"The Joy of Painting" Autumn Mountains
ID | 13207411 |
---|---|
Movie Name | "The Joy of Painting" Autumn Mountains |
Release Name | The Joy of Painting (1983) - S01E07 - Autumn Mountain |
Year | 1983 |
Kind | tv |
Language | English |
IMDB ID | 2177145 |
Format | srt |
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Hello, welcome back.
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I thought today we'd do an almighty picture
that had some huge mountains in it and maybe
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today we'll also work a little bit on putting
some clouds floating in front of the mountains.
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This is always something
that's very difficult to do.
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So I'll try to show
you how to do that.
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And I hope you have a
canvas set up on your almighty
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easel and cool drink at
hand and let's go here.
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I'm gonna start with
a little bit of alizarin
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crimson and a touch
of Prussian blue.
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00:00:28,028 --> 00:00:30,797
And maybe we'll just
make a sky that's sort of a
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a lavender type and
sort of taste it, test it.
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There we go.
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I already have magic
white on the canvas.
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So we're just literally mixing
paint right here on the canvas.
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Okay.
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And we'll just bring this
down to about like so.
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There we go.
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Now go into just a
little Prussian blue.
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And we'll lay this
right in like so.
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There we go.
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Okay.
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And while we have the old
brush dirty here, I'll take a little
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phthalo green and Prussian blue,
and we'll lay in some water here.
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And already we have a masterpiece
for a museum of modern art somewhere.
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Okay, now we'll
clean the old brush.
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Be sure it's good and dry.
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This is just a clean,
dry brush, and we're just
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gonna bring these two
colors together here.
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Just so you have
a nice blending.
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You don't want to be able to tell
where one stops and the other one starts.
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And we'll hypnotize it
and sort of blend it out.
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Okay, now let's take the fan brush,
a little bit of titanium white mixed
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with a touch of permanent red,
just to give it a little pinkish hue.
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We don't want to set these
clouds on fire, all we want to do is
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Let's give it just a little hue
here, just a little pinkish hue.
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And we'll push us in
some nice little clouds here.
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You're pushing very hard just to
push the value right into the canvas.
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Okay.
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And maybe we'll put a little
cloud floating around right here.
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Okay.
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And we'll take and gently,
gently, gently blend that together.
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Very light, delicate touch.
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Don't overwork these clouds.
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Very, very easy
to overwork them.
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And we'll hypnotize them.
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Okay, let's build us
an almighty mountain.
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We'll take a little bit of blue and
some brown, touch of alizarin.
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There we go.
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And mix your color marbly.
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Don't mix it dead.
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Okay, let's start way up here.
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Put us an almighty mountain.
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Maybe there's a nice
little peak over here.
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Let this drop down.
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We're really pushing
this paint into the canvas.
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Maybe we'll have another
little peak over in here.
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And we'll take off
all the excess paint.
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Then we'll take a big brush
and pull that down, just to make
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sure we've got all the paint
off of it that can come off.
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All we want to leave is the
value in the canvas, the color.
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Okay.
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Now we'll start with a
little bit of titanium white
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And I'm gonna mix a little bit of brown
and blue with it just to gray it down.
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Just a little bit.
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Okay.
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And we can start putting some
highlights on this almighty mountain.
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Maybe we'll have a little peak
rolling right down through there.
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And maybe a little
light's hitting right up here.
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And for a shadow color, we'll take a
little bit of blue and brown and white.
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Mix to a little darker value.
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And we'll just lay us some
shadows right in here.
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Okay, and each little highlight
needs its own private shadow.
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Maybe we'll add
another little peak here.
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This is your mountain, so you
can add what you want to on it.
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Okay.
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Now let's diffuse the bottom of it,
and here we're just gently tapping.
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Don't wanna
destroy, just diffuse.
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And then we'll pull, just to
take out the little tap marks.
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Okay, now we'll lay some
clouds on top of the mountain.
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And I've added a little
bit of magic white with
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my paint, just to make
it a little bit thinner.
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As you remember our golden rule here,
thin paint will stick to a thick paint.
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So maybe we'll have a little cloud here
that just floats right across the mountain.
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Okay.
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Maybe right up
here there's one too.
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Seems like I
remember one up here.
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Okay.
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Now very carefully
we'll blend this in.
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Super light touch here.
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Okay, let's take and
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Let's work on this peak now.
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Just let him travel down and just
come right down in the foreground here.
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Okay, give him a few little shadows
so he stands out as an individual.
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And maybe a few
little shadows in here.
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Okay, and once again, we'll diffuse
this, just to lay some mist in here.
