"The Joy of Painting" Brown Mountain
ID | 13207457 |
---|---|
Movie Name | "The Joy of Painting" Brown Mountain |
Release Name | The Joy of Painting (1983) - S02E07 - Brown Mountain |
Year | 1983 |
Kind | tv |
Language | English |
IMDB ID | 1629997 |
Format | srt |
1
00:00:00,908 --> 00:00:03,221
Hello, well here we go again.
2
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You ready to paint a
fantastic picture with me?
3
00:00:05,834 --> 00:00:08,433
I thought today we'd do something
out of the Rocky Mountain areas.
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00:00:08,457 --> 00:00:11,830
We've had a lot of requests for
some mountains that look more like the
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00:00:11,854 --> 00:00:15,396
Rocky Mountains rather than the
Alaskan Mountains that I do all the time.
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00:00:15,446 --> 00:00:17,178
So, that's what we'll do today.
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00:00:17,228 --> 00:00:21,143
I've also asked them to graphically
run the colors that we use by.
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00:00:21,193 --> 00:00:24,634
So, in case you missed them on
the first or second show, this way you'll
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have a chance to pick up all the
colors that we have on the palette.
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00:00:27,981 --> 00:00:29,613
So, let's do it.
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I'm gonna start off
here today with a little bit
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of Prussian blue, just a
tiny bit of Prussian blue.
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00:00:37,532 --> 00:00:41,508
Okay, and right at the
very top, we're gonna start
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00:00:41,532 --> 00:00:45,532
by making X's, just all
the way across the canvas.
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00:00:45,921 --> 00:00:46,921
There.
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00:00:48,564 --> 00:00:52,540
Now, here you're allowing the magic white
to mix with the color that's on your brush,
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00:00:52,564 --> 00:00:56,564
and automatically as you work downward, the
sky gets lighter as you near the horizon.
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00:00:58,587 --> 00:01:02,223
So let your paint work,
let the brush work.
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Alright.
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There we go.
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00:01:07,080 --> 00:01:10,567
Now, while I've got blue on
the brush here, I wanna add
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a tiny bit more blue and
a little bit of phthalo green.
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Just a little bit.
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It's very, very strong.
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And we'll put
some water in here.
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Now pull your water from
the outside toward the center.
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And work from bottom to top.
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And leave a little area open
in the center right there, and it'll
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create a happy little sheen of
light that plays across the water.
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Okay.
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Okay, now, let
me wash the brush.
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And we wash these brushes
with odorless paint thinner.
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And be sure it's odorless.
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Okay, now with a clean
brush, we're gonna start right in
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the light area and work
upward, just to blend the sky out.
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00:02:01,441 --> 00:02:03,199
Now, you don't wanna
take all the little actions out.
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00:02:03,223 --> 00:02:06,557
That's the reason we make
these little crisscross strokes.
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Don't wanna take them all out.
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Your sky'll be very, very dull.
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It'll look like you pulled
the curtain down at night.
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There.
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And the water, we just go
all the way across very gently.
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Just enough to
bring it together.
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Let's make some
almighty clouds today.
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I'm gonna take the Prussian Blue and Van
Dyke Brown and a touch of Alizarin Crimson.
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We'll mix these on the brush,
just mix them on the brush.
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Alright, now, figure out where
you want your almighty clouds
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to be and just begin working
in little circular patterns.
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00:02:45,376 --> 00:02:47,539
And when you first
touch a canvas, if it's not
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the color you want, stop
and change the color.
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Don't keep painting.
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Because this is your world and you
can create anything that you want in it.
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Blue, brown, little
touch of crimson.
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There we go.
55
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Just let these big old clouds just
float around the sky and have fun.
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Clouds are about the
freest thing in nature.
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There.
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Blue, brown, touch of crimson.
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Maybe there's another
one right over in here.
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We'll put a couple in so you have
practice doing a couple of them.
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Okay, now clean the brush again.
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Okay, let's take the fan brush now,
and we'll take titanium white, and to
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that I'm gonna add just the smallest,
smallest little bit of permanent red.
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Now this red is
very, very strong.
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Just want to put a little
sunlight on top of these clouds.
