"Eastern Wisdom and Modern Life" The Void
ID | 13207069 |
---|---|
Movie Name | "Eastern Wisdom and Modern Life" The Void |
Release Name | Eastern Wisdom and Modern Life S01E04 The Void |
Year | 1959 |
Kind | tv |
Language | English |
IMDB ID | 27478196 |
Format | srt |
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That is a way of demonstrating
the basic experience which
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underlies some of the major
forms of Oriental philosophy.
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And actually this way of
demonstrating it is taken
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from a kind of Chinese and
Japanese Buddhism called Zen
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which I'm going to be talking about quite
a bit today, because Zen is one of the best
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examples of a philosophy, shall we call
it, in which this experience is dominant.
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Zen, of course, is a Japanese
word, and it's spelled Z-E-N.
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And that is the Japanese way
of pronouncing the Chinese word
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Chan and this in turn is the Chinese way of
pronouncing an Indian Sanskrit word dhyana and dhyana
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refers to the kind of experience which has been
represented in this circle another word for it would be
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a third, a second Sanskrit term shunya and the
nearest we can translate shunya in English is
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emptiness or void and so we might say this is an
experience of the void before trying to explain
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what this is and you know the funny thing is it really can't be explained because it has to be felt because
it's a transformation of one's basic feeling one's basic consciousness of life but I should mention first that
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it is characteristic of Eastern philosophy to be based on experience rather than ideas you see philosophy in
the Western world especially as it's taught in our universities and academies is mainly a matter of thinking
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It's a matter of trying to arrive at
certain clear, positive ideas about
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the nature of man, the nature of
the universe, and so on and so forth.
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And also religion in the West
is somewhat similar, because
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religion is largely concerned
with belief in certain ideas.
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In these basic forms of Eastern
philosophy, on the other hand, such as Zen,
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which is a kind of Buddhism, or Daoism,
the basic native philosophy of China,
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or in Vedanta, which is the
central form of Indian philosophy.
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What is basic to them is not ideas, but
a way of experiencing, a way of feeling.
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And this might be called, as it is here,
the void, demonstrated by this circle.
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Because it is not a void
which is just emptiness.
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This isn't the idea
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that there are people in the backward world of Asia who think that the
universe is ultimately nothing at all it is rather that the void represents
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complete spiritual freedom or you might say if you don't like the word
spiritual complete psychological freedom and therefore I want to try if I can
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to communicate to you, to give you some idea of what this
experience is In Japanese, in Zen, it is called Satori I'll write
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that down, it's an unfamiliar word S-A-T-O-R-I And I like the
way that that's pronounced in Southern Chinese They pronounce it
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because it's something that happens to you suddenly now let me try if I
can possibly to put into some sort of words what this experience is this
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experience which so far as they are concerned is the objective of human
life to get this is to understand the meaning of human nature and destiny
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only because it's a transformation of consciousness because it's something you feel rather than something
you think it is for this reason difficult to put into words but it is as if you saw quite suddenly and indeed
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this experience could have happened to you it can come without warning to anybody and so what I'm going to
be saying may strike a familiar ring in some ears but it is as if quite suddenly you became totally convinced
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that the way everything is in this universe
and at this moment is absolutely right.
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And that's almost
putting it too weakly.
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I'm not trying to talk about a sort of Pollyanna feeling where we
say, well, this is the best of all possible worlds and everything,
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however evil and however wrong, is going to work out all right
in the end because it's a means to an end in some master design.
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I'm not saying that.
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I'm saying it is suddenly feeling that
everything is right the way it is now,
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however appalling, however terrible,
and you know it beyond a shadow of doubt.
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There are two other aspects
to this experience as well.
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And although you feel them all together,
we have to talk about them separately.
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While the first aspect is
feeling that everything just as it
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is, is so right that you could
say of it, this is why I'm alive.
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This is what life's all about.
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The second is that
everything you see and feel
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seems to come to life
in an extraordinary way.
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You feel the world as you've seen it
before, but seen almost in a dream.
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But it is as if just the
ordinary things that were
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confronting you suddenly
went, yah, and came alive.
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And the third aspect of it
is that you no longer feel
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yourself and what you are
experiencing to be separated.