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And now maybe another
little layer of clouds.
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We'll add a little more Magic
White to keep the paint thin.
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And maybe this one just
drops right out of the sky here.
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And plays around the bottom.
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There we go.
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Just nice soft little clouds.
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Okay, this is a very,
very delicate touch.
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There.
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And maybe we'll just take
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Maybe there's another little stone
right in here that travels around.
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Just to show you how to
continually bring things forward here.
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And we need this to be a little
darker than the background back here.
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And we'll lay some
highlights right on here.
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Let that paint break.
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Let it break so you have
all these little holes in it.
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Let some of the
dark show through.
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And maybe just a few little clouds,
little misty areas floating around in here.
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This creates a tremendous
illusion of distance.
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Makes things far, far away.
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Okay, now we'll just
hypnotize this a little touch.
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And it's vitally important
when you're doing this
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at home that you use a
paint that's very, very firm.
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Otherwise, you have
nothing as thinner to go over
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the top of it, so be sure
to use a very firm paint.
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Okay, let's mix
this up a little color.
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We'll add a little sap
green, a little more
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blue in here, maybe
just a touch more alizarin.
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There we go, nice color.
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And don't mix it dead.
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Remember not to mix a dip.
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And we'll take this old big brush and let's
put us some little foothills right in here.
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And don't let the size of this
big brush scare you away.
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Use it, it does
fantastic things.
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Okay, now I'm gonna give it
just a little upward sweep to
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make it look like little trees
way, way back in the distance.
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There we go.
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And then we'll tap a little bit here,
just to lay some mist in between these.
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We'll have two of them, I think.
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Now we'll add a little more
of the brown and a little
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more of the blue, just to
darken it up a little bit here.
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All the same colors, blue,
brown, a little alizarin, sap, just
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to make it a little bit darker
so it'll look like it's in front.
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There we go.
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And we'll lay another little ridge of
foothills right down through there.
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Okay, we'll give those
a little upward swirl.
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Just barely, barely
touching the canvas here.
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Okay.
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Now we can start coming forward.
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And we'll take a little bit of
sap green mixed with a little
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bit of alizarin and then I'll
mix that into some yellow.
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Make sort of a
dirty green color.
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And we'll start putting some
little trees that are way back here.
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Load a lot of paint in your
brush and just push upward.
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There.
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All these little things happening
way back in the distance.
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And maybe just a little
touch of yellow right here.
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And just let this blend right
with the color that you have.
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Let it go.
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Okay.
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Now I'm gonna take and
pull just the edges down.
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Don't overwork this because
you're working with yellow into
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the blue water and it'll just
turn a bright green on you.
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Just pull it down, hypnotize it
a little bit, and leave it alone.
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Okay.
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Now we can put a few
little sticks here and there,
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just cutting through the
paint is all we're doing.
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Make it look like little trunks
way back in the distance.
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Okay.
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We'll take just a little touch of phthalo green, mix
with a cad yellow, and a little bit of permanent red, and
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we'll put some highlights on these trees, just where the
sun's running through there and sparkling on top of them.
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There we go.
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00:14:53,292 --> 00:14:56,629
Okay, now some
straight Van Dyke brown.
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And we just lay us a little bit of
dirt and gravel and stuff in here.
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Okay.
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This isn't straight magic
white, and we're just gonna lay it
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right underneath here, just
to give us a little waterline.
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Now, when you're doing this at home, you'll
have a lot more time than we do here.
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You can take your time
and put in all the little
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fantastic details that
you want to back here.
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Okay.
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Let's begin moving this in a little
bit closer, using the same colors.
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And we'll just start
coming forward.
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Maybe we need a nice,
tall little tree right here.
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Okay, let's put us a
little bush over here also.
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Can't leave this side out.
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There we go, just lay that in.
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You know, we'd love to
hear from you and love to hear
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how you're doing with all
this and if it's helping you.
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We'd like to know what you
want to see on these shows.
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00:16:53,646 --> 00:16:57,383
If you want to see different things painted, different techniques,
we'd also maybe like to in the future bring some of the better
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instructors that we have met across the United States and maybe we'll
have them demonstrate some unbelievable techniques that can be done.
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But we need to know what
you want, so let us know.
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Okay, now let's take a
little bit of the brown, and
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00:17:18,905 --> 00:17:22,842
we'll just lay some little
trunks here and there.
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Maybe we'll give this
little bush one here.
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Okay.
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And we'll put some
highlights on that,
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Still fascinates me how this
works and how beautifully it works.
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Okay, let's see, maybe we
need a little, there, that's it.