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And go right above the dark,
making little tiny circles with a
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corner of the brush, and begin
building these almighty clouds.
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Let them just flow
right off your fan brush.
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00:04:04,566 --> 00:04:06,478
But don't stand in one
area and keep working.
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All you'll do is put a big
cotton ball up in the sky.
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There.
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Leave some darks
in these clouds.
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There we go.
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And you've probably noticed by now, we
don't use any patterns or any guidelines.
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We just let it flow right
out of us onto the canvas.
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There.
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This is such a free,
free style of painting.
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Right over here, we'll
put some little highlights.
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The only guidelines we use in this
style of painting is our imagination.
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Okay, now, once again
with a large brush, we want
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to blend just the bottom
out, not touch the top yet.
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We will later, but not yet.
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Just the bottom.
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Just the bottom, just
blend together a little bit.
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Don't overwork it.
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Very, very easy
to overwork this.
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Just enough to bring
it together a little.
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Okay, now I'm gonna fluff it up.
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Just fluff it.
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Now, when you fluff this thing up, if
you get these little stringies up in the
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sky, don't worry about them, because
when you blend it together, they go away.
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Don't overwork your clouds,
they're easy to destroy.
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And as a traditional
painter, clouds was
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one of the things that
really gave me a fit.
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Okay.
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Now today we said we was gonna do
some big brown, rocky type mountains.
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00:05:59,123 --> 00:06:02,958
So let's start with
straight Van Dyke brown.
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A lot of paint on the knife.
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And we'll come right up in here
and make an all muddy peak.
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Ah, there we go.
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A lot of paint.
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We're just pushing this
paint onto the canvas.
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You decide where you want peaks.
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Since you're creating
these mountains, you can
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put peaks and valleys
wherever you want them.
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Maybe there's another
one right in here.
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Okay.
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Just get a basic
shape of the mountain.
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Okie dokie.
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And I'm gonna use a large brush
and just blend this out on the bottom.
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Just blend it on the bottom.
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Now very gently lift upward.
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There we go.
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That's good.
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Now we'll clean the brush again.
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Now, let's take, let's take Burnt Umber
and Cad Yellow and mix it together.
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Mix it together.
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Let's throw a little
Yellow Ochre in there too.
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Oh, that's nice.
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Mix it so it's marbly.
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Don't mix it till it's dead.
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Let all the little things
happen in the paint.
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Okay, now, let's put some
highlights on this mountain.
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And all we're gonna do is
touch the canvas and let it flow.
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Just let it flow.
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Let's go right up here.
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There, let's brighten
this one a little bit.
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Oh, there, that's
what we're looking for.
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And we need a highlight over
here on this happy little hill.
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There we are.
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Something right there.
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Oops, I see a little light
striking that little thing right there.
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And here we go,
here's another one.
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Isn't that fun?
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Just let all these
things happen.
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But you can see what's happening in
here because you didn't overmix the paint.
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If you'd overmixed it, you
would've had one solid color.
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You wouldn't have all these pretty
little things that are happening.
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Okay, now let's make
some shadow color.
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I'm gonna take a little bit of white,
some Prussian blue, Van Dyke brown,
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Maybe a touch more white.
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There, that's what
I'm looking for.
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And that's Prussian blue,
Van Dyke brown, and white.
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Okay, now let's put some
happy little shadows in here.
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Maybe right along like this.
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There.
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Once again, don't
overmix your paint.
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Allow all these little
things just to happen.
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Let the paint break, and by break, we
mean leave all these little open spots.
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Just let it happen.
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Look at that son of a gun.
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And we need a
little shadow in here.
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Don't wanna forget him.
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Every highlight needs
its own private shadow.
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There, and a couple
in here and there.
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Like so.
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Now we can go back with a
little more of the highlight color
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and begin building all kind
of little happy things in here.
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There.
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Remember, every
highlight needs a shadow.
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There's a highlight.
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Watch what happens when we
throw a little shadow behind him.
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He becomes a separate entity.
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And maybe, maybe, maybe, maybe,
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There's a little bit of snow still laying
in some of the little shadowy areas here.
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So we take a little bit of titanium
white and very gently, following
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the contour of the mountain,
lay in a little bit of snow here.
