"The Joy of Painting" Quiet Stream
ID | 13207409 |
---|---|
Movie Name | "The Joy of Painting" Quiet Stream |
Release Name | The Joy of Painting (1983) - S01E05 - Quiet Stream |
Year | 1983 |
Kind | tv |
Language | English |
IMDB ID | 2177157 |
Format | srt |
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Well, welcome back.
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Glad to see you again today.
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I thought today we'd do something a little
different, and I've taken the liberty
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of going ahead and covering the
canvas with a complete layer of sap green.
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And to that, I'm gonna add a little
Prussian blue right on the bottom here.
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And we just start at the
bottom and work up so
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that it gets lighter and
lighter as we go up.
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There we go.
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I thought today we'd
make a happy little stream
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that's just sort of running
through the woods here.
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Okay, we just work this blue back and forth
so it graduates in value as it goes up.
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Okay.
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Now, let's take,
let's use this brush.
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And we'll take a little bit of cad yellow
and let's make a light source in here.
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And we'll just do this by
making little X patterns.
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There we go.
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Just work it around,
around, around so it gets
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darker and darker as it
goes out from the center.
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Maybe a touch more.
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Always starting in the light
area and working outward.
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There we go.
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Just back and forth, little Xs.
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Okay, now we'll take the big brush
and very gently we'll hypnotize this.
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There.
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Just let it blend out.
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So that we sort of have a light
source, that's all we're looking for here.
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Now still using the big brush, we'll
go right back into the sap green.
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And we'll do some
basic tree shapes here.
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And we push the paint into
the canvas, just really push it.
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There we go.
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You need an almighty easel
when you're doing this, because
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you're really, really pressing
the paint into the canvas.
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Okay.
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Maybe we'll have another
big tree right in here.
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Okay, there it is.
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Isn't that fantastic that you can just push
a tree right out of your brush like that?
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Maybe we'll have
another tree here.
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No use stopping, we're having
so much fun here with these trees.
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Okay.
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And already we have a
basic shape to work with.
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We really don't plan these
paintings, we let them happen.
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We just sort of decide where we
want basic shapes and work from there.
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Okay, let's take
the almighty knife.
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Little van dyke brown
and white mixed together.
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And we'll put some trunks
in these almighty trees.
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And all we're gonna do is
touch and sort of pull a little bit.
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Let them get wider
as they go down.
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And maybe we'll have another
trunk hiding back in here somewhere.
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Just make all kind of little
tree things happen here.
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This is sort of different
than the paintings we've done
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previously because this
painting has no magic white on it.
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All we do is start with the sap green,
completely cover the canvas, work the
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Prussian blue from the bottom upward
to make it darker in the foreground.
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These are the kind of things
that we continually look for,
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new ideas, new ways of
using this fantastic technique.
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And these ideas we
put out continually to all
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the people that enjoy
this type of painting.
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We have a little quarterly
newsletter that we use to put these
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ideas out to people so they
are current in what's happening.
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Okay, let's just have another
almighty trunk right down through here.
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And maybe we'll highlight these just
a little bit with a little plain white.
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Just think where the light would strike
and run through here and have fun.
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There we go.
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Okay, over on this side
now, the light's gonna come
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from the opposing
direction, opposite direction.
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Just a little here and there.
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Okay.
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Now we'll take a one-inch brush
and a little bit of magic white.
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And we'll start with some yellow
and a touch of phthalo green.
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Remember that a thin paint will stick to a
thick paint, so we thinned it just a little bit
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with a little magic white, and then we just
push out all these thousands of little leaves.
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There they come.
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There they are.
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Isn't that fantastic?
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If you're painting along
with us, by now you should
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begin to have little
leaves all over these trees.
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Just beautiful little leaves.
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Leave a lot of the
dark areas in here.
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We don't want to
kill all the dark areas.
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We need the dark in
order to show the light.
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There.
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Okay, maybe we'll come right down
here and drop in another happy little bush.
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There they come.
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And over in here.
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We want this to be
the brightest area of the
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painting, back here
where the light source is.
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And as we work forward, we're gonna
let it get darker and darker and darker.
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Okay.
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Maybe a little light coming
through right in here.
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You put your trunk in
before you put the leaves
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on, so you have leaves
in front of the trunk.
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You don't want the trunk
sitting on the outside of the tree.
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There's a nice little
bush, there he is.
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And maybe over here, this
happy little thing growing.
