"The Brak Show" Shadows of Heat

1 00:00:04,580 --> 00:00:08,918 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 2 00:00:10,000 --> 00:00:16,074 3 00:00:21,564 --> 00:00:24,901 - LAST NIGHT, I CRIED FOR THE FIRST TIME IN YEARS. 4 00:00:26,235 --> 00:00:27,770 DING DONG. COMPANY. 5 00:00:27,837 --> 00:00:29,138 - I'LL GET IT. 6 00:00:30,673 --> 00:00:32,008 YES? 7 00:00:32,074 --> 00:00:34,076 - MY NAME IS GEORGE MARTINEZ. I HAVE AN APPOINTMENT WITH YOUR HUSBAND. 8 00:00:34,143 --> 00:00:35,278 - TELL HIM I'M BUSY. 9 00:00:35,344 --> 00:00:38,147 WAIT. NO. TELL HIM I'M BUSY AND TO COME BACK IN 15 MINUTES. 10 00:00:38,214 --> 00:00:40,149 TELL HIM BOTH OF THOSE. SEE WHAT HE DOES. 11 00:00:40,216 --> 00:00:42,218 - DID YOU GET ALL THAT? - 15 MINUTES. 12 00:00:42,285 --> 00:00:43,953 OF COURSE. I SHOULD HAVE KNOWN. 13 00:00:44,020 --> 00:00:45,822 ONLY THE CONDOR WOULD BE SO BOLD. 14 00:00:45,888 --> 00:00:48,925 - CONDOR? - THAT'S ME. - GOOD-BYE FOR NOW. 15 00:00:48,991 --> 00:00:51,394 WE SHALL MEET AGAIN SOMEDAY. 16 00:00:51,461 --> 00:00:53,529 - IN 15 MINUTES. - EXACTLY. 17 00:00:53,596 --> 00:00:55,097 THANK YOU, CONDOR. 18 00:00:55,164 --> 00:00:57,333 OH, THANK YOU. 19 00:00:57,400 --> 00:00:59,235 - IS HE STILL STANDING OUT THERE? 20 00:00:59,302 --> 00:01:00,703 - YES. AND HE LOOKS HOT. 21 00:01:00,770 --> 00:01:02,939 I'M GOING TO BRING HIM SOME LEMONADE. 22 00:01:03,005 --> 00:01:04,207 - NOT WATER? 23 00:01:04,273 --> 00:01:05,475 - NO. LEMONADE. 24 00:01:05,541 --> 00:01:08,244 - LEMONADE. INTERESTING CHOICE. 25 00:01:08,311 --> 00:01:10,680 HUH. LEMONADE. 26 00:01:10,746 --> 00:01:11,814 LET'S PUT IT THIS WAY. 27 00:01:11,881 --> 00:01:14,650 I DON'T WANT YOU BRINGING LEMONADE TO GEORGE MARTINEZ. 28 00:01:14,717 --> 00:01:15,918 HE WON'T KNOW HOW TO REACT. 29 00:01:15,985 --> 00:01:18,321 YOU'LL BOTCH THE WHOLE JOB. DO YOU WANT THAT? 30 00:01:21,190 --> 00:01:22,391 - GOT TO GO. 31 00:01:22,458 --> 00:01:24,293 - YOU'VE COME TO SEE THE CONDOR? 32 00:01:24,360 --> 00:01:25,094 - EXCELLENT. 33 00:01:25,161 --> 00:01:27,697 SO WHERE DO WE GO FROM HERE? 34 00:01:27,763 --> 00:01:30,366 - TELL HIM TO COME BACK WHEN THE HEAT IS OFF. 35 00:01:30,433 --> 00:01:33,135 THE HEAT IS UNFORTUNATELY ON AT THIS TIME. 36 00:01:33,202 --> 00:01:34,303 CAN'T YOU SMELL IT? 37 00:01:34,370 --> 00:01:36,939 - I DON'T SMELL ANYTHING. - WHO ARE YOU TO JUDGE THE HEAT? 38 00:01:37,006 --> 00:01:38,741 - MESSAGE RECEIVED, CONDOR. 39 00:01:38,808 --> 00:01:39,909 OH, THANK YOU. 40 00:01:39,976 --> 00:01:42,778 - YOU SEE? HE GETS IT. HE'S PLAYED THIS GAME MANY TIMES. 41 00:01:42,845 --> 00:01:43,880 HE'S A PROFESSIONAL. 