"Eastern Wisdom and Modern Life" The Silent Mind
ID | 13207070 |
---|---|
Movie Name | "Eastern Wisdom and Modern Life" The Silent Mind |
Release Name | Eastern Wisdom and Modern Life S01E05 TheSilentMind1959 |
Year | 1959 |
Kind | tv |
Language | English |
IMDB ID | 27478198 |
Format | srt |
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Eastern Wisdom and Modern
Life with Alan W. Watts.
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Produced by KQED San Francisco for the
Educational Television and Radio Center.
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Support us and become VIP member
to remove all ads from www.OpenSubtitles.org
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Alan Watts is a
scholar, lecturer,
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and the author of many widely read books
on comparative philosophy and religion.
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This is not the figure
of a strange pagan god.
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It is the figure of a man, an
awakened man, a Buddha.
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And I expect you may have wondered why almost all figures of Buddha or
of many other Eastern sages that you see are seated like this this figure
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of Buddha is in the posture of meditation and the way in which he is
seated and the whole cast of his features and of his expression symbolize
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a certain attitude to life, a
certain way of looking things, which
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in Indian and Chinese philosophy
is considered essential to sanity.
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Perhaps I can give you some idea of the
meaning of this attitude by demonstrating
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it with a Chinese character, a word which
represents this whole attitude to life.
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Most of you probably know
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that Chinese characters are originally picture writing and in this
particular character this half of the character is said originally to
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have represented some water bird perhaps a stork or a heron and this
other part of the character is first of all a sign meaning the human eye
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and then you put legs on it, the activity of the eye and that means seeing
and the whole character is pronounced Guan and it means a certain kind of
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observation a certain way of looking at things which might be typified by
the image of a heron standing at the edge of the water as in this painting
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which is by the great Japanese
artist Kano Motonobu, there is
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the heron standing quietly and
serenely, watching the water.
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And so, the whole meaning
of this attitude to life is
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what is summed up in the
entire Eastern idea of meditation
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typified in these
Buddha figures.
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And I want to try
today to explain to you
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something of the meaning
of this attitude to life.
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For fundamentally meditation
is not so much an exercise
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as it is a certain way of using one's mind or one's consciousness because normally
most human beings when they use their eyes or their ears are constantly and chronically
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straining to see and to hear and when you come to think of it that's very odd
because our eyes don't work by effort they don't have to go out and get the light
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the light comes to them and in the same way sound comes to our ears and even the sense of touch comes to
our fingertips we don't for example have to press a thing hard if I want in the dark I'm trying to fumble
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and feel what this is I don't have to press very hard to feel it because the sensation simply of the hard
object comes to the nerve ends in my skin and so it's strange isn't it that we have acquired the habit
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of a constant and chronic effort
to see clearly and to hear clearly.
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I think part of it
comes from school.
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You know, when children are listening to a
teacher in class, they're always fidgeting
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or doing something like this, you know, and
looking around and twisting and jiggling.
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And the teacher
says, pay attention!
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And the children immediately,
to ingratiate the teacher, are
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able to sort of ham or act
what paying attention is like.
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And paying attention, of
course, is staring at the teacher.
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Yes, they're very
interested in what you say.
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And sometimes to get their concentration clear, they
curl up their legs around the legs of the chair and
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go into all these strained attitudes so that the teacher
knows they really are trying very hard to attend.
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And it is through such conditioning as
that, through being taught that we must
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try to see and try to hear in order
to have clear sight and clear hearing.
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That we learn constantly to strain our senses in their use but as a matter of fact this impedes the clarity of our
senses because if you will try staring hard at a book in front of you or staring very hard at the TV screen you're
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looking at right now you'll find that it becomes fuzzy also in the same way if you're trying to listen say to a telephone
conversation while the children are running all over the house and screaming if you try to listen to the telephone
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you'll get very angry and you'll have to stop to yell at the children to make them be quiet but on the other
hand if you just let the sound come to your ears you'll have no difficulty at all in hearing so you remember then
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that heron I showed you when that heron was watching for fish it wasn't sort of going like this, getting all
over the place and what, fish here, fish here, no heron was just quiet and as it were, the whole area of vision
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is simply coming to the heron's eyes and the moment it sees a ripple
in the water it darts down and gets the fish now I don't think it's
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only that we have been taught by teachers and parents and so on to try
to see and try to hear clearly there are other factors in the problem
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and one of them is that while we are seeing and hearing we are trying to make
sense of our world by thinking about it and the act of thinking also introduces an
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element of strain into the use of our minds and I think the reason for this is perhaps
you will remember how I showed you on a previous program that thought is linear
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You know, it goes
one word after another.
