"Glow Up: Britain's Next Make-Up Star" Episode #7.2

ID	13188096
Movie Name	"Glow Up: Britain's Next Make-Up Star" Episode #7.2
Release Name	Glow Up - Britain's Next Make-Up Star S07E02
Year	2025
Kind	tv
Language	English
IMDB ID	36721322
Format	srt

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1 00:00:02,000 --> 00:00:04,120 Glow Up is back. 2 00:00:04,120 --> 00:00:06,200 Ten of the best aspiring make-up artists 3 00:00:06,200 --> 00:00:09,080 are pushing their creativity to its limits... 4 00:00:09,080 --> 00:00:10,400 I'm born again! 5 00:00:10,400 --> 00:00:11,600 FLAPS LIPS 6 00:00:11,600 --> 00:00:14,040 ..vying for top spot in one of the most demanding 7 00:00:14,040 --> 00:00:16,680 make-up competitions in the world... 8 00:00:16,680 --> 00:00:18,920 I want to win. I'll congratulate the runners-up. 9 00:00:18,920 --> 00:00:21,120 Everybody in this room, be scared. 10 00:00:21,120 --> 00:00:24,880 ..on a mission to impress the most iconic names in the business. 11 00:00:24,880 --> 00:00:25,920 Tell me more. 12 00:00:25,920 --> 00:00:27,720 I know you're a fan of me. Huge. 13 00:00:27,720 --> 00:00:29,480 Now I'm a fan of you. 14 00:00:30,480 --> 00:00:33,120 Don't panic. Nobody panic! 15 00:00:33,120 --> 00:00:35,920 They'll work on some of the toughest professional assignments... 16 00:00:35,920 --> 00:00:38,640 It's like the Hunger Games but a lot less violent. 17 00:00:38,640 --> 00:00:40,920 ..like designing next-level lenses... 18 00:00:40,920 --> 00:00:43,440 ..for global platform Snapchat... 19 00:00:43,440 --> 00:00:45,640 ..perfecting prosthetics on the set of... 20 00:00:45,640 --> 00:00:48,240 ..House of the Dragon... 21 00:00:48,240 --> 00:00:51,320 ..and tackling theatrical looks backstage at... 22 00:00:51,320 --> 00:00:52,600 ..Cabaret! 23 00:00:52,600 --> 00:00:55,320 Can we all just have a moment? 24 00:00:55,320 --> 00:00:56,520 That's enough. 25 00:00:56,520 --> 00:01:00,080 Each week, the MUAs will face a fierce creative brief. 26 00:01:00,080 --> 00:01:01,480 It's joyful. 27 00:01:01,480 --> 00:01:03,960 It takes me to my happy place. 28 00:01:03,960 --> 00:01:06,000 And those who fall short... Ah! 29 00:01:06,000 --> 00:01:08,800 Hang in there, darling, this is to help you. 30 00:01:08,800 --> 00:01:13,120 ..will fight for survival in an intense face-off elimination, 31 00:01:13,120 --> 00:01:15,560 until only the best are left... 32 00:01:15,560 --> 00:01:17,120 Magical. Amazing. 33 00:01:17,120 --> 00:01:20,520 Fantastic. It's a ding-dong! 34 00:01:20,520 --> 00:01:22,400 ..finessing to the finish for a prize 35 00:01:22,400 --> 00:01:25,280 that could turn their make-up dreams into reality. 36 00:01:25,280 --> 00:01:26,800 Oh, my God, I love it! 37 00:01:26,800 --> 00:01:30,600 I can't wait to see your first Oscar for make-up. 38 00:01:30,600 --> 00:01:33,000 It's time... 39 00:01:33,000 --> 00:01:34,280 ..to Glow Up. 40 00:01:39,360 --> 00:01:42,400 Oh, my God! Hi, guys! 41 00:01:42,400 --> 00:01:46,320 The MUAs created runway looks for high-end designer Harry. 42 00:01:46,320 --> 00:01:48,440 Where's my model? Is my model...? Model's back, model's back! 43 00:01:48,440 --> 00:01:50,960 And Rahual and Ailish failed to impress. 44 00:01:50,960 --> 00:01:56,080 I look at this make-up and I see absolute sheer panic. 45 00:01:56,080 --> 00:01:57,840 At Glow Up Studios... 46 00:01:57,840 --> 00:01:59,600 Oh, my arch-nemesis, the dog. 47 00:01:59,600 --> 00:02:00,840 SHE LAUGHS 48 00:02:00,840 --> 00:02:02,640 ..Rahual escaped elimination. 49 00:02:02,640 --> 00:02:05,560 This is one determined make-up artist. 50 00:02:05,560 --> 00:02:08,240 And Ailish sent home Joe in the Face Off. 51 00:02:08,240 --> 00:02:10,280 THEY CHEER 52 00:02:10,280 --> 00:02:12,040 I am good and I do deserve to be here, 53 00:02:12,040 --> 00:02:13,560 so, like, I've earned my place. 54 00:02:17,800 --> 00:02:21,200 We are super-excited for today. 55 00:02:21,200 --> 00:02:25,480 The MUAs are up bright and early, getting ready for a big day ahead. 56 00:02:25,480 --> 00:02:28,760 It is starting to hit home that we are in a competition. 57 00:02:28,760 --> 00:02:31,400 Yeah, I think the pressure's on a little bit. 58 00:02:31,400 --> 00:02:33,080 Obviously, I've got to prove myself this week, 59 00:02:33,080 --> 00:02:35,960 cos I was in the Face Off. But I'm a lot more confident. 60 00:02:35,960 --> 00:02:38,720 Yeah, so I've been through, like, the worst of it, so you guys have... 61 00:02:38,720 --> 00:02:40,600 It's your turn and your turn. Have fun! 62 00:02:40,600 --> 00:02:42,320 Stop putting that on me. 63 00:02:40,600 --> 00:02:42,320 LAUGHTER 64 00:02:42,320 --> 00:02:44,080 I think it's your turn in the Face Off this week. 65 00:02:44,080 --> 00:02:45,560 Pressure! Pressure! Pressure! 66 00:02:45,560 --> 00:02:47,880 No, sorry, don't put that pressure on yourselves to beat me, 67 00:02:47,880 --> 00:02:50,000 cos you won't. 68 00:02:47,880 --> 00:02:50,000 THEY LAUGH 69 00:02:50,000 --> 00:02:52,920 This week, the MUAs will be tapping into digital make-up. 70 00:02:56,160 --> 00:02:58,640 Augmented Reality is an interactive experience 71 00:02:58,640 --> 00:03:01,120 that enhances the real world. 72 00:03:01,120 --> 00:03:03,600 Think of it as a digital glow-up. 73 00:03:03,600 --> 00:03:06,400 With just a few taps, you can add animations and effects 74 00:03:06,400 --> 00:03:09,480 that can completely transform the way you see yourself 75 00:03:09,480 --> 00:03:11,520 and the world around you. 76 00:03:11,520 --> 00:03:16,280 And today, the MUAs have been tasked with turning looks into lenses. 77 00:03:21,160 --> 00:03:22,880 Oh, my God, what could it be? 78 00:03:24,240 --> 00:03:25,800 Guys, it's, like, Snapchat! 79 00:03:25,800 --> 00:03:28,400 Stop! Are you serious? Oh, my God, how cute?! 80 00:03:28,400 --> 00:03:31,000 Look at that. Everybody get in. 81 00:03:31,000 --> 00:03:33,080 THEY LAUGH 82 00:03:33,080 --> 00:03:36,240 With over 450 million daily active users, visual messaging app 83 00:03:36,240 --> 00:03:41,360 Snapchat is renowned for its iconic augmented reality lenses. 84 00:03:43,040 --> 00:03:46,000 Each lens is an expression of creativity, 85 00:03:46,000 --> 00:03:48,080 sending something that's fun and positive 86 00:03:48,080 --> 00:03:50,120 and makes their friends smile. 87 00:03:50,120 --> 00:03:52,800 From puppy dog ears to fruity faces, 88 00:03:52,800 --> 00:03:55,480 lenses add a playful twist to the way we communicate. 89 00:03:57,280 --> 00:04:00,080 Oh, my God, I love it! Like, this is huge. 90 00:04:00,080 --> 00:04:04,680 I used that dog filter 24/7 when I was growing up. 91 00:04:04,680 --> 00:04:07,080 You can't even see what I look like as a teenager, 92 00:04:07,080 --> 00:04:09,840 cos it's all just literally AR lenses. 93 00:04:09,840 --> 00:04:12,800 Morning! 94 00:04:12,800 --> 00:04:15,080 So, who uses lenses? 95 00:04:15,080 --> 00:04:16,200 Yeah. Yeah. 96 00:04:16,200 --> 00:04:20,040 Me, personally, I was very much the flower headband girlie. 97 00:04:20,040 --> 00:04:21,120 Oh, yeah! 98 00:04:21,120 --> 00:04:22,880 But the dog was always cute with the little... 99 00:04:22,880 --> 00:04:24,440 Woof, woof! That was me. 100 00:04:24,440 --> 00:04:26,080 Well, come on in, guys. Let's go! 101 00:04:27,680 --> 00:04:30,960 I've got over a decade of memories stored within the app. 102 00:04:30,960 --> 00:04:35,680 So, to be able to work on an assignment here is amazing. 103 00:04:37,400 --> 00:04:39,960 Welcome, everyone. How are you all feeling? 104 00:04:39,960 --> 00:04:42,040 Excited. 105 00:04:42,040 --> 00:04:44,840 So, this is your boss for today. 106 00:04:44,840 --> 00:04:52,400 Head of Creative Strategy at Snap here in the UK, Kate Mellett. 107 00:04:52,400 --> 00:04:54,440 Hi. Hello. 108 00:04:54,440 --> 00:04:56,520 And also, we are lucky enough to be joined 109 00:04:56,520 --> 00:05:02,280 by phenomenal content creator Atarah Mayhew. 110 00:05:03,680 --> 00:05:06,080 Having grown up in Manchester with 11 siblings, 111 00:05:06,080 --> 00:05:09,840 Atarah experimented with make-up from a young age. 112 00:05:09,840 --> 00:05:12,760 Today, she is a powerhouse producer of make-up tutorials, 113 00:05:12,760 --> 00:05:16,640 with over 8 million followers across all digital platforms. 114 00:05:16,640 --> 00:05:19,320 Content creation's a tough industry to make a name in, 115 00:05:19,320 --> 00:05:21,160 because you have to really stand out 116 00:05:21,160 --> 00:05:22,960 and bring your personality 117 00:05:22,960 --> 00:05:25,400 so that you don't get kind of lost in the crowd. 118 00:05:25,400 --> 00:05:27,040 Atarah regularly incorporates 119 00:05:27,040 --> 00:05:29,760 augmented reality lenses into her looks. 120 00:05:29,760 --> 00:05:33,120 Projects like this are really exciting because it helps us explore 121 00:05:33,120 --> 00:05:36,560 the future of beauty and the concept of self-expression in new ways. 122 00:05:37,920 --> 00:05:40,720 Today, we want you to create a make-up look 123 00:05:40,720 --> 00:05:43,840 which could be turned into an AR lens. 124 00:05:43,840 --> 00:05:47,000 That is insane. Insane. 125 00:05:47,000 --> 00:05:52,840 Today's theme is to convey a lens that invokes your happy place. 126 00:05:52,840 --> 00:05:57,480 I want your looks to be fun, memorable and emotive. 127 00:05:57,480 --> 00:05:59,080 Once you've finished your look, 128 00:05:59,080 --> 00:06:02,000 you'll each have two minutes to pitch your lens idea to us. 129 00:06:02,000 --> 00:06:05,800 That's going to be the longest two minutes. Ever. Ever, yeah. 130 00:06:05,800 --> 00:06:09,960 Only three looks will be turned into lenses for us to try. 131 00:06:09,960 --> 00:06:11,720 The lens that impresses us the most 132 00:06:11,720 --> 00:06:14,320 will go live on Snapchat for millions to use. 133 00:06:14,320 --> 00:06:16,640 What? That's crazy. 134 00:06:16,640 --> 00:06:19,680 I mean, that's exciting, right? Yeah! Yes. I'm excited. 135 00:06:19,680 --> 00:06:21,480 All right, guys, are you ready? Yeah. 136 00:06:21,480 --> 00:06:22,880 Let's go. 137 00:06:22,880 --> 00:06:25,320 Over the next 90 minutes, the MUAs need to create 138 00:06:25,320 --> 00:06:29,040 a strong make-up look that will form the basis of their AR lens. 139 00:06:29,040 --> 00:06:30,240 Hi! 140 00:06:30,240 --> 00:06:32,440 Today, we want the MUAs to create something 141 00:06:32,440 --> 00:06:35,920 that really taps into the magic of AR. 142 00:06:35,920 --> 00:06:38,240 Something that's fun, emotive, 143 00:06:38,240 --> 00:06:41,800 bold and makes you want to smile straight away. 144 00:06:41,800 --> 00:06:45,200 OK, so I've already made, like, a little scribble. 