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Nature's so fantastic, enjoy it.
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Let it make you happy.
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Okay, there's another one.
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And now I'm gonna go into a little
sap green, begin using a little sap green
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with this yellow so it begins to get a
little bit darker as we work back here.
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And we'll put some
highlights on this little tree.
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There we go.
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By now you should begin having the feeling
that you're walking through the deep woods
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All the beautiful tree
shapes are there.
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The little squirrels
are hiding in the trees.
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The bunny rabbits are behind.
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There we go.
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Once again, don't
kill all this dark area.
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You need it to produce
distance in the painting.
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Okay.
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That should give us
enough to get started with.
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Now we'll take the
almighty fan brush
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And I'm gonna take a little bit of
magic white and a little bit of firm white.
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And we'll make, let's have a little
waterfall that's happening back here
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and maybe a bubbling little stream
that's just working its way through.
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And so often we avoid running
water and running water is a lot of fun.
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So here we go.
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Pull it over and let it drop if
you wanna make a little waterfall.
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Then we take the fan brush and push
to make some little foamy things happen.
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Then we begin building our running
water, and we're pushing the fan brush
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so that it bends upward and the foam's
on the top instead of on the bottom.
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There we are.
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Let all these little
things just happen.
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There we go.
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Maybe under the water
here, there's a little stone
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that's causing the water
to sort of just bubble over.
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We might not see the
stone, but it's under there.
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As it comes towards you, let
it get wider, bigger, stronger.
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More of these little things, these
little actions that are happening here.
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All kinds of little
churning motions.
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And avoid having your
waterfall here and your
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stream coming straight
through your painting.
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Let it sort of wander around.
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All these little water actions.
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And they all hide
here in your fan brush.
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All you have to do is
sort of push them out.
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Okay, good.
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Alrighty, maybe, maybe
back here in the distance
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there's a, we have a
little stone back here.
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We just use some Van Dyke
brown, we'll build us a little stone.
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And maybe there's a
little stone out here, too.
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This is your world, so you put
stones wherever you want them.
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This painting comes right out of
your heart, so just let it sort of flow.
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Let it happen.
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Maybe we'll take a little bit
of brown and white and least
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little touch of blue, just to
make sort of a gray color here.
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And we can highlight these
little stones just like that.
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Maybe there's a little ridge
coming down through here.
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Little sunlight playing
across the stones.
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And a little dark edge
underneath here so that it
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has some distance between
the water and the stone.
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And we take the little
fan brush and we'll
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splash some water up
on the stones here, there.
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There we go.
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Okay, maybe we'll let this just
drift right on down through here.
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Maybe right along here,
there's another happy
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little waterfall that's
happening right here.
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So you take your fan brush, go
straight, and let it just fall over.
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Just like so.
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Isn't that something?
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You can make a
waterfall that quick.
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Just a small one, we
don't wanna have a violent
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waterfall here, just
a little bitty waterfall.
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And then we push to
make our little foamy areas
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where the waterfall's
gonna hit and crash.
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There we go.
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Okay, now let's take the big brush again
and use some sap green and Prussian blue.
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It's getting darker as
it comes downward.
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And we'll throw in some more
happy little bushes back here.
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You need the dark in
order to show the light.
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Okay, and maybe over
here there's a nice bush too.
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Let some of these bushes
protrude out over the water.
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Okay.
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Now we can take a little
more of the highlight color.
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Some cad yellow, a little bit of
phthalo and sap green mixed together.
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Let's start back here and push
this rock back into the painting.
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We'll just put a little
bush in front of it.
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There we go.
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And maybe right here
there's some nice little
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things that just sort
of hang over the water.
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Okay, let's do this
nice one right here.
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There we go, there we go.
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You can do it, you can do it.
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Just push that waterfall
right back into the painting.
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Okay, let's, let's take a little more
brown here and let's put a little
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stone, a little gravel out here for all
these nice bushes and stuff to set on.
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A little highlight
on the stones.
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And a few little grassy things that
grow right on down on the bank here.
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Maybe we'll even get daring and
put a little stone out here in the water.
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Just lay it in with Van
Dyke brown, and then
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we highlight it with a,
sort of the gray color.
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There, just let this break, play,
just run right across this little stone.
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Okay, little more of the
magic white, little firm white.
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Now we're gonna start playing
the water around this stone.
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Maybe it just comes around
like so, and sort of falls
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over, splashes a little here,
and around the side, down.
