave school, you know, who haven't got a job 155 00:10:11,666 --> 00:10:14,291 and the individual, really, the rights of the individual 156 00:10:14,375 --> 00:10:16,083 to do their thing, you know. 157 00:10:16,166 --> 00:10:18,833 That's what it's about. You have the right to work. 158 00:10:19,416 --> 00:10:21,458 When the punk rock business was starting up 159 00:10:21,541 --> 00:10:23,416 and groups wanted to play, they were rejected 160 00:10:23,500 --> 00:10:25,750 by everybody and everywhere, 161 00:10:26,708 --> 00:10:29,708 and so it was very difficult to get work for them. 162 00:10:31,333 --> 00:10:33,958 So the obvious thing was to try and do something yourself, 163 00:10:34,041 --> 00:10:35,767 which was equally as difficult because we have 164 00:10:35,791 --> 00:10:40,791 a lot of problems in London about licenses and drinking and playing loud music. 165 00:10:40,875 --> 00:10:41,958 Um… 166 00:10:42,916 --> 00:10:45,583 So there's a lot of problems that came up about the same time. 167 00:10:45,666 --> 00:10:48,958 See, I managed a group called The Damned, 168 00:10:49,041 --> 00:10:51,916 and I also managed a group called Generation X. 169 00:10:52,000 --> 00:10:54,500 Um… when I worked with Generation X, 170 00:10:54,583 --> 00:10:57,958 I realised that there's a lot of problems that are involved with… 171 00:10:59,291 --> 00:11:00,708 With getting work for these bands, 172 00:11:00,791 --> 00:11:03,708 so the easiest thing probably was to just find a place yourself. 173 00:11:04,250 --> 00:11:05,250 Um… 174 00:11:06,041 --> 00:11:08,583 This I did by finding a club called The Roxy Club, 175 00:11:09,250 --> 00:11:10,250 And… 176 00:11:11,250 --> 00:11:12,916 I put on this band called Generation X, 177 00:11:13,000 --> 00:11:14,958 and it worked very well, which we knew it would. 178 00:11:15,041 --> 00:11:17,666 At the same time, a lot of new groups were coming 179 00:11:17,750 --> 00:11:20,250 and playing in London all the time, 180 00:11:20,333 --> 00:11:22,708 so they actually contacted me 181 00:11:22,791 --> 00:11:25,916 to put on their groups to play in the club. 182 00:11:26,000 --> 00:11:28,000 But the club was on a very loose basis. 183 00:11:28,083 --> 00:11:31,166 I hired it every week, and very expensive too 184 00:11:31,250 --> 00:11:34,750 because the man wasn't prepared to let me have the club 185 00:11:34,833 --> 00:11:36,750 because he said there was too much risk involved 186 00:11:36,833 --> 00:11:41,333 because of teenagers and drinking and drugs and loud music. 187 00:11:41,416 --> 00:11:45,250 So I had to pay very high rent to compensate him. 188 00:11:45,333 --> 00:11:47,583 Um… but it was worth it to me because we weren't so much 189 00:11:47,666 --> 00:11:51,416 interested in making money, but just to have some fun 190 00:11:51,500 --> 00:11:54,333 and have an outlet for this new energy which was growing all the time, 191 00:11:54,416 --> 00:11:57,625 especially the music and the clothes and the fashions, everything. 192 00:11:57,708 --> 00:12:01,500 So we had an understanding between us, the sort of thing we wanted to do. 193 00:12:02,541 --> 00:12:04,166 So it became an immediate success, 194 00:12:04,250 --> 00:12:06,583 and we didn't have to advertise because it wasn't necessary 195 00:12:06,666 --> 00:12:09,375 to bring people from the streets into the club 196 00:12:09,458 --> 00:12:12,666 because we only wanted people in the club who were interested. 197 00:12:12,750 --> 00:12:16,166 If they were interested in the music and the clothes, 198 00:12:16,250 --> 00:12:19,083 they would come down naturally because of their friends 199 00:12:19,166 --> 00:12:21,041 who would be involved in something. 200 00:12:21,125 --> 00:12:26,750 So it became a very exciting and central point 201 00:12:26,833 --> 00:12:29,583 to all the punk rock, um… 202 00:12:29,666 --> 00:12:32,958 Because they had somewhere to create things, 203 00:12:33,041 --> 00:12:36,750 to mix with each other, to form new bands and exchange ideas. 204 00:12:37,333 --> 00:12:39,625 It stopped because it just got too much eventually. 205 00:12:39,708 --> 00:12:41,708 The money that was wanted from us, 206 00:12:42,375 --> 00:12:46,833 we couldn't afford to generate from the bands and from the people 207 00:12:46,916 --> 00:12:51,583 because we had still the restraints of the outside world which was high rents, 208 00:12:51,666 --> 00:12:52,833 and they just wouldn't meet. 209 00:12:52,916 --> 00:12:53,958 We couldn't… 210 00:12:55,166 --> 00:12:58,333 We wouldn't put the prices up on the door 211 00:12:58,416 --> 00:13:02,291 because we would be in the same capacity as the people 212 00:13:02,375 --> 00:13:04,250 who had, were in rock music before, 213 00:13:04,333 --> 00:13:07,125 where they were charging maybe five pounds, 214 00:13:07,708 --> 00:13:10,666 you know, to get to see a group, which we didn't want to do. 215 00:13:10,750 --> 00:13:14,375 We were only concerned with charging maybe one pound to see three groups. 216 00:13:16,041 --> 00:13:19,208 One of the most exciting bands on the live album of Roxy Club 217 00:13:19,291 --> 00:13:20,750 is X-Ray Spex. 218 00:13:23,500 --> 00:13:28,208 Little girls should be seen and not heard. 219 00:13:28,291 --> 00:13:31,291 "Oh Bondage, Up Yours"! 220 00:13:31,375 --> 00:13:33,041 One, two, three, four. 221 00:13:46,541 --> 00:13:48,000 ♪ Bind me tie me ♪ 222 00:13:48,083 --> 00:13:49,666 ♪ Chain me to the wall ♪ 223 00:13:49,750 --> 00:13:52,833 ♪ I wanna be a slave to you all ♪ 224 00:13:52,916 --> 00:13:55,500 ♪ Oh bondage up yours ♪ 225 00:13:55,583 --> 00:13:58,750 ♪ Oh bondage no more ♪ 226 00:13:58,833 --> 00:14:01,791 ♪ Oh bondage up yours ♪ 227 00:14:01,875 --> 00:14:04,416 ♪ Oh bondage no more ♪ 228 00:14:07,083 --> 00:14:08,500 ♪ Chain-store chain-smoke ♪ 229 00:14:08,583 --> 00:14:10,208 ♪ I consume you all ♪ 230 00:14:10,291 --> 00:14:11,833 ♪ Chain-gang chain-mail ♪ 231 00:14:11,916 --> 00:14:13,166 ♪ I don't think at all ♪ 232 00:14:13,250 --> 00:14:16,250 ♪ Oh bondage up yours ♪ 233 00:14:16,333 --> 00:14:19,458 ♪ Oh bondage no more ♪ 234 00:14:19,541 --> 00:14:22,583 ♪ Oh bondage up yours ♪ 235 00:14:22,666 --> 00:14:25,458 ♪ Oh bondage no more ♪ 236 00:14:48,416 --> 00:14:49,791 ♪ Thrash me crash me ♪ 237 00:14:49,875 --> 00:14:51,500 ♪ Beat me till I fall ♪ 238 00:14:51,583 --> 00:14:53,083 ♪ I wanna be a victim ♪ 239 00:14:53,166 --> 00:14:54,375 ♪ For you all ♪ 240 00:14:54,458 --> 00:14:57,500 ♪ Oh bondage up yours ♪ 241 00:14:57,583 --> 00:15:00,708 ♪ Oh bondage no more ♪ 242 00:15:00,791 --> 00:15:03,875 ♪ Oh bondage up yours ♪ 243 00:15:03,958 --> 00:15:06,666 ♪ Oh bondage no more ♪ 244 00:15:09,208 --> 00:15:12,291 ♪ Bind me tie me chain me to the wall ♪ 245 00:15:12,375 --> 00:15:13,833 ♪ I wanna be a slave ♪ 246 00:15:13,916 --> 00:15:15,250 ♪ To you all ♪ 247 00:15:15,333 --> 00:15:18,458 ♪ Oh bondage up yours ♪ 248 00:15:18,541 --> 00:15:21,666 ♪ Oh bondage no more ♪ 249 00:15:21,750 --> 00:15:24,875 ♪ Oh bondage up yours ♪ 250 00:15:24,958 --> 00:15:27,750 ♪ Oh bondage no more ♪ 251 00:15:51,125 --> 00:15:54,291 ♪ Bind me tie me chain me to the wall ♪ 252 00:15:54,375 --> 00:15:55,875 ♪ I wanna be a slave ♪ 253 00:15:55,958 --> 00:15:57,166 ♪ To you all ♪ 254 00:15:57,250 --> 00:16:00,375 ♪ Oh bondage up yours ♪ 255 00:16:00,458 --> 00:16:03,166 ♪ Oh bondage no more ♪ 256 00:16:03,708 --> 00:16:06,875 ♪ Oh bondage up yours ♪ 257 00:16:06,958 --> 00:16:10,083 ♪ Oh bondage no more ♪ 258 00:16:10,166 --> 00:16:13,333 ♪ Oh bondage up yours ♪ 259 00:16:13,416 --> 00:16:16,208 ♪ Oh bondage no more ♪ 260 00:16:20,291 --> 00:16:25,958 I write things... I write most things about plastic things and artificial things. 261 00:16:26,583 --> 00:16:28,625 Um, you could say they're social comments 262 00:16:28,708 --> 00:16:31,708 that they're slightly different to what anybody else is writing. 263 00:16:34,041 --> 00:16:35,208 Do you like plastic? 264 00:16:36,166 --> 00:16:38,791 I mean, it's there, isn't it? I mean, it's part of now. 265 00:16:39,375 --> 00:16:41,666 It's not a question of whether I like it, it exists, 266 00:16:41,750 --> 00:16:45,041 and I just write about things like that in my major environment. 267 00:16:46,625 --> 00:16:49,333 "Identity"! 268 00:16:49,416 --> 00:16:51,458 One, two, three four 269 00:17:04,333 --> 00:17:06,416 ♪ Identity ♪ 270 00:17:06,500 --> 00:17:08,291 ♪ Is the crisis ♪ 271 00:17:08,375 --> 00:17:10,791 ♪ Can't you see ♪ 272 00:17:10,875 --> 00:17:13,000 ♪ Identity ♪ 273 00:17:14,250 --> 00:17:16,958 ♪ Identity ♪ 274 00:17:17,041 --> 00:17:18,791 ♪ When you look in the mirror ♪ 275 00:17:18,875 --> 00:17:20,333 ♪ Do you see yourself ♪ 276 00:17:20,416 --> 00:17:22,083 ♪ Do you see yourself ♪ 277 00:17:22,166 --> 00:17:23,958 ♪ On the T.V. screen ♪ 278 00:17:24,041 --> 00:17:25,500 ♪ Do you see yourself ♪ 279 00:17:25,583 --> 00:17:27,208 ♪ In the magazine ♪ 280 00:17:27,291 --> 00:17:29,041 ♪ When you see yourself ♪ 281 00:17:29,125 --> 00:17:31,041 ♪ Does it make you scream ♪ 282 00:17:37,833 --> 00:17:39,875 ♪ Identity ♪ 283 00:17:39,958 --> 00:17:41,916 ♪ Is the crisis ♪ 284 00:17:42,000 --> 00:17:43,333 ♪ Can't you see ♪ 285 00:17:44,458 --> 00:17:46,708 ♪ Identity ♪ 286 00:17:47,750 --> 00:17:52,000 ♪ Identity ♪ 287 00:17:55,958 --> 00:17:57,083 Yeah! 288 00:18:17,166 --> 00:18:19,250 ♪ Identity ♪ 289 00:18:19,333 --> 00:18:21,166 ♪ Is the crisis ♪ 290 00:18:21,250 --> 00:18:22,708 ♪ Can't you see ♪ 291 00:18:23,875 --> 00:18:26,041 ♪ Identity ♪ 292 00:18:27,208 --> 00:18:29,750 ♪ Identity ♪ 293 00:18:29,833 --> 00:18:31,666 ♪ When you look in the mirror ♪ 294 00:18:31,750 --> 00:18:33,166 ♪ Do you smash it quick ♪ 295 00:18:33,250 --> 00:18:34,958 ♪ Do you take the glass ♪ 296 00:18:35,041 --> 00:18:36,750 ♪ And slash your wrists ♪ 297 00:18:36,833 --> 00:18:38,416 ♪ Did you do it for fame ♪ 298 00:18:38,500 --> 00:18:40,000 ♪ Did you do it in a fit ♪ 299 00:18:40,083 --> 00:18:41,791 ♪ Did you do it before ♪ 300 00:18:41,875 --> 00:18:43,708 ♪ You read about it ♪ 301 00:18:50,500 --> 00:18:52,625 ♪ Identity ♪ 302 00:18:52,708 --> 00:18:54,583 ♪ Is the crisis ♪ 303 00:18:54,666 --> 00:18:57,041 ♪ Can't you see ♪ 304 00:18:57,125 --> 00:18:59,416 ♪ Identity ♪ 305 00:19:00,458 --> 00:19:06,458 ♪ Identity ♪ 306 00:19:09,208 --> 00:19:10,375 Yeah! 307 00:19:23,708 --> 00:19:27,375 Well, "Bondage" is just… most people associate bondage 308 00:19:27,458 --> 00:19:29,333 with sexual bondage and things like that. 309 00:19:29,416 --> 00:19:33,291 That's probably why we get banned because they think it's perverted, 310 00:19:33,375 --> 00:19:36,750 and, you know, they think of whips and things like that, but it isn't really. 311 00:19:36,833 --> 00:19:38,958 It's about any form of slavery 312 00:19:39,041 --> 00:19:41,208 and it's against that, and saying no bondage, up yours, 313 00:19:41,291 --> 00:19:42,875 you know, fuck off tonight. 314 00:19:45,625 --> 00:19:46,666 Cunt. 315 00:19:48,125 --> 00:19:51,750 And that's that one, really. And then what was the other one we did? 316 00:19:51,833 --> 00:19:56,416 "Identity", it's just about that's one of the current problems 317 00:19:56,500 --> 00:19:59,958 at the moment is identity, you know, people try to identify something. 318 00:20:00,041 --> 00:20:02,666 Everybody's looking desperately to try 319 00:20:02,750 --> 00:20:05,666 and identify with one thing instead of themselves, 320 00:20:05,750 --> 00:20:07,291 and that's what that's about. 321 00:20:08,041 --> 00:20:09,041 All right. 322 00:20:12,083 --> 00:20:15,666 I don't like talking, you know, very much. That's why I write songs. 