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Although you don't lose the feeling of
the outline of your skin, you don't forget
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that I or Joe Doakes is a possible
name by which you can refer to yourself.
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Nevertheless,
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it suddenly seems to you that your skin is no longer what divides you from the world, it's
what joins you to it what you see outside you is also you now we ordinarily restrict the idea
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of ego, of I-ness or of you-ness to some sort of psychological entity or process inside us
which is in control of things and we identify ourselves with a sort of controlling center
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But in this experience,
it is as if that center were
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suddenly enlarged to
include the whole universe.
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You almost feel as if you
were God, except that in Eastern
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thought, one doesn't think of
God as a kind of omnipotent person.
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I mean, there are lots of people in
our asylums who say, well, I'm God.
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I was like the
story of the woman
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who insisted that she was God, and to
humor her, someone said, well, if you're
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God, will you please explain how you
managed to create the universe in six days?
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She said, I never talk sharply.
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It isn't feeling God in that
sense, as if you could do anything,
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but it is feeling that you and
this whole world are one, and that
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In this experience of oneness and the sudden coming alive of
everything, and the profound rightness, that's the only word I can
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use, the profound rightness of each moment, of this moment,
however far it may seem to be short of one's ideals of perfection.
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This is it.
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And you say, having
seen this, I can die content.
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This is what it was all about.
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Now, you might think
at the same time that an
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experience of this kind
is rather dangerous.
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I mean, supposing one
did become convinced that
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everything just as it
is, is the ideal, is right.
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Would this mean that you
could go out and murder
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some rich relative in order
to inherit their fortune?
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Does it mean you can
do anything you like?
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You can kick your father and
mother, you can be cruel to
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your children, that you can
steal and rob and anything.
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In a way, it does mean that.
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But that is only to say,
isn't it, that we are free.
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And freedom is dangerous.
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But yet, freedom is one of
the things which we cherish
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as one of our greatest
possessions and privileges.
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But if we deny ourselves freedom, then we
don't really have the power to act morally.
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Because all true moral
acts are not the acts we are
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bound to do, they are
the acts we are free to do.
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But freedom is dangerous.
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The moment you teach a child to
walk, you can teach it to kick its mother.
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The moment you teach a
child to use a knife to cut up its
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steak, the child can go and
kill someone with a knife.
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Life is risky.
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Life is not safe.
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And so in the same way,
this experience is not safe.
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But on the other hand,
its content is so joyous,
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that when people are profoundly happy they are not in the mood usually to
go out and slug someone and so you might say this experience then which
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is the foundation of these great forms of oriental philosophy that sounds
wonderful and I'd like to get it you know that reminds me of a story
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Once a fellow was
traveling in England and he'd
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lost his way and wanted
to get to a certain village.
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And he went to a country
yokel and said, um,
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can you tell me the
way to Little Tudman?
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And the yokel scratched his
head and said, well, sir, I do know
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where that is, but if I were
you, I wouldn't start from here.
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And so in the same way, when
one asks, how do I get this exterior?
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That's not quite the right question and to go out to get it
is from the first the wrong approach because this sort of
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transformation of consciousness happens to a person only in the
moment when you might say they give up grasping they start to
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treat life not as something to be grabbed when the whole approach
to things is no longer clutching you know it was a basic teaching in
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Buddhism that the root of all human suffering is clinging or grasping
just in the same way as I was suggesting on a previous program
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you can't cling to your breath without losing it you have to let go of
your breath and for that reason the word that is used in Buddhism for this
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experience it's another word familiar to you all nirvana literally means
blow out don't hang on don't clutch life and so one of the great problems
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is how on earth to get ourselves to give up clutching to give up clinging but you see if
that's something you eagerly want to do because you want to get something good out of it this
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is still a grasping attitude well you know in Zen they have a means of teaching people how
to stop clinging Zen incidentally is supposed to have been brought from India to China around
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somewhere between
four and five hundred A.D.
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by a fierce looking
gentleman called Bodhidharma.
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You can see him in this picture by
the Japanese painter Soga Yasoku.
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He's always drawn as a very fierce fellow
with a twinkle in his eye at the same time.
