"The Joy of Painting" Peaceful Valley
ID | 13207412 |
---|---|
Movie Name | "The Joy of Painting" Peaceful Valley |
Release Name | The Joy of Painting (1983) - S01E08 - Peaceful Valley |
Year | 1983 |
Kind | tv |
Language | English |
IMDB ID | 2177155 |
Format | srt |
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Welcome back.
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Today I thought we'd
do a little picture that's
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a little different than
what we've been doing.
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And today I want to emphasize how to do
several ranges of mountains and have some
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in the background that are very quiet, very
distant, and then come forward with it.
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And we'll see what happens here.
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I've already prepared
the canvas with a layer
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of magic white, just
brushed in both directions.
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Okay, we'll start with a
little bit of Prussian blue.
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And we're really working
into the bristles of the brush.
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And we'll start right at
the top, working across.
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And we're picking up the magic
white as we go across here.
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And automatically, it makes the
sky get lighter as it works downward.
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We don't want a sky that just
looks like you pulled a curtain down.
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We're trying to avoid those.
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Okay.
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And we'll hypnotize
it a little bit.
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Okay.
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And while we've got some
blue on the brush here, we might
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as well go ahead and put
in a little bit of water here.
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This is still the Prussian blue.
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And it really doesn't matter where you get
your waterline here, because when you put all
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the other stuff in, you can bring it to whatever
point you want it, so don't worry about it.
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Okay.
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And we'll wash this old brush.
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Alrighty, let's take some
blue and a little bit of brown.
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And a little bit of white.
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Just to make sort of a
gray color, blue-gray here.
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And maybe we're gonna have this mountain
come way up on the canvas, what the heck.
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And just let it roll around.
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Maybe another little
bump right there.
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And let it wander right on off.
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Very little paint, and
we're pushing that paint
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right into the canvas,
just really push it.
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And we'll put a little bump
right there, another little hill.
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Okay, now we'll take
and pull that paint down.
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We want it to get lighter as it
goes toward the horizon here.
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So we pull it down.
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Once again, it's mixing
with the magic white that's
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already on the canvas and
automatically this occurs.
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And we'll pull this
one down a little.
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Like so.
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Now this time we
want very little paint.
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Very little paint.
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All we want to do is give
little indications back here.
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Just a little.
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Few little highlights.
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Light playing
right through here.
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And you'll find if you're
right-handed, it's normally
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easier to have the light
coming from the right.
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If you're left-handed, it will
vary from person to person.
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So you sort of have to find
what's comfortable for you.
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And maybe a little speck of
light back here on that point.
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Maybe we'll just let these two
sort of work their way together here.
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Just make an almighty ridge
running right through there.
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There we go.
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Now, for the shadow,
we'll use a little blue
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and white, little
touch of brown with it.
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Let's put a little
shadow right here.
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Don't want a great deal in the
shadows this time, just a little bit.
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Maybe a little touch over here.
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Few little things
happening all along the way.
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Little bit too straight,
so I'm gonna break
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that up a little so it
doesn't look too round.
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Don't want it to look
phony, want it to look real.
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Okay, now I'm gonna
really diffuse this one.
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I want it to just
about disappear.
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Even gonna work
a little bit in there.
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Just upward.
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Always follow the angles that
you've built in your mountain.
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Always work with those angles.
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Okay, now let's build
another one a little closer.
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This time I'm gonna
put a little alizarin in blue.
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To give it a little bit
more of a purple issue.
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A little touch of
brown to dull it.
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Alright.
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And let's take this one and
run right up through here.
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This being so dark should
push everything back.
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Maybe a little bump there.
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Want this just to be a
nice, slow rolling little hill.
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And just get in there and do it.
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Don't worry about
it, let it happen.
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There.
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And we'll pull this
down a little bit.
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One reason we do so many mountains in this
series is to teach you to use the knife.
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If you can make mountains,
you've made friends with a knife.
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Then you can do just about
anything you want to do with it.
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Okay.
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Maybe we'll take a
little blue and white here.
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Maybe there's a few little patches of
snow laying on this, just here and there.
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Just let those work
down here and there.
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Maybe there's a little snow
laying right in here somewhere.
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Just sort of bring
that together.
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Okay.
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I'm gonna take a little bit of the blue
and brown and put some sap green with it.
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There we go, very
dark, it should look black.
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And now we'll load the brush up
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And let's just do some
little things like this.
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Want some little indication of trees
way back in the distance back here.
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And maybe a few of them
have just a little bit more
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detail, so we can just add
a little bit here and there.
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We're only looking for
basic shapes as far back.
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You would not see
a great deal of detail.
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And here and there, a nice little
tree that's got a little more shape.
