"The Joy of Painting" Mt. McKinley
ID | 13204409 |
---|---|
Movie Name | "The Joy of Painting" Mt. McKinley |
Release Name | S1E02 - Mt McKinley |
Year | 1983 |
Kind | tv |
Language | English |
IMDB ID | 2177153 |
Format | srt |
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Hello, glad to see you again.
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Thought today we'd do a picture
of this right straight out of Alaska.
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We'll do one of Mount
McKinley, the most almighty
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mountain in the North
American continent.
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And we'll start off today,
and we'll use just a little bit of
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Prussian blue, maybe a touch of
phthalo green mixed with it here.
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00:00:18,285 --> 00:00:21,688
And let's dance in
some basic shapes here.
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I've already put the magic white
on the canvas to save a little time.
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00:00:26,293 --> 00:00:31,064
So, we're just literally mixing
color right here on the canvas.
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00:00:31,164 --> 00:00:34,835
Let this brush dance
and play and have fun.
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00:00:34,935 --> 00:00:38,171
And all we're looking for is
general, basic cloud shapes here.
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We're really not trying
to put anything in.
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Just let it happen.
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Just move the brush, keep it
moving, working, playing, having fun.
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There we go.
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Isn't that something?
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There we are.
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Got a nice little cloud
shape right there.
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What the heck?
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Okay.
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Keep the brush moving.
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Don't let it stop.
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Sometimes brush is lazy, you have to really
push it a little or it'll quit on you.
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Make it keep moving.
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Okay, now we'll take the almighty
brush here and we're gonna swirl this.
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We're gonna pull the color.
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Move it.
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Pull it.
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Try to avoid a pattern.
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We want this to go everywhere.
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We're looking for a sky here that
has life in it, has movement in it.
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We don't want a sky that looks
like at night you pull the curtain
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down and everything went black on
you, so we want to keep this moving.
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There.
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And already you're beginning to see
all the little things happening up here.
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Every which direction.
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Everywhere, there we go.
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Now you can blend this
too much and take it all out.
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We don't want to take it
out, we just want to mix it up.
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Stir it up.
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00:02:04,124 --> 00:02:08,161
Okay, while we got some
paint on the brush here, we'll
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add a little more Prussian
blue and phthalo green.
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And we'll put us in some water.
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We pull from the outside in.
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And leave a little
area open here.
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That will create the
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little sheen of light that
plays across the water.
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You could go back with white
paint and put it back in, but you've
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already covered the canvas with
magic white, so why not use it?
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This is a lazy man's
way of painting.
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You let the paint work,
you let the brushes work.
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Use what happens
naturally, don't fight it.
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Okay.
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Clean the old brush off and
let's get out an almighty fan
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brush here and let's build
some happy little clouds up here.
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I'm gonna take titanium
white with the least little touch
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of permanent red in it and
load the brush full of paint.
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Just really load it up.
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00:03:12,159 --> 00:03:16,029
Now we'll start working on some
basic cloud shapes here and we'll
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dance in all these little areas
and let them just play in the sky.
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Keep the brush moving.
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Keep it moving.
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You want areas that are
thick, areas that are thin.
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Let all these little
things happen.
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Okay.
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And we'll take the big brush here
and gently, gently blend this together.
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Very lightly.
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And fluff it up a little.
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And hypnotize it.
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And right there you've
got an almighty cloud.
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Just that quick.
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But they're very easily killed.
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Clouds are delicate.
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Don't overwork it.
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Put it in, leave it alone.
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Okay, maybe we'll
have another one here.
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We'll put a layer of
these clouds some.
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Okay.
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Nature is so beautiful.
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Just let it go.
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Have fun with it.
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Very, very easy to
work these to death.
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Okay, we'll blend this in.
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And you work in layers here.
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You do the thing
that's the farthest away
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first, have him finished,
and then work forward.
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There, let's hypnotize that one.
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Blend this one a little bit.
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Okay.
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Little bit more red here.
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There we go.
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Don't wanna set these
clouds on fire now.
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All we wanna do is have
a slight warmish glow
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to them, like the sun's
playing along the top.
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There we go.
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Yes, we better not
forget this side of the sky.