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Maybe there's a little over in this
little place too, just a tiny little bit.
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00:10:55,531 --> 00:10:59,548
Okay, now I'm gonna
take a little bit of the blue
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00:10:59,572 --> 00:11:03,531
and white and put a
little shadow right on here.
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Just lay it right on the side.
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00:11:09,289 --> 00:11:13,544
Now with a clean knife, we
just bring all this together.
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Just bring it together.
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There we go.
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Bring this one
right on back down.
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Okay.
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Something like so.
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Now, I'm gonna add a
little tiny bit of sap green.
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And just drop it right
into the bottom area here.
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Just like so.
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Little bit of sap green.
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And you'll see why
here in just a second.
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Okay.
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Alright.
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Now with a clean, dry one inch brush,
I'm just gonna begin gently lifting up.
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Just lift it up.
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And do this in layers.
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And work it right up
the side of the mountain.
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I'm gonna add a little
bit of cad yellow to
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my brush so I can
brighten a few little spots.
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There.
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A little more yellow.
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Just pop it in.
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And you bend the
bristles and pop it.
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Just right on up.
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Okay, maybe there's another
happy little rock right out here.
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Like so.
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Just let these little things happen
wherever you think they should be.
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Remember, this is your
world, and you control it.
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Little highlight color.
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00:13:15,856 --> 00:13:19,832
And then once again
with our one-inch brush, we
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begin lifting, just to
bring all this together.
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There we go.
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00:13:31,139 --> 00:13:35,149
Now maybe from this little
projection, let's mix up some Sap
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Green, Prussian Blue, Van
Dyke Brown, in about equal parts.
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Green, brown, and blue.
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And about equal parts.
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Okay.
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00:13:57,081 --> 00:14:00,594
Now then, with a fan
brush, let's put some little
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indications of some little
evergreens back here.
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Right about in here.
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00:14:05,394 --> 00:14:09,468
We just want indications,
I'm not looking for detail yet.
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00:14:09,518 --> 00:14:13,165
You know, when you're showing
distance in a painting, the lack of detail
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00:14:13,189 --> 00:14:16,961
is as important as when you're showing
something that's very close to you.
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00:14:17,011 --> 00:14:19,165
In the foreground,
you want a lot of detail.
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00:14:19,215 --> 00:14:23,712
Lack of detail can
be very valuable, too.
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Just a little something like so.
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00:14:26,808 --> 00:14:29,663
And then back to our
little one-inch brush.
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00:14:29,713 --> 00:14:34,170
And we sort of
bring all that together.
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00:14:37,531 --> 00:14:41,166
Now, now, that was so
much fun, let's do some more.
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00:14:41,216 --> 00:14:45,513
Maybe there's a little foothill
that runs right down through here.
223
00:14:45,563 --> 00:14:51,061
So let's just start making these
little indications with a fan brush.
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00:14:51,111 --> 00:14:54,686
It's a good way to make
a lot of trees real quick.
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00:14:54,736 --> 00:15:00,475
And when you see trees way off in the
distance, you don't see a lot of detail.
226
00:15:00,525 --> 00:15:06,422
You make out basic colors
and basic shapes, but that's all.
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00:15:06,472 --> 00:15:09,786
You knew that though, I know.
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00:15:14,843 --> 00:15:17,136
Okay, maybe this
climbs right on up here.
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00:15:17,186 --> 00:15:21,528
Maybe there's a
nice little hill here.
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00:15:25,697 --> 00:15:29,596
And while we got this
color on the fan brush, we'll
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00:15:29,620 --> 00:15:33,697
just throw in some little
grassy areas underneath it.
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Just like so.
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00:15:41,817 --> 00:15:45,095
And maybe there's a few
evergreens here that are a little
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00:15:45,119 --> 00:15:48,536
bit closer, so they're gonna
be a little bit more distinct.
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00:15:48,586 --> 00:15:52,243
So maybe there's one right here.
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00:15:52,733 --> 00:16:00,733
And we touch, touch, touch, touch,
and just begin building a little tree.
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00:16:00,925 --> 00:16:02,337
There he comes.
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00:16:02,387 --> 00:16:09,358
He's a little closer, so there's
a little more detail in him.