323 00:20:26,041 --> 00:20:31,166 It's humiliating to live in a flat without your own front door. 324 00:20:32,166 --> 00:20:35,708 In the South of London, Artury Bassick lives in one of these flats 325 00:20:35,791 --> 00:20:39,208 with his parents. He is the 19-year old bass player of The Lurkers. 326 00:20:39,291 --> 00:20:41,500 The Lurkers have been around for a few months. 327 00:20:41,583 --> 00:20:45,083 They've released their own single "Shadow" and it's very successful. 328 00:20:47,166 --> 00:20:49,875 It's just, I've always liked energetic music, 329 00:20:49,958 --> 00:20:53,166 but it became really stagnant over the last four years, 330 00:20:53,250 --> 00:20:55,500 sort of with heavy metal groups 331 00:20:55,583 --> 00:20:59,041 with long guitar solos and 20-minute numbers. 332 00:20:59,791 --> 00:21:00,833 And… 333 00:21:01,791 --> 00:21:03,625 And I just like it because it's so accessible. 334 00:21:03,708 --> 00:21:07,625 You can get, it's really easy to understand because it's, 335 00:21:07,708 --> 00:21:10,750 you know, two-minute numbers and you get straight to the point 336 00:21:10,833 --> 00:21:14,916 with no monkeying around, not like someone like, I don't know, 337 00:21:15,000 --> 00:21:17,541 Led Zeppelin or Black Sabbath or whatever. 338 00:21:17,625 --> 00:21:21,750 It's really, like, too long and drawn out and you can go to sleep. 339 00:21:21,833 --> 00:21:24,833 I've fallen asleep at a Black Sabbath concert before. 340 00:21:24,916 --> 00:21:28,958 Even the volume couldn't keep me awake. I was just really bored. 341 00:21:29,625 --> 00:21:33,333 Punk is so much more energetic and to the point, you know. 342 00:21:34,416 --> 00:21:39,291 There are some punk groups like The Clash with political and social statements. 343 00:21:39,375 --> 00:21:40,666 What do you think about it? 344 00:21:40,750 --> 00:21:44,000 They're really good. It needed to be said. 345 00:21:44,083 --> 00:21:46,458 A lot of groups are just singing about love all the time, 346 00:21:46,541 --> 00:21:49,041 and that's always been done for years and years. 347 00:21:49,125 --> 00:21:52,333 No one's ever sung political songs before, 348 00:21:52,416 --> 00:21:56,625 and it's about time somebody did because it affects everyone all the time. 349 00:21:58,041 --> 00:22:00,708 There's no doubt about it. You can't get away from politics. 350 00:22:00,791 --> 00:22:03,666 It affects everybody, every move you make, 351 00:22:04,916 --> 00:22:07,708 from drinking a pint of beer to buying a car or whatever. 352 00:22:07,791 --> 00:22:12,416 It's all to do with politics, which really stem from money. 353 00:22:12,500 --> 00:22:16,791 And The Clash can put political situations 354 00:22:17,333 --> 00:22:21,541 and aspects of politics into a really short space of time, 355 00:22:21,625 --> 00:22:24,291 in two-minute numbers and really get a point over about it. 356 00:22:25,208 --> 00:22:28,041 I think it's really good to be able to sing about politics. 357 00:22:29,333 --> 00:22:31,666 How long are you playing now, the bass? 358 00:22:31,750 --> 00:22:33,833 - With The Lurkers? - Uh, no. 359 00:22:33,916 --> 00:22:37,125 Oh, the... I've only been playing the bass since I've been with the Lurkers, 360 00:22:37,208 --> 00:22:40,875 which is about four-and-a-half months, five months. 361 00:22:40,958 --> 00:22:43,000 But I've mucked around just playing the guitar 362 00:22:43,083 --> 00:22:45,875 for about five years without ever doing anything. 363 00:22:46,875 --> 00:22:51,041 Just playing in my bedroom, you know, to myself, 364 00:22:51,125 --> 00:22:54,666 annoying my mom and dad and making the ornaments shake 365 00:22:54,750 --> 00:22:59,000 on people's mantelpieces, you know? 366 00:22:59,958 --> 00:23:01,500 Making the windows rattle. 367 00:23:02,541 --> 00:23:03,458 First? 368 00:23:03,541 --> 00:23:05,351 This is the first time I'm playing with a group, 369 00:23:05,375 --> 00:23:08,958 this time with The Lurkers, and it's really good. 370 00:23:10,708 --> 00:23:12,000 Better than all this stuff. 371 00:23:13,833 --> 00:23:16,458 What have you done before you become a musician? 372 00:23:17,625 --> 00:23:20,708 Worked as a store man, gardener, 373 00:23:21,875 --> 00:23:25,833 packer in a factory, French polisher. 374 00:23:27,291 --> 00:23:32,375 - Uh, newspaper boy when I was 10. - Hot dog stand. 375 00:23:32,458 --> 00:23:37,000 I used to sell hot dogs at race meetings. 376 00:23:39,291 --> 00:23:41,625 I've been out, I left school five years now. 377 00:23:41,708 --> 00:23:45,833 I've been on the dole for about three years, haven't I? 378 00:23:45,916 --> 00:23:46,791 Off and on. 379 00:23:46,875 --> 00:23:50,541 Off and on for about three years out of five unemployed. 380 00:23:52,708 --> 00:23:54,208 Out of choice, mainly. 381 00:23:55,500 --> 00:23:56,750 Boomtown Rats. 382 00:23:57,791 --> 00:23:59,958 Useless. Not as good as the Lurkers. 383 00:24:01,083 --> 00:24:03,583 - Are they successful? - They are. 384 00:24:04,541 --> 00:24:07,916 Big record company behind them putting their money into it. 385 00:24:08,000 --> 00:24:09,958 That's the only way you get a lot of fame. 386 00:24:11,291 --> 00:24:12,333 Corrupt. 387 00:24:13,791 --> 00:24:15,000 Sold out. 388 00:24:16,833 --> 00:24:21,541 Do you think you may be corrupt too, by the business sometimes? 389 00:24:22,541 --> 00:24:25,625 We don't have the chance to be. No one offered us any money. 390 00:24:26,750 --> 00:24:28,583 We've got managers, but they've got nothing. 391 00:24:28,666 --> 00:24:32,416 It's hard enough to get a packet of strings out of them, a set of strings, 392 00:24:32,500 --> 00:24:37,333 let alone a hundred thousand pound advance to live in luxury. 393 00:24:38,875 --> 00:24:40,250 Have to live in this place. 394 00:24:41,166 --> 00:24:43,041 We're up in the sky. 395 00:24:44,541 --> 00:24:48,583 Talking to the birds as they fly past the windows. 396 00:24:52,500 --> 00:24:54,916 Now, question to your parents. 397 00:24:55,000 --> 00:25:00,375 What do you think about punk rock and your son now as a musician? 398 00:25:00,458 --> 00:25:02,833 Well, I'm glad he's going on a bit, you know? 399 00:25:03,875 --> 00:25:06,250 I'm glad he's doing something he likes, you know? 400 00:25:06,333 --> 00:25:07,583 Yeah. 401 00:25:07,666 --> 00:25:11,166 - I've always been aimless, haven't I? - Yeah, drifting about. 402 00:25:11,250 --> 00:25:14,125 I've never done anything till I was in a group. 403 00:25:14,208 --> 00:25:15,250 Yeah. 404 00:25:15,875 --> 00:25:17,833 Have you ever seen a concert of The Lurkers? 405 00:25:17,916 --> 00:25:20,458 No. No. 406 00:25:20,541 --> 00:25:22,500 They'd have to come with ear plugs on. 407 00:25:22,583 --> 00:25:26,833 I've heard his records. I heard a record of his. 408 00:25:26,916 --> 00:25:27,958 It's alright. 409 00:25:29,416 --> 00:25:31,041 - Better than some of them. - Yeah. 410 00:25:31,125 --> 00:25:33,416 My mom said it's as good as anything The Rolling Stones 411 00:25:33,500 --> 00:25:34,916 have ever done, didn't you? 412 00:25:35,000 --> 00:25:36,041 Didn't you, Mum? 413 00:25:37,500 --> 00:25:38,958 It's better, though. 414 00:25:39,041 --> 00:25:41,500 They'd had it. Gone to America. 415 00:25:41,583 --> 00:25:44,000 Nothing English anymore, nothing British. 416 00:25:45,291 --> 00:25:46,333 Sold out. 417 00:25:48,458 --> 00:25:49,583 It's a song, 418 00:25:52,625 --> 00:25:54,750 and it's called "Shadow". 419 00:25:56,708 --> 00:25:58,791 Right, next. Alright. 420 00:26:12,291 --> 00:26:14,500 One, two, three, four. 421 00:26:20,791 --> 00:26:23,875 ♪ Shadow, shadow, shadow ♪ 422 00:26:23,958 --> 00:26:27,041 ♪ Shadow, shadow, shadow ♪ 423 00:26:27,125 --> 00:26:28,291 ♪ Shadow ♪ 424 00:26:28,375 --> 00:26:30,291 ♪ My heart's in the shadow ♪ 425 00:26:30,375 --> 00:26:32,291 ♪ His heart's in the shadow ♪ 426 00:26:32,375 --> 00:26:34,208 ♪ My heart's in the shadow ♪ 427 00:26:34,291 --> 00:26:36,083 ♪ His heart's in the shadow ♪ 428 00:26:43,958 --> 00:26:46,250 ♪ I heard you got a new boy ♪ 429 00:26:46,333 --> 00:26:48,166 ♪ He got more than me ♪ 430 00:26:48,250 --> 00:26:51,000 ♪ He's lots of fun to have around ♪ 431 00:26:51,083 --> 00:26:53,000 ♪ He's got lots of money ♪ 432 00:26:53,083 --> 00:26:56,000 ♪ Shadow, shadow, shadow ♪ 433 00:26:56,083 --> 00:26:58,375 ♪ Shadow, shadow, shadow ♪ 434 00:26:58,458 --> 00:26:59,625 ♪ Shadow ♪ 435 00:26:59,708 --> 00:27:01,500 ♪ My heart's in the shadow ♪ 436 00:27:01,583 --> 00:27:03,375 ♪ His heart's in the shadow ♪ 437 00:27:03,458 --> 00:27:05,250 ♪ My heart's in the shadow ♪ 438 00:27:05,333 --> 00:27:07,000 ♪ His heart's in the shadow ♪ 439 00:27:14,583 --> 00:27:16,375 ♪ Last night I saw you dancing ♪ 440 00:27:16,458 --> 00:27:18,208 ♪ I had to watch it all the while ♪ 441 00:27:18,291 --> 00:27:20,083 ♪ He whispered something in your ear ♪ 442 00:27:20,166 --> 00:27:21,875 ♪ You both saw me and smiled ♪ 443 00:27:21,958 --> 00:27:24,875 ♪ Shadow, shadow, shadow ♪ 444 00:27:24,958 --> 00:27:27,666 ♪ Shadow, shadow, shadow ♪ 445 00:27:27,750 --> 00:27:29,083 ♪ Shadow ♪ 446 00:27:29,166 --> 00:27:31,000 ♪ My heart's in the shadow ♪ 447 00:27:31,083 --> 00:27:33,041 ♪ His heart's in the shadow ♪ 448 00:27:33,125 --> 00:27:34,833 ♪ My heart's in the shadow ♪ 449 00:27:34,916 --> 00:27:37,000 ♪ His heart's in the shadow ♪ 450 00:27:44,041 --> 00:27:45,958 ♪ Jenny said she'd lend me a gun ♪ 451 00:27:46,041 --> 00:27:47,708 ♪ She knows I'm not well ♪ 452 00:27:47,791 --> 00:27:49,583 ♪ Then I'll shoot that boy in the legs ♪ 453 00:27:49,666 --> 00:27:51,500 ♪ When he comes to ring your bell ♪ 454 00:27:51,583 --> 00:27:54,250 ♪ Shadow, shadow, shadow ♪ 455 00:27:54,333 --> 00:27:57,375 ♪ Shadow, shadow, shadow ♪ 456 00:27:57,458 --> 00:27:58,625 ♪ Shadow ♪ 457 00:27:58,708 --> 00:28:00,333 ♪ My heart's in the shadow ♪ 458 00:28:00,416 --> 00:28:02,250 ♪ His heart's in the shadow ♪ 459 00:28:02,333 --> 00:28:04,125 ♪ My heart's in the shadow ♪ 460 00:28:04,208 --> 00:28:06,250 ♪ His heart's in the shadow ♪ 461 00:28:06,333 --> 00:28:08,041 ♪ My heart's in the shadow ♪ 462 00:28:08,125 --> 00:28:10,166 ♪ His heart's in the shadow ♪ 463 00:28:10,250 --> 00:28:11,791 ♪ My heart's in the shadow ♪ 464 00:28:11,875 --> 00:28:14,041 ♪ His heart's in the shadow ♪ 465 00:28:54,458 --> 00:28:57,250 The Red Cow in Hammersmith, where The Lurkers performed, 466 00:28:57,333 --> 00:29:01,250 is less stylish than other clubs, but the atmosphere is better. 467 00:29:01,333 --> 00:29:05,375 Lots of bands have started here. The sign that said: "Free entry" 468 00:29:05,458 --> 00:29:08,875 has been replaced by "Live Music". 469 00:29:08,958 --> 00:29:11,750 Before The Lurkers, a band jumped on stage unannounced. 470 00:29:11,833 --> 00:29:14,458 They thought punk meant that you couldn't play. 471 00:29:18,708 --> 00:29:20,541 We've got your back. 472 00:29:20,625 --> 00:29:22,375 Now let's go have some music. 473 00:29:22,458 --> 00:29:23,875 -How'd you like the rehearsal? 474 00:30:15,083 --> 00:30:17,416 They opened the door for us. 475 00:30:18,208 --> 00:30:19,500 Don't open the door. 476 00:30:22,625 --> 00:30:24,041 Working in an office. 477 00:30:26,000 --> 00:30:27,541 I bet you have. Bet you have. 478 00:30:32,291 --> 00:30:34,125 It's exactly like a year… 479 00:30:35,166 --> 00:30:38,916 It's exactly a year tomorrow since we formed. 480 00:30:39,000 --> 00:30:41,791 - Since we formed. - Tomorrow is our first anniversary. 481 00:30:41,875 --> 00:30:42,916 Yeah. 482 00:30:43,000 --> 00:30:44,250 Happy birthday. 