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We'll put a little
something over here.
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There's some nice little
clouds playing around in the sky.
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Okay, mix these up a little bit.
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Okay.
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Maybe a little
streaky one right here.
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Got baby clouds too.
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If you didn't have baby clouds,
you wouldn't have big clouds.
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There.
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And we can work on
this one a little touch.
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Okay.
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There, looks like a nice place.
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And we're really pushing
this paint into the canvas.
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We're working that
value right into the canvas.
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Just let it play.
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Don't kill all the dark areas.
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You can end up with great big cotton
balls in the sky if you're not careful.
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Guess I'd be considered a
UFO, big cotton ball in the sky.
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Fluff that up.
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And work that paint.
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And look at there, in just
a couple of minutes, you
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have a sky that has so
much action happening in it.
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There we go, okay.
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If you do this in your living
room, you can redecorate your
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living room in a matter of
minutes, so be very careful.
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Learn to control it.
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Have your box you can
shake your brush in, and that
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way you don't have to worry
about covering everything.
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Okay, let's take a little
bit of brown and blue, a
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little touch of alizarin
crimson, and some white.
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There we go.
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And don't mix your paint dead,
mix it marbly and leave it alone.
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Okay, now let's do,
since we're gonna do
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McKinley today, let's
do the basic shape here.
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McKinley comes down
like so, has another peak.
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Running right off through here.
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Make that just a
little more rounded.
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There.
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And we let this side
drop right down and over.
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All you're looking for here is the basic
outline, the basic shape of this mountain.
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You're not worried at
all what happens in here.
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Okay.
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Take the big brush
and we'll pull that down.
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This takes off the excess paint
and makes the next layer stick better.
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And also when you're doing mountains,
if you can see the entire mountain,
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the top of the mountain is always
more distinct than the bottom.
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At the bottom of the mountain we
have mist and now we have pollution.
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We have a multitude of things
that break up and diffuse light.
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And we'll put some snow
on that almighty mountain.
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Pull that paint out real flat.
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Just pull it out and get
us a little roll of paint.
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And we'll just lay this on
and let it travel right on down.
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And you want the
paint to break like this, to
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make all the little things
that happen in there.
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The little shadows,
light and dark areas.
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Okay.
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00:08:55,668 --> 00:09:00,340
And there's a little bump
that comes out right there.
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And works his way down.
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And over here, let
this drop just like so.
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There we go.
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Now for the shadow color, we'll
use a little Prussian blue and white.
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And once again,
don't mix it dead.
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You want it to be
sort of marbledy.
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Okay, now we'll start
with the shadows.
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We'll just lay these in here.
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We want to bring these
two areas here together.
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So we just sort of work
it back and forth and let
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it come, there you go,
let it just come together.
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And maybe this shadow
comes right down through here.
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Every highlight needs
its own private shadow.
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See, we'll put a little
shadow right there.
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See how that protrudes that up?
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Makes it just jump
right out at you.
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Little ridges here and there.
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All kind of little things
happening in this mountain.
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And we need a shadow back
here behind this almighty peak.
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There it is.
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Just let him go.
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00:10:38,037 --> 00:10:41,674
Okay, and we wanna peek,
it comes right up through
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here, and just begins
working its way back down.
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00:10:45,445 --> 00:10:53,419
There.
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It's a nice ridge
coming through here.
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00:11:04,397 --> 00:11:08,067
And we can bring these together.
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A few little shadows in here.
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Just here and there.
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Okay.
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And as we said,
we want this to be
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more distinct at the top
than the bottom, so we're
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gonna diffuse the bottom
of it, and only the bottom.
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And here we're just
tapping the canvas.
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We're trying not to
destroy, only diffuse.
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And this is where you
really depend on a firm paint.
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If you have a loose, oily, thin
paint, you become a mud mixer here.
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So when you try this at home,
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If you find that you're
making a lot of mud,
191
00:11:57,517 --> 00:11:59,953
check your paint, it
should be very, very firm.
192
00:12:00,053 --> 00:12:02,422
Squeeze that tube, it
should stand up maybe
193
00:12:02,522 --> 00:12:05,225
about three quarters of
an inch above the tube.