145 00:06:45,200 --> 00:06:48,800 The MUAs must deliver a look which showcases their happy place. 146 00:06:48,800 --> 00:06:51,080 I don't know what I would do if I had to pick my own happy place. 147 00:06:51,080 --> 00:06:53,480 Mm, maybe just put some shopping bags underneath my eyes. 148 00:06:53,480 --> 00:06:56,160 Oh, my gosh, I just gave someone a good idea. 149 00:06:56,160 --> 00:06:58,720 My concept is based on meditation. 150 00:06:58,720 --> 00:07:02,160 I want to do, like, a lotus flower in your centre of your forehead. 151 00:07:02,160 --> 00:07:04,160 My happy place is my partner. Yeah. 152 00:07:04,160 --> 00:07:06,560 And, as a gay man, I think Pride is very important, 153 00:07:06,560 --> 00:07:07,920 so I'm going to do a look 154 00:07:07,920 --> 00:07:10,720 where it has this Pride balloon across the face. 155 00:07:10,720 --> 00:07:12,560 My happy place is, like, art and tattoos, 156 00:07:12,560 --> 00:07:13,920 so I'm kind of doing a piece 157 00:07:13,920 --> 00:07:16,360 inspired by one of the tattoos I have. 158 00:07:16,360 --> 00:07:20,120 I've decided I'm going to do a clown but trying to do it in all colour. 159 00:07:20,120 --> 00:07:22,120 And I'm trying to not pick up the black. 160 00:07:22,120 --> 00:07:24,960 So, I'm Goth, if you hadn't gathered. 161 00:07:24,960 --> 00:07:27,640 Hello, Jamie! Hey, diva! 162 00:07:27,640 --> 00:07:30,360 Oh, my gosh, already cracking on. Yes. 163 00:07:30,360 --> 00:07:33,360 So, what is your happy place? My happy place is music. 164 00:07:33,360 --> 00:07:34,920 Feel like I'm always listening to music. 165 00:07:34,920 --> 00:07:37,280 So, I'm going to have the piano wrapping around the face. 166 00:07:37,280 --> 00:07:38,480 What are you listening to? 167 00:07:38,480 --> 00:07:40,080 {\an8}Oh, if I'm feeling like a baddie, 168 00:07:40,080 --> 00:07:42,600 {\an8}I'll listen to like Doechii or Beyonce. 169 00:07:42,600 --> 00:07:45,760 You're talking all my favourite artists right now. 170 00:07:45,760 --> 00:07:47,520 ♪ Da-da-da, da-da-da. ♪ 171 00:07:45,760 --> 00:07:47,520 THEY LAUGH 172 00:07:49,240 --> 00:07:52,280 I'm just trying to make sure I've got the colours that I need. 173 00:07:54,040 --> 00:07:58,640 My happy place is being by the pool or a beach on holiday. 174 00:07:58,640 --> 00:08:01,080 But I just feel like my look is quite, like, basic 175 00:08:01,080 --> 00:08:03,080 compared to a lot of people. 176 00:08:04,080 --> 00:08:08,200 Now, one way our MUAs could slip up today is by being too timid. 177 00:08:08,200 --> 00:08:10,960 Not being big and bold enough. 178 00:08:10,960 --> 00:08:14,480 Because you've got to grab their attention straight away. 179 00:08:14,480 --> 00:08:15,720 Erm, it might look little 180 00:08:15,720 --> 00:08:20,120 but I don't want it to be too bold, where it will overpower the face. 181 00:08:20,120 --> 00:08:24,000 But then, obviously, I don't want it to be too minimal, 182 00:08:24,000 --> 00:08:27,720 where...you can't even really see it. 183 00:08:27,720 --> 00:08:30,080 Last week's industry assignment winner, Mia, 184 00:08:30,080 --> 00:08:32,800 is creating a mermaid to convey her happy place. 185 00:08:32,800 --> 00:08:36,920 I just think the beach is such a calm, nice place to be. 186 00:08:41,200 --> 00:08:43,400 I'm from a small village in North Wales. 187 00:08:43,400 --> 00:08:47,320 We have beaches, we have mountains, fields, lakes. 188 00:08:47,320 --> 00:08:51,800 But round there, the make-up scene isn't big whatsoever. 189 00:08:53,560 --> 00:08:57,160 The way I got into make-up was through dance. 190 00:08:57,160 --> 00:09:02,600 I competed in freestyle disco from the ages five to 16. 191 00:09:02,600 --> 00:09:05,440 The make-up we had to do for it was basically drag make-up 192 00:09:05,440 --> 00:09:07,800 minus, like, a block brow. 193 00:09:07,800 --> 00:09:09,600 It was great. 194 00:09:09,600 --> 00:09:11,360 I would say I'm a confident person, 195 00:09:11,360 --> 00:09:13,960 and I am used to being in a competitive environment, 196 00:09:13,960 --> 00:09:16,200 so, being on Glow Up, I know what I need to do. 197 00:09:16,200 --> 00:09:19,040 I just stay focused and I should be fine. 198 00:09:21,440 --> 00:09:23,800 It would be nice to win the industry assignment, 199 00:09:23,800 --> 00:09:25,760 because I did good last week, 200 00:09:25,760 --> 00:09:29,640 so I'd like to have, like, a little... a roll going on. 201 00:09:29,640 --> 00:09:32,200 Just lift your head up. Perfect. 202 00:09:32,200 --> 00:09:35,840 I'm picking, like, quite a pastel-y, soft colour palette. 203 00:09:35,840 --> 00:09:39,000 It goes hand-in-hand with serenity and calmness. 204 00:09:39,000 --> 00:09:41,560 With half a million lenses already on the platform, 205 00:09:41,560 --> 00:09:45,000 the make-up looks need to have an instant impact. 206 00:09:45,000 --> 00:09:47,800 Right now, it's a bit flat, but once I get the powders on, 207 00:09:47,800 --> 00:09:50,600 that's when it's really going to be intense. 208 00:09:50,600 --> 00:09:52,840 My happy place is, honestly, when I'm creating. 209 00:09:52,840 --> 00:09:56,560 So, I'm kind of turning my model into a paint palette. 210 00:09:56,560 --> 00:09:58,640 So, I've gone with every colour. 211 00:09:59,760 --> 00:10:01,680 Open your eyes. Beautiful. 212 00:10:03,680 --> 00:10:06,040 What do you think of Ailish's design right now? 213 00:10:06,040 --> 00:10:08,240 There's just that bold blue 214 00:10:08,240 --> 00:10:11,120 but nothing else that really pops, that's kind of memorable. 215 00:10:11,120 --> 00:10:13,440 What are we thinking of her heart? 216 00:10:13,440 --> 00:10:15,600 My question here is around originality. 217 00:10:15,600 --> 00:10:16,840 Has it been done before? 218 00:10:18,080 --> 00:10:19,400 Just tilt your head back. 219 00:10:19,400 --> 00:10:21,400 Have you seen Rahual's design over here? 220 00:10:21,400 --> 00:10:23,320 Do you think it's going to grab a user's attention? 221 00:10:23,320 --> 00:10:26,240 He's really kind of gone for that instant impact. 222 00:10:26,240 --> 00:10:28,920 The colours are popping. It's got promise. 223 00:10:28,920 --> 00:10:31,560 I am really pleased with the colour choices. 224 00:10:31,560 --> 00:10:33,040 Like, especially this blue. 225 00:10:34,840 --> 00:10:36,920 Wow, Ailish! 226 00:10:36,920 --> 00:10:39,080 Hello! Feeling blue? 227 00:10:39,080 --> 00:10:40,520 Feeling the blue. 228 00:10:40,520 --> 00:10:43,280 Last week you were in the red chair. Yes. 229 00:10:43,280 --> 00:10:44,960 It just, like, lit a fire under me, 230 00:10:44,960 --> 00:10:46,840 cos I've always just been really hard on myself. 231 00:10:46,840 --> 00:10:49,440 Like, if I make one mistake I'm like, "No, that's it, I'm horrible." 232 00:10:49,440 --> 00:10:52,440 When you have that mindset, do you not feel that it takes away 233 00:10:52,440 --> 00:10:54,560 the happiness that you feel doing the art? Yeah. 234 00:10:54,560 --> 00:10:55,920 I realised it did that to me last week. 235 00:10:55,920 --> 00:10:58,800 I just really let myself, like, overthink and just get to myself. 236 00:10:58,800 --> 00:10:59,960 Not having that this week. 237 00:10:59,960 --> 00:11:02,040 But you always are showing your best self, 238 00:11:02,040 --> 00:11:04,160 even when you feel like you're not. I just want you to remember that. 239 00:11:04,160 --> 00:11:08,840 Thank you. Attention, MUAs, we're halfway through. 240 00:11:08,840 --> 00:11:12,720 In 45 minutes, get ready to pitch us your looks. 241 00:11:12,720 --> 00:11:15,040 I don't know who my main competition is today. 242 00:11:15,040 --> 00:11:18,120 Like, this is more than just a make-up challenge. 243 00:11:18,120 --> 00:11:22,280 It is the element of having to translate our look onto a lens. 244 00:11:22,280 --> 00:11:25,840 With only the three best looks being turned into lenses, 245 00:11:25,840 --> 00:11:28,000 the pressure is on to perform. 246 00:11:28,000 --> 00:11:30,440 I would absolutely love to win it. 247 00:11:30,440 --> 00:11:32,680 I mean, the look isn't really giving centre of the pack. 248 00:11:32,680 --> 00:11:34,080 It's giving, like, very bold... 249 00:11:34,080 --> 00:11:35,800 I'm happy with my concept. 250 00:11:35,800 --> 00:11:40,800 I believe it's going to be strong enough to create a punchy lens. 251 00:11:40,800 --> 00:11:43,640 I am a little bit worried that my look might not be enough. 252 00:11:45,240 --> 00:11:48,520 I need to, like, stop kind of focusing on what everyone else 253 00:11:48,520 --> 00:11:50,920 is doing and like, just stay in my own lane. 254 00:11:50,920 --> 00:11:53,000 Yeah, I'm getting in my head a little bit. 255 00:11:54,960 --> 00:11:56,000 One sec... 256 00:11:57,400 --> 00:11:58,840 Sorry, one sec. 257 00:11:58,840 --> 00:12:00,400 Where's Jade gone? 258 00:12:03,360 --> 00:12:04,720 Can I have a tissue? 259 00:12:08,080 --> 00:12:10,560 Yeah, I don't know what's come over me. 260 00:12:12,200 --> 00:12:13,320 Is she OK? 261 00:12:15,400 --> 00:12:16,720 Why are you upset? 262 00:12:16,720 --> 00:12:18,440 I was just looking around and like, 263 00:12:18,440 --> 00:12:21,120 everyone else's looks is really strong, 264 00:12:21,120 --> 00:12:24,600 and mine is quite stripped back and simple. 265 00:12:24,600 --> 00:12:27,840 Just think about how you can make it elevated 266 00:12:27,840 --> 00:12:30,120 with the AR part of it. Yeah. 267 00:12:30,120 --> 00:12:32,280 And you're secure in your artistry, so just try not to 268 00:12:32,280 --> 00:12:36,200 get in your head too much. Yeah. Thank you. Yeah. Come here. 269 00:12:36,200 --> 00:12:39,320 I need to get it together, basically, because if I don't, like, 270 00:12:39,320 --> 00:12:41,240 if I'm pitching something that I don't believe in, 271 00:12:41,240 --> 00:12:42,760 then they're not going to believe in it. 272 00:12:42,760 --> 00:12:45,920 So I just need to believe in myself, believe in my work 273 00:12:45,920 --> 00:12:48,280 and then hopefully that will come across. 274 00:12:52,080 --> 00:12:56,120 MUAs, you're one hour down and you've got 30 minutes left. 275 00:12:56,120 --> 00:12:57,600 I want to be impressed. 276 00:13:04,200 --> 00:13:06,960 Not sure entirely how this is going. 277 00:13:06,960 --> 00:13:08,960 So, what's going on with you right now? 278 00:13:08,960 --> 00:13:11,320 So, my happy place is nature documentaries. Aww! 279 00:13:11,320 --> 00:13:13,640 Cos it's what me and my dad grew up watching together. Oh, I love that. 280 00:13:13,640 --> 00:13:15,840 So, this is inspired by bioluminescence. 