42 00:01:43,946 --> 00:01:47,083 - THE PLAYER OF GAMES, IF YOU WILL. 43 00:01:47,149 --> 00:01:48,150 - EXACTLY. 44 00:01:48,217 --> 00:01:49,485 - YES. 45 00:01:49,552 --> 00:01:50,786 - WHAT'S HE DOING NOW? 46 00:01:50,853 --> 00:01:52,688 - HE'S ASLEEP IN THE HAMMOCK. 47 00:01:52,755 --> 00:01:53,456 - PERFECT. 48 00:01:53,523 --> 00:01:55,591 AND THE BALL IS REALLY ROLLING NOW. 49 00:01:55,658 --> 00:01:56,926 CAN YOU HEAR IT? 50 00:01:56,993 --> 00:01:58,094 - HEAR THE BALL? 51 00:01:58,160 --> 00:02:00,863 - NO. THE SHADOWS OF HEAT. 52 00:02:02,999 --> 00:02:09,105 LISTEN TO ITS SULTRY SONG OF PERIL. 53 00:02:18,347 --> 00:02:20,316 - UM, WHAT'S THIS ALL ABOUT? 54 00:02:20,383 --> 00:02:21,217 AAH! 55 00:02:21,284 --> 00:02:24,587 - NO MORE QUESTIONS! IS HE STILL OUT THERE? 56 00:02:24,654 --> 00:02:27,089 - NO. NOW THE HAMMOCK'S ON FIRE. 57 00:02:27,156 --> 00:02:28,457 - AGAIN, PROCEDURE. 58 00:02:28,524 --> 00:02:31,027 NICE, MARTINEZ. VERY NICE, INDEED. 59 00:02:31,093 --> 00:02:33,629 REMIND ME TO TAKE HIS MOTHER TO LUNCH. 60 00:02:35,164 --> 00:02:38,200 MARTINEZ, I'M TAKING YOUR MOTHER TO LUNCH. 61 00:02:38,267 --> 00:02:42,204 UH, BOSS? OH, SORRY. I DIDN'T KNOW. 62 00:02:42,271 --> 00:02:43,940 HOLD ON. I HAVE ANOTHER CALL. 63 00:02:44,006 --> 00:02:44,907 MARTINEZ? HOLD ON. 64 00:02:44,974 --> 00:02:47,143 I GOT TO GET RID OF SOMEONE IN THE OTHER LINE. 65 00:02:47,209 --> 00:02:48,377 HELLO, MARTINEZ? 66 00:02:48,444 --> 00:02:50,112 I THOUGHT YOU WERE SOMEBODY ELSE. 67 00:02:50,179 --> 00:02:52,815 WE'LL CATCH UP SOME OTHER TIME. 68 00:02:52,882 --> 00:02:53,883 YEAH. 69 00:02:53,950 --> 00:02:54,584 YEAH. 70 00:02:54,650 --> 00:02:56,552 GOT TO GO. STAY STRONG. 71 00:02:56,619 --> 00:02:58,054 MARTINEZ! UH-HUH. 72 00:02:58,120 --> 00:02:59,121 UH-HUH. OK. GOOD. 73 00:02:59,188 --> 00:03:02,024 THAT WAS ONE-- YES, I'LL HOLD. 74 00:03:02,091 --> 00:03:04,026 I'M HOLDING. 75 00:03:04,093 --> 00:03:06,395 - DAD, CAN I USE THE PHONE? 76 00:03:06,462 --> 00:03:08,965 I GOT TO USE THE INTERNET. 77 00:03:09,031 --> 00:03:09,732 AAH! 78 00:03:09,799 --> 00:03:11,634 - BRAK, WHAT'S GOING ON UP THERE? 79 00:03:11,701 --> 00:03:13,970 - SOMEONE JUST THREW A KNIFE AT ME. 80 00:03:14,036 --> 00:03:18,574 - WELL, IT WASN'T THE CONDOR OR PERHAPS IT WAS. 81 00:03:18,641 --> 00:03:20,176 OR PERHAPS IT COULD HAVE-- 82 00:03:20,242 --> 00:03:21,844 OH, HELLO. MARTINEZ? 83 00:03:21,911 --> 00:03:23,312 YEAH, I'M HERE. 84 00:03:23,379 --> 00:03:24,180 UH-HUH. 85 00:03:24,246 --> 00:03:26,282 LOOK, I CAN'T TALK ABOUT THIS RIGHT NOW. 86 00:03:26,349 --> 00:03:30,486 COME BY IN 15 MINUTES AND BRING THE PLANS. 