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Then you have a nice firm paint.
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Okay, I'm gonna make the
same color and make it darker.
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Blue-brown, a little
alizarin added to it.
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Because I want this
mountain to be in front.
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This is a beautiful study of how to
make one mountain look very, very big.
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And we'll put some little smaller
mountains here in the foreground.
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Okay, now a little peak here.
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And we'll take the big
brush and pull that out.
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Sun will go.
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This comes right out.
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That's the beauty of
painting wet on wet.
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You can move
paint on the canvas.
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00:13:00,980 --> 00:13:04,484
And we'll put some little,
happy little snow here.
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00:13:04,584 --> 00:13:07,287
Just let that run.
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00:13:07,387 --> 00:13:08,788
There we go.
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00:13:13,326 --> 00:13:15,862
Okay.
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00:13:15,962 --> 00:13:23,970
Our light is still coming from the same
direction here, so don't let that fool you.
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00:13:30,710 --> 00:13:35,648
Okay, now we can work
in some shadows here.
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Let's push that one
into the background, just
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come right on through,
and that'll push him back.
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Scary to have this much power
that you can move mountains.
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00:14:00,573 --> 00:14:02,608
Okay, this, there.
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00:14:04,210 --> 00:14:09,615
We can swing this around and
bring these two right together.
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00:14:09,716 --> 00:14:14,520
Just make a nice
little ridge out of that.
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00:14:15,555 --> 00:14:20,093
Okay, now we've got
an almighty mountain.
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00:14:20,193 --> 00:14:23,796
I'm gonna take a little
of the blue-brown alizarin
220
00:14:23,896 --> 00:14:27,333
crimson, add a little
touch of sap green to it.
221
00:14:27,433 --> 00:14:31,003
Looking for a dark
color here, very dark.
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00:14:31,104 --> 00:14:36,075
And we'll load up this one inch brush and
we'll push in some little dark areas here.
223
00:14:36,175 --> 00:14:39,345
This'll be our little trees that
are way, way back in the distance.
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00:14:39,445 --> 00:14:47,420
Bushes and trees and all the
little things happening back here.
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00:14:50,022 --> 00:14:51,391
There we go.
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00:14:52,592 --> 00:14:57,830
Now with the big brush, we can
pull a little bit of this color down.
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00:14:57,930 --> 00:15:03,403
And this'll be the
beginning of our reflections.
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00:15:05,405 --> 00:15:13,413
Okay, and we'll just give it a little
bit of ripple to make it look watery.
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00:15:15,000 --> 00:15:21,074
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230
00:15:23,022 --> 00:15:25,124
Okay, let's put some
highlights on here.
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00:15:25,224 --> 00:15:32,198
I'm gonna use a little bit of Magic
White mixed with some Cad Yellow.
232
00:15:32,298 --> 00:15:34,267
Little touch of Permanent Red.
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00:15:34,367 --> 00:15:38,471
And we just sort of go back and
forth, make a nice orangey color here.
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Bright color.
235
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There we go.
236
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All these nice little bushes
happening back here.
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And then we'll reflect some of
that right down into the water here.
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00:16:08,534 --> 00:16:11,871
There we go.
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00:16:11,971 --> 00:16:16,242
Now with a big brush and the most
delicate, delicate touch possible.
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00:16:16,342 --> 00:16:19,645
Just enough to pull
the paint a little bit.
241
00:16:19,745 --> 00:16:24,050
We'll pull that down and
just give it a watery effect.
242
00:16:24,150 --> 00:16:27,753
Don't want to destroy it.
243
00:16:27,854 --> 00:16:30,089
Okay.
244
00:16:30,189 --> 00:16:34,527
Now, let's take, mix
up a lot of dark here.
245
00:16:34,627 --> 00:16:39,232
Blue, brown, alizarin
and a little bit of sap green.
246
00:16:39,332 --> 00:16:42,201
Should look black to you.
247
00:16:44,837 --> 00:16:47,306
And we'll load the
brush full of paint.
248
00:16:47,406 --> 00:16:48,908
Load it full.
249
00:16:51,878 --> 00:16:53,346
Lot of paint.