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All kinds of little actions
happening in this.
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Little bit of water splashing
up against the rocks here.
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Okay, now we're getting
a nice little stream here.
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You can see how it's beginning to
pick up the blue that's underneath
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here and make this water
darker as it comes closer to you.
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There we go.
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Okay, let's go back to
our old big brush here.
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Little more blue and sap green.
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And we'll project some bushes
right up through here now.
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Need a lot of
paint in the brush.
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More green than blue.
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And we'll just let these
run right on down like so.
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Now we can highlight these
with a little yellow, sap green.
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We're getting much
darker in color now.
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There.
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Just sort of vary your color tones
back and forth a little so they stand out.
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Leave the dark areas,
that's the only thing you
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have to separate all
these beautiful bushes.
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There's a nice one.
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I had a little
bush right in here.
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00:16:41,734 --> 00:16:45,838
Looks like some of the beautiful
streams that we have in Alaska.
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00:16:45,938 --> 00:16:48,808
You walk through the
woods, and you listen
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to, and you look at, and
they make you happy.
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00:16:52,111 --> 00:16:54,447
They have a beautiful
sound to them.
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00:16:54,547 --> 00:16:58,651
You can almost hear
the bubbling and carrying
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00:16:58,751 --> 00:17:02,488
on as it travels down
the creek bed here.
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Just with a Van Dyke brown
here, we're just adding a few
224
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little sticks here and there that
you always have in the woods.
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Now we can take a clean knife and just scrape
through the dark areas and let the canvas show
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through to give the indication of all kind of little
sticks and twigs that are growing through here.
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There they are.
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Just using the point
of the knife here.
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And these little sticks create
tremendous distance in the painting.
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So many of the fast painting techniques
that I have seen around the country
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as I teach this almighty method are
very flat, have very little depth to them.
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Okay, maybe now, we might
as well have some fun here.
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00:18:05,618 --> 00:18:08,354
Let's take some Van
Dyke brown, and let's put
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00:18:08,454 --> 00:18:11,157
an almighty dead tree
right up through here.
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00:18:11,257 --> 00:18:15,795
You always have dead trees in the
woods when you're walking around.
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00:18:15,895 --> 00:18:16,929
There.
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00:18:17,029 --> 00:18:22,168
Be brave, go right
across the waterfall here.
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00:18:23,502 --> 00:18:27,373
And we'll just lay
this in with a knife.
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00:18:27,473 --> 00:18:32,078
And we're using
very thick paint here.
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00:18:32,178 --> 00:18:34,580
Right across the top.
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00:18:35,615 --> 00:18:39,652
And let's give him a little
friend right beside him here.
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00:18:39,752 --> 00:18:42,688
This old tree's just
about, just about headed.
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00:18:42,788 --> 00:18:47,727
He's gonna sort of fall over in the
stream, be washed away here pretty soon.
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00:18:47,827 --> 00:18:55,835
But until then, he's still part of the
beauty that's ever evident in nature.
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00:18:59,138 --> 00:19:01,707
Maybe we'll just
make him a little taller.
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00:19:01,807 --> 00:19:09,148
That way he'll make a bigger
splash when he hits the water.
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00:19:09,248 --> 00:19:11,183
Okay.
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00:19:11,283 --> 00:19:14,754
Now I'm gonna use the liner
brush with a little bit of thin oil
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00:19:14,854 --> 00:19:18,524
on it, a little yellow and a little
permanent red mixed together.
250
00:19:18,624 --> 00:19:22,595
We'll brighten this
one up a little touch.
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00:19:22,695 --> 00:19:30,703
And I'm gonna just go down the side
of it here, just highlight him a little.
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00:19:32,104 --> 00:19:39,311
Need something bright
here, so we'll just use this tree.
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00:19:39,412 --> 00:19:45,117
And let this sort of
streak so it looks like bark.
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00:19:52,758 --> 00:19:56,429
Okay, we'll wash him off.
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00:19:56,529 --> 00:20:00,533
Now we'll use some more of the
thin oil and a little Van Dyke brown
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00:20:00,633 --> 00:20:04,503
and we'll put a few old branches
that are hanging on this tree.
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00:20:07,840 --> 00:20:10,342
Okay, and with the thin oil,
it makes the paint thinner.
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00:20:10,443 --> 00:20:13,112
So once again, you're working
with thin and thick paints.
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00:20:13,212 --> 00:20:16,515
The thin paint will
stick to the thicker paint.