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Chain.
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A lot of paint on the brush.
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Very, very thick.
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Just like so.
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Now then, we can take and just
scratch a few little trunks here and there.
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And all we're doing here
is using the point of the
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knife and cutting through
the paint so the canvas shows.
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And it gives the illusion of little
trunks way back in the distance.
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And you don't have to worry about
cutting through the canvas with this knife.
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The canvas is very, very strong.
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And we recommend that you use
stretch canvas rather than canvas boards.
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The canvas boards have cardboard
in the center and they have a tendency
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to absorb your magic white very
rapidly and leave you with a dry canvas.
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And we depend on this being
wet through the whole picture.
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Okay, now let's
take a little green.
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A little yellow and red
all mixed together here.
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And let's start putting some
land coming down through here.
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And all we're gonna
do is just push.
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Like so.
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All the little grassy
things happening here.
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Maybe here and there we
can see little parts of the dirt
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showing through, little areas
where there's some ground showing.
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So we just lay that in.
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And then you can just go
back and sort of push it down
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into the picture, put things
that are projecting over it.
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A little more magic here.
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You have to have a thin
paint to make it stick on all this.
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And as these come out of the
shadow, let them get a little brighter.
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These trees would shadow
all back in there, so you
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want this to get a little
brighter as it comes out.
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There we go.
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Now let's take and pull just a
little bit of this down into the water.
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And then we'll just,
just hypnotize it a little
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bit, just to sort of
make it come together.
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Here I'm adding
just a little bit of dark.
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We have two light
areas, so we'll put a touch
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of dark in here, just
to separate these.
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Very, very little paint.
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Okay, now, let's take a little
Van Dyke brown, and we'll
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just go right along here
and build us a little shore.
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Here, all we're doing
is touching the canvas.
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And we can put a few little sticks in
here while we have some color on the knife.
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You know, when people see all these little
sticks and stuff, they think you spent
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days and days with your one-haired brush,
sitting here doing all these little rascals.
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And when you get them believing
that, then you up the price of it.
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For a long time, I painted this
way in the secrecy of my home and
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charged unbelievable prices,
which a lot of painters are doing now.
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But if people see it takes
you 30 minutes, then they
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don't want to pay you an
unbelievable price for it.
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00:15:19,719 --> 00:15:23,489
They want to pay you 30 minutes'
labor, so you have to make a decision
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whether you want to be a traditional
artist or an artist that eats regular.
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And we'll lay some little
ripples along the water here.
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Just here and there.
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Okay.
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Now, maybe we'll take some of
this dark color and let's put a little
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Tree right here, what the heck.
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Like so.
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And we'll take and pull some of that
paint down, make this a little reflection.
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Put a little tree trunk in.
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Lay a little highlight
right along here.
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Just so he stands out.
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And then he needs
some leaves on him, so I'm
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gonna drop a few little
leaves here and there.
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There we go.
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Very light touch.
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Don't want to destroy it.
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And we'll use just a little
bit of the Van Dyke here.
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Okay.
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Now, let's put something
in the foreground.
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We'll have all kind of nice little bushes
and stuff just growing around here.
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And we'll highlight
these real quick.
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Look at that, all those
little leaves and bushes.
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And you can do it.
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You can do it,
just practice a little.
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Load a lot of paint
into the brush.
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Remember, thin paint
will stick to a thick paint.
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Maybe just a little
greenery on this.
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A little something right there.
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Okay, a few little sticks.
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Now let's get free.
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Let's have a huge limb coming
out here, like there's a tree over
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here somewhere, and all you
can see is the big limb coming out.
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I know this is scary, to
take and put something like
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this right out through all
the work you went through.
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But give it a try one time.
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And maybe we have one
coming down through here.
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And then we can have some
littler limbs coming off these.
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All kinds of little
things happening here.
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Wherever you want
them, just drop them in.
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And there's a little something
just protruding right up here.
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Just a little bit of
highlight on here.
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Just to break it up.
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Show the little
sunlight's hitting.
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There.
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00:21:57,850 --> 00:22:02,655
Now, let's lay some
leaves on top of that.
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00:22:03,989 --> 00:22:08,027
And we first need some dark,
let me get some dark color here.
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Little bit of sap, little
bit of blue and brown.
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There we go.
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And we lay a little
color on the brush here.
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00:22:20,005 --> 00:22:23,676
And now, we're just
gonna start tapping
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where we want some
nice little leaves to be.
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00:22:31,650 --> 00:22:34,854
Just let them fall in there.
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00:22:43,829 --> 00:22:51,770
This sort of helps make a nice composition
of your picture and push everything back.