250
00:16:54,514 --> 00:16:58,184
And let's make some
little evergreen trees
251
00:16:58,284 --> 00:17:02,522
that are growing way
back here in the distance.
252
00:17:10,029 --> 00:17:13,699
Let's firm that
one up a little bit.
253
00:17:13,799 --> 00:17:16,402
Needs to be a little stronger.
254
00:17:16,502 --> 00:17:20,973
There we go.
255
00:17:21,073 --> 00:17:25,878
Maybe he's got a friend
that lives right over here.
256
00:17:25,978 --> 00:17:28,281
Just dropped him in.
257
00:17:38,424 --> 00:17:46,399
Okay, maybe they're getting a little
bigger as it comes around the curve.
258
00:17:54,473 --> 00:18:03,349
Maybe a little
baby one back here.
259
00:18:03,449 --> 00:18:07,320
Put a little bush
in front of him.
260
00:18:09,355 --> 00:18:13,259
Okay, take a little touch of
magic white, little bit of brown, and
261
00:18:13,359 --> 00:18:17,363
a little touch of yellow, just to
make a nice sandy looking color.
262
00:18:25,104 --> 00:18:30,476
And we'll lay in a little
water line back here.
263
00:18:40,086 --> 00:18:47,259
And we'll cut in a few little
trunks and sticks here and there.
264
00:18:56,769 --> 00:19:02,375
Okay.
265
00:19:02,475 --> 00:19:06,078
Maybe we need
another tree right here.
266
00:19:06,178 --> 00:19:07,847
Trees are getting closer,
267
00:19:07,947 --> 00:19:09,015
They're getting a little bigger.
268
00:19:09,115 --> 00:19:09,949
They look bigger to you.
269
00:19:10,049 --> 00:19:13,252
This is the way we
push everything back.
270
00:19:13,352 --> 00:19:21,327
Work with perspective here.
271
00:19:23,529 --> 00:19:27,299
Okay, let's move to the other
side of the picture while we got a
272
00:19:27,400 --> 00:19:31,504
brush full of paint here, and we'll
put an almighty tree right here.
273
00:19:36,709 --> 00:19:37,977
These trees live in your brush.
274
00:19:38,077 --> 00:19:40,446
You have to scare
them out sometimes.
275
00:19:40,546 --> 00:19:42,114
Really work at them.
276
00:19:42,214 --> 00:19:47,119
Little son of a guns
will try to avoid you.
277
00:19:49,655 --> 00:19:50,756
And they're like
everything else.
278
00:19:50,856 --> 00:19:54,994
The first time you try them,
they're gonna drive you up the wall.
279
00:19:55,094 --> 00:19:56,462
But you practice it.
280
00:19:56,562 --> 00:19:59,999
If there's a secret
to this, it is practice.
281
00:20:00,099 --> 00:20:05,271
You learn how to make the brush
work, how to touch the canvas with it,
282
00:20:05,371 --> 00:20:10,943
And then it's just a
matter of practicing.
283
00:20:11,043 --> 00:20:12,778
First time you tied your
shoe, it wasn't easy.
284
00:20:12,878 --> 00:20:15,481
You had to look
at it and work at it.
285
00:20:15,581 --> 00:20:17,583
Next thing you know,
you're not paying any
286
00:20:17,683 --> 00:20:19,819
attention, you just,
you got your shoe tied.
287
00:20:19,919 --> 00:20:21,187
Same thing.
288
00:20:27,359 --> 00:20:27,359
Okay.
289
00:20:27,460 --> 00:20:29,428
We'll just
290
00:20:29,528 --> 00:20:32,898
Maybe we'll make another little
projection coming right out through here.
291
00:20:32,998 --> 00:20:34,967
There we go.
292
00:20:35,067 --> 00:20:37,903
Put a reflection in here.
293
00:20:40,139 --> 00:20:48,147
And we'll pull that down.
294
00:20:52,184 --> 00:20:56,489
Okay, lay in some more of
these pretty colors back here.
295
00:20:56,589 --> 00:21:00,459
Some nice little
bush right there.
296
00:21:04,363 --> 00:21:05,731
There's one.