281 00:13:15,840 --> 00:13:17,880 So when you hit the water and it shines. Yes! 282 00:13:17,880 --> 00:13:19,480 And how are you feeling this week? 283 00:13:19,480 --> 00:13:22,440 I'm trying to be more positive, cos I feel like my mood is like a yoyo. 284 00:13:22,440 --> 00:13:24,280 One minute I'm up, one minute I'm down. 285 00:13:24,280 --> 00:13:27,440 I get in my own head. I'm the problem, you know what I mean? 286 00:13:32,200 --> 00:13:36,520 I would not say I'm a very confident person, to be honest. 287 00:13:36,520 --> 00:13:38,640 There's a voice in my head always telling me that, like, 288 00:13:38,640 --> 00:13:40,120 I don't deserve to be here. 289 00:13:40,120 --> 00:13:43,120 I am on the autistic spectrum and like, it does sort of, like, 290 00:13:43,120 --> 00:13:47,120 manifest itself in, like, a nervous stutter for me sometimes. 291 00:13:47,120 --> 00:13:50,160 It's challenging when you're, like, in, like, a job interview 292 00:13:50,160 --> 00:13:52,880 or, like, this when you're trying to, like, be a professional. 293 00:13:52,880 --> 00:13:56,240 It is really hard for me. Yeah, I-I don't know why. 294 00:13:56,240 --> 00:13:57,520 It just is. 295 00:13:58,840 --> 00:14:02,360 I'm doing this competition just to prove to myself 296 00:14:02,360 --> 00:14:05,440 that I'm brave enough to try new things. 297 00:14:05,440 --> 00:14:08,640 Doing this creative sort of stuff is what makes me feel alive. 298 00:14:08,640 --> 00:14:11,520 Without that it's like, life gets a bit stagnant. 299 00:14:13,360 --> 00:14:15,880 My personal style is, like, more dark. 300 00:14:15,880 --> 00:14:18,400 So this is, like, a little bit out of the box for me, 301 00:14:18,400 --> 00:14:19,880 so thank you for keeping me calm. 302 00:14:19,880 --> 00:14:21,160 Turn your head. 303 00:14:22,280 --> 00:14:24,520 I feel a little bit more confident with my look. 304 00:14:24,520 --> 00:14:26,200 I just hope that it's enough. 305 00:14:26,200 --> 00:14:31,320 I want these lines to be really straight, so concentration time. 306 00:14:31,320 --> 00:14:33,480 What do you think of Jamie's look? 307 00:14:33,480 --> 00:14:35,360 Does it invoke joy? 308 00:14:35,360 --> 00:14:39,160 100%. It's about fun, and we want to invoke play. 309 00:14:39,160 --> 00:14:41,760 These are going to be, like, scales. 310 00:14:41,760 --> 00:14:43,880 We have Mia at the back there. 311 00:14:43,880 --> 00:14:47,600 It's risky to go with such a simple design. 312 00:14:47,600 --> 00:14:51,000 I guess the key thing is, will it grab users' attention? 313 00:14:51,000 --> 00:14:54,240 Feeling quite confident with how everything's going so far? 314 00:14:54,240 --> 00:14:56,960 I've actually not got much to do but, like, I think 315 00:14:56,960 --> 00:14:58,960 my look is giving very, erm... 316 00:14:58,960 --> 00:15:01,000 ..mermaid. OK. 317 00:15:01,000 --> 00:15:03,000 I want to talk about Jake's look. 318 00:15:03,000 --> 00:15:05,760 Well, he's another one who's potentially holding back 319 00:15:05,760 --> 00:15:08,600 a little bit and it feels a little bit too subtle. 320 00:15:08,600 --> 00:15:11,560 Hopefully the AR story can push it a little bit further. Yeah. 321 00:15:11,560 --> 00:15:14,160 I'm interested to see how he's going to pitch it. 322 00:15:14,160 --> 00:15:16,760 As well as creating a bold make-up look, 323 00:15:16,760 --> 00:15:20,720 the MUAs need to make the most of the magic of AR. 324 00:15:21,720 --> 00:15:24,320 I want all my animated elements to be like the paint 325 00:15:24,320 --> 00:15:25,760 sort of like splashing about. 326 00:15:25,760 --> 00:15:28,200 So I hope that that translates well. 327 00:15:28,200 --> 00:15:31,560 We want the MUAs to really think about 328 00:15:31,560 --> 00:15:34,560 doing things that aren't possible with traditional make-up. 329 00:15:34,560 --> 00:15:38,360 Think from a dimension point of view, think about movement. 330 00:15:38,360 --> 00:15:41,480 There are so many added layers that you can kind of bring to life 331 00:15:41,480 --> 00:15:43,240 through a digital lens. 332 00:15:43,240 --> 00:15:45,320 So, I want to make the lotus animated, 333 00:15:45,320 --> 00:15:49,160 which will kind of have, like, a soft movement to it, with a glow. 334 00:15:49,160 --> 00:15:53,080 I want the AR to, like, kind of mimic the water moving. 335 00:15:53,080 --> 00:15:54,680 Put emotion in the ocean. 336 00:15:56,440 --> 00:15:58,720 MUAs, ten minutes left. 337 00:15:58,720 --> 00:16:00,520 Ten minutes only. Urgh! 338 00:16:00,520 --> 00:16:02,440 Oh, my God, don't stress me. 339 00:16:02,440 --> 00:16:06,880 Just wanted to add that little bit of, like, extra with the lashes. 340 00:16:06,880 --> 00:16:10,360 I'm feeling very positive, I just need to do a little bit on the lips. 341 00:16:12,200 --> 00:16:14,840 I think I'm done. 342 00:16:14,840 --> 00:16:16,960 It looks like Mia's finished. 343 00:16:16,960 --> 00:16:19,520 I think she potentially could have spent, you know, 344 00:16:19,520 --> 00:16:22,880 the full amount of time really kind of pushing the boundaries of 345 00:16:22,880 --> 00:16:24,600 kind of embellishing that look. 346 00:16:26,000 --> 00:16:32,074 Watch Online Movies and Series for FREE www.osdb.link/lm 347 00:16:35,200 --> 00:16:37,120 I'm that, I'm that guy who's just like, "Act normal," 348 00:16:37,120 --> 00:16:38,320 like, "I can't act normal!" 349 00:16:44,320 --> 00:16:46,120 Just turn this way. 350 00:16:46,120 --> 00:16:49,040 MUAs, your time is up. 351 00:16:50,320 --> 00:16:52,400 I just really wanted to put the duck on it. 352 00:16:52,400 --> 00:16:54,680 I'm allergic to them, but I love them. 353 00:16:54,680 --> 00:16:57,720 It's time for the MUAs to explain how their look 354 00:16:57,720 --> 00:17:00,920 could be turned into a scroll-stopping AR lens. 355 00:17:02,560 --> 00:17:05,440 One part of being a make-up artist is sometimes you have to 356 00:17:05,440 --> 00:17:09,040 pitch your ideas, because you've got to explain to a creative team 357 00:17:09,040 --> 00:17:11,640 the ideas you have in your head. 358 00:17:11,640 --> 00:17:13,680 So I'm keen to see how they handle it. 359 00:17:13,680 --> 00:17:17,560 Only the judges' three favourite concepts will be turned into lenses, 360 00:17:17,560 --> 00:17:20,040 so it's vital the MUAs sell their story. 361 00:17:21,280 --> 00:17:22,920 Rahual, you're up. 362 00:17:24,360 --> 00:17:26,200 The things I'm going to be looking for - 363 00:17:26,200 --> 00:17:28,360 are they really leaning into the magic of AR? 364 00:17:28,360 --> 00:17:31,000 There is so much more that they can do with this format 365 00:17:31,000 --> 00:17:34,280 and I really want them to unleash its true potential. 366 00:17:34,280 --> 00:17:38,240 So, my happy place is based on meditation 367 00:17:38,240 --> 00:17:41,800 and the lotus represents tranquillity and serenity. 368 00:17:41,800 --> 00:17:45,320 In terms of augmented reality, where would you take this? 369 00:17:45,320 --> 00:17:47,360 With the lotus being quite a focal point, 370 00:17:47,360 --> 00:17:51,320 we would ask the users to close their eyes, inhale, 371 00:17:51,320 --> 00:17:54,240 and as they exhale and open their eyes, 372 00:17:54,240 --> 00:17:56,720 there will be a pulsating glow. 373 00:17:56,720 --> 00:17:58,400 I'm there. I'm totally there. 374 00:17:58,400 --> 00:18:00,000 Thank you. 375 00:18:00,000 --> 00:18:01,320 So good! 376 00:18:04,000 --> 00:18:05,840 Ailish. 377 00:18:05,840 --> 00:18:08,280 I think I have something to prove to the judges. 378 00:18:08,280 --> 00:18:10,680 I just want to show them that I am here for a reason 379 00:18:10,680 --> 00:18:12,120 and I am good enough to be here. 380 00:18:12,120 --> 00:18:15,800 So, my look is inspired by my love of art and tattoos. 381 00:18:15,800 --> 00:18:17,640 You can tap it and it'll change colour. 382 00:18:17,640 --> 00:18:19,840 So it can go from blue to red to pink. 383 00:18:19,840 --> 00:18:22,280 Is there anything else in terms of kind of AR 384 00:18:22,280 --> 00:18:25,200 that you would do to bring this look to life? 385 00:18:26,560 --> 00:18:28,760 I want there to be a choice as well with, like, the lashes, 386 00:18:28,760 --> 00:18:31,440 so you can have it with the lash or without a lash as well. 387 00:18:33,440 --> 00:18:34,880 Thank you very much. 388 00:18:34,880 --> 00:18:37,080 Next up, Josh. 389 00:18:37,080 --> 00:18:40,160 My happy place is anywhere that my partner is. 390 00:18:40,160 --> 00:18:41,960 We could be a bin and I'd be happy. 391 00:18:41,960 --> 00:18:46,200 Er, and it... Without Pride I wouldn't have him. 392 00:18:46,200 --> 00:18:48,960 So, this is going to be kind of wiggling just a little bit 393 00:18:48,960 --> 00:18:52,400 as a balloon would and I'd love for the colours on the balloons 394 00:18:52,400 --> 00:18:56,600 to change from the gay flag to the lesbian flag to the trans flag, 395 00:18:56,600 --> 00:18:58,240 because everybody is accepted. 396 00:18:58,240 --> 00:18:59,440 Thank you. 397 00:18:59,440 --> 00:19:03,160 Next up to pitch her AR lens concept is Kat. 398 00:19:03,160 --> 00:19:07,680 I wanted to represent my true happy place, which is in horror, 399 00:19:07,680 --> 00:19:12,920 by when the model smiles it will change into a Halloween clown. 400 00:19:12,920 --> 00:19:14,400 So the duck and the hearts'd go 401 00:19:14,400 --> 00:19:17,240 and then it's going to go black, white and red. 402 00:19:17,240 --> 00:19:18,560 Thank you. 403 00:19:18,560 --> 00:19:22,920 Also using multiple colours for that instant impact is Cherise, 404 00:19:22,920 --> 00:19:25,720 whose happy place is creating art. 405 00:19:25,720 --> 00:19:28,400 I wanted to go for sort of bold, sort of dynamic colours, 406 00:19:28,400 --> 00:19:31,240 and I wanted my 3D element to sort of be 407 00:19:31,240 --> 00:19:33,200 the paint splotches on the outside. 408 00:19:33,200 --> 00:19:34,680 I want those to kind of move about. 409 00:19:34,680 --> 00:19:37,160 Yeah, brilliant. Thank you. 410 00:19:37,160 --> 00:19:41,440 Up next is Jamie, whose happy place is listening to music. 411 00:19:41,440 --> 00:19:45,040 I want the fireworks and the music notes 412 00:19:45,040 --> 00:19:48,000 to sort of dance when the user opens their mouth. 413 00:19:48,000 --> 00:19:50,320 And I would love it if the keys on the piano as well 414 00:19:50,320 --> 00:19:52,520 sort of, like, changed colours. 415 00:19:52,520 --> 00:19:56,160 I can see it makes you smile. It makes me smile too. Thank you. 416 00:19:57,320 --> 00:19:58,480 Mia. 417 00:20:00,600 --> 00:20:03,040 My happy place is the beach. 