87 00:03:30,553 --> 00:03:33,022 WHAT?! I DON'T HAVE THE PLANS. 88 00:03:33,089 --> 00:03:34,724 SO YOU DO HAVE THE PLANS. 89 00:03:34,790 --> 00:03:35,825 YOU WERE JOKING. 90 00:03:35,891 --> 00:03:38,928 MARTINEZ, HOW CAN YOU EXPECT ME TO TAKE YOU SERIOUSLY 91 00:03:38,995 --> 00:03:41,931 UNLESS YOU TAKE YOURSELF SERIOUSLY? 92 00:03:41,998 --> 00:03:43,199 NOW, DON'T GET UPSET. 93 00:03:43,265 --> 00:03:45,067 NO--EVERYTHING'S GOING TO BE FINE 94 00:03:45,134 --> 00:03:49,338 AS LONG AS YOU HAVE THE PLANS, ALL RIGHT? 95 00:03:49,405 --> 00:03:50,506 UH-HUH. 96 00:03:50,573 --> 00:03:52,541 YES, WE'RE STILL FRIENDS. 97 00:03:52,608 --> 00:03:54,477 YOU, TOO. GOOD-BYE. 98 00:03:54,543 --> 00:03:56,078 I'M OFF THE PHONE. 99 00:03:56,145 --> 00:03:57,613 - THANKS, DAD. 100 00:03:57,680 --> 00:03:58,614 AAH! 101 00:03:59,982 --> 00:04:01,150 - DON'T ANSWER IT. 102 00:04:01,217 --> 00:04:02,184 - WHAT IF IT'S MARTINEZ? 103 00:04:02,251 --> 00:04:04,220 - WHO'S MARTINEZ? I DENY EVER KNOWING SUCH A MAN. 104 00:04:04,286 --> 00:04:05,721 - BUT HE JUST-- - BUT HE JUST WHAT? 105 00:04:05,788 --> 00:04:07,757 - WAS AT THE DOOR. - DON'T YOU MEAN THE PHONE? 106 00:04:07,823 --> 00:04:09,091 - SO YOU ADMIT-- - DO I? - YES. 107 00:04:09,158 --> 00:04:11,994 - DON'T YOU MEAN NO? AH, THAT'LL BE MARTINEZ. 108 00:04:12,061 --> 00:04:13,396 - SHOULD I GET IT? AAH! 109 00:04:13,462 --> 00:04:15,564 - OH, SORRY. THAT TIME WAS AN ACCIDENT. 110 00:04:15,631 --> 00:04:17,133 YES, PLEASE GET THE DOOR. 111 00:04:17,199 --> 00:04:18,668 - I AM HECTOR RIVIERA. 112 00:04:18,734 --> 00:04:21,337 GEORGE MARTINEZ IS DEAD. 113 00:04:24,607 --> 00:04:26,075 - HONEY, IT'S FOR YOU. 114 00:04:26,142 --> 00:04:28,377 - AHA! THAT WAS A TRAP. 115 00:04:28,444 --> 00:04:30,413 I TOLD YOU THERE WAS NO GEORGE MARTINEZ. 116 00:04:30,479 --> 00:04:35,317 - OH, REALLY? THEN WHO IS THAT ON THE FRONT LAWN? 117 00:04:40,222 --> 00:04:42,725 - ABORT MISSION! 118 00:04:43,259 --> 00:04:45,461 - ♪ I'M WHITE WATER RAFTING ♪ 119 00:04:45,528 --> 00:04:47,229 ♪ ROLLING THROUGH THE WAVE ♪ 120 00:04:47,296 --> 00:04:49,832 ♪ LOOK OUT FOR THAT DINOSAUR ♪ 121 00:04:49,899 --> 00:04:52,168 UGH! AAH! 122 00:04:52,234 --> 00:04:53,602 - MY NAME IS GEORGE MARTINEZ. 123 00:04:53,669 --> 00:04:55,771 I HAVE AN APPOINTMENT WITH YOUR FATHER. 124 00:04:55,838 --> 00:04:58,307 - DO YOU KNOW HOW TO GET ON THE INTERNET? 125 00:04:58,374 --> 00:04:59,442 - DO I? 126 00:05:00,776 --> 00:05:01,744 DO I. 127 00:05:03,245 --> 00:05:04,280 DO YOU? 128 00:05:04,346 --> 00:05:06,816 - NO. - THEN WE ARE MORE ALIKE THAN WE CARE TO ADMIT, 129 00:05:06,882 --> 00:05:11,821 FOR I, TOO, LONG TO SURF THE INFORMATION SUPER HIGHWAY. 