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And when Bodhidharma came
to China he didn't have very
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many disciples but there was
one fellow who sought him out
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and his name was Eka and Eka came to Bodhidharma and said Sir, I want you to accept me as your
disciple and Bodhidharma replied, I have nothing to teach what I understand is an experience
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in other words and I can't put it into words and therefore go away, I can't teach it to
you but Eka insisted on being taught and he waited outside Bodhidharma's cave in the snow
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and if you look in the picture by Seshu you can see Ekar standing out there and Ekar
got so persistent and Bodhidharma so persistent in his refusal to teach him that at last
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Ekar cut off his arm and handed it to Bodhidharma saying look here is the testimony of my
sincerity please take me as your disciple so Bodhidharma said all right what do you want
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and Eka replied, I have no peace of mind, please pacify my mind and by mind of course
he meant his soul, his self so Bodhidharma said, bring out your mind here before
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me, I'll pacify it but Eka said, when I look for my mind I can't find it Bodhidharma
said, there, I have pacified your mind and at that moment Eka had his satori
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In other words, he had the
experience I've tried to describe to you.
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Because Bodhidharma made him really struggle
to catch hold of himself, to find that
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separate ego, that controlling center which
all of us tend to believe ourselves to be.
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But you know when you
look for it, you can't find it.
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It's like, they say, lunatics sometimes
sitting in an asylum are doing this.
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Yes, they sit for hours,
perhaps, in a padded
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cell doing that, but
you can't catch hold.
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You know, perhaps one of the
good ways of showing you what this
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means is through the application
of Zen to Japanese fencing.
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You know, Japanese fencing, or
kendo, which means the way of the
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sword, is done with gruesome
swords like this, and the samurai
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Japanese feudal soldier used to practice Zen to give them courage and they applied it to the art of
fencing now if you go to study with a Japanese fencing master you will not at first be given the sword and
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be told how to use it you'll be made a kind of janitor around the house you have to do all the little
chores like sweeping the floors putting away the bedding washing up the dishes and so on and so forth
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And while you are doing that, the
master will get hold of a practice sword.
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This, you see, is
made of bamboo.
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It's made of about six slips of bamboo,
loosely tied together, so that if you get hit
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with it, although it may give you a pretty
hard crack, at least you don't get killed.
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And while the poor boy, who's the apprentice,
is doing the household duties, the teacher
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stalks around with one of these things and,
unawares, gives him a bang on the head.
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And the boy is expected to defend
himself by any means at his disposal.
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If he's got a saucepan in
his hand, use the saucepan.
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If he's picking up a
cushion, use the cushion.
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And everywhere, always
at unknown moments, the
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teacher sneaks up on him
and bangs him on the head.
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So after a while, the poor
fellow is going around, looking this
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way, looking that, expecting at
any moment the teacher to hit him.
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He begins in his mind to plan how he
can be ready to meet the teacher's assault.
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And as he goes along a passage he's
expecting the teacher to come right round the
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corner at the end and instead of that, just
as he's all ready to defend himself DOING!
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He gets hit on the head from behind now when this
has been going on for a little time there are only
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two possibilities the apprentice gets a nervous
breakdown and quits or he learns and what does he learn?
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He learns that the teacher
will always outwit him
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that he can never be prepared
for an unexpected attack.
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And so he gives up trying
to control the situation.
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He gives up trying to prepare.
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In other words, he
just wanders around.
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Just like this.
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Oh, maybe it hits,
maybe it doesn't.
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He gives up caring whether
he's going to get hit or not.
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And at that moment, the
teacher gives him the practice
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sword and says, now you
can begin to learn fencing.
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Because
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the importance of this is simple that if say you are faced with a group of attackers and you don't
know where the next attack is coming from if you are ready to go for this fellow and this one
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is going to come at you and you're all set to go for him you have to withdraw from here to go
here but if you're in a middle position and you're not tensed in mind in any particular direction
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you're ready to go in all directions wherever the attack may come from
and so in exactly the same way the Zen way of teaching teaches one
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to see that you cannot cannot be in complete control of your whole
life situation you cannot in other words fundamentally possess yourself
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And so they set you the problem
of trying to find out who you are.