418 00:20:03,040 --> 00:20:07,760 I wanted to recreate that in, like, a mermaidy style of look. 419 00:20:07,760 --> 00:20:11,120 For the scales, I want them to be 3D. 420 00:20:11,120 --> 00:20:13,800 Is there a reason why you didn't show us 421 00:20:13,800 --> 00:20:17,120 this imagination coming to life through your make-up? 422 00:20:17,120 --> 00:20:21,800 I mostly wanted it to be a pretty type of look. 423 00:20:21,800 --> 00:20:24,400 Mostly because I know from when I had to use lenses 424 00:20:24,400 --> 00:20:27,920 I didn't like the big bold ones too much. Thank you. 425 00:20:30,000 --> 00:20:31,800 After doubting her look earlier, 426 00:20:31,800 --> 00:20:35,640 Jade now need to bring her love of the seaside to life. 427 00:20:35,640 --> 00:20:39,720 I want the waves to kind of be iridescent and shimmery 428 00:20:39,720 --> 00:20:42,040 to kind of emulate the water moving. 429 00:20:42,040 --> 00:20:46,600 I'd love the AR element to be, erm, when you open the mouth 430 00:20:46,600 --> 00:20:49,480 and there'd be bubbles going up the screen and popping. 431 00:20:49,480 --> 00:20:51,680 So it's fun and playful as well. 432 00:20:51,680 --> 00:20:54,320 Thank you so much, Jade. Thank you, guys. Thank you. 433 00:20:57,000 --> 00:20:59,160 That was so nerve-racking. 434 00:20:59,160 --> 00:21:00,600 Jake. 435 00:21:01,840 --> 00:21:03,680 I'm very nervous about pitching my idea. 436 00:21:03,680 --> 00:21:05,600 I've got, like, a storyline in my head, 437 00:21:05,600 --> 00:21:08,880 so that I can say that properly and not, like, get choked up. 438 00:21:12,000 --> 00:21:15,160 My happy place is actually watching nature documentaries. 439 00:21:15,160 --> 00:21:17,960 And something that I'm just absolutely obsessed with is 440 00:21:17,960 --> 00:21:20,760 bioluminescence and like, when you hit the water 441 00:21:20,760 --> 00:21:23,360 and it glows back. And er, the highlights 442 00:21:23,360 --> 00:21:25,400 is mapping out for, like, the AR. 443 00:21:25,400 --> 00:21:28,960 When the user blinks I want it to sort of like glimmer and pulse, 444 00:21:28,960 --> 00:21:30,800 so it looks like the bioluminescence, 445 00:21:30,800 --> 00:21:33,800 like voom, voom, voom, voom. That's what I'm trying to go for. 446 00:21:33,800 --> 00:21:35,360 Yeah. 447 00:21:35,360 --> 00:21:37,240 Do you use augmented reality already? 448 00:21:37,240 --> 00:21:41,680 I did once, erm, play a shark game when, like, you know, like VR. 449 00:21:41,680 --> 00:21:43,160 It was terrifying. 450 00:21:43,160 --> 00:21:45,640 I only say that because you're talking the language 451 00:21:45,640 --> 00:21:48,160 of someone who really understands the technology. 452 00:21:48,160 --> 00:21:51,280 You know, you've got how to kind of bring your ideas to life 453 00:21:51,280 --> 00:21:55,160 through storytelling. Thank you. So, well done. Thank you. 454 00:21:57,240 --> 00:22:00,000 Honestly, the pitches, they're bringing it to life. 455 00:22:01,800 --> 00:22:04,160 I do feel, like, a little bit more positive after that. 456 00:22:04,160 --> 00:22:06,960 I got it done, so I'm rooting for myself for sure. 457 00:22:08,640 --> 00:22:11,800 It's now down to the judges to decide which three concepts 458 00:22:11,800 --> 00:22:14,120 they'd like to see transformed into lenses. 459 00:22:15,920 --> 00:22:18,560 Jamie has instantly grabbed my attention. 460 00:22:18,560 --> 00:22:20,240 It's fun and it's playful. 461 00:22:20,240 --> 00:22:21,640 If I saw this on the platform, 462 00:22:21,640 --> 00:22:24,880 I would definitely click on it and use it. I think it's great. 463 00:22:24,880 --> 00:22:28,560 Cherise. So, wow, in terms of, like, instant impact, 464 00:22:28,560 --> 00:22:30,600 her look really kind of drew me in. 465 00:22:30,600 --> 00:22:32,560 It feels alive. 466 00:22:32,560 --> 00:22:34,960 It's bright and yet it's got depth. 467 00:22:34,960 --> 00:22:37,280 Let's talk about Rahual. 468 00:22:37,280 --> 00:22:40,080 Genuinely, I feel like that was pitch of the day. 469 00:22:40,080 --> 00:22:44,560 He really did take me to the calmness of his happy place. 470 00:22:44,560 --> 00:22:48,560 I can understand how people would potentially use this 471 00:22:48,560 --> 00:22:51,080 as a daily five-minute meditation. 472 00:22:51,080 --> 00:22:54,280 Oh, my God, I'm getting all zen. What's wrong with me? 473 00:22:54,280 --> 00:22:55,800 So, Kat. 474 00:22:55,800 --> 00:22:57,360 I really enjoyed it. 475 00:22:57,360 --> 00:23:00,920 Like, I think I like any chance where I get to be weird. 476 00:23:00,920 --> 00:23:05,520 I love a rubber duck but with lashes and hearts and the mouth, 477 00:23:05,520 --> 00:23:07,120 it was just a lot. 478 00:23:07,120 --> 00:23:09,720 I think we can agree it was bold, it was beautiful 479 00:23:09,720 --> 00:23:12,640 but potentially a little bit too much. Yeah. 480 00:23:12,640 --> 00:23:14,240 So, moving on to Jake... 481 00:23:14,240 --> 00:23:16,320 Public speaking really does freak me out, 482 00:23:16,320 --> 00:23:17,800 cos I do stutter when I'm nervous. 483 00:23:17,800 --> 00:23:20,480 For someone that's, like, a little bit more reserved, 484 00:23:20,480 --> 00:23:22,920 you were really well-spoken up there. You did the job. 485 00:23:22,920 --> 00:23:26,000 I was actually really worried about his look, but when he came out 486 00:23:26,000 --> 00:23:29,760 and pitched it to us, like, wow, talk about comeback. 487 00:23:29,760 --> 00:23:31,000 Comeback kid. 488 00:23:31,000 --> 00:23:36,440 This is a prime example of when a pitch is right, it works. 489 00:23:36,440 --> 00:23:38,800 It's so beautifully executed. 490 00:23:38,800 --> 00:23:41,120 But do you think it's going to have the impact? 491 00:23:41,120 --> 00:23:44,480 I think Jake's make-up is worth taking a gamble on. 492 00:23:45,880 --> 00:23:48,360 Have we picked our three winners? I think so. 493 00:23:54,840 --> 00:23:59,640 The three lenses that we have chosen today, they are... 494 00:23:59,640 --> 00:24:02,480 Jamie. 495 00:23:59,640 --> 00:24:02,480 CHEERING 496 00:24:03,760 --> 00:24:06,040 Rahual. 497 00:24:03,760 --> 00:24:06,040 CHEERING 498 00:24:07,200 --> 00:24:09,000 And finally... 499 00:24:09,000 --> 00:24:11,920 Jake. 500 00:24:09,000 --> 00:24:11,920 CHEERING 501 00:24:11,920 --> 00:24:13,320 Amazing! 502 00:24:14,880 --> 00:24:18,280 We'll see you back at the studio to try out your lenses 503 00:24:18,280 --> 00:24:22,440 and decide which lens will go live on the platform. 504 00:24:22,440 --> 00:24:24,120 That's incredible! 505 00:24:25,920 --> 00:24:28,720 The team at Snap get to work on creating the lenses. 506 00:24:30,120 --> 00:24:33,000 I don't think I can count how many Snapchat lenses 507 00:24:33,000 --> 00:24:36,560 I've actually used myself. So to finally be able to use one 508 00:24:36,560 --> 00:24:40,440 that I've actually created and designed is... 509 00:24:40,440 --> 00:24:41,840 ..pfff! 510 00:24:41,840 --> 00:24:44,480 I don't think I could ever dream about this. 511 00:24:44,480 --> 00:24:46,280 Yeah, very happy. 512 00:24:46,280 --> 00:24:49,520 The idea that my lens could potentially have the chance 513 00:24:49,520 --> 00:24:52,400 to be viewed by millions of people - that, that's pretty crazy. 514 00:24:52,400 --> 00:24:53,920 Before the day is done, 515 00:24:53,920 --> 00:24:57,280 the judges must decide which two MUAs least impressed 516 00:24:57,280 --> 00:25:01,920 and will start the creative brief tomorrow in the red Face Off chairs. 517 00:25:01,920 --> 00:25:04,160 So, we've got to talk about Ailish. 518 00:25:04,160 --> 00:25:06,240 In terms of bringing it to life, 519 00:25:06,240 --> 00:25:10,400 all she wanted to do was just tap to change the colour a few times. 520 00:25:10,400 --> 00:25:14,080 And as a user of lenses, it wasn't really nothing new. 521 00:25:14,080 --> 00:25:16,160 You'll be swiping by that one. 522 00:25:16,160 --> 00:25:19,160 So, Jade. It was a very simple look. 523 00:25:19,160 --> 00:25:22,880 I would have added more, like, pool floats or little elements into it. 524 00:25:22,880 --> 00:25:26,400 But actually she brought it back with her articulation 525 00:25:26,400 --> 00:25:28,480 of how it would come to life in AR. 526 00:25:28,480 --> 00:25:32,760 I could see the water, the movement. 527 00:25:32,760 --> 00:25:34,920 So I actually really liked Jade's. 528 00:25:34,920 --> 00:25:37,360 So now I want to talk about Josh. 529 00:25:37,360 --> 00:25:40,680 I felt like the make-up was very literal. It was quite safe. 530 00:25:40,680 --> 00:25:42,960 But I thought he brought it back, talking about 531 00:25:42,960 --> 00:25:46,800 these three-dimensional balloons popping from his face. 532 00:25:46,800 --> 00:25:49,160 So, Mia. 533 00:25:49,160 --> 00:25:52,600 When you're presenting your look in a pitch, you've got to make sure 534 00:25:52,600 --> 00:25:55,520 that make-up really stands out, and it was forgettable. 535 00:25:55,520 --> 00:25:58,360 It could have been a lot bolder, a lot more colourful. 536 00:25:58,360 --> 00:26:00,440 Just more going on. 537 00:26:00,440 --> 00:26:02,760 So, I think we've got a few contenders 538 00:26:02,760 --> 00:26:06,600 but we know who's going off into those red Face Off chairs. 539 00:26:11,000 --> 00:26:13,840 It's morning at Glow Up Studios. 540 00:26:13,840 --> 00:26:14,960 What's this? 541 00:26:14,960 --> 00:26:17,480 And while the MUAs play with the finished lenses... 542 00:26:17,480 --> 00:26:19,560 Oh, my God! Oh! 543 00:26:23,160 --> 00:26:25,000 I'm going to go and have a look at Rahual's. 544 00:26:25,000 --> 00:26:28,000 ..the judges must decide which one will be the winner. 545 00:26:28,000 --> 00:26:29,840 Everybody breathe in. 546 00:26:29,840 --> 00:26:31,480 Hold. 547 00:26:31,480 --> 00:26:33,920 And exhale, release... 548 00:26:33,920 --> 00:26:36,600 Oh! 549 00:26:36,600 --> 00:26:38,680 When I smile... 550 00:26:38,680 --> 00:26:41,960 ..we can see that the lotus flower lights up. 551 00:26:41,960 --> 00:26:44,520 And then when I kind of like go into that calming... 552 00:26:46,160 --> 00:26:47,800 ..the light switches off. Ooh, wow! 553 00:26:47,800 --> 00:26:51,800 I mean, I'd be happy doing my daily kind of meditation to this. 554 00:26:51,800 --> 00:26:55,400 Not only is it a great make-up, but it's a great lens. 555 00:26:55,400 --> 00:26:57,040 Ding dong! 556 00:26:58,400 --> 00:27:01,920 I would definitely try it and use it myself or even share it to friends. 557 00:27:01,920 --> 00:27:04,600 HE SINGS A NOTE 558 00:27:04,600 --> 00:27:06,880 ♪ Raise your ya, ya, ya! ♪ 559 00:27:06,880 --> 00:27:08,040 LAUGHTER 560 00:27:08,040 --> 00:27:10,080 Wow! Oh, wow! 561 00:27:10,080 --> 00:27:12,720 This one is using our open-mouth trigger. 