130 00:05:11,887 --> 00:05:14,490 - HEY, BUBBA, WHEN YOU GONNA GET OFF ME? 131 00:05:14,557 --> 00:05:17,426 - 10 MINUTES. SOMETHING LIKE THAT. 132 00:05:18,394 --> 00:05:19,462 - I'M GOING TO MY MOTHER'S. 133 00:05:19,528 --> 00:05:21,697 - I'LL SHOOT UP A FLARE WHEN IT'S SAFE TO RETURN. 134 00:05:21,764 --> 00:05:23,065 - YOU DO THAT. 135 00:05:25,701 --> 00:05:27,636 - I'M NOT GETTING IT. 136 00:05:34,810 --> 00:05:36,679 - BRAK, WHAT'S THAT IN YOUR HAND? 137 00:05:36,746 --> 00:05:38,247 IT LOOKS LIKE A NOTE. 138 00:05:38,314 --> 00:05:41,584 - IT APPEARS TO BE. 139 00:05:41,650 --> 00:05:44,053 - GOOD. READ IT TO ME. - DEAR CONDOR, 140 00:05:44,120 --> 00:05:47,156 WHY WON'T YOU ANSWER THE PHONE AND THE DOOR? 141 00:05:47,223 --> 00:05:48,624 SIGNED, "M." 142 00:05:48,691 --> 00:05:49,592 HELLO. MARTINEZ? 143 00:05:49,658 --> 00:05:51,393 I CONSIDER IT THE LOWEST OF BLOWS 144 00:05:51,460 --> 00:05:53,229 THAT YOU HAVE ENLISTED MY SON 145 00:05:53,295 --> 00:05:58,501 IN OUR DIRTY WORLD OF ESPIONAGE AND INTRIGUE. 146 00:05:58,567 --> 00:05:59,335 MARTINEZ? 147 00:05:59,401 --> 00:06:00,669 - MARTINEZ IS DEAD. 148 00:06:00,736 --> 00:06:03,005 I AM HECTOR RIVIERA. 149 00:06:03,072 --> 00:06:04,106 - WHAT DO YOU WANT? 150 00:06:04,173 --> 00:06:06,208 - I AM SOMEWHERE IN THE HOUSE. 151 00:06:06,275 --> 00:06:08,410 - OH, REALLY? THEN WHO'S AT THE FRONT DOOR? 152 00:06:08,477 --> 00:06:10,179 - CONFOUND YOU, CONDOR! YOU ARE TOO GOOD! 153 00:06:10,246 --> 00:06:11,881 - LISTEN, I'M SENDING A SECRET AGENT 154 00:06:11,947 --> 00:06:13,282 TO COME TALK TO YOU IN 15 MINUTES. 155 00:06:13,349 --> 00:06:16,886 - THEN I SHOULD JUST STAND HERE AT THE FRONT DOOR? 156 00:06:16,952 --> 00:06:18,587 - SO YOU ARE AT THE FRONT DOOR. 157 00:06:18,654 --> 00:06:20,923 - AGAIN, CONFOUND YOU! 158 00:06:25,394 --> 00:06:27,897 BRAK, COULD YOU COME UP HERE FOR A SECOND? 159 00:06:27,963 --> 00:06:30,366 - WHERE HAVE I HEARD THAT VOICE BEFORE? 160 00:06:30,432 --> 00:06:31,734 - WELL, IT OBVIOUSLY-- 161 00:06:31,801 --> 00:06:35,604 - IMPOSSIBLE! HECTOR RIVIERA DIED YEARS AGO IN A FIERY TRAIN BLAZE. 162 00:06:35,671 --> 00:06:36,739 - THEN WHO-- 163 00:06:36,806 --> 00:06:38,574 - HIS BODY WAS HORRIBLY DISFIGURED BY THE INTENSE HEAT, 164 00:06:38,641 --> 00:06:40,876 MAKING POSITIVE IDENTIFICATION UNFEASIBLE. 165 00:06:40,943 --> 00:06:42,111 - THEN WHAT IS IT? 166 00:06:42,178 --> 00:06:44,914 - STILL, THEY'RE PRETTY SURE IT WAS HECTOR. 