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Who is the knower
behind all your experience?
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Who is the experiencer?
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Who is the ego, the I?
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And they make you search for it,
and search for it, and search for it.
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Or you could put
this in another way.
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They ask you, and this really amounts to
the same thing, act with total sincerity.
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Show me, in the
Zen way of putting it,
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who you were before your father and mother conceived you in other words show me your real
basic original self and this means perform an absolutely 100% genuine and sincere act well you
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know how it is when you try to be sincere when you try to be natural you know jolly well
that you're trying and that everything you do is a fake and so in the same way as M. Student
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finds out that he cannot act 100% genuinely with his whole being and he gets frustrated
again and again and again as the teacher rejects every attempt he makes to show him his
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real self until the moment comes when he suddenly realizes not just as an idea but
something that he knows in his whole body he knows with his very bones that it can't be done
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You cannot
intentionally be natural.
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And he gives up.
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And that moment of giving up is
just the same as when the student
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of the sword gives up trying
to prepare to defend himself.
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And in the moment when we let go of ourselves in
that way, there comes upon us this experience of the
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void, of complete freedom, or as we might say in
psychological language, being free from blocking.
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You know blocking is when you are stalled by something when somebody says
something to you that fundamentally embarrasses you or when an event happens
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in life which as it were knocks the wind out of your sails you are blocked
and to be free from blocking to be free from being stopped being phased is
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part of the satori experience to be able to go straight ahead as it were going with the stream
of life and not trying to resist the stream just as for example if you were actually swimming and
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you got caught in a strong current if you try to swim against it you're perfectly sure to drown
but you have to learn in that situation to turn around and go with the stream let it carry you
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and then in that moment you and the stream become one the whole force of the stream becomes one with
your own body and you learn after that how to use the force of the stream to edge to the side and get
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out of it in that way this of course is the philosophy of Judo of the gentle way a philosophy of
self-defense in which Zen Buddhism has had a great influence so then when the moment of letting go comes
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when we see that every
moment of life is now it.
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In other words, the
object of life is no longer
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seen as something to
grasp after in the future.
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Every moment is it now.
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Every moment, even the most trivial,
answers the question, what is life for?
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And so you see,
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the experience at the basis of
Zen and at the basis of other types
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of oriental philosophy can be
demonstrated by ordinary everyday life.
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That's why in Zen teaching,
those old masters in China didn't
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like to answer questions about
philosophy with wordy explanations.
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They had quite a different
way of going about it.
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I remember one case where a
Confucian scholar came to a teacher
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and said please explain to me your secret teaching and the teacher replied well there's a saying in your own
master Confucius which very well puts it when Confucius said my disciples do you think I'm holding anything back
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from you indeed I'm holding nothing back and that was all he said and so the Confucian scholar was a bit perturbed
and said well what do you mean and the Zen teacher said well forget it I don't want to talk about it anymore
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Well, a few days later, they
were walking together in the
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mountains, and they happened
to pass a bush of wild laurel.
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And the Zen teacher turned to the Confucian
scholar and said, do you smell it?
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The scholar said, yes.
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You see, said the teacher, I'm
keeping nothing back from you.
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And it said that at that
moment, the scholar was awake.
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This is the characteristic
approach of Zen.
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To answer questions about
abstract, vast matters of
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philosophy with absolutely
concrete momentary events.
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Because it is these concrete
momentary events that are the answer.
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If they are experienced with a mind that is
no longer clinging to life and clinging to
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itself, as I said, the trivial, the ordinary,
the momentary suddenly comes zoop to life.
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And this, you see, this thing that
we are living now is the answer.
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And so Zen teachers have said very strange
things when asked philosophical questions.
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One of them said, the
cypress tree in the yard.
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Another said,
three pounds of flax.
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Another said, it's windy
again this morning.
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Sometimes they
don't say anything.
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There's a famous story of
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Chinese general, I think
he was, who came to one of
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the old masters and said
to him, what is the way?
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And in answer, the master, the
teacher said, I don't understand.
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The master said, cloud
in the sky, water in the jar.
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This is National
Educational Television.
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