483 00:30:45,416 --> 00:30:46,416 ♪ You're cold ♪ 484 00:30:46,500 --> 00:30:47,416 ♪ Your life is a farce ♪ 485 00:30:47,500 --> 00:30:48,833 ♪ You're cold ♪ 486 00:30:48,916 --> 00:30:50,125 ♪ You're a pain in the arse ♪ 487 00:30:50,208 --> 00:30:51,666 ♪ You're cold ♪ 488 00:30:51,750 --> 00:30:52,958 ♪ You make me despair ♪ 489 00:30:53,041 --> 00:30:54,125 ♪ You're cold ♪ 490 00:30:54,208 --> 00:30:56,250 ♪ 'Cause you just don't care ♪ 491 00:30:57,333 --> 00:30:58,833 ♪ You're a must to avoid ♪ 492 00:30:58,916 --> 00:31:00,000 ♪ Try so hard to be kind ♪ 493 00:31:00,083 --> 00:31:01,375 ♪ You're a must to avoid ♪ 494 00:31:01,458 --> 00:31:02,666 ♪ Going out of my mind ♪ 495 00:31:02,750 --> 00:31:04,041 ♪ You're a must to avoid ♪ 496 00:31:04,125 --> 00:31:05,250 ♪ Try so hard to be nice ♪ 497 00:31:05,333 --> 00:31:06,625 ♪ You're a must to avoid ♪ 498 00:31:06,708 --> 00:31:10,208 ♪ You're as cold as ice ♪ 499 00:31:20,708 --> 00:31:23,208 ♪ I've seen your face everywhere that I've been ♪ 500 00:31:23,291 --> 00:31:25,833 ♪ Your face it haunts me like bad, old dream ♪ 501 00:31:25,916 --> 00:31:28,458 ♪ Your only value is how you appear ♪ 502 00:31:28,541 --> 00:31:30,458 ♪ You're so stupid that it's driving me square ♪ 503 00:31:30,541 --> 00:31:32,083 ♪ You're cold ♪ 504 00:31:32,166 --> 00:31:33,083 ♪ Your life is a farce ♪ 505 00:31:33,166 --> 00:31:34,500 ♪ You're cold ♪ 506 00:31:34,583 --> 00:31:35,750 ♪ You're a pain in the arse ♪ 507 00:31:35,833 --> 00:31:37,208 ♪ You're cold ♪ 508 00:31:37,291 --> 00:31:38,291 ♪ You make me despair ♪ 509 00:31:38,375 --> 00:31:39,708 ♪ You're cold ♪ 510 00:31:39,791 --> 00:31:41,666 ♪ 'Cause you just don't care ♪ 511 00:31:42,958 --> 00:31:44,541 ♪ You're cold ♪ 512 00:31:44,625 --> 00:31:45,625 ♪ Your life is a farce ♪ 513 00:31:45,708 --> 00:31:47,000 ♪ You're cold ♪ 514 00:31:47,083 --> 00:31:48,250 ♪ You're a pain in the arse ♪ 515 00:31:48,333 --> 00:31:49,791 ♪ You're cold ♪ 516 00:31:49,875 --> 00:31:50,958 ♪ You make me despair ♪ 517 00:31:51,041 --> 00:31:52,416 ♪ You're cold ♪ 518 00:31:52,500 --> 00:31:55,000 ♪ 'Cause you just don't care ♪ 519 00:32:00,125 --> 00:32:03,833 The nerve centre of punk was the office of Miles Copeland. 520 00:32:03,916 --> 00:32:07,791 From here, he managed a lot of bands and record labels as well as Sniffin' Glue… 521 00:32:07,875 --> 00:32:09,541 The biggest punk magazine. 522 00:32:16,541 --> 00:32:19,083 This is only the second edition of this magazine. 523 00:32:19,166 --> 00:32:20,250 Right. 524 00:32:21,791 --> 00:32:22,791 What do you charge an ad? 525 00:32:23,666 --> 00:32:28,083 Uhh, 50 pounds for a full page. 526 00:32:28,166 --> 00:32:29,750 - How much? - 50 pounds for a full page. 527 00:32:29,833 --> 00:32:33,625 - Yeah? What's the circulation? - 5,000 this last time. 528 00:32:33,708 --> 00:32:35,833 Do you have anybody selling it here? 529 00:32:35,916 --> 00:32:36,958 Yeah, me. 530 00:32:37,750 --> 00:32:39,351 Because you might ought to talk to Harry because, you know what I mean, 531 00:32:39,375 --> 00:32:40,455 he's selling all the Glues. 532 00:32:40,500 --> 00:32:42,351 Maybe he'd be interested in helping you distribute. 533 00:32:42,375 --> 00:32:44,375 Yes, that would be nice. I'll have to talk to him. 534 00:32:44,458 --> 00:32:45,642 He's already got a set up for it. 535 00:32:45,666 --> 00:32:46,976 I mean, that's, a lot of people are coming to us 536 00:32:47,000 --> 00:32:50,250 because we've already established a distribution network 537 00:32:50,333 --> 00:32:53,434 and to slot something else in doesn't add anymore cost to us and saves everybody, 538 00:32:53,458 --> 00:32:55,351 - saves other people a lot of money. - It certainly does. 539 00:32:55,375 --> 00:32:58,166 So, I mean, Sniffing Glue is up to 10,000 circulation now. 540 00:32:58,791 --> 00:33:01,267 And if they're shipping that kind of stuff out with another magazine, 541 00:33:01,291 --> 00:33:03,184 I'm sure he'd be interested in doing something with you guys. 542 00:33:03,208 --> 00:33:04,601 Well, you'll have to introduce me, won't you? 543 00:33:04,625 --> 00:33:06,041 Yeah, well, he's here, you know. 544 00:33:06,125 --> 00:33:07,166 Hey, Harry? 545 00:33:09,500 --> 00:33:12,750 Well, I got rather bored with things that were going on, and, um… 546 00:33:13,583 --> 00:33:15,517 I had some of the people in the office who were telling me 547 00:33:15,541 --> 00:33:17,392 that things were going on in the clubs and I wanted to come down 548 00:33:17,416 --> 00:33:19,208 and see what's happening, and which I did. 549 00:33:19,291 --> 00:33:22,541 And I spent time out in the clubs and see all the new groups. 550 00:33:22,625 --> 00:33:26,666 And the Roxy Club was in the beginning then, um… 551 00:33:27,666 --> 00:33:29,666 And I was very excited about it. 552 00:33:29,750 --> 00:33:32,208 Most of the groups I had been dealing with were groups that, 553 00:33:32,291 --> 00:33:36,833 which were getting over 30 years old, almost 40, they had kids. 554 00:33:36,916 --> 00:33:39,250 Uh, it was very difficult to work with them 555 00:33:39,333 --> 00:33:42,625 because you start having success and… 556 00:33:44,333 --> 00:33:46,934 They wouldn't be able to follow through because of their home life. 557 00:33:46,958 --> 00:33:48,458 For instance, The Climax Blues Band. 558 00:33:48,541 --> 00:33:52,666 We had a single which became a very big single in England, very big in America. 559 00:33:52,750 --> 00:33:54,625 I had TV shows booked in Europe. 560 00:33:54,708 --> 00:33:56,517 They couldn't, they wouldn't go because they had something 561 00:33:56,541 --> 00:33:58,184 to do with their families, which is fair enough, 562 00:33:58,208 --> 00:34:01,541 but it means it's very frustrating for somebody dealing with older people. 563 00:34:02,250 --> 00:34:04,416 They, uh, don't work very hard. 564 00:34:04,500 --> 00:34:07,125 And so when you see the young kids and the energy 565 00:34:07,208 --> 00:34:09,250 that is being expressed by these kids, 566 00:34:09,333 --> 00:34:12,083 also the political aspect of it to me was very exciting. 567 00:34:12,166 --> 00:34:13,958 I've always been interested in the politics, 568 00:34:14,041 --> 00:34:17,000 and these kids are actually reacting to society, 569 00:34:17,083 --> 00:34:18,541 which to me is far more important. 570 00:34:19,583 --> 00:34:24,000 Two places right now that are interesting musically right now, 571 00:34:24,083 --> 00:34:26,458 and that is New York City and London. 572 00:34:26,541 --> 00:34:32,166 London is twice as exciting right now musically as is, as is New York. 573 00:34:32,250 --> 00:34:36,958 Maybe it's because the economic situation in England is more aggravated. 574 00:34:37,041 --> 00:34:40,291 It creates more ferment in this society. 575 00:34:40,375 --> 00:34:41,791 I don't know, umm… 576 00:34:41,875 --> 00:34:46,125 But London is a very, very exciting place musically at the moment, 577 00:34:46,208 --> 00:34:48,458 and it's much easier for a group to get a start here. 578 00:34:48,541 --> 00:34:51,583 In New York, there are very few clubs that a group can play in. 579 00:34:51,666 --> 00:34:54,458 There's CBGBs, there's Max's, and one or two others. 580 00:34:54,541 --> 00:34:58,208 In London there's 20, 30 clubs, all over the country, there's more clubs. 581 00:34:58,291 --> 00:35:00,531 So it's easier for a group to get in front of the people. 582 00:35:02,500 --> 00:35:04,500 I know you don't like folk music. 583 00:35:05,958 --> 00:35:07,041 By the way, I'm wearing, 584 00:35:07,125 --> 00:35:09,958 I'm wearing a pair of Joan Baez's dirty panties. 585 00:35:10,916 --> 00:35:14,791 She wore them at the 1964 Newport Folk Festival. 586 00:35:14,875 --> 00:35:17,250 I was a big fan of hers back then, you know. 587 00:35:17,333 --> 00:35:19,458 I was only three, three years old. 588 00:35:19,541 --> 00:35:21,333 I didn't know no better, you know. 589 00:35:21,416 --> 00:35:22,458 She's okay. 590 00:35:23,166 --> 00:35:26,708 This song, this is for all you jerk offs in the audience. 591 00:35:28,250 --> 00:35:30,125 Ooh, look at the wankers. 592 00:35:31,958 --> 00:35:36,250 This is called "You Make Me Cream In My Jeans." 593 00:35:39,000 --> 00:35:40,166 ♪ Oh, yeah, all right ♪ 594 00:35:45,291 --> 00:35:46,458 ♪ Yeah ♪ 595 00:35:49,791 --> 00:35:51,708 ♪ You make me cream in my jeans ♪ 596 00:35:52,958 --> 00:35:54,958 ♪ You make me cream in my jeans ♪ 597 00:35:56,291 --> 00:35:59,250 ♪ Every time I pass you by ♪ 598 00:35:59,333 --> 00:36:01,750 ♪ Oh, can't you see the gleam in my eye ♪ 599 00:36:02,500 --> 00:36:04,250 ♪ You make me cream in my jeans ♪ 600 00:36:05,583 --> 00:36:07,458 ♪ You make me cream in my jeans ♪ 601 00:36:08,666 --> 00:36:10,541 ♪ You make me cream in my jeans ♪ 602 00:36:11,833 --> 00:36:13,375 ♪ I try so hard ♪ 603 00:36:13,458 --> 00:36:14,958 ♪ To run away ♪ 604 00:36:15,041 --> 00:36:16,375 ♪ You make me do it ♪ 605 00:36:16,458 --> 00:36:18,000 ♪ Every single day ♪ 606 00:36:18,083 --> 00:36:20,041 ♪ You make me cream in my jeans ♪ 607 00:36:21,083 --> 00:36:22,583 ♪ I tried and I tried ♪ 608 00:36:22,666 --> 00:36:24,166 ♪ It's just no use ♪ 609 00:36:24,250 --> 00:36:25,791 ♪ I tried to break away ♪ 610 00:36:25,875 --> 00:36:27,333 ♪ But I can't cut you loose ♪ 611 00:36:27,416 --> 00:36:28,541 ♪ I try to keep dry ♪ 612 00:36:28,625 --> 00:36:31,000 ♪ But baby, you got me juiced ♪ 613 00:36:31,083 --> 00:36:33,958 ♪ Every time is just like the first time ♪ 614 00:36:34,041 --> 00:36:36,000 ♪ You make me cream in my jeans ♪ 615 00:36:37,000 --> 00:36:38,958 ♪ You make me cream in my jeans ♪ 616 00:36:40,541 --> 00:36:43,583 ♪ Every time I pass you by ♪ 617 00:36:43,666 --> 00:36:46,875 ♪ Can't you see the gleam in my eye ♪ 618 00:36:46,958 --> 00:36:48,833 ♪ You make me cream in my jeans ♪ 619 00:36:50,333 --> 00:36:52,000 ♪ You make me cream in my jeans ♪ 620 00:36:53,250 --> 00:36:54,958 ♪ You make me cream in my jeans ♪ 621 00:36:56,458 --> 00:36:58,041 ♪ You make me cream in my jeans ♪ 622 00:36:59,458 --> 00:37:01,625 ♪ You make me cream in my jeans ♪ 623 00:37:01,708 --> 00:37:02,750 ♪ Yeah ♪ 624 00:37:12,916 --> 00:37:13,958 Thank you. 625 00:37:48,791 --> 00:37:50,000 That's it. See ya. 626 00:38:08,416 --> 00:38:10,958 Unfortunately, we noticed The Killjoys too late. 627 00:38:11,041 --> 00:38:12,958 They opened for The Electric Chairs. 628 00:38:13,041 --> 00:38:16,166 We look them up the next day as they play in the Greyhound in Fulham 629 00:38:16,250 --> 00:38:18,750 after the daily striptease show. 630 00:38:21,500 --> 00:38:24,208 ♪ And you say we're old pals ♪ 631 00:38:24,291 --> 00:38:26,375 ♪ I don't know what the fuck you're talking about ♪ 632 00:38:26,458 --> 00:38:28,875 ♪ The press only like us because we scream and shout ♪ 633 00:38:28,958 --> 00:38:30,958 ♪ But they don't know what I'm on about ♪ 634 00:38:31,041 --> 00:38:33,166 ♪ It could be me ♪ 635 00:38:33,250 --> 00:38:34,291 ♪ It could be me ♪ 636 00:38:35,625 --> 00:38:37,666 ♪ It could be me ♪ 637 00:38:37,750 --> 00:38:38,958 ♪ It could be me ♪ 638 00:38:40,166 --> 00:38:41,458 ♪ It could be me ♪ 639 00:38:41,541 --> 00:38:42,583 ♪ It could be me ♪ 640 00:38:42,666 --> 00:38:45,291 ♪ It could be me, it could be me it could be me ♪ 641 00:38:45,375 --> 00:38:47,666 ♪ You say you won't accept that advice ♪ 642 00:38:47,750 --> 00:38:49,958 ♪ Speaking your piece every fucking night ♪ 643 00:38:50,041 --> 00:38:52,166 ♪ Have a little drink, have a little bite ♪ 644 00:38:52,250 --> 00:38:54,375 ♪ I try going out and see your mother at night ♪ 645 00:38:54,458 --> 00:38:56,583 ♪ It could be me ♪ 646 00:38:56,666 --> 00:38:57,708 ♪ It could be me ♪ 647 00:38:58,875 --> 00:39:01,291 ♪ It could be me ♪ 648 00:39:01,375 --> 00:39:02,458 ♪ It could be me ♪ 649 00:39:03,541 --> 00:39:04,791 ♪ It could be me ♪ 650 00:39:04,875 --> 00:39:06,000 ♪ It could be me ♪ 651 00:39:06,083 --> 00:39:09,708 ♪ It could be me, it could be me it could be me ♪ 652 00:39:10,791 --> 00:39:14,000 Yeah, well, we're the Killjoys, as you know, from Birmingham. 