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It's strung out in a line.
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We think, thought,
thought, thought, thought,
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thought, in a line like
this, one after another.
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Whereas when we see, we
see to what is going on entirely.
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We take in a volume when we see.
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We take in a great area.
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Nature is a volume rather than
something strung out in a line.
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But when we think, we get
one thought after another,
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And so the process of thought
is much slower than the process
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of seeing and using our
consciousness or our mind as a whole.
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And this then requires a
certain effort to make thought
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keep up with what we are
seeing or what we are hearing.
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Also, you see, thought
works by abstraction.
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What do I mean by abstraction?
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Well, a lot of Chinese
characters are abstractions.
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If we take, for example, the Chinese
character for man, it is written this way.
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Now that was originally the
head and legs of a human figure.
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Something, you know,
like this, when we draw an
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abstract figure of a man,
everybody knows that's a man.
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But as a matter of fact, it
cuts out a great deal of man.
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This figure,
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cuts out all the
details, and gives us a
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simple image which
we can grasp all at once.
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And we have to do that in order to
think so that we can use a series of
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very simple images or grasps of
the world, and these are abstractions.
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And it is fundamentally in terms
of abstractions that we think.
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Now, thought, as I said,
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is slower because it goes in a line thought after thought and also thought is abstract
that is to say it lacks the full living quality of real life just as this figure
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here is just a sort of skeleton a ball on top of sticks and therefore it lacks the
vitality, the aliveness of a real man now the more we tend to live in a world of thought
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the more we tend to live in an
abstract world that is removed
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from and has a gap between
it and the real world of nature.
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And as a result of this, we
tend to live in a world that
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is in some ways unsatisfying,
lacking in vitality and life.
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And also, people tend to think all the
time, this becomes for every civilized
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community, every civilized
person, a sort of habit,
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which is like constantly
talking to yourself.
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Now, of course, when you
meet me here on the TV
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screen, I'm always
talking, or almost always.
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But I assure you,
I'm not always talking.
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I'm often silent, because after all, we have
to be silent some of the time, don't we, in
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order to hear what other people have to say,
and therefore to have something to talk about.
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In just the same way, our minds
have to be silent some of the time
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if we are really to have anything
to think about except thoughts.
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You know, there is a popular
proverb which says that
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talking to yourself is
the first sign of madness.
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And there's some truth in this.
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Because constant thinking, as distinct from simply
experiencing through our senses, constant thinking
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about our experiences, coding our experiences into
words, into signs, into the symbols of thought,
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is a buzz that goes on day in and day out inside our heads except when we are sleeping and as a
result of that we begin to live in a world increasingly divorced from reality and that is why in those
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oriental cultures in India and China and Japan it has always been considered important for everybody
to spend some of his time by no means all of his time but some of it not thinking but simply
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in the attitude which was
represented by that Chinese character
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which I drew at the beginning
pronounced one or quiet observation.
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Remember this
point, it's important.
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This is not saying that
thinking is a disturbance,
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is a thing that human
beings shouldn't do.
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On the contrary, it's a highly
important acquisition of math.
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But thinking is of no real value to us
unless we also can practice non-thinking.
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Unless we can have our minds
silent and make immediate contact
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with the real world as distinct
from the world of pure abstraction.
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And so this leads to a very
common practice in Asia among
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Hindus, among Buddhists,
among Daoists called meditation.
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And I want to try and show
you something about it.