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00:20:16,615 --> 00:20:19,151
And I recommend you use an oil.
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00:20:19,251 --> 00:20:24,857
If you use paint thinner, it has a tendency
to bleed if you're not very careful.
262
00:20:24,957 --> 00:20:27,593
And the oil makes
it much slicker.
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00:20:27,693 --> 00:20:34,934
There we go.
264
00:20:35,034 --> 00:20:36,535
There we are.
265
00:20:38,404 --> 00:20:40,306
Just a few limbs here and there.
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00:20:40,406 --> 00:20:45,144
Let's get a little
more oil here.
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00:20:45,244 --> 00:20:49,448
And when you're working this
paint in the oil, turn the brush.
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00:20:49,548 --> 00:20:51,684
That brings it to a nice point.
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00:20:51,784 --> 00:20:54,954
And you can make all these
delicate little limbs and stuff.
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00:20:55,054 --> 00:20:59,258
Let's put some over
here on this one.
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00:21:06,799 --> 00:21:08,501
At home you have unlimited time.
272
00:21:08,601 --> 00:21:12,538
Here we're limited by
our time factor, but you
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00:21:12,638 --> 00:21:17,209
can put tremendous
detail in these paintings.
274
00:21:17,309 --> 00:21:18,944
So we're just trying to
give you an idea here.
275
00:21:19,044 --> 00:21:21,514
We're just trying to give
you a guide to follow,
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00:21:21,614 --> 00:21:24,183
to teach you how to use
this fantastic technique.
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00:21:24,283 --> 00:21:28,387
And at home, let your
imagination be your guide.
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00:21:28,487 --> 00:21:33,993
Let your heart take you
wherever you want to be.
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00:21:38,764 --> 00:21:47,139
There, look at all those little
limbs, just in a matter of minutes.
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00:21:47,239 --> 00:21:52,211
Okay, maybe we'll have
one coming right through here.
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00:21:52,311 --> 00:21:54,413
There we go.
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00:21:54,513 --> 00:21:57,249
Just let them
flow off your brush.
283
00:21:57,349 --> 00:22:04,924
And this tree tends to push everything back
in the painting, give it more distance.
284
00:22:05,024 --> 00:22:08,427
Maybe there's just an old
one hanging sort of here,
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00:22:08,527 --> 00:22:16,836
There.
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00:22:16,936 --> 00:22:17,303
There we go.
287
00:22:17,403 --> 00:22:21,073
Okay, take a little touch more
of the highlight color, that's
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00:22:21,173 --> 00:22:24,910
yellow with a touch of
permanent red, and a little oil in it.
289
00:22:25,010 --> 00:22:29,748
And we'll just highlight some
of these major limbs here.
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00:22:29,849 --> 00:22:34,587
Just let the brush flow
right down the limb.
291
00:22:34,687 --> 00:22:38,490
If you have a problem with maybe
your hand's not steady enough to
292
00:22:38,591 --> 00:22:42,695
do this, use your palette or
something to sort of balance your hand.
293
00:22:43,863 --> 00:22:47,900
I was very fortunate, I was
blessed with a very steady hand.
294
00:22:48,000 --> 00:22:56,008
And it comes in very handy when
you're doing these little delicate things.
295
00:22:59,812 --> 00:23:05,484
Okay, maybe a few
little highlights over here.
296
00:23:05,584 --> 00:23:10,089
There we go.
297
00:23:14,159 --> 00:23:18,264
Just sort of work
all this together.
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00:23:22,668 --> 00:23:25,537
Little bit right up here.
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00:23:27,373 --> 00:23:30,910
Okay, clean out the brush here.
300
00:23:32,578 --> 00:23:34,179
And let's see.
301
00:23:35,214 --> 00:23:36,415
What do we need here?
302
00:23:36,515 --> 00:23:40,953
I'm gonna pull this down just a little
bit to make it look a little, there we go.
303
00:23:41,053 --> 00:23:43,923
A little more of
a cliff right here.
304
00:23:44,023 --> 00:23:45,991
Stone, very dark.
305
00:23:54,400 --> 00:23:59,038
Maybe right over in here we'll
build a nice little stone right here too.
306
00:23:59,138 --> 00:24:06,178
We have one in the water,
maybe we need one over here.
307
00:24:06,278 --> 00:24:11,383
This is straight Van
Dyke brown again.
308
00:24:11,483 --> 00:24:19,024
And we'll take a little touch of
the blue and the brown and white.