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00:16:09,787 --> 00:16:13,062
Just a couple of
those here and there.
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00:16:13,112 --> 00:16:17,139
Now I'm gonna take a little bit of sap
green, a little touch of yellow, and the
241
00:16:17,163 --> 00:16:21,112
tiniest, tiniest little bit of magic
white, just to thin it a tiny, tiny bit.
242
00:16:23,288 --> 00:16:27,024
And we'll begin putting
some details in here.
243
00:16:27,074 --> 00:16:31,291
Just a little grassy
areas back in here.
244
00:16:31,341 --> 00:16:33,254
Just run right on up the hill.
245
00:16:33,304 --> 00:16:36,389
Follow the lay of the land.
246
00:16:38,812 --> 00:16:42,886
Now, with a large brush, grab at
the bottom of this and pull down.
247
00:16:42,936 --> 00:16:46,707
Just pull it down,
straight down.
248
00:16:50,744 --> 00:16:52,115
There we go.
249
00:16:56,009 --> 00:17:00,924
And then gently go across,
just to give it a reflection look.
250
00:17:00,974 --> 00:17:01,974
Like so.
251
00:17:03,516 --> 00:17:07,753
Okay, now, we'll take a
little bit of Magic White,
252
00:17:07,803 --> 00:17:12,118
We'll put a very small amount of Van
Dyke brown in it, just to dull it down.
253
00:17:12,168 --> 00:17:18,453
And we'll make some happy
little water lines back here.
254
00:17:22,880 --> 00:17:22,996
There.
255
00:17:23,020 --> 00:17:25,933
And just let this water line
travel wherever you want it to go.
256
00:17:25,983 --> 00:17:31,614
The lines need to remain basically straight
to keep your water in the painting.
257
00:17:31,664 --> 00:17:33,443
Hmm.
258
00:17:33,467 --> 00:17:37,042
I tell you what, today let's use
the big brush and play a little bit.
259
00:17:37,092 --> 00:17:41,629
I'm going right back into this color
that I used to make the evergreens.
260
00:17:41,679 --> 00:17:45,896
And this was equal parts of
blue, brown, and sap green.
261
00:17:45,946 --> 00:17:47,859
And load this
brush full of paint.
262
00:17:47,909 --> 00:17:50,489
A lot of paint on it.
263
00:17:50,513 --> 00:17:55,731
And so often we avoid this big
brush, and it will do fantastic things.
264
00:17:55,781 --> 00:17:56,923
See there?
265
00:17:57,884 --> 00:18:01,922
Now, let's make that into
a nice little evergreen tree.
266
00:18:01,972 --> 00:18:05,172
Just use this old big brush.
267
00:18:07,480 --> 00:18:11,538
As I teach this across
the country, one thing I've
268
00:18:11,562 --> 00:18:15,480
noticed, children are
so fantastic to work with.
269
00:18:15,692 --> 00:18:17,050
Because they don't
know what you're doing.
270
00:18:17,074 --> 00:18:19,253
You're painting evergreen
with a two and a half inch brush.
271
00:18:19,277 --> 00:18:23,734
You tell them to
do it, and they do it.
272
00:18:23,984 --> 00:18:28,145
This is such a fantastic
style for children.
273
00:18:28,195 --> 00:18:33,811
My son Steve is 17 years old now,
and he's been painting since he was 12.
274
00:18:33,861 --> 00:18:36,755
That son of a gun's
an almighty painter.
275
00:18:36,805 --> 00:18:39,938
And he makes a
happy buck or two.
276
00:18:39,988 --> 00:18:45,531
Okay, maybe another
little tree right there.
277
00:18:45,555 --> 00:18:51,040
Just let these work right
out of your big brush.
278
00:18:53,323 --> 00:18:59,212
Okay, we'll put some little
grassy areas right out through here.
279
00:18:59,262 --> 00:19:04,300
Okay, now, let's go to the other side of
the canvas and really make a big tree.
280
00:19:04,350 --> 00:19:05,903
A lot of paint in the bristles.
281
00:19:05,953 --> 00:19:08,527
Let's get up here in the clouds.
282
00:19:08,577 --> 00:19:09,577
There.