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00:22:51,871 --> 00:22:59,879
Think you'll like
this once you try it.
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As I say, first time it's
sort of a son of a gun just to
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throw all this right out in
the middle of your picture.
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It's gonna scare
you a little bit.
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But jump in there and do it.
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Remember, you're the master.
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This canvas is afraid of
you, you're the master.
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00:23:23,869 --> 00:23:31,844
Okay, now we can take a lighter
color green, a little more magic in it.
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00:23:33,746 --> 00:23:37,016
And we'll load this brush full.
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00:23:37,116 --> 00:23:38,450
And think where your
light's coming from.
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The top of these are gonna be
a little brighter than the bottom,
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00:23:42,521 --> 00:23:46,558
so we'll just lay a little bit of
color right along the top here.
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This is where you need
a good brush, though.
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00:23:52,731 --> 00:23:55,534
Be very careful about
the brush you use.
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00:23:55,634 --> 00:23:58,971
Avoid nylon brushes,
they cut paint.
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00:23:59,071 --> 00:24:02,942
These are natural
bristle brushes.
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Color right in here.
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I always remember, back when I was
a traditional painter, how long I would
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agonize trying to do something like
this with the little one-haired brush.
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Working for days and days and days to get
an effect that you can now get in minutes.
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There we go.
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And we have almighty limbs
projecting right out in our picture.
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00:25:03,235 --> 00:25:06,505
And it makes it look like
there's a tree over here.
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Okay, maybe,
maybe right in here.
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Let's do this.
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Let's have an old
tree that's falling over.
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Coming right up through here.
236
00:25:18,050 --> 00:25:21,553
If you got all your nerve
up and done this one,
237
00:25:21,653 --> 00:25:25,257
shoot, we might as well
just keep going with it.
238
00:25:25,357 --> 00:25:28,560
No use letting you stop now.
239
00:25:34,400 --> 00:25:40,906
And maybe he had a little
friend that fell over with him.
240
00:25:44,309 --> 00:25:44,476
There we go.
241
00:25:44,576 --> 00:25:46,178
Now don't laugh,
trees need friends too.
242
00:25:46,278 --> 00:25:49,014
Everybody needs friends.
243
00:25:55,854 --> 00:25:55,888
Okay.
244
00:25:55,988 --> 00:26:01,060
Take a little white
and a little brown here.
245
00:26:01,160 --> 00:26:04,263
Maybe we'll put just
the least little touch of
246
00:26:04,363 --> 00:26:08,133
Sort of an orangey color in it.
247
00:26:08,233 --> 00:26:12,137
And we're gonna just work
that right down here and
248
00:26:12,237 --> 00:26:16,208
make him look old and
tired, just barely touching.
249
00:26:20,112 --> 00:26:24,283
Just pull that
right along, like so.
250
00:26:24,383 --> 00:26:28,087
Let it go.
251
00:26:28,187 --> 00:26:34,326
Okay, now we'll take and
put a few little bushes in front.
252
00:26:34,426 --> 00:26:38,097
So he has a place
for his foots to sit.
253
00:26:38,197 --> 00:26:47,072
And we'll take the liner brush, a little
bit of thin oil, like so, there we go.
254
00:26:47,172 --> 00:26:52,244
And we'll put a few little limbs
hanging on here that are just about gone.
255
00:26:52,344 --> 00:26:55,214
Just here and there.
256
00:26:55,314 --> 00:27:01,587
Let them go every which way,
whatever makes them happy.
257
00:27:04,089 --> 00:27:05,858
And maybe this one's
just hanging down.
258
00:27:05,958 --> 00:27:08,026
Ooh, he's tired.
259
00:27:08,127 --> 00:27:12,564
Poor old thing.
260
00:27:12,664 --> 00:27:15,934
There.
261
00:27:16,034 --> 00:27:18,036
This old tree's just about gone.
262
00:27:18,137 --> 00:27:22,474
It's gonna fall over
here in the pond.
263
00:27:24,776 --> 00:27:29,348
Maybe a little limb
or two left up here.
264
00:27:31,950 --> 00:27:33,986
Something like so.
265
00:27:40,125 --> 00:27:44,897
Okay, I think we'll sign
that one and call it finished.
266
00:27:44,997 --> 00:27:47,633
And there we go.
267
00:27:47,733 --> 00:27:51,003
And I'd like to thank you very,
very much for watching us today.
268
00:27:51,103 --> 00:27:54,740
I hope you've enjoyed this painting
and that you painted along with us.
269
00:27:54,840 --> 00:27:56,642
And until next
time, happy painting.
270
00:27:56,742 --> 00:28:04,750
Thank you very, very much.
270
00:28:05,305 --> 00:29:05,648
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