297
00:21:09,335 --> 00:21:11,170
And right down here
we'll reflect some of these.
298
00:21:11,270 --> 00:21:19,278
Okay, delicate touch again.
299
00:21:23,382 --> 00:21:24,950
Very, very light.
300
00:21:25,050 --> 00:21:32,091
Just enough to move it a
little bit on the wet canvas.
301
00:21:32,191 --> 00:21:38,264
And we'll put some land out here
so these bushes have a place to sit.
302
00:21:38,364 --> 00:21:41,534
Don't want them to
fall off in the river here.
303
00:21:41,634 --> 00:21:46,605
So we'll give him
something to sit on here.
304
00:21:46,705 --> 00:21:49,809
And we can take a clean
brush and just lift that gently.
305
00:21:49,909 --> 00:21:53,412
This is a very thin paint
now, it's mostly magic white.
306
00:21:53,512 --> 00:21:59,218
So you can move that without
destroying what's underneath it.
307
00:21:59,318 --> 00:22:04,156
And here we'll use a little bit
of just straight Magic White.
308
00:22:04,256 --> 00:22:09,995
And we'll put us a happy
little waterline in here.
309
00:22:11,363 --> 00:22:17,469
There.
310
00:22:17,570 --> 00:22:20,372
Okay.
311
00:22:20,472 --> 00:22:21,507
Now then.
312
00:22:22,741 --> 00:22:29,515
You can, you can put some
more little bushes right in here.
313
00:22:29,615 --> 00:22:30,616
Like so.
314
00:22:32,518 --> 00:22:37,890
And we'll drop some
reflections into the water.
315
00:22:40,125 --> 00:22:43,896
And we'll pull those down.
316
00:22:43,996 --> 00:22:44,997
And anybody can do this.
317
00:22:45,097 --> 00:22:48,100
This is not some
big secret thing.
318
00:22:48,200 --> 00:22:48,868
Anybody can do it.
319
00:22:48,968 --> 00:22:56,976
We teach people from the age of
10 all the way up 80 and 90 years old.
320
00:23:00,279 --> 00:23:04,550
And young people
really, really like this.
321
00:23:04,650 --> 00:23:11,056
They learn it very easily, very quickly,
and they see results very quickly.
322
00:23:11,156 --> 00:23:14,693
I have a son that's a
young man right now, and
323
00:23:14,793 --> 00:23:18,731
he's been painting since
he was about 12 years old.
324
00:23:18,831 --> 00:23:21,367
Been selling his work.
325
00:23:24,136 --> 00:23:27,439
So it's not just for
the older person.
326
00:23:27,539 --> 00:23:32,144
It will also work very
well for the young person.
327
00:23:32,244 --> 00:23:35,180
The only trouble, like
my son, he's quite lazy.
328
00:23:35,281 --> 00:23:37,182
He'll only paint if
he needs money.
329
00:23:37,283 --> 00:23:40,286
If he needs money, he'll paint.
330
00:23:40,386 --> 00:23:45,557
But it is a nice way to put a
happy buck in your pocket.
331
00:23:45,658 --> 00:23:50,429
And to make good things
happen in your heart.
332
00:23:50,529 --> 00:23:54,633
Okay, we'll just have this
come right on down through here.
333
00:23:54,733 --> 00:23:56,669
Take all that in.
334
00:24:03,609 --> 00:24:06,445
Okay, now we can start
highlighting some of these things.
335
00:24:06,545 --> 00:24:10,582
We'll take a little bit of blue
and yellow mixed together.
336
00:24:10,683 --> 00:24:14,753
Make a very nice
little green color here.
337
00:24:14,853 --> 00:24:17,189
And we'll just drop some
highlights on this tree.
338
00:24:17,289 --> 00:24:18,691
Remember where
your light's coming from.
339
00:24:18,791 --> 00:24:21,226
Light's coming from the right.
340
00:24:21,327 --> 00:24:24,663
So you want the right-hand
side of this tree to be a
341
00:24:24,763 --> 00:24:28,033
little more distinct and
bright than the left side.
342
00:24:28,133 --> 00:24:30,536
And if you're right-handed,
you'll probably find
343
00:24:30,636 --> 00:24:33,272
it's easier to have the
light coming from the right.