283
00:19:13,164 --> 00:19:14,649
Look at that.
284
00:19:14,707 --> 00:19:20,246
Did you ever think you could make
a little bitty tree with a brush that big?
285
00:19:20,296 --> 00:19:21,588
Pick it up and try it.
286
00:19:21,638 --> 00:19:25,409
That's really all
you have to do.
287
00:19:26,448 --> 00:19:29,723
Okay, now maybe, I
don't want him to get
288
00:19:29,747 --> 00:19:33,375
lonely, I'll give him
a little friend there.
289
00:19:33,425 --> 00:19:36,167
Maybe right there, yeah.
290
00:19:39,841 --> 00:19:43,700
Okay, while I've got this
dark paint on the brush,
291
00:19:43,724 --> 00:19:47,841
we'll just bring a land mass
right down through here.
292
00:19:50,545 --> 00:19:54,400
Okay, now with a clean,
dry brush, I'm just gonna grab
293
00:19:54,424 --> 00:19:58,446
this and pull straight down
and create some reflections.
294
00:19:58,496 --> 00:20:01,238
Come across very gently.
295
00:20:02,822 --> 00:20:05,496
Let's put some little
tree trunks in here.
296
00:20:05,546 --> 00:20:10,763
Use burnt umber, a
little tiny bit of white in it.
297
00:20:10,813 --> 00:20:14,831
It will come right along
here on these trees and
298
00:20:14,855 --> 00:20:18,813
just here and there,
lay in a trunk indication.
299
00:20:22,692 --> 00:20:26,760
Now in case you missed the last
show, I'd like to re-mention again,
300
00:20:26,784 --> 00:20:30,692
if there's something you wanna
see, drop us a line, let us know.
301
00:20:31,105 --> 00:20:38,926
We would really like to paint the type of
scenes and the places that you wanna see.
302
00:20:38,976 --> 00:20:44,690
And you can drop us a
line, WIPB, Muncie, Indiana.
303
00:20:45,686 --> 00:20:48,697
And we'll certainly be
glad to hear from you.
304
00:20:48,747 --> 00:20:56,747
Okay, now let's take a tiny bit of magic
white, a little yellow, and sap green.
305
00:20:57,261 --> 00:20:59,661
Yellow and sap green.
306
00:21:00,827 --> 00:21:05,024
And let's put a few little
trees here and there.
307
00:21:05,074 --> 00:21:06,346
There we go.
308
00:21:06,396 --> 00:21:08,910
Just let them fall in.
309
00:21:09,080 --> 00:21:11,454
Maybe there's one
that lives right out here.
310
00:21:11,504 --> 00:21:12,504
Like so.
311
00:21:14,209 --> 00:21:15,580
There's one.
312
00:21:19,038 --> 00:21:21,572
Just happy little things.
313
00:21:21,622 --> 00:21:26,100
Let's take the large brush,
a little magic white on it.
314
00:21:26,150 --> 00:21:28,805
I'm gonna go right
into this yellow.
315
00:21:28,855 --> 00:21:31,029
Right into the yellow.
316
00:21:31,079 --> 00:21:34,615
Load a lot of paint into
the bristles and sap green.
317
00:21:34,665 --> 00:21:38,622
Put the yellow on first
and then the green on top.
318
00:21:38,672 --> 00:21:44,843
And let's put some highlights
on these big trees here.
319
00:21:48,282 --> 00:21:54,562
Just let that brush bounce and play where
you think light's gonna strike these trees.
320
00:21:54,612 --> 00:21:59,412
In your world, you
even control the light.
321
00:22:00,862 --> 00:22:04,290
Oh, look at that son of a gun.
322
00:22:05,349 --> 00:22:13,349
There we go.
323
00:22:13,463 --> 00:22:14,463
Okay.
324
00:22:15,164 --> 00:22:16,649
There we are.
325
00:22:16,706 --> 00:22:20,884
Now let's take a little more
of the green and yellow
326
00:22:20,908 --> 00:22:24,706
and pop these reflections
right into the water.
327
00:22:27,341 --> 00:22:28,341
Like so.
328
00:22:28,603 --> 00:22:31,959
Now I'm going back to my
fan brush with yellow and green
329
00:22:31,983 --> 00:22:35,062
on it and sort of begin
bringing all this together.