167 00:06:44,980 --> 00:06:47,950 - THEN WHO'S THAT UP IN MY ROOM?! 168 00:06:48,017 --> 00:06:49,618 ZORAK, WHAT ARE YOU DOING HERE? 169 00:06:49,685 --> 00:06:51,620 - I WAS TRYING TO GET ON THE INTERNET, 170 00:06:51,687 --> 00:06:54,623 BUT YOUR COMPUTER CRASHED ON HIM, 171 00:06:54,690 --> 00:06:57,026 WHEN I FORCED HIS HEAD THROUGH IT. 172 00:06:57,092 --> 00:06:58,093 - IS HE DEAD? 173 00:06:58,160 --> 00:06:59,328 - HE WAS WHEN I KILLED HIM. 174 00:06:59,395 --> 00:07:01,831 - LOOK. A NOTE. ♪ BUN NA NA DA DON 175 00:07:01,897 --> 00:07:03,465 - HERE, I'LL READ IT. 176 00:07:03,532 --> 00:07:07,169 UM, GRR. PLANK. 177 00:07:07,236 --> 00:07:08,270 BAH. 178 00:07:08,337 --> 00:07:10,105 CUZZ. CRR. 179 00:07:10,172 --> 00:07:10,973 PLANK. 180 00:07:11,040 --> 00:07:13,175 ZZZON. BZOUP? 181 00:07:13,242 --> 00:07:15,244 BAH! WHO AM I KIDDING? I CAN'T READ. 182 00:07:15,311 --> 00:07:17,279 - GIVE ME THAT. 183 00:07:23,619 --> 00:07:24,353 - BRR! 184 00:07:24,420 --> 00:07:26,422 I HAVEN'T HEARD THAT NAME IN YEARS. 185 00:07:26,488 --> 00:07:27,423 - YOU KNOW HIM? 186 00:07:27,489 --> 00:07:29,425 - YEAH. I USED TO WORK FOR HIM IN THE MAIL ROOM. 187 00:07:29,491 --> 00:07:30,759 - REALLY? WHAT DID YOU DO? 188 00:07:30,826 --> 00:07:32,428 - GOD, WHAT A CRAP JOB THAT WAS. 189 00:07:32,494 --> 00:07:33,462 - IS HE REALLY A BUTCHER? 190 00:07:33,529 --> 00:07:36,298 - NO ONE KNOWS FOR SURE. NO ONE HAS EVER SEEN HIM. 191 00:07:36,365 --> 00:07:37,399 - THEN HOW DO YOU-- 192 00:07:37,466 --> 00:07:38,534 - YOU ASK TOO MANY QUESTIONS! 193 00:07:38,601 --> 00:07:41,170 ARGH! SERIOUSLY, THAT'S, LIKE, 75 QUESTIONS YOU ASKED 194 00:07:41,237 --> 00:07:42,371 SINCE YOU WALKED IN. 195 00:07:42,438 --> 00:07:44,173 - YOU'RE RIGHT. THE HOUR OF QUESTIONS IS OVER. 196 00:07:44,240 --> 00:07:47,943 IT'S TIME TO BOOK A ONE-WAY TICKET TO ANSWERTOWN, BROTHER. 197 00:07:48,010 --> 00:07:52,648 ZORAK, THERE'S SOMEONE I WANT YOU TO MEET. 198 00:07:54,984 --> 00:07:55,885 - I ALREADY MET HIM. 199 00:07:55,951 --> 00:07:58,687 - CONDOR, THIS MAN ONCE WORKED IN THE MAIL ROOM 200 00:07:58,754 --> 00:08:01,891 FOR NONE OTHER THAN RUDOLPHO THE BUTCHER. 201 00:08:01,957 --> 00:08:02,691 - BRR! 202 00:08:02,758 --> 00:08:05,194 I HAVEN'T HEARD THAT NAME IN YEARS. 203 00:08:05,261 --> 00:08:07,830 AND BY THAT, I MEAN NEVER. 204 00:08:07,897 --> 00:08:08,931 WHO IS HE? 205 00:08:08,998 --> 00:08:11,300 - CALL ME CRAZY, BUT I THINK RUDOLPHO MIGHT BE THE KEY 206 00:08:11,367 --> 00:08:14,904 TO THIS WHOLE HOUSE OF GAMES. 207 00:08:14,970 --> 00:08:17,840 - I THINK YOU'RE RIGHT, CRAZY. 208 00:08:17,907 --> 00:08:21,277 ZORAK, CAN YOU TAKE US TO HIM? 209 00:08:21,343 --> 00:08:22,111 ZORAK? 210 00:08:22,177 --> 00:08:25,915 - I CAN TAKE YOU AS FAR AS THE BRIDGE. 