562 00:27:12,720 --> 00:27:14,440 So... 563 00:27:14,440 --> 00:27:17,680 Talk about fun, playful, instant impact. 564 00:27:17,680 --> 00:27:19,760 I mean, I'm feeling like Elton John. 565 00:27:19,760 --> 00:27:21,600 This is absolutely brilliant. 566 00:27:21,600 --> 00:27:23,040 Jake's up next. 567 00:27:23,040 --> 00:27:24,920 Grrr...grrr! 568 00:27:26,360 --> 00:27:27,600 Hey! 569 00:27:27,600 --> 00:27:30,600 We loved his pitch. The potential for this lens was huge 570 00:27:30,600 --> 00:27:32,920 but I'm just not sure if it's quite hit the mark. 571 00:27:32,920 --> 00:27:34,760 I am picking up on the bioluminescence, 572 00:27:34,760 --> 00:27:37,000 cos when you raise your eyebrows and it glows, 573 00:27:37,000 --> 00:27:40,000 but I feel like there could be a bit more. 574 00:27:40,000 --> 00:27:41,200 Yeah, I agree. 575 00:27:41,200 --> 00:27:44,080 So, I think we can all agree there's one clear winner. 576 00:27:44,080 --> 00:27:45,520 Yes. Definitely. 577 00:27:45,520 --> 00:27:47,880 Before the winning lens is announced, 578 00:27:47,880 --> 00:27:51,640 time for the MUAs to find out whose look didn't hit the mark. 579 00:27:53,920 --> 00:27:57,120 The MUAs whose names are on the red chair will have 15 minutes less 580 00:27:57,120 --> 00:27:58,960 to complete today's creative brief 581 00:27:58,960 --> 00:28:02,880 and are heading for the Face Off elimination at the end of the day. 582 00:28:21,440 --> 00:28:24,680 Ailish, Kate and Atarah felt that your proposed use of AR 583 00:28:24,680 --> 00:28:26,800 would not elevate the make-up. 584 00:28:26,800 --> 00:28:30,160 It wouldn't grab people's attention and they would swipe by. 585 00:28:30,160 --> 00:28:33,640 Mia, they felt that your look was too simple. 586 00:28:33,640 --> 00:28:36,520 You could have used the AR to make your look extraordinary 587 00:28:36,520 --> 00:28:38,320 but instead it just fell flat. 588 00:28:39,920 --> 00:28:45,120 Now, the MUA whose lens will go live on the platform 589 00:28:45,120 --> 00:28:48,920 for millions to see is... 590 00:28:51,960 --> 00:28:53,200 ..Rahual. 591 00:28:53,200 --> 00:28:54,440 Oh, my God! 592 00:28:56,080 --> 00:28:57,520 Well done! 593 00:28:57,520 --> 00:28:59,040 I am very happy. 594 00:28:59,040 --> 00:29:00,360 It's a phenomenal feeling 595 00:29:00,360 --> 00:29:03,240 and a great way to start today's challenge. 596 00:29:05,600 --> 00:29:07,040 In the industry assignment, 597 00:29:07,040 --> 00:29:10,800 you exaggerated make-up looks using AR in the virtual world. 598 00:29:10,800 --> 00:29:15,480 For today's creative brief, we want you to serve us some realness. 599 00:29:15,480 --> 00:29:20,280 Inspired by drag, serving realness is about embodying the truest, 600 00:29:20,280 --> 00:29:23,200 most authentic version of something or someone. 601 00:29:23,200 --> 00:29:25,120 And today, to help judge your look, 602 00:29:25,120 --> 00:29:29,320 is someone who knows a thing or two about serving realness. 603 00:29:29,320 --> 00:29:33,120 So let me introduce you to the icon... 604 00:29:33,120 --> 00:29:36,960 ..Miss Courtney Act! 605 00:29:36,960 --> 00:29:38,160 Hi! 606 00:29:39,440 --> 00:29:40,880 Hi, everyone! 607 00:29:42,600 --> 00:29:46,040 Australian drag icon and singer Courtney Act rose to fame 608 00:29:46,040 --> 00:29:48,840 by showcasing her flawless talent, wit and glamour 609 00:29:48,840 --> 00:29:50,960 on RuPaul's Drag Race 610 00:29:50,960 --> 00:29:54,640 and became one of the most iconic queens in the show's history. 611 00:29:55,840 --> 00:30:01,200 Since then she's dazzled audiences on Broadway, hosted her own TV shows 612 00:30:01,200 --> 00:30:06,160 and used her platform to encourage others to be their authentic selves. 613 00:30:06,160 --> 00:30:09,000 For me, serving realness is this. 614 00:30:09,000 --> 00:30:12,640 Like, bringing out the truest form of yourself. 615 00:30:12,640 --> 00:30:17,840 I want to see a look that blends the MUAs' authenticity and realness 616 00:30:17,840 --> 00:30:20,480 with drag techniques to create a brilliant look. 617 00:30:22,200 --> 00:30:24,760 I am so excited to see the looks that you do. 618 00:30:24,760 --> 00:30:28,600 And it's drag, so go big and then go a little bit bigger. 619 00:30:28,600 --> 00:30:31,320 OK, so are you ready? ALL: Yes! 620 00:30:31,320 --> 00:30:33,240 Bring in the models! 621 00:30:33,240 --> 00:30:35,680 CHEERING 622 00:30:37,800 --> 00:30:40,560 Lovely to meet you, I'm Kat. Take a seat. 623 00:30:40,560 --> 00:30:43,840 You have gorgeous bone structure. Oh, my God! Thank you. 624 00:30:43,840 --> 00:30:47,760 MUAs, you will have two and a half hours to complete your looks. 625 00:30:47,760 --> 00:30:50,640 Ailish, Mia, I'll let you know when you can start, 626 00:30:50,640 --> 00:30:52,280 but the rest of you... 627 00:30:52,280 --> 00:30:54,280 ..let's go! 628 00:30:57,080 --> 00:31:00,200 This is going to be the longest 15 minutes of our life. 629 00:31:00,200 --> 00:31:05,080 I'm such a Drag Race fan, so seeing Courtney has honestly gagged me. 630 00:31:05,080 --> 00:31:08,640 Honestly, she's just like...an icon. 631 00:31:08,640 --> 00:31:13,600 The MUAs have been allowed to prepare for today's creative brief. 632 00:31:13,600 --> 00:31:17,680 We need to see at least two drag techniques 633 00:31:17,680 --> 00:31:20,760 incorporated into their make-up, don't we? Yeah. 634 00:31:20,760 --> 00:31:22,160 A blocked brow. 635 00:31:22,160 --> 00:31:24,200 Beautiful contouring. 636 00:31:24,200 --> 00:31:26,400 A big old eye. And overdrawn lips. 637 00:31:26,400 --> 00:31:28,320 Yeah, this is not an easy task. 638 00:31:28,320 --> 00:31:30,840 But it's a fun task! 639 00:31:32,320 --> 00:31:34,600 I mean, it's not nice being in the red chair again 640 00:31:34,600 --> 00:31:36,160 but positive mindset. 641 00:31:36,160 --> 00:31:39,480 The only way for Ailish and Mia to beat the seat is to produce 642 00:31:39,480 --> 00:31:42,920 knockout looks in today's serving realness brief. 643 00:31:42,920 --> 00:31:44,800 Hey, Ailish. Hi. 644 00:31:44,800 --> 00:31:47,080 So, what are you going to do to impress the judges today? 645 00:31:47,080 --> 00:31:49,160 I'm doing a look based on my love of sci-fi. 646 00:31:49,160 --> 00:31:52,160 So I'm going like a full alien. Oh! I'm excited. 647 00:31:52,160 --> 00:31:55,480 I'm excited to see that too! Beam me up. 648 00:31:55,480 --> 00:31:58,640 I go...back and forth... 649 00:31:58,640 --> 00:32:00,360 Also inspired by the unworldly 650 00:32:00,360 --> 00:32:03,760 to portray their authentic selves is Kat. 651 00:32:03,760 --> 00:32:05,960 Whenever I'm in, like, full Goth, 652 00:32:05,960 --> 00:32:08,560 I always get looked at like I'm an absolute alien 653 00:32:08,560 --> 00:32:12,040 and, like, get grief for looking the way that I do. 654 00:32:12,040 --> 00:32:14,160 But I couldn't be happier. 655 00:32:18,440 --> 00:32:22,680 So I've done a few brow covers but it's not something that I do often. 656 00:32:22,680 --> 00:32:26,000 Like, Josh is a drag queen, so he does it all the time. 657 00:32:26,000 --> 00:32:28,560 This is just going to smooth those edges right out. 658 00:32:28,560 --> 00:32:31,680 Can we take a vote on how many blocked eyebrows 659 00:32:31,680 --> 00:32:32,880 there are going to be? 660 00:32:32,880 --> 00:32:34,600 I'm going to say nine. Nine. 661 00:32:34,600 --> 00:32:36,120 Nine blocked brow. 662 00:32:36,120 --> 00:32:38,120 Josh... Hello? 663 00:32:38,120 --> 00:32:40,120 Can I quickly get an opinion? Yeah, of course you can. 664 00:32:40,120 --> 00:32:42,280 Do you think these are glued down enough or... 665 00:32:42,280 --> 00:32:43,560 I'd just say do the front bit. OK. 666 00:32:43,560 --> 00:32:46,240 Er, don't go too much back and forth, cos you'll ruin the brows. 667 00:32:46,240 --> 00:32:48,840 Thanks, queen! No worries! 668 00:32:48,840 --> 00:32:53,080 So, my look is based on the Hindu goddess called Kali. 669 00:32:53,080 --> 00:32:57,720 She's known for, like, rebelling against societal and cultural norms. 670 00:32:57,720 --> 00:33:00,960 So I feel like that is very me, as an Indian girl. 671 00:33:00,960 --> 00:33:05,440 I was always the one to get, like, tattoos and piercings 672 00:33:05,440 --> 00:33:08,720 and like, even choosing make-up as a career, like, 673 00:33:08,720 --> 00:33:11,680 it's not your typical job to go into in our culture. 674 00:33:11,680 --> 00:33:15,240 So hopefully I can convey that within this drag look. 675 00:33:16,320 --> 00:33:18,120 Hey, Mia. Hi! 676 00:33:18,120 --> 00:33:20,840 So, how are you feeling today? I'm feeling all right. 677 00:33:20,840 --> 00:33:24,760 It's just 15 minutes less and I know I can get out of it. 678 00:33:24,760 --> 00:33:26,960 So, talk to me about your look today. 679 00:33:26,960 --> 00:33:30,920 {\an8}My creative brief is based on a drag version of, like, a monster doll, 680 00:33:30,920 --> 00:33:34,760 because they have influenced me in my hair, my make-up, my clothes. 681 00:33:34,760 --> 00:33:37,320 But because I didn't want to stick to the prettiness, 682 00:33:37,320 --> 00:33:41,200 I'm making it as if she's, like decaying. Ooh, rotten. Yeah. 683 00:33:41,200 --> 00:33:42,920 So, do you find, like, Glow Up then 684 00:33:42,920 --> 00:33:45,960 is really pushing your creative boundaries? It is, yeah. 685 00:33:45,960 --> 00:33:48,720 I stick to simple. Well, I'm glad that you're here 686 00:33:48,720 --> 00:33:50,320 because that's what Glow Up is all about. Yeah. 687 00:33:50,320 --> 00:33:52,600 Really pushing yourself out of your comfort zone. 688 00:33:55,080 --> 00:33:57,320 And voila, you have no brows. 689 00:33:57,320 --> 00:34:00,920 Ailish, Mia, you can now start. 690 00:34:00,920 --> 00:34:02,520 I'll be back. 691 00:34:02,520 --> 00:34:07,080 What got Ailish in the red chairs is quite a basic make-up look. 692 00:34:07,080 --> 00:34:10,440 So today, she has to bring it. 693 00:34:10,440 --> 00:34:12,760 It's all good. We've got it. 694 00:34:12,760 --> 00:34:14,240 Ooh, that is scary. 695 00:34:16,000 --> 00:34:17,880 What is going on here? 696 00:34:17,880 --> 00:34:20,000 I'm turning him into a little drag queen. 697 00:34:20,000 --> 00:34:22,520 Obviously you're, like, the resident drag queen. 698 00:34:22,520 --> 00:34:23,880 It's what I wake up for. 699 00:34:23,880 --> 00:34:25,920 I absolutely love, love, love drag. 700 00:34:29,240 --> 00:34:32,760 I've done drag for eight years and I go by Lexi Black. 701 00:34:32,760 --> 00:34:36,240 Named after a Black Lexus, cos I love cars. 702 00:34:36,240 --> 00:34:37,840 I don't drive, though. 