309
00:24:25,197 --> 00:24:31,203
Okay, just lay this on and very
gently, just let the paint break.
310
00:24:31,303 --> 00:24:34,506
It's a very, very gentle touch.
311
00:24:34,606 --> 00:24:37,242
Super gentle touch.
312
00:24:37,343 --> 00:24:40,879
You almost let the knife touch.
313
00:24:43,615 --> 00:24:47,553
And now we'll take a little more of the magic
white, a little green and yellow, mix it
314
00:24:47,653 --> 00:24:51,590
together, we'll make some little bushes
here to come up and protrude over the stone.
315
00:24:53,125 --> 00:24:58,797
You need a thin paint to go over the top of
this very thick paint that you've put on.
316
00:24:58,897 --> 00:25:00,733
So, there we go.
317
00:25:04,470 --> 00:25:11,677
And we'll put some little grassy
areas around the tree's foots.
318
00:25:16,148 --> 00:25:17,149
Alrighty.
319
00:25:27,459 --> 00:25:34,299
And we wanna splash that
back up on the stone here, like so.
320
00:25:36,235 --> 00:25:40,039
Good, I think we just about have
our little stream finished today.
321
00:25:40,139 --> 00:25:43,442
And if you're painting along
with us, you should have
322
00:25:43,542 --> 00:25:45,811
Just about completed
this painting.
323
00:25:45,911 --> 00:25:48,047
I might put a few little
touches here and there.
324
00:25:48,147 --> 00:25:51,950
As I say, at home you have time
to put in tremendous detail, you can
325
00:25:52,051 --> 00:25:55,888
work and carry on and build all
kind of happy little things in here.
326
00:25:55,988 --> 00:25:59,825
Here we're limited by the
amount of time we have, so we're
327
00:25:59,925 --> 00:26:04,630
just trying to show you the
basic technique, the basic idea.
328
00:26:04,730 --> 00:26:12,871
Need a little highlight on this little dead
one that's laying right out through here.
329
00:26:12,971 --> 00:26:18,243
Maybe some little
sticks here and there.
330
00:26:18,343 --> 00:26:22,247
A little brighter color
so they show up.
331
00:26:22,347 --> 00:26:26,919
There's one right
in front of the stone.
332
00:26:35,427 --> 00:26:38,230
Okay, I think we'll
just take a little thin oil,
333
00:26:38,330 --> 00:26:41,300
permanent red here,
and we'll sign this painting.
334
00:26:41,400 --> 00:26:43,435
A little more oil.
335
00:26:45,804 --> 00:26:48,273
And I hope you've enjoyed this.
336
00:26:48,373 --> 00:26:50,042
This is sort of a new idea.
337
00:26:50,142 --> 00:26:54,179
As I say, we've used no magic white
on this canvas, just pure sap green.
338
00:26:54,279 --> 00:26:55,848
And this will work in
a multitude of colors.
339
00:26:55,948 --> 00:26:59,418
You can paint the canvas with
blue, with combinations of colors, and
340
00:26:59,518 --> 00:27:02,955
make some of the most fantastic
little paintings you've ever seen.
341
00:27:03,055 --> 00:27:05,457
One of the prettiest
ones is to paint it with Van
342
00:27:05,557 --> 00:27:08,293
Dyke brown and make
beautiful autumn scenes out of it.
343
00:27:08,393 --> 00:27:10,562
And the brown is picked
up by the yellows and
344
00:27:10,662 --> 00:27:12,931
oranges and reds and
just, it just stands out.
345
00:27:13,031 --> 00:27:15,567
Fantastic painting.
346
00:27:15,667 --> 00:27:17,269
Okay.
347
00:27:17,369 --> 00:27:20,239
We'll just sign this one.
348
00:27:26,745 --> 00:27:28,113
There we go.
349
00:27:38,023 --> 00:27:38,857
There we go.
350
00:27:38,957 --> 00:27:42,060
And we'll call that
painting finished.
351
00:27:42,161 --> 00:27:46,131
Once again, I hope you've painted along
with us and you've enjoyed this picture.
352
00:27:46,231 --> 00:27:47,699
It is a lot of fun.
353
00:27:47,799 --> 00:27:51,870
And we hope to see you again next time
and we'll do another happy little painting.
354
00:27:51,970 --> 00:27:57,442
Until then, from all of
us here, happy painting.
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00:27:58,305 --> 00:28:58,576
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