653 00:39:14,083 --> 00:39:17,333 We formed about a year ago in Birmingham through adverts in the papers 654 00:39:17,416 --> 00:39:19,500 and we knew, knew some of each other. 655 00:39:19,583 --> 00:39:22,958 And we would have, we would have… 656 00:39:23,041 --> 00:39:25,401 We would make it a lot quicker had we have come from London, 657 00:39:25,458 --> 00:39:28,625 but Birmingham is 120 miles away. 658 00:39:28,708 --> 00:39:30,750 That was obviously not, that's not where London is. 659 00:39:30,833 --> 00:39:32,541 But, um… 660 00:39:34,833 --> 00:39:37,875 Things are starting to go all right for us now, you know. 661 00:39:37,958 --> 00:39:40,351 We've got a lot of people interested, we're going down well wherever we go, 662 00:39:40,375 --> 00:39:41,517 and we're accepted now in London, 663 00:39:41,541 --> 00:39:43,583 whereas we used to play in Birmingham before. 664 00:39:45,333 --> 00:39:46,934 Alright, could you please tell me something about 665 00:39:46,958 --> 00:39:48,750 the punk scene in Birmingham? 666 00:39:49,666 --> 00:39:53,041 It started off really laid back at first. 667 00:39:53,125 --> 00:39:54,791 There were only a few to begin with. 668 00:39:55,458 --> 00:40:00,000 Uh, and it's taken quite a long time to catch on in the initial stages. 669 00:40:00,083 --> 00:40:02,500 But John Tully and Bob Ruthers 670 00:40:02,583 --> 00:40:06,541 have done a lot to promote punk in Birmingham. 671 00:40:07,125 --> 00:40:08,684 London is where it comes from though, really. 672 00:40:08,708 --> 00:40:11,000 I mean, Birmingham is behind, there's no doubt about it. 673 00:40:11,083 --> 00:40:13,500 Birmingham is… London is the centre of punk, you know? 674 00:40:13,583 --> 00:40:16,708 It's the centre of the music world, and Birmingham… 675 00:40:16,791 --> 00:40:19,250 Birmingham people just do what London people tell them to do. 676 00:40:19,333 --> 00:40:21,309 If it comes from London and it's punk, they think it's good, 677 00:40:21,333 --> 00:40:22,500 whether it's good or not. 678 00:40:23,125 --> 00:40:25,000 They just do what London tells them to do. 679 00:40:25,083 --> 00:40:26,208 One, two, three, four. 680 00:40:31,833 --> 00:40:38,375 ♪ I don't care what's going on tonight ♪ 681 00:40:39,875 --> 00:40:42,958 ♪ So leave me out of your double-headed mind ♪ 682 00:40:44,416 --> 00:40:46,750 ♪ I'm sick of hearing you try another… ♪ 683 00:40:46,833 --> 00:40:48,125 ♪ Get it right ♪ 684 00:40:49,208 --> 00:40:52,708 ♪ How the hell do you go to sleep at night? ♪ 685 00:40:54,041 --> 00:40:55,625 ♪ At night ♪ 686 00:41:01,208 --> 00:41:03,041 ♪ You abuse your position every time ♪ 687 00:41:03,125 --> 00:41:04,583 ♪ You've got to pay your rent ♪ 688 00:41:05,708 --> 00:41:08,958 ♪ …someone else's band ♪ 689 00:41:10,583 --> 00:41:11,767 ♪ It's time to take a look around ♪ 690 00:41:11,791 --> 00:41:13,958 ♪ See you're really not going nowhere ♪ 691 00:41:15,333 --> 00:41:18,541 ♪ Just going round in circles… ♪ 692 00:41:19,916 --> 00:41:21,291 ♪ That you care ♪ 693 00:41:23,833 --> 00:41:24,916 ♪ Make a band ♪ 694 00:41:25,000 --> 00:41:27,166 ♪ Future's riding in your hand ♪ 695 00:41:27,250 --> 00:41:29,416 ♪ You don't like the song of mine ♪ 696 00:41:29,500 --> 00:41:32,416 ♪ How you going to sleep at night? 697 00:41:33,791 --> 00:41:34,833 ♪ How? ♪ 698 00:41:42,875 --> 00:41:46,250 ♪ Who needs punks like you do… ♪ 699 00:41:56,916 --> 00:41:58,156 ♪ 'Cause in three months time ♪ 700 00:41:58,208 --> 00:42:00,208 ♪ You'll be kicking him in the teeth ♪ 701 00:42:01,625 --> 00:42:04,041 ♪ In the teeth ♪ 702 00:42:04,125 --> 00:42:06,666 ♪ 'Cause it's up to you to pick a band ♪ 703 00:42:06,750 --> 00:42:08,916 ♪ Future's riding in your hand ♪ 704 00:42:09,000 --> 00:42:11,166 ♪ You don't like the song of mine ♪ 705 00:42:11,250 --> 00:42:14,791 ♪ How you going to sleep at night ♪ 706 00:42:15,666 --> 00:42:18,166 ♪ 'Cause it's up to you to make a band ♪ 707 00:42:18,250 --> 00:42:20,416 ♪ Future's riding in your hand ♪ 708 00:42:20,500 --> 00:42:22,625 ♪ You don't like the song of mine ♪ 709 00:42:22,708 --> 00:42:27,291 ♪ How you going to sleep at night ♪ 710 00:42:34,125 --> 00:42:36,625 The way the shop was started, it was started as a… 711 00:42:36,708 --> 00:42:39,500 Not as a record supermarket, but as an agitprop shop, 712 00:42:39,583 --> 00:42:41,708 which had a political point of view. 713 00:42:41,791 --> 00:42:45,000 People can come in and just sit down and sort of talk about things. 714 00:42:45,083 --> 00:42:46,625 You can't do that in most other shops. 715 00:42:46,708 --> 00:42:48,628 In most other shops they would come in and, like, 716 00:42:48,666 --> 00:42:51,458 buy a record and go out, or buy whatever they're selling. 717 00:42:51,541 --> 00:42:53,017 And they just want to get rid of you, you know, 718 00:42:53,041 --> 00:42:56,166 because there's no interest in anybody talking or doing anything. 719 00:42:56,250 --> 00:42:59,267 That's why people can come in and read the magazines and do things like that. 720 00:42:59,291 --> 00:43:02,333 It was obvious that this shop would know about punk music from the beginning, 721 00:43:02,416 --> 00:43:06,166 because people that work in these shops spend their time going to gigs. 722 00:43:06,250 --> 00:43:08,291 And if you go to gigs, you know what's going on 723 00:43:08,375 --> 00:43:09,958 because people tell you what's good. 724 00:43:10,041 --> 00:43:13,000 And if you've got ears to listen, you go out and see what's happening. 725 00:43:13,083 --> 00:43:16,625 I mean, that's the only reason why this shop was at the start of the new wave 726 00:43:16,708 --> 00:43:19,375 because everyone here was involved in it. 727 00:43:19,458 --> 00:43:21,666 I mean, and as soon as we first heard the music, 728 00:43:21,750 --> 00:43:25,625 we knew this was the kind of music we've been waiting for, for a long time. 729 00:43:25,708 --> 00:43:28,916 I mean, people come in to buy records, and their attitude would be, 730 00:43:29,000 --> 00:43:30,517 "Well, I must get a new sound for this week." 731 00:43:30,541 --> 00:43:32,416 Or get a piece of aural wallpaper, 732 00:43:32,500 --> 00:43:35,333 and they take it home and they sit in their rooms and listen to it. 733 00:43:35,416 --> 00:43:37,291 But all that changed when people realised 734 00:43:37,375 --> 00:43:39,226 that if there was a record that they really wanted to hear, 735 00:43:39,250 --> 00:43:42,125 not because it would make them sit down and forget about the world, 736 00:43:42,208 --> 00:43:44,851 but because it would make them get up and do something about the world, 737 00:43:44,875 --> 00:43:47,541 or at least feel good enough to go out and be on the street, 738 00:43:47,625 --> 00:43:49,208 and that was a change. 739 00:43:49,291 --> 00:43:51,451 It's just something, it's just a matter of us realizing 740 00:43:51,500 --> 00:43:52,625 that something was going on. 741 00:43:53,291 --> 00:43:56,291 And that whole "Mr. Jones" syndrome you know, something is happening. 742 00:43:57,666 --> 00:43:59,101 But now it's getting back because, like, 743 00:43:59,125 --> 00:44:00,809 people are coming and just buying every record 744 00:44:00,833 --> 00:44:03,153 without even thinking about it, and not listening about it. 745 00:44:03,208 --> 00:44:05,541 Just because it's punk or something like that. 746 00:44:05,625 --> 00:44:09,166 You've got certain groups that they just buy straight off, every title. 747 00:44:09,250 --> 00:44:11,375 It's just become a trendy thing now, hasn't it? 748 00:44:11,458 --> 00:44:12,791 Punk is just a trend. 749 00:44:14,083 --> 00:44:16,000 - It's a fashion. - Yeah, it's a fad. 750 00:44:16,083 --> 00:44:19,750 But it's still, I mean... 751 00:44:19,833 --> 00:44:22,416 With people getting in, like, people getting into reggae 752 00:44:22,500 --> 00:44:24,184 and stuff like that because that's exciting music, 753 00:44:24,208 --> 00:44:25,125 and it's interesting. 754 00:44:25,208 --> 00:44:27,208 Because the major record companies don't seem to... 755 00:44:27,250 --> 00:44:28,791 It's a mass market record. 756 00:44:28,875 --> 00:44:30,291 And having made that decision, 757 00:44:30,375 --> 00:44:33,333 they're not interested in making those records available to the public. 758 00:44:33,416 --> 00:44:35,583 And if they're not available, people can't buy them. 759 00:44:35,666 --> 00:44:38,833 And given the fact that the music is made by black people, 760 00:44:38,916 --> 00:44:41,833 and there's a tremendous amount of racialism amongst white people 761 00:44:41,916 --> 00:44:45,333 in their attitude towards blacks, that also plays a part in it. 762 00:44:45,416 --> 00:44:47,136 But, I mean, we feel, we feel really excited 763 00:44:47,208 --> 00:44:49,375 because boundaries are beginning to be broken down. 764 00:44:49,458 --> 00:44:52,138 We're finding that a lot of shops around the country are interested. 765 00:44:52,208 --> 00:44:53,208 In Germany, too. 766 00:44:53,291 --> 00:44:55,791 I mean, we send records to a shop in Berlin. 767 00:44:55,875 --> 00:44:59,041 Alright. I think they're a great band. 768 00:44:59,125 --> 00:45:02,041 You all know the fucking... 769 00:45:02,125 --> 00:45:05,833 Here comes The Adverts, right? 770 00:45:20,250 --> 00:45:21,708 Hi, how you doing tonight? 771 00:45:27,791 --> 00:45:28,791 Right. 772 00:45:30,083 --> 00:45:31,541 I don't care what you do down there, 773 00:45:31,625 --> 00:45:34,291 but don't injure yourself, don't injure us. 774 00:45:38,333 --> 00:45:39,500 Don't do that. 775 00:45:43,125 --> 00:45:44,791 Impart these words of wisdom. 776 00:45:46,375 --> 00:45:47,458 Let's do it. 777 00:45:48,333 --> 00:45:52,541 "One Chord Wonders"! 778 00:46:00,208 --> 00:46:03,000 ♪ I wonder what we'll play for you tonight ♪ 779 00:46:03,083 --> 00:46:05,500 ♪ Something heavy or something light ♪ 780 00:46:05,583 --> 00:46:10,916 ♪ Something to set your soul alight ♪ 781 00:46:11,000 --> 00:46:13,916 ♪ I wonder how we'll answer when you say ♪ 782 00:46:14,000 --> 00:46:16,500 ♪ We don't like you, go away ♪ 783 00:46:16,583 --> 00:46:21,541 ♪ Come back when you've learned to play ♪ 784 00:46:33,041 --> 00:46:35,833 ♪ I wonder what we'll do When things go wrong ♪ 785 00:46:35,916 --> 00:46:38,541 ♪ When we're halfway through Our favourite song ♪ 786 00:46:38,625 --> 00:46:44,208 ♪ We look up and the audience has gone ♪ 787 00:46:44,291 --> 00:46:49,708 ♪ Will we feel a little bit obscure Think we're not needed here ♪ 788 00:46:49,791 --> 00:46:55,041 ♪ We must be new wave They'll like us next year ♪ 789 00:47:06,708 --> 00:47:09,625 ♪ The wonders don't care We don't give a damn ♪ 790 00:47:09,708 --> 00:47:12,541 ♪ The wonders don't care We don't give a damn ♪ 791 00:47:12,625 --> 00:47:18,166 ♪ The wonders don't care We don't give a damn ♪ 792 00:47:18,250 --> 00:47:21,208 ♪ The wonders don't care We don't give a damn ♪ 793 00:47:21,291 --> 00:47:24,208 ♪ The wonders don't care We don't give a damn ♪ 794 00:47:24,291 --> 00:47:29,833 ♪ The wonders don't care We don't give a damn ♪ 795 00:47:29,916 --> 00:47:32,833 ♪ The wonders don't care We don't give a damn ♪ 796 00:47:32,916 --> 00:47:35,666 ♪ The wonders don't care We don't give a damn ♪ 797 00:47:35,750 --> 00:47:41,416 ♪ The wonders don't care We don't give a damn ♪ 798 00:47:41,500 --> 00:47:44,500 ♪ The wonders don't care We don't give a damn ♪ 799 00:47:44,583 --> 00:47:47,333 ♪ The wonders don't care We don't give a damn ♪ 800 00:47:47,416 --> 00:47:53,250 ♪ The wonders don't care We don't give a damn ♪ 801 00:47:53,333 --> 00:47:54,625 ♪ The wonders don't care ♪ 802 00:47:56,166 --> 00:47:57,458 ♪ The wonders don't care ♪ 803 00:47:59,458 --> 00:48:04,583 ♪ The wonders don't care ♪ 804 00:48:04,666 --> 00:48:06,125 ♪ The wonders don't care ♪ 805 00:48:07,708 --> 00:48:08,833 ♪ The wonders don't care ♪ 806 00:48:24,625 --> 00:48:25,666 In Camden, 807 00:48:25,750 --> 00:48:28,833 on a dilapidated terrain of the British Railways, 808 00:48:28,916 --> 00:48:31,958 is the rehearsal space "Rehearsal Rehearsals", belonging to The Clash. 