344
00:24:33,372 --> 00:24:40,913
If you're left-handed, it will sort
of vary from person to person.
345
00:24:42,481 --> 00:24:42,481
Okay.
346
00:24:42,581 --> 00:24:47,186
Let's put some little highlights
over here on these little trees.
347
00:24:47,286 --> 00:24:50,589
The sun wouldn't forget them.
348
00:25:01,166 --> 00:25:08,240
Now, a little more magic
white, thin that down just a touch.
349
00:25:08,340 --> 00:25:11,143
And we can start
finding all these beautiful
350
00:25:11,243 --> 00:25:14,380
little trees and bushes
that are living in here.
351
00:25:14,480 --> 00:25:16,582
Very important that you
don't kill all this dark area.
352
00:25:16,682 --> 00:25:22,554
If you kill all the dark, your
picture's gonna be very flat.
353
00:25:22,654 --> 00:25:27,793
And we might as well just reflect
that right into the water there.
354
00:25:27,893 --> 00:25:30,529
Okay, there we go.
355
00:25:30,629 --> 00:25:31,930
Little bit right in here.
356
00:25:32,031 --> 00:25:40,039
And we'll reflect that right on
down, a little touch of red over the top.
357
00:25:42,608 --> 00:25:47,046
Okay, there's
another nice tree I see.
358
00:25:47,146 --> 00:25:54,420
Little rascals live in your brush,
you just gotta push them out.
359
00:25:54,520 --> 00:25:59,024
And let's put a touch
more of the magic here.
360
00:25:59,124 --> 00:26:01,860
There, nice ochre color.
361
00:26:10,903 --> 00:26:18,444
All these pretty little bushes,
just let them flow off your brush.
362
00:26:20,746 --> 00:26:25,684
There are some little grassy
areas coming down through here.
363
00:26:25,784 --> 00:26:29,688
Let's turn that into
a nice reflection.
364
00:26:29,788 --> 00:26:33,292
Just like so.
365
00:26:33,392 --> 00:26:34,526
Okay, now.
366
00:26:36,662 --> 00:26:40,332
Let's give him
a little bit of dirt.
367
00:26:40,432 --> 00:26:41,800
There we go.
368
00:26:42,968 --> 00:26:46,038
This is straight Van Dyke brown.
369
00:26:46,138 --> 00:26:49,241
And onto that, we'll take
a little brown and white
370
00:26:49,341 --> 00:26:52,211
and give him just a
little touch of highlight.
371
00:26:52,311 --> 00:26:59,985
Make him look like little stones
and rocks playing through here.
372
00:27:00,085 --> 00:27:03,122
And let's put a few little
sticks here and there.
373
00:27:03,222 --> 00:27:07,759
Here we're just cutting through
the paint using the point of the knife.
374
00:27:07,860 --> 00:27:14,600
But it shows distance, it
shows all these different planes.
375
00:27:17,803 --> 00:27:17,836
Okay.
376
00:27:17,936 --> 00:27:25,911
We'll put just a little bit of magic white
under here, give us a little water line.
377
00:27:31,884 --> 00:27:33,852
There we go.
378
00:27:33,952 --> 00:27:37,823
And a few little
sticks over here.
379
00:27:42,094 --> 00:27:46,165
Okay, but you see what you can do
in just a few minutes with an almighty
380
00:27:46,265 --> 00:27:50,102
brush and an almighty knife and
a beautiful painting in your heart.
381
00:27:51,637 --> 00:27:54,139
All you have to
do is let it out.
382
00:27:54,239 --> 00:27:56,275
A few more sticks.
383
00:27:59,444 --> 00:28:00,479
There we go.
384
00:28:00,579 --> 00:28:02,381
I think we'll call
that finished.
385
00:28:02,481 --> 00:28:05,150
And I want to thank you very,
very much for watching us.
386
00:28:05,250 --> 00:28:06,952
I hope to see you
again in the near future.
387
00:28:07,052 --> 00:28:08,587
Until then, happy painting.
388
00:28:08,687 --> 00:28:16,695
Thank you.
388
00:28:17,305 --> 00:29:17,179