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And down in here we need some little bushes
that are hiding underneath this bigger one.
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And we'll put some little
reflections in the water.
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There we go.
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Little red fireball there.
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Okay.
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Little touch more of the magic
white, just to thin it down a touch.
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Let's go over here and put some
nice little highlights on this tree.
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There we go.
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00:19:06,712 --> 00:19:08,247
Leave a lot of these
dark areas in here.
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00:19:08,347 --> 00:19:12,818
They create the shadows
that you need so desperately.
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00:19:12,918 --> 00:19:19,325
And we'll put a little color
right here for reflections.
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00:19:20,960 --> 00:19:28,968
And we can lay a little color right on
top to give us nice, beautiful reflections.
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Okay, right there.
209
00:19:41,947 --> 00:19:42,948
Okay.
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Let's take a little more
of the straight brown.
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00:19:53,359 --> 00:19:56,262
And a little bit
right along here.
212
00:19:56,362 --> 00:20:00,933
Just draw in some,
little bit of shore.
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00:20:01,033 --> 00:20:02,968
Little bank here.
214
00:20:04,303 --> 00:20:08,607
Okay.
215
00:20:08,708 --> 00:20:13,045
Lay a little highlight
on top of that.
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And a touch here.
217
00:20:22,455 --> 00:20:26,525
Okay, let's see what
we got going here.
218
00:20:26,625 --> 00:20:28,661
Looks like we have a
lot of space up in here
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that we really need
to do something with.
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00:20:30,763 --> 00:20:32,665
So let's do this.
221
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This is alizarin crimson,
a little bit of sap green.
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00:20:39,371 --> 00:20:42,108
Now we gotta do
something up here.
223
00:20:42,208 --> 00:20:45,678
As we throw all
this color in here.
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Okay.
225
00:20:48,180 --> 00:20:50,416
There we go.
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00:20:50,516 --> 00:20:53,018
Maybe we'll put a little
bit right out here, too.
227
00:20:53,119 --> 00:20:57,490
Looks good, we
might as well not stop.
228
00:20:58,657 --> 00:21:02,728
Okay, we'll take a little bit
of Van Dyke brown and let's
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00:21:02,828 --> 00:21:07,066
do us an almighty tree
coming right up through here.
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00:21:07,166 --> 00:21:08,534
There he is.
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00:21:16,408 --> 00:21:18,010
Okay, and you're
just sort of pulling this
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sideways to lay the
paint right on the canvas.
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00:21:20,012 --> 00:21:22,982
Let it pull off the knife.
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00:21:27,153 --> 00:21:32,892
And maybe we can give
him some little arms out here.
235
00:21:32,992 --> 00:21:34,360
There we go.
236
00:21:36,962 --> 00:21:39,698
And there's another one.
237
00:21:41,600 --> 00:21:44,503
And maybe this is a
separate little entity.
238
00:21:44,603 --> 00:21:46,672
Little tree by itself
growing down here.
239
00:21:46,772 --> 00:21:50,976
Just a little sprout
off the big one.
240
00:21:53,078 --> 00:21:54,079
Okay.
241
00:21:55,648 --> 00:22:01,020
Now we can put some
highlights on these leaves.
242
00:22:02,354 --> 00:22:04,390
And just let it touch.
243
00:22:04,490 --> 00:22:09,495
Bend the bristles
just the least little bit.
244
00:22:12,364 --> 00:22:13,732
There we go.
245
00:22:22,508 --> 00:22:30,282
Isn't that fantastic that you can
create an almighty tree that fast?
246
00:22:31,584 --> 00:22:35,054
Okay, we'll put a little
highlight here on this one too.
247
00:22:35,154 --> 00:22:38,791
Don't want him to feel left out.
248
00:22:41,193 --> 00:22:44,463
Let's put a little,
let's put a little
249
00:22:44,563 --> 00:22:48,567
something on here to
give this a feel of bark.
250
00:22:48,667 --> 00:22:50,970
Just here and there.
251
00:22:56,108 --> 00:22:59,178
Let's see, maybe over here.
252
00:23:01,080 --> 00:23:02,982
Let's be brave.
253
00:23:03,082 --> 00:23:09,054
Let's put an old dead
tree right up through here.
254
00:23:09,154 --> 00:23:13,025
And this old tree is tired,
he's just about to fall down.
255
00:23:13,125 --> 00:23:16,095
Not too much left for him.
256
00:23:23,102 --> 00:23:27,673
Okay, we'll give
him a little tired arm.
257
00:23:35,681 --> 00:23:37,850
And here and there.