809 00:48:32,041 --> 00:48:35,250 A lot of new bands are allowed to practice there. 810 00:48:38,416 --> 00:48:41,916 ♪ I've been walking Along this shallow slope ♪ 811 00:48:42,000 --> 00:48:45,083 ♪ Looking for nothing particularly ♪ 812 00:48:52,500 --> 00:48:59,041 ♪ See no true reflection With no intention ♪ 813 00:48:59,125 --> 00:49:01,166 ♪ With no intention ♪ 814 00:49:03,875 --> 00:49:06,875 ♪ To receive a visit soon ♪ 815 00:49:06,958 --> 00:49:10,083 ♪ Although you need a visit soon ♪ 816 00:49:10,166 --> 00:49:14,000 ♪ I'll guarantee a wooden spoon ♪ 817 00:49:14,083 --> 00:49:20,333 ♪ Ambivalence ♪ 818 00:49:30,291 --> 00:49:33,333 ♪ Am I guided or is this life for free ♪ 819 00:49:33,416 --> 00:49:40,208 ♪ Because nothing ever seems to happen to me ♪ 820 00:49:42,666 --> 00:49:46,208 ♪ And I won't be tempted by vile evils ♪ 821 00:49:46,291 --> 00:49:50,583 ♪ Because these evils are vile evils ♪ 822 00:49:56,750 --> 00:49:59,791 ♪ You consider no question ♪ 823 00:49:59,875 --> 00:50:03,166 ♪ See no true reflection ♪ 824 00:50:03,250 --> 00:50:08,208 ♪ With no intention ♪ 825 00:50:08,291 --> 00:50:11,458 ♪ To receive a visit soon ♪ 826 00:50:11,541 --> 00:50:14,375 ♪ Although you need a visit soon ♪ 827 00:50:14,458 --> 00:50:18,666 ♪ I'll guarantee a wooden spoon ♪ 828 00:50:18,750 --> 00:50:24,208 ♪ Ambivalence ♪ 829 00:50:24,291 --> 00:50:29,625 ♪ Calls your every tune ♪ 830 00:51:00,250 --> 00:51:02,291 Can I turn this up for the singing? 831 00:51:03,375 --> 00:51:06,250 Turn this up. 832 00:51:11,500 --> 00:51:12,833 One, two, three, four. 833 00:51:31,625 --> 00:51:34,333 ♪ When you see the things you see Don't exist ♪ 834 00:51:34,416 --> 00:51:38,291 ♪ No need to wonder why ♪ 835 00:51:38,375 --> 00:51:43,791 ♪ And if you can't see tall No need to cry ♪ 836 00:51:45,333 --> 00:51:50,375 ♪ The only time you'll see What is in the middle ♪ 837 00:51:52,166 --> 00:51:57,791 ♪ Set the past as what will be ♪ 838 00:51:58,750 --> 00:52:01,875 ♪ Do you want to die Or is it too disgraceful ♪ 839 00:52:01,958 --> 00:52:07,041 ♪ Do you want to lie Or am I being wasteful now ♪ 840 00:52:07,125 --> 00:52:09,500 ♪ Standing out of view ♪ 841 00:52:11,583 --> 00:52:16,875 ♪ See kids act in a way You've never seen before ♪ 842 00:52:37,875 --> 00:52:41,166 ♪ Do you want to die Or is it too disgraceful ♪ 843 00:52:41,250 --> 00:52:45,166 ♪ Do you want to lie Or am I being wasteful now ♪ 844 00:52:46,416 --> 00:52:49,708 ♪ Out of view ♪ 845 00:52:49,791 --> 00:52:51,666 ♪ Out of touch ♪ 846 00:52:52,958 --> 00:52:58,125 ♪ Standing out of view Standing out of touch ♪ 847 00:53:09,416 --> 00:53:11,625 The words are not… 848 00:53:12,541 --> 00:53:13,750 I don't really think they're… 849 00:53:15,041 --> 00:53:18,500 like most songs, they're sort of… 850 00:53:19,708 --> 00:53:22,125 The words that you use are not the sort of 851 00:53:22,875 --> 00:53:25,625 words that you usually get in rock records. 852 00:53:27,000 --> 00:53:29,083 They're sort of taken… I write… 853 00:53:30,208 --> 00:53:32,250 Say an essay or something like that, 854 00:53:32,333 --> 00:53:36,125 and from that condense the words for a song. 855 00:53:37,125 --> 00:53:42,208 So it doesn't end up being, like, a sort of normal rock song, hopefully. 856 00:53:43,083 --> 00:53:46,833 Formed about a year ago exactly. 857 00:53:48,041 --> 00:53:49,083 And, um… 858 00:53:50,166 --> 00:53:53,333 Since then we've sort of been playing with different drummers. 859 00:53:54,166 --> 00:53:58,125 We play with one drummer and then stopping for about three months. 860 00:53:59,125 --> 00:54:01,750 Because we've never had one drummer that we liked. 861 00:54:04,041 --> 00:54:05,750 Why do you play punk rock? 862 00:54:07,375 --> 00:54:11,708 Um… I don't really think we do. 863 00:54:13,958 --> 00:54:17,708 Exactly, we don't play what everyone thinks is punk rock. 864 00:54:19,916 --> 00:54:23,083 We're more like, sort of Buddy Holly. 865 00:54:31,458 --> 00:54:35,333 On the same site, above the rehearsal space, lives Roadent. 866 00:54:35,416 --> 00:54:38,250 He's the roadie and practically fifth band member of The Clash. 867 00:54:38,333 --> 00:54:41,375 Oh, yeah, Load of Old Bollocks, that's what we were. 868 00:54:41,458 --> 00:54:45,375 Load of Old Bollocks. That's what all the new bands are. 869 00:54:45,458 --> 00:54:50,083 Nearly all of them copy the Sex Pistols or the Clash. 870 00:54:50,166 --> 00:54:52,416 Now half of them are jumping on the bandwagon. 871 00:54:53,666 --> 00:54:56,875 They're a load of crap. There's a couple of good ones. 872 00:54:56,958 --> 00:54:58,375 The Slits. 873 00:54:58,458 --> 00:55:02,375 Interview them, the singer is German. You can speak to her. 874 00:55:02,458 --> 00:55:07,583 Uh, there's this group downstairs, Subway Sect, they're okay. 875 00:55:07,666 --> 00:55:08,791 They're a bit different. 876 00:55:11,958 --> 00:55:13,000 But, uh… 877 00:55:13,666 --> 00:55:20,166 Most of them are all, like, the same. You just get bored watching them. 878 00:55:22,625 --> 00:55:26,916 Like, when it started, we wanted lots of different sorts of groups, 879 00:55:27,000 --> 00:55:30,333 not lots of groups all trying to copy each other. 880 00:55:30,416 --> 00:55:33,875 That's why I like The Clash and the Sex Pistols, 881 00:55:33,958 --> 00:55:37,333 the only two of the old ones who are any good. 882 00:55:37,416 --> 00:55:38,958 All the rest sort of just copied. 883 00:55:40,500 --> 00:55:43,416 - What do you think about reggae music? - About what? 884 00:55:43,500 --> 00:55:45,791 - Reggae music. - Oh, Reggie. 885 00:55:51,041 --> 00:55:56,208 {\an8}Green for the land, yellow for the sun that gives life to the land, 886 00:55:56,291 --> 00:55:59,500 {\an8}red for the blood that was spilt for the land. 887 00:55:59,583 --> 00:56:01,916 It's great. Love it. 888 00:56:03,250 --> 00:56:04,750 I think it's like… 889 00:56:06,583 --> 00:56:07,625 It's good. 890 00:56:09,333 --> 00:56:14,375 A lot of bands are influenced by reggae. What do you think about it? 891 00:56:14,458 --> 00:56:16,166 Well, a lot of bands were influenced 892 00:56:16,250 --> 00:56:19,458 by The Clash and the Sex Pistols liking reggae. 893 00:56:21,625 --> 00:56:25,000 A lot of them didn't know what it was until… 894 00:56:26,333 --> 00:56:28,291 Sort of, ten months ago. 895 00:56:29,166 --> 00:56:33,750 What they thought reggae was… 896 00:56:33,833 --> 00:56:35,958 That sort of Desmond Dekker things. 897 00:56:37,041 --> 00:56:40,750 Lots of them didn't bother with it until recently 898 00:56:40,833 --> 00:56:42,375 when it became fashionable. 899 00:56:44,583 --> 00:56:48,916 Well, what have you done before you become a roadie of the profession? 900 00:56:49,875 --> 00:56:51,291 As little as possible. 901 00:56:52,375 --> 00:56:54,833 Uh, unemployed most of the time. 902 00:56:55,916 --> 00:56:58,000 Didn't work, didn't like working. 903 00:56:59,375 --> 00:57:00,916 Should I tell him I was in prison? 904 00:57:03,791 --> 00:57:05,458 Yes. 905 00:57:06,125 --> 00:57:08,416 - And why? - For insurrectionary activities. 906 00:57:09,583 --> 00:57:15,208 Expropriation of substances from other people, 907 00:57:15,291 --> 00:57:18,750 richer people, stealing. 908 00:57:22,791 --> 00:57:24,250 Political activities. 909 00:57:26,333 --> 00:57:28,541 That's what the angry brigade man said in court. 910 00:57:32,791 --> 00:57:35,958 Well, for Sounds, being a paper that's geared 911 00:57:36,041 --> 00:57:38,333 to new music, to rock music… 912 00:57:39,291 --> 00:57:43,791 We became aware of the Sex Pistols, who were really the first band 913 00:57:43,875 --> 00:57:46,916 to open up the punk rock thing. 914 00:57:47,000 --> 00:57:50,375 The music papers, along with everybody else, 915 00:57:50,458 --> 00:57:53,916 was tired of the old game, the old music business game, 916 00:57:54,000 --> 00:57:58,708 and, in consequence, got very involved and very interested in punk rock, 917 00:57:58,791 --> 00:58:05,083 and the Sounds was one of the first to really pick up on it and to explore it. 918 00:58:05,166 --> 00:58:08,541 And maybe, although this is more the case 919 00:58:08,625 --> 00:58:10,583 of the national press, to exploit it a bit. 920 00:58:12,041 --> 00:58:14,541 I mean, the national press have exploited punk 921 00:58:14,625 --> 00:58:16,750 for its sensation value and… 922 00:58:18,333 --> 00:58:21,000 The violence really stems from their coverage and the fact that 923 00:58:21,083 --> 00:58:22,875 they've only really given coverage 924 00:58:22,958 --> 00:58:26,291 to the more violent aspects and not to any of the ideals, 925 00:58:26,375 --> 00:58:29,416 and certainly not very much to the music at all. 926 00:58:29,500 --> 00:58:31,750 They fail to understand the music, 927 00:58:31,833 --> 00:58:35,708 and they fail to understand the ideals behind the change, 928 00:58:35,791 --> 00:58:37,434 because I guess it affects their readership. 929 00:58:37,458 --> 00:58:40,666 Their readership is basically the generation 930 00:58:40,750 --> 00:58:44,875 with which the punks are not, or are disaffectionate. 931 00:58:45,625 --> 00:58:51,166 And in some cases, they have encouraged violence 932 00:58:51,250 --> 00:58:53,583 between a non-existent group of Teds. 933 00:58:53,666 --> 00:58:57,291 They're not really, there is no real Ted movement as such. 934 00:58:57,375 --> 00:59:01,958 That whole movement died out in the '50s. That was when they reached their peak. 935 00:59:02,041 --> 00:59:05,083 That was when they were the new young rebels, 936 00:59:05,166 --> 00:59:09,125 and it's now just maybe even kids 937 00:59:09,208 --> 00:59:11,017 who have got nothing better to do on a Saturday 938 00:59:11,041 --> 00:59:14,458 other than go in search of some violence or something 939 00:59:14,541 --> 00:59:17,166 that will give them a chance to appear in the papers. 940 00:59:17,750 --> 00:59:18,750 We're Teddy Boys. 941 00:59:18,791 --> 00:59:21,351 We like rock and roll because we think there's never been a better music. 942 00:59:21,375 --> 00:59:23,656 We like our style of dress because we think it's the best. 943 00:59:24,000 --> 00:59:25,625 I don't like punk rockers, 944 00:59:25,708 --> 00:59:29,500 um, but there'll always be fights between different factions. 945 00:59:29,583 --> 00:59:32,375 Let's face it, there's no war, so people have to. 946 00:59:32,458 --> 00:59:36,375 It's like, it's like bulls in a herd fighting one another. 947 00:59:36,458 --> 00:59:39,541 It's human nature. People are different. 948 00:59:40,375 --> 00:59:43,500 I don't like them, and they probably don't like me. 949 00:59:43,583 --> 00:59:46,166 - I don't care. - Why don't you like them? 950 00:59:46,958 --> 00:59:49,166 Well, they, to me, they look effeminate. 