703 00:34:39,240 --> 00:34:41,280 She's very much just an extension of who I am. 704 00:34:41,280 --> 00:34:43,880 She's unapologetic, she's loud and she's brash. 705 00:34:43,880 --> 00:34:46,000 I think that's why I love drag so much, 706 00:34:46,000 --> 00:34:49,520 because working in retail, it's just kind of like robotic. 707 00:34:49,520 --> 00:34:52,000 "Yes, of course I'll help you. I'd love to do that." 708 00:34:52,000 --> 00:34:54,200 Whereas in drag I can be like, "No." 709 00:34:54,200 --> 00:34:57,440 I can just truly say exactly how I'm feeling. 710 00:34:57,440 --> 00:35:01,160 The way that it makes me feel is like a superpower. 711 00:35:01,160 --> 00:35:02,800 I absolutely love it. 712 00:35:04,240 --> 00:35:05,760 How are you going? 713 00:35:08,160 --> 00:35:09,440 I can't believe you're here. 714 00:35:09,440 --> 00:35:10,960 Tell me what's going on here. 715 00:35:10,960 --> 00:35:14,320 So, I'm creating something that really invokes that bright, 716 00:35:14,320 --> 00:35:16,880 bold, colourful look that I have, 717 00:35:16,880 --> 00:35:19,120 mixed with the dominance that drag gives me. 718 00:35:19,120 --> 00:35:23,240 Nice. So I'm going to create a black latex bald-cap vision. 719 00:35:23,240 --> 00:35:25,560 Bold! Very. 720 00:35:25,560 --> 00:35:29,040 Sorry, that must feel really weird, me just, like, rubbing your head. 721 00:35:29,040 --> 00:35:30,280 Oh, another bald cap. 722 00:35:30,280 --> 00:35:32,560 {\an8}My look is based on my clothing style. 723 00:35:32,560 --> 00:35:34,520 The skater boy aesthetic. 724 00:35:34,520 --> 00:35:36,880 I don't think I can ride a skateboard but, like, 725 00:35:36,880 --> 00:35:38,960 the clothing style is quite nice. 726 00:35:38,960 --> 00:35:40,800 This is the problem with bald caps. 727 00:35:40,800 --> 00:35:42,400 Yes, you're taking away the hair, 728 00:35:42,400 --> 00:35:45,800 but you're also taking away about an hour of your time. 729 00:35:45,800 --> 00:35:48,760 Hopefully the judges like a bald drag queen. 730 00:35:55,800 --> 00:35:57,760 I shouldn't really be going over this. 731 00:35:57,760 --> 00:36:01,840 We haven't really moved on, have we, Jade? No. 732 00:36:01,840 --> 00:36:03,920 I don't know what to do, I don't know what to do, 733 00:36:03,920 --> 00:36:05,320 I don't know what to do. 734 00:36:05,320 --> 00:36:07,720 I feel like I very much doubt myself a lot. 735 00:36:07,720 --> 00:36:09,480 I feel like I've always been like that. 736 00:36:09,480 --> 00:36:11,280 But I still need to prove myself today. 737 00:36:11,280 --> 00:36:14,360 Brows are coming undone. Oh, no. 738 00:36:15,400 --> 00:36:18,000 Yeah, I'm just going to have to redo it. 739 00:36:18,000 --> 00:36:19,800 ALL: No! Oh, no! 740 00:36:19,800 --> 00:36:22,080 Breathe, breathe, breathe. We're all fine. 741 00:36:22,080 --> 00:36:23,560 You got this, you're OK. 742 00:36:23,560 --> 00:36:28,160 Ailish has just removed the eyebrow. 743 00:36:28,160 --> 00:36:33,200 Might affect me a bit timewise, but deep breaths, we've got this. 744 00:36:33,200 --> 00:36:36,880 Aww, go with the flow. That is so you. 745 00:36:36,880 --> 00:36:38,920 That is very me. So, yeah, I thought what better way 746 00:36:38,920 --> 00:36:41,720 to kind of express "go with the flow" than water? 747 00:36:41,720 --> 00:36:45,440 I instantly kind of thought of David Hockney's, like, water paintings. 748 00:36:45,440 --> 00:36:48,160 Oh, you're such an art student! I love it! 749 00:36:48,160 --> 00:36:50,960 Oh, stop! "Just a little David Hockney." 750 00:36:50,960 --> 00:36:54,600 Come on now... I got the references! Yeah. 751 00:36:54,600 --> 00:36:56,240 So much happier. 752 00:36:56,240 --> 00:37:00,000 It's not perfect but it's better and it's going to stay flat. 753 00:37:00,000 --> 00:37:04,920 MUAs, you have an hour and a half left. 754 00:37:04,920 --> 00:37:06,600 I need to get a move on. 755 00:37:07,720 --> 00:37:11,880 My look is based on the punk rock era of the late '70s. 756 00:37:11,880 --> 00:37:14,280 It's also an ode to my mother, 757 00:37:14,280 --> 00:37:16,400 who was a punk rocker 758 00:37:16,400 --> 00:37:20,280 in the late '70s. She hanged out with Boy George, 759 00:37:20,280 --> 00:37:22,040 had all the crazy looks 760 00:37:22,040 --> 00:37:24,680 and this is very much serving realness. 761 00:37:24,680 --> 00:37:27,520 That punchy boldness of drag 762 00:37:27,520 --> 00:37:30,920 and infusing the punk rock era into that. 763 00:37:30,920 --> 00:37:33,360 There we go. That's the kind of colour I'm looking for. 764 00:37:33,360 --> 00:37:38,280 My biggest competition in this brief would be either Rahual, 765 00:37:38,280 --> 00:37:40,640 because he's an underdog, 766 00:37:40,640 --> 00:37:44,120 or Jake, because he's also a drag queen. 767 00:37:44,120 --> 00:37:47,000 Ooh! Well, yes. 768 00:37:47,000 --> 00:37:49,480 {\an8}My biggest competition today would be Josh, 769 00:37:49,480 --> 00:37:51,640 cos I think Josh is, like, pure glamour. 770 00:37:52,760 --> 00:37:55,480 So, do you have any drag experience? 771 00:37:55,480 --> 00:37:57,920 Yes. I'm a drag monster, not a drag queen. 772 00:37:57,920 --> 00:37:59,920 A drag monster? Perfect! Aargh! 773 00:37:59,920 --> 00:38:02,520 So are you creating a drag monster today? 774 00:38:02,520 --> 00:38:05,000 I think she's a monster that's trying not to be a monster. 775 00:38:05,000 --> 00:38:07,560 She's painting a pretty face on. Aww! 776 00:38:07,560 --> 00:38:09,000 Ooh! 777 00:38:12,480 --> 00:38:14,000 Right... Does that look even? 778 00:38:19,040 --> 00:38:20,840 Trying to do perfect straight lines 779 00:38:20,840 --> 00:38:23,880 when you have a tremor is not the best. 780 00:38:25,040 --> 00:38:31,040 I'm really hoping that Kat looks at her symmetry. 781 00:38:31,040 --> 00:38:34,720 Stop looking in the mirror from the side of the model! 782 00:38:34,720 --> 00:38:36,600 Get behind your model! Yeah. 783 00:38:36,600 --> 00:38:38,960 That is why it's unsymmetrical. 784 00:38:38,960 --> 00:38:41,480 It's like no-one listens to us. 785 00:38:41,480 --> 00:38:43,360 You want to close your eyes for me? 786 00:38:43,360 --> 00:38:49,680 So this is to get, like, a perfect straight line with the eyeshadow. 787 00:38:49,680 --> 00:38:51,840 I think when we talk about drag techniques, 788 00:38:51,840 --> 00:38:54,680 one of the main things is contour. Yeah. 789 00:38:54,680 --> 00:38:58,320 Making sure that you are over-emphasising the bone structure. 790 00:38:58,320 --> 00:39:00,360 It's got to be strong and emphasised. 791 00:39:00,360 --> 00:39:03,400 Sharp, crisp line. 792 00:39:03,400 --> 00:39:07,080 I'm doing a strong contour cheek and nose. 793 00:39:08,200 --> 00:39:12,480 Used to being a beauty artist, so, er, I think I'd probably get 794 00:39:12,480 --> 00:39:16,640 cancelled by my brides if I ever did a contour like this on the nose. 795 00:39:16,640 --> 00:39:20,960 Attention, everybody! One hour left. 796 00:39:20,960 --> 00:39:22,560 SHE WHIMPERS 797 00:39:22,560 --> 00:39:24,120 Don't panic! Nobody panic! 798 00:39:24,120 --> 00:39:25,920 I'm panicking! 799 00:39:35,400 --> 00:39:37,600 I'm just adding the line work now, 800 00:39:37,600 --> 00:39:42,440 to almost mimic the effect of when light hits water. 801 00:39:42,440 --> 00:39:44,280 That is schmick. 802 00:39:44,280 --> 00:39:46,160 Schmick? What is schmick? 803 00:39:46,160 --> 00:39:49,680 Schmick is, like, smart and slick. 804 00:39:49,680 --> 00:39:51,280 Ooh, Val, you're schmicking. 805 00:39:51,280 --> 00:39:54,880 There's definitely things I would change but it's too late now. 806 00:39:54,880 --> 00:39:57,240 I'm just powering through and doing the best I can. 807 00:39:58,800 --> 00:40:00,520 So, tell me what we've got going on here. 808 00:40:00,520 --> 00:40:02,480 I'm making it look like she's, like, eroding. 809 00:40:02,480 --> 00:40:05,000 I saw you putting down this in the beginning. 810 00:40:05,000 --> 00:40:07,120 Oh, yeah, so, cos she's made out of metal, 811 00:40:07,120 --> 00:40:09,640 that's a seam to her skin, yeah. 812 00:40:09,640 --> 00:40:11,760 Aah! And then the pearls are rivets. 813 00:40:11,760 --> 00:40:15,640 Yeah. So I'm going to go over the pearls with the gold and the bronze. 814 00:40:15,640 --> 00:40:17,280 Anything that you're worried about, Mia? 815 00:40:17,280 --> 00:40:20,120 I'm mostly just worried that, like, no-one's going to get the concept. 816 00:40:20,120 --> 00:40:22,280 Is there anything else that you're planning? 817 00:40:23,480 --> 00:40:25,840 No. No? This is it. 818 00:40:27,920 --> 00:40:33,840 In drag, it's about creating a big, bold character. 819 00:40:33,840 --> 00:40:37,840 Mia is giving us pretty make-up. 820 00:40:37,840 --> 00:40:39,200 We need to see beyond that. 821 00:40:40,640 --> 00:40:44,800 Attention, everybody! Half an hour left. 822 00:40:44,800 --> 00:40:47,240 Oh, no! 823 00:40:47,240 --> 00:40:49,880 Oh, no! 824 00:40:51,120 --> 00:40:52,960 Just thinking of a Doctor Who episode in my head 825 00:40:52,960 --> 00:40:54,920 to, like, calm me down here. Like, think of David Tennant. 826 00:40:54,920 --> 00:40:57,640 I've never lubricated an entire head before. 827 00:40:57,640 --> 00:41:00,160 The idea behind it is to make it look like latex, 828 00:41:00,160 --> 00:41:02,320 so I'm going to use black foundation. 829 00:41:02,320 --> 00:41:04,240 Instead of it being a clear lubricant, 830 00:41:04,240 --> 00:41:06,160 it's now like a black tar. 831 00:41:06,160 --> 00:41:09,160 And it's going to kind of intensify that black. 832 00:41:09,160 --> 00:41:10,920 Oh! Oh! 833 00:41:10,920 --> 00:41:12,680 I'm smiling because it's working. 834 00:41:12,680 --> 00:41:14,120 Whew! 835 00:41:14,120 --> 00:41:16,720 Instead of it being like a plain bald head, I feel like 836 00:41:16,720 --> 00:41:19,760 the studs sort of, like, give it that grungy-ish type of vibe. 837 00:41:19,760 --> 00:41:23,040 On the second day of Glow Up, my true love gave to me 838 00:41:23,040 --> 00:41:25,160 two bald caps... 839 00:41:25,160 --> 00:41:27,440 ♪ Four blue faces... 840 00:41:27,440 --> 00:41:31,280 ♪ Nine blocked-out brows! ♪ 841 00:41:31,280 --> 00:41:34,160 Aah! Why did I do this? 842 00:41:34,160 --> 00:41:35,960 To add dimension to her look, 843 00:41:35,960 --> 00:41:38,560 Jade incorporates a traditional technique. 844 00:41:40,440 --> 00:41:43,720 She's used white henna on the brow 845 00:41:43,720 --> 00:41:46,120 to create almost like a 3D relief. 846 00:41:46,120 --> 00:41:48,400 Oh, yeah. Aah! It's really clever. 847 00:41:49,520 --> 00:41:52,680 It's actually very hard when you've got nothing to lean on! 848 00:41:52,680 --> 00:41:54,680 Right, lashes. 