258
00:23:40,185 --> 00:23:43,889
Just let these happen.
259
00:23:43,989 --> 00:23:48,427
Okay.
260
00:23:48,527 --> 00:23:49,528
Good.
261
00:23:51,330 --> 00:23:55,668
Maybe another
little stick right there.
262
00:23:55,768 --> 00:23:58,704
Alrighty, now maybe we'll do
something a little touch different here.
263
00:23:58,804 --> 00:24:04,276
I'm gonna take a little
bit of the Permanent Red
264
00:24:04,376 --> 00:24:08,614
and sort of highlight
this old tree.
265
00:24:08,714 --> 00:24:12,251
Just run it down through there.
266
00:24:15,220 --> 00:24:23,195
There we go.
267
00:24:26,265 --> 00:24:30,336
And if we wanted to make a few
more little branches on this tree,
268
00:24:30,436 --> 00:24:34,707
we can take a little bit of
the thin oil and thin this down.
269
00:24:34,807 --> 00:24:40,245
And we can lay just a few more
little branches here and there.
270
00:24:40,346 --> 00:24:43,749
Just a few that's hanging on.
271
00:24:43,849 --> 00:24:48,053
Most of them have
already fallen off.
272
00:24:55,861 --> 00:24:57,863
Okay, now we'll put
something here to cover up
273
00:24:57,963 --> 00:24:59,999
his foot so it pushes
him back down in there.
274
00:25:00,099 --> 00:25:01,300
Let's do the same
thing over here.
275
00:25:01,400 --> 00:25:04,803
Need to push him
back into the picture.
276
00:25:04,903 --> 00:25:08,640
And maybe we can take
a little more of the sap
277
00:25:08,741 --> 00:25:13,545
green and alizarin
combination, and let's do this.
278
00:25:13,645 --> 00:25:20,285
Maybe we'll just project this
right on out toward us here.
279
00:25:24,556 --> 00:25:27,426
Give him some highlights.
280
00:25:36,502 --> 00:25:38,570
Okay, there we go.
281
00:25:50,182 --> 00:25:53,652
By now, if you're painting at
home with us, you should begin
282
00:25:53,752 --> 00:25:57,089
having a picture that's getting
close to being completed.
283
00:25:57,189 --> 00:26:01,393
Should have lifted
your spirits up very high.
284
00:26:01,493 --> 00:26:05,631
And ready to go to another one.
285
00:26:08,467 --> 00:26:13,205
Let me just put a little Magic White
under here to give us a little water line.
286
00:26:13,305 --> 00:26:13,772
Like so.
287
00:26:13,872 --> 00:26:20,012
And let's put a few little
sticks here and there.
288
00:26:40,699 --> 00:26:43,502
Most interesting picture
because of the mountains.
289
00:26:43,602 --> 00:26:47,506
And once again, the biggest thing we'd like
for you to learn from this one is the laying
290
00:26:47,606 --> 00:26:51,610
of clouds in front of mountains and how to
make these mountains be pushed far, far away.
291
00:27:01,253 --> 00:27:03,522
Okay, these little sticks
show all different planes.
292
00:27:03,622 --> 00:27:07,860
They create the
illusion of distance.
293
00:27:12,831 --> 00:27:17,035
Okay, I think this one's just
about ready for a signature.
294
00:27:17,136 --> 00:27:21,073
So we'll take a little
of the thin oil, mix it
295
00:27:21,173 --> 00:27:25,410
up real good, make it
almost like water here.
296
00:27:25,511 --> 00:27:30,249
And we'll just lay a little
signature right there.
297
00:27:30,349 --> 00:27:34,453
And I'm very fortunate
because I have a short
298
00:27:34,553 --> 00:27:38,357
name, so only takes
me a second to do so.
299
00:27:44,730 --> 00:27:46,165
And I think we'll
call that one finished.
300
00:27:46,265 --> 00:27:49,434
If we mess with it anymore,
we're gonna start fiddling it to death.
301
00:27:49,535 --> 00:27:52,905
Do your picture, get your dream
out on canvas, and leave it alone.
302
00:27:53,005 --> 00:27:54,873
Don't fiddle with it all day.
303
00:27:54,973 --> 00:27:58,577
In the time you spend fiddling,
you could do another picture.
304
00:27:58,677 --> 00:28:01,113
So, thank you very, very
much for watching us.
305
00:28:01,213 --> 00:28:02,147
We hope to see you again.
306
00:28:02,247 --> 00:28:05,784
And until then, happy painting.
307
00:28:14,393 --> 00:28:20,799
You
307
00:28:21,305 --> 00:29:21,910
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