951 00:59:49,250 --> 00:59:53,208 Um, they don't look like they're gonna even be men when they grow up. 952 00:59:53,291 --> 00:59:56,541 They look like some sort of third sex. It's weird. 953 00:59:58,500 --> 01:00:02,208 Strange, they look like invaders from another planet or something. 954 01:00:03,750 --> 01:00:04,791 Very odd. 955 01:00:05,958 --> 01:00:10,875 They just, they're whole culture is alien to ours, that says it all. 956 01:00:10,958 --> 01:00:13,583 And the thing we don't like especially is they… 957 01:00:14,500 --> 01:00:17,300 They copy some our styles of dress, like they'll put a drape jacket on, 958 01:00:17,333 --> 01:00:19,708 and then they rip it, you know? 959 01:00:19,791 --> 01:00:21,083 Stupid. 960 01:00:21,166 --> 01:00:24,708 And then they copy bits of our music and try and say its new, you know. 961 01:00:24,791 --> 01:00:27,250 It just sounds like rock and roll played very badly to me. 962 01:00:28,708 --> 01:00:31,000 There's more and more Teddy boys all the time. 963 01:00:31,083 --> 01:00:34,333 They just want to be different. They don't want to be like everybody else. 964 01:00:34,416 --> 01:00:37,291 I think a lot of them, their parents were Teddy Boys, 965 01:00:37,375 --> 01:00:40,125 and they start talking about it to their fathers 966 01:00:40,208 --> 01:00:42,059 and they tell them how they used to get their clothes made 967 01:00:42,083 --> 01:00:45,041 and everything, and they want to be like their fathers, I think, maybe. 968 01:00:45,125 --> 01:00:48,791 That's 20 years ago. These guys will have children. 969 01:00:48,875 --> 01:00:51,309 The old Teddy Boys have children, I think these are a lot of the children. 970 01:00:51,333 --> 01:00:54,541 We was, we've been around a lot longer than anything else, 971 01:00:54,625 --> 01:00:56,500 any other form of dress or anything. 972 01:00:56,583 --> 01:01:00,458 And they've come along, they're saying, "Oh, we wiped Teds out, we're like punks, 973 01:01:00,541 --> 01:01:04,000 this Johnny Rotten, this The Jam and all this shit, you know?" 974 01:01:04,083 --> 01:01:06,559 And they're trying to, they're trying to put it across the country, 975 01:01:06,583 --> 01:01:08,791 starting in Britain, but we're not having it. 976 01:01:09,791 --> 01:01:13,500 That is why we give them a good hiding every time we meet 'em. 977 01:01:15,458 --> 01:01:18,291 They can have their Global Village and all the places they go to, 978 01:01:18,375 --> 01:01:19,809 but when they start coming around this area, 979 01:01:19,833 --> 01:01:22,708 they go around Ted pubs, they get a good hiding. 980 01:01:22,791 --> 01:01:23,666 And that is us. 981 01:01:23,750 --> 01:01:26,416 They come around here because they tend to shock, 982 01:01:26,500 --> 01:01:27,375 they reckon it shocks people. 983 01:01:27,458 --> 01:01:30,375 They're taking a mickey, piss, whatever, out of our music. 984 01:01:30,458 --> 01:01:31,958 They think it shocks people. 985 01:01:32,041 --> 01:01:33,476 They're taking the mickey out of our music. 986 01:01:33,500 --> 01:01:35,666 They shock people, right? 987 01:01:35,750 --> 01:01:39,583 Why do people don't even see us when we walk down the road? 988 01:01:39,666 --> 01:01:44,833 They go dustbin liners, strawberry-coloured hair, why bother? 989 01:01:44,916 --> 01:01:45,791 There's no point, 990 01:01:45,875 --> 01:01:48,755 it makes them look silly little boys and girls which they are, full stop. 991 01:01:48,791 --> 01:01:51,041 They rip drapes up, don't they? They rip them up and... 992 01:01:53,750 --> 01:01:54,625 Earring, short hair. 993 01:01:54,708 --> 01:01:56,916 It all stems a bit of skinhead, bit of Ted. 994 01:01:57,000 --> 01:01:58,541 They take the piss all the time. 995 01:01:58,625 --> 01:02:02,250 So everyone I see, bus, along the road, in the swinging bars… 996 01:02:02,333 --> 01:02:04,625 - I'll give them a good hiding. - That's right. 997 01:02:04,708 --> 01:02:07,208 Then he's got a bit of red in his hair. Blood. 998 01:02:07,291 --> 01:02:08,333 Yeah, right. 999 01:02:08,416 --> 01:02:09,833 - Shouting. - Yeah, this is it. 1000 01:02:09,916 --> 01:02:11,708 Shout all the time. They call it music. 1001 01:02:11,791 --> 01:02:12,666 Punk rock ain't music. 1002 01:02:12,750 --> 01:02:14,101 What do they call that? They call that… 1003 01:02:14,125 --> 01:02:15,226 Take away our stuff and everything. 1004 01:02:15,250 --> 01:02:17,166 They reckon dancing is jumping up and down 1005 01:02:17,250 --> 01:02:19,370 - like they're on a pogo stick. - Jumping up and down. 1006 01:02:19,416 --> 01:02:21,708 Is that dancing? No, it ain't. 1007 01:02:21,791 --> 01:02:24,041 What energy can you burn up through that? 1008 01:02:24,125 --> 01:02:27,083 Like, and he had dog collar on with a dog's chain 1009 01:02:27,166 --> 01:02:29,750 around his neck and a little bit of leather where you hold 1010 01:02:29,833 --> 01:02:31,458 onto the dog right at the end, 1011 01:02:31,541 --> 01:02:34,875 and he had tickets all stuck over him with safety pins, 1012 01:02:34,958 --> 01:02:37,375 and he just all his shirts ripped, everything. 1013 01:02:37,458 --> 01:02:39,500 And there's nothing good about that, is there? 1014 01:02:39,583 --> 01:02:40,625 They look idiots. 1015 01:02:40,708 --> 01:02:42,208 Take mickey all the time. 1016 01:02:42,291 --> 01:02:46,041 They basically started it by saying they're gonna wipe Teds out. 1017 01:02:46,125 --> 01:02:47,583 Teds live in the past. 1018 01:02:47,666 --> 01:02:50,166 Alright, fair enough, the style lives in the past, 1019 01:02:50,250 --> 01:02:52,791 but Teds live for today, and music today, 1020 01:02:52,875 --> 01:02:55,958 rock and roll still lives and always shall live. 1021 01:02:56,041 --> 01:02:59,916 It started way back, what, 1940s, something like that? 1022 01:03:00,000 --> 01:03:01,708 Fats Domino's very first records, 1023 01:03:01,791 --> 01:03:05,583 something about '47, '48, something like that, okay? 1024 01:03:05,666 --> 01:03:06,906 And it's been going from there, 1025 01:03:06,958 --> 01:03:09,250 and it's going today and it will be going tomorrow 1026 01:03:09,333 --> 01:03:11,208 and 20 years hence. 1027 01:03:11,291 --> 01:03:14,625 Punk rockers come along and say, "Okay, we're clever, 1028 01:03:14,708 --> 01:03:16,458 we have a beat, we've got music." 1029 01:03:16,541 --> 01:03:18,583 They may call it music, but it's not. 1030 01:03:18,666 --> 01:03:22,708 They said they was gonna wipe Teds out. No way. That's why they get hiding. 1031 01:03:22,791 --> 01:03:26,791 They get themselves beaten up because they reckon they're bigger than us. 1032 01:03:26,875 --> 01:03:30,250 There are fights between Teds and punks. 1033 01:03:30,333 --> 01:03:32,541 It's not a new thing in a way, really, 1034 01:03:32,625 --> 01:03:37,041 because you used to have to fights with the mods and the rockers, 1035 01:03:37,916 --> 01:03:42,250 and the skinheads and the Pakis, Pakistanis. 1036 01:03:42,333 --> 01:03:47,750 So in general, the youth of any generation, 1037 01:03:47,833 --> 01:03:49,166 if there's a not a war on, 1038 01:03:49,250 --> 01:03:52,750 they like to use their aggression up in some way 1039 01:03:52,833 --> 01:03:55,125 at football matches or things like that. 1040 01:03:55,208 --> 01:04:01,500 So they, they've got an ideal thing to have a go at, which is the punks. 1041 01:04:01,583 --> 01:04:03,208 In the Ted's point of view, anyway. 1042 01:04:05,708 --> 01:04:07,750 It's very difficult to sort of say 1043 01:04:07,833 --> 01:04:12,166 that they just like fighting for the sake of fighting. 1044 01:04:14,000 --> 01:04:17,666 They feel as though they've got to use their energy on something. 1045 01:04:22,333 --> 01:04:27,041 In the prestigious 100 Club, The Jam, the purest punk band… 1046 01:04:27,125 --> 01:04:31,291 Is recording their first live album for Polydor. 1047 01:04:31,375 --> 01:04:35,000 All their shows are sold out, even though the venue is twice as big as this one. 1048 01:04:47,916 --> 01:04:52,333 ♪ Take a look at the great street It don't seem the same ♪ 1049 01:04:53,958 --> 01:04:58,250 ♪ Remember how great it should be Think what it was ♪ 1050 01:04:59,625 --> 01:05:01,458 ♪ Shops are full of the fashion ♪ 1051 01:05:02,750 --> 01:05:04,166 ♪ People told what they want ♪ 1052 01:05:05,750 --> 01:05:09,958 ♪ The street that was a part Of the British Monarchy ♪ 1053 01:05:11,416 --> 01:05:12,791 ♪ British Monarchy ♪ 1054 01:05:14,750 --> 01:05:18,625 ♪ Who wants Afghans and all that We don't need them now ♪ 1055 01:05:20,375 --> 01:05:24,666 ♪ Why should we accept the change And buy clothes of today ♪ 1056 01:05:25,958 --> 01:05:30,458 ♪ Kids, kids, kids repel the change And bring back the street ♪ 1057 01:05:31,708 --> 01:05:36,166 ♪ Shops filled by whole nations Carnaby Street ♪ 1058 01:05:38,041 --> 01:05:40,875 ♪ Carnaby Street, Carnaby Street ♪ 1059 01:05:46,583 --> 01:05:50,583 ♪ The street is a mirror for our country ♪ 1060 01:05:51,916 --> 01:05:56,500 ♪ Reflects the rise and fall Of our nation ♪ 1061 01:05:56,583 --> 01:05:57,583 ♪ Nation ♪ 1062 01:06:03,625 --> 01:06:07,666 ♪ The street that was a legend Is a mockery ♪ 1063 01:06:09,375 --> 01:06:13,541 ♪ A part of the British tradition Gone down the drain ♪ 1064 01:06:14,875 --> 01:06:19,333 ♪ You don't need no glass ball To see its faults ♪ 1065 01:06:20,750 --> 01:06:25,041 ♪ Take a walk along that street And you'll see what I mean ♪ 1066 01:06:26,875 --> 01:06:27,958 ♪ Carnaby Street ♪ 1067 01:06:29,916 --> 01:06:31,000 ♪ Carnaby Street ♪ 1068 01:06:32,833 --> 01:06:33,875 ♪ Carnaby Street ♪ 1069 01:06:35,791 --> 01:06:38,083 ♪ Carnaby Street Not what it used to be ♪ 1070 01:06:38,708 --> 01:06:41,541 ♪ Carnaby Street Not what it used to be ♪ 1071 01:06:41,625 --> 01:06:44,500 ♪ Carnaby Street Not what it used to be ♪ 1072 01:06:44,583 --> 01:06:46,750 ♪ Carnaby Street, oh, oh, oh ♪ 1073 01:06:47,500 --> 01:06:49,916 ♪ Carnaby Street, oh, oh, oh ♪ 1074 01:06:59,500 --> 01:07:00,541 Thank you. 1075 01:07:13,875 --> 01:07:16,583 Quite ironic, isn't it? Our problems at Hammersmith. 1076 01:07:24,333 --> 01:07:25,958 Here's a tune you might know. 1077 01:07:41,875 --> 01:07:45,208 ♪ In the city there's a thousand things I want to say to you ♪ 1078 01:07:46,791 --> 01:07:50,125 ♪ But whenever I approach you, You make me look a fool ♪ 1079 01:07:51,958 --> 01:07:53,041 ♪ I wanna say ♪ 1080 01:07:54,458 --> 01:07:55,583 ♪ I wanna tell you ♪ 1081 01:07:56,375 --> 01:08:00,375 ♪ About the young ideas But you turn them into fears ♪ 1082 01:08:02,666 --> 01:08:05,750 ♪ In the city there's a thousand faces All shining bright ♪ 1083 01:08:07,500 --> 01:08:10,625 ♪ And those golden faces are under 25 ♪ 1084 01:08:12,875 --> 01:08:13,875 ♪ We wanna say ♪ 1085 01:08:15,166 --> 01:08:16,875 ♪ We gonna tell ya ♪ 1086 01:08:16,958 --> 01:08:19,083 ♪ About the young ideas ♪ 1087 01:08:19,166 --> 01:08:21,375 ♪ You better listen now You've said your bit ♪ 1088 01:08:37,958 --> 01:08:41,708 ♪ I don't know what you're thinking You're scared of that kind of crap ♪ 1089 01:08:42,958 --> 01:08:46,750 ♪ But you'd better listen, man Because the kids know where it's at ♪ 1090 01:08:50,250 --> 01:08:53,666 ♪ In the city there's a thousand men In uniforms ♪ 1091 01:08:55,416 --> 01:08:58,500 ♪ And I've heard they now Have the right to kill a man ♪ 1092 01:09:00,666 --> 01:09:01,750 ♪ We wanna say ♪ 1093 01:09:03,208 --> 01:09:04,416 ♪ We gonna tell ya ♪ 1094 01:09:05,041 --> 01:09:07,291 ♪ About the young ideas ♪ 1095 01:09:07,375 --> 01:09:09,750 ♪ And if they don't work, At least I fuckin' tried ♪ 1096 01:09:12,666 --> 01:09:13,666 ♪ In the city ♪ 1097 01:09:15,166 --> 01:09:16,166 ♪ In the city ♪ 1098 01:09:17,583 --> 01:09:18,583 ♪ In the city ♪ 1099 01:09:20,041 --> 01:09:21,208 ♪ In the city ♪ 1100 01:09:21,291 --> 01:09:24,500 ♪ In the city there's a thousand things I want to say to you ♪ 1101 01:09:33,666 --> 01:09:37,375 The new wave band with the most commercial success is The Stranglers. 