849 00:41:54,680 --> 00:41:57,440 Just open your eye for me. Quick blink. 850 00:41:57,440 --> 00:41:58,800 With me? 851 00:41:58,800 --> 00:42:00,440 Cute! 852 00:42:00,440 --> 00:42:02,880 Just popping a little pop of red lash. 853 00:42:02,880 --> 00:42:07,600 MUAs, you have just ten minutes left. 854 00:42:07,600 --> 00:42:08,760 No! 855 00:42:08,760 --> 00:42:10,880 I hate this. What? 856 00:42:10,880 --> 00:42:12,640 No, I hate this, this part. 857 00:42:12,640 --> 00:42:15,240 Mia has once again finished early. 858 00:42:16,640 --> 00:42:19,480 Cos everyone's working and then obviously I sort of... 859 00:42:19,480 --> 00:42:22,920 I had 15 minutes less than everyone. But you're just good. 860 00:42:25,480 --> 00:42:27,560 I mean, it's giving me Pocahontas. 861 00:42:27,560 --> 00:42:29,400 I'm disappointed. Yeah. 862 00:42:29,400 --> 00:42:30,920 I love it. 863 00:42:30,920 --> 00:42:34,080 I think she looks stunning as well as, like... 864 00:42:34,080 --> 00:42:35,520 ..eerie. 865 00:42:35,520 --> 00:42:39,880 I am just refining the lip shape. 866 00:42:39,880 --> 00:42:44,680 I'm going for a weird sort of asymmetric, overlined lip. 867 00:42:44,680 --> 00:42:49,120 Drag technique, you've got to have that full, juicy lip. 868 00:42:53,200 --> 00:42:58,480 MUAs, you have two minutes left! 869 00:42:58,480 --> 00:42:59,920 I have bigger fish to fr... 870 00:42:59,920 --> 00:43:01,560 Oh! 871 00:43:05,320 --> 00:43:06,880 Aww! 872 00:43:06,880 --> 00:43:09,520 Yeah, a little bit stressed. 873 00:43:09,520 --> 00:43:14,360 I don't think it's looking as good as I kind of envisioned it looking. 874 00:43:29,080 --> 00:43:33,960 Brushes down! Please take your models next door to be photographed. 875 00:43:33,960 --> 00:43:36,000 Waah! 876 00:43:36,000 --> 00:43:38,120 Have fun! 877 00:43:40,520 --> 00:43:43,560 After a few hiccups, there is some worries and some anxieties that 878 00:43:43,560 --> 00:43:46,720 I might be in the Face Off again, but I'm still proud of myself. 879 00:43:49,840 --> 00:43:51,880 There's some other really strong looks 880 00:43:51,880 --> 00:43:54,520 but I do feel like I've done really, really well. 881 00:43:54,520 --> 00:43:57,040 And I'm manifesting that "ding dong". 882 00:44:00,320 --> 00:44:02,560 Kat, please come forward. 883 00:44:05,240 --> 00:44:07,600 I really wanted to create an alien, 884 00:44:07,600 --> 00:44:11,240 cos I know whenever I'm, like, fully Gothed up, 885 00:44:11,240 --> 00:44:15,600 I always still get that kind of like hate and alienation from people. 886 00:44:15,600 --> 00:44:18,480 Thank you for sharing. And your ideas are really strong. 887 00:44:18,480 --> 00:44:23,840 What we now need to start working on is your application. 888 00:44:23,840 --> 00:44:26,160 It's patchy foundation. 889 00:44:26,160 --> 00:44:27,800 And the other thing is the symmetry. 890 00:44:27,800 --> 00:44:31,360 One side is higher than the other. Yeah. It's got to be spot-on. 891 00:44:32,440 --> 00:44:36,480 I love the marriage of drag and Goth and because you've created 892 00:44:36,480 --> 00:44:39,920 the background with the black, the red just sits on top. 893 00:44:39,920 --> 00:44:41,840 I think you've done a beautiful job. 894 00:44:43,040 --> 00:44:44,520 Mia, please step forward. 895 00:44:47,400 --> 00:44:50,760 My look is based off the monster dolls that I used to play with 896 00:44:50,760 --> 00:44:54,280 when I was younger, but I wanted to make it my own, 897 00:44:54,280 --> 00:44:55,920 like she was decaying. 898 00:44:55,920 --> 00:44:57,800 It's pretty. 899 00:44:57,800 --> 00:44:59,840 But you haven't told your story. 900 00:44:59,840 --> 00:45:02,640 It's still too close to gorge. 901 00:45:02,640 --> 00:45:06,040 I love that you went for, like, the bolts. 902 00:45:06,040 --> 00:45:09,880 But I think you could have added even more depth with some shadowing, 903 00:45:09,880 --> 00:45:13,680 because they look like those little balls that you put on cakes. 904 00:45:13,680 --> 00:45:18,240 I mean, the blending in that eye, can we all just have a moment... 905 00:45:19,240 --> 00:45:21,560 Yeah, that's enough. It's beautiful. 906 00:45:21,560 --> 00:45:26,080 Beyond that, as Val says, it's nice, 907 00:45:26,080 --> 00:45:29,760 but in the Glow Up Studio, nice is not a good word. 908 00:45:31,200 --> 00:45:32,480 Jake. 909 00:45:35,280 --> 00:45:39,080 I feel like inside of us there is a monster, 910 00:45:39,080 --> 00:45:41,600 so I wanted it to, like, be a more beautiful side to that. 911 00:45:41,600 --> 00:45:43,280 Does she have a name? Not a name. 912 00:45:43,280 --> 00:45:45,800 I think she has more of a sound. Graargh! 913 00:45:45,800 --> 00:45:47,200 LAUGHTER 914 00:45:47,200 --> 00:45:51,320 Well, I think that Graargh! looks absolutely stunning. 915 00:45:52,960 --> 00:45:57,720 To put pink on top of a minty green is really difficult. 916 00:45:57,720 --> 00:46:00,800 But you've somehow done it without it going grey. 917 00:46:00,800 --> 00:46:02,000 It's really stunning. 918 00:46:03,200 --> 00:46:04,680 Jade, please step forward. 919 00:46:09,800 --> 00:46:13,760 My look is inspired by the Hindu goddess Kali. 920 00:46:13,760 --> 00:46:17,400 She is known for her rebellious side. 921 00:46:17,400 --> 00:46:19,320 Er, and I feel that, as an Indian girl, 922 00:46:19,320 --> 00:46:21,400 that really resonates with myself. 923 00:46:21,400 --> 00:46:24,680 I love the fact that you've used the white henna. 924 00:46:24,680 --> 00:46:28,760 I really feel that this brings another dimension to the make-up. 925 00:46:28,760 --> 00:46:34,000 But perhaps I might have liked to have seen a bit more rebellion, 926 00:46:34,000 --> 00:46:36,800 cos that was in your story. Yeah. 927 00:46:36,800 --> 00:46:39,720 There was a lot of faffing around with the white brow 928 00:46:39,720 --> 00:46:41,440 before even the henna went on. 929 00:46:41,440 --> 00:46:45,600 So, in future, speed it up and then give us 930 00:46:45,600 --> 00:46:47,800 what really is going on in your head. 931 00:46:47,800 --> 00:46:49,080 Yeah. 932 00:46:49,080 --> 00:46:50,400 Ailish. 933 00:46:53,040 --> 00:46:56,560 My serving realness look was inspired by my love of sci-fi. 934 00:46:56,560 --> 00:46:59,120 I mean, that lip is giving me lip! 935 00:46:59,120 --> 00:47:03,600 But unfortunately, the removing of the brow 936 00:47:03,600 --> 00:47:08,280 and redoing of the brow, it just ate into so much time. Yeah. 937 00:47:08,280 --> 00:47:10,240 {\an8}It is just an eye and a lip. 938 00:47:10,240 --> 00:47:12,440 {\an8}There is not a lot going on. 939 00:47:12,440 --> 00:47:14,640 I think I just need to get out of my own head, 940 00:47:14,640 --> 00:47:16,880 cos I've just been really struggling since I've got here. 941 00:47:16,880 --> 00:47:18,480 I'm like, uh! Yeah. 942 00:47:18,480 --> 00:47:21,160 You know what, like, this is a tough situation 943 00:47:21,160 --> 00:47:23,040 because it's a competition. 944 00:47:24,480 --> 00:47:27,360 I'm just really embarrassed. Don't be embarrassed, darling. 945 00:47:27,360 --> 00:47:28,560 Do not be embarrassed, ever. 946 00:47:28,560 --> 00:47:31,560 I don't want yous to think I can not deliver, but I can deliver it. 947 00:47:31,560 --> 00:47:33,760 Come on. You've got this. 948 00:47:33,760 --> 00:47:35,520 OK? Mm-hm. 949 00:47:35,520 --> 00:47:37,200 And breathe. 950 00:47:39,480 --> 00:47:41,640 I'm only 20, so I still have so much to learn. 951 00:47:41,640 --> 00:47:44,720 I think this is great. And I think the different between great 952 00:47:44,720 --> 00:47:47,720 and brilliant is just some fine-tuning. Thank you. 953 00:47:49,320 --> 00:47:50,360 Jamie. 954 00:47:54,760 --> 00:47:56,640 My make-up look is based on 955 00:47:56,640 --> 00:47:58,560 the skater boy aesthetic. 956 00:47:58,560 --> 00:48:03,160 This is a beautiful make-up but I didn't see skater boy in it. 957 00:48:03,160 --> 00:48:05,800 I think the time you spent on the bald cap and the spikes 958 00:48:05,800 --> 00:48:09,680 could have been spent doing more in the face and the make-up. 959 00:48:09,680 --> 00:48:12,960 A few extra colours would have given it more depth and more vibrancy. 960 00:48:12,960 --> 00:48:15,000 You've got really great potential 961 00:48:15,000 --> 00:48:17,600 but it never went to where I wanted it to go. 962 00:48:19,160 --> 00:48:20,480 Josh. 963 00:48:22,760 --> 00:48:25,120 I wanted to create a look that was inspired by 964 00:48:25,120 --> 00:48:26,800 everything that makes me me. 965 00:48:26,800 --> 00:48:29,560 The dominant, the strong, the fun, the playful. 966 00:48:29,560 --> 00:48:31,160 I love the story. 967 00:48:31,160 --> 00:48:33,880 For me, what I'm really into is the colour. 968 00:48:33,880 --> 00:48:36,840 So actually, all the black is distracting. 969 00:48:36,840 --> 00:48:39,240 I disagree with Dom on the bald cap because I think 970 00:48:39,240 --> 00:48:42,440 there's something wonderful about the way it frames the face. 971 00:48:42,440 --> 00:48:45,680 And that lash, I think, is the biggest lash 972 00:48:45,680 --> 00:48:48,320 we've seen in the competition. Thank you. 973 00:48:48,320 --> 00:48:51,280 Erm...so good job for that. Thank you. 974 00:48:51,280 --> 00:48:54,440 It's bold, it's striking. 975 00:48:54,440 --> 00:48:56,480 Is it the best make-up in the room? 976 00:48:57,760 --> 00:49:00,320 It's so close. 977 00:49:00,320 --> 00:49:01,760 Thank you. 978 00:49:01,760 --> 00:49:03,560 APPLAUSE 979 00:49:05,240 --> 00:49:06,800 Rahual. 980 00:49:10,040 --> 00:49:12,280 So, my look was inspired by 981 00:49:12,280 --> 00:49:13,840 the punk rock movement. 982 00:49:13,840 --> 00:49:15,760 And an ode to my mother, 983 00:49:15,760 --> 00:49:18,280 who was part of the movement in the late '70s. 984 00:49:18,280 --> 00:49:20,320 The make-up is amazing! 985 00:49:22,120 --> 00:49:24,120 I'd just like to see you twist it up a bit. 986 00:49:25,520 --> 00:49:29,120 The technique of blocking those brows - beautiful. 987 00:49:29,120 --> 00:49:34,680 But there are just very obvious choices to create a punk. 988 00:49:34,680 --> 00:49:37,360 Spikes on the cheeks, a black lip. 989 00:49:37,360 --> 00:49:39,840 We just want to see what else you've got. 990 00:49:39,840 --> 00:49:41,400 And I'll show you that. 991 00:49:41,400 --> 00:49:42,760 Cherise. 992 00:49:46,480 --> 00:49:49,680 {\an8}I'm very sort of go with the flow with my techniques, so I thought 993 00:49:49,680 --> 00:49:51,320 go with the flow, water, 994 00:49:51,320 --> 00:49:54,360 {\an8}then thought of David Hockney's, like, water paintings. 