330
00:22:35,112 --> 00:22:38,997
Just touch, bend
the brush upward.
331
00:22:39,739 --> 00:22:41,224
Just like so.
332
00:22:41,894 --> 00:22:45,700
We'll take a little of the
Van Dyke Brown and
333
00:22:45,724 --> 00:22:49,894
Burnt Umber mixed, and
create a little bank here.
334
00:22:50,504 --> 00:22:57,569
There we go.
335
00:22:57,593 --> 00:23:00,403
A little bit of highlight
out of brown and
336
00:23:00,427 --> 00:23:03,530
white with a slee,
slee, little touch of blue.
337
00:23:03,580 --> 00:23:06,774
Just to give it a little flavor.
338
00:23:06,824 --> 00:23:14,824
Okay, a little Magic White, and we'll
throw a happy little water line into here.
339
00:23:15,391 --> 00:23:19,328
And with a nice, clean,
dry brush, pull this down a
340
00:23:19,352 --> 00:23:23,391
little, just to create
some nice little reflections.
341
00:23:26,066 --> 00:23:29,946
And back to my fan brush, a
little Magic White on to thin the
342
00:23:29,970 --> 00:23:34,066
paint, and we'll bring a few
little things right down like that.
343
00:23:38,343 --> 00:23:40,295
Isn't that something?
344
00:23:40,345 --> 00:23:44,183
Now, let's go right
over here, create some
345
00:23:44,207 --> 00:23:48,345
little grassy things up
here in the sunshine,
346
00:23:54,440 --> 00:23:57,734
Ooh, look at all
those little things.
347
00:23:57,784 --> 00:24:00,869
And they happen so quickly.
348
00:24:06,193 --> 00:24:07,193
Okay.
349
00:24:10,518 --> 00:24:13,997
Maybe, maybe, maybe,
maybe we can put a happy
350
00:24:14,021 --> 00:24:17,135
little stone right
out here on this one.
351
00:24:17,185 --> 00:24:21,423
This looks to me like a
good place for a stone.
352
00:24:21,473 --> 00:24:25,357
And we'll take a little bit
of the mountain highlight
353
00:24:25,381 --> 00:24:29,215
color and just put a little
highlight on that stone.
354
00:24:29,265 --> 00:24:33,950
And let a little bit of
it come downward.
355
00:24:34,673 --> 00:24:40,352
Little bit of grass underneath
it so it comes together.
356
00:24:40,402 --> 00:24:45,359
Then we'll take the point of the knife
and put a few little sticks here and there.
357
00:24:45,409 --> 00:24:46,666
Just a few.
358
00:24:55,342 --> 00:24:59,578
And maybe, maybe I'll add
one more little bush here.
359
00:24:59,628 --> 00:25:03,970
Looks to me like he
needs another one.
360
00:25:05,035 --> 00:25:09,835
Right in here, just to
separate these two.
361
00:25:10,363 --> 00:25:15,045
There we go.
362
00:25:15,069 --> 00:25:19,866
And we could put, maybe
there's some little dirt in here.
363
00:25:19,916 --> 00:25:23,895
Little rocky things showing
through here and there.
364
00:25:23,945 --> 00:25:27,620
Put a little bit of
highlight on that.
365
00:25:27,670 --> 00:25:34,628
And with our green and yellow, just
gently pop a few little things in there.
366
00:25:34,678 --> 00:25:35,678
Like so.
367
00:25:36,580 --> 00:25:39,074
And I think we've just
about got that one finished.
368
00:25:39,124 --> 00:25:41,498
The old clock on
the wall's telling me I
369
00:25:41,522 --> 00:25:44,220
gotta get out of here,
so I'll sign this one.
370
00:25:44,270 --> 00:25:47,043
I'd like to wish
you happy painting.
371
00:25:47,093 --> 00:25:49,446
Next week we'll
do a white canvas.
372
00:25:49,496 --> 00:25:53,645
So have your canvas on your
easel, and be ready to go with us.
373
00:25:53,695 --> 00:26:01,695
Happy painting.
374
00:26:02,305 --> 00:27:02,206
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