1102 01:09:37,458 --> 01:09:40,916 Their first album was the eighth most successful of last year. 1103 01:09:41,000 --> 01:09:46,166 But are they really a punk band, apart from their name? 1104 01:09:46,250 --> 01:09:51,208 We want to ask their PR manager, but we are refused. 1105 01:09:58,208 --> 01:10:00,291 Right, one of those. For one of the pictures... 1106 01:10:00,375 --> 01:10:02,375 What are they gonna do? 1107 01:10:03,916 --> 01:10:07,791 - We want The Stranglers. - We want your band to stay in our movie. 1108 01:10:07,875 --> 01:10:08,750 Eh? 1109 01:10:08,833 --> 01:10:13,500 We want only your statement why you don't want to stay in our movie. 1110 01:10:14,291 --> 01:10:15,583 Because I'm no prostitute. 1111 01:10:17,541 --> 01:10:19,500 And you don't do... 1112 01:10:19,583 --> 01:10:22,250 I don't want to sell any records in Germany. 1113 01:10:22,333 --> 01:10:25,041 I want German bands to sell them in Germany. 1114 01:10:25,125 --> 01:10:28,125 - And you hate Germans, you said. - Eh? The majority, yeah. 1115 01:10:28,750 --> 01:10:30,583 Simply because we are German? 1116 01:10:30,666 --> 01:10:33,291 No, simply because you take and you don't give. 1117 01:10:33,375 --> 01:10:35,208 You don't, you've got a lot of responsibility 1118 01:10:35,291 --> 01:10:38,125 to the idea of Europe, and you're just taking. 1119 01:10:40,458 --> 01:10:42,791 I'll play to people who want to hear us in Germany, 1120 01:10:42,875 --> 01:10:46,458 but otherwise I couldn't care a fuck. 1121 01:10:46,541 --> 01:10:48,750 But a lot of people in Germany want to hear you 1122 01:10:48,833 --> 01:10:50,017 and want to know something about you. 1123 01:10:50,041 --> 01:10:51,101 Then they can hear us next week. 1124 01:10:51,125 --> 01:10:53,416 They didn't want not hear us nine months ago. 1125 01:10:53,500 --> 01:10:56,541 See, I'm very suspicious of German motives. 1126 01:10:56,625 --> 01:10:58,666 I reckon they're just a pose. 1127 01:10:58,750 --> 01:11:00,750 I don't believe they're genuine, 1128 01:11:00,833 --> 01:11:04,083 until they've proven themselves, then we don't want to know. 1129 01:11:07,083 --> 01:11:09,000 I don't understand your arguments because... 1130 01:11:09,083 --> 01:11:10,208 Well, you never do. 1131 01:11:14,250 --> 01:11:16,375 I think punk now is a joke, actually. 1132 01:11:16,458 --> 01:11:18,125 I don't think it bears any resemblance 1133 01:11:18,208 --> 01:11:22,041 to what it started out as, and I don't think it's fulfilled 1134 01:11:22,125 --> 01:11:25,833 very many of its original aims in England, anyway. 1135 01:11:25,916 --> 01:11:30,083 I mean, it's been turned into a commercial carnival 1136 01:11:30,166 --> 01:11:32,333 um, so quickly that the people who started it 1137 01:11:32,416 --> 01:11:36,458 and people put the original ideas have lost control of what they're doing. 1138 01:11:36,541 --> 01:11:40,083 Record companies and the music business in general, 1139 01:11:40,166 --> 01:11:43,125 and the media have cashed in on it so quickly, 1140 01:11:43,208 --> 01:11:44,642 and they've taken everything out of it. 1141 01:11:44,666 --> 01:11:48,458 They've taken the creativity, the ideas, the imagination out of it, 1142 01:11:48,541 --> 01:11:51,541 and they've put nothing back except money, and that has actually killed it. 1143 01:11:51,625 --> 01:11:53,291 - I mean, I think… - Uh-huh. 1144 01:11:53,375 --> 01:11:55,375 Uh, the people who were responsible 1145 01:11:55,458 --> 01:11:59,250 for making punk rock what it is, or making punk rock, 1146 01:11:59,333 --> 01:12:01,708 never envisioned what has happened now, and, I mean... 1147 01:12:01,791 --> 01:12:02,851 - Yeah. They've lost out, basically. - Yeah. 1148 01:12:02,875 --> 01:12:04,726 When they started the whole thing it was their idea, 1149 01:12:04,750 --> 01:12:06,642 and they've really lost out on all the benefits of it. 1150 01:12:06,666 --> 01:12:09,750 The people who put it together were like people like Andrew Czezowski, 1151 01:12:09,833 --> 01:12:12,000 who opened The Roxy Club, people like that. 1152 01:12:12,083 --> 01:12:15,416 They've been bought out by bigger concerns, 1153 01:12:15,500 --> 01:12:17,333 by big companies, record companies. 1154 01:12:17,416 --> 01:12:19,416 They've ended up with no money, nothing, 1155 01:12:19,500 --> 01:12:23,416 and punk has been taken out as just another commodity to sell. 1156 01:12:23,500 --> 01:12:26,625 So in a way it hasn't achieved any of its ideas. 1157 01:12:26,708 --> 01:12:30,416 The original idea was to get away from the old music selling of product. 1158 01:12:30,500 --> 01:12:34,166 The original thing for punk was that the kids could identify with it. 1159 01:12:34,250 --> 01:12:36,500 They could talk, they could go up and talk to the bands. 1160 01:12:36,583 --> 01:12:37,458 Right. 1161 01:12:37,541 --> 01:12:38,767 The bands would go to the same places as they would. 1162 01:12:38,791 --> 01:12:41,458 They, you know, they could just see the bands all over the place. 1163 01:12:41,541 --> 01:12:42,625 They weren't stars. 1164 01:12:42,708 --> 01:12:43,851 But unfortunately, it's very difficult, 1165 01:12:43,875 --> 01:12:46,315 because bands have got to get record company contracts, right? 1166 01:12:46,375 --> 01:12:48,684 - I mean, to be able to survive. - They've got to make some money. 1167 01:12:48,708 --> 01:12:51,017 It's very difficult to see how they could have combined the two, you know, 1168 01:12:51,041 --> 01:12:55,041 keeping it on the level with the kids and having the money, you know? 1169 01:12:55,125 --> 01:12:57,375 There's no way that punk could have stayed... 1170 01:12:57,458 --> 01:12:58,333 As it was. 1171 01:12:58,416 --> 01:12:59,851 There's no way punk could have stayed as it was. 1172 01:12:59,875 --> 01:13:02,500 Punk would have had to evolve and become a big business. 1173 01:13:02,583 --> 01:13:05,000 It's just unfortunate it became a big business so quickly. 1174 01:13:05,083 --> 01:13:07,601 And it trod on so many people on the way up, that's the problem. 1175 01:13:07,625 --> 01:13:10,291 And a lot of the people have proved that once they're successful, 1176 01:13:10,375 --> 01:13:13,583 they're just as rich and they're just as into being capitalists, 1177 01:13:13,666 --> 01:13:18,291 and they're just as into making money and forget the people who put them there, 1178 01:13:18,375 --> 01:13:22,041 as was the old generation of the old farts or whatever. 1179 01:13:22,125 --> 01:13:24,083 So the new wave has quickly become 1180 01:13:24,166 --> 01:13:26,583 exactly the same as the old wave… 1181 01:13:26,666 --> 01:13:28,426 - In most cases. In most cases. - I'm afraid. 1182 01:13:28,500 --> 01:13:29,934 But unfortunately, the punk followers 1183 01:13:29,958 --> 01:13:31,809 have gotten into the same thing as these sort of, 1184 01:13:31,833 --> 01:13:34,291 the old hippies, you know, the old farts as Rotten says, 1185 01:13:34,375 --> 01:13:36,455 you know, that they, they only accept their own kind. 1186 01:13:36,500 --> 01:13:38,684 They're not tolerant to other people, which is what they should be. 1187 01:13:38,708 --> 01:13:41,416 I mean, the whole thing about anarchy was to, you know… 1188 01:13:41,500 --> 01:13:43,392 - You do what you want to do. - Say, personal anarchy. 1189 01:13:43,416 --> 01:13:45,291 You don't interfere in anybody else's business. 1190 01:13:45,375 --> 01:13:47,815 You keep to what you want to do, and that's how you should go. 1191 01:13:47,875 --> 01:13:49,642 And unfortunately, it hasn't turned out like that. 1192 01:13:49,666 --> 01:13:51,601 He's the only person who's kept doing that, really. 1193 01:13:51,625 --> 01:13:52,865 The whole thing about punk rock 1194 01:13:52,916 --> 01:13:54,636 was it didn't matter whether you were black, 1195 01:13:54,708 --> 01:13:55,809 it didn't matter whether you were white, 1196 01:13:55,833 --> 01:13:57,791 it didn't matter whether what your hair was, 1197 01:13:57,875 --> 01:14:00,875 what you looked like, whether you're ugly, rich, poor, or pretty. 1198 01:14:00,958 --> 01:14:03,875 But already there's a snobbery within punk where… 1199 01:14:03,958 --> 01:14:05,767 - You've got to look a certain way. - You've got to have short hair. 1200 01:14:05,791 --> 01:14:07,333 You've got to have tight trousers. 1201 01:14:07,416 --> 01:14:09,333 You've got to have plastic clothes, or whatever. 1202 01:14:09,416 --> 01:14:11,875 And already they're as bad as the people with long hair 1203 01:14:11,958 --> 01:14:14,125 who said that you couldn't be fashionable 1204 01:14:14,208 --> 01:14:16,125 if you had short hair and this sort of thing. 1205 01:14:16,208 --> 01:14:18,583 So it's a shame that punk has… 1206 01:14:18,666 --> 01:14:22,250 It's not fulfilled a lot of its original aims in a nutshell. 1207 01:14:23,791 --> 01:14:25,551 And that's it, the cynic's view of punk rock. 1208 01:14:27,750 --> 01:14:30,666 - What next? - Yeah, what next? 1209 01:15:02,833 --> 01:15:06,083 ♪ There's no point in asking You'll get no reply ♪ 1210 01:15:06,166 --> 01:15:12,541 ♪ Oh, just remember and don't decide I got no reason it's all too much ♪ 1211 01:15:12,625 --> 01:15:14,625 ♪ You'll always find us ♪ 1212 01:15:17,041 --> 01:15:18,541 ♪ Out to lunch ♪ 1213 01:15:20,958 --> 01:15:24,583 ♪ Oh, we're so pretty Oh, so pretty ♪ 1214 01:15:25,958 --> 01:15:27,541 ♪ We're vacant ♪ 1215 01:15:27,625 --> 01:15:31,125 ♪ Oh, we're so pretty Oh, so pretty ♪ 1216 01:15:32,583 --> 01:15:34,000 ♪ Vacant ♪ 1217 01:15:40,000 --> 01:15:43,041 In The Marquee Club, The Boomtown Rats are playing today. 1218 01:15:43,125 --> 01:15:46,375 Although 700 people are refused at the door, 1219 01:15:46,458 --> 01:15:50,666 the club is so hot and crowded that the singer faints on stage. 1220 01:16:06,250 --> 01:16:07,250 ♪ Whoa ♪ 1221 01:17:03,750 --> 01:17:06,291 It started with the Sex Pistols last year 1222 01:17:06,375 --> 01:17:08,541 when they were a support act. 1223 01:17:09,416 --> 01:17:13,458 Musically speaking, they were awful. The singer couldn't sing. 1224 01:17:13,541 --> 01:17:18,750 The bass only had three strings and the drummer was drunk. 1225 01:17:19,333 --> 01:17:24,333 The audience didn't like it and then we were through with punk. 1226 01:17:24,416 --> 01:17:29,666 In the three, four months that followed, punk gained a huge following 1227 01:17:29,750 --> 01:17:35,625 because of new fashion and lots of attention by the press. 1228 01:17:36,250 --> 01:17:40,375 A lot of people asked me if I could please book some punk bands. 1229 01:17:40,458 --> 01:17:45,750 I caved and I booked some punk rock bands last summer. 1230 01:17:46,375 --> 01:17:49,375 That was a huge success and since then we do punk rock. 1231 01:17:49,458 --> 01:17:54,333 What kind of bands played here before? - Rock bands, hard rock… 1232 01:17:54,416 --> 01:17:57,125 Underground. Hard rock bands. 1233 01:17:57,708 --> 01:18:01,125 What's the difference between the punk crowd 1234 01:18:01,208 --> 01:18:06,000 and the fans of other bands? There has been some talk about violence. 1235 01:18:06,083 --> 01:18:11,041 Kids want to listen to music here. Whether it's punk rock 1236 01:18:11,125 --> 01:18:15,083 or other bands, they come to The Marquee for live music. 