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By sitting in the
posture of meditation,
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which is commonly used and is done approximately like this one sits upon
a firm cushion usually a big city telephone directory is about the right
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thickness and ordinarily among oriental peoples they sit in what is called
lotus posture or half lotus posture as I'm sitting now which means that
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the right foot is lifted up onto the left thigh you will find of course that that's an extraordinarily
uncomfortable position if you're not used to it but one of the reasons for sitting that
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way is that it locks your legs together so that you don't easily fall over if you should go to
sleep and also that this position gives you a sense of being very very firmly rooted to the ground
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and then the hands are laid like this and one then turns attention to letting
oneself breathe you don't do a breathing exercises taking deep inhalations
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and exhalations you simply let your breath come as it wants to but you if
anything let the out breath you know the breath that goes with the sigh of relief
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you let that be the emphasized breath rather than the in-breath you don't close your eyes
you usually drop them a little on the floor in front of you because the object is not to cut
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out all the things that you might be experiencing through your eyes and through your ears
through your nose and your nerve ends on the skin the object is simply to let one's mind alone
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to experience, but not to try to catch
hold of one's experience in thoughts.
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Simply to think, to,
no, I wouldn't say
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think, that's a word we
use very ambiguously.
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When I use the word think, I mean
talk to yourself, or bring a lot of images
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before your mind which have nothing
to do with what's right in front of you.
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So the function of
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this exercise with posture is to
let the whole world come to you
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without interfering with it in
any way, just sitting like that.
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You may say, oh that's a great
waste of time, there are all sorts of
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interesting things in life to do,
why just spend some hours sitting?
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And the reason though, as I try
to explain, is that it is through this
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that one comes to have a contact
no longer with a world of abstractions,
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no longer with a world of thought,
but with the world that actually is.
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Now as you do this, you
begin to notice a rather
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curious change in your
general feeling of life.
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You notice
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that there ceases to be what
I would call an interruption
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or an interval between
your experience and yourself.
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You see, in our ordinary way of using
our minds, the chronic sense of strain,
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the chronic attempt to think about
and make sense of what we are feeling
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is what we call our ego if you say I experience my own existence I am
aware constantly of a knower behind and receiving all that is known then
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you get this chronic sensation of there being an I a self who has all
these experiences and that I or self is what we call the ego and this
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chronic sense of strain is our we might call it our
psychological blocking against our experience the thing that
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seems to divide us from an external world from the whole
universe but when in this way the interval begins to diminish
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we begin to experience our world as ourselves there is no interval, there is no interruption
between the knower and the known just as when we are completely absorbed listening
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to music or dancing to music we are not aware of our separation from it we go right
with it and so in the same way when the mind responds instantly to what the senses bring
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It seems almost as if the mind and what
it experiences were one and the same.
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Now, in a way, of
course, this is actually true.
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We can understand this theoretically,
but we don't ordinarily really feel it.
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For example, you know the
old saying, if a tree falls in a
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forest with nobody listening
to it, will there be any noise?
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Perhaps you know the limericks
in which this problem is posed.
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There was a young man who said,
God, I find it exceedingly odd that a
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tree as a tree simply ceases to be
when there's no one around in the quad.
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And the answer was, young
man, your astonishment's odd.
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I'm always around in the
quad, so the tree as a tree
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never ceases to be since
observed by your faithfully God.
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But this is a great philosophical
puzzle for the Western world.
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Does what we know depend
on there being a Noah?
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Now in a way, obviously it does.
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Because when a tree falls in the forest,
it certainly makes vibrations in the air.
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But those vibrations
in the air do not
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become noise unless
they vibrate an eardrum.
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So in the same way, the
light from the sun does not
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become light unless it
falls on an eye, an eyeball.
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And two, we could say the external
world is full of hard things, but
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nothing is hard except in relation
to the soft surface of the human skin.
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Nothing is heavy except in
relation to human muscles.
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So if there is not a human
organism, the world does not
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appear to us at all as having
any of the characteristics
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which we attach
to an external world.
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In other words, we could say, the
sun is light, but only because of eyes.
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Rocks are hard, but only
because of soft fingers.
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Falling rocks are noisy, but only
because of sensitive human ears.
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We cannot form any
idea at all of what the
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world would be like
without an observing mind.