995 00:49:54,360 --> 00:49:58,800 This look is beautiful and despite this look being so abstract 996 00:49:58,800 --> 00:50:01,760 and the face being blue, there's still a real beauty there. 997 00:50:02,880 --> 00:50:08,960 The way you incorporated the style of David Hockney's water 998 00:50:08,960 --> 00:50:14,800 to work in a drag style was just so clever. 999 00:50:14,800 --> 00:50:17,800 Getting that really deep cut drag contour, 1000 00:50:17,800 --> 00:50:19,600 but it's a ripple in the water. 1001 00:50:19,600 --> 00:50:22,880 And then this shape of the lip, 1002 00:50:22,880 --> 00:50:25,160 it's just beautiful. 1003 00:50:25,160 --> 00:50:27,880 We've got all the drag techniques in there 1004 00:50:27,880 --> 00:50:30,680 but you have taken it to another level. 1005 00:50:30,680 --> 00:50:33,400 This is something that I haven't seen before. 1006 00:50:33,400 --> 00:50:37,960 It is the most modern make-up in the room today. 1007 00:50:39,800 --> 00:50:42,320 It's a ding dong! 1008 00:50:44,240 --> 00:50:46,000 Brilliant! 1009 00:50:46,000 --> 00:50:47,520 Oh, my God! Thank you. 1010 00:50:47,520 --> 00:50:50,080 Oh, my God! Well done! Congratulations! 1011 00:50:50,080 --> 00:50:51,440 You smashed it, mate! 1012 00:50:51,440 --> 00:50:53,640 Please could you take yourselves next door 1013 00:50:53,640 --> 00:51:00,000 while we decide who is going to go into the Face Off elimination? 1014 00:51:00,000 --> 00:51:01,320 Goodbye! 1015 00:51:06,840 --> 00:51:10,960 This was tough! Ailish, I see you're looking down. 1016 00:51:10,960 --> 00:51:12,760 How are you feeling? I'm OK. 1017 00:51:12,760 --> 00:51:14,880 I'm just annoyed at myself. I was just like, ugh! 1018 00:51:14,880 --> 00:51:17,320 So, I think we need to talk about 1019 00:51:17,320 --> 00:51:20,480 our MUAs that were in the Face Off chairs today. 1020 00:51:20,480 --> 00:51:22,480 Shall we look at Ailish? 1021 00:51:22,480 --> 00:51:25,840 It has the starting potential of a big look, 1022 00:51:25,840 --> 00:51:30,400 but I think because Ailish had to redo the brows, 1023 00:51:30,400 --> 00:51:34,840 it just ate into any time for her to elaborate upon the look. 1024 00:51:34,840 --> 00:51:37,200 Absolutely. Let's talk about Mia. 1025 00:51:37,200 --> 00:51:39,520 You told her to go big and then bigger. 1026 00:51:39,520 --> 00:51:42,080 And what she's done is none of that. 1027 00:51:42,080 --> 00:51:44,720 When I think, oh, my God, it looks amazing in my own head, 1028 00:51:44,720 --> 00:51:47,560 like I need to think, oh, no, what's it going to look like in their eyes? 1029 00:51:47,560 --> 00:51:52,040 Because Mia is so used to being in the world of beauty - 1030 00:51:52,040 --> 00:51:53,680 and there's nothing wrong with that... 1031 00:51:53,680 --> 00:51:55,120 No, there's not. 1032 00:51:55,120 --> 00:51:57,280 No, there isn't, darling. 1033 00:51:57,280 --> 00:52:00,000 You don't feel the decay. 1034 00:52:00,000 --> 00:52:03,440 I'd say Mia was resting on pretty. Ah! Ooh! 1035 00:52:04,760 --> 00:52:06,240 I think we need to talk about Jamie. 1036 00:52:06,240 --> 00:52:08,480 I should have added more, and if I'm in the Face Off, 1037 00:52:08,480 --> 00:52:11,720 I'm in the Face Off. I just have to beat whoever I'm with. 1038 00:52:11,720 --> 00:52:12,880 Ooh! 1039 00:52:14,920 --> 00:52:17,000 This is not skater boy. 1040 00:52:17,000 --> 00:52:19,800 There's a scar in the eyebrow that he might have got 1041 00:52:19,800 --> 00:52:21,600 when he fell over at the skate park. 1042 00:52:21,600 --> 00:52:23,760 For me, Jamie could be in danger. 1043 00:52:23,760 --> 00:52:25,880 Yeah, but do we have a seat to fill? 1044 00:52:30,840 --> 00:52:35,760 Mia, Ailish, you found yourselves in the red Face Off chairs. 1045 00:52:35,760 --> 00:52:39,760 Mia, you didn't push yourself and you played it safe. 1046 00:52:41,240 --> 00:52:43,560 You haven't got yourself out of the red chair. 1047 00:52:44,840 --> 00:52:49,920 Ailish, although you delivered a big, bold look, 1048 00:52:49,920 --> 00:52:53,000 your process let you down. 1049 00:52:53,000 --> 00:52:57,040 You will be joining Mia in the Face Off elimination. 1050 00:52:57,040 --> 00:52:58,160 It's OK. 1051 00:52:59,120 --> 00:53:01,040 Thank you, judges. 1052 00:53:01,040 --> 00:53:05,040 All right guys, say your goodbyes and your good lucks 1053 00:53:05,040 --> 00:53:07,720 because one of you will not be returning. 1054 00:53:07,720 --> 00:53:09,800 You've done it once, you can do it again. 1055 00:53:09,800 --> 00:53:12,520 Being in the Face Off two weeks in a row is not the nicest feeling 1056 00:53:12,520 --> 00:53:16,560 to have, but I know what to expect, so I hope that'll work in my favour. 1057 00:53:17,720 --> 00:53:19,080 So, fingers crossed. 1058 00:53:20,440 --> 00:53:24,840 I want to keep getting experience through this competition, 1059 00:53:24,840 --> 00:53:27,680 so I'm just going to try and not think about the pressure 1060 00:53:27,680 --> 00:53:30,240 of the Face Off, because that can mess you up. 1061 00:53:32,720 --> 00:53:34,880 To create a level playing field, 1062 00:53:34,880 --> 00:53:38,200 the MUAs will face off over a set of identical twins. 1063 00:53:47,320 --> 00:53:52,680 We want you to execute a gorgeous chocolate lip. 1064 00:53:52,680 --> 00:53:56,400 You must create a perfectly balanced lip shape with clean, sharp edges. 1065 00:53:57,720 --> 00:54:01,440 We want to see a rich, chocolate colour with a satin finish. 1066 00:54:02,920 --> 00:54:04,680 Creating the perfect lip. 1067 00:54:04,680 --> 00:54:06,800 Start by lining the cupid's bow. 1068 00:54:06,800 --> 00:54:10,000 {\an8}Then from the corners, draw up towards it. 1069 00:54:10,000 --> 00:54:13,520 Then take the pencil and draw along the bottom lip. 1070 00:54:13,520 --> 00:54:15,680 To guarantee a crip edge, 1071 00:54:15,680 --> 00:54:17,880 hold the pencil so that the sharpest point 1072 00:54:17,880 --> 00:54:19,360 is along the lip line. 1073 00:54:21,160 --> 00:54:24,040 Take a brush to fill in the lip with a satin lipstick, 1074 00:54:24,040 --> 00:54:25,920 creating a rich, chocolaty colour. 1075 00:54:29,960 --> 00:54:35,120 Mia, Ailish, you'll have ten minutes to save yourself from elimination. 1076 00:54:35,120 --> 00:54:38,640 And your time starts now. 1077 00:55:03,600 --> 00:55:07,040 MUAs, you have five minutes left. 1078 00:55:08,320 --> 00:55:11,960 Well? Interesting. Ailish was going for short, flicky strokes, 1079 00:55:11,960 --> 00:55:16,920 which meant that her lip line didn't have a direction. 1080 00:55:16,920 --> 00:55:19,920 She wasn't going from point A to point B like Mia was, 1081 00:55:19,920 --> 00:55:24,920 so therefore Mia's getting a sharper, cleaner edge. 1082 00:55:24,920 --> 00:55:28,480 But her model's head is on a bit of an angle, 1083 00:55:28,480 --> 00:55:32,720 so I'm worried that the lip is going to be unbalanced. 1084 00:55:32,720 --> 00:55:34,440 Mm. It's still all to play for. 1085 00:55:35,600 --> 00:55:38,560 All right, guys, two minutes left. 1086 00:55:52,160 --> 00:55:53,840 Five, 1087 00:55:53,840 --> 00:55:55,160 four, 1088 00:55:55,160 --> 00:55:56,320 three, 1089 00:55:56,320 --> 00:55:57,480 two, 1090 00:55:57,480 --> 00:55:59,200 one. 1091 00:55:59,200 --> 00:56:01,360 Well done, guys. 1092 00:56:01,360 --> 00:56:04,280 Judges, I think it's time for you to take a closer look. 1093 00:56:25,440 --> 00:56:27,560 Conflab? Conflab. 1094 00:56:31,720 --> 00:56:32,960 Wow! 1095 00:56:32,960 --> 00:56:37,440 What we have are two very good chocolate lips. 1096 00:56:38,920 --> 00:56:41,320 But when you then compare the two shapes, 1097 00:56:41,320 --> 00:56:43,880 {\an8}one has a really beautiful balance 1098 00:56:43,880 --> 00:56:47,240 {\an8}and sharp, consistent, strong, clean lines 1099 00:56:47,240 --> 00:56:49,280 {\an8}and that's where she nailed it. 1100 00:56:49,280 --> 00:56:54,520 {\an8}And sometimes the simplest thing, a lip line, can be the hardest. 1101 00:56:54,520 --> 00:56:56,960 {\an8}I think we agree that there's a clear winner. 1102 00:56:56,960 --> 00:56:58,640 {\an8}Absolutely. 1103 00:56:58,640 --> 00:56:59,920 Come on. 1104 00:57:06,520 --> 00:57:10,840 Ailish, Mia, you both delivered gorgeous lips. 1105 00:57:10,840 --> 00:57:14,520 Mia, you used long brushstrokes, 1106 00:57:14,520 --> 00:57:21,040 which allowed you to create precise, sharp edges. 1107 00:57:21,040 --> 00:57:23,200 Well done. Thank you. 1108 00:57:23,200 --> 00:57:25,840 Ailish, you used shorter brushstrokes, 1109 00:57:25,840 --> 00:57:28,040 which meant that your edges were not as sharp. 1110 00:57:29,760 --> 00:57:33,800 Ailish, I'm sorry, you'll be the next MUA going home. 1111 00:57:33,800 --> 00:57:36,920 Don't cry! Don't cry! Honestly, Mia! Honey... 1112 00:57:36,920 --> 00:57:38,080 This competition has taught me 1113 00:57:38,080 --> 00:57:39,800 that I need to have more confidence in myself. 1114 00:57:39,800 --> 00:57:42,680 The judges have given me so much feedback and so much advice 1115 00:57:42,680 --> 00:57:44,680 so I'm really going to take their advice on board 1116 00:57:44,680 --> 00:57:46,360 and really just go forward in my career. 1117 00:57:46,360 --> 00:57:48,560 As my mum always says, "Winning would have been 1118 00:57:48,560 --> 00:57:51,240 "the icing on the cake, but not every cake needs icing." 1119 00:57:56,360 --> 00:57:57,800 Oh, my God! Yes! 1120 00:57:57,800 --> 00:57:59,160 Oh, my God! 1121 00:57:59,160 --> 00:58:00,720 Yes! 1122 00:58:00,720 --> 00:58:03,320 You get a hug! Everyone gets a hug! 1123 00:58:05,080 --> 00:58:07,680 I am very happy that I'm not leaving. 1124 00:58:07,680 --> 00:58:10,760 I do have so much more to show the judges. 1125 00:58:10,760 --> 00:58:12,840 If I think it's bold enough, I need to go bigger. 1126 00:58:12,840 --> 00:58:15,480 Bye, guys! See ya! Bye! 1127 00:58:15,480 --> 00:58:16,920 Next time... 1128 00:58:16,920 --> 00:58:21,880 {\an8}We are on set for House Of The Dragon! 1129 00:58:21,880 --> 00:58:25,040 {\an8}..the MUAs take on the world of on-screen make-up. 1130 00:58:25,040 --> 00:58:27,000 {\an8}I'm happy I get to do the gore. 1131 00:58:27,000 --> 00:58:29,160 {\an8}Sorry, I really feel like I'm letting us down. 1132 00:58:29,160 --> 00:58:31,280 {\an8}And at Glow Up Studios... 1133 00:58:31,280 --> 00:58:33,440 {\an8}SHRIEKS 1134 00:58:31,280 --> 00:58:33,440 {\an8}Oh, my God! 1135 00:58:33,440 --> 00:58:35,720 {\an8}..a special guest judge sees emotions run high. 1136 00:58:36,920 --> 00:58:38,600 {\an8}Hi, everyone! 1137 00:58:38,600 --> 00:58:40,320 {\an8}Completely mind-blown. 1138 00:58:41,305 --> 00:59:41,685