1237 01:18:15,708 --> 01:18:19,250 They don't come to fight or to get wasted. 1238 01:18:19,333 --> 01:18:21,375 Good music for good money. 1239 01:18:24,250 --> 01:18:28,375 How come you're running The Marquee, as a German guy? 1240 01:18:28,458 --> 01:18:30,833 It's one of the biggest clubs in London. 1241 01:18:30,916 --> 01:18:34,791 I had heard about The Marquee in Germany. Then I went to England. 1242 01:18:34,875 --> 01:18:39,875 I started watching bands in The Marquee in London. And I liked it. 1243 01:18:39,958 --> 01:18:44,125 I asked around for a job, that's how I started here. 1244 01:18:44,208 --> 01:18:48,333 It was hard. I worked 12, 14 hours a day. That's how I worked my way up. 1245 01:18:48,416 --> 01:18:51,750 After three years, I book the bands and run the club. 1246 01:18:53,125 --> 01:18:57,166 Does punk have a future? 1247 01:18:58,000 --> 01:19:03,208 Punk has a great future. All the music labels are interested. 1248 01:19:03,875 --> 01:19:10,250 Punk sells good because it's new, different and fashionable. 1249 01:19:11,375 --> 01:19:15,583 For kids, it's fresh. They don't feel like 1250 01:19:15,666 --> 01:19:18,500 going to concerts of Yes or Genesis. 1251 01:19:18,583 --> 01:19:21,750 It's too complicated. Punk is simpler. 1252 01:19:22,875 --> 01:19:25,750 Simple, hard music. Hard rock. 1253 01:19:25,833 --> 01:19:29,708 Music that's played fast. They can go and join in. 1254 01:19:30,583 --> 01:19:33,166 What do you personally think about punk? 1255 01:19:33,250 --> 01:19:35,625 Professionally, punk is really good for us. 1256 01:19:35,708 --> 01:19:39,083 And personally… At home, I listen to the Eagles. 1257 01:19:40,916 --> 01:19:41,958 It's like… 1258 01:19:43,708 --> 01:19:46,166 You just got done somewhere like the Fort X, 1259 01:19:46,250 --> 01:19:49,333 listen to half the groups and you see how boring they are. 1260 01:19:49,416 --> 01:19:53,166 We find that most people would be put to sleep by it all. 1261 01:19:54,666 --> 01:19:58,541 There's just, just a couple of good bands and that's it. 1262 01:19:58,625 --> 01:20:00,541 They're gonna make a lot of money 1263 01:20:02,791 --> 01:20:05,041 and make a lot of music 1264 01:20:06,125 --> 01:20:10,416 and the rest will fade away and die. 1265 01:20:14,000 --> 01:20:17,083 All the high plan ideals disappeared years ago. 1266 01:20:20,083 --> 01:20:22,041 That shocked you. You didn't expect that. 1267 01:20:22,125 --> 01:20:24,416 - They've become very watered down. - Yeah. 1268 01:20:24,500 --> 01:20:28,458 You're going to Germany next month. Do you have any idea about Germany? 1269 01:20:29,541 --> 01:20:32,083 Uh, yeah. They're all rich in Germany. 1270 01:20:32,166 --> 01:20:35,708 Lots of Deutschmarks, apart from these three. 1271 01:20:38,250 --> 01:20:40,958 Yeah. No, I don't know. I only know about… 1272 01:20:42,375 --> 01:20:44,500 The only things I bother reading about Germany 1273 01:20:44,583 --> 01:20:45,833 are about the RAF 1274 01:20:47,541 --> 01:20:48,875 because they're interesting, 1275 01:20:48,958 --> 01:20:52,416 but reading about Willy Brandt and Chancellor Schmidt 1276 01:20:52,500 --> 01:20:55,416 or whoever they all are, is boring so… 1277 01:20:58,333 --> 01:21:01,208 Very efficient country, we're told. Very efficient. 1278 01:21:02,166 --> 01:21:03,833 ♪ Whoa ♪ 1279 01:21:05,083 --> 01:21:07,833 ♪ Someone's really smart ♪ 1280 01:21:07,916 --> 01:21:10,166 ♪ Whoa ♪ 1281 01:21:11,083 --> 01:21:13,375 ♪ Complete control even over this song ♪ 1282 01:21:18,125 --> 01:21:22,583 - And then he met me, then he met... - And he met him, and he met him. 1283 01:21:22,666 --> 01:21:25,625 - Right, then we both bumped into him. - Got that, all right? 1284 01:21:25,708 --> 01:21:27,833 - That's how we met. - It was coincidence. 1285 01:21:27,916 --> 01:21:29,500 And then we all met him together. 1286 01:21:30,791 --> 01:21:32,458 - And here we are. - Fucked up. 1287 01:21:32,541 --> 01:21:37,125 - And then we met him coming in the room. - That was the worst time, when we met him. 1288 01:21:37,208 --> 01:21:39,708 We formed about a year ago or two years ago? 1289 01:21:44,833 --> 01:21:47,041 People ask us this question all the time, you know. 1290 01:21:47,125 --> 01:21:49,500 - I'd say 18 months. - 18 months, right? 1291 01:21:50,916 --> 01:21:53,500 You cut, you nicked my fucking... 1292 01:21:54,375 --> 01:21:56,041 Why you bothering the cameraman? 1293 01:21:58,375 --> 01:21:59,726 We haven't ate since we've been here. 1294 01:21:59,750 --> 01:22:02,333 We've been here three days, we haven't had a thing to eat yet. 1295 01:22:11,250 --> 01:22:12,416 ♪ Hate and war ♪ 1296 01:22:14,083 --> 01:22:15,500 ♪ The only things we got ♪ 1297 01:22:17,000 --> 01:22:18,583 ♪ If I close my eyes ♪ 1298 01:22:19,791 --> 01:22:21,500 ♪ They will not go away ♪ 1299 01:22:22,375 --> 01:22:24,291 ♪ You have to deal with it ♪ 1300 01:22:25,666 --> 01:22:26,916 ♪ It is the currency ♪ 1301 01:22:29,708 --> 01:22:31,458 ♪ The hate of a nation ♪ 1302 01:22:31,541 --> 01:22:33,625 ♪ Of a nation ♪ 1303 01:22:33,708 --> 01:22:35,291 ♪ A million miles from home ♪ 1304 01:22:36,208 --> 01:22:38,208 ♪ And get war from the junkies ♪ 1305 01:22:39,166 --> 01:22:40,750 ♪ Who don't like my form ♪ 1306 01:22:41,958 --> 01:22:43,708 ♪ I'm gonna stay in the city ♪ 1307 01:22:44,875 --> 01:22:47,458 ♪ Even when the house fall down ♪ 1308 01:22:47,541 --> 01:22:49,708 ♪ I don't dream of a holiday ♪ 1309 01:22:50,458 --> 01:22:52,666 ♪ When hate and war come around ♪ 1310 01:22:56,041 --> 01:22:58,125 ♪ The things that we got today ♪ 1311 01:22:58,208 --> 01:23:00,375 ♪ Hate and war ♪ 1312 01:23:03,625 --> 01:23:05,458 ♪ I have the will to survive ♪ 1313 01:23:06,583 --> 01:23:08,333 ♪ I cheat if I can't win ♪ 1314 01:23:09,125 --> 01:23:10,875 ♪ If someone locks me out ♪ 1315 01:23:11,791 --> 01:23:13,875 ♪ I kick my way back in ♪ 1316 01:23:14,791 --> 01:23:16,458 ♪ And if I get aggression ♪ 1317 01:23:17,541 --> 01:23:20,250 ♪ I give it to them two times back ♪ 1318 01:23:20,333 --> 01:23:22,958 ♪ Every day the fucking same ♪ 1319 01:23:23,041 --> 01:23:25,333 ♪ With hate and war on my back ♪ 1320 01:23:25,416 --> 01:23:28,208 ♪ Hate and war, I hate all the ♪ 1321 01:23:28,291 --> 01:23:30,166 ♪ Hate and war, I hate all the ♪ 1322 01:23:30,750 --> 01:23:31,958 ♪ Hate and war ♪ 1323 01:23:33,625 --> 01:23:34,625 ♪ Hate and war ♪ 1324 01:23:36,208 --> 01:23:37,208 ♪ Hate and war ♪ 1325 01:23:50,750 --> 01:23:53,726 - You had a lot of problems in Germany. - Yeah, yeah. It's fucking horrible. 1326 01:23:53,750 --> 01:23:55,392 I never want to come back there again. It stinks. 1327 01:23:55,416 --> 01:23:56,333 I do, though. 1328 01:23:56,416 --> 01:23:58,017 - Unless we're at war. - I think it's great. 1329 01:23:58,041 --> 01:24:02,250 So far, but it's like, we've been in hotels and it's been really horrible. 1330 01:24:02,333 --> 01:24:06,291 People, a lot of older people have been very sort of, like, nasty to us. 1331 01:24:06,375 --> 01:24:08,958 They're not sort of helping us at all. 1332 01:24:09,041 --> 01:24:10,791 Like, the young people are great, 1333 01:24:10,875 --> 01:24:14,458 like, at the concert tonight, the reactions. 1334 01:24:14,541 --> 01:24:16,892 They ain't got a fucking hotel for us. The gigs are fucking useless. 1335 01:24:16,916 --> 01:24:18,267 - We ain't got no sleep. - Yeah. We ain't got a hotel. 1336 01:24:18,291 --> 01:24:22,750 We got, the police came and dragged us out from the hotel, you know. 1337 01:24:22,833 --> 01:24:25,000 I mean, we really want to like, Germany, yeah. 1338 01:24:25,083 --> 01:24:28,125 Well, I do anyway. I think it looks great. 1339 01:24:35,541 --> 01:24:38,166 ♪ Police and thieves in the streets ♪ 1340 01:24:39,666 --> 01:24:40,708 ♪ Oh, yeah ♪ 1341 01:24:41,583 --> 01:24:47,166 ♪ Scaring the nation With their guns and ammunition ♪ 1342 01:24:47,250 --> 01:24:49,791 ♪ Police and thieves in the street ♪ 1343 01:24:51,166 --> 01:24:52,208 ♪ Oh, yeah ♪ 1344 01:24:53,083 --> 01:24:58,083 ♪ Fighting the nation With their guns and ammunition ♪ 1345 01:24:58,875 --> 01:25:00,250 ♪ From Genesis ♪ 1346 01:25:01,833 --> 01:25:03,041 ♪ To Revelation ♪ 1347 01:25:04,375 --> 01:25:05,791 ♪ The next generation ♪ 1348 01:25:07,750 --> 01:25:09,208 ♪ Will be hear me ♪ 1349 01:25:10,250 --> 01:25:11,333 ♪ From Genesis ♪ 1350 01:25:13,125 --> 01:25:14,833 ♪ To Revelation ♪ 1351 01:25:15,875 --> 01:25:17,250 ♪ The next generation ♪ 1352 01:25:19,041 --> 01:25:20,083 ♪ Will be here ♪ 1353 01:25:21,250 --> 01:25:23,291 ♪ And all the crowd comes in ♪ 1354 01:25:24,958 --> 01:25:26,208 ♪ Day by day ♪ 1355 01:25:27,916 --> 01:25:29,083 ♪ Don't try to stop it ♪ 1356 01:25:30,875 --> 01:25:31,875 ♪ In anyway ♪ 1357 01:25:33,333 --> 01:25:34,916 ♪ And all the peacemaker ♪ 1358 01:25:36,125 --> 01:25:37,833 ♪ Turn war officer ♪ 1359 01:25:39,083 --> 01:25:42,000 ♪ Hear what I say ♪ 1360 01:26:07,916 --> 01:26:09,041 We'll rule the world. 1361 01:26:10,333 --> 01:26:12,875 - By Christmas. - Depends if we can get a hotel or not. 1362 01:26:12,958 --> 01:26:14,000 Yeah. 1363 01:26:14,875 --> 01:26:19,166 - A hotel, a hotel, my kingdom for a hotel. - The group for a hotel. 1364 01:26:37,666 --> 01:26:43,000 ♪ Back in the garage With my bullshit detector ♪ 1365 01:26:43,875 --> 01:26:48,541 ♪ Carbon monoxide Making sure it's effective ♪ 1366 01:26:48,625 --> 01:26:53,791 ♪ People ringing up Making offers for my life ♪ 1367 01:26:53,875 --> 01:26:59,875 ♪ But I just wanna stay In the garage all night ♪ 1368 01:27:01,791 --> 01:27:03,583 ♪ We're a garage band ♪ 1369 01:27:04,416 --> 01:27:06,166 ♪ Oh ♪ 1370 01:27:06,916 --> 01:27:08,583 ♪ We come from garage land ♪ 1371 01:27:09,500 --> 01:27:11,166 ♪ Oh ♪ 1372 01:27:15,125 --> 01:27:19,583 ♪ Things are hotting up In the West End, all right ♪ 1373 01:27:19,666 --> 01:27:24,708 ♪ Contracts in the offices, Groups in the night ♪ 1374 01:27:24,791 --> 01:27:29,083 ♪ My bummin' slummin' friends Have all got new boots ♪ 1375 01:27:29,875 --> 01:27:32,833 ♪ And someone just asked me if the group ♪ 1376 01:27:34,333 --> 01:27:35,500 ♪ Would wear suits ♪ 1377 01:27:37,541 --> 01:27:39,083 ♪ We're a garage band ♪ 1378 01:27:40,000 --> 01:27:41,541 ♪ Oh ♪ 1379 01:27:42,500 --> 01:27:44,166 ♪ We come from garage land ♪ 1380 01:27:45,083 --> 01:27:46,708 ♪ Oh ♪ 1381 01:27:47,541 --> 01:27:49,000 ♪ Oh ♪ 1382 01:27:59,958 --> 01:28:01,625 ♪ They think they're so clever ♪ 1383 01:28:02,458 --> 01:28:03,684 ♪ They think they're so right ♪ 1384 01:28:03,708 --> 01:28:07,333 ♪ But the truth is only known ♪ 1385 01:28:07,416 --> 01:28:11,625 ♪ By guttersnipes ♪ 1386 01:28:12,458 --> 01:28:14,000 ♪ We're a garage band ♪ 1387 01:28:14,916 --> 01:28:16,583 ♪ Oh ♪ 1388 01:28:17,333 --> 01:28:18,750 ♪ We come from garage land ♪ 1389 01:28:19,708 --> 01:28:21,375 ♪ Oh ♪ 1390 01:28:22,166 --> 01:28:24,666 ♪ Oh ♪ 1391 01:28:24,750 --> 01:28:25,750 ♪ Stop ♪ 1392 01:28:37,208 --> 01:28:38,500 ♪ 22 singers ♪ 1393 01:28:39,541 --> 01:28:40,791 ♪ One microphone ♪ 1394 01:28:41,958 --> 01:28:44,416 ♪ Back in the garage ♪ 1395 01:28:51,666 --> 01:28:54,166 ♪ Back in the garage ♪ 1396 01:28:56,583 --> 01:28:57,708 ♪ Five guitar players ♪ 1397 01:28:59,000 --> 01:29:00,000 ♪ One guitar ♪ 1398 01:29:01,458 --> 01:29:03,833 ♪ Back in the garage ♪ 1399 01:29:03,916 --> 01:29:06,291 ♪ Back in the garage ♪ 1400 01:29:06,375 --> 01:29:09,500 ♪ Back in the garage all night ♪ 1400 01:29:10,305 --> 01:30:10,505 Watch Online Movies and Series for FREE www.osdb.link/lm