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Even such things as
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duration the span of time depend upon the human mind to appreciate space depends on a human mind
to observe the world from a particular position and so know that there are things which are distant
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from it without this mind there could not be any world that we could think about or conceive or imagine
in any way whatsoever and so this shows in a very clear way that our mind and the external world
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go together.
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They are inseparable
differences.
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You remember in a recent program how I tried to
illustrate the idea of inseparable differences by taking
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a coin or an object here like a cigar, which has two
distinct ends, but you cannot separate those ends.
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This is very important.
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It's worth repeating because
it's quite fundamental.
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If I would want to take
one of these ends off,
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and break the thing and throw it
away, it would still have another end.
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There would still
be two ends there.
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I could never get rid of the
situation of it having two ends.
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So you see that although the two ends
are different, there is just one object.
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And so in the same way, although there is
a difference in a way between the knower
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and the known, between man and the
world, nevertheless, these two go together.
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And they are
fundamentally inseparable.
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And therefore, when our consciousness is responding instantly,
without any interval or interruption, without any, shall
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we say, stopping to think about it, then we have a situation
in which we are actually realizing, we are actually feeling
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the true physical relationship which exists between man and his
environment and this we could call the experience of oneness
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or unity with the universe which is the function of meditation
now I think it's not difficult to see some very obvious values
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because well if we live entirely in a world of
thought all the things that we pursue in life tend
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in a way to become arid and unsatisfactory because
we are living in an abstract world in other words
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Nobody in his senses is going
to eat a menu instead of dinner.
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Nobody in his senses is going to try and
get a satisfactory diet of dollar bills.
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And yet, you see, dollar bills and menus
stand in the same relation, on the one hand to
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wealth, on the other hand to dinner, the same
relation in which thought stands to reality.
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They represent it.
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They symbolize reality.
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But they are in no
sense substitutions for it.
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Yes, you can do a great deal of
things if you have a lot of dollar bills.
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But unless you exchange
those dollar bills into
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real concrete worth, they
are of no value to you.
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And so in the same way, if we try to
live in the world of pure thought, we begin
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to feel a strange, unsatisfactory
quality to the world.
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And this living in pure thought
is not something that is only done
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by, you know, professors and
intellectuals and thinking people.
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Perfectly ordinary people often
live in the world of pure thought.
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As for example, when we pursue
certain goals in life, when we say, I
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want to be successful, I want to be
happy, these are really abstractions.
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Because supposing you become
enormously wealthy and you're able to
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afford three cars and six houses you can't drive in three cars at once you can't live
in six houses at once you have a symbol which we call prestige of your status but that
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is an abstract symbol you can't really you can't eat prestige you can't eat success
and so to overcome that kind of beguilement by the fantasies of thought not thinking
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is an important
adjunct to thought.
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To be able every so often to cease
the hubbub going on inside one's
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head and to let talking to
oneself stop and come to stillness.
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You needn't, of course, sit in the
meditation posture like this to do it.
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This is simply the way it's
done by Buddhists, Hindus.
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You can walk, you can
sit in the ordinary way,
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You can lie in the
bathtub and do it.
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You can lie on your back in bed before
you get up in the morning and do it.
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Just let your mind alone and stop
trying to make sense of the world.
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So that there is really something to
think about other than thought itself.
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It's like if we wrote books
about nothing but books.
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This is, I'm afraid, what a
great deal of scholarship is.
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Books about books about books.
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And so in this way,
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Through meditation, we
come to that kind of profound
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peace which is exhibited in
the faces of the Buddhists.
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I remember particularly some words
by Lafcadio Hearn, in which he gives a
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marvelous description of the whole
attitude which these faces represent.
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Each eidolon shaped by human faith remains
the shell of a truth eternally divine.
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And even the shell itself
may hold a ghostly power.
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The soft serenity, the passionless tenderness of
these Buddha faces might yet give peace of soul to a
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West weary of creeds transformed into conventions,
eager for the coming of another teacher to proclaim.
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I have the same feeling for
the high as for the low, for the
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moral as for the immoral, for
the depraved as for the virtuous,
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for those holding sectarian
views and false opinions,
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as for those whose
beliefs are good and true.
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