211 00:08:29,184 --> 00:08:31,153 THIS IS AS FAR AS I GO. 212 00:08:31,220 --> 00:08:33,555 I'LL PRAY FOR YOUR SOULS. 213 00:08:33,622 --> 00:08:34,556 SUCKERS! 214 00:08:35,724 --> 00:08:38,827 - NOW WHAT, GENERAL CONDOR? 215 00:08:38,894 --> 00:08:40,296 - NOW... 216 00:08:40,362 --> 00:08:42,531 WE WAIT. 217 00:09:01,283 --> 00:09:03,686 - MAYBE THIS ISN'T THE RIGHT BRIDGE. 218 00:09:03,752 --> 00:09:05,955 - SHH! QUIET! I HEAR SOMETHING. 219 00:09:11,327 --> 00:09:14,830 - THE SHADOWS OF HEAT, HOW THEY FLICKER. 220 00:09:14,897 --> 00:09:17,866 - RUDOLPHO, WE MEET AT LAST. 221 00:09:17,933 --> 00:09:19,401 - HEY, ARE YOU REALLY A BUTCHER? 222 00:09:19,468 --> 00:09:22,104 - BUT OF COURSE. - THEN ANSWER ME THIS. 223 00:09:22,171 --> 00:09:23,906 YOU KNOW HOW TO GET ON THE INTERNET? 224 00:09:23,973 --> 00:09:25,507 - OH, I COULD TELL YOU THAT, 225 00:09:25,574 --> 00:09:28,911 BUT THEN I'D HAVE TO DO... THIS! 226 00:09:28,978 --> 00:09:30,312 - GEORGE MARTINEZ! 227 00:09:30,379 --> 00:09:32,681 YOU'RE ALIVE! 228 00:09:33,549 --> 00:09:35,918 - OF COURSE HE IS. WHERE HAVE YOU BEEN? 229 00:09:35,985 --> 00:09:37,186 - I DON'T KNOW, DAD. 230 00:09:37,252 --> 00:09:38,988 IT'S ALL TOO MUCH FOR ME. 231 00:09:39,054 --> 00:09:42,524 I CAN'T TAKE THIS SPY GAME! 232 00:09:55,337 --> 00:09:56,605 - HE'LL BE ALL RIGHT. 233 00:09:56,672 --> 00:09:59,675 - SO, DAD, WHY DIDN'T YOU JUST LET ME IN THE HOUSE 234 00:09:59,742 --> 00:10:00,943 WHEN I STOPPED BY? 235 00:10:01,010 --> 00:10:02,144 - YOU KNOW WHAT? I DON'T KNOW. 236 00:10:02,211 --> 00:10:05,381 SOMETIMES, THERE'S NO EXPLAINING MY BEHAVIOR. 237 00:10:08,417 --> 00:10:09,485 SO DID YOU BRING THE PLANS? 238 00:10:09,551 --> 00:10:13,055 - I THOUGHT YOU HAD THEM. - MARTINEZ, YOU FOOL! 239 00:10:13,789 --> 00:10:14,990 OF COURSE I HAVE THE PLANS. 240 00:10:15,057 --> 00:10:18,060 I WAS JOKING AGAIN, AS I DID EARLIER. 241 00:10:18,127 --> 00:10:20,162 - GEORGE, YOU ARE TOO MUCH, MAN. 242 00:10:21,230 --> 00:10:23,899 I KNOW IT, AND I GOT TO LIVE WITH IT. 243 00:10:23,966 --> 00:10:25,567 - WELL, LET'S TAKE A LOOK AT THEM. 244 00:10:25,634 --> 00:10:29,405 WE'RE GONNA THROW HECTOR THE BEST BACHELOR PARTY EVER. 245 00:10:29,471 --> 00:10:31,140 - WAIT. DIDN'T HECTOR DIE? 246 00:10:31,206 --> 00:10:32,674 - WELL, SO NOW YOU DON'T WANT TO DO IT? 247 00:10:32,741 --> 00:10:35,077 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 248 00:10:35,144 --> 00:10:39,715 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 249 00:11:00,002 --> 00:11:02,504 - THE SHADOWS OF HEAT, 250 00:11:02,571 --> 00:11:04,273 HOW THEY FLICKER. 251 00:11:05,305 --> 00:12:05,